Misplaced Pages

Almerindo Spadetta

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Almerindo Spadetta
Bornc. 1822
Naples, Kingdom of the Two Sicilies
DiedApril 1894
San Giovanni a Teduccio, Italy
Occupations
  • librettist
  • stage manager

Almerindo Spadetta (c. 1822—April 1894) was a prolific opera librettist active in Naples. He worked as a stage manager at the Teatro San Carlo, Teatro Nuovo, and Teatro del Fondo in Naples for over 40 years and wrote numerous libretti (mostly in the opera buffa genre) for composers associated with those theatres. His most enduring work was the libretto for Nicola De Giosa's Don Checco, one of the last great successes in the history of Neapolitan opera buffa.

Spadetta was a lawyer by training and apparently spent some of his career in Malta, but little else has been written about his life. According to his obituary in the Gazzetta Musicale di Milano, he spent his last years in San Giovanni a Teduccio, a small town in the suburbs of Naples. He died there in 1894, long-forgotten and in dire poverty.

Libretti

Spadetta's libretti include:

  • Elvina (opera semiseria in 3 acts); composed by Nicola De Giosa; premiered Teatro Nuovo, Naples, 1845
  • Pulcinella e la fortuna, (azione allegorica in 5 acts), composed by Vincenzo Fioravanti; premiered Teatro Nuovo, Naples, 24 January 1847
  • Carlotta e Werter (opera semiseria in 2 acts); composed by Mario Aspa; premiered Teatro Nuovo, Naples, 1849
  • Il pirata, (opera buffa in 5 acts; composed by Vincenzo Fioravanti; premiered Teatro Nuovo, Naples, 1849
  • Don Checco (opera buffa in 2 acts); composed by Nicola De Giosa premiered Teatro Nuovo, Naples, 1850
  • Il coscritto (melodramma in 4 parts); composed by Mario Aspa; premiered Teatro del Fondo, Naples, 1851
  • Il signor Pipino (opera buffa in 3 acts) composed by Vincenzo Fioravanti; premiered Teatro Nuovo, Naples, 1856
  • Cicco e Cola (opera buffa in 4 acts); composed by Alfonso Buonomo; premiered Teatro Nuovo, Naples, 1857
  • I due mariti (commedia lirica in 3 acts); composed by Nicola D'Arienzo; premiered Teatro Bellini, Naples, 1 February 1866
  • Tizio, Cajo e Sempronio (opera buffa in 3 acts); composed by Alfonso Buonomo; premiered Teatro Fenice, Naples, 1867
  • Le rose (commedia lirica in 3 acts); composed by Nicola D'Arienzo; premiered Teatro Bellini, Naples, February 1868
  • Il cacciatore delle Alpi (azione semiseria in 1 act); composed by Nicola D'Arienzo; premiered Teatrino del Collegio dei Nobili, Naples, 23 June 1870
  • Zorilla (melodramma giocoso in 3 acts); composed by Antonio Nani; premiered Teatro Rossini, Naples, 1872
  • Il cuoco e il segretario (opera buffa in 3 acts, after Eugène Scribe); composed by Nicola D'Arienzo; premiered Teatro Rossini, Naples, 11 January 1873
  • I viaggi (commedia lirica in 3 acts); composed by Nicola D'Arienzo; premiered Teatro Castelli, Milan, 23 June 1875.

References

  1. Lanza, Andrea (2001). "De Giosa, Nicola" Archived 2018-03-21 at the Wayback Machine. Grove Music Online. Retrieved 27 June 2017 (subscription required for full access).
  2. ^ "Acuto" (pseudonym of Federico Polidoro) (29 April 1894). "Napoli", p. 268. Gazzetta Musicale di Milano (in Italian)
  3. Annamaria Sapienza, Annamaria (1998). La parodia dell'opera lirica a Napoli nell'Ottocento, pp. 95–96. Guida Editori. ISBN 8871882857 (in Italian)
  4. Brincat, Joseph M. (2003). Malta: Una storia linguistica, p. 272. Le mani. ISBN 8880122746
Categories: