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The St Ives School refers to a group of artists living and working in the Cornish town of St Ives. The term is often used to refer to the 20th century groups which sprung up after the First World War around such artists as Borlase Smart, however there was considerable artistic activity there from the late 19th Century onwards.

History

The town became a magnet for artists following the extension to west Cornwall of the Great Western Railway in 1877. Painter James McNeill Whistler and his pupils, Walter Sickert and Mortimer Mempes, arrived in 1884, and spent the winter in the town. The Sloop Inn in St Ives, located on the wharf, was the favourite haunt of Victorian artists including Louis Grier. Many of his paintings hung there in earlier years.

Albert Julius Olsson and Louis Grier opened the town's first art school in 1888, and were later joined by Algernon Talmage. Talmage lived and worked in his studio (then called 'The Cabin', located on Westcotts Quay, St Ives). John Noble Barlow settled in St Ives in 1892, although later, he had a studio in the Lamorna Valley, Cornwall. Thomas Millie Dow moved with his family to St Ives in 1894, where Dow joined his friends and fellow painters Louis Grier and Lowell Dyer as members of the St Ives Art Club.

Expatriate artists

American Impressionist painters Edward Emerson Simmons and Howard Russell Butler came to St Ives in 1886, and founded a studio at Porthmeor. Butler stayed for two summers, but Simmons and his wife, artist Vesta Simmons, lived and painted in the area until 1891. Swedish artist Anders Zorn painted in St Ives, 1887–88, and his Fish Market, St Ives won a gold medal at the 1889 Paris Salon. American painters Sydney Laurence and Alexandrina Dupre honeymooned in St Ives in Summer 1889, and their stay in the fishing village and art colony eventually extended for nearly fifteen years. Canadian painter Emily Carr came to St Ives in 1899, and studied under Olsson and Talmage. Australian painter Hayley Lever first came to St Ives in 1900, married a local woman, Aida Gale, in 1905, and painted there until their 1914 emigration to the United States, while another Australian E. Phillips Fox met his wife-to-be, artist Ethel Carrick, there in 1903. American painter Walter Elmer Schofield and his wife made St Ives their residence from 1903 to 1907, lived in Perranporth after World War I, and retired to Breage in 1937. Schofield recommended the area to fellow American painters George Oberteuffer, Frank Shill and Frederick Judd Waugh. American artist Paul Dougherty lived six months of the year in St. Ives from 1908-1913 following the death of his wife, developing the maritime style for which he would become most famous.

• Julius Olsson, Silver Moonlight, St Ives Bay, Southampton City Art Gallery, UK
• Algernon Talmage, Marine, Bushey Museum, Hertfordshire, UK
• John Noble Barlow, Cliff Scene, Royal Cornwall Museum, Truro, UK
• Thomas Millie Dow, St Ives Harbour,
• Edward Simmons, Low Tide, St Ives Harbor, private collection
• Howard Russell Baker, Yellow Sweater, private collection
• Anders Zorn, Fish Market, St Ives, private collection
• Hayley Lever, Winter in St Ives, Brooklyn Museum, New York City
• Frederick Judd Waugh, Southwesterly Gale, St Ives, Smithsonian American Art Museum, Washington, D.C.

Post-WWI

In 1920 Bernard Leach and Shoji Hamada set up a pottery in St Ives, creating a further international art connection for the town.

In 1928 Ben Nicholson and Christopher Wood visited St Ives where they were impressed by the work of local artist Alfred Wallis. This started another strand in the development of the Cornish fishing port as an artists' colony.

The St Ives School of Painting was established in the historic Porthmeor studios at the centre of St Ives' artists' quarter in 1938 by Borlase Smart and Leonard Fuller.

With the outbreak of the Second World War in 1939, Ben Nicholson and his then wife the sculptor Barbara Hepworth settled in St Ives, establishing an outpost for the abstract avant-garde movement in west Cornwall. They were soon joined by the prominent Russian Constructivist sculptor Naum Gabo.

After the war ended, a new and younger generation of artists emerged, led by Hepworth and Nicholson (Gabo departed in 1946). From about 1950 a group of younger artists gathered in St Ives who included Peter Lanyon, John Wells, Roger Hilton, Rose Hilton, Bryan Wynter, Patrick Heron, Terry Frost, Alexander Mackenzie, Harry Ousey, Wilhelmina Barns-Graham, Stass Paraskos, Paul Feiler, and Karl Weschke together with the pioneer modern potter, Bernard Leach (Nicholson departed in 1958), and including, for a while, Sven Berlin. It is with this group, together with Hepworth and Nicholson, that the term 'St Ives School' is particularly associated.

A 2010 ninety-minute BBC 4 film, "The Art of Cornwall", presented by James Fox explored in some detail the lives and works of many of the key figures and the contributions they made in establishing St Ives as a major centre of British art from the 1920s onwards. Helen Hoyle's review of this programme is also very informative.

St Ives School today

The heyday of the St Ives School was in the 1950s and 1960s. In 1993, the Tate St Ives, a new, purpose-built art gallery overlooking Porthmeor Beach, was opened which exhibits the Tate collection of St Ives School art.

See also

• List of St Ives artists
• Barbara Hepworth Museum
• The Nine British Art
• Penwith Society of Arts

References

1. ^ Tate St Ives, St Ives School, Tate Gallery Accessed 9 September 2017.
2. ^ The Early Artists' Colony, from St Ives Society of Artists.
3. Whybrow, Marion (1994). St Ives, 1883-1993: portrait of an art colony. Antique Collectors' Club. ISBN 978-1-85149-170-4. Retrieved 16 October 2011.
4. Grove Art Online. Oxford University Press, accessed 20 April 2008.
5. Grier, Louis The Studio Vol V (1895). See photograph "Some members" p 111.
6. Edward Simmons, from Borlase Smart John Wells Trust.
7. Howard Russell Butler, from Cornwall Artists.
8. Vesta S. Simmons, from Cornwall Artists Index.
9. Anders Zorn, from Cornwall Artists.
10. Sydney Laurence biography at alaskahistory.org Accessed 9 September 2017
11. Emily Carr, from Cornwall Artists.
12. Carol Lowrey, et al., Haley Lever and the Modern Spirit, exhibition catalogue (New York: Spanierman Gallery, 2010), p. 40.
13. Art, love & life : Ethel Carrick & E Phillips Fox. Angela Goddard, Georgina Downey, Ethel Carrick, Emanuel Phillips Fox, Queensland Art Gallery. South Brisbane, Queensland: Queensland Art Gallery. 2011. ISBN 978-1-921503-19-1. OCLC 693877482.{{cite book}}: CS1 maint: others (link)
14. C. Lewis Hind, "An American Landscape Painter: W. Elmer Schofield," The International Studio, vol. 48, no. 191 (January 1912), pp. 280–89.
15. ^ David Tovey, Creating A Splash - The St. Ives Society of Artists - The First 25 Years (1927–1952) (Hilmarton Manor Press, 2003).
16. Tovey, David (2009). St Ives (1860-1930): The Artists and the Community: a Social History. Wilson Books. pp. 60, 74. ISBN 978-0-9538363-7-6.
17. Lowrey, Carol (2007). A Legacy of Art: Paintings and Sculptures by Artist Life Members of the National Arts Club. Hudson Hills. pp. 86–7. ISBN 978-0-615-15499-2.
18. "Our History". schoolofpainting.co.uk. UK: St Ives School of Painting. Retrieved 2 September 2016.
19. The Art of Cornwall - "...eight artists who most made this miracle possible, from Kit Wood and Alfred Wallis to Barbara Hepworth and Ben Nicholson, are featured in a documentary which offers an alternative history of the 20th century avant-garde...", BBC Accessed 9 September 2017
20. The Art of Cornwall-00 introduction, YouTube.
21. Helen Hoyle, review of The Art of Cornwall, artcornwall.org. Accessed 9 September 2017

External links

• Walker, John. (1992) "St Ives School". Glossary of Art, Architecture & Design since 1945, 3rd. ed.
• St Ives School of Painting website
• St Ives Society of Artists

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