Article snapshot taken from Wikipedia with creative commons attribution-sharealike license.
Give it a read and then ask your questions in the chat.
We can research this topic together.
You can help expand this article with text translated from the corresponding article in German. (August 2020) Click for important translation instructions.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
Consider adding a topic to this template: there are already 2,136 articles in the main category, and specifying|topic= will aid in categorization.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Misplaced Pages article at ]; see its history for attribution.
You may also add the template {{Translated|de|March from the River Kwai}} to the talk page.
"The River Kwai March" is a march composed by Malcolm Arnold in 1957. It was written as an orchestral counter-march to the "Colonel Bogey March", which is whistled by the soldiers entering the prisoner camp in the film The Bridge on the River Kwai and again near the end of the film when the bridge is formally dedicated. The Arnold march re-appears (without the "Colonel Bogey March") several times in the film and is repeated at the finale.
The two marches have been recorded together by Mitch Miller as "March from the River Kwai - Colonel Bogey". Due to this, the "Colonel Bogey March" is often mis-credited as "River Kwai March".
The Arnold march was published by Shapiro, Bernstein & Co. in a piano arrangement by Robert C. Haring. It also forms part of the orchestral concert suite made of the Arnold film score by Christopher Palmer published by Novello & Co.