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| {{Short description|Qatari-American artist, writer, and filmmaker}} | {{Short description|Qatari-American artist, writer, and filmmaker}} | ||
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| | name = Sophia Al Maria | | name = Sophia Al Maria | ||
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| '''Sophia Al Maria''' (صافية المرية |
'''Sophia Al Maria''' ({{langx|ar|صافية المرية}}; born 1983) is an artist, writer, and filmmaker.<ref>{{cite web|author=Sophia Al-Maria |url=http://www.harpercollins.ca/authors/37081/Sophia_AlMaria/index.aspx |title=Sophia Al-Maria from HarperCollins Publishers |publisher=Harpercollins.ca |date=2010-03-24 |accessdate=2012-11-07}}</ref> Her work has been exhibited at the ], the ] and ] in New York, the ] and the ] in London. Her writing has appeared in ], ], ], and she is a contributing editor at ]. | ||
| She |
She has coined and developed the concept of 'Gulf Futurism', a term intended to capture the ] region's unique blend of rapid modernization, global influences, and socio-economic contrasts.<ref name="dazeddigital1">{{cite web|url=http://www.dazeddigital.com/artsandculture/article/15040/1/feature-the-desert-of-the-unreal |title=The desert of the unreal |publisher=Dazed Digital |date=2012-10-23 |accessdate=2012-11-30}}</ref> | ||
| Her memoir ''The Girl Who Fell To Earth'' was published by ] on November 27, 2012.<ref name="Al-Maria2012">{{cite book|last= Al-Maria|first=Sophia|title=The Girl Who Fell to Earth: A Memoir|url=https://archive.org/details/girlwhofelltoear0000alma|url-access= registration|accessdate=6 October 2016|year=2012|publisher=Harper Perennial|location=New York|isbn=9780061999758}}</ref> | Her memoir ''The Girl Who Fell To Earth'' was published by ] on November 27, 2012.<ref name="Al-Maria2012">{{cite book|last= Al-Maria|first=Sophia|title=The Girl Who Fell to Earth: A Memoir|url=https://archive.org/details/girlwhofelltoear0000alma|url-access= registration|accessdate=6 October 2016|year=2012|publisher=Harper Perennial|location=New York|isbn=9780061999758}}</ref> | ||
| ==Early life |
==Early life== | ||
| Sophia Al Maria was born to an American mother |
Sophia Al Maria was born to an American mother from ] and a Qatari father. She spent time in both countries during her childhood.<ref>{{cite web|url=https://www.nytimes.com/2013/02/03/books/review/the-girl-who-fell-to-earth-by-sophia-al-maria.html?_r=0|title='The Girl Who Fell to Earth,' by Sophia Al-Maria|work=]|date=1 February 2013|accessdate=22 February 2015}}</ref> She studied comparative literature at the ], and aural and visual cultures at Goldsmiths, ]. She then relocated to Qatar, where she worked towards opening the ], alongside the curators ] and ]. Al Maria cites the experience as being a formative one, where she was "''tasked with meeting and interviewing artists like ] or ]—that was my real art education. Having that proximity was, in a weird way, how I got into artmaking.''"<ref>{{Cite web|url=https://ocula.com/magazine/conversations/sophia-al-maria/|title=Sophia Al-Maria: The Girl Who Fell to Earth|last=Mutambu|first=Tendai|date=7 February 2020|website=Ocula|archive-url=|archive-date=|access-date=}}</ref> | ||
| == |
==Career== | ||
| Al Maria was awarded the Most Promising Filmmaker Award at the 2009 ].<ref name="mullaly">{{cite web|last1=Mullaly|first1=William|url=https://www.thenationalnews.com/arts-culture/film-tv/2024/01/22/sophia-al-maria-film-baretta-hollywood/|title=Qatari artist Sophia Al-Maria’s film revived by Hollywood ten years after cancellation|publisher=The National News (UAE)|date=22 January 2024|accessdate=12 June 2024}}</ref> | |||
| '''Gulf Futurism''' is a term coined by Sophia Al Maria to explain an existing phenomenon she has observed in architecture, urban planning, art, aesthetics and popular culture in the post-oil ]. | |||
| Her ] ''The Girl Who Fell to Earth'' (2012) is the first English-language memoir to be written by a Qatari author.<ref>{{cite web|url=https://www.matthewteller.com/work/qatars-storytelling-tradition/|title=Qatar’s storytelling tradition|publisher=Matthew Teller|accessdate=13 June 2024}}</ref> ''The Girl Who Fell to Earth'' chronicles Al Maria's upbringing between her "redneck family in ]" and her ] family in Qatar. The narrative explores themes of conflicting cultures, immigration, and personal growth.<ref>{{cite web|last1=Asfour|first1=Rana|url=https://themarkaz.org/did-you-say-doha-books-to-get-you-started-on-qatar/|title=Did You Say Doha? (Books to Get You Started On Qatar)|publisher=The Markaz Review|date=2 April 2023|accessdate=13 June 2024}}</ref> | |||
| Her interest in these areas arises from her youth growing up in the Persian Gulf area during the 1980s and 1990s, experiences she describes in ''The Girl Who Fell To Earth''. | |||
| In 2014, a film being developed by Al Maria called ''Beretta'' was shelved due to legal reasons.<ref name="mullaly"/> The story revolved around an Egyptian ] salesman going on a murder spree in which all of his targets are male, bearing some similarities to the 1976 film ].<ref name="balsom"/> She would write a novel, ''Virgin with a Memory'' (2014), partially based off of ''Beretta''.<ref name="ilq1">{{cite web|last1=Bhavnani|first1=Manan|url=https://www.iloveqatar.net/guide/general/qatari-literature-writers|title=A brief history of Qatari literature & 10 writers you need to know|publisher=ILoveQatar.net|date=18 July 2019|accessdate=13 June 2024}}</ref> It was announced in 2024 that producers ] and Aimee Peyronnet had purchased the rights to ''Beretta'' from Al Maria.<ref name="mullaly"/> | |||
| ===Definition=== | |||
| Sharing some qualities with 20th century movements like ], Gulf Futurism is evident in the agenda of the dominant class of this region, concerned with master planning and world building, and with a local youth culture that exhibits an asset bubble fuelled sense of entitlement and is preoccupied with fast cars and fast technology. | |||
| ⚫ | |||
| The themes and ideas present in Gulf Futurism include the isolation of individuals via technology, wealth and reactionary Islam, the corrosive elements of consumerism on the soul and industry on the earth, the replacement of history with glorified heritage fantasy in the collective memory and in many cases, the erasure of existing physical surroundings. | |||
| Informed by texts such as ]’s ''The Illusion of the End'', As-Sufi’s ''Islamic Book of the Dead'' and ]’s '']'', Gulf Futurism also uses imagery from ], ], ] and the global mythos of Science Fiction.{{citation needed|date=October 2016}} | |||
| Al Maria has written several films, including ''The Watcher #1'' (2014), ''The Magical Slate'' (2017) and ''Mirror Cookie'' (2018).<ref name="ilq1"/> | |||
| ===Origins=== | |||
| The concept originated in a 2009<ref>{{Cite book|title=The artists who will change the world|last=Omar|first=Kholeif|others=Coupland, Douglas|isbn=9780500519967|location=New York|oclc=1042085491|date = 2018-09-13}}</ref> essay called “The Gaze of Sci Fi Wahabi” which was made available as a limited edition book and can also be seen on a related website.<ref>{{cite web|author=Sophia Al-Maria |url=http://scifiwahabi.blogspot.com |title=The Gaze of Sci-Fi Wahabi |publisher=Scifiwahabi.blogspot.com |date=2008-09-07 |accessdate=2012-11-30}}</ref> More recently it was the subject of a feature entitled "Deserts of the Unreal" in '']'' magazine which declares the article gives "the scoop on Gulf futurist and video artist Sophia Al-Maria" and states “Sophia Al-Maria coined the term Gulf Futurism” ,<ref name="dazeddigital1"/> Renowned science fiction author ] discussed the concept in two of his regular columns in Wired Magazine.<ref name="wired1">{{cite magazine |last1=Sterling |first1=Bruce |date=2012-11-11 |title=Gulf Futurism |url=https://www.wired.com/2012/11/gulf-futurism/ |magazine=Wired |accessdate=6 October 2016}}</ref><ref name="wired2">{{cite magazine |last1=Sterling |first1=Bruce |date=2012-11-15 |title=Some Cogent Examples of "Gulf Futurism" |url=https://www.wired.com/2012/11/some-cogent-examples-of-gulf-futurism/ |magazine=Wired |accessdate=6 October 2016}}</ref> | |||
| In 2020, Al Maria produced and cowrote the British ] ]. The show aired on ] and received generally positive reviews.<ref name="mullaly"/> | |||
| The influential Dutch art institution ], which presents critical and creative views on contemporary media culture and innovative audiovisual arts in an interdisciplinary context included discussion of the concept during its 2012 festival, stating in its catalogue for the exhibition "No More Westerns" that | |||
| "Sophia Al-Maria is interested in that which is coming. Her work as a writer, filmmaker and artist focuses on Gulf Futurism and the inkling that the state of the contemporary Arabian Gulf is a premonition of our global future. Her project “Sci-Fi Wahabi,” as illustrated by videos and essays, is an epic deep-dive into a displaced futurism that can only be glimpsed through the contemporary-surrealism of the Gulf States".<ref>{{cite web|url=http://impakt.nl/headquarters/news/festival-exhibition-no-more-westerns/ |title=Festival Exhibition: The Impossible Black Tulip of Cartography | IMPAKT – critical and creative views on contemporary media culture |publisher=Impakt.nl |date=2012-10-28 |accessdate=2012-11-30}}</ref> | |||
| ===Gulf Futurism=== | |||
| The concept is also cited by the website “Islam and Science Fiction”.<ref>{{cite web|url=http://islamscifi.com/sci-fi-wahabi/ |title=Islam and Science Fiction » News SF by Muslims » Sophia Al-Maria (Sci-Fi Wahabi) |publisher=Islamscifi.com |date=2012-01-24 |accessdate=2012-11-30}}</ref> | |||
| In the late-2000s, Al Maria coined the term 'Gulf Futurism' to refer to the rapid modernization of ] cities like ] and ] following the discovery of oil. This term encapsulates the construction boom of luxurious hotels, malls, and ]s, and the assimilation of ] tribes into an international ].<ref name="rosenberg1">{{cite web|last1=Rosenberg|first1=Karen|url=https://www.nytimes.com/2016/08/19/arts/design/black-friday-shares-sophia-al-marias-vision-of-gulf-futurism.html|title=The Luxury Mall as Consumer Prison|publisher=The New York Times|date=18 August 2016}}</ref> | |||
| This concept posits that aspects of the future, as envisioned by Western societies, are already manifest in the ]. Al Maria portrays the Gulf as a focal point of global changes, characterized by rapid development, a ], and advanced air-conditioned environments with towering architecture reminiscent of the neon landscapes depicted in 1980s ] literature.<ref name="balsom">{{cite web|last1=Balsom|first1=Erika|url=https://www.artnews.com/art-in-america/interviews/sophia-al-maria-erika-balsom-gulf-futurism-sad-sacks-julia-stoschek-interview-1202683264/|title=Sophia Al-Maria on Dystopias, Gulf Futurism, and Sad Sacks|publisher=ARTnews|date=7 April 2020|accessdate=12 June 2024}}</ref> | |||
| ===Scout=== | |||
| ⚫ | At the core of Gulf Futurism is the distinctive socio-economic landscape of the Gulf states, particularly the pervasive influence of oil wealth and consumer culture. Teenage life in these countries often revolves around malls, video games, and television. According to Al Maria, this immersion in virtual realities and global media has become a defining trait of Gulf youth culture.<ref name="sterling1">{{cite magazine|url=https://www.wired.com/2012/11/some-cogent-examples-of-gulf-futurism/|title=Some Cogent Examples of "Gulf Futurism"|first=Bruce|last=Sterling|magazine=Wired|accessdate=5 December 2017|date=2012-11-15}}</ref> | ||
| The prevalence of shopping malls in the Gulf region is a significant theme in Gulf Futurism. Malls function as multifunctional spaces where various aspects of social life, including secret meetings and women's exercise routines, occur. Al-Maria recalls seeing women in abayas and Nikes jogging through the mall and teenagers covertly exchanging phone numbers. This environment of disconnection and covert communication illustrates the unique social dynamics of the Gulf.<ref name="sterling1"/> | |||
| Al Maria's works, which include videos and writings, often mix sci-fi elements with dystopian themes to critique the socio-environmental impact of rapid development. Her exhibit ''Black Friday'' at the ] in 2016 portrayed Doha's malls as sites of consumer entrapment and cultural dislocation, emphasizing the disorienting effects of hypermodernity.<ref name="rosenberg1"/> | |||
| An art project of Al Maria's, Sci-fi Wahabi, epitomizes Gulf Futurism’s blend of traditional and futuristic elements. In this project, she adopts an imposing alter ego adorned with laser sunglasses and an abaya. This character embodies the intersection of cultural heritage and futuristic imagination, highlighting the innovative and often surreal nature of Gulf Futurism.<ref name="sterling1"/> | |||
| ==References== | ==References== | ||
Latest revision as of 00:44, 3 November 2024
Qatari-American artist, writer, and filmmaker| Sophia Al Maria | |
|---|---|
| Born | 1983 Tacoma, Washington, US |
| Nationality | Qatari-American |
| Occupation(s) | Artist, writer, filmmaker |
Sophia Al Maria (Arabic: صافية المرية; born 1983) is an artist, writer, and filmmaker. Her work has been exhibited at the Gwangju Biennale, the New Museum and Whitney Museum of American Art in New York, the Venice Biennale and the Tate Britain in London. Her writing has appeared in Harper's Magazine, Five Dials, Triple Canopy, and she is a contributing editor at Bidoun.
She has coined and developed the concept of 'Gulf Futurism', a term intended to capture the Persian Gulf region's unique blend of rapid modernization, global influences, and socio-economic contrasts.
Her memoir The Girl Who Fell To Earth was published by Harper Perennial on November 27, 2012.
Early life
Sophia Al Maria was born to an American mother from Puyallup, Washington and a Qatari father. She spent time in both countries during her childhood. She studied comparative literature at the American University in Cairo, and aural and visual cultures at Goldsmiths, University of London. She then relocated to Qatar, where she worked towards opening the Mathaf contemporary art museum, alongside the curators Wassan Al-Khudhairi and Deena Chalabi. Al Maria cites the experience as being a formative one, where she was "tasked with meeting and interviewing artists like Hassan Sharif or Zineb Sedira—that was my real art education. Having that proximity was, in a weird way, how I got into artmaking."
Career
Al Maria was awarded the Most Promising Filmmaker Award at the 2009 Doha Tribeca Film Festival.
Her memoir The Girl Who Fell to Earth (2012) is the first English-language memoir to be written by a Qatari author. The Girl Who Fell to Earth chronicles Al Maria's upbringing between her "redneck family in Washington State" and her Bedouin family in Qatar. The narrative explores themes of conflicting cultures, immigration, and personal growth.
In 2014, a film being developed by Al Maria called Beretta was shelved due to legal reasons. The story revolved around an Egyptian lingerie salesman going on a murder spree in which all of his targets are male, bearing some similarities to the 1976 film Taxi Driver. She would write a novel, Virgin with a Memory (2014), partially based off of Beretta. It was announced in 2024 that producers Uri Singer and Aimee Peyronnet had purchased the rights to Beretta from Al Maria.
Al Maria has written several films, including The Watcher #1 (2014), The Magical Slate (2017) and Mirror Cookie (2018).
In 2020, Al Maria produced and cowrote the British miniseries Little Bird. The show aired on Sky Atlantic and received generally positive reviews.
Gulf Futurism
In the late-2000s, Al Maria coined the term 'Gulf Futurism' to refer to the rapid modernization of Persian Gulf cities like Dubai and Doha following the discovery of oil. This term encapsulates the construction boom of luxurious hotels, malls, and megaprojects, and the assimilation of Bedouin tribes into an international consumer culture.
This concept posits that aspects of the future, as envisioned by Western societies, are already manifest in the Arab States of the Persian Gulf. Al Maria portrays the Gulf as a focal point of global changes, characterized by rapid development, a petro-capitalist economy, and advanced air-conditioned environments with towering architecture reminiscent of the neon landscapes depicted in 1980s cyberpunk literature.
At the core of Gulf Futurism is the distinctive socio-economic landscape of the Gulf states, particularly the pervasive influence of oil wealth and consumer culture. Teenage life in these countries often revolves around malls, video games, and television. According to Al Maria, this immersion in virtual realities and global media has become a defining trait of Gulf youth culture.
The prevalence of shopping malls in the Gulf region is a significant theme in Gulf Futurism. Malls function as multifunctional spaces where various aspects of social life, including secret meetings and women's exercise routines, occur. Al-Maria recalls seeing women in abayas and Nikes jogging through the mall and teenagers covertly exchanging phone numbers. This environment of disconnection and covert communication illustrates the unique social dynamics of the Gulf.
Al Maria's works, which include videos and writings, often mix sci-fi elements with dystopian themes to critique the socio-environmental impact of rapid development. Her exhibit Black Friday at the Whitney Museum in 2016 portrayed Doha's malls as sites of consumer entrapment and cultural dislocation, emphasizing the disorienting effects of hypermodernity.
An art project of Al Maria's, Sci-fi Wahabi, epitomizes Gulf Futurism’s blend of traditional and futuristic elements. In this project, she adopts an imposing alter ego adorned with laser sunglasses and an abaya. This character embodies the intersection of cultural heritage and futuristic imagination, highlighting the innovative and often surreal nature of Gulf Futurism.
References
- "Biography" (PDF). The Third Line. Retrieved 22 April 2015.
- Sophia Al-Maria (2010-03-24). "Sophia Al-Maria from HarperCollins Publishers". Harpercollins.ca. Retrieved 2012-11-07.
- "The desert of the unreal". Dazed Digital. 2012-10-23. Retrieved 2012-11-30.
- Al-Maria, Sophia (2012). The Girl Who Fell to Earth: A Memoir. New York: Harper Perennial. ISBN 9780061999758. Retrieved 6 October 2016.
- "'The Girl Who Fell to Earth,' by Sophia Al-Maria". The New York Times. 1 February 2013. Retrieved 22 February 2015.
- Mutambu, Tendai (7 February 2020). "Sophia Al-Maria: The Girl Who Fell to Earth". Ocula.
- ^ Mullaly, William (22 January 2024). "Qatari artist Sophia Al-Maria's film revived by Hollywood ten years after cancellation". The National News (UAE). Retrieved 12 June 2024.
- "Qatar's storytelling tradition". Matthew Teller. Retrieved 13 June 2024.
- Asfour, Rana (2 April 2023). "Did You Say Doha? (Books to Get You Started On Qatar)". The Markaz Review. Retrieved 13 June 2024.
- ^ Balsom, Erika (7 April 2020). "Sophia Al-Maria on Dystopias, Gulf Futurism, and Sad Sacks". ARTnews. Retrieved 12 June 2024.
- ^ Bhavnani, Manan (18 July 2019). "A brief history of Qatari literature & 10 writers you need to know". ILoveQatar.net. Retrieved 13 June 2024.
- ^ Rosenberg, Karen (18 August 2016). "The Luxury Mall as Consumer Prison". The New York Times.
- ^ Sterling, Bruce (2012-11-15). "Some Cogent Examples of "Gulf Futurism"". Wired. Retrieved 5 December 2017.
External links
- Al-Maria, Sophia (2013-05-13). Chewing the Data Fat.
- On Automobiles: Sophia Al-Maria talks to Omar Kholeif.