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MahakaviLaxmi Prasad Devkota
लक्ष्मीप्रसाद देवकोटा
Minister of Education and Autonomy
In office 26 July 1957 – 15 May 1958
Monarch	King Mahendra
Prime Minister	Kunwar Inderjit Singh
Personal details
Born	(1909-11-12)12 November 1909 Dhobidhara, Kathmandu, Nepal
Died	14 September 1959(1959-09-14) (aged 49) Pashupati Aryaghat
Nationality	Nepali
Spouse	Mandevi Chalise
Children	5 daughters and 4 sons
Parent(s)	Tilmadhav Devkota (father) Amar Rajya Lakshmi Devi (mother)
Relatives	Lok Priya Devi (sister)
Occupation	Poet, Playwright and Scholar

Laxmi Prasad Devkota (Nepali: लक्ष्मीप्रसाद देवकोटा) (1909-1959) was a Nepalese poet, playwright, novelist, and politician. Honored with the title of Mahakabi (Nepali: महाकवि, lit. 'Greatest poet') in Nepali literature, he was known as a poet with a golden heart, and is considered one of the most famous literary figures in Nepal. Some of his popular works include Muna Madan, Sulochana, Kunjini, Bhikhari, and Shakuntala.

Early life

Devkota was born on the night of Lakshmi Puja on 12 November 1909 (27 Kartik 1966 BS) to Teel Madhav Devkota and Amar Rajya Lakshmi Devi in Dhobidhara, Kathmandu. His father was a Sanskrit scholar, who taught him in his childhood. He started his formal education at Durbar High School, where he studied both Sanskrit grammar and English. After finishing his matriculation exams from Patna at the age of 17, he pursued a Bachelor of Arts along with a Bachelor of Laws at Tri-Chandra College and graduated from Patna University as a private examinee. His desire to complete his master's degree was left incomplete due to his family's financial conditions.

A decade after his graduation as a lawyer, he started working in the Nepal Bhasaanuwad Parishad (Publication Censor Board), where he met famous playwright Balkrishna Sama. At the same time, he also worked as a lecturer at Tri-Chandra College and Padma Kanya College.

Literary career

Devkota contributed to Nepali literature by starting a modern Nepali language romantic movement in the country. He was the second writer born in Nepal to begin writing epic poems in Nepali literature. Nepali poetry soared to new heights with Devkota's innovative use of the language.

Departing from the Sanskrit tradition that dominated the Nepali literary scene at the time, and being inspired by the Newar language ballad song Ji Waya La Lachhi Maduni, he wrote Muna Madan (Nepali: मुनामदन) (1930), a long narrative poem in a popular Jhyaure bhaka (Nepali: झ्याउरे भाका) folk tune. Muna Madan is undoubtedly the best-selling book in the history of Nepali literature. The 2003 film Muna Madan, which was Nepal's official entry for the Best Foreign Language Film at the 76th Academy Awards, was based on this poem. The work received immediate recognition from the Ranas—the country's ministers at the time. Muna Madan tells the story of Madan, a traveling merchant, who departs for Tibet in a bid to earn some money leaving behind his wife, Muna. The poem describes the thematic hardships of the journey: the grief of separation, the itching of longing, and the torment of death.

The ballad Ji Waya La Lachhi Maduni is a tragic song based on a Newa merchant, his mother, and his wife. The merchant is about to leave Kathmandu for Tibet on a work. The song starts with the wife pleading with her mother-in-law to stop him, saying that it's not even been a month since she came to their home and he wants to go away. Being raised in Kathmandu, Devkota had heard this song from locals singing it at a local Pati (Nepali: पाटी or फ़ल्चा). He was highly fascinated by the song and decided to re-write it in Nepali. Since the Rana rulers had put a ban on the Newa trade, language and literature, he changed the main character from a Newa merchant as in the original song to a Kshatriya (warrior class) character. Although Kshatriya people did not practice trade for their living during those days, he had to depict it as such in order to lure the Rana rulers.

The following couplet, which is among the most famous and frequently quoted lines from the epic, celebrates the triumph of humanity and compassion over the hierarchies created by caste in Nepalese culture.

Considered his magnum opus, Muna Madan has remained widely popular among the lay readers of Nepali literature; it remains the most popular Nepali book since 1936; the book was also translated into Mandarin; it was well received by China and considered successful.

Devkota, inspired by his five-month stay in a mental asylum in 1939, wrote a free-verse poem, Pagal (Nepali: पागल, lit. 'The Lunatic'). The poem deals with his usual mental ability and is considered one of the best Nepali language poems.

Devkota had the ability to compose long epics and poems with literary complexity and philosophical density in very short periods of time. He wrote Shakuntala, his first epic poem, and also the first Mahakavya (Nepali: महाकाव्य) written in the Nepali language, in a mere three months. Published in 1945, Shakuntala is a voluminous work in 24 cantos based on Kālidāsa's famous Sanskrit play Abhijñānaśākuntalam. Shakuntala demonstrates Devkota's mastery of Sanskrit meter and diction, which he incorporated heavily while working primarily in Nepali. According to the late scholar and translator of Devkota, David Rubin, Shakuntala is among his greatest accomplishments. "It is, without doubt, a remarkable work, a masterpiece of a particular kind, harmonizing various elements of a classical tradition with a modern point of view, a pastoral with a cosmic allegory, Kālidāsa's romantic comedy of earthly love with a symbolic structure that points to redemption through the coinciding of sensual and sacred love."

Devkota also published several collections of short lyric poems set in various traditional and non-traditional forms and meters. Most of his poetry shows the influence of English Romantic poets like Wordsworth and Coleridge. The title poem in the collection Bhikhari (Nepali: भिखारी, lit. 'Beggar') is reminiscent of Wordsworth's "The Old Cumberland Beggar". In this poem, Devkota describes the beggar going about his ways in dire poverty and desolation, deprived of human love and material comforts. On the other hand, the beggar is also seen as the source of compassion placed at the core of suffering and destitution. Devkota connects the beggar with the divine as the ultimate fount of kindness and empathy:

Many of his poems focus on mundane elements of the human and the natural world. The titles of his poems like Ban (Nepali: वन, lit. 'The Woods'), Kisaan (Nepali: किसान, lit. 'The Peasant'), Baadal (Nepali: बादल, lit. 'Clouds') shows that he sought his poetic inspiration in the commonplace and proximal aspects of the world. What resonates throughout most of his poetry is his profound faith in humanity. For instance, in the poem Ban, the speaker goes through a series of interrogations, rejecting all forms of comfort and solace that could be offered solely to him as an individual. Instead, he embraces his responsibility and concern for his fellow beings. The poem ends with the following quatrain that highlights the speaker's humanistic inclinations:

Besides poetry, Devkota also made significant contributions to the essay genre. He is considered the father of modern Nepali essay writing. He defied the conventional form of essays and broke the traditional rules of essay writing and embraced a more fluid and colloquial style which had more clarity in meaning, expressive in feelings, and eloquent in terms of language. His essays are generally satirical in tone and are characterized by their trenchant humour and ruthless criticism of the modernizing influences from the West on Nepali society. An essay titled Bhaladmi (Nepali: भलादमी, lit. 'Gentleman') or criticizes a decadent trend in Nepali society to respect people based on their outward appearances and outfit rather than their actual inner worth and personality. In another essay titled Ke Nepal Sano Cha? (Nepali: के नेपाल सानो छ?, lit. 'Is Nepal is small'), he expresses deeply nationalistic sentiments inveighing against the colonial forces from British India which, he felt, were encroaching all aspects of Nepali culture. His essays are published in an essays book entitled Laxmi Nibhandha Sanghraha (Nepali: लक्ष्मी निबन्धसङ्‌ग्रह).

Devkota also translated William Shakespeare's play Hamlet into Nepali. Moreover, he translated his own epic, Shakuntala, into English and wrote several poetry, essays, plays, and epics in English.

Politics

Laxmi Prasad Devkota was not active within any well-established political party, but his poetry consistently embodied an attitude of rebellion against the oppressive Rana dynasty. During his self-exile in Varanasi, he started working as an editor of Yugvani newspaper of the Nepali Congress, leading to the confiscation of all his property in Nepal by the Rana Government. After the introduction of democracy through Revolution of 1951, Devkota was appointed member of the Nepal Salahkar Samiti (Nepali: नेपाल सलाहकार समिति, lit. 'Nepal Advisory Committee') in 1952 by King Tribhuvan. Later in 1957, he was appointed as Minister of Education and Autonomous Governance under the premiership of Kunwar Inderjit Singh.

Personal life

Devkota's son, Padma Devkota, is also a poet and writer and served for many years as a professor at the English Department, Tribhuvan University, Kathmandu.

Health

In the late 1930s, Devkota suffered from nervous breakdowns, probably due to the deaths of his parents and his two-month old daughter. Eventually, in 1939, he was admitted to the Mental Asylum of Ranchi, India, for five months. With financial debts later in his life and being unable to finance the weddings and dowries of his daughters. He is once reported to have said to his wife, "Tonight let's abandon the children to the care of society and youth and renounce this world at bedtime and take potassium cyanide or morphine or something like that ."

Later years and death

Devkota developed cancer and died on 14 September 1959, at Pashupati Aryaghat, along the banks of Bagmati river in Pashupatinath Temple, Kathmandu. He had smoked for most of his life. Prior to his death, Devkota's income was terminated by the Nepal Academy of Literature and Art because he attended the Afro-Asian Writers' Conference, which was held in modern-day Tashkent, without first seeking permission from them. He also spoke at the ceremony, praising well-known figures for their contributions to Nepali literature, including Bhanubhakta Acharya, Lekhnath Paudyal, Pandit Hemraj, and Somnath Sigdel. Devkota claimed in an interview that he hadn't received pay for the previous eight months and that as a result, he had been unable to purchase the medication he needed to treat his disease; moreover, he was struggling to even buy food. Devkota's personality was vibrant and assertive despite the fact that he was battling cancer, but his room was disorganized.

Publications

Epics

Poetry / short novels / essays / novel

See also

• Nepali literature
• Bhanubhakta Acharya
• Mahakavi Devkota

References

1. Shrestha 1981, p. 117.
2. ^ Shrestha 1981, p. 5.
3. गिरी, अमर (30 October 2019). "देवकोटा र मानवता: कुन मन्दिरमा जान्छौ यात्री ?". Gorkhapatra (in Nepali). Archived from the original on 5 November 2019. Retrieved 27 July 2022.
4. ^ Lamsal, Yuba Nath (6 December 2013). "Poet The Great: Laxmi Prasad Devkota". Gorkhapatra. Archived from the original on 6 December 2013. Retrieved 6 December 2013.
5. ^ Hutt, Michael (7 March 2018). "A voice from the past speaking to the present". Kathmandu: The Record Nepal. Archived from the original on 24 February 2019. Retrieved 24 February 2019.
6. पराजुली, गोपाल (27 July 2022). "महाकवि लक्ष्मीप्रसाद देवकोटा". Gorkhapatra (in Nepali). Archived from the original on 6 December 2013. Retrieved 27 July 2022. Being born on the auspicious day of Laxmi pooja (the goddess of wealth), he was regarded as the gift of goddess Laxmi, but in contradiction to it, he became a gift of Saraswati (goddess of knowledge and education).
7. Sharma, Kumar (23 October 2014). "Mahakavi Devkota: The legend lives on". The Kathmandu Post. Archived from the original on 28 July 2022. Retrieved 27 July 2022.
8. ^ Hutt 1991, p. 40.
9. Chi, Minnie (23 January 2004). "Nepal's Submission for Best Foreign Language Film (Academy Award)". University of California, Los Angeles. Archived from the original on 2 June 2020. Retrieved 29 July 2022.
10. गौतम, प्रभाकर (29 June 2019). "नेवारी गीतिकाव्य 'जि वया ला लछि मदुनी' बाट प्रभावित थियो देवकोटाको मुनामदन". Setopati (in Nepali). Archived from the original on 28 July 2022. Retrieved 27 July 2022.
11. Acharya, Tulasi (16 April 2022). "The Nepali literary environment". The Kathmandu Post. Archived from the original on 17 April 2022. Retrieved 27 July 2022.
12. Mahat, Sunny (4 January 2019). "'Muna Madan' in Mandarin". The Annapurna Express. Archived from the original on 9 May 2022. Retrieved 28 July 2022.
13. Hutt 1991, pp. 53–56.
14. Thapa, Manjushree (11 October 2002). "Poetry for a derainged time". Nepali Times. Archived from the original on 15 November 2020. Retrieved 27 July 2022.
15. Devkota 1980, p. 40.
16. Panta, Pradipna Raj (29 October 2021). "Nepal Through Eyes Of Devkota". The Rising Nepal. Gorkhapatra Corporation. Archived from the original on 20 November 2021. Retrieved 29 July 2022.
17. Trivedi, Chakravarti & Motohashi 2021, p. 102.
18. Chalise, Vijaya (27 October 2008). "Devkota birth centenary Who cares for this national genius?". The Himalayan Times. Archived from the original on 23 March 2023. Retrieved 31 July 2022.
19. ^ रिसाल, भैरव (27 October 2019). "महाकविसँगको त्यो अन्तर्वार्ता". Himal Khabarpatrika (in Nepali). Archived from the original on 24 February 2021. Retrieved 28 July 2022. कुराकानीमा देवकोटाले आठ महीनादेखि हातमा रातो पैसो नपरेकोले ओखती त कता-कता चुल्होमा आगो बल्न पनि मुश्किल भएको वेदना साट्नुभयो । म त्यहाँ डेढ घण्टा जति बसें हुँला । क्यान्सर जस्तो रोगबाट ग्रसित भए पनि महाकविको व्यक्तित्वमा तेज र ओज थियो । तर कोठा भने असरल्ल, सामान भद्रगोल ।
20. ^ उप्रेती, अरुणा (6 September 2020). "दुई किताब : देवकोटाको जीवनशैली, सिकाइ र सहयोग". Online Khabar (in Nepali). Archived from the original on 6 September 2020. Retrieved 27 July 2022.
21. "A Concocted Emotion Is not Poetry: Padma Devkota". The Gorkha Times. 1 February 2022. Archived from the original on 3 August 2022. Retrieved 15 May 2022.
22. Pandey 1959, p. 30.
23. देवकोटा, लक्ष्मीप्रसाद (14 November 2020). "महाकविको 'इच्छापत्र'". Himal Khabarpatrika (in Nepali). Archived from the original on 6 April 2021. Retrieved 28 July 2022.
24. Chauhan 2009, pp. 99–105.

Bibliography

• Shrestha, Chandra Bahadur (1981). My Reminiscence of the Great Poet, Laxmi Prasad Devkota. Royal Nepal Academy. Archived from the original on 5 April 2023. Retrieved 25 July 2022.
• Hutt, Michael James (1991). "Lakshmiprasad Devkota (1909-1959)". Himalayan voices : an introduction to modern Nepali literature. Berkeley: University of California Press. ISBN 978-0-520-91026-3. OCLC 43476642. Archived from the original on 21 November 2021.
• Devkota, Laxmi Prasad (1980). Nepali visions, Nepali dreams : the poetry of Laxmiprasad Devkota. Translated by David Rubin. New York: Columbia University Press. ISBN 0-231-05014-3. OCLC 5946334. Retrieved 27 July 2022.
• Trivedi, Poonam; Chakravarti, Paromita; Motohashi, Ted (2021). Asian interventions in global Shakespeare : 'all the world's his stage'. New York, NY: Routledge. ISBN 978-1-000-21431-4. OCLC 1196839110. Retrieved 30 July 2022.
• Pandey, Nityaraj (1959). महाकवि देवकोटा (in Nepali). Nepal: Sajha Prakashan. ISBN 9789993327929. OCLC 79647044. Retrieved 26 July 2022.
• Chauhan, Janga B. (2009). "Bodhi: An Interdisciplinary Journal". Devkota in Russia. 3. Kathmandu, Nepal: Kathmandu University. ISSN 2091-0479. OCLC 644273013. Archived from the original on 3 June 2018. Retrieved 29 July 2022.

External links

• Some Works by Laxmi Prasad Devkota
• Mahakavi Laxmi Prasad Devkota Study and Research Center Archived 10 April 2019 at the Wayback Machine
• Some Works by Laxmi Prasad Devkota in original Nepali
• Poems Of Laxmi Prasad Devkota In Nepali (From Laxmi Kavita Sangraha) Compiled By Sanjaal Corps
• Laxmi Prasad Devkota: Nepal's Greatest Poet Archived 14 March 2012 at the Wayback Machine

v t e Works of Laxmi Prasad Devkota
Poems	Mrityushaiyabaata Aakash Bolchha Shree Sitaram Padmabidyashramko Parthana Pahadi Pukar Bhikhari Chilla Paatharu Baljasto Gainegeet
Epics	Muna Madan Shakuntala Shulochana Prithviraj Chauhan Prometheus. Maharana Pratap Bankusum Rajkumar Prabhakar Dhumraketu
Poetry	Muna Madan Luni Hmendu Jatayu-Rawan Yuddha Kunjini Krishi Bala Dushyanta Shakuntala Bhet Seetaharan
Children's literature	Sunko Bihani Putali
Essays	Lakshami Nibandha Sangraha Dadimko Rukhnera The Witch Doctor and Other Essays
Play	Sabitri Satyawan
Novels	Champa
Short story collection	Lakshmi Kathasangraha

v t e Nepalese writers
Nepali	Abhi Subedi Amar Neupane Ambalika Devi Ambika Prasad Upadhyaya Arbind Rimal Ashesh Malla Bairagi Kainla Bal Krishna Pokharel Balkrishna Sama Banira Giri Basanta Basnet Bhairav Aryal Bhanubhakta Acharya Bharat Jangam Bharat Koirala Bhawani Bhikshu Bhim Nidhi Tiwari Bijaya Malla Binod Prasad Dhital Bhim Bahadur Pande Bhola Rijal Bhupal Rai Bhupi Sherchan Bhuwan Dhungana Bidhyanath Pokhrel Bimala Tumkhewa Bishweshwar Prasad Koirala Buddha Sayami Buddhi Narayan Shrestha Buddhisagar Byakul Maila Chakrapani Chalise Chandra Prakash Baniya Chittaranjan Nepali Chhinnalata Chuda Mani Regmi Daulat Bikram Bista Daya Bir Singh Kansakar Deepak Shimkhada Desh Subba Dha. Cha. Gotame Dharanidhar Koirala Dharma Ratna Yami Dharmaraj Thapa Dharmendra Bikram Nembang Dhooswan Sayami Dhruba Chandra Gautam Diamond Shumsher Rana Dor Bahadur Bista Durga Lal Shrestha G. Shah Geeta Tripathee Girish Ballabh Joshi Gopal Parajuli Gopal Prasad Rimal Govinda Bahadur Malla Guru Prasad Mainali Gyandil Das Hangyug Agyat Hari Bansha Acharya Hari Prasad Rimal Harka Gurung Hemang Dixit Iman Xin Chemjong Ishwar Ballav Jagadish Ghimire Jagat Lal Master Janak Prasad Humagain Jaya Prakash Malla Jaya Prithvi Bahadur Singh Jhamak Ghimire Kamal Mani Dixit Kanak Mani Dixit Karna Shakya Karunakar Vaidya Kedar Man Vyathit Kedar Nath Neupane Kesar Lall Khagendra Sangraula Khaptad Swami Krishna Bhooshan Bal Krishna Chandra Singh Pradhan Krishna Dharabasi Krishnahari Baral Kshetra Pratap Adhikary Kul Bahadur KC Kumar Kashyap Mahasthavir Kumar Nagarkoti Lain Singh Bangdel Laxmi Prasad Devkota Leeladhwaj Thapa Lekhnath Paudyal Madan Mani Dixit Madan Mohan Mishra Madhav Prasad Devkota Madhav Prasad Ghimire Mahananda Sapkota MBB Shah Mahesh Bikram Shah Mahesh Chandra Regmi Manu Brajaki Master Mitrasen Maya Thakuri Modanath Prasrit Mohan Koirala Motiram Bhatta Mukunda Sharan Upadhyaya Naba Raj Lamsal Nar Bahadur Saud Nara Dev Pandey Nara Nath Acharya Narayan Rayamajhi Narayan Wagle Nawaraj Silwal Nayan Raj Pandey Neelam Karki Niharika Neer Shah Nityaraj Pandey Pahalman Singh Swar Parashu Pradhan Parijat Prema Shah Prithvi Narayan Shah Chandani Shah Lalit Tripurasundari Radha Paudel Rajan Mukarung Rajesh Gautam Rajeshwor Devkota Ram Man Trishit Ram Raj Pant Ramesh Bikal Ramesh Kshitij Ramlal Joshi Rashmila Shakya Ratna Shumsher Thapa Rewati Raman Khanal Riddhi Bahadur Malla Rookmangud Katawal Rudra Raj Pande Sanjeev Uprety Santosh Lamichhane Sanu Sharma Saraswati Pratikshya Sarita Tiwari Saru Bhakta Satya Mohan Joshi Shakti Ballav Aryal Shankar Lamichhane Shanta Chaudhary Shanti Mishra Shikhar Ghimirey Shiva Kumar Rai Shrawan Mukarung Siddhicharan Shrestha Somnath Sigdel Subin Bhattarai Suman Pokhrel Surya Bikram Gyawali Sulochana Manandhar Sushma Joshi Swapnil Smriti Taranath Sharma Tarini Prasad Koirala Toya Gurung Tulsi Diwasa Upendra Subba Usha Sherchan Uttam Kunwar Vishnu Raj Atreya Yogbir Singh Kansakar Yogesh Raj Yogi Naraharinath Yogmaya Neupane Yubraj Nayaghare Yuyutsu Sharma
Sanskrit	Bhanubhakta Acharya Lekhnath Paudyal Motiram Bhatta Mukunda Sharan Upadhyaya Nara Nath Acharya Vishnu Raj Atreya
Limbu	Bairagi Kainla Iman Xin Chemjong
Nepalbhasha	Bauddha Rishi Mahapragya Bhupatindra Malla Briddhi Lakshmi Buddha Sayami Buddhaghosa Mahasthavir Chittadhar Hridaya Daya Bir Singh Kansakar Dhammalok Mahasthavir Dharma Ratna Yami Dharmachari Guruma Dharmaditya Dharmacharya Dhooswan Sayami Durga Lal Shrestha Ganesh Lal Shrestha Girija Prasad Joshi Jagajjyoti Malla Jagat Lal Master Jagat Prakasha Malla Jagat Sundar Malla Jayaprakash Malla Kedar Man Vyathit Kedar Nath Neupane Kesar Lall Kumar Kashyap Mahasthavir Madan Mohan Mishra Moti Laxmi Upasika Nisthananda Bajracharya Phatte Bahadur Singh Pragyananda Mahasthavir Pratek Man Tuladhar Prem Bahadur Kansakar Purna Kaji Tamrakar Pushpa Ratna Sagar Ranajit Malla Rebati Ramanananda Shrestha Satya Mohan Joshi Shashikala Manandhar Shukraraj Shastri Siddhicharan Shrestha Siddhidas Mahaju Siddhi Narasimha Malla Sudarshan Mahasthavir Sukraraj Shastri Sulochana Manandhar Tara Devi Tuladhar Yogbir Singh Kansakar
English	Abhi Subedi C. K. Lal D. B. Gurung Deepak Shimkhada Dor Bahadur Bista Manjushree Thapa Pranaya SJB Rana Pratyoush Onta Rabi Thapa Samrat Upadhyay Shanti Mishra Suman Pokhrel Yogesh Raj Yongey Mingyur Rinpoche Yuyutsu Sharma
Hindi	Chittadhar Hridaya Dhooswan Sayami Kedar Man Vyathit Sitaram Agrahari
Tamang	Bina Theeng Tamang Ganesh Lal Shrestha
Avadhi	Bhawani Bhikshu Vishnu Raj Atreya
Magar	Bal Krishna Pokharel
Maithili	Bhupatindra Malla Caṇḍeśvara Ṭhakkura Dhirendra Premarshi Jagat Prakasha Malla Jagajjyoti Malla Jyotirishwar Thakur
Chinese	Sulochana Manandhar

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