Misplaced Pages

Contemporary Art Television Fund

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Contemporary Art Television Fund" – news · newspapers · books · scholar · JSTOR (July 2023) (Learn how and when to remove this message)

The Contemporary Art Television (CAT) Fund was an initiative seed-funded for three years by the Massachusetts Council on the Arts and Humanities, 1983-1986. The fund was a collaboration between the Institute of Contemporary Art, Boston, and WGBH TV, and Boston’s Public Television Station.

Kathy Rae Huffman was appointed curator/producer with a mandate to create a context for artists to define television as a medium for personal expression. The Fund was to increase visibility of artists work in television, to create larger distribution markets for artists television/video, and to experiment with methods for funding and self-sustaining strategies for media arts production.

Projects

Events, meetings of producers, and presentations were conducted. The following projects were commissioned, and co-produced by The CAT Fund, 1984-1991 (in alphabetical order):

  • Laurie Anderson: What You Mean We? (video, produced in collaboration with Alive From Off Center, 1986)
  • Burt Barr and James Benning: O Panama (video co-produced with New TV Workshop 1985)
  • Dara Birnbaum: Will-O'-The-Wisp (video/installation, 1985)
  • Peter D'Agostino: String Cycles (interactive work, 1991)
  • Ken Feingold: Irony (TV narrative, 1985)
  • Doug Hall: Storm and Stress (video, 1986)
  • Joan Jonas: Double Lunar Dogs (video, 1984)
  • Joan Logue: New England Fisherman: Spots (video portraits, 1985)
  • Chip Lord and Mickey McGowen: Easy Living (video, 1984)
  • Branda Miller: Time Squared (video for TIME CODE , 1987)
  • Jacques Louise and Daniele Nyst: L'Image (video and computer animation, 1987)
  • Marcel Odenbach: As If Memories Could Deceive Me (video and installation, 1986)
  • Tony Oursler: EVOL (video, 1984)
  • Tony Oursler and Constance DeJong: Relatives (video and performance, produced in collaboration with the exhibition BiNational: American Art of the Late 80’s, and toured internationally, 1988-1989)
  • Daniel Reeves: Ganapati / a spirit in the bush (video, 1986)
  • Raul Ruiz: Expulsion of the Moors The (installation with video, co-produced with IVAM (Valencia) and the Galerie Nationale du Jeu de Paume, Paris, 1990)
  • Bill Seaman: The Watch Detail (interactive computer installation)
  • Bill Seaman: The Water Catalogue (video, 1984)
  • Ilene Segalove: More TV Stories (video, 1985)
  • Michael Smith & William Wegman: The World of Photography (video, produced in collaboration with “Alive From Off Center”, 1986)
  • Bill Viola: I Do Not Know What it is I Am Like (video, video laserdisc co-produced with The Voyager Co., 1986)

In 1997, The DeCordova Museum presented The CAT Fund, as part of its HIstory of Video Art in Boston series. Part II: The 1980s.

References

  1. "Contemporary Art Television Fund". www.videohistoryproject.org. 2011-05-16. Retrieved 2023-07-31.
Categories: