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{{Short description|Bosnian writer (1910–1982)}}
{{Infobox Writer <!-- for more information see ] -->
{{Infobox writer
| name = Mehmed "Meša" Selimović
|image = MesaSelimovic Serbian Literature Great Men Stamps.jpg
| image = Mesaselimovic.jpg
| imagesize = |imagesize =
| caption = |caption = Meša Selimović on a 2010 Serbian stamp
| pseudonym = |pseudonym =
|native_name = Mehmed Selimović
| birthdate = {{birth date|1910|04|26|mf=y}}
|native_name_lang = sr-Cyrl
| birthplace = ], ] then part of the ]
|birth_name = Mehmed Selimović
| deathdate = {{death date and age|1982|07|11|1910|04|26}}
|birth_date = {{birth date|1910|04|26|df=y}}
| deathplace = ], ], ]
|birth_place = ], ], ]
| occupation = Writer
|death_date = {{death date and age|1982|07|11|1910|04|26|df=y}}
| nationality = ], ethnic ]
|death_place = ], ], ]
| period =
|resting_place = ]
| genre =
|occupation = Writer, professor, art director
| subject =
| movement = |years_active =
|language = ]
| influences =
|alma_mater = ]
| influenced =
|nationality = ]
| website =
|period =
|genre = novel
|subject =
|movement =
|notableworks = '']'' (1966)
|spouse = Desa Đorđić<br>Darka Božić (d. 1999)
|children = Slobodanka<br>
Maša<br>Jesenka
|website =
}} }}


'''Mehmed "Meša" Selimović''' (] ] - ] ]) was a ] writer from ] and one of the greatest writers in ] of the 20th century. His most famous works deal with ] and the culture of the Muslim inhabitants of the ] ]. '''Mehmed "Meša" Selimović''' ({{Lang-sr-Cyrl|Мехмед „Меша” Селимовић}}; {{IPA|sr|mɛ̌xmɛd mɛ̌ːʃa sɛlǐːmɔʋitɕ|pron}}; 26 April 1910 11 July 1982) was a Yugoslav writer, whose works are widely considered some of the most important in ] and ] literature.<ref name="LZMK-HE">, Retrieved 17. December 2014.</ref> Some of the main themes in his works are the relations between individuality and authority, life and death, and other existential problems.


==Biography== == Biography ==
Selimović was born to a prominent ] family of Serbian descent on 26 April 1910 in ], Bosnia and Herzegovina, where he graduated from elementary school and high school.{{sfn|Meier|2005|p=196}}
Selimović was born on ], ] in ], present-day Bosnia and Herzegovina, where he graduated from elementary school and high school. In 1930, he enrolled to study the ] and literature at the ]. In 1936, he returned to Tuzla to teach in the ] that today bears his name. He spent the first two years of ] in the hometown Tuzla, where he was arrested for participation in the ] anti-fascist resistance movement in 1943. After the release, he moved to the liberated territory, became a member of ] and the political commissar of Tuzla Detachment of the ].<ref name="Feniks">{{cite web|url=http://www.feniks.co.ba/node.php?id=333|title=Meša Selimović|publisher=Feniks magazine}}</ref> During the war, Meša's brother, also a communist, was executed by partisans' firing squad for alleged theft, without trial; Meša's letter in defense of the brother was to no avail. That episode apparently affected Meša's later contemplative introduction to ''Death and the Dervish'', where the main protagonist Ahmed Nurudin fails to rescue his imprisoned brother.<ref name="Bassler">{{cite book|title=Hard Waking Up (from Learning to Change: the experience of transforming education in South East Europe)|author=Božena Jelušić (edited by Terrice Bassler)|publisher=Central European University Press}}</ref>


In 1930, he enrolled to study the ] and literature at the ] and graduated in 1934. His lecturers included ], ], ], ], ] and ].{{sfn|Selimović|2000|p=7}} In 1936, he returned to Tuzla to teach in the ] that today bears his name. At that time he participated in the ].{{sfn|Selimović|2000|p=7}} He spent the first two years of the ] in Tuzla, until he was arrested for participation in the ] anti-fascist resistance movement in 1943. After his release, he moved to liberated territory, became a member of ] and the political commissar of the Tuzla Detachment of the ]. During the war, Selimović's brother, also a communist, was executed by partisans' firing squad for alleged theft, without trial; Selimović's letter in defense of the brother was to no avail. That episode apparently affected Meša's later contemplative introduction to '']'', where the main protagonist Ahmed Nurudin fails to rescue his imprisoned brother.{{sfn|Jelušić|2005|pp=69-84}}
After the war, he briefly resided in ], and in 1947 he moved to ], where he was the professor of High School of Pedagogy and Faculty of Philology, art director of Bosna Film, chief of the drama section of the National Theater, and ] of the publishing house ]. Exasperated by a latent conflict with several local politicians and intellectuals, in 1971 he moved to ], where he lived until his death in 1982.<ref name="Feniks"/> In his 1976 letter to the Serbian Academy of Science and Arts, Selimović argued that despite his Bosnian Muslim roots (he was a descendant of a notable ] family<ref>http://www.bhstring.net/tuzlauslikama/tuzlarije/tuzlarije.php?teka=ovihdana/selimovic.txt</ref>), he regarded himself as a Serb and a Serb writer<ref>http://www.novosti.rs/code/navigate.php?Id=16&status=jedna&datum=2009-02-24&feljton=7021</ref>.
]]]
]]]
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After the war, he briefly resided in ], and in 1947 he moved to ], where he was the professor of High School of Pedagogy and Faculty of Philology, art director of Bosna Film, chief of the drama section of the National Theater, and ] of the publishing house ''Svjetlost''.<ref name="Jugoslovenski književni leksikon">{{cite book |author= Draško Ređep |editor = Živan Milisavac |date=1971 |title=Jugoslovenski književni leksikon |trans-title=Yugoslav Literary Lexicon |publisher=] |language=sh |location= ] (], ]) |page=474-475 }}</ref> Exasperated by a latent conflict with several local politicians and intellectuals, in 1971 he moved to Belgrade, where he lived until his death in 1982.<ref name="Feniks">{{cite web|url=http://www.feniks.co.ba/node.php?id=333|title=Meša Selimović|publisher=Feniks magazine}}{{dead link|date=November 2017 |bot=InternetArchiveBot |fix-attempted=yes }}</ref>


==Works== === Identity ===
] in ]]]
Selimović started writing fairly late: his first book, collection of short stories ''Prva četa'' (''The First Company'') was published in 1950, and the second, novel ''Tamnica'' (Prison) in 1961. Subsequent books ''Tuđa zemlja'' (''Foreign land'', 1962) and ''Magla i mjesečina'' (''Mist and Moonlight'', 1965) were not acclaimed much better.<ref name="Deretic">{{cite web|url=http://www.rastko.org.rs/knjizevnost/jderetic_knjiz/jderetic-knjiz_12_c.html|title=Кратка историја српске књижевности|аuthor=Jovan Deretić|publisher=Project Rastko|language=Serbian}}</ref>


Selimović researched the roots of his family and found out that he originated from the ] tribe. Most members of the tribe consider themselves to be ], while some are ].{{sfn|Bajraktarević|2016|pp=113-123}} It is claimed that a part of the family converted to Islam in order to protect their Christian brethren.{{sfn|Bajraktarević|2016|pp=113-123}}
However, his novel ''Death and the Dervish'' (''Derviš i smrt'', 1966) was widely received as a masterpiece. The novel reflected Selimović's own torment of the execution of his brother; the story speaks of the futility of one man's resistance against a repressive system, and the change that takes place within that man after he becomes a part of that very system. Some critics have likened this novel to ]'s '']''. It has been translated into numerous languages. Each chapter of the novel opens with a ] citation, the first being: "In the name of God, the most compassionate, the most merciful."<ref name="Deretic"/>
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]]]
In his 1976 letter to the Serbian Academy of Science and Arts, Selimović stated for the historical record that he regarded himself as a Serb and belonging to the corpus of Serbian literature.<ref>{{cite web|title=Sto godina od rođenja Meše Selimovića|url=http://www.rts.rs/page/stories/sr/story/16/Kultura/654651/Sto+godina+od+ro%C4%91enja+Me%C5%A1e+Selimovi%C4%87a|publisher=RTS.rs|access-date=1 June 2014}}</ref><ref>{{cite web|title=ПИСМО МЕШЕ СЕЛИМОВИЋА САНУ, КОЈИМ ПОТВРЂУЈЕ ДА ЈЕ СРБИН|url=http://www.srpskikulturniklub.com/selimovic|publisher=srpskikulturniklub.com|access-date=30 May 2014|archive-url=https://web.archive.org/web/20140531172251/http://www.srpskikulturniklub.com/selimovic|archive-date=31 May 2014|url-status=dead|df=dmy-all}}</ref><ref>{{cite news|title=Ćerke velikog Meše Selimovića žive u Beogradu: Bosnu nose samo u sećanjima!|url=http://www.kurir-info.rs/cerke-velikog-mese-selimovica-i-danas-zive-u-beogradu-bosnu-nose-samo-u-secanjima-clanak-1280195|access-date=30 May 2014|newspaper=kurir-info.rs}}</ref><ref name=serb>]: '''', Dragan BOGUTOVIĆ, 9 July 2010 {{in lang|sr}}</ref> Selimović was a full member of the ],<ref name="anubih.ba-2010-Selimovic-djelo">{{cite web |last1=Lešić |first1=Zdenko |last2=Martinović |first2=Juraj |title=Međunarodni naučni skup: Književno djelo Meše Selimovića. |date=2010 |url=https://publications.anubih.ba/handle/123456789/64 |access-date=25 December 2021 |at=Dedication |publisher=anubih.ba |language=en, sh}}</ref> and a member of ].<ref name="sanu.ac.rs" />


In his ] narration, ''Sjećanja'' ({{trans|Memoirs}}), which Selimović complements with a memoir features thus transforming them into memoir prose, Selimović describes environment and milieu of his Bosnian Muslim origin.{{sfn|Bajraktarević|2016|pp=113-123}} He is using discursive self-perception, and confronts and auto-reflect his identity as a complex and composite. Since perception of national belonging is distinctly subjective and simplistic, auto-perceptions are considered discursive creations, ], where memoirs overlap with socio-historical context.{{sfn|Bajraktarević|2016|pp=113-123}} In doing so, and through lens of ], his autobiographical discourse becomes textual construct, or an ]. Selimović's imaginarium turns his cultural self-reflection of his Bosnian Muslim identity into oddity, but he also describes it as a complex. His memories author then transpose on entire group, with a series of images.{{sfn|Bajraktarević|2016|pp=113-123}}
The second novel, ''Tvrđava'' (The Fortress, 1970), placed still further in the past, is slightly more optimistic, and fulfilled with faith in love, unlike the Nurudin's lonely contemplation and fear from ''The Dervish and Death''. ''The Fortress'' and ''The Dervish and Death'' are the only novels of Selimović that have thus far been translated into English. Subsequent novels ''Ostrvo'' (The Island, 1974) and posthumously published ''Krug'' (The Circle, 1983), did not reach the power of expression and striking features of those two.


Through the rhetoric of the image, Selimović confirms the cultural differences of Bosnian Muslims, and in that sense, his autobiographical narrative representamen confirms and strengthens the cultural and collective ethnic identity of Muslims.{{sfn|Bajraktarević|2016|pp=113-123}} Selimović clearly define himself by stating, "I am a Muslim", and, "I am attached to my Bosnian and Muslim origins".{{sfn|Bajraktarević|2016|pp=113-123}}
He also wrote a book about ]'s ] reforms, an elderly couple facing the aging and eventual death on a Dalmatian island, as well as his autobiography, ''Sjećanja'' (Сјећања)


On the other hand, when Selimović brought forward the information about his Christian origin, some Bosnian Muslim critics attacked him, claiming that "they also knew about their origin", and asking him what is to be achieved with publicly expressing such information.{{sfn|Bajraktarević|2016|pp=113-123}}
==Bibliography==

* ''Uvrijeđeni čovjek'' (''An Insulted Man'') (1947)
Critics consider this to be a rationalization of his choice to seek recognition as writer belonging to Serbian literary circle,<ref name="penbih.ba-selimovic">{{cite web |title=Meša Selimović – bosanski pisac srpske nacionalnosti |url=https://penbih.ba/2018/04/mesa-selimovic-bosanski-pisac-srpske-nacionalnosti/ |website=P.E.N. |access-date=24 December 2021 |language=bs-BA |date=29 April 2018}}</ref><ref name="sanu.ac.rs"> {{Webarchive|url=https://web.archive.org/web/20160304111153/http://www.sanu.ac.rs/English/Clanstvo/IstClan.aspx?arg=1257 |date=4 March 2016 }}. Serbian Academy of Sciences and Arts</ref> by claiming that his paternal heritage was that of ] identity,{{sfn|Selimović|1976|p=}}<ref>{{cite web|title=Порекло писца Мехмеда Меше Селимовића|publisher=Poreklo|date=30 March 2016|url=http://www.poreklo.rs/2016/03/30/poreklo-mese-selimovica/}}</ref> alleging a conversion to Islam back in the 17th century for pragmatic reasons.<ref name="penbih.ba-selimovic" /> The chapter ''Parents'' in his ''Sjećanje'' provoked reaction and criticism in his native country,{{sfn|Bajraktarević|2016|pp=113-123}} and will be deemed a "constructed phantasm", or imaginary discourse.<ref name="penbih.ba-selimovic" /> Critics contemplated about the reasons for this, as they called, "falsification of one's own family heritage", explaining it as a "vengeful act of defiance", and stating that Selimović's main conflicts trace back to his Muslim roots and his expression of disappointment in Bosnian environment and Bosnian Muslim milieu.<ref name="penbih.ba-selimovic" />
* ''Prva četa'' (''The First Company'') (1950)

* ''Tuđa zemlja'' (''An Alien Land'') (1957)
He was a communist and atheist.{{sfn|Bajraktarević|2016|pp=113-123}}
* ''Noć i jutra'' (''The Night and the Mornings'') (film scenario) (1958)

* ''Tišine'' (''Silences'') (1961)
== Works ==
* ''Magla i mjesečina'' (''Mist and Moonlight'') (1965)
Selimović began writing fairly late in his life. His first short story (Pjesma u oluji / A song in the storm) was published in 1948, when he was thirty-six.{{sfn|Skakić|1992|pp=43, 67}} His first book, a collection of short stories ''Prva četa'' (''The First Company'') was published in 1950 when he was forty. His subsequent work, ''Tišine'' (Silences) was published eleven years later in 1961. The following books ''Tuđa zemlja'' (''Foreign land'', 1962) and ''Magla i mjesečina'' (''Mist and Moonlight'', 1965) did not receive widespread recognition either.{{sfn|Deretić|1987|p=}}
* ''Eseji i ogledi'' (''Essays'') (1966)

* ''Derviš i smrt'' (''Death and the Dervish'') (1966)
However, his novel '']'' (''Derviš i smrt'', 1966) was widely received as a masterpiece. The plot of the novel takes place in 18th-century Sarajevo under ] rule, and reflects Selimović's own torment of the execution of his brother; the story speaks of the futility of one man's resistance against a repressive system, and the change that takes place within that man after he becomes a part of that very system. Some critics have likened this novel to ]'s '']''. It has been translated into many languages, including ], ], ], ], ], ] and ].{{sfn|Skakić|1992|pp=92–95}} Each chapter of the novel opens with a ] citation, the first being: "]."{{sfn|Deretić|1987|p=}}
* ''Za i protiv Vuka'' (''Pro et Contra Vuk'') (1967)

* ''Tvrđava'' (''Fortress'') (1970)
The next novel, ''Tvrđava'' (The Fortress, 1970), placed still further in the past, is slightly more optimistic, and fulfilled with faith in love, unlike the lonely contemplations and fear in ''Death and the Dervish''. ''The Fortress'' and ''Death and the Dervish'', as well as the subsequent ''Ostrvo'' (The Island, 1974), featuring an elderly couple facing aging and eventual death on a Dalmatian island, are the only novels of Selimović that have thus far been translated into English. The posthumously published ''Krug'' (The Circle, 1983) has not been translated into English.
* ''Ostrvo'' (''The Island'') (1974)

He also wrote a book about ]'s ] reforms ''Za i protiv Vuka'' (For and Against Vuk),<ref>{{Cite web|url=http://www.rastko.rs/rastko-bl/umetnost/knjizevnost/mselimovic/mselimovic-vuk_l.html|title=&#91;Projekat Rastko – Banja Luka&#93; Mesa Selimovic: Za i protiv Vuka (1967)}}</ref> as well as his autobiography, ''Sjećanja''.

] introduces him as one of the three pioneers of children's and youth literature in the ] between 1950 and 1980 (along with Šukria Pandžu and Iskandar Klovnić), who played an important role in the development of Bosnian children's and youth literature.<ref>{{Cite book |last=NikTalab |first=Poopak |title=Bar Bam-e Balkan |publisher=Faradid |year=2023 |isbn=9786226606622 |edition=1st |location=Tehran |language=Fa}}</ref>

== Family ==
His brother’s granddaughter is Serbian actress {{ill|Hana Selimović|sr}}.<ref>{{Cite web |date=2019-03-08 |title=Hana Selimović: (Ne)simpatična buntovnica – Ljudi – Dnevni list Danas |url=https://www.danas.rs/ljudi/hana-selimovic-nesimpaticna-buntovnica/ |access-date=2022-03-04 |language=sr-RS}}</ref> Also, his cousin {{ill|Amar Selimović|bs}} is a Bosnian actor.<ref>{{cite web |url=https://azra.ba/vijesti/34286/amar-selimovic-porodica-je-moja-tvrdava/|title=Porodica je moja tvrđava|publisher=azra.ba |date=2017-08-05 |accessdate=2020-12-30}}</ref> Meša Selimović is the uncle of Bosnian politician Mirsad Đonlagić.<ref>{{cite web |url=https://avaz.ba/vijesti/teme/148138/sjecanja-donlagic-moj-daidza-mesa-selimovic|title=Sjećanja Đonlagić: Moj daidža Meša Selimović|publisher=avaz.ba |date=2017-08-05 |accessdate=2020-12-30}}</ref>

== Bibliography ==
]
*''Uvrijeđeni čovjek'' (''An Insulted Man'') (1947)
*''Prva četa'' (''The First Company'') (1950)
*''Tuđa zemlja'' (''Foreign Lands'') (1957)
*''Noći i jutra'' (''Nights and Days'') (film scenario) (1958)
*''Tišine'' (''Silence'') (1961)
*''Magla i mjesečina'' (''Mist and Moonlight'') (1965)
*''Eseji i ogledi'' (''Essays and Reflections'') (1966)
*'']'' (''Death and the Dervish'') (1966)
*''Za i protiv Vuka'' (''Pro et Contra Vuk'') (1967)
*''Tvrđava'' (''The Fortress'') (1970)
*''Ostrvo'' (''The Island'') (1974)
*''Sjećanja'' (''Memories'') (1976)
<!--* ''Ketten a szigeten''. Budapest, 1976.--> <!--* ''Ketten a szigeten''. Budapest, 1976.-->
* ''Krug'' (''The Circle'') (1983) *''Krug'' (''The Circle'') (1983)
* ''Sjećanja'' (''Memories'')


===Translations into English=== === Translations into English ===
*''The Island'', 1974, The Serbian Heritage Academy of Canada, {{ISBN|0-920069-00-2}}
* ''Death and the Dervish'', 1996, Northwestern University Press, ISBN 0810112973
* ''The Fortress'', 1999, Northwestern University Press, ISBN 0810117134 *'']'', 1996, Northwestern University Press, {{ISBN|0-8101-1297-3}}
*''The Fortress'', 1999, Northwestern University Press, {{ISBN|0-8101-1713-4}}


==References== == References ==
;Citations
{{reflist}}
{{reflist|30em}}


;Sources
==External links==
{{refbegin|30em}}
*
* {{cite book |ref={{SfnRef|Mala enciklopedija Prosveta|1986}} |title=Mala enciklopedija Prosveta: opšta enciklopedija |date=1986 |publisher=Prosveta |isbn=978-86-07-00001-2 |url=https://books.google.com/books?id=ISBN8607000012 |access-date=8 March 2022 |language=sr}}
* {{sr icon}} ], study by Meša Selimović, 1967; courtesy of ] - Banja Luka
* {{cite book |last1=Bajraktarević |first1=Aida |editor1-last=Buras-Marciniak |editor1-first=Anetta |editor2-last=Łódzkiego |editor2-first=Wydawnictwo Uniwersytetu |title=Islam i muzułmanie w kulturze, literaturze i językach Słowian Południowych |date=2016 |publisher=Wydawnictwo Uniwersytetu Łódzkiego |isbn=978-83-8088-249-2 |url=https://books.google.com/books?id=ISBN9788380882492 |access-date=8 March 2022 |language=pl, bs |chapter=Slika Bošnjaka u autobiografskom diskursu „Sjećanja“ Meše Selimovića}}
*
* {{cite book |last1=Meier |first1=Viktor |title=Yugoslavia: A History of its Demise |date=20 June 2005 |publisher=Routledge |isbn=978-1-134-66510-5 |url=https://books.google.com/books?id=ef4OS4ZYZKUC&pg=PA196 |access-date=24 December 2021 |language=en}}
* {{cite book |last1=Selimović |first1=Meša |title=Derviš i smrt |date=2000 |publisher=Zavod za udžbenike i nastavna sredstva |isbn=978-86-17-05030-4 |url=https://books.google.com/books?id=DtQXAQAAIAAJ |access-date=8 March 2022 |language=sr}}
* {{cite book |last1=Jelušić |first1=Božena |editor1-last=Bassler |editor1-first=Terrice |title=Learning to Change: The Experience of Transforming Education in South East Europe |date=2005 |publisher=Central European University Press |isbn=978-615-5211-96-6 |pages=69–84 |url=https://books.google.com/books?id=Z_0OEAAAQBAJ |access-date=8 March 2022 |language=en |chapter=Hard Waking Up}}
* {{cite book |last1=Selimović |first1=Meša |title=Sjećanja |date=1976 |publisher=Sloboda; Otokar kersovani |url=https://books.google.com/books?id=yjymwgEACAAJ |access-date=8 March 2022 |language=sh}}
* {{cite book |last1=Skakić |first1=Mirko |title=Rano djelo Meše Selimovića |date=1992 |publisher=Novi glas |isbn=978-86-7119-026-8 |url=https://books.google.com/books?id=thEiAAAACAAJ |access-date=8 March 2022 |language=en}}
* {{cite book |last1=Deretić |first1=Jovan |title=Kratka istorija srpske književnosti |date=1987 |publisher=Beogradski izdavačko-grafički zavod |isbn=978-86-13-00060-0 |url=https://books.google.com/books?id=5fgyAAAAMAAJ |access-date=8 March 2022 |language=sr |chapter=Posleratna književnost |chapter-url=https://www.rastko.rs/knjizevnost/jderetic_knjiz/jderetic-knjiz_12_c.html}}
{{refend}}

== External links ==
{{Wikiquote}}
{{commons category|Meša Selimović}}
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* ], study by Meša Selimović, 1967; courtesy of ] – Banja Luka {{in lang|sr}}
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Latest revision as of 03:38, 13 October 2024

Bosnian writer (1910–1982)
Meša Selimović
Meša Selimović on a 2010 Serbian stampMeša Selimović on a 2010 Serbian stamp
Native nameMehmed Selimović
BornMehmed Selimović
(1910-04-26)26 April 1910
Tuzla, Condominium of Bosnia and Herzegovina, Austria-Hungary
Died11 July 1982(1982-07-11) (aged 72)
Belgrade, SR Serbia, SFR Yugoslavia
Resting placeBelgrade New Cemetery
OccupationWriter, professor, art director
LanguageSerbo-Croatian
NationalityYugoslav
Alma materUniversity of Belgrade
Genrenovel
Notable worksDeath and the Dervish (1966)
SpouseDesa Đorđić
Darka Božić (d. 1999)
ChildrenSlobodanka
Maša
Jesenka

Mehmed "Meša" Selimović (Serbian Cyrillic: Мехмед „Меша” Селимовић; pronounced [mɛ̌xmɛd mɛ̌ːʃa sɛlǐːmɔʋitɕ]; 26 April 1910 – 11 July 1982) was a Yugoslav writer, whose works are widely considered some of the most important in Bosnian and Serbian literature. Some of the main themes in his works are the relations between individuality and authority, life and death, and other existential problems.

Biography

Selimović was born to a prominent Bosnian Muslim family of Serbian descent on 26 April 1910 in Tuzla, Bosnia and Herzegovina, where he graduated from elementary school and high school.

In 1930, he enrolled to study the Serbian language and literature at the University of Belgrade Faculty of Philology and graduated in 1934. His lecturers included Bogdan Popović, Pavle Popović, Vladimir Ćorović, Veselin Čajkanović, Aleksandar Belić and Stjepan Kuljbakin. In 1936, he returned to Tuzla to teach in the gymnasium that today bears his name. At that time he participated in the Soko athletic organisation. He spent the first two years of the Second World War in Tuzla, until he was arrested for participation in the Partisan anti-fascist resistance movement in 1943. After his release, he moved to liberated territory, became a member of Communist Party of Yugoslavia and the political commissar of the Tuzla Detachment of the Partisans. During the war, Selimović's brother, also a communist, was executed by partisans' firing squad for alleged theft, without trial; Selimović's letter in defense of the brother was to no avail. That episode apparently affected Meša's later contemplative introduction to Death and the Dervish, where the main protagonist Ahmed Nurudin fails to rescue his imprisoned brother.

Mural dedicated to Meša Selimović in Doboj
Mural dedicated to Meša Selimović in Bijeljina
Mural dedicated to Meša Selimović in Sarajevo

After the war, he briefly resided in Belgrade, and in 1947 he moved to Sarajevo, where he was the professor of High School of Pedagogy and Faculty of Philology, art director of Bosna Film, chief of the drama section of the National Theater, and chief editor of the publishing house Svjetlost. Exasperated by a latent conflict with several local politicians and intellectuals, in 1971 he moved to Belgrade, where he lived until his death in 1982.

Identity

Selimović researched the roots of his family and found out that he originated from the Drobnjaci tribe. Most members of the tribe consider themselves to be Serbs, while some are Montenegrins. It is claimed that a part of the family converted to Islam in order to protect their Christian brethren.

Monument to Meša Selimović in Sarajevo
Monument to Meša Selimović in Tuzla

In his 1976 letter to the Serbian Academy of Science and Arts, Selimović stated for the historical record that he regarded himself as a Serb and belonging to the corpus of Serbian literature. Selimović was a full member of the Academy of Sciences and Arts of Bosnia and Herzegovina, and a member of Serbian Academy of Sciences and Arts.

In his autobiographical narration, Sjećanja (transl. Memoirs), which Selimović complements with a memoir features thus transforming them into memoir prose, Selimović describes environment and milieu of his Bosnian Muslim origin. He is using discursive self-perception, and confronts and auto-reflect his identity as a complex and composite. Since perception of national belonging is distinctly subjective and simplistic, auto-perceptions are considered discursive creations, representamen, where memoirs overlap with socio-historical context. In doing so, and through lens of imagology, his autobiographical discourse becomes textual construct, or an imaginary discourse. Selimović's imaginarium turns his cultural self-reflection of his Bosnian Muslim identity into oddity, but he also describes it as a complex. His memories author then transpose on entire group, with a series of images.

Through the rhetoric of the image, Selimović confirms the cultural differences of Bosnian Muslims, and in that sense, his autobiographical narrative representamen confirms and strengthens the cultural and collective ethnic identity of Muslims. Selimović clearly define himself by stating, "I am a Muslim", and, "I am attached to my Bosnian and Muslim origins".

On the other hand, when Selimović brought forward the information about his Christian origin, some Bosnian Muslim critics attacked him, claiming that "they also knew about their origin", and asking him what is to be achieved with publicly expressing such information.

Critics consider this to be a rationalization of his choice to seek recognition as writer belonging to Serbian literary circle, by claiming that his paternal heritage was that of Orthodox Christian identity, alleging a conversion to Islam back in the 17th century for pragmatic reasons. The chapter Parents in his Sjećanje provoked reaction and criticism in his native country, and will be deemed a "constructed phantasm", or imaginary discourse. Critics contemplated about the reasons for this, as they called, "falsification of one's own family heritage", explaining it as a "vengeful act of defiance", and stating that Selimović's main conflicts trace back to his Muslim roots and his expression of disappointment in Bosnian environment and Bosnian Muslim milieu.

He was a communist and atheist.

Works

Selimović began writing fairly late in his life. His first short story (Pjesma u oluji / A song in the storm) was published in 1948, when he was thirty-six. His first book, a collection of short stories Prva četa (The First Company) was published in 1950 when he was forty. His subsequent work, Tišine (Silences) was published eleven years later in 1961. The following books Tuđa zemlja (Foreign land, 1962) and Magla i mjesečina (Mist and Moonlight, 1965) did not receive widespread recognition either.

However, his novel Death and the Dervish (Derviš i smrt, 1966) was widely received as a masterpiece. The plot of the novel takes place in 18th-century Sarajevo under Ottoman rule, and reflects Selimović's own torment of the execution of his brother; the story speaks of the futility of one man's resistance against a repressive system, and the change that takes place within that man after he becomes a part of that very system. Some critics have likened this novel to Kafka's The Trial. It has been translated into many languages, including English, Russian, German, French, Italian, Turkish and Arabic. Each chapter of the novel opens with a Quran citation, the first being: "In the name of God, the most compassionate, the most merciful."

The next novel, Tvrđava (The Fortress, 1970), placed still further in the past, is slightly more optimistic, and fulfilled with faith in love, unlike the lonely contemplations and fear in Death and the Dervish. The Fortress and Death and the Dervish, as well as the subsequent Ostrvo (The Island, 1974), featuring an elderly couple facing aging and eventual death on a Dalmatian island, are the only novels of Selimović that have thus far been translated into English. The posthumously published Krug (The Circle, 1983) has not been translated into English.

He also wrote a book about Vuk Karadžić's orthographic reforms Za i protiv Vuka (For and Against Vuk), as well as his autobiography, Sjećanja.

Poopak NikTalab introduces him as one of the three pioneers of children's and youth literature in the Balkans between 1950 and 1980 (along with Šukria Pandžu and Iskandar Klovnić), who played an important role in the development of Bosnian children's and youth literature.

Family

His brother’s granddaughter is Serbian actress Hana Selimović [sr]. Also, his cousin Amar Selimović [bs] is a Bosnian actor. Meša Selimović is the uncle of Bosnian politician Mirsad Đonlagić.

Bibliography

Plaque at his former home in Belgrade
  • Uvrijeđeni čovjek (An Insulted Man) (1947)
  • Prva četa (The First Company) (1950)
  • Tuđa zemlja (Foreign Lands) (1957)
  • Noći i jutra (Nights and Days) (film scenario) (1958)
  • Tišine (Silence) (1961)
  • Magla i mjesečina (Mist and Moonlight) (1965)
  • Eseji i ogledi (Essays and Reflections) (1966)
  • Derviš i smrt (Death and the Dervish) (1966)
  • Za i protiv Vuka (Pro et Contra Vuk) (1967)
  • Tvrđava (The Fortress) (1970)
  • Ostrvo (The Island) (1974)
  • Sjećanja (Memories) (1976)
  • Krug (The Circle) (1983)

Translations into English

References

Citations
  1. LZMK / Hrvatska enciklopedija: Selimović, Meša (Mehmed), Retrieved 17. December 2014.
  2. Meier 2005, p. 196.
  3. ^ Selimović 2000, p. 7.
  4. Jelušić 2005, pp. 69–84.
  5. Draško Ređep (1971). Živan Milisavac (ed.). Jugoslovenski književni leksikon [Yugoslav Literary Lexicon] (in Serbo-Croatian). Novi Sad (SAP Vojvodina, SR Serbia): Matica srpska. p. 474-475.
  6. "Meša Selimović". Feniks magazine.
  7. ^ Bajraktarević 2016, pp. 113–123.
  8. "Sto godina od rođenja Meše Selimovića". RTS.rs. Retrieved 1 June 2014.
  9. "ПИСМО МЕШЕ СЕЛИМОВИЋА САНУ, КОЈИМ ПОТВРЂУЈЕ ДА ЈЕ СРБИН". srpskikulturniklub.com. Archived from the original on 31 May 2014. Retrieved 30 May 2014.
  10. "Ćerke velikog Meše Selimovića žive u Beogradu: Bosnu nose samo u sećanjima!". kurir-info.rs. Retrieved 30 May 2014.
  11. Večernje Novosti: Pronašao mir u Beogradu, Dragan BOGUTOVIĆ, 9 July 2010 (in Serbian)
  12. Lešić, Zdenko; Martinović, Juraj (2010). "Međunarodni naučni skup: Književno djelo Meše Selimovića" (in English and Serbo-Croatian). anubih.ba. Dedication. Retrieved 25 December 2021.
  13. ^ Meša SELIMOVIĆ Archived 4 March 2016 at the Wayback Machine. Serbian Academy of Sciences and Arts
  14. ^ "Meša Selimović – bosanski pisac srpske nacionalnosti". P.E.N. (in Bosnian). 29 April 2018. Retrieved 24 December 2021.
  15. Selimović 1976.
  16. "Порекло писца Мехмеда Меше Селимовића". Poreklo. 30 March 2016.
  17. Skakić 1992, pp. 43, 67.
  18. ^ Deretić 1987.
  19. Skakić 1992, pp. 92–95.
  20. "[Projekat Rastko – Banja Luka] Mesa Selimovic: Za i protiv Vuka (1967)".
  21. NikTalab, Poopak (2023). Bar Bam-e Balkan (in Persian) (1st ed.). Tehran: Faradid. ISBN 9786226606622.
  22. "Hana Selimović: (Ne)simpatična buntovnica – Ljudi – Dnevni list Danas" (in Serbian). 8 March 2019. Retrieved 4 March 2022.
  23. "Porodica je moja tvrđava". azra.ba. 5 August 2017. Retrieved 30 December 2020.
  24. "Sjećanja Đonlagić: Moj daidža Meša Selimović". avaz.ba. 5 August 2017. Retrieved 30 December 2020.
Sources

External links

Preceded byBlaže Koneski President of the Association of Writers of Yugoslavia
1964-1965
Succeeded byMatej Bor

NIN Award winning authors
Serbian literature
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