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{{Short description|American writer and playwright}} {{Short description|American writer and playwright}}

]
{{Infobox writer <!--For more information, see ].-->
| name = Jane Bowles
| image = Jane Bowles.jpg
| nationality = American
| birth_date = February 22, 1917
| birth_place = ]
| death_date = {{death date and age|1973|5|4|1917|2|22}}
| death_place = ], ]
| occupation = ], ]
| spouse = ]
}}


'''Jane Bowles''' ({{IPAc-en|b|oʊ|l|s}}; born '''Jane Sydney Auer'''; February 22, 1917 – May 4, 1973) was an American writer and playwright. '''Jane Bowles''' ({{IPAc-en|b|oʊ|l|s}}; born '''Jane Sydney Auer'''; February 22, 1917 – May 4, 1973) was an American writer and playwright.


==Early life== ==Early life==
Born into a Jewish family in New York City on February 22, 1917, to Sydney Auer (father) and Claire Stajer (mother), Jane Bowles spent her childhood in ], on Long Island. She had had a bad knee from birth, which was later broken from falling off a horse when she was a teenager.<ref name=":0">{{Cite book|url=https://archive.org/details/dreamsthatmoneyc00brad/page/260|title=Dreams that money can buy : the tragic life of Libby Holman|last=Bradshaw, Jon.|year=1985|isbn=0688011586|location=New York|pages=|oclc=11751839}}</ref> After knee surgery, she developed ], and her mother took her to Switzerland for treatment, where she attended boarding school. She also attended Julia Richmond High School in New York and Stoneleigh School for Girls in Greenfield, Massachusetts. Born into a Jewish family in ] on February 22, 1917, to Sydney Auer (father) and Claire Stajer (mother), Jane Bowles spent her childhood in ], on Long Island. She had had a bad knee from birth, which was later broken from falling off a horse when she was a teenager.<ref name=":0">{{Cite book|url=https://archive.org/details/dreamsthatmoneyc00brad/page/260|title=Dreams that money can buy : the tragic life of Libby Holman|last=Bradshaw, Jon.|year=1985|isbn=0688011586|location=New York|pages=|oclc=11751839}}</ref> After knee surgery, she developed ], and her mother took her to Switzerland for treatment, where she attended boarding school. She also attended Julia Richmond High School in New York and the Stoneleigh School for Girls in Greenfield, Massachusetts.


At this point in her life, she developed a passion for literature coupled with insecurities. She developed phobias of dogs, sharks, mountains, jungles, and elevators as well as fears of being burned alive.<ref name=":0" /> During the mid-1930s she returned to New York, where she gravitated to the intellectual bohemia of ].{{sfn|Dillon|2015}} At this point in her life, she developed a passion for literature coupled with insecurities. She developed phobias related to ], sharks, mountains, jungles, and elevators as well as fears of being burned alive.<ref name=":0" /> During the mid-1930s she returned to New York, where she gravitated to the intellectual bohemia of ].{{sfn|Dillon|2015}}


She married composer and writer ] in 1938. The location of the honeymoon inspired the setting for her novel '']''.{{sfn|Dillon|2015}} She married the composer and writer ] in 1938. The location of the honeymoon inspired the setting for her novel '']''.{{sfn|Dillon|2015}}


==Personal life== ==Personal life==
Bowles had a rich love life. In 1937, she and Paul Bowles were introduced to each other by ]<ref>''February House'' by Sherill Tippins, Pocket Books edition, 2006, p.161, ISBN 9781416522607</ref> and in the following year (1938), they were married and went on honeymoon in Central America. She visited lesbian bars while they traveled together in Paris. The marriage was a sexual marriage for about a year and a half.{{citation needed|date=July 2022}} After the initial year, Jane and Paul were platonic companions.{{citation needed|date=July 2022}} They both were bisexual, and mainly preferred to have sex outside of their marriage.{{citation needed|date=July 2022}} Bowles had a rich love life. In 1937, she and Paul Bowles were introduced to each other by ],<ref>''February House'' by Sherill Tippins, Pocket Books edition, 2006, p.161, ISBN 9781416522607</ref> and in the following year (1938), they were married and went on a honeymoon in Central America. She visited lesbian bars while they traveled together in Paris. The marriage was a sexual marriage for about a year and a half.{{citation needed|date=July 2022}} Thereafter, Jane and Paul were platonic companions.{{citation needed|date=July 2022}} They both were bisexual, and mainly preferred to have sex outside of their marriage.{{citation needed|date=July 2022}}


After this, Jane and Paul went to Mexico where Jane later met Helvetia Perkins, who became her lover.{{citation needed|date=July 2022}} After this, Jane and Paul went to Mexico, where Jane later met Helvetia Perkins, who became her lover.{{citation needed|date=July 2022}}


==Career== ==Career==
In 1943, her novel ''Two Serious Ladies'' was published. The Bowleses lived in New York until 1947 when Paul moved to ], ]; Jane followed him in 1948. While in Morocco, Jane had an intense and complicated relationship with a Moroccan woman named Cherifa. She also had a close relationship with torch singer ]<ref name=site>{{cite web|url=http://www.paulbowles.org/photosjanebowles.html |title=Jane Bowles, Libby Holman Reynolds and Barbara Hutton |work=The Authorized Paul Bowles Web Site |publisher=www.paulbowles.org}}</ref> who was attracted to both Jane and Paul, but Paul did not reciprocate.<ref name=":0" /> In 1943, her novel ''Two Serious Ladies'' was published. The Bowleses lived in New York until 1947, when Paul moved to ], ]; Jane followed him in 1948. While in Morocco, Jane had an intense, complicated relationship with a Moroccan woman named Cherifa. She also had a close relationship with the torch singer ].<ref name=site>{{cite web |url=http://www.paulbowles.org/photosjanebowles.html |title=Jane Bowles, Libby Holman Reynolds and Barbara Hutton |work=The Authorized Paul Bowles Web Site |publisher=www.paulbowles.org |access-date=2012-03-03 |archive-date=2019-02-16 |archive-url=https://web.archive.org/web/20190216112141/http://www.paulbowles.org/photosjanebowles.html |url-status=dead }}</ref> Holman was attracted to both Jane and Paul, but Paul did not reciprocate.<ref name=":0" />


Jane Bowles wrote the play ''In the Summer House'', performed on Broadway in 1953 to mixed reviews. ], ], and ] all highly praised her work.<ref name="dailybeast-rich">{{cite web |url = http://www.thedailybeast.com/articles/2013/05/30/american-dreams-1943-two-serious-ladies-by-jane-bowles.html |title = American Dreams, 1943: 'Two Serious Ladies' by Jane Bowles |last = Rich |first = Nathaniel |date = May 30, 2013 |website = The Daily Beast |access-date= 2013-11-02 }} Jane Bowles wrote the play ''In the Summer House'', performed on Broadway in 1953 to mixed reviews. ], ], and ] all highly praised her work.<ref name="dailybeast-rich">{{cite web |url = http://www.thedailybeast.com/articles/2013/05/30/american-dreams-1943-two-serious-ladies-by-jane-bowles.html |title = American Dreams, 1943: 'Two Serious Ladies' by Jane Bowles |last = Rich |first = Nathaniel |date = May 30, 2013 |website = The Daily Beast |access-date= 2013-11-02 }}
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==''In the Summer House''== ==''In the Summer House''==
''In the Summer House'' was her only full-length play. It was first performed in 1951 in the Hedgerow Theater in ].<ref>{{cite web |last1=Bowles |first1=Paul |title=On Jane Bowles' Play In the Summer House |url=http://www.paulbowles.org/bowlesplay.html |website=paulbowles.org |access-date=8 May 2020}}</ref> The play opened on Broadway at the Playhouse Theatre on December 29, 1953, with music by Paul Bowles, where it ran for two months to mixed reviews and low attendance. Around 1963, the play was revived.{{Where|date=May 2020}} The play was revived again in 1993 at the ] with ] by ].<ref name=SummerNYT/> This revival received nominations for the 1994 ]s for outstanding director of a play, set design, and supporting actress (], ], and ], respectively).<ref>{{Cite web|url=http://www.playbill.com/production/in-the-summer-house-vivian-beaumont-theatre-vault-0000011245|title=In the Summer House Broadway @ Vivian Beaumont Theater|website=Playbill}}</ref> ''In the Summer House'' was her only full-length play. It was first performed in 1951 in the Hedgerow Theater in ].<ref>{{cite web |last1=Bowles |first1=Paul |title=On Jane Bowles' Play In the Summer House |url=http://www.paulbowles.org/bowlesplay.html |website=paulbowles.org |access-date=8 May 2020 |archive-date=27 December 2019 |archive-url=https://web.archive.org/web/20191227150133/http://www.paulbowles.org/bowlesplay.html |url-status=dead }}</ref> The play opened on Broadway at the Playhouse Theatre on December 29, 1953, with music by Paul Bowles, where it ran for two months to mixed reviews and low attendance. Around 1963, the play was revived.{{Where|date=May 2020}} The play was revived again in 1993 at the ] with ] by ].<ref name=SummerNYT/> This revival received nominations for the 1994 ]s for outstanding director of a play, set design, and supporting actress (], ], and ], respectively).<ref>{{Cite web|url=http://www.playbill.com/production/in-the-summer-house-vivian-beaumont-theatre-vault-0000011245|title=In the Summer House Broadway @ Vivian Beaumont Theater|website=Playbill}}</ref>


The overarching plot is the comparison of an overbearing mother and gentle daughter and a gentle mother and an overbearing daughter.<ref>{{Cite web|url=https://www.dramatists.com/cgi-bin/db/single.asp?key=2065|title=In the Summer House|website=www.dramatists.com}}</ref> The plot is driven by character interaction and not action. It begins with a monolog by Ms. Gertude Eastman Cuevas, an isolated widow from Southern California who marries a rich Mexican (with a singing and dancing comrade), who is oppressive towards her daughter. The other widow is Ms. Constable and her challenging daughter. The daughters are both unstable. The overarching plot is the comparison of an overbearing mother and gentle daughter and a gentle mother and an overbearing daughter.<ref>{{Cite web|url=https://www.dramatists.com/cgi-bin/db/single.asp?key=2065|title=In the Summer House|website=www.dramatists.com}}</ref> The plot is driven by character interaction and not action. It begins with a monolog by Ms. Gertude Eastman Cuevas, an isolated widow from Southern California who marries a rich Mexican (with a singing and dancing comrade), who is oppressive towards her daughter. The other widow is Ms. Constable and her challenging daughter. The daughters are both unstable.
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==Legacy== ==Legacy==
In Paul Bowles's semi-autobiographical novel '']'', the characters Port and Kit Moresby were based on him and his wife.<ref>{{Cite web|url=https://www.nytimes.com/1990/05/20/magazine/last-tango-in-tangier.html|title=Last Tango in Tangier: Bob Spitz's Latest Book Dylan: A Biography Will Be Reprinted By W. W. Norton & Company Early Next Year|date=May 20, 1990|website=The New York Times}}</ref> ] played Kit in the film adaptation of the novel. In Paul Bowles' semi-autobiographical novel '']'', the characters Port and Kit Moresby were based on him and his wife.<ref>{{Cite web|url=https://www.nytimes.com/1990/05/20/magazine/last-tango-in-tangier.html|title=Last Tango in Tangier: Bob Spitz's Latest Book Dylan: A Biography Will Be Reprinted By W. W. Norton & Company Early Next Year|date=May 20, 1990|website=The New York Times}}</ref> ] played Kit in the film adaptation of the novel. Although Bowles' literary output was not substantial in terms of volume, she was highly respected, with ] calling her "one of the really original pure stylists" and ] calling her "the most important writer of prose fiction in modern American letters."<ref>{{Cite book |last=Bowles |first=Jane |title=Two Serious Ladies |publisher=Ecco |year=2014 |isbn=9780062283122 |pages=vi}}</ref>


==Footnotes== ==Footnotes==
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==References== ==References==
{{refbegin}} {{refbegin}}
* {{cite web |ref={{harvid|Dillon|2015}} * {{cite web
|ref={{harvid|Dillon|2015}}
|last=Dillon |last=Dillon
|first=Millicent |first=Millicent
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|website=www.paulbowles.org |website=www.paulbowles.org
|publisher=Estate Bowles |publisher=Estate Bowles
|access-date=2015-02-17}} |access-date=2015-02-17
|archive-date=2008-06-14
|archive-url=https://web.archive.org/web/20080614013542/http://www.paulbowles.org/janebowles.html
|url-status=dead
}}
* {{Cite book * {{Cite book
| last = Dillon | last = Dillon
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=== Other links === === Other links ===
* at the official Paul Bowles website * {{Webarchive|url=https://web.archive.org/web/20080614013542/http://www.paulbowles.org/janebowles.html |date=2008-06-14 }} at the official Paul Bowles website
*{{worldcat id|id=lccn-n79-142896}}
*{{IBDB name}} *{{IBDB name}}
*Sprague, Claire. , Jewish Women: A Comprehensive Historical Encyclopedia *Sprague, Claire. , Jewish Women: A Comprehensive Historical Encyclopedia
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Latest revision as of 10:11, 30 September 2024

American writer and playwright
Jane Bowles
BornFebruary 22, 1917
New York City
DiedMay 4, 1973(1973-05-04) (aged 56)
Málaga, Spain
OccupationWriter, playwright
NationalityAmerican
SpousePaul Bowles

Jane Bowles (/boʊls/; born Jane Sydney Auer; February 22, 1917 – May 4, 1973) was an American writer and playwright.

Early life

Born into a Jewish family in New York City on February 22, 1917, to Sydney Auer (father) and Claire Stajer (mother), Jane Bowles spent her childhood in Woodmere, New York, on Long Island. She had had a bad knee from birth, which was later broken from falling off a horse when she was a teenager. After knee surgery, she developed tuberculous arthritis, and her mother took her to Switzerland for treatment, where she attended boarding school. She also attended Julia Richmond High School in New York and the Stoneleigh School for Girls in Greenfield, Massachusetts.

At this point in her life, she developed a passion for literature coupled with insecurities. She developed phobias related to dogs, sharks, mountains, jungles, and elevators as well as fears of being burned alive. During the mid-1930s she returned to New York, where she gravitated to the intellectual bohemia of Greenwich Village.

She married the composer and writer Paul Bowles in 1938. The location of the honeymoon inspired the setting for her novel Two Serious Ladies.

Personal life

Bowles had a rich love life. In 1937, she and Paul Bowles were introduced to each other by Erika Mann, and in the following year (1938), they were married and went on a honeymoon in Central America. She visited lesbian bars while they traveled together in Paris. The marriage was a sexual marriage for about a year and a half. Thereafter, Jane and Paul were platonic companions. They both were bisexual, and mainly preferred to have sex outside of their marriage.

After this, Jane and Paul went to Mexico, where Jane later met Helvetia Perkins, who became her lover.

Career

In 1943, her novel Two Serious Ladies was published. The Bowleses lived in New York until 1947, when Paul moved to Tangier, Morocco; Jane followed him in 1948. While in Morocco, Jane had an intense, complicated relationship with a Moroccan woman named Cherifa. She also had a close relationship with the torch singer Libby Holman. Holman was attracted to both Jane and Paul, but Paul did not reciprocate.

Jane Bowles wrote the play In the Summer House, performed on Broadway in 1953 to mixed reviews. Tennessee Williams, Truman Capote, and John Ashbery all highly praised her work.

In the Summer House

In the Summer House was her only full-length play. It was first performed in 1951 in the Hedgerow Theater in Moylan, Pennsylvania. The play opened on Broadway at the Playhouse Theatre on December 29, 1953, with music by Paul Bowles, where it ran for two months to mixed reviews and low attendance. Around 1963, the play was revived. The play was revived again in 1993 at the Vivian Beaumont Theater with incidental music by Philip Glass. This revival received nominations for the 1994 Drama Desk Awards for outstanding director of a play, set design, and supporting actress (JoAnne Akalaitis, George Tsypin, and Frances Conroy, respectively).

The overarching plot is the comparison of an overbearing mother and gentle daughter and a gentle mother and an overbearing daughter. The plot is driven by character interaction and not action. It begins with a monolog by Ms. Gertude Eastman Cuevas, an isolated widow from Southern California who marries a rich Mexican (with a singing and dancing comrade), who is oppressive towards her daughter. The other widow is Ms. Constable and her challenging daughter. The daughters are both unstable.

Miss Cuevas has a suitor which makes the mother feel like she needs to be more overbearing. The first act closes on Ms. Cuevas and her new husband reading newspaper silently.

The second act occurs in a restaurant named The Lobster Bowl and uses intensive food imagery. Bowles's complex relationship with her mother could have been an inspiration for the plot.

Death

Bowles, who was an alcoholic, suffered a stroke in 1957 at age 40. The stroke affected her sight and mental capacity, but she pushed through her health problems and continued to write. Her health continued to decline despite various treatments in England and the United States until she had to be admitted to a clinic in Málaga, Spain, where she died in 1973, at age 56.

Legacy

In Paul Bowles' semi-autobiographical novel The Sheltering Sky, the characters Port and Kit Moresby were based on him and his wife. Debra Winger played Kit in the film adaptation of the novel. Although Bowles' literary output was not substantial in terms of volume, she was highly respected, with Truman Capote calling her "one of the really original pure stylists" and Tennessee Williams calling her "the most important writer of prose fiction in modern American letters."

Footnotes

  1. ^ Bradshaw, Jon. (1985). Dreams that money can buy : the tragic life of Libby Holman. New York. pp. 260, 272. ISBN 0688011586. OCLC 11751839.{{cite book}}: CS1 maint: location missing publisher (link)
  2. ^ Dillon 2015.
  3. February House by Sherill Tippins, Pocket Books edition, 2006, p.161, ISBN 9781416522607
  4. "Jane Bowles, Libby Holman Reynolds and Barbara Hutton". The Authorized Paul Bowles Web Site. www.paulbowles.org. Archived from the original on 2019-02-16. Retrieved 2012-03-03.
  5. Rich, Nathaniel (May 30, 2013). "American Dreams, 1943: 'Two Serious Ladies' by Jane Bowles". The Daily Beast. Retrieved 2013-11-02.
  6. Bowles, Paul. "On Jane Bowles' Play In the Summer House". paulbowles.org. Archived from the original on 27 December 2019. Retrieved 8 May 2020.
  7. ^ Rich, Frank (August 2, 1993). "Review/Theater: In the Summer House; Mothers, Daughters and Tangled Emotions". The New York Times.
  8. "In the Summer House Broadway @ Vivian Beaumont Theater". Playbill.
  9. "In the Summer House". www.dramatists.com.
  10. "Extravagant Crowd | Jane Bowles". brbl-archive.library.yale.edu.
  11. "Last Tango in Tangier: Bob Spitz's Latest Book Dylan: A Biography Will Be Reprinted By W. W. Norton & Company Early Next Year". The New York Times. May 20, 1990.
  12. Bowles, Jane (2014). Two Serious Ladies. Ecco. pp. vi. ISBN 9780062283122.

References

External links

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