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Handel has generally been accorded high esteem by fellow composers, both in his own time and since.<ref>{{cite web |url=http://www.bbc.co.uk/pressoffice/pressreleases/stories/2009/01_january/13/composer6.shtml |title=BBC Press Release |publisher=Bbc.co.uk |date=13 January 2009 |access-date=13 April 2012 |archive-date=27 November 2013 |archive-url=https://web.archive.org/web/20131127140028/http://www.bbc.co.uk/pressoffice/pressreleases/stories/2009/01_january/13/composer6.shtml |url-status=live }}</ref> ] attempted, unsuccessfully, to meet Handel while he was visiting ].<ref>{{harvnb|Dent|2004|p=23}}</ref> (Handel was born in the same year as Bach and ].) ] is reputed to have said of him, "Handel understands ] better than any of us. When he chooses, he strikes like a thunder bolt."<ref name="YoungMM">{{cite book |last=Young |first=Percy Marshall |url=https://archive.org/details/handel00youn_0 |title=Handel (Master Musician series) |date=1 April 1975 |publisher=J. M. Dent & Sons |isbn=0-460-03161-9 |page= |author-link=Percy Young |url-access=registration |orig-year=1947}}</ref> To ] he was "the master of us all... the greatest composer that ever lived. I would uncover my head and kneel before his tomb."<ref name="YoungMM" /> Beethoven emphasised above all the simplicity and popular appeal of Handel's music when he said, "Go to him to learn how to achieve great effects, by such simple means." | |||
] -> horror | |||
] I think shouldn’t be linked (and downcase the L if it’s a cap) | |||
] and ] | |||
] | |||
] -> recording artist (I’m seeing a lot of this in the opening sentence, and it seems to be picked up by the “what links to ]” list. | |||
] | |||
] –> lead vocals | |||
] | |||
] doesn’t unlink sometimes. | |||
] doesn’t unlink sometimes (weird …). | |||
] | |||
] -> Spanish | |||
] and ] –> 19th and 20th centuries. I’m going through “links to ]”, and it’s not picking up duos like that. Would you consider unlinking, say, back to the 12th century or so, so that the numerator and plural pipes are captured too? Also, could you cover ] -> 19th-century (and for the other centuries)? Plus ] and ]. | |||
And ] to nineteenth century, which occurs quite a lot. | |||
] -> America | |||
] -> American | |||
Not sure whether ] should be unlinked, as it currently is. | |||
Musical instruments have been a patchiness issue that has bugged me. At the moment, this is the situation (where I suggest the red ones also be unlinked): | |||
flute | |||
] | |||
] | |||
] | |||
trumpet | |||
] | |||
] | |||
] | |||
] | |||
violin | |||
] | |||
cello | |||
] | |||
] and ] -> 18th and 19th centuries |
Latest revision as of 19:57, 16 June 2024
Handel has generally been accorded high esteem by fellow composers, both in his own time and since. Johann Sebastian Bach attempted, unsuccessfully, to meet Handel while he was visiting Halle. (Handel was born in the same year as Bach and Domenico Scarlatti.) Mozart is reputed to have said of him, "Handel understands affect better than any of us. When he chooses, he strikes like a thunder bolt." To Beethoven he was "the master of us all... the greatest composer that ever lived. I would uncover my head and kneel before his tomb." Beethoven emphasised above all the simplicity and popular appeal of Handel's music when he said, "Go to him to learn how to achieve great effects, by such simple means."
- "BBC Press Release". Bbc.co.uk. 13 January 2009. Archived from the original on 27 November 2013. Retrieved 13 April 2012.
- Dent 2004, p. 23 harvnb error: no target: CITEREFDent2004 (help)
- ^ Young, Percy Marshall (1 April 1975) . Handel (Master Musician series). J. M. Dent & Sons. p. 177. ISBN 0-460-03161-9.