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{{short description|Arab historian}} {{Short description|Arab historian, writer, poet and musicologist (897–967)}}
{{other people|Al-Isfahani}} {{other people|Al-Isfahani}}
{{Other people|Abu al-Faraj}} {{Other people|Abu al-Faraj}}
{{cleanup lang|date=January 2024}}
{{Infobox scientist {{Infobox scientist
| name = Abu al-Faraj al-Isfahani | name = Abu al-Faraj al-Isfahani
| native_name = أبو الفرج الأصفهاني | native_name = أَبُو الْفَرَج الْأصْفَهَانِيّ
| native_name_lang = ar | native_name_lang = ar
| image = Kitab al-aghani.jpg | image = Kitab_al-Aghani_01_(cropped).jpg
| alt = | alt =
| caption = Illustration from ''Kitab al-aghani'' (''Book of Songs''), 1216-20, by Abu al-Faraj al-Isfahani, a collection of songs by famous musicians and Arab poets. | caption = Illustration from ''Kitab al-aghani'' (''Book of Songs''), 1216–20, by Abu al-Faraj al-Isfahani, a collection of songs by famous musicians and Arab poets.
| birth_date = {{start date|897}} | birth_date = {{start date|897}}
| birth_place = ] | birth_place = ], Abbasid Caliphate
| death_date = {{death year and age|967|897}} | death_date = {{death year and age|967|897}}{{efn|See the ]}}
| death_place = ] | death_place = ]
| death_cause = | death_cause =
| resting_place = | resting_place =
| resting_place_coordinates = <!--{{coord|LAT|LONG|type:landmark|display=inline,title}}--> | resting_place_coordinates = <!--{{coord|LAT|LONG|type:landmark|display=inline,title}}-->
| other_names = Ali ibn al-Ḥusayn ibn Muḥammad ibn Aḥmad ibn al-Ḥaytham
| other_names =
| residence = | residence =
| era = ] (])
| citizenship =
| fields = History
| nationality =
| fields = History | workplaces =
| patrons = Sayf ad-Dawlah
| workplaces =
| patrons = Sayf ad-Dawlah | education =
| education = | alma_mater =
| thesis_title = <!--(or | thesis1_title = and | thesis2_title = )-->
| alma_mater =
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| thesis_url = <!--(or | thesis1_url = and | thesis2_url = )--> | thesis_year = <!--(or | thesis1_year = and | thesis2_year = )-->
| thesis_year = <!--(or | thesis1_year = and | thesis2_year = )--> | doctoral_advisor = <!--(or | doctoral_advisors = )-->
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| academic_advisors = | academic_advisors =
| doctoral_students = | doctoral_students =
| notable_students = | notable_students =
| known_for = Book of Songs | known_for = Book of Songs
| influences = | influences =
| influenced = | influenced =
| awards = | awards =
| author_abbrev_bot = | author_abbrev_bot =
| author_abbrev_zoo = | author_abbrev_zoo =
| spouse = <!--(or | spouses = )--> | spouse = <!--(or | spouses = )-->
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| children = | children =
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| footnotes = | footnotes =
}} }}


'''Ali ibn al-Husayn al-Iṣfahānī''' ({{lang-ar|أبو الفرج الأصفهاني}}), also known as '''Abul-Fara'''j, (full form: Abū al-Faraj ʿAlī b. al-Ḥusayn b. Muḥammad b. Aḥmad b. al-Ḥaytham al-Umawī al-Iṣfahānī) (284/897–356]/967]) was a litterateur, genealogist, poet, musicologist, scribe, and boon companion in the tenth century. He was of ]-] origin<ref>{{EI2|title=Abu 'l-Faradj al-Isbahani|author=M. Nallino|volume=1|page=118}}</ref><ref>{{cite web|last1=Bagley|first1=F. R. C.|title=ABU’L-FARAJ EṢFAHĀNĪ|url=http://www.iranicaonline.org/articles/abul-faraj-esfahani-ali-b|publisher=Encyclopaedia Iranica|accessdate=2 April 2017|language=en|archive-url=https://web.archive.org/web/20111116232841/http://www.iranicaonline.org/articles/abul-faraj-esfahani-ali-b|archive-date=16 November 2011|url-status=dead}}</ref> and mainly based in ]. He is best known as the author of '']'' (“The Book of Songs”), which includes information about the earliest attested periods of ] (from the seventh to the ninth centuries) and the lives of poets and musicians from the pre-Islamic period to al-Iṣfahānī’s time.<ref>{{Citation '''Ali ibn al-Husayn al-Iṣfahānī''' ({{langx|ar|أبو الفرج الأصفهاني}}), also known as '''Abul-Faraj''', (full form: Abū al-Faraj ʿAlī ibn al-Ḥusayn ibn Muḥammad ibn Aḥmad ibn al-Ḥaytham al-Umawī al-Iṣfahānī) (897–967] / 284–356]) was a writer, historian, genealogist, poet, musicologist and scribe. He was of ]-] origin<ref>{{EI2|title=Abu 'l-Faradj al-Isbahani|author=M. Nallino|volume=1|page=118}}</ref><ref>{{cite web|last1=Bagley|first1=F. R. C.|title=ABU'L-FARAJ EṢFAHĀNĪ|url=http://www.iranicaonline.org/articles/abul-faraj-esfahani-ali-b|publisher=Encyclopaedia Iranica|access-date=2 April 2017|language=en|archive-url=https://web.archive.org/web/20111116232841/http://www.iranicaonline.org/articles/abul-faraj-esfahani-ali-b|archive-date=16 November 2011|url-status=dead}}</ref> and mainly based in ]. He is best known as the author of '']'' ("The Book of Songs"), which includes information about the earliest attested periods of ] (from the seventh to the ninth centuries) and the lives of poets and musicians from the pre-Islamic period to al-Isfahani's time.<ref>{{Citation
| last = Sawa | last = Sawa
| first = S.G. | first = S.G.
| title = The Status and Roles of the Secular Musicians in the Kitāb al-Aghānī (Book of Songs) of Abu al-Faraj al-Iṣbahānī | title = The Status and Roles of the Secular Musicians in the Kitab al-Aghani (Book of Songs) of Abu al-Faraj al-Iṣbahānī
| journal = Asian Music | journal = Asian Music
| volume = 17 | volume = 17
Line 58: Line 58:
| doi = 10.2307/833741 | doi = 10.2307/833741
| jstor = 833741 | jstor = 833741
| publisher = Asian Music, Vol. 17, No. 1}}</ref> Given his contribution to the documentation of the history of Arabic music, al-Iṣfahānī is characterised by Sawa as “a true prophet of modern ethnomusicology”.{{sfn|Sawa|1989|p=29}} | publisher = Asian Music, Vol. 17, No. 1}}</ref> Given his contribution to the documentation of the history of Arabic music, al-Isfahani is characterised by George Sawa as "a true prophet of modern ethnomusicology".{{sfn|Sawa|1989|p=29}}


== Dates == == Dates ==
The commonly accepted dates of al-Iṣfahānī’s birth and death are 284]/897–8] and 356/967.{{Efn|Other dates of death are in the 360s/970s and 357/967–68, suggested respectively by Ibn al-Nadīm (d. 385/995 or 388/998) and Abū Nuʿaym al-Iṣfahānī (336–430/948–1038){{sfn|ref=Akhbār|Abū Nuʿaym, ''Akhbār''|loc= vol. 2, p. 22}}{{sfn|ref=al-Fihrist|Ibn al-Nadīm, ''al-Fihrist''|p=128}}}} However, the credibility of these dates is to be treated with discretion. The dates are given by ] (392–463/1002–1071), who bases his information on the testimony of al-Iṣfahānī’s student, Muḥammad b. Abī al-Fawāris (338–412/950–1022).{{sfn|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|ref=Tārīkh Madīnat al-Salām|loc=vol. 13, p. 338; vol. 2, p. 213 (On Ibn Abī al-Fawāris)}} The death date given by al-Khaṭīb is irreconcilable with a reference in the ''Kitāb Adab al-ghurabāʾ'' (“The Book of the Etiquettes of Strangers”), attributed to al-Iṣfahānī, to his being in the prime of youth ('' ayyām al-shabība wa-l-ṣibā'') in 356/967.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 95–97}}{{sfn|al-Iṣfahānī, ''Adab al-ghurabāʾ''|ref=al-ghurabā|p=83–86}} If we accept al-Iṣfahānī’s authorship of the ''Adab al-ghurabāʾ'' and the authenticity of all the accounts in it, none of the above dates makes sense.{{Efn|The attribution of ''Adab al-ghurabāʾ'' to al-Iṣfahānī is much disputed in current scholarship. The scholars who affirm al-Iṣfahānī as the author of ''Adab al-ghurabāʾ'' include:{{sfn|Azarnoosh|1992|p=733}}{{sfn|Günther|2007|p=}}{{sfn|al-Munajjid|1972|p=10–16}}{{sfn|Kilpatrick|2004|p=230–242}}{{sfn|Kilpatrick|1978|p=127–135}} On the opposite side are:{{sfn|Hoyland|2006|p=36–39}}{{sfn|Crone|Moreh|2000|p=128–143}}}} However, it is possible to calculate the approximate dates of his birth and death through the lifespans of his students and his direct informants. Muḥammad b. Abī al-Fawāris the youngest to have transmitted from him{{sfn|al-Aṣmaʿī|1951|p=81–85}} — was born in 338/950.{{sfn|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|ref=Tārīkh Madīnat al-Salām|loc=vol. 2, p. 213–214}} If we assume that Muḥammad started to attend al-Iṣfahānī’s lectures at the age of ten, then we may suggest that al-Iṣfahānī was still active in 348/960 onwards or a little later. Among his direct informants, the one who died earliest is Yaḥyā b. ʿAlī b. Yaḥyā al-Munajjim, who lived from 241/855 to 300/912.{{sfn|Fleischhammer|2004|p=68–69}} Again, if we postulate that al-Iṣfahānī transmitted from Yaḥyā when he was at least ten years old, we can infer that he was born before 290/902. Therefore, al-Iṣfahānī’s intellectual activity took place in the first six decades of the tenth century, from about 290/902 to 348/960. No source places his death earlier than 356/967. The commonly accepted dates of al-Isfahani's birth and death are 897–898 and 967, based on the dates given by ] which itself based its information on the testimony of al-Isfahani's student, Muhammad ibn Abi al-Fawaris.{{sfn|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|ref=Tārīkh Madīnat al-Salām|loc=vol. 13, p. 338; vol. 2, p. 213 (On Ibn Abī al-Fawāris)}}{{Efn|Other dates of death are in the 360s/970s and 357/967–68, suggested respectively by Ibn al-Nadim (d. 385/995 or 388/998) and Abu Nu'aym al-Isfahani (336–430/948–1038){{sfn|ref=Akhbār|Abū Nuʿaym, ''Akhbār''|loc= vol. 2, p. 22}}{{sfn|ref=al-Fihrist|Ibn al-Nadīm, ''al-Fihrist''|p=128}}}} However, the credibility of these dates is to be treated with caution. No source places his death earlier than 967, but several place it later. These dates are at odds with a reference in the ''Kitab Adab al-ghuraba'' ("The Book of the Etiquettes of Strangers"), attributed to al-Isfahani, to his being in the prime of youth (''fi ayyam al-shabiba wa-l-siba'') in 967.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 95–97}}{{sfn|al-Iṣfahānī, ''Adab al-ghurabāʾ''|ref=al-ghurabā|p=83–86}}{{Efn|The attribution of ''Adab al-ghuraba'' to al-Isfahani is much disputed in current scholarship. The scholars who affirm al-Isfahani as the author of ''Adab al-ghuraba'' include:{{sfn|Azarnoosh|1992|p=733}}{{sfn|Günther|2007|p=}}{{sfn|al-Munajjid|1972|p=10–16}}{{sfn|Kilpatrick|2004|p=230–242}}{{sfn|Kilpatrick|1978|p=127–135}} On the opposite side are:{{sfn|Hoyland|2006|p=36–39}}{{sfn|Crone|Moreh|2000|p=128–143}}}} Calculation of the approximate dates of his birth and death through the life spans of his students and his direct informants suggests that he was born before 902 and died after 960.<ref>{{Cite journal|last=Su|first=I-Wen|date=2020|title=Abū al-Faraj ʿAlī b. al-Ḥusayn al-Iṣfahānī, the Author of the Kitāb al-Aghānī|url=https://en.wikiversity.org/WikiJournal_of_Humanities/Ab%C5%AB_al-Faraj_%CA%BFAl%C4%AB_b._al-%E1%B8%A4usayn_al-I%E1%B9%A3fah%C4%81n%C4%AB,_the_Author_of_the_Kit%C4%81b_al-Agh%C4%81n%C4%AB|journal=WikiJournal of Humanities|volume=3|issue=1|pages=1|doi=10.15347/wjh/2020.001|doi-access=free}} ] Text was copied from this source, which is available under a license.</ref>


==Biography== ==Biography==
Abu al-Faraj al-Iṣfahānī was born in ], Persia (present-day ]) but spent his youth and made his early studies in ] (present-day ]). He was a direct descendant of the last of the ] ]s, ],{{efn|Al-Isfahani traces his descent to Marwan II as follows: Abu al-Faraj Ali ibn al-Husayn ibn Muhammad ibn Ahmad ibn al-Haytham ibn Abd al-Rahman ibn Marwan ibn Abd Allah ibn Marwan II ibn Muhammad ibn Marwan I.<ref>{{cite book |last=De Slane |first=Mac Guckin |authorlink= William McGuckin de Slane |title=Ibn Khallikan's Biographical Dictionary, Volume 3 |date=1842 |publisher=Oriental Translation Fund of Great Britain and Ireland |location=Paris |page=300 |url={{Google Books|XccfAAAAMAAJ|plainurl=y}}}} </ref>}} and was thus connected with the Umayyad rulers in ], and seems to have kept up a correspondence with them and to have sent them some of his works. He became famous for his knowledge of early Arabian antiquities.<ref name="eb">{{EB1911|inline=1|wstitle=Abulfaraj|volume=1|page=79}}</ref> Abu al-Faraj al-Isfahani was born in ], Persia (present-day ]) but spent his youth and undertook his early studies in ] (present-day ]). He was a direct descendant of the last of the ] ]s, ],{{efn|Al-Isfahani traced his descent to Marwan II as follows: Abu al-Faraj Ali ibn al-Husayn ibn Muhammad ibn Ahmad ibn al-Haytham ibn Abd al-Rahman ibn Marwan ibn Abd Allah ibn Marwan II ibn ] ibn ].<ref>{{cite book |last=De Slane |first=Mac Guckin |author-link= William McGuckin de Slane |title=Ibn Khallikan's Biographical Dictionary, Volume 3 |date=1842 |publisher=Oriental Translation Fund of Great Britain and Ireland |location=Paris |page=300 |url={{Google Books|XccfAAAAMAAJ|plainurl=y}}}}</ref>}} and was thus connected with the Umayyad rulers in ], and seems to have kept up a correspondence with them and to have sent them some of his works. He became famous for his knowledge of early Arabian antiquities.<ref name="eb">{{EB1911|inline=1|wstitle=Abulfaraj|volume=1|page=79}}</ref>


His later life was spent in various parts of the Islamic world, in ] with its ] governor ] (to whom he dedicated the ''Book of Songs''), in ] with the ] ] Ibn 'Abbad, and elsewhere. His later life was spent in various parts of the Islamic world, including in ] with its ] governor ] (to whom he dedicated the ''Book of Songs''), and in ] with the ] ] Ibn 'Abbad.


=== Family === === Family ===
The epithet, al-Iṣfahānī,{{Efn|Another spelling, al-Iṣbahānī, is also used in secondary literature. Although al-Iṣbahānī is found in the oldest biographical sources and manuscripts, al-Iṣfahānī will be used in this article.{{sfn|Kilpatrick|2003|p=vii}}}} refers to the city, ], on the ]. Instead of indicating al-Iṣfahānī’s birthplace,{{sfn|al-Ziriklī|2002|loc=vol. 4, p. 278}}{{sfn|Rotter|1977|p=7}}{{sfn|Amīn|2009|p=248–249}}{{sfn|Sallūm|1969|p=9}}{{efn|This misconception, according to Azarnoosh,{{sfn|Azarnoosh|1992|p=719}} was first disseminated by Ṭāshkubrīzādah (d. 968/1560) and was thereafter followed by modern scholars.}} this epithet seems to be common to al-Iṣfahānī’s family. Every reference al-Iṣfahānī makes to his paternal relatives includes the attributive, al-Iṣfahānī.{{sfn|Khalafallāh|1962|p=23–25}}{{sfn|Azarnoosh|1992|p=720}} According to ] (384–456/994–1064), some descendants of the last ], ] (72–132/691–750), al-Iṣfahānī’s forefather,{{Efn|While most of the sources agree that al-Iṣfahānī was amongst the offspring of the last Umayyad caliph, Marwān b. Muḥammad, Ibn al-Nadīm alone claimed that he was a descendant of Hishām b. ʿAbd al-Malik (72–125/691–743).{{sfn|ref=al-Fihrist|Ibn al-Nadīm, ''al-Fihrist''|p=127}} The majority opinion:{{sfn|ref=Tārīkh Madīnat al-Salām|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|loc=vol. 13, p. 337}}{{sfn|ref=Siyar|al-Dhahabī, ''Siyar''|p=2774}}{{sfn|ref=Inbāh|al-Qifṭī, ''Inbāh''|loc=vol. 2, p. 251}}}} settled in Isfahan.{{sfn|Ibn Ḥazm, ''Jamharat ansāb al-ʿarab''|ref=Jamharat|p=107}} However, it has to be borne in mind that the earliest information we have regarding al-Iṣfahānī’s family history only dates to the generation of his great-grandfather, Aḥmad b. al-Ḥaytham, who settled in ] sometime between 221/835–6 and 232/847.{{sfn|Su|2018a|p=421–422}} The epithet, al-Isfahani,{{Efn|Another spelling, al-Isbahani, is also used in secondary literature. Although al-Isbahani is found in the oldest biographical sources and manuscripts, al-Isfahani will be used in this article.{{sfn|Kilpatrick|2003|p=vii}}}} refers to the city, ], on the ]. Instead of indicating al-Isfahani's birthplace,{{sfn|al-Ziriklī|2002|loc=vol. 4, p. 278}}{{sfn|Rotter|1977|p=7}}{{sfn|Amīn|2009|p=248–249}}{{sfn|Sallūm|1969|p=9}}{{efn|This misconception, according to Azarnoosh,{{sfn|Azarnoosh|1992|p=719}} was first disseminated by Ṭāshkubrīzādah (d. 968/1560) and was thereafter followed by modern scholars.}} this epithet seems to be common to al-Isfahani's family. Every reference al-Isfahani makes to his paternal relatives includes the attributive, al-Isfahani.{{sfn|Khalafallāh|1962|p=23–25}}{{sfn|Azarnoosh|1992|p=720}} According to ] (994–1064), some descendants of the last ], ] (691–750), al-Isfahani's ancestor,{{Efn|While most of the sources agree that al-Isfahani was amongst the offspring of the last Umayyad caliph, Marwan b. Muhammad, Ibn al-Nadīm alone claimed that he was a descendant of Hishām b. ʿAbd al-Malik (72–125/691–743).{{sfn|ref=al-Fihrist|Ibn al-Nadīm, ''al-Fihrist''|p=127}} The majority opinion:{{sfn|ref=Tārīkh Madīnat al-Salām|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|loc=vol. 13, p. 337}}{{sfn|ref=Siyar|al-Dhahabī, ''Siyar''|p=2774}}{{sfn|ref=Inbāh|al-Qifṭī, ''Inbāh''|loc=vol. 2, p. 251}}}} settled in Isfahan.{{sfn|Ibn Ḥazm, ''Jamharat ansāb al-ʿarab''|ref=Jamharat|p=107}} However, it has to be borne in mind that the earliest information available regarding al-Isfahani's family history only dates to the generation of his great-grandfather, Ahmad b. al-Ḥaytham, who settled in ] sometime between 835–6 and 847.{{sfn|Su|2018a|p=421–422}}


Based on al-Iṣfahānī’s references in the ''Kitāb al-Aghānī'' (hereafter, the ''Aghānī''), Aḥmad b. al-Ḥaytham seems to have led a privileged life in Sāmarrāʾ, while his sons were well-connected with the elite of the ] capital at that time.{{Efn|A report in the ''Aghānī'' mentions Aḥmad b. al-Ḥaytham’s possession of slaves, which may indicate his being wealthy.{{sfn|Su|2018a|p=422–423}}}} His son, ʿAbd al-ʿAzīz b. Aḥmad, was “one of the high ranking scribes in the days of ] (r. 232–247/847–861) (''min kibār al-kuttāb fī ayyām al-Mutawakkil'').{{sfn|Ibn Ḥazm, ''Jamharat ansāb al-ʿarab''|ref=Jamharat|p=107}} Another son, Muḥammad b. Aḥmad (''viz''. al-Iṣfahānī’s grandfather), was associated with the ʿAbbāsid officials, the vizier ] (d. 233/847), the scribe Ibrāhīm b. al-ʿAbbās al-Ṣūlī (176–243/792–857), and the vizier ʿUbaydallāh b. Sulaymān (d. 288/901), besides the ] notables,{{sfn|Su|2018a|p=424–426}} above all, al-Ḥusayn b. al-Ḥusayn b. Zayd, who was the leader of the ] of his time.{{sfn|al-Iṣfahānī, ''Maqātil''|ref=Maqātil|p=547}} The close ties with the ʿAbbāsid court continued in the generation of Muḥammad’s sons, al-Ḥasan and al-Ḥusayn (al-Iṣfahānī’s father).{{sfn|Su|2018a|p=426–430}} Based on al-Isfahani's references in the ''Kitab al-Aghani'' (hereafter, the ''Aghani''), Ahmad b. al-Haytham seems to have led a privileged life in Sāmarrāʾ, while his sons were well-connected with the elite of the ] capital at that time.{{Efn|A report in the ''Aghani'' mentions Ahmad b. al-Ḥaytham's possession of slaves, which may indicate his being wealthy.{{sfn|Su|2018a|p=422–423}}}} His son, Abd al-Aziz b. Ahmad, was "one of the high ranking scribes in the days of ] (r. 847–861) (''min kibār al-kuttāb fī ayyām al-Mutawakkil'')".{{sfn|Ibn Ḥazm, ''Jamharat ansāb al-ʿarab''|ref=Jamharat|p=107}} Another son, Muhammad b. Ahmad (''viz''. al-Isfahani's grandfather), was associated with Abbasid officials, the vizier ] (d. 847), the scribe Ibrahim b. al-Abbas al-Ṣūlī (792–857), and the vizier Ubaydallah b. Sulayman (d. 901), along with the ] notables,{{sfn|Su|2018a|p=424–426}} including al-Husayn b. al-Husayn b. Zayd, who was the leader of the ].{{sfn|al-Iṣfahānī, ''Maqātil''|ref=Maqātil|p=547}} The close ties with the Abbasid court continued with Muhammad's sons, al-Hasan and al-Husayn (al-Isfahani's father).{{sfn|Su|2018a|p=426–430}}


In various places in the ''Aghānī'', al-Iṣfahānī refers to Yaḥyā b. Muḥammad b. Thawāba (from the Āl Thawāba) as his grandfather on his mother’s side.{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 12, p. 29; vol. 14, p. 113, 157; vol. 16, p. 317–318; vol. 19, p. 35, 49; vol. 20, p. 116}}{{Efn|For the identity of Yaḥyā b. Muḥammad b. Thawāba and other members of the Āl Thawāba,see: {{sfn|Khalafallāh|1962|p=52–58}}{{sfn|ref=al-Fihrist|Ibn al-Nadīm, ''al-Fihrist''|p=143–144}}}} It is often suggested that the family of Thawāba, being ],{{Efn|The term, Shīʿī, is used in its broadest sense in this article and comprises various still evolving groups, including Imāmī Shīʿīs, Zaydīs, Ghulāt, and mild or soft Shīʿīs (as per van Ess and Crone), as well as those who straddle several sectarian alignments. Such inclusiveness is necessitated by the lack of clear-cut sectarian delineation (as in the case of the Āl Thawāba, discussed here) in the early period.{{sfn|van Ess|2017|loc=vol. 1, p. 236}}{{sfn|Crone|2005|p=72, 99}}}} bequeathed their sectarian inclination to al-Iṣfahānī.{{sfn|Khalafallāh|1962|p=58}}{{Efn|Both Kilpatrick and Azarnoosh follow Khalafallāh’s argument as to the Āl Thawāba’s impact upon al-Iṣfahānī’s Shīʿī conviction.{{sfn|Kilpatrick|2003|p=15}}{{sfn|Azarnoosh|1992|p=728}}}} However, the identification of the Thawāba family as Shīʿīs is only found in a late source, ] (574–626/1178–1225) work.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 4, p. 147–149}} Although it is not implausible for the family of Thawāba to have been Shīʿī-inclined in one way or another, since many elite families working under the ʿAbbāsid caliphate during this period of time indeed allied with ʿAlids or their partisans,{{sfn|Su|2018a|p=433–441}} there is no evidence that members of the Thawāba family embraced an extreme form of Shīʿism.{{sfn|Su|2018a|p=431–432}} In various places in the ''Aghani'', al-Isfahani refers to Yahya b. Muhammad b. Thawaba (from the Al Thawaba) as his grandfather on his mother's side.{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 12, p. 29; vol. 14, p. 113, 157; vol. 16, p. 317–318; vol. 19, p. 35, 49; vol. 20, p. 116}}{{Efn|For the identity of Yahya b. Muhammad b. Thawaba and other members of the Al Thawaba, see: {{sfn|Khalafallāh|1962|p=52–58}}{{sfn|ref=al-Fihrist|Ibn al-Nadīm, ''al-Fihrist''|p=143–144}}}} It is often suggested that the family of Thawaba, being ],{{Efn|The term, Shi'i, is used in its broadest sense in this article and comprises various still evolving groups, including Imami Shi'is, Zaydīs, Ghulāt, and mild or soft Shi'is (as per van Ess and Crone), as well as those who straddle several sectarian alignments. Such inclusiveness is necessitated by the lack of clear-cut sectarian delineation (as in the case of the Al Thawaba, discussed here) in the early period.{{sfn|van Ess|2017|loc=vol. 1, p. 236}}{{sfn|Crone|2005|p=72, 99}}}} bequeathed their sectarian inclination to al-Isfahani.{{sfn|Khalafallāh|1962|p=58}}{{Efn|Both Kilpatrick and Azarnoosh follow Khalafallāh's argument as to the Al Thawaba's impact upon al-Isfahani's Shi'i conviction.{{sfn|Kilpatrick|2003|p=15}}{{sfn|Azarnoosh|1992|p=728}}}} However, the identification of the Thawaba family as Shi'is is only found in a late source, ] (1178–1225) work.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 4, p. 147–149}} While many elite families working under the Abbasid caliphate were Shi'i-inclined, indeed allied with Alids or their partisans,{{sfn|Su|2018a|p=433–441}} there is no evidence that members of the Thawaba family embraced an extreme form of Shi'ism.{{sfn|Su|2018a|p=431–432}}


In short, al-Iṣfahānī came from a family well-entrenched in the networks of the ʿAbbāsid elite, which included the officials and the ]. Despite the epithet, al-Iṣfahānī, it does not seem that the Iṣfahānī family has much to do with the city, Isfahan. Rather, the family was mainly based in Sāmarrāʾ, from the generation of Aḥmad b. al-Ḥaytham, and then Baghdad.{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 23, p. 21}} In the seats of the caliphate, a few members of this family worked as scribes, while maintaining friendship or alliance with other scribes, viziers, and notables.{{sfn|Su|2018a|p=421–432}} Like many of the court elite, al-Iṣfahānī’s family maintained an amicable relationship with the offspring of ʿAlī and allied with families, such as the Thawāba family,{{Efn|Besides the Āl Thawāba, one may count among the pro-ʿAlid or Shīʿī families the Banū Furāt and Banū Nawbakht.{{sfn|Su|2018a|p=429–430}}}} sharing their veneration of ʿAlī and ʿAlids. However, it is hard to pinpoint such a reverential attitude towards ʿAlids in terms of sectarian alignment, given the scanty information about al-Iṣfahānī’s family and the fluidity of sectarian identities at the time. In summary, al-Isfahani came from a family well-entrenched in the networks of the Abbasid elite, which included the officials and the ]. Despite the epithet, al-Isfahani, it does not seem that the Isfahani family had a strong connection with the city of Isfahan. Rather, the family was mainly based in Sāmarrāʾ, from the generation of Ahmad b. al-Ḥaytham, and then Baghdad.{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 23, p. 21}}


In the seats of the caliphate, a few members of the al-Isfahani family worked as scribes, while maintaining friendship or alliance with other scribes, viziers and notables.{{sfn|Su|2018a|p=421–432}} Like many of the court elite, al-Isfahani's family maintained an amicable relationship with the offspring of Ali and allied with families, such as the Thawaba family,{{Efn|Besides the Al Thawaba, one may count among the pro-Alid or Shi'i families the Banū Furāt and Banū Nawbakht.{{sfn|Su|2018a|p=429–430}}}} sharing their veneration of Ali and Alids. However, it is hard to pinpoint such a reverential attitude towards Alids in terms of sectarian alignment, given the scanty information about al-Isfahani's family and the fluidity of sectarian identities at the time.
=== Education and career ===
The Iṣfahānī family’s extensive social outreach is reflected in al-Iṣfahānī’s sources. Among the direct informants whom al-Iṣfahānī cites in his works, one finds the members of his own family, who were further connected to other notable families, as mentioned above,{{sfn|Su|2018a|p=421–432}}{{sfn|Khalafallāh|1962|p=41–51}} the Āl Thawāba,{{Efn|Al-Iṣfahānī’s sources are al-ʿAbbās b. Aḥmad b. Thawāba and Yaḥyā b. Muḥammad b. Thawāba, al-Iṣfahānī’s grandfather from the maternal side, who is cited indirectly.{{sfn|Fleischhammer|2004|p=29, 133}}|name=fn19}} the ],{{Efn|Al-Iṣfahānī has three informants from the Banū Munajjim, whose members were associated with the ʿAbbāsid court as boon companions, scholars, or astrologists: Aḥmad b. Yaḥyā b. ʿAlī (262–327/876–940); ʿAlī b. Hārūn b. ʿAlī (277–352/890–963); and Yaḥyā b. ʿAlī b. Yaḥyā (241–300/855–912).{{sfn|Fleischhammer|2004|p=38, 40, 68–69}} About the Banū Munajjim; see:{{sfn|Fleischhammer|2012|p=}}|name=fn20}} the ],{{Efn|The Yazīdīs were famed for its members’ mastery of poetry, the Qurʾānic readings, the ], and philology. Muḥammad b. al-ʿAbbās al-Yazīdī (d. ''c''. 228–310/842–922) was the tutor of the children of the caliph, al-Muqtadir (r. 295–320/908–932), and transmitted Abū ʿUbayda’s ''Naqāʾiḍ'', Thaʿlab’s ''Majālis'', and the works of his family; many of his narrations are preserved in the ''Aghānī''.{{sfn|Fleischhammer|2004|p=54–56}}{{sfn|Sellheim|2012|p=}}|name=fn21}} the ],{{Efn|The association with the Ṣūlīs likely began in the generation of al-Iṣfahānī’s grandfather, Muḥammad b. Aḥmad, who was close to Ibrāhīm b. al-ʿAbbās al-Ṣūlī; see above, the ]. Al-Iṣfahānī’s direct sources from this family are the famous al-Ṣūlī, Muḥammad b. Yaḥyā (d. 335/946 or 336/947), who was the boon companion of a number of the caliphs and a phenomenal chess player; his son, Yaḥyā b. Muḥammad al-Ṣūlī; and al-ʿAbbās b. ʿAlī, known as Ibn Burd al-Khiyār. See:{{sfn|Fleischhammer|2004|p=32, 64–65}}{{sfn|ref=al-Aghānī|al-Iṣfahānī, ''Kitāb al-Aghānī''|loc=vol. 9, p. 229}} See also:{{sfn|ref=al-Fihrist|Ibn al-Nadīm, ''al-Fihrist''|p=167}}{{sfn|Leder|2012|p=}}|name=fn22}} the Banū Ḥamdūn,{{Efn|The Banū Ḥamdūn were known for their boon companionship at the ʿAbbāsid court in the ninth century; al-Iṣfahānī’s informant is ʿAbdallāh b. Aḥmad b. Ḥamdūn;{{sfn|Fleischhammer|2004|p=30}} about the Banū Ḥamdūn; see:{{sfn|ref=al-Fihrist|Ibn al-Nadīm, ''al-Fihrist''|p=161}}{{sfn|Vadet|2012|p=}}|name=fn23}} the Ṭāhirids,{{Efn|Yaḥyā b. Muḥammad b. ʿAbdallāh b. Ṭāhir, identified by al-Iṣfahānī as the nephew of ʿUbaydallāh b. ʿAbdallāh b. Ṭāhir (d. 300/913), is the son of Muḥammad b. ʿAbdallāh b. Ṭāhir (d. 296/908–9), the governor of Khurāsān.{{sfn|Fleischhammer|2004|p=69}}{{sfn|ref=al-Aghānī|al-Iṣfahānī, ''Kitāb al-Aghānī''|loc=vol. 21, p. 48}} See also:{{sfn|Zetterstéen|2012|p=}}{{sfn|Bosworth|Marín|Smith|2012|p=}}|name=fn24}} the Banū al-Marzubān,{{Efn|Al-Iṣfahānī mentions a conversation between his father and Muḥammad b. Khalaf b. al-Marzubānī and notes the long-term friendship and marital tie between the two families; see:{{sfn|ref=al-Aghānī|al-Iṣfahānī, ''Kitāb al-Aghānī''|loc=vol. 24, p. 37}} I owe this reference to: {{sfn|Kilpatrick|2003|p=17}} Muḥammad b. Khalaf b. al-Marzubān is a ubiquitous informant in the ''Aghānī''; see:{{sfn|Fleischhammer|2004|p=58–59}}|name=fn25}} and the Ṭālibids.{{Efn|The Ṭālibid informants of al-Iṣfahānī comprise: ʿAlī b. al-Ḥusayn b. ʿAlī b. Ḥamza; ʿAlī b. Ibrāhīm b. Muḥammad; ʿAlī b. Muḥammad b. Jaʿfar; Jaʿfar b. Muḥammad b. Jaʿfar; Muḥammad b. ʿAlī b. Ḥamza; see: {{sfn|Günther|1991|p=140–141; 141–144; 150; 161–162; 190–191}}|name=fn26}}


=== Education and career ===
Given that al-Iṣfahānī and his family very likely settled in Baghdad around the beginning of the tenth century,{{Efn|al-Iṣfahānī’s uncle, al-Ḥasan b. Muḥammad, mentioned in the ''Tārīkh Madīnat al-Salām'', either settled in Baghdad with him or at least active for some time there; see:{{sfn|ref=al-Aghānī|al-Iṣfahānī, ''Kitāb al-Aghānī''|loc=vol. 23, p. 21}}{{sfn|ref=Tārīkh Madīnat al-Salām|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|loc=vol. 8, p. 440}}}} it is no surprise that he transmitted from a considerable number of the inhabitants of or visitors to that city, such as, to name just a few: Jaḥẓa (d. 324/936),{{sfn|Fleischhammer|2004|p=34–35}} al-Khaffāf,{{sfn|Fleischhammer|2004|p=46–47}} ʿAlī b. Sulaymān al-Akhfash (d. 315/927 or 316/928),{{sfn|Fleischhammer|2004|p=41–42}} and Muḥammad b. Jarīr al-Ṭabarī (d. 310/922).{{sfn|Fleischhammer|2004|p=58}} Like other scholars of his time, al-Iṣfahānī travelled in pursuit of knowledge. Although the details are not sufficient for us to establish the dates of his journeys, based on the chains of transmission (''asānīd'', sing. ''isnād'') al-Iṣfahānī cites consistently and meticulously in every report, it is certain that he transmitted from ʿAbd al-Malik b. Maslama and ʿĀṣim b. Muḥammad in Antakya;{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 13, p. 25; vol. 14, p. 46–50}} ʿAbdallāh b. Muḥammad b. Isḥāq in ];{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 17, p. 157}} and Yaḥyā b. Aḥmad b. al-Jawn in ].{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 24, p. 67}} If we accept the ascription of the ''Kitāb Adab al-ghurabāʾ'' to al-Iṣfahānī, then he once visited ] besides other towns such as Ḥiṣn Mahdī, Mattūth, and Bājistrā.{{sfn|Azarnoosh|1992|p=721}}{{sfn|Kilpatrick|2003|p=18}} Yet, none of these cities seems to have left as tremendous an impact upon al-Iṣfahānī as ] and Baghdad did. While al-Iṣfahānī’s Baghdādī informants were wide-ranging in their expertise as well as sectarian and theological tendencies, his Kūfan sources, to a certain degree, can be characterised as either Shīʿī or keen on preserving and disseminating memory that favours ʿAlī and his family. For example, Ibn ʿUqda (d. 333/944), mentioned in both the ''Aghānī'' and the ''Maqātil,'' is invariably cited for the reports about the ] and their merits.{{sfn|Günther|1991|p=127–131}}{{sfn|Fleischhammer|2004|p=36–37}}{{sfn|Su|2016|p=204–209}}{{efn|About Ibn ʿUqd, see also:{{sfn|Brown|2008|p=55–58}}}}
The Isfahani family's extensive network of contacts is reflected in al-Isfahani's sources. Among the direct informants whom al-Isfahani cites in his works, are members of his own family, who were further connected to other notable families,{{sfn|Khalafallāh|1962|p=41–51}} the Al Thawaba,{{Efn|Al-Isfahani's sources are al-Abbas b. Ahmad b. Thawaba and Yahya b. Muhammad b. Thawaba, al-Isfahani's grandfather from the maternal side, who is cited indirectly.{{sfn|Fleischhammer|2004|p=29, 133}}|name=fn19}} the Banū Munajjim,{{Efn|Al-Isfahani has three informants from the Banū Munajjim, whose members were associated with the Abbasid court as boon companions, scholars, or astrologists: Ahmad b. Yahya b. Ali (262–327/876–940); Ali b. Harun b. Ali (277–352/890–963); and Yahya b. Ali b. Yahya (241–300/855–912).{{sfn|Fleischhammer|2004|p=38, 40, 68–69}} About the Banu Munajjim; see:{{sfn|Fleischhammer|2012|p=}}|name=fn20}} the Yazīdīs,{{Efn|The Yazīdīs were famed for its members’ mastery of poetry, the Qurʾānic readings, the ], and philology. Muhammad b. al-Abbas al-Yazīdī (d. ''c''. 228–310/842–922) was the tutor of the children of the caliph, al-Muqtadir (r. 295–320/908–932), and transmitted Abu Ubayda's ''Naqa'id'', Thaalab's ''Majalis'', and the works of his family; many of his narrations are preserved in the ''Aghani''.{{sfn|Fleischhammer|2004|p=54–56}}{{sfn|Sellheim|2012|p=}}|name=fn21}} the Ṣūlīs,{{Efn|The association with the Ṣūlīs likely began in the generation of al-Isfahani's grandfather, Muhammad b. Ahmad, who was close to Ibrahim b. al-Abbas al-Ṣūlī; see the ]. Al-Isfahani's direct sources from this family are the famous al-Ṣūlī, Muhammad b. Yahya (d. 335/946 or 336/947), who was the boon companion of a number of the caliphs and a phenomenal chess player; his son, Yahya b. Muhammad al-Ṣūlī; and al-Abbas b. Ali, known as Ibn Burd al-Khiyār. See:{{sfn|Fleischhammer|2004|p=32, 64–65}}{{sfn|ref=al-Aghānī|al-Iṣfahānī, ''Kitāb al-Aghānī''|loc=vol. 9, p. 229}} See also:{{sfn|ref=al-Fihrist|Ibn al-Nadīm, ''al-Fihrist''|p=167}}{{sfn|Leder|2012|p=}}|name=fn22}} the Banū Ḥamdūn,{{Efn|The Banu Hamdun were known for their boon companionship at the Abbasid court in the ninth century; al-Isfahani's informant is Abdallāh b. Ahmad b. Ḥamdūn;{{sfn|Fleischhammer|2004|p=30}} about the Banū Ḥamdūn; see:{{sfn|ref=al-Fihrist|Ibn al-Nadīm, ''al-Fihrist''|p=161}}{{sfn|Vadet|2012|p=}}|name=fn23}} the Ṭāhirids,{{Efn|Yahya b. Muhammad b. ʿAbdallāh b. Ṭāhir, identified by al-Isfahani as the nephew of ʿUbaydallāh b. ʿAbdallāh b. Ṭāhir (d. 300/913), is the son of Muhammad b. ʿAbdallāh b. Ṭāhir (d. 296/908–9), the governor of Khurāsān.{{sfn|Fleischhammer|2004|p=69}}{{sfn|ref=al-Aghānī|al-Iṣfahānī, ''Kitāb al-Aghānī''|loc=vol. 21, p. 48}} See also:{{sfn|Zetterstéen|2012|p=}}{{sfn|Bosworth|Marín|Smith|2012|p=}}|name=fn24}} the Banū al-Marzubān{{Efn|Al-Isfahani mentions a conversation between his father and Muhammad b. Khalaf b. al-Marzubānī and notes the long-term friendship and marital tie between the two families; see:{{sfn|ref=al-Aghānī|al-Iṣfahānī, ''Kitāb al-Aghānī''|loc=vol. 24, p. 37}} I owe this reference to: {{sfn|Kilpatrick|2003|p=17}} Muhammad b. Khalaf b. al-Marzubān is a ubiquitous informant in the ''Aghānī''; see:{{sfn|Fleischhammer|2004|p=58–59}}|name=fn25}} and the Ṭālibids.{{Efn|The Ṭālibid informants of al-Isfahani comprise: Ali b. al-Husayn b. Ali b. Hamza; Ali b. Ibrahim b. Muhammad; Ali b. Muhammad b. Ja'far; Ja'far b. Muhammad b. Ja'far; Muhammad b. Ali b. Hamza; see: {{sfn|Günther|1991|p=140–141; 141–144; 150; 161–162; 190–191}}|name=fn26}}


Given that al-Isfahani and his family very likely settled in Baghdad around the beginning of the tenth century,{{Efn|al-Isfahani's uncle, al-Hasan b. Muhammad, mentioned in the ''Tarikh Madinat al-Salam'', either settled in Baghdad with him or at least active for some time there; see:{{sfn|ref=al-Aghānī|al-Iṣfahānī, ''Kitāb al-Aghānī''|loc=vol. 23, p. 21}}{{sfn|ref=Tārīkh Madīnat al-Salām|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|loc=vol. 8, p. 440}}}} he interacted with a considerable number of the inhabitants of or visitors to that city, including: Jaḥẓa (d. 936),{{sfn|Fleischhammer|2004|p=34–35}} al-Khaffāf,{{sfn|Fleischhammer|2004|p=46–47}} Ali b. Sulaymān al-Akhfash (d. 927/8),{{sfn|Fleischhammer|2004|p=41–42}} and Muhammad b. Jarir al-Ṭabari (d. 922).{{sfn|Fleischhammer|2004|p=58}} Like other scholars of his time, al-Isfahani travelled in pursuit of knowledge. Although the details are insufficient to establish the dates of his journeys, based on the chains of transmission (''asānīd'', sing. ''isnād'') al-Isfahani cites consistently and meticulously in every report, it is certain that he transmitted from ʿAbd al-Malik b. Maslama and ʿĀṣim b. Muhammad in Antakya;{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 13, p. 25; vol. 14, p. 46–50}} ʿAbdallāh b. Muhammad b. Ishaq in ];{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 17, p. 157}} and Yahya b. Aḥmad b. al-Jawn in ].{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 24, p. 67}} If we accept the attribution of the ''Kitab Adab al-ghuraba'' to al-Isfahani, he once visited ] as well as Ḥiṣn Mahdī, Mattūth, and Bājistrā.{{sfn|Azarnoosh|1992|p=721}}{{sfn|Kilpatrick|2003|p=18}} Yet, none of these cities seems to have left as much of an impact on al-Isfahani as ] and Baghdad did. While al-Isfahani's Baghdadi informants were wide-ranging in their expertise as well as sectarian and theological tendencies, his Kūfan sources can be characterised as either Shi'i or keen on preserving and disseminating memories that favoured Ali and his family. For example, Ibn ʿUqda (d. 944), mentioned in both the ''Aghānī'' and the ''Maqātil,'' was invariably cited for the reports about the ] and their merits.{{sfn|Günther|1991|p=127–131}}{{sfn|Fleischhammer|2004|p=36–37}}{{sfn|Su|2016|p=204–209}}{{efn|About Ibn ʿUqd, see also:{{sfn|Brown|2008|p=55–58}}}}
The journey in search for knowledge taken by al-Iṣfahānī may not be particularly outstanding by the standard of his time,{{Efn|Compare, for instance, his teacher, al-Ṭabarī.{{sfn|Bosworth|2012|p=}}}} but the diversity of his sources’ occupations and fortes is beyond doubt impressive. His informants can be assigned into one or more of the following categories:{{Efn|It has to be kept in mind that the categorisation is based on the attributives given by al-Iṣfahānī. Just as al-Iṣfahānī was not a local Iṣfahānī, the subjects discussed here do not necessarily engage with the professions their ''nisbas'' indicate.}} philologists and grammarians;{{sfn|Fleischhammer|2004|p=41–42 (al-Akhfash); 60–61 (Ibn Durayd); 32 (Ibn Rustam); 30 (ʿAbd al-Malik al-Ḍarīr)}} singers and musicians;{{sfn|Fleischhammer|2004|p=42 (Dhukāʾ Wajh al-Ruzza); 34 (Jaḥẓa)}} booksellers and copyists (''ṣaḥḥāfūn'' or ''warrāqūn'', sing. ''ṣaḥḥāf'' or ]);{{sfn|Fleischhammer|2004|p=52–53 (ʿĪsā b. al-Ḥusayn al-Warrāq); 40 (ʿAlī b. al-Ḥusayn al-Warrāq); 37 (Aḥmad b. Muḥammad al-Ṣaḥḥāf); 31 (ʿAbd al-Wahhāb b. ʿUbayd al-Ṣaḥḥāf); 65 (Muḥammad b. Zakariyyā al-Ṣaḥḥāf)}} boon companions;{{sfn|Fleischhammer|2004|p=32 (Abū al-Qāsim al-Shīrbābakī)}}{{Efn|See also the footnotes above: {{Efn|name=fn20}}{{Efn|name=fn22}}{{Efn|name=fn23}}}} tutors (''muʾaddibūn'', sing. ''muʾaddib'');{{sfn|Fleischhammer|2004|p=32 (Aḥmad b. al-ʿAbbās al-Muʾaddib); 35 (Aḥmad b. ʿImrān al-Muʾaddib); 61–62 (Muḥammad b. al-Ḥusayn al-Muʾaddib); 62 (Muḥammad b. ʿImrān al-Muʾaddib)}} scribes (''kuttāb'', sing. ]);{{sfn|Fleischhammer|2004|p=43–44 (Jaʿfar b. Qudāma al-Kātib); 50–51 (al-Ḥusayn b. al-Qāsim al-Kawkabī al-Kātib); 53 (Isḥāq b. al-Ḍaḥḥāk al-Kātib); 41 (ʿAlī b. Ṣāliḥ al-Kātib); 39 (ʿAlī b. al-ʿAbbās al-Ṭalḥī al-Kātib); 39–40 (ʿAlī b. ʿAbd al-ʿAzīz al-Kātib); 49 (al-Ḥasan b. Muḥammad al-Kātib); 57 (Muḥammad b. Baḥr al-Iṣfahānī al-Kātib)}} imams or preachers (''khuṭabāʾ'', sing. ]); {{sfn|Fleischhammer|2004|p=61 (Muḥammad b. Ḥusayn al-Kindī was al-Iṣfahānī’s tutor and the preacher at the congregational mosque in Qādisiyya); 40–41 (ʿAlī b. Muḥammad, an imam of a Kūfan mosque)}}{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 15, p. 255; vol. 19, p. 38; vol. 20, p. 163; vol. 21, p. 158}} religious scholars (of the ''ḥadīth'', the Qurʾānic recitations and exegeses, or jurisprudence) and judges;{{sfn|Fleischhammer|2004|p=30 (ʿAbdallāh b. Abī Dāwūd al-Sijistānī); 36–37 (Ibn ʿUqda); 58 (Muḥammad b. Jarīr al-Ṭabarī); 59–60 (Muḥammad b. Khalaf Wakīʿ)}} poets;{{sfn|Fleischhammer|2004|p=42 (ʿĀṣim b. Muḥammad al-Shāʿir); 49 (al-Ḥasan b. Muḥammad al-Shāʿir)}} and '']'' (transmitters of reports of all sorts, including genealogical, historical, and anecdotal reports).{{sfn|Fleischhammer|2004|p=37 (Aḥmad b. Sulaymān al-Ṭūsī); 37–38 (Ibn ʿAmmār); 42–43 (Abū Khalīfa al-Jumaḥī); 45–46 (al-Ḥaramī b. Abī al-ʿAlāʾ)}} The variety of the narrators and their narrations enriched al-Iṣfahānī’s literary output, which covers a wide range of topics from amusing tales to the accounts of the ʿAlids’ martyrdom.{{Efn|See ], below}} His erudition is best illustrated by Abū ʿAlī al-Muḥassin al-Tanūkhī’s (329–384/941–994) comment:


The journey in search for knowledge taken by al-Isfahani may not be particularly outstanding by the standard of his time,{{Efn|Compare, for instance, his teacher, al-Ṭabarī.{{sfn|Bosworth|2012|p=}}}} but the diversity of his sources' occupations and expertise is impressive. His informants can be assigned into one or more of the following categories:{{Efn|It has to be kept in mind that the categorisation is based on the attributives given by al-Isfahani. Just as al-Isfahani was not a local Isfahani, the subjects discussed here do not necessarily engage with the professions their ''nisbas'' indicate.}} philologists and grammarians;{{sfn|Fleischhammer|2004|p=41–42 (al-Akhfash); 60–61 (Ibn Durayd); 32 (Ibn Rustam); 30 (ʿAbd al-Malik al-Ḍarīr)}} singers and musicians;{{sfn|Fleischhammer|2004|p=42 (Dhukāʾ Wajh al-Ruzza); 34 (Jaḥẓa)}} booksellers and copyists (''sahhafun'' or ''warraqun'', sing. ''sahhaf'' or '']'');{{sfn|Fleischhammer|2004|p=52–53 (ʿĪsā b. al-Ḥusayn al-Warrāq); 40 (ʿAlī b. al-Ḥusayn al-Warrāq); 37 (Aḥmad b. Muḥammad al-Ṣaḥḥāf); 31 (ʿAbd al-Wahhāb b. ʿUbayd al-Ṣaḥḥāf); 65 (Muḥammad b. Zakariyyā al-Ṣaḥḥāf)}} friends;{{sfn|Fleischhammer|2004|p=32 (Abū al-Qāsim al-Shīrbābakī)}}{{Efn|See also the footnotes above: {{Efn|name=fn20}}{{Efn|name=fn22}}{{Efn|name=fn23}}}} tutors (''muʾaddibūn'', sing. ''muʾaddib'');{{sfn|Fleischhammer|2004|p=32 (Aḥmad b. al-ʿAbbās al-Muʾaddib); 35 (Aḥmad b. ʿImrān al-Muʾaddib); 61–62 (Muḥammad b. al-Ḥusayn al-Muʾaddib); 62 (Muḥammad b. ʿImrān al-Muʾaddib)}} scribes (''kuttāb'', sing. ]);{{sfn|Fleischhammer|2004|p=43–44 (Jaʿfar b. Qudāma al-Kātib); 50–51 (al-Ḥusayn b. al-Qāsim al-Kawkabī al-Kātib); 53 (Isḥāq b. al-Ḍaḥḥāk al-Kātib); 41 (ʿAlī b. Ṣāliḥ al-Kātib); 39 (ʿAlī b. al-ʿAbbās al-Ṭalḥī al-Kātib); 39–40 (ʿAlī b. ʿAbd al-ʿAzīz al-Kātib); 49 (al-Ḥasan b. Muḥammad al-Kātib); 57 (Muḥammad b. Baḥr al-Iṣfahānī al-Kātib)}} imams or preachers (''khuṭabāʾ'', sing. ]); {{sfn|Fleischhammer|2004|p=61 (Muḥammad b. Ḥusayn al-Kindī was al-Iṣfahānī’s tutor and the preacher at the congregational mosque in Qādisiyya); 40–41 (ʿAlī b. Muḥammad, an imam of a Kūfan mosque)}}{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 15, p. 255; vol. 19, p. 38; vol. 20, p. 163; vol. 21, p. 158}} religious scholars (of the ''ḥadīth'', the Qurʾānic recitations and exegeses, or jurisprudence) and judges;{{sfn|Fleischhammer|2004|p=30 (ʿAbdallāh b. Abī Dāwūd al-Sijistānī); 36–37 (Ibn ʿUqda); 58 (Muḥammad b. Jarīr al-Ṭabarī); 59–60 (Muḥammad b. Khalaf Wakīʿ)}} poets;{{sfn|Fleischhammer|2004|p=42 (ʿĀṣim b. Muḥammad al-Shāʿir); 49 (al-Ḥasan b. Muḥammad al-Shāʿir)}} and ''akhbārīs'' (transmitters of reports of all sorts, including genealogical, historical, and anecdotal reports).{{sfn|Fleischhammer|2004|p=37 (Aḥmad b. Sulaymān al-Ṭūsī); 37–38 (Ibn ʿAmmār); 42–43 (Abū Khalīfa al-Jumaḥī); 45–46 (al-Ḥaramī b. Abī al-ʿAlāʾ)}} The variety of the narrators and their narrations enriched al-Iṣfahānī's literary output, which covers a wide range of topics from amusing tales to the accounts of the Alids' martyrdom.{{Efn|See ], below}} His erudition is best illustrated by Abu Ali al-Muhassin al-Tanukhi's (941–994) comment: "With his encyclopaedic knowledge of music, musicians, poetry, poets, genealogy, history, and other subjects, al-Iṣfahānī established himself as a learned scholar and teacher."{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 129–130}}{{sfn|Khalafallāh|1962|p=168–169}}{{sfn|al-Aṣmaʿī|1951|p=73–85}}{{sfn|ʿĀṣī|1993|p=24–30}}
With his encyclopaedic knowledge of music, musicians, poetry, poets, genealogy, history, and other subjects, al-Iṣfahānī established himself as a learned scholar and teacher.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 129–130}}{{sfn|Khalafallāh|1962|p=168–169}}{{sfn|al-Aṣmaʿī|1951|p=73–85}}{{sfn|ʿĀṣī|1993|p=24–30}}


He was also a scribe and this is not surprising, given his families’ scribal connections, but the details of his ''kātib'' activities are rather opaque.{{Efn|For the few references by al-Iṣfahānī to his administrative tasks, see:{{sfn|Kilpatrick|2003|p=18}}}} Although both al-Tanūkhī and al-Baghdādī refer to al-Iṣfahānī with the attribute, ''kātib'', they mention nothing of where he worked or for whom.{{sfn|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|ref=Tārīkh Madīnat al-Salām|loc=vol. 13, p. 337}}{{sfn|al-Tanūkhī, ''al-Faraj''|ref=al-Faraj|loc=vol. 2, p. 334}}{{sfn|al-Tanūkhī, ''Nishwār''|ref=Nishwār|loc=vol. 1, p. 18}} The details of his job as a scribe only come later, with Yāqūt, many of whose reports about al-Iṣfahānī prove problematic. For instance, a report from Yāqūt claims that al-Iṣfahānī was the scribe of Rukn al-Dawla (d. 366/976) and mentions his resentment at Abū al-Faḍl b. al-ʿAmīd (d. 360/970).{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 110–111}} However, the very same report is mentioned by Abū Ḥayyān al-Tawḥīdī (active fourth/tenth century{{sfn|Stern|2012|p=}}) in his ''Akhlāq al-wazīrayn'', where the aforementioned scribe of Rukn al-Dawla is identified as Abū al-Faraj Ḥamd b. Muḥammad, not Abū al-Faraj al-Iṣfahānī.{{sfn|Azarnoosh|1992|p=726–727}}{{sfn|al-Tawḥīdī, ''Akhlāq al‑wazīrayn''|ref=Akhlāq al‑wazīrayn|p=421–422}}{{Quote|Amongst the Shīʿī narrators whom we have seen, none has memorised poems, melodies, reports, traditions (''al-āthār''), ''al-aḥādīth al-musnada'' (narrations with chains of transmission, including the Prophetic ''ḥadīth''), and genealogy by heart like Abū al-Faraj al-Iṣfahānī. Very proficient in these matters, he is also knowledgeable in the military campaigns and the biography of the Prophet (''al-maghāzī'' and ''al-sīra''), lexicography, grammar, legendary tales (''al-khurāfāt''), and the accomplishments required of courtiers (''ālat al-munādama''), like falconry (''al-jawāriḥ''), veterinary science (''al-bayṭara''), some notions of medicine (''nutafan min al-ṭibb''), astrology, drinks (''al-ashriba''), and other things.|author=Al-Khaṭīb{{sfn|ref=Wafayāt|Ibn Khallikān, ''Wafayāt''|loc=vol. 3, p. 307}}{{sfn|ref=Siyar|al-Dhahabī, ''Siyar''|p=2774}}{{sfn|ref=Inbāh|al-Qifṭī, ''Inbāh''|loc=vol. 2, p. 251}}{{efn|It is noteworthy that the first sentence of this quote is written differently from the works given here in al-Khaṭīb’s ''Tārīkh''.{{sfn|ref=Tārīkh Madīnat al-Salām|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|loc=vol. 13, p. 339}}}}}}Thus, it is hard to know with certainty how and where al-Iṣfahānī was engaged in his capacity as a ''kātib''. Nevertheless, al-Iṣfahānī’s association with the vizier, ] (291–352/903–963), is well-documented. The friendship between the two began before al-Muhallabī’s vizierate in 339/950.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 105}}{{Efn|Among the frequently cited sources in the ''Aghānī'' is Ḥabīb b. Naṣr al-Muhallabī (d. 307/919), presumably from the Muhallabid family, but it is not clear how this informant relates to Abū Muḥammad al-Muhallabī; see:{{sfn|Fleischhammer|2004|p=44}}}} The firm relationship between them is supported by al-Iṣfahānī’s poetry collected by al-Thaʿālibī (350–429/961–1038): half of the fourteen poems are panegyrics dedicated to al-Muhallabī.{{sfn|al-Thaʿālibī, ''Yatīmat''|ref=Yatīmat|loc=vol. 3, p. 127–131}} In addition, al-Iṣfahānī’s own work, ''al-Imāʾ al-shawāʿir'' (“Enslaved Women Who Composed Poetry”), refers to the vizier presumably, al-Muhallabī — as his dedicatee.{{sfn|al-Iṣfahānī, ''al-Imāʿ al-shawāʿir''|ref=al-shawāʿir|p=23}} His no longer surviving ''Manājīb al-khiṣyān'' (“The Noble Eunuchs”), which addresses two castrated male singers owned by al-Muhallabī, was composed for him.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 100}} His ''magnum opus'', the ''Aghānī'', was very likely intended for him, as well.{{Efn|See discussion below, the ]}} As a return for his literary efforts, according to al-Tanūkhī, al-Iṣfahānī frequently received rewards from the vizier.{{sfn|al-Tanūkhī, ''Nishwār''|ref=Nishwār|loc=vol. 1, p. 74}} Furthermore, for the sake of their long-term friendship and out of his respect for al-Iṣfahānī’s genius, al-Muhallabī exceptionally tolerated al-Iṣfahānī’s uncouth manners and poor personal hygiene.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 101–103}} The sources say nothing about al-Iṣfahānī’s fate, after al-Muhallabī’s death. In his last years, according to his student, Muḥammad b. Abī al-Fawāris, he suffered from senility (''khallaṭa'').{{sfn|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|ref=Tārīkh Madīnat al-Salām|loc=vol. 13, p. 340}}{{efn|See also: {{sfn|Kilpatrick|2003|p=19}}}} He was also a scribe and this is not surprising, given his families’ scribal connections, but the details of his ''kātib'' activities are rather opaque.{{Efn|For the few references by al-Isfahani to his administrative tasks, see:{{sfn|Kilpatrick|2003|p=18}}}} Although both al-Tanūkhī and al-Baghdādī refer to al-Isfahani with the attribute, ''kātib'', they mention nothing of where he worked or for whom.{{sfn|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|ref=Tārīkh Madīnat al-Salām|loc=vol. 13, p. 337}}{{sfn|al-Tanūkhī, ''al-Faraj''|ref=al-Faraj|loc=vol. 2, p. 334}}{{sfn|al-Tanūkhī, ''Nishwār''|ref=Nishwār|loc=vol. 1, p. 18}} The details of his occupation as a scribe only came later, with Yaqut, many of whose reports about al-Isfahani prove problematic. For instance, a report from Yaqut claims that al-Isfahani was the scribe of Rukn al-Dawla (d. 976) and mentions his resentment towards Abū al-Faḍl b. al-ʿAmīd (d. 970).{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 110–111}} However, the very same report was mentioned by Abū Ḥayyān al-Tawḥīdī (active tenth century{{sfn|Stern|2012|p=}}) in his ''Akhlāq al-wazīrayn'', where the scribe of Rukn al-Dawla is identified as Abū al-Faraj Ḥamd b. Muhammad, not Abū al-Faraj al-Isfahani.{{sfn|Azarnoosh|1992|p=726–727}}{{sfn|al-Tawḥīdī, ''Akhlāq al‑wazīrayn''|ref=Akhlāq al‑wazīrayn|p=421–422}}{{Blockquote|Amongst the Shīʿī narrators whom we have seen, none has memorised poems, melodies, reports, traditions (''al-āthār''), ''al-aḥādīth al-musnada'' (narrations with chains of transmission, including the Prophetic ''ḥadīth''), and genealogy by heart like Abū al-Faraj al-Isfahani. Very proficient in these matters, he is also knowledgeable in the military campaigns and the biography of the Prophet (''al-maghāzī'' and ''al-sīra''), lexicography, grammar, legendary tales (''al-khurāfāt''), and the accomplishments required of courtiers (''ālat al-munādama''), like falconry (''al-jawāriḥ''), veterinary science (''al-bayṭara''), some notions of medicine (''nutafan min al-ṭibb''), astrology, drinks (''al-ashriba''), and other things.|author=Al-Khaṭīb{{sfn|ref=Wafayāt|Ibn Khallikān, ''Wafayāt''|loc=vol. 3, p. 307}}{{sfn|ref=Siyar|al-Dhahabī, ''Siyar''|p=2774}}{{sfn|ref=Inbāh|al-Qifṭī, ''Inbāh''|loc=vol. 2, p. 251}}{{efn|It is noteworthy that the first sentence of this quote is written differently from the works given here in al-Khaṭīb's ''Tārīkh''.{{sfn|ref=Tārīkh Madīnat al-Salām|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|loc=vol. 13, p. 339}}}}}} Thus, it is hard to know with certainty how and where al-Isfahani was engaged in his capacity as a ''kātib''. Nevertheless, al-Isfahani's association with the vizier, ] (903–963), is well-documented. The friendship between the two began before al-Muhallabī's became vizier in 950.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 105}}{{Efn|Among the frequently cited sources in the ''Aghānī'' is Ḥabīb b. Naṣr al-Muhallabī (d. 307/919), presumably from the Muhallabid family, but it is not clear how this informant relates to Abū Muhammad al-Muhallabī; see:{{sfn|Fleischhammer|2004|p=44}}}} The firm relationship between them is supported by al-Isfahani's poetry collected by al-Thaʿālibī (961–1038): half of the fourteen poems are panegyrics dedicated to al-Muhallabī.{{sfn|al-Thaʿālibī, ''Yatīmat''|ref=Yatīmat|loc=vol. 3, p. 127–131}} In addition, al-Isfahani's own work, ''al-Imāʾ al-shawāʿir'' (“Enslaved Women Who Composed Poetry”), is dedicated to the vizier, presumably, al-Muhallabī.{{sfn|al-Iṣfahānī, ''al-Imāʿ al-shawāʿir''|ref=al-shawāʿir|p=23}} His no longer surviving ''Manājīb al-khiṣyān'' (“The Noble Eunuchs”), which addresses two castrated male singers owned by al-Muhallabī, was composed for him.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 100}} His ''magnum opus'', the ''Aghānī'', was very likely intended for al-Muhallabī, as well.{{Efn|See ]}} In return for his literary efforts, according to al-Tanūkhī, al-Isfahani frequently received rewards from the vizier.{{sfn|al-Tanūkhī, ''Nishwār''|ref=Nishwār|loc=vol. 1, p. 74}} Furthermore, for the sake of their long-term friendship and out of his respect for al-Isfahani's genius, al-Muhallabī exceptionally tolerated al-Isfahani's uncouth manners and poor personal hygiene.{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 101–103}} The sources say nothing about al-Isfahani's fate after al-Muhallabī's death. In his last years, according to his student, Muhammad b. Abī al-Fawāris, he suffered from senility (''khallaṭa'').{{sfn|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|ref=Tārīkh Madīnat al-Salām|loc=vol. 13, p. 340}}{{efn|See also: {{sfn|Kilpatrick|2003|p=19}}}}


=== Personality, preferences, and beliefs === === Personality, preferences, and beliefs ===
As a boon companion, al-Iṣfahānī was unconventional in the sense that he does not seem to have been bothered to observe the social decorum of his time, as noted by a late biographical source: with his uncleanliness and gluttony, he presented a counterexample to elegance (''ẓarf''), as defined by one of his teachers, Abū al-Ṭayyib al-Washshāʾ (d. 325/937).{{Efn|Al-Washshāʾ says: “It is not permissible for the people of elegance and etiquette to wear dirty clothes with clean ones, or clean ones with new ones,” and they should eat with small morsels, while avoiding gluttony. Al-Iṣfahānī never washed his clothes and shoes and only replaced them when they became too shabby to put on.{{sfn|ref=Muʿjam al-udabāʾ|al-Hamawī, ''Muʿjam al-udabāʾ''|loc=vol. 13, p. 101–102, 107–108}} <ref>al-Washshāʾ, ''al-Muwashshā'', p. 161 (quotation), 167.</ref>}} His unconformity to the social norms did not hinder him from being part of al-Muhallabī’s entourage or participation in the literary assemblies, but, inevitably, it resulted in frictions with other scholars and detraction from his enemies.{{sfn|Kilpatrick|2003|p=17–18}}{{sfn|Azarnoosh|1992|p=730–731}} Although al-Iṣfahānī appeared eccentric to his human associates, he was a caring owner to his cat, named Yaqaq (white): he treated Yaqaq’s ] (''qulanj'') with an ] (''al-ḥuqna'').{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 104–105}}{{Efn|For the discussion of colic and its treatment by enema; see:{{sfn|Nezhad|2015|p=29–40}}}} As a friend, al-Isfahani was unconventional in the sense that he did not seem to have been bothered to observe the social decorum of his time, as noted by a late biographical source: with his uncleanliness and gluttony, he presented a counterexample to elegance (''ẓarf''), as defined by one of his teachers, Abu al-Ṭayyib al-Washshāʾ (d. 937).{{Efn|Al-Washshāʾ says: “It is not permissible for the people of elegance and etiquette to wear dirty clothes with clean ones, or clean ones with new ones,” and they should eat with small morsels, while avoiding gluttony. Al-Isfahani never washed his clothes and shoes and only replaced them when they became too shabby to put on.{{sfn|ref=Muʿjam al-udabāʾ|al-Hamawī, ''Muʿjam al-udabāʾ''|loc=vol. 13, p. 101–102, 107–108}} <ref>al-Washshāʾ, ''al-Muwashshā'', p. 161 (quotation), 167.</ref>}} His unconformity to the social norms did not hinder him from being part of al-Muhallabī's entourage or participation in the literary assemblies, but, inevitably, it resulted in frictions with other scholars and detraction by his enemies.{{sfn|Kilpatrick|2003|p=17–18}}{{sfn|Azarnoosh|1992|p=730–731}} Although al-Isfahani appeared eccentric to his human associates, he was a caring owner of his cat, named Yaqaq (white): he treated Yaqaq's ] (''qulanj'') with an ] (''al-ḥuqna'').{{sfn|al-Hamawī, ''Muʿjam al-udabāʾ''|ref=Muʿjam al-udabāʾ|loc=vol. 13, p. 104–105}}{{Efn|For the discussion of colic and its treatment by enema; see:{{sfn|Nezhad et al|2015|pp=29–40}}}}


In contrast to his uncomely ''modus vivendi'', al-Iṣfahānī’s prose style is lucid, “in clear and simple language, with unusual sincerity and frankness”.{{sfn|Azarnoosh|1992|p=731}}{{efn|See also:{{sfn|Jabrī|1965|p=27–29}}{{sfn|Sallūm|1969|p=56–69}}}} Al-Iṣfahānī’s capacity as a litterateur is well illustrated by Abū Deeb, who depicts al-Iṣfahānī as “one of the finest writers of Arabic prose in his time, with a remarkable ability to relate widely different types of ''aḵbār'' in a rich, lucid, rhythmic, and precise style, only occasionally exploiting such formal effects as ''saǰʿ'' (rhyming prose). He was also a fine poet with an opulent imagination. His poetry displays preoccupations similar to those of other urban poets of his time”.{{sfn|Abū Deeb}} His pinpoint documentation of ''asānīd''{{efn|Al-Iṣfahānī specifies not only his sources (the identities of his informants, or the titles of the written material used by him) but also the methods by which he acquired the reports. Now and then, he mentions the occasions on which he received the given information; see:{{sfn|Kilpatrick|2003|p=94–104}}}} and meticulous verification of information,{{sfn|Kilpatrick|2003|p=40–46, 60–63, 115–119}}{{sfn|Sallūm|1969|p=38–55, 101–118}} provided in all his works, embody a truly scholarly character. Usually, in his treatment of a subject or an event, al-Iṣfahānī lets his sources speak, but, occasionally, he voices his evaluation of poems and songs, as well as their creators.{{sfn|Kilpatrick|2003|p=46–47,66–69}} When dealing with conflicting reports, al-Iṣfahānī either leaves his readers to decide or issues his judgment as to the most credible account.{{sfn|Kilpatrick|2003|p=111–119}} Yet, he frankly condemns sources whom he holds to be unreliable, for instance, Ibn Khurdādhbih on musicological information and Ibn al-Kalbī on genealogy.{{sfn|Kilpatrick|2003|p=112–113}}{{sfn|Sallūm|1969|p=85–89}} Indeed, al-Iṣfahānī assesses his source material with a critical eye, while striving to present a more balanced view on his biographees, by focusing on their merits instead of elaborating on their flaws.{{sfn|Kilpatrick|2003|p=46–47, 68–69, 114–115}}{{sfn|Jabrī|1965|p=19–20, 25–26}} In contrast to his personal habits, al-Isfahani's prose style is lucid, “in clear and simple language, with unusual sincerity and frankness”.{{sfn|Azarnoosh|1992|p=731}}{{efn|See also:{{sfn|Jabrī|1965|p=27–29}}{{sfn|Sallūm|1969|p=56–69}}}} Al-Isfahani's capacity as a writer is well illustrated by Abu Deeb, who depicts al-Isfahani as "one of the finest writers of Arabic prose in his time, with a remarkable ability to relate widely different types of ''aḵbār'' in a rich, lucid, rhythmic, and precise style, only occasionally exploiting such formal effects as ''saǰʿ'' (rhyming prose). He was also a fine poet with an opulent imagination. His poetry displays preoccupations similar to those of other urban poets of his time".{{sfn|Abū Deeb}} His pinpoint documentation of ''asānīd''{{efn|Al-Isfahani specifies not only his sources (the identities of his informants, or the titles of the written material used by him) but also the methods by which he acquired the reports. Now and then, he mentions the occasions on which he received the given information; see:{{sfn|Kilpatrick|2003|p=94–104}}}} and meticulous verification of information,{{sfn|Kilpatrick|2003|p=40–46, 60–63, 115–119}}{{sfn|Sallūm|1969|p=38–55, 101–118}} provided in all his works, embody a truly scholarly character. Usually, in his treatment of a subject or an event, al-Isfahani lets his sources speak, but, occasionally, he voices his evaluation of poems and songs, as well as their creators.{{sfn|Kilpatrick|2003|p=46–47,66–69}} When dealing with conflicting reports, al-Isfahani either leaves his readers to decide or issues his judgement as to the most credible account.{{sfn|Kilpatrick|2003|p=111–119}} Yet, he frankly condemns sources whom he holds to be unreliable, for instance, Ibn Khurdādhbih on musicological information and Ibn al-Kalbī on genealogy.{{sfn|Kilpatrick|2003|p=112–113}}{{sfn|Sallūm|1969|p=85–89}} Indeed, al-Isfahani assesses his source material with a critical eye, while striving to present a more balanced view on his biographies, by focusing on their merits instead of elaborating on their flaws.{{sfn|Kilpatrick|2003|p=46–47, 68–69, 114–115}}{{sfn|Jabrī|1965|p=19–20, 25–26}}


That said, al-Iṣfahānī’s personal preferences and sectarian partisanship are not absent from his works. In terms of music and songs, al-Iṣfahānī is a fan of ] (155–235/772–850). In al-Iṣfahānī’s view, Isḥāq b. Ibrāhīm was a multi-talented man, who excelled in a number of subjects, but, most importantly, music.{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 5, p. 190}} Isḥāq b. Ibrāhīm, as a collector of the reports about poets and singers, is an important source in his ''Aghānī''.{{sfn|Fleischhammer|2004|p=89–91}} Besides being a mine of information, Isḥāq b. Ibrāhīm’s terminology for the description of the melodic modes is preferred over that of his opponent, ] (162–224/778–839), and adopted by al-Iṣfahānī in his ''Aghānī''.{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 1, p. 15–16}}{{efn|See also:{{sfn|Sawa|2002|p=384–385}}}} Furthermore, al-Iṣfahānī embarked on the compilation of the ''Aghānī'' because he was commissioned by his patron to reconstruct the list of the exquisite songs selected by Isḥāq.{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 1, p. 16}}{{efn|See the ].}} In other words, the ''raison d’etre'' of the ''Aghānī'' is partly related to al-Iṣfahānī’s idol, Isḥāq b. Ibrāhīm, and its information about singers, songs and performance owes a tremendous amount to him.{{sfn|Su|2018b|p=275–289}} Al-Iṣfahānī’s admiration for scholars or men of letters can be detected from time to time, usually in the passing comments in the chains of transmission.{{sfn|Kilpatrick|2003|p=111–112}}{{sfn|Khalafallāh|1962|p=66–84}} Yet al-Iṣfahānī outspokenly expresses his admiration, in some cases, such as that of Ibn al-Muʿtazz (247–296/862–909).{{sfn|Su|2016|p=175­–179}}{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 10, p. 228–229}}{{sfn|Kilpatrick|2003|p=83–84}} That said, al-Isfahani's personal preferences and sectarian partisanship are not absent from his works. In terms of music and songs, al-Isfahani favours ] (772–850). In al-Isfahani's view, Ishaq b. Ibrahim was a multi-talented man, who excelled in a number of subjects, but, most importantly, music.{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 5, p. 190}} Ishaq b. Ibrahim, as a collector of the reports about poets and singers, is an important source in his ''Aghānī''.{{sfn|Fleischhammer|2004|p=89–91}} Besides being a mine of information, Ishaq b. Ibrahim's terminology for the description of the melodic modes is preferred over that of his opponent, ] (779–839), and adopted by al-Isfahani in his ''Aghani''.{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 1, p. 15–16}}{{efn|See also:{{sfn|Sawa|2002|p=384–385}}}} Furthermore, al-Isfahani embarked on the compilation of the ''Aghānī'' because he was commissioned by his patron to reconstruct the list of the exquisite songs selected by Ishaq.{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 1, p. 16}}{{efn|See the ].}} In other words, the ''raison d’etre'' of the ''Aghānī'' is partly related to al-Isfahani's idol, Ishaq b. Ibrahim, and its information about singers, songs and performance owes a tremendous amount to him.{{sfn|Su|2018b|p=275–289}} Al-Isfahani's admiration for scholars or men of letters can be detected from time to time, usually in the passing comments in the chains of transmission.{{sfn|Kilpatrick|2003|p=111–112}}{{sfn|Khalafallāh|1962|p=66–84}} Yet al-Isfahani outspokenly expresses his admiration, in some cases, such as that of Ibn al-Muʿtazz (862–909).{{sfn|Su|2016|p=175–179}}{{sfn|al-Iṣfahānī, ''Kitāb al-Aghānī''|ref=al-Aghānī|loc=vol. 10, p. 228–229}}{{sfn|Kilpatrick|2003|p=83–84}}


As an Umayyad by ancestry, al-Iṣfahānī’s later biographers mention his Shīʿī affiliation with surprise.{{efn|The earliest mention of the Umayyad-Shīʿī combination in the biographical sources is perhaps:{{sfn|ref=Tārīkh Madīnat al-Salām|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|loc=vol. 13, p. 340}}{{sfn|ref=Inbāh|al-Qifṭī, ''Inbāh''|loc=vol. 2, p. 253}} This is then repeated in later sources; see {{sfn|ref=Siyar|al-Dhahabī, ''Siyar''|p=2774}}{{sfn|ref=Mīzān|al-Dhahabī, ''Mīzān''|loc=vol. 5, p. 151}} As an Umayyad by ancestry, al-Isfahani's later biographers mention his Shi'i affiliation with surprise.{{efn|The earliest mention of the Umayyad-Shi'i combination in the biographical sources is perhaps:{{sfn|ref=Tārīkh Madīnat al-Salām|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|loc=vol. 13, p. 340}}{{sfn|ref=Inbāh|al-Qifṭī, ''Inbāh''|loc=vol. 2, p. 253}} This is then repeated in later sources; see {{sfn|ref=Siyar|al-Dhahabī, ''Siyar''|p=2774}}{{sfn|ref=Mīzān|al-Dhahabī, ''Mīzān''|loc=vol. 5, p. 151}}
{{sfn|ref=Lisān al-mīzān|Ibn Ḥajar, ''Lisān al-mīzān''|loc=vol. 5, p. 526}}{{sfn|ref=harv|Ibn al-ʿImād, ''Shadharāt al-dhahab fī akhbār man dhahaba''|loc=vol. 4, p. 292}}{{sfn|ref=al‑Kāmil|Ibn Al‑Athīr, ''al‑Kāmil''|1987|loc=vol. 7, p. 302}}}} Yet, in the light of the history of the family’s connections with the ʿAbbāsid elite of Shīʿī inclination and the Ṭālibids, and of his learning experience in Kūfa, his Shīʿī conviction is understandable. Al-Ṭūsī (385–460/995–1067) is the only early source specifying the exact sect to which he pertains in the fluid Shīʿī world: al-Iṣfahānī is a ].{{sfn|al-Ṭūsī, ''al-Fihrist''|ref=Al-Ṭūsī|p=192}} Although al-Ṭūsī’s view is widely accepted, its veracity is not beyond doubt.{{sfn|Kilpatrick|2003|p=14–16}}{{sfn|Günther|2007|p=}}{{sfn|Haider|2011|p=197}}{{sfn|Haider|2008|loc=p. 459–475}}{{sfn|Crone|2005|p=100|loc=footnote 4}} Al-Iṣfahānī does not seem to have been informed of the latest Zaydī movements in Yemen and Ṭabaristān of his time, while his association with the Kūfan Zaydī community, which to some degree became less distinguishable from the ], is yet to be studied in depth.{{sfn|Madelung|1965|p=223–228}}{{sfn|Su|2016|p=72–90}} It is clear, based on examination of how al-Iṣfahānī redacts the reports at his disposal, that he does honour ʿAlī, who plays a far more prominent role in his works than the first three caliphs, and some of his descendants, including Zaydī Shīʿism’s eponym, ] (75–122/694–740), by presenting them positively, while, in some cases, leaving their enemies’ rectitude in question.{{sfn|Su|2016|p=183–265}} In spite of that, al-Iṣfahānī is neither keen to identify the imams in the past, nor articulate as to the qualities of an imam.{{sfn|Su|2016|p=253–260}}{{efn|The Zaydī writings in the late ninth and early tenth centuries more or less devote discussion to the role and qualities of imam; see, for example: {{sfn|ref=Lisān al-mīzān|Ibn Ḥajar, ''Lisān al-mīzān''|loc=vol. 5, p. 526}}{{sfn|Ibn al-ʿImād|1986|loc=vol. 4, p. 292}}{{sfn|ref=al‑Kāmil|Ibn Al‑Athīr, ''al‑Kāmil''|1987|loc=vol. 7, p. 302}}}} Yet, in the light of the history of the family's connections with the Abbasid elite of Shi'i inclination and the Ṭālibids, and of his learning experience in Kūfa, his Shi'i conviction is understandable. Al-Tusi (995–1067) is the only early source specifying the exact sect to which al-Isfahani belonged in the fluid Shi'i world: he was a ].{{sfn|al-Ṭūsī|1991|p=192}} Although al-Ṭūsī's view is widely accepted, its veracity is not beyond doubt.{{sfn|Kilpatrick|2003|p=14–16}}{{sfn|Günther|2007|p=}}{{sfn|Haider|2011|p=197}}{{sfn|Haider|2008|loc=p. 459–475}}{{sfn|Crone|2005|p=100|loc=footnote 4}} Al-Isfahani does not seem to have been informed of the latest Zaydī movements in Yemen and Ṭabaristān during his life, while his association with the Kūfan Zaydī community, which to some degree became less distinguishable from the ]s, is yet to be studied in depth.{{sfn|Madelung|1965|p=223–228}}{{sfn|Su|2016|p=72–90}} It is clear, based on examination of how al-Isfahani amended the reports at his disposal, that he honoured Ali, who played a far more prominent role in his works than the first three caliphs, and some of his descendants, including Zaydi Shi'ism's eponym, ] (694–740), by presenting them positively, while, in some cases, leaving their enemies’ rectitude in question.{{sfn|Su|2016|p=183–265}} In spite of that, al-Isfahani is neither keen to identify the imams in the past, nor discuss the qualities of an imam.{{sfn|Su|2016|p=253–260}}{{efn|The Zaydī writings in the late ninth and early tenth centuries more or less devote discussion to the role and qualities of imam; see, for example:
{{sfn|ref=Majmūʿ kutub|al-Qāsim, ''Majmūʿ kutub''|loc=vol. 2, p. 169–193}}{{sfn|ref=Majmūʿ Rasāʾil|Yaḥyā, ''Majmūʿ Rasāʾil|p=431–432}} al-Ḥādī ilā al-Ḥaqq also singled out a line of the Zaydī imams up till his time in his ''Kitāb al-Aḥkām''; see:{{sfn|Strothmann|1990|p=360}}}} As a matter of fact, he hardly uses the word, not even applying it to Zayd b. ʿAlī.{{sfn|Su|2016|p=253}} Furthermore, he does not unconditionally approve any ʿAlid revolt and seems somewhat lukewarm towards the group he refers to as Zaydīs.{{sfn|Su|2016|p=87–89}} Taken together, al-Iṣfahānī’s Shīʿī conviction is better characterised as moderate love for ] without impugning the dignity of the caliphs before him. {{sfn|ref=Majmūʿ kutub|al-Qāsim, ''Majmūʿ kutub''|loc=vol. 2, p. 169–193}}{{sfn|ref=Majmūʿ Rasāʾil|Yaḥyā, ''Majmūʿ Rasāʾil|p=431–432}} al-Ḥādī ilā al-Ḥaqq also singled out a line of the Zaydi imams up till his time in his ''Kitab al-Ahkam''; see:{{sfn|Strothmann|1990|p=360}}}} As a matter of fact, he hardly uses the word, not even applying it to Zayd b. Ali.{{sfn|Su|2016|p=253}} Furthermore, he does not unconditionally approve any Alid revolt and seems lukewarm towards the group he refers to as Zaydis.{{sfn|Su|2016|p=87–89}} Taken together, al-Isfahani's Shi'i conviction is better characterised as moderate love for ] without impugning the dignity of the caliphs before him.


== Legacy == == Legacy ==
Al-Iṣfahānī authored a number of works, but only a few survive. Three of them are preserved through the quotations: ''al-Qiyān'' (“The Singing Girls Enslaved by Men”), ''al-Diyārāt'' (“The Monasteries”), and ''Mujarrad al-aghānī'' (“The Abridgement of the Book of Songs”).{{sfn|Kilpatrick|2003|p=24–25}} A fragment of the ''Mujarrad al-aghānī'' can be found in Ibn Abī Uṣaybiʿa’s ʿ''Uyūn al-anbāʾ ṭabaqāt al-aṭibbā''ʾ, which quotes a poem by the caliph, ] (r. 198–218/813–833), which was arranged as a song by Mutayyam.{{sfn|Kilpatrick|2003|p=25}} The first two have been reconstructed and published by al-ʿAtiyya, who collects and collates the passages from later works that quote from al-Iṣfahānī.{{sfn|al-Iṣfahānī, ''al-Qiyān''|ref=al-Qiyān}}{{sfn|al-Iṣfahānī, ''al-Diyārāt''|ref=al-Diyārāt}} The former, ''al-Qiyān'', is a collection of the biographies of the enslaved singing girls. In it, al-Iṣfahānī provides the basic information about the biographical subjects, the men who enslaved them, and their interaction with poets, notables such as caliphs, and their admirers, with illustration of their poetic and/or musical talents. The latter, ''al-Diyārāt'', provides information related to monasteries, with the indication of their geographical locations and, sometimes, history and topographical characteristics. However, it is questionable to what extent the reconstructed editions can represent the original texts, since the passages, which quote al-Iṣfahānī as a source for the given subject and are thus included by the editor, seldom identify the titles of the works.{{sfn|Kilpatrick|2003|p=25}} Al-Isfahani authored a number of works, but only a few survive. Three of them are preserved through quotations: ''al-Qiyan'' ("The Singing Girls Enslaved by Men"), ''al-Diyarat'' ("The Monasteries"), and ''Mujarrad al-aghani'' (“The Abridgement of the Book of Songs”).{{sfn|Kilpatrick|2003|p=24–25}} A fragment of the ''Mujarrad al-aghani'' is found in Ibn Abi Uṣaybi'a's ʿ''Uyun al-anba' fi tabaqat al-atibba''ʾ, which quotes a poem by the caliph, ] (r. 813–833), which was arranged as a song by Mutayyam.{{sfn|Kilpatrick|2003|p=25}} The first two have been reconstructed and published by al-ʿAtiyya, who collected and collateed the passages from later works that quote from al-Isfahani.{{sfn|al-Iṣfahānī, ''al-Qiyān''|ref=al-Qiyān}}{{sfn|al-Iṣfahānī, ''al-Diyārāt''|ref=al-Diyārāt}} The former, ''al-Qiyān'', is a collection of the biographies of the enslaved singing girls. In it, al-Isfahani provided the basic information about the biographical subjects, the men who enslaved them, and their interaction with poets, notables such as caliphs, and their admirers, with illustration of their poetic and/or musical talents. The latter, ''al-Diyārāt'', provides information related to monasteries, with the indication of their geographical locations and, sometimes, history and topographical characteristics. However, it is questionable to what extent the reconstructed editions can represent the original texts, since the passages, which quote al-Isfahani as a source for the given subject and are thus included by the editor, seldom identify the titles of the works.{{sfn|Kilpatrick|2003|p=25}}


Four works survive in manuscripts and have been edited and published: ''Maqātil al-Ṭālibīyīn'' (“The Ṭālibid Martyrs”), ''Kitāb al-Aghānī'' (“The Book of the Songs”), ''Adab al-ghurabāʾ'' (“The Etiquettes of the Strangers”), and ''al-Imāʿ al-shawāʿir'' (“The Enslaved Women Who Composed Poetry”).{{sfn|Kilpatrick|2003|p=25}} As noted above, al-Iṣfahānī’s authorship of the ''Adab al-ghurabāʾ'' is disputed.{{efn|See above, the ]}} The author, whoever he may have been, mentions in the preface his sufferings from the hardship of time and vicissitude of fate, and the solace which he seeks through the stories of bygone people.{{sfn|al-Iṣfahānī, ''Adab al-ghurabāʾ''|ref=al-ghurabā|p=20–21}} Hence, he collects in the ''Adab al-ghurabāʾ'' the reports about the experiences of strangers those away from their homes or their beloved ones. Some of the stories centre on the hardship which strangers, anonymous or not, encountered in their journey or exile, usually shown in the epigrams written on monuments, rocks, or walls. {{efn|For an example, see: {{sfn|ref=al-ghurabā|al-Iṣfahānī, ''Adab al-ghurabāʾ''|p= 25–26, 29–31}}}} Others relate excursions to the monasteries for drinking.{{sfn|al-Iṣfahānī, ''Adab al-ghurabāʾ''|ref=al-ghurabā|p=34–36}} Four works survive in manuscripts and have been edited and published: ''Maqātil al-Ṭālibīyīn'' ("The Ṭālibid Martyrs"), ''Kitab al-Aghani'' ("The Book of the Songs"), ''Adab al-ghuraba'' ("The Etiquettes of the Strangers"), and ''al-Ima al-shawair'' ("The Enslaved Women Who Composed Poetry").{{sfn|Kilpatrick|2003|p=25}} As noted above, al-Isfahani's authorship of the ''Adab al-ghurabaʾ'' is disputed.{{efn|See the ]}} The author, whoever he may have been, mentions in the preface his sufferings from the hardship of time and vicissitude of fate, and the solace which he seeks through the stories of bygone people.{{sfn|al-Iṣfahānī, ''Adab al-ghurabāʾ''|ref=al-ghurabā|p=20–21}} Hence, he collects in the ''Adab al-ghuraba'' the reports about the experiences of strangers; those away from their homes or their beloved ones. Some of the stories centre on the hardship which strangers, anonymous or not, encountered in their journey or exile, usually shown in the epigrams written on monuments, rocks, or walls. {{efn|For an example, see: {{sfn|ref=al-ghurabā|al-Iṣfahānī, ''Adab al-ghurabāʾ''|p= 25–26, 29–31}}}} Others relate excursions to the monasteries for drinking.{{sfn|al-Iṣfahānī, ''Adab al-ghurabāʾ''|ref=al-ghurabā|p=34–36}}


The ''al-Imāʾ al-shawāʿir'' was composed at the order of the vizier al-Muhallabī, al-Iṣfahānī’s patron, who demanded collection of the reports about the enslaved women who composed poetry from the Umayyad to the ʿAbbāsid periods.{{sfn|al-Iṣfahānī, ''al-Imāʿ al-shawāʿir''|ref=al-shawāʿir|p=23}} Al-Iṣfahānī confesses that he could not find any noteworthy poetess in the Umayyad period, because the people at that time were not impressed with the verses featuring tenderness and softness. Thus, he only records the ʿAbbāsid poetesses, with mention of the relevant fine verses or the pleasant tales, and arranges them in chronological order.{{sfn|al-Iṣfahānī, ''al-Imāʿ al-shawāʿir''|ref=al-shawāʿir|p=23}} There are 31 sections, addressing 32 poetesses, most of which are short and usually begin with al-Iṣfahānī’s summary of the subject.{{sfn|Kilpatrick|2003|p=26}} The ''al-Imāʾ al-shawāʿir'' was composed at the order of the vizier al-Muhallabī, al-Isfahani's patron, who demanded the collection of the reports about the enslaved women who composed poetry from the Umayyad to the Abbasid periods.{{sfn|al-Iṣfahānī, ''al-Imāʿ al-shawāʿir''|ref=al-shawāʿir|p=23}} Al-Isfahani confesses that he could not find any noteworthy poetess in the Umayyad period, because the people at that time were not impressed with verses featuring tenderness and softness. Thus, he only records the Abbasid poetesses, with mention of the relevant fine verses or the pleasant tales, and arranges them in chronological order.{{sfn|al-Iṣfahānī, ''al-Imāʿ al-shawāʿir''|ref=al-shawāʿir|p=23}} There are 31 sections, addressing 32 poetesses, most of which are short and usually begin with al-Isfahani's summary of the subject.{{sfn|Kilpatrick|2003|p=26}}


The ''Maqātil al-Ṭālibīyīn'' is a historical-biographical compilation concerning the descendants of Abū Ṭālib, who died under the following circumstances: being killed, poisoned to death in a treacherous way, on the run from the rulers’ persecution, or confined until death.{{sfn|al-Iṣfahānī, ''Maqātil''|ref=Maqātil|p=24}}{{sfn|Bahramian|1992|p=734–735}} The ''Maqātil'' literature was rather common, amongst Shīʿīs particularly, before al-Iṣfahānī and he used many works of this genre as sources for the ''Maqātil al-Ṭālibīyīn''.{{sfn|Günther|1994|p=200–205}} Al-Iṣfahānī does not explain the motivation behind this compilation nor mention any dedicatee, but, according to the preface of this work, he sets out as a condition to recount the reports about the Ṭālibids who were “praiseworthy in their conduct and rightly guided in their belief (''maḥmūd al-ṭarīqa wa-sadīd al-madhhab'')”.{{sfn|al-Iṣfahānī, ''Maqātil''|ref=Maqātil|p=24–25}} Like the ''al-Imāʾ'', the work is structured in chronological order, beginning with the first Ṭālibī martyr, Jaʿfar b. Abī Ṭālib, and ends in the year of its compilation — ] 313/August 925.{{sfn|al-Iṣfahānī, ''Maqātil''|ref=Maqātil|p=24–25, 565}} For each biographical entry, al-Iṣfahānī gives the full name, the lineage (sometimes adding the maternal side). Less often, he additionally gives the virtues and personal traits of the subject and other material he thinks noteworthy, for example the prophetic ''ḥadīth'' about, or transmitted by, the subject of the biography in question. Then, al-Iṣfahānī gives the account of the death, which more often than not constitutes the end of the entry. Sometimes poetry for or by the subject is attached.{{sfn|Günther|1994|p=205–206}}{{sfn|Bahramian|1992|p=734–735}} The ''Maqātil'' was adduced by many Shīʿī and non-Shīʿī compilers of the following centuries.{{sfn|Bahramian|1992|p=734–735}}{{sfn|Günther|2007|p=}} The ''Maqātil al-Ṭālibīyīn'' is a historical-biographical compilation concerning the descendants of Abu Talib, who died by being killed, poisoned to death in a treacherous way, on the run from the rulers’ persecution, or confined until death.{{sfn|al-Iṣfahānī, ''Maqātil''|ref=Maqātil|p=24}}{{sfn|Bahramian|1992|p=734–735}} The ''Maqātil'' literature was rather common, particularly amongst Shi'is, before al-Isfahani and he used many works of this genre as sources for the ''Maqātil al-Ṭālibīyīn''.{{sfn|Günther|1994|p=200–205}} Al-Isfahani does not explain the motivation behind this compilation nor mention to whom they were dedicated, but according to the preface of this work, he sets out as a condition to recount the reports about the Ṭālibids who were “praiseworthy in their conduct and rightly guided in their belief (''maḥmūd al-ṭarīqa wa-sadīd al-madhhab'')”.{{sfn|al-Iṣfahānī, ''Maqātil''|ref=Maqātil|p=24–25}}


Like the ''al-Imāʾ'', the work is structured in chronological order, beginning with the first Ṭālibī martyr, Jaʿfar b. Abī Ṭālib, and ends in the year of its compilation, August 925 (] 313).{{sfn|al-Iṣfahānī, ''Maqātil''|ref=Maqātil|p=24–25, 565}} For each biographical entry, al-Isfahani gives the full name, the lineage (sometimes adding the maternal side). Less often, he additionally gives the virtues and personal traits of the subject and other material he thinks noteworthy, for example the prophetic ''ḥadīth'' about, or transmitted by, the subject of the biography in question. Then, al-Isfahani gives the account of the death which, more often than not, constitutes the end of the entry. Sometimes poetry for or by the subject is attached.{{sfn|Günther|1994|p=205–206}}{{sfn|Bahramian|1992|p=734–735}} The ''Maqātil'' was used as a reliable source of information by many Shi'i and non-Shi'i compilers of the following centuries.{{sfn|Bahramian|1992|p=734–735}}{{sfn|Günther|2007|p=}}
The ''Kitāb al-Aghānī'', al-Iṣfahānī’s best known work, is an immense compilation, including songs provided with musical indications (melodic modes and meters of songs), the biographies of poets and musicians of different periods in addition to historical material. As noted above, al-Iṣfahānī embarks on compiling the ''Aghānī'' first under the command of a patron, whom he calls ] (chief), to reconstruct the list of one hundred fine songs, selected by Isḥāq b. Ibrāhīm.{{efn|See the ], above.}} Due to an obscure report in Yāqūt’s ''Muʿjam'', this ''raʾīs'' is often assumed to be ] (r. 333–356/945–967),{{sfn|Khalafallāh|1962|p=101, 105–110}}{{efn|The misconception that al-Iṣfahānī gave his ''Aghānī'' to Sayf al-Dawla came from a misreading of the text in ''Muʿjam al-udabāʾ''; the original initially mentioned that Abū al-Qāsim al-Ḥusayn b. ʿAlī al-Maghribī made an abridgement of the ''Aghānī'' and gave it to Sayf al-Dawla Abū al-Ḥasan Ṣadaqa Fakhr al-Dīn b. Bahāʾ al-Dawla, whom Yāqūt mistook for the Ḥamdānid, Sayf al-Dawla. This account is then followed by a comment from al-Ṣāḥib b. ʿAbbād and a dialogue between al-Muhallabī and al-Iṣfahānī and then returns to the words of Abū al-Qāsim, who states that he only made one copy of this work in his life and that that is the one given to Sayf al-Dawla. See also:{{sfn|ref=Muʿjam al-udabāʾ|al-Hamawī, ''Muʿjam al-udabāʾ''|loc=vol. 13, p. 97–98}} Although Khalafallāh admits that his reading is conjectural, he rightly points out the obscurities in this text.}} but recent studies suggest that a more plausible candidate for the dedicatee of the ''Aghānī'' is the vizier al-Muhallabī.{{sfn|Khalafallāh|1962|p=101–110}}{{sfn|Kilpatrick|2003|p=19–20}} The ''Aghānī'' is divided into three parts: first, The Hundred Songs (''al-miʾa al-ṣawt  al-mukhtāra'') and other song collections; second, the songs of the caliphs and of their children and grandchildren (''aghānī al-khulafāʾ wa-awlādihim wa-awlād awlādihim''); third, al-Iṣfahānī’s selection of songs. The articles in each part are arranged based on different patterns, but it is mostly the song which introduces the articles on biographies or events.{{sfn|Kilpatrick|2003|p=259–267}} The ''Kitāb al-Aghānī'' is not the first book or collection of songs in Arabic, but one can assert that it is the most important one, for it “is a unique mine of information not only on hundreds of song texts with their modes and meters, but also on the lives of their poets and composers, and on the social context of music making in early Islam and at the courts of the caliphs in Damascus and Baghdad”.{{sfn|Sawa|2002|p=399}} Because of al-Iṣfahānī’s pedantic documentation of his sources, the ''Kitāb al-Aghānī'' can also be used to reconstruct earlier books of songs or biographical dictionaries on musicians that are otherwise lost.{{sfn|Sawa|2002|p=399}}

The ''Kitab al-Aghani'', al-Isfahanis best known work, is an immense compilation, including songs provided with musical indications (melodic modes and meters of songs), the biographies of poets and musicians of different periods in addition to historical material. As noted above, al-Isfahani embarks on compiling the ''Aghani'' first under the command of a patron, whom he calls ] (chief), to reconstruct the list of one hundred fine songs, selected by Ishaq b. Ibrahim.{{efn|See the ].}} Due to an obscure report in Yaqut's ''Mu'jam'', this ''raʾīs'' is often assumed to be ] (r. 945–967),{{sfn|Khalafallāh|1962|p=101, 105–110}}{{efn|The misconception that al-Isfahani gave his ''Aghani'' to Sayf al-Dawla came from a misreading of the text in ''Muʿjam al-udabāʾ''; the original initially mentioned that Abu al-Qasim al-Husayn b. Ali al-Maghribi made an abridgement of the ''Aghani'' and gave it to Sayf al-Dawla Abu al-Hasan Sadaqa Fakhr al-Din b. Baha al-Dawla, whom Yaqut mistook for the Hamdanid, Sayf al-Dawla. This account is then followed by a comment from al-Ṣāḥib b. ʿAbbād and a dialogue between al-Muhallabī and al-Isfahani and then returns to the words of Abu al-Qasim, who states that he only made one copy of this work in his life and that that is the one given to Sayf al-Dawla. See also:{{sfn|ref=Muʿjam al-udabāʾ|al-Hamawī, ''Muʿjam al-udabāʾ''|loc=vol. 13, p. 97–98}} Although Khalafallah admits that his reading is conjectural, he rightly points out the obscurities in this text.}} but recent studies suggest that a more plausible candidate for the dedication of the ''Aghani'' is the vizier al-Muhallabī.{{sfn|Khalafallāh|1962|p=101–110}}{{sfn|Kilpatrick|2003|p=19–20}}

The ''Aghani'' is divided into three parts: first, The Hundred Songs (''al-mi'a al-ṣawt  al-mukhtara'') and other song collections; second, the songs of the caliphs and of their children and grandchildren (''aghani al-khulafa wa-awladihim wa-awlad awladihim''); and third, al-Isfahanis selection of songs. The articles in each part are arranged based on different patterns, but it is mostly the song which introduces the articles on biographies or events.{{sfn|Kilpatrick|2003|p=259–267}} The ''Kitab al-Aghani'' is not the first book or collection of songs in Arabic, but it can be asserted that it is the most important one, for it "is a unique mine of information not only on hundreds of song texts with their modes and meters, but also on the lives of their poets and composers, and on the social context of music making in early Islam and at the courts of the caliphs in Damascus and Baghdad".{{sfn|Sawa|2002|p=399}} Because of al-Isfahani's pedantic documentation of his sources, the ''Kitab al-Aghani'' can also be used to reconstruct earlier books of songs or biographical dictionaries on musicians that are otherwise lost.{{sfn|Sawa|2002|p=399}}


As for the works that did not survive, based on their contents, as implied by their titles, they can be divided into the following categories:{{sfn|Kilpatrick|2003|p=23–24}} As for the works that did not survive, based on their contents, as implied by their titles, they can be divided into the following categories:{{sfn|Kilpatrick|2003|p=23–24}}


The genealogical works: ''Nasab Banī ʿAbd Shams'' (“The Genealogy of the Banū ʿAbd Shams”), ''Jamharat al-nasab'' (“The Compendium of Genealogies”), ''Nasab Banī Shaybān'' (“The Genealogy of the Banū Shaybān”), and ''Nasab al-Mahāliba'' (“The Genealogy of the Muhallabids”), this last probably dedicated to his patron, the vizier al-Muhallabī. The genealogical works: ''Nasab Bani Abd Shams'' ("The Genealogy of the Banu Abd Shams"), ''Jamharat al-nasab'' ("The Compendium of Genealogies"), ''Nasab Bani Shayban'' ("The Genealogy of the Banu Shayban"), and ''Nasab al-Mahaliba'' ("The Genealogy of the Muhallabids"), this last probably dedicated to his patron, the vizier al-Muhallabi.


The reports about specified or unspecified topics, such as ''Kitāb al-Khammārīn wa-l-khammārāt'' (“The Book of Tavern-Keepers, Male and Female”), ''Akhbār al-ṭufaylīyīn'' (“Reports about Party Crashers”), ''al-Akhbār wa-l-nawādir'' (“The Reports and Rare Tales”), and ''Ayyām al-ʿarab'' (“The Battle-Days of the Arabs”), which mentions 1700 days of the pre-Islamic tribal battles and was in circulation only in Andalusia.{{efn|This and the ''Nasab ʿAbd Shams'' seem to have been only available in the Iberian Peninsula; see:{{sfn|ref=Tārīkh Madīnat al-Salām|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|loc=vol. 13, p.338}}}} The reports about specified or unspecified topics, such as ''Kitab al-Khammarin wa-l-khammarat'' ("The Book of Tavern-Keepers, Male and Female"), ''Akhbar al-tufayliyin'' ("Reports about Party Crashers"), ''al-Akhbar wa-l-nawadir'' ("The Reports and Rare Tales"), and ''Ayyam al-arab'' ("The Battle-Days of the Arabs"), which mentions 1700 days of the pre-Islamic tribal battles and was in circulation only in Andalusia.{{efn|This and the ''Nasab Abd Shams'' seem to have been only available in the Iberian Peninsula; see:{{sfn|ref=Tārīkh Madīnat al-Salām|al-Khaṭīb al-Baghdādī, ''Tārīkh Madīnat al-Salām''|loc=vol. 13, p.338}}}}


The reports about music, musicians and singers: the aforementioned ''Manājīb al-khiṣyān'' (“The Noble Eunuchs”), ''Akhbār Jaḥẓa al-Barmakī'' (“The Reports concerning Jaḥẓa al-Barmakī”), ''al-Mamālīk al-shuʿarāʾ'' (“The Slave Poets”), ''Adab al-samāʿ'' (“The Etiquettes of Listening to Music”), and ''Risāla ʿilal al-nagham'' (“The Treatise on the Rules of Tones”). The reports about music, musicians and singers: the aforementioned ''Manajib al-khisyan'' ("The Noble Eunuchs"), ''Akhbzr Jahza al-Barmaki'' ("The Reports concerning Jahza al-Barmaki"), ''al-Mamalik al-shu'ara'' ("The Slave Poets"), ''Adab al-samz'' ("The Etiquettes of Listening to Music"), and ''Risala fi 'ilal al-nagham'' ("The Treatise on the Rules of Tones").


There are two works, only mentioned by al-Ṭūsī: ''Kitāb nazala min al-Qurʾān amīr al-muʾminīn wa-ahl baytih ʿalayhim al-salām'' (“The Book about the Qurʾānic Verses Revealed regarding the Commander of the Faithful and the People of His Family, Peace upon Them”) and ''Kitāb fīhi kalām Fāṭima ʿalayhā al-salām Fadak'' (“The Book concerning the Statements of Fāṭima, Peace upon Her, regarding Fadak”).{{sfn|Kilpatrick|2003|p=23}} Should the attribution of these two works to al-Iṣfahānī be correct, together with the ''Maqātil al-Ṭālibīyīn'', they reveal al-Iṣfahānī’s Shīʿī partisanship. There are two works, only mentioned by al-Tusi: ''Kitab ma nazala min al-Qur'an fi amir al-mu'minīn wa-ahl baytih 'alayhim al-salam'' ("The Book about the Qur'anic Verses Revealed regarding the Commander of the Faithful and the People of His Family, Peace upon Them") and ''Kitab fihi kalam Fatima alayha al-salam fi Fadak'' ("The Book concerning the Statements of Fāṭima, Peace upon Her, regarding Fadak").{{sfn|Kilpatrick|2003|p=23}} Should the attribution of these two works to al-Isfahani be correct, together with the ''Maqatil al-Talibiyin'', they reveal al-Isfahani's Shi'i partisanship.


===Works=== ===Works===
Al-Iṣfahānī is best known as the author of '']'' (“The Book of Songs”), an encyclopedia of over 20 volumes and editions. However, he additionally wrote ], an anthology of verses on the ] of ] and ], and a genealogical work.<ref name="eb" /> Al-Isfahani is best known as the author of '']'' ("The Book of Songs"), an encyclopaedia of over 20 volumes and editions. However, he additionally wrote ], an anthology of verses on the ] of ] and ], and a genealogical work.<ref name="eb" />
*'']'' ({{lang|ar|كتاب الأغاني}}) 'Book of Songs', a collection of Arabic chants rich in information on Arab and Persian poets, singers and other musicians from the 7th - 10th centuries of major cities such as ], ], ], ], ] and ]. The Book of Songs contains details of the ancient Arab tribes and courtly life of the ] and provides a complete overview of the Arab civilization from the pre-Islamic ] era, up to his own time.{{sfn|Al-A'zami|p=192}}<ref>'']'', {{ISBN|0-550-18022-2}}, page 5</ref> Abū ‘l-Faraj employs the classical Arabic genealogical devise, or '']'', (chain of transmission), to relate the biographical accounts of the authors and composers.{{sfn|Al-A'zami|p=192}} Although originally the poems were put to music, the musical signs are no longer legible. Abū ‘l-Faraj spent in total 50 years creating this work, which remains an important historical source. *'']'' ({{lang|ar|كتاب الأغاني}}) 'Book of Songs', a collection of Arabic chants rich in information on Arab and Persian poets, singers and other musicians from the 7th to the 10th centuries of major cities such as ], ], ], ], ] and ]. The Book of Songs contains details of the ancient Arab tribes and courtly life of the ] and provides a complete overview of the Arab civilization from the pre-Islamic ] era, up to his own time.<!--{{sfn|Al-A'zami|p=192}}--><ref>'']'', {{ISBN|0-550-18022-2}}, page 5</ref> Abu ‘l-Faraj employs the classical Arabic genealogical device, or '']'', (chain of transmission), to relate the biographical accounts of the authors and composers.<!--{{sfn|Al-A'zami|p=192}}-->{{citation needed|date=August 2021}} Although originally the poems were put to music, the musical signs are no longer legible. Abu ‘l-Faraj spent in total 50 years creating this work, which remains an important historical source.
The first printed edition, published in 1868, contained 20 volumes. In 1888 ] published a 21st volume being a collection of biographies not contained in the Bulāq edition, edited from MSS in the Royal Library of ].{{sfn|Brünnow|1888}} The first printed edition, published in 1868, contained 20 volumes. In 1888 ] published a 21st volume being a collection of biographies not contained in the Bulāq edition, edited from manuscripts in the Royal Library of ].{{sfn|al-Isfahani|1888}}


*''Maqātil aṭ-Ṭālibīyīn'' ({{lang|ar|مقاتل الطالبيين}}}), Tālibid Fights, a collection of more than 200 biographies of the descendants of ], from the time of the Prophet ] to the writing of the book in 313 the ] (= 925/926 CE) who died in an unnatural way. {{sfn|Günther|p=13}}As Abūl-Faraj said in the foreword to his work, he included only those ] who rebelled against the government and were killed, slaughtered, executed or poisoned, lived underground, fled or died in captivity. {{sfn|Günther|p=14}} The work is a major source for the ] and ] ] ] and the main source for the ] meeting that took place after the assassination of the Umayyad Caliph ] in the village of ]' between ] and ]. At this meeting, al-'Abdallah made the Hashimites pledge an oath of allegiance to his son ] as the new ]. {{sfn|Nagel|pp=258–262}} *''Maqātil aṭ-Ṭālibīyīn'' ({{lang|ar|مقاتل الطالبيين}}), Tālibid Fights, a collection of more than 200 biographies of the descendants of ], from the time of ] to the writing of the book in 925/6, who died in an unnatural way.{{sfn|Günther|2007|p=13}} As Abul-Faraj said in the foreword to his work, he included only those ] who rebelled against the government and were killed, slaughtered, executed or poisoned, lived underground, fled or died in captivity. {{sfn|Günther|2007|p=14}} The work is a major source for the ] and ] ] ] and the main source for the ] meeting that took place after the assassination of the Umayyad Caliph ] in the village of ]' between ] and ]. At this meeting, al-'Abdallah made the Hashimites pledge an oath of allegiance to his son ] as the new ]. {{sfn|Nagel|1970|pp=258–262}}
*''Kitāb al-Imā'āš-šawā'ir'' ({{lang|ar|كتاب الإماء الشواعر}}) 'The Book of the Poet-slaves', a collection of accounts of poetic slaves of the ] period. *''Kitāb al-Imā'āš-šawā'ir'' ({{lang|ar|كتاب الإماء الشواعر}}) 'The Book of the Poet-slaves', a collection of accounts of poetic slaves of the ] period.


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==References== ==References==
{{Academic peer reviewed|Q=Q99527624|doi-access=free}}
{{reflist}} {{reflist}}


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*{{Cite book|language=de|url=http://worldcat.org/oclc/57010704|title=Die Quellen des "Kitāb al-Aġānī"|last=Fleischhammer|first=Manfred|date=2004|publisher=Harrassowitz Verlag|isbn=9783447050791|oclc=57010704}}
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|last=Fleischhammer|first=Manfred|chapter=Munad̲j̲d̲j̲im|journal=Encyclopedia of Islam New Edition Online|doi=10.1163/1573-3912_islam_SIM_5501|chapter-url=https://doi.org/10.1163/1573-3912_islam_SIM_5501|access-date=2018-07-24}}
*{{Cite book|language=de|first=Sebastian|last=Günther|title=Quellenuntersuchungen zu den "Maqātil al-Ṭālibīyīn" des Abū-l-Farağ al-Iṣfahānī (gest. 356/967): Ein Beitrag zur Problematik der mündlichen und schriftlichen Überlieferung in der mittelalterlichen arabischen Literatur|location=Hildesheim|publisher=Georg Olms Verlag|date=1991|url=https://www.worldcat.org/oclc/27707486|oclc=27707486|isbn=9783487094298}}
*{{Cite journal|last=Günther|first=Sebastian|date=1994|title=''Maqâtil'' Literature in Medieval Islam|url=http://doi.org/10.1163/157006494x00103|journal=Journal of Arabic Literature|volume=25|issue=3|pages=192–212|doi=10.1163/157006494x00103|issn=0085-2376}}
*{{Cite book|editor1-first=Gudrun|editor1-last=Krämer|editor2-first=Denis|editor2-last=Matringe|editor3-first=John|editor3-last=Nawas|editor4-first=Everett|editor4-last=Rowson|date=2007|title=Encyclopaedia of Islam|edition=3|issn=1873-9830|url=https://referenceworks.brillonline.com/browse/encyclopaedia-of-islam-3|publisher=Brill|location=Leiden|oclc=145927975
|last=Günther|first=Sebastian|chapter=Abū al-Faraj al-Iṣfahānī|journal=The Encyclopaedia of Islam Three|doi=10.1163/1573-3912_ei3_COM_0105|chapter-url=http://doi.org/10.1163/1573-3912_ei3_COM_0105|access-date=2018-07-24}}
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*{{Cite book|date=2011|url=http://doi.org/10.1017/cbo9780511862618.002|title=The Origin of the Shīʿa: Identity, Ritual, and Sacred Space in Eighth-Century Kūfa|last=Haider|first=Najam|isbn=9780511862618|location=Cambridge|publisher=Cambridge University Press|doi=10.1017/cbo9780511862618.002}}
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|last=Leder|first=Stefan|chapter=al-Ṣūlī|journal=Encyclopedia of Islam New Edition Online|doi=10.1163/1573-3912_islam_SIM_7177|chapter-url=http://doi.org/10.1163/1573-3912_islam_SIM_7177|access-date=2018-07-24}}
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|last=Sellheim|first=Rudolf|chapter=al-Yazīdī|journal=Encyclopedia of Islam New Edition Online|doi=10.1163/1573-3912_islam_com_1365|chapter-url=http://doi.org/10.1163/1573-3912_islam_com_1365|access-date=2018-07-24}}
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|last=Stern|first=S.M.|chapter=Abū Ḥayyān al-Tawḥīdī|journal=Encyclopedia of Islam New Edition Online|doi=10.1163/1573-3912_islam_sim_0202|chapter-url=http://doi.org/10.1163/1573-3912_islam_sim_0202|access-date=2018-07-24}}
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|last=Vadet|first=Jean-Claude|chapter=Ibn Ḥamdūn|journal=Encyclopedia of Islam New Edition Online|doi=10.1163/1573-3912_islam_SIM_3187|chapter-url=http://doi.org/10.1163/1573-3912_islam_SIM_3187|access-date=2018-07-24}}
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|last=Zetterstéen|first= Karl V.|chapter=Muḥammad b. Ṭāhir|journal=Encyclopedia of Islam New Edition Online|doi=10.1163/1573-3912_islam_SIM_5367|chapter-url=http://doi.org/10.1163/1573-3912_islam_SIM_5367|access-date=2018-07-24}}
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*{{citation
|last=Günther
|first=Sebastian
|title=Quellenuntersuchungen zu den Maqātil aṭ-Ṭālibiyyīn des Abū 'l-Faraǧ al-Iṣfahānī
|place=Hildesheim
|year=1991
}}
*{{cite journal|
| ref = harv
|last=]
|title=Ein früher Bericht über den Aufstand von Muḥammad b. ʿAbdallāh im Jahr 145 h| series= Der Islam
|edition=46
|year=1970
|language=German
}}
{{Arabic literature}} {{Arabic literature}}
{{Medieval Perso-Arab music}}
{{Authority control}} {{Authority control}}


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Latest revision as of 04:22, 6 December 2024

Arab historian, writer, poet and musicologist (897–967) For other people named Al-Isfahani, see Al-Isfahani (disambiguation). For other people named Abu al-Faraj, see Abu al-Faraj (disambiguation).
This article should specify the language of its non-English content, using {{lang}}, {{transliteration}} for transliterated languages, and {{IPA}} for phonetic transcriptions, with an appropriate ISO 639 code. Misplaced Pages's multilingual support templates may also be used. See why. (January 2024)
Abu al-Faraj al-Isfahani
أَبُو الْفَرَج الْأصْفَهَانِيّ
Illustration from Kitab al-aghani (Book of Songs), 1216–20, by Abu al-Faraj al-Isfahani, a collection of songs by famous musicians and Arab poets.
Born897 (897)
Isfahan, Abbasid Caliphate
Died967 (aged 69–70)
Baghdad
Other namesAli ibn al-Ḥusayn ibn Muḥammad ibn Aḥmad ibn al-Ḥaytham
EraIslamic golden age (Abbasid era)
Known forBook of Songs
Scientific career
FieldsHistory
PatronsSayf ad-Dawlah

Ali ibn al-Husayn al-Iṣfahānī (Arabic: أبو الفرج الأصفهاني), also known as Abul-Faraj, (full form: Abū al-Faraj ʿAlī ibn al-Ḥusayn ibn Muḥammad ibn Aḥmad ibn al-Ḥaytham al-Umawī al-Iṣfahānī) (897–967CE / 284–356AH) was a writer, historian, genealogist, poet, musicologist and scribe. He was of Arab-Quraysh origin and mainly based in Baghdad. He is best known as the author of Kitab al-Aghani ("The Book of Songs"), which includes information about the earliest attested periods of Arabic music (from the seventh to the ninth centuries) and the lives of poets and musicians from the pre-Islamic period to al-Isfahani's time. Given his contribution to the documentation of the history of Arabic music, al-Isfahani is characterised by George Sawa as "a true prophet of modern ethnomusicology".

Dates

The commonly accepted dates of al-Isfahani's birth and death are 897–898 and 967, based on the dates given by al-Khatib al-Baghdadi which itself based its information on the testimony of al-Isfahani's student, Muhammad ibn Abi al-Fawaris. However, the credibility of these dates is to be treated with caution. No source places his death earlier than 967, but several place it later. These dates are at odds with a reference in the Kitab Adab al-ghuraba ("The Book of the Etiquettes of Strangers"), attributed to al-Isfahani, to his being in the prime of youth (fi ayyam al-shabiba wa-l-siba) in 967. Calculation of the approximate dates of his birth and death through the life spans of his students and his direct informants suggests that he was born before 902 and died after 960.

Biography

Abu al-Faraj al-Isfahani was born in Isfahan, Persia (present-day Iran) but spent his youth and undertook his early studies in Baghdad (present-day Iraq). He was a direct descendant of the last of the Umayyad caliphs, Marwan II, and was thus connected with the Umayyad rulers in al-Andalus, and seems to have kept up a correspondence with them and to have sent them some of his works. He became famous for his knowledge of early Arabian antiquities.

His later life was spent in various parts of the Islamic world, including in Aleppo with its Hamdanid governor Sayf ad-Dawlah (to whom he dedicated the Book of Songs), and in Ray with the Buwayhid vizier Ibn 'Abbad.

Family

The epithet, al-Isfahani, refers to the city, Isfahan, on the Iranian plateau. Instead of indicating al-Isfahani's birthplace, this epithet seems to be common to al-Isfahani's family. Every reference al-Isfahani makes to his paternal relatives includes the attributive, al-Isfahani. According to Ibn Hazm (994–1064), some descendants of the last Umayyad caliph, Marwan b. Muhammad (691–750), al-Isfahani's ancestor, settled in Isfahan. However, it has to be borne in mind that the earliest information available regarding al-Isfahani's family history only dates to the generation of his great-grandfather, Ahmad b. al-Ḥaytham, who settled in Samarra sometime between 835–6 and 847.

Based on al-Isfahani's references in the Kitab al-Aghani (hereafter, the Aghani), Ahmad b. al-Haytham seems to have led a privileged life in Sāmarrāʾ, while his sons were well-connected with the elite of the Abbasid capital at that time. His son, Abd al-Aziz b. Ahmad, was "one of the high ranking scribes in the days of al-Mutawakkil (r. 847–861) (min kibār al-kuttāb fī ayyām al-Mutawakkil)". Another son, Muhammad b. Ahmad (viz. al-Isfahani's grandfather), was associated with Abbasid officials, the vizier Ibn al-Zayyāt (d. 847), the scribe Ibrahim b. al-Abbas al-Ṣūlī (792–857), and the vizier Ubaydallah b. Sulayman (d. 901), along with the Ṭālibid notables, including al-Husayn b. al-Husayn b. Zayd, who was the leader of the Banu Hashim. The close ties with the Abbasid court continued with Muhammad's sons, al-Hasan and al-Husayn (al-Isfahani's father).

In various places in the Aghani, al-Isfahani refers to Yahya b. Muhammad b. Thawaba (from the Al Thawaba) as his grandfather on his mother's side. It is often suggested that the family of Thawaba, being Shi'i, bequeathed their sectarian inclination to al-Isfahani. However, the identification of the Thawaba family as Shi'is is only found in a late source, Yaqut's (1178–1225) work. While many elite families working under the Abbasid caliphate were Shi'i-inclined, indeed allied with Alids or their partisans, there is no evidence that members of the Thawaba family embraced an extreme form of Shi'ism.

In summary, al-Isfahani came from a family well-entrenched in the networks of the Abbasid elite, which included the officials and the Alids. Despite the epithet, al-Isfahani, it does not seem that the Isfahani family had a strong connection with the city of Isfahan. Rather, the family was mainly based in Sāmarrāʾ, from the generation of Ahmad b. al-Ḥaytham, and then Baghdad.

In the seats of the caliphate, a few members of the al-Isfahani family worked as scribes, while maintaining friendship or alliance with other scribes, viziers and notables. Like many of the court elite, al-Isfahani's family maintained an amicable relationship with the offspring of Ali and allied with families, such as the Thawaba family, sharing their veneration of Ali and Alids. However, it is hard to pinpoint such a reverential attitude towards Alids in terms of sectarian alignment, given the scanty information about al-Isfahani's family and the fluidity of sectarian identities at the time.

Education and career

The Isfahani family's extensive network of contacts is reflected in al-Isfahani's sources. Among the direct informants whom al-Isfahani cites in his works, are members of his own family, who were further connected to other notable families, the Al Thawaba, the Banū Munajjim, the Yazīdīs, the Ṣūlīs, the Banū Ḥamdūn, the Ṭāhirids, the Banū al-Marzubān and the Ṭālibids.

Given that al-Isfahani and his family very likely settled in Baghdad around the beginning of the tenth century, he interacted with a considerable number of the inhabitants of or visitors to that city, including: Jaḥẓa (d. 936), al-Khaffāf, Ali b. Sulaymān al-Akhfash (d. 927/8), and Muhammad b. Jarir al-Ṭabari (d. 922). Like other scholars of his time, al-Isfahani travelled in pursuit of knowledge. Although the details are insufficient to establish the dates of his journeys, based on the chains of transmission (asānīd, sing. isnād) al-Isfahani cites consistently and meticulously in every report, it is certain that he transmitted from ʿAbd al-Malik b. Maslama and ʿĀṣim b. Muhammad in Antakya; ʿAbdallāh b. Muhammad b. Ishaq in Ahwaz; and Yahya b. Aḥmad b. al-Jawn in Raqqa. If we accept the attribution of the Kitab Adab al-ghuraba to al-Isfahani, he once visited Baṣra as well as Ḥiṣn Mahdī, Mattūth, and Bājistrā. Yet, none of these cities seems to have left as much of an impact on al-Isfahani as Kūfa and Baghdad did. While al-Isfahani's Baghdadi informants were wide-ranging in their expertise as well as sectarian and theological tendencies, his Kūfan sources can be characterised as either Shi'i or keen on preserving and disseminating memories that favoured Ali and his family. For example, Ibn ʿUqda (d. 944), mentioned in both the Aghānī and the Maqātil, was invariably cited for the reports about the Alids and their merits.

The journey in search for knowledge taken by al-Isfahani may not be particularly outstanding by the standard of his time, but the diversity of his sources' occupations and expertise is impressive. His informants can be assigned into one or more of the following categories: philologists and grammarians; singers and musicians; booksellers and copyists (sahhafun or warraqun, sing. sahhaf or Warraq); friends; tutors (muʾaddibūn, sing. muʾaddib); scribes (kuttāb, sing. kātib); imams or preachers (khuṭabāʾ, sing. khaṭīb); religious scholars (of the ḥadīth, the Qurʾānic recitations and exegeses, or jurisprudence) and judges; poets; and akhbārīs (transmitters of reports of all sorts, including genealogical, historical, and anecdotal reports). The variety of the narrators and their narrations enriched al-Iṣfahānī's literary output, which covers a wide range of topics from amusing tales to the accounts of the Alids' martyrdom. His erudition is best illustrated by Abu Ali al-Muhassin al-Tanukhi's (941–994) comment: "With his encyclopaedic knowledge of music, musicians, poetry, poets, genealogy, history, and other subjects, al-Iṣfahānī established himself as a learned scholar and teacher."

He was also a scribe and this is not surprising, given his families’ scribal connections, but the details of his kātib activities are rather opaque. Although both al-Tanūkhī and al-Baghdādī refer to al-Isfahani with the attribute, kātib, they mention nothing of where he worked or for whom. The details of his occupation as a scribe only came later, with Yaqut, many of whose reports about al-Isfahani prove problematic. For instance, a report from Yaqut claims that al-Isfahani was the scribe of Rukn al-Dawla (d. 976) and mentions his resentment towards Abū al-Faḍl b. al-ʿAmīd (d. 970). However, the very same report was mentioned by Abū Ḥayyān al-Tawḥīdī (active tenth century) in his Akhlāq al-wazīrayn, where the scribe of Rukn al-Dawla is identified as Abū al-Faraj Ḥamd b. Muhammad, not Abū al-Faraj al-Isfahani.

Amongst the Shīʿī narrators whom we have seen, none has memorised poems, melodies, reports, traditions (al-āthār), al-aḥādīth al-musnada (narrations with chains of transmission, including the Prophetic ḥadīth), and genealogy by heart like Abū al-Faraj al-Isfahani. Very proficient in these matters, he is also knowledgeable in the military campaigns and the biography of the Prophet (al-maghāzī and al-sīra), lexicography, grammar, legendary tales (al-khurāfāt), and the accomplishments required of courtiers (ālat al-munādama), like falconry (al-jawāriḥ), veterinary science (al-bayṭara), some notions of medicine (nutafan min al-ṭibb), astrology, drinks (al-ashriba), and other things.

— Al-Khaṭīb

Thus, it is hard to know with certainty how and where al-Isfahani was engaged in his capacity as a kātib. Nevertheless, al-Isfahani's association with the vizier, Abū Muḥammad al-Muhallabī (903–963), is well-documented. The friendship between the two began before al-Muhallabī's became vizier in 950. The firm relationship between them is supported by al-Isfahani's poetry collected by al-Thaʿālibī (961–1038): half of the fourteen poems are panegyrics dedicated to al-Muhallabī. In addition, al-Isfahani's own work, al-Imāʾ al-shawāʿir (“Enslaved Women Who Composed Poetry”), is dedicated to the vizier, presumably, al-Muhallabī. His no longer surviving Manājīb al-khiṣyān (“The Noble Eunuchs”), which addresses two castrated male singers owned by al-Muhallabī, was composed for him. His magnum opus, the Aghānī, was very likely intended for al-Muhallabī, as well. In return for his literary efforts, according to al-Tanūkhī, al-Isfahani frequently received rewards from the vizier. Furthermore, for the sake of their long-term friendship and out of his respect for al-Isfahani's genius, al-Muhallabī exceptionally tolerated al-Isfahani's uncouth manners and poor personal hygiene. The sources say nothing about al-Isfahani's fate after al-Muhallabī's death. In his last years, according to his student, Muhammad b. Abī al-Fawāris, he suffered from senility (khallaṭa).

Personality, preferences, and beliefs

As a friend, al-Isfahani was unconventional in the sense that he did not seem to have been bothered to observe the social decorum of his time, as noted by a late biographical source: with his uncleanliness and gluttony, he presented a counterexample to elegance (ẓarf), as defined by one of his teachers, Abu al-Ṭayyib al-Washshāʾ (d. 937). His unconformity to the social norms did not hinder him from being part of al-Muhallabī's entourage or participation in the literary assemblies, but, inevitably, it resulted in frictions with other scholars and detraction by his enemies. Although al-Isfahani appeared eccentric to his human associates, he was a caring owner of his cat, named Yaqaq (white): he treated Yaqaq's colic (qulanj) with an enema (al-ḥuqna).

In contrast to his personal habits, al-Isfahani's prose style is lucid, “in clear and simple language, with unusual sincerity and frankness”. Al-Isfahani's capacity as a writer is well illustrated by Abu Deeb, who depicts al-Isfahani as "one of the finest writers of Arabic prose in his time, with a remarkable ability to relate widely different types of aḵbār in a rich, lucid, rhythmic, and precise style, only occasionally exploiting such formal effects as saǰʿ (rhyming prose). He was also a fine poet with an opulent imagination. His poetry displays preoccupations similar to those of other urban poets of his time". His pinpoint documentation of asānīd and meticulous verification of information, provided in all his works, embody a truly scholarly character. Usually, in his treatment of a subject or an event, al-Isfahani lets his sources speak, but, occasionally, he voices his evaluation of poems and songs, as well as their creators. When dealing with conflicting reports, al-Isfahani either leaves his readers to decide or issues his judgement as to the most credible account. Yet, he frankly condemns sources whom he holds to be unreliable, for instance, Ibn Khurdādhbih on musicological information and Ibn al-Kalbī on genealogy. Indeed, al-Isfahani assesses his source material with a critical eye, while striving to present a more balanced view on his biographies, by focusing on their merits instead of elaborating on their flaws.

That said, al-Isfahani's personal preferences and sectarian partisanship are not absent from his works. In terms of music and songs, al-Isfahani favours Ishaq b. Ibrahim al-Mawsili (772–850). In al-Isfahani's view, Ishaq b. Ibrahim was a multi-talented man, who excelled in a number of subjects, but, most importantly, music. Ishaq b. Ibrahim, as a collector of the reports about poets and singers, is an important source in his Aghānī. Besides being a mine of information, Ishaq b. Ibrahim's terminology for the description of the melodic modes is preferred over that of his opponent, Ibrahim ibn al-Mahdi (779–839), and adopted by al-Isfahani in his Aghani. Furthermore, al-Isfahani embarked on the compilation of the Aghānī because he was commissioned by his patron to reconstruct the list of the exquisite songs selected by Ishaq. In other words, the raison d’etre of the Aghānī is partly related to al-Isfahani's idol, Ishaq b. Ibrahim, and its information about singers, songs and performance owes a tremendous amount to him. Al-Isfahani's admiration for scholars or men of letters can be detected from time to time, usually in the passing comments in the chains of transmission. Yet al-Isfahani outspokenly expresses his admiration, in some cases, such as that of Ibn al-Muʿtazz (862–909).

As an Umayyad by ancestry, al-Isfahani's later biographers mention his Shi'i affiliation with surprise. Yet, in the light of the history of the family's connections with the Abbasid elite of Shi'i inclination and the Ṭālibids, and of his learning experience in Kūfa, his Shi'i conviction is understandable. Al-Tusi (995–1067) is the only early source specifying the exact sect to which al-Isfahani belonged in the fluid Shi'i world: he was a Zaydī. Although al-Ṭūsī's view is widely accepted, its veracity is not beyond doubt. Al-Isfahani does not seem to have been informed of the latest Zaydī movements in Yemen and Ṭabaristān during his life, while his association with the Kūfan Zaydī community, which to some degree became less distinguishable from the Sunnīs, is yet to be studied in depth. It is clear, based on examination of how al-Isfahani amended the reports at his disposal, that he honoured Ali, who played a far more prominent role in his works than the first three caliphs, and some of his descendants, including Zaydi Shi'ism's eponym, Zayd ibn Ali (694–740), by presenting them positively, while, in some cases, leaving their enemies’ rectitude in question. In spite of that, al-Isfahani is neither keen to identify the imams in the past, nor discuss the qualities of an imam. As a matter of fact, he hardly uses the word, not even applying it to Zayd b. Ali. Furthermore, he does not unconditionally approve any Alid revolt and seems lukewarm towards the group he refers to as Zaydis. Taken together, al-Isfahani's Shi'i conviction is better characterised as moderate love for Ali without impugning the dignity of the caliphs before him.

Legacy

Al-Isfahani authored a number of works, but only a few survive. Three of them are preserved through quotations: al-Qiyan ("The Singing Girls Enslaved by Men"), al-Diyarat ("The Monasteries"), and Mujarrad al-aghani (“The Abridgement of the Book of Songs”). A fragment of the Mujarrad al-aghani is found in Ibn Abi Uṣaybi'a's ʿUyun al-anba' fi tabaqat al-atibbaʾ, which quotes a poem by the caliph, al-Maʾmūn (r. 813–833), which was arranged as a song by Mutayyam. The first two have been reconstructed and published by al-ʿAtiyya, who collected and collateed the passages from later works that quote from al-Isfahani. The former, al-Qiyān, is a collection of the biographies of the enslaved singing girls. In it, al-Isfahani provided the basic information about the biographical subjects, the men who enslaved them, and their interaction with poets, notables such as caliphs, and their admirers, with illustration of their poetic and/or musical talents. The latter, al-Diyārāt, provides information related to monasteries, with the indication of their geographical locations and, sometimes, history and topographical characteristics. However, it is questionable to what extent the reconstructed editions can represent the original texts, since the passages, which quote al-Isfahani as a source for the given subject and are thus included by the editor, seldom identify the titles of the works.

Four works survive in manuscripts and have been edited and published: Maqātil al-Ṭālibīyīn ("The Ṭālibid Martyrs"), Kitab al-Aghani ("The Book of the Songs"), Adab al-ghuraba ("The Etiquettes of the Strangers"), and al-Ima al-shawair ("The Enslaved Women Who Composed Poetry"). As noted above, al-Isfahani's authorship of the Adab al-ghurabaʾ is disputed. The author, whoever he may have been, mentions in the preface his sufferings from the hardship of time and vicissitude of fate, and the solace which he seeks through the stories of bygone people. Hence, he collects in the Adab al-ghuraba the reports about the experiences of strangers; those away from their homes or their beloved ones. Some of the stories centre on the hardship which strangers, anonymous or not, encountered in their journey or exile, usually shown in the epigrams written on monuments, rocks, or walls. Others relate excursions to the monasteries for drinking.

The al-Imāʾ al-shawāʿir was composed at the order of the vizier al-Muhallabī, al-Isfahani's patron, who demanded the collection of the reports about the enslaved women who composed poetry from the Umayyad to the Abbasid periods. Al-Isfahani confesses that he could not find any noteworthy poetess in the Umayyad period, because the people at that time were not impressed with verses featuring tenderness and softness. Thus, he only records the Abbasid poetesses, with mention of the relevant fine verses or the pleasant tales, and arranges them in chronological order. There are 31 sections, addressing 32 poetesses, most of which are short and usually begin with al-Isfahani's summary of the subject.

The Maqātil al-Ṭālibīyīn is a historical-biographical compilation concerning the descendants of Abu Talib, who died by being killed, poisoned to death in a treacherous way, on the run from the rulers’ persecution, or confined until death. The Maqātil literature was rather common, particularly amongst Shi'is, before al-Isfahani and he used many works of this genre as sources for the Maqātil al-Ṭālibīyīn. Al-Isfahani does not explain the motivation behind this compilation nor mention to whom they were dedicated, but according to the preface of this work, he sets out as a condition to recount the reports about the Ṭālibids who were “praiseworthy in their conduct and rightly guided in their belief (maḥmūd al-ṭarīqa wa-sadīd al-madhhab)”.

Like the al-Imāʾ, the work is structured in chronological order, beginning with the first Ṭālibī martyr, Jaʿfar b. Abī Ṭālib, and ends in the year of its compilation, August 925 (Jumādā I 313). For each biographical entry, al-Isfahani gives the full name, the lineage (sometimes adding the maternal side). Less often, he additionally gives the virtues and personal traits of the subject and other material he thinks noteworthy, for example the prophetic ḥadīth about, or transmitted by, the subject of the biography in question. Then, al-Isfahani gives the account of the death which, more often than not, constitutes the end of the entry. Sometimes poetry for or by the subject is attached. The Maqātil was used as a reliable source of information by many Shi'i and non-Shi'i compilers of the following centuries.

The Kitab al-Aghani, al-Isfahanis best known work, is an immense compilation, including songs provided with musical indications (melodic modes and meters of songs), the biographies of poets and musicians of different periods in addition to historical material. As noted above, al-Isfahani embarks on compiling the Aghani first under the command of a patron, whom he calls ra'is (chief), to reconstruct the list of one hundred fine songs, selected by Ishaq b. Ibrahim. Due to an obscure report in Yaqut's Mu'jam, this raʾīs is often assumed to be Sayf al-Dawla al-Ḥamdānī (r. 945–967), but recent studies suggest that a more plausible candidate for the dedication of the Aghani is the vizier al-Muhallabī.

The Aghani is divided into three parts: first, The Hundred Songs (al-mi'a al-ṣawt  al-mukhtara) and other song collections; second, the songs of the caliphs and of their children and grandchildren (aghani al-khulafa wa-awladihim wa-awlad awladihim); and third, al-Isfahanis selection of songs. The articles in each part are arranged based on different patterns, but it is mostly the song which introduces the articles on biographies or events. The Kitab al-Aghani is not the first book or collection of songs in Arabic, but it can be asserted that it is the most important one, for it "is a unique mine of information not only on hundreds of song texts with their modes and meters, but also on the lives of their poets and composers, and on the social context of music making in early Islam and at the courts of the caliphs in Damascus and Baghdad". Because of al-Isfahani's pedantic documentation of his sources, the Kitab al-Aghani can also be used to reconstruct earlier books of songs or biographical dictionaries on musicians that are otherwise lost.

As for the works that did not survive, based on their contents, as implied by their titles, they can be divided into the following categories:

The genealogical works: Nasab Bani Abd Shams ("The Genealogy of the Banu Abd Shams"), Jamharat al-nasab ("The Compendium of Genealogies"), Nasab Bani Shayban ("The Genealogy of the Banu Shayban"), and Nasab al-Mahaliba ("The Genealogy of the Muhallabids"), this last probably dedicated to his patron, the vizier al-Muhallabi.

The reports about specified or unspecified topics, such as Kitab al-Khammarin wa-l-khammarat ("The Book of Tavern-Keepers, Male and Female"), Akhbar al-tufayliyin ("Reports about Party Crashers"), al-Akhbar wa-l-nawadir ("The Reports and Rare Tales"), and Ayyam al-arab ("The Battle-Days of the Arabs"), which mentions 1700 days of the pre-Islamic tribal battles and was in circulation only in Andalusia.

The reports about music, musicians and singers: the aforementioned Manajib al-khisyan ("The Noble Eunuchs"), Akhbzr Jahza al-Barmaki ("The Reports concerning Jahza al-Barmaki"), al-Mamalik al-shu'ara ("The Slave Poets"), Adab al-samz ("The Etiquettes of Listening to Music"), and Risala fi 'ilal al-nagham ("The Treatise on the Rules of Tones").

There are two works, only mentioned by al-Tusi: Kitab ma nazala min al-Qur'an fi amir al-mu'minīn wa-ahl baytih 'alayhim al-salam ("The Book about the Qur'anic Verses Revealed regarding the Commander of the Faithful and the People of His Family, Peace upon Them") and Kitab fihi kalam Fatima alayha al-salam fi Fadak ("The Book concerning the Statements of Fāṭima, Peace upon Her, regarding Fadak"). Should the attribution of these two works to al-Isfahani be correct, together with the Maqatil al-Talibiyin, they reveal al-Isfahani's Shi'i partisanship.

Works

Al-Isfahani is best known as the author of Kitab al-Aghani ("The Book of Songs"), an encyclopaedia of over 20 volumes and editions. However, he additionally wrote poetry, an anthology of verses on the monasteries of Mesopotamia and Egypt, and a genealogical work.

  • Kitāb al-Aġānī (كتاب الأغاني) 'Book of Songs', a collection of Arabic chants rich in information on Arab and Persian poets, singers and other musicians from the 7th to the 10th centuries of major cities such as Mecca, Damascus, Isfahan, Rey, Baghdād and Baṣrah. The Book of Songs contains details of the ancient Arab tribes and courtly life of the Umayyads and provides a complete overview of the Arab civilization from the pre-Islamic Jahiliyya era, up to his own time. Abu ‘l-Faraj employs the classical Arabic genealogical device, or isnad, (chain of transmission), to relate the biographical accounts of the authors and composers. Although originally the poems were put to music, the musical signs are no longer legible. Abu ‘l-Faraj spent in total 50 years creating this work, which remains an important historical source.

The first printed edition, published in 1868, contained 20 volumes. In 1888 Rudolf Ernst Brünnow published a 21st volume being a collection of biographies not contained in the Bulāq edition, edited from manuscripts in the Royal Library of Munich.

  • Maqātil aṭ-Ṭālibīyīn (مقاتل الطالبيين), Tālibid Fights, a collection of more than 200 biographies of the descendants of Abu Talib ibn Abd al-Muttalib, from the time of Muhammad to the writing of the book in 925/6, who died in an unnatural way. As Abul-Faraj said in the foreword to his work, he included only those Tālibids who rebelled against the government and were killed, slaughtered, executed or poisoned, lived underground, fled or died in captivity. The work is a major source for the Umayyad and Abbāsid Alid uprisings and the main source for the Hashimite meeting that took place after the assassination of the Umayyad Caliph al-Walīd II in the village of al-Abwā' between Mecca and Medina. At this meeting, al-'Abdallah made the Hashimites pledge an oath of allegiance to his son Muhammad al-Nafs al-Zakiyya as the new Mahdi.
  • Kitāb al-Imā'āš-šawā'ir (كتاب الإماء الشواعر) 'The Book of the Poet-slaves', a collection of accounts of poetic slaves of the Abbasid period.

See also

Notes

  1. See the section on Dates
  2. Other dates of death are in the 360s/970s and 357/967–68, suggested respectively by Ibn al-Nadim (d. 385/995 or 388/998) and Abu Nu'aym al-Isfahani (336–430/948–1038)
  3. The attribution of Adab al-ghuraba to al-Isfahani is much disputed in current scholarship. The scholars who affirm al-Isfahani as the author of Adab al-ghuraba include: On the opposite side are:
  4. Al-Isfahani traced his descent to Marwan II as follows: Abu al-Faraj Ali ibn al-Husayn ibn Muhammad ibn Ahmad ibn al-Haytham ibn Abd al-Rahman ibn Marwan ibn Abd Allah ibn Marwan II ibn Muhammad ibn Marwan I.
  5. Another spelling, al-Isbahani, is also used in secondary literature. Although al-Isbahani is found in the oldest biographical sources and manuscripts, al-Isfahani will be used in this article.
  6. This misconception, according to Azarnoosh, was first disseminated by Ṭāshkubrīzādah (d. 968/1560) and was thereafter followed by modern scholars.
  7. While most of the sources agree that al-Isfahani was amongst the offspring of the last Umayyad caliph, Marwan b. Muhammad, Ibn al-Nadīm alone claimed that he was a descendant of Hishām b. ʿAbd al-Malik (72–125/691–743). The majority opinion:
  8. A report in the Aghani mentions Ahmad b. al-Ḥaytham's possession of slaves, which may indicate his being wealthy.
  9. For the identity of Yahya b. Muhammad b. Thawaba and other members of the Al Thawaba, see:
  10. The term, Shi'i, is used in its broadest sense in this article and comprises various still evolving groups, including Imami Shi'is, Zaydīs, Ghulāt, and mild or soft Shi'is (as per van Ess and Crone), as well as those who straddle several sectarian alignments. Such inclusiveness is necessitated by the lack of clear-cut sectarian delineation (as in the case of the Al Thawaba, discussed here) in the early period.
  11. Both Kilpatrick and Azarnoosh follow Khalafallāh's argument as to the Al Thawaba's impact upon al-Isfahani's Shi'i conviction.
  12. Besides the Al Thawaba, one may count among the pro-Alid or Shi'i families the Banū Furāt and Banū Nawbakht.
  13. Al-Isfahani's sources are al-Abbas b. Ahmad b. Thawaba and Yahya b. Muhammad b. Thawaba, al-Isfahani's grandfather from the maternal side, who is cited indirectly.
  14. ^ Al-Isfahani has three informants from the Banū Munajjim, whose members were associated with the Abbasid court as boon companions, scholars, or astrologists: Ahmad b. Yahya b. Ali (262–327/876–940); Ali b. Harun b. Ali (277–352/890–963); and Yahya b. Ali b. Yahya (241–300/855–912). About the Banu Munajjim; see:
  15. The Yazīdīs were famed for its members’ mastery of poetry, the Qurʾānic readings, the ḥadīth, and philology. Muhammad b. al-Abbas al-Yazīdī (d. c. 228–310/842–922) was the tutor of the children of the caliph, al-Muqtadir (r. 295–320/908–932), and transmitted Abu Ubayda's Naqa'id, Thaalab's Majalis, and the works of his family; many of his narrations are preserved in the Aghani.
  16. ^ The association with the Ṣūlīs likely began in the generation of al-Isfahani's grandfather, Muhammad b. Ahmad, who was close to Ibrahim b. al-Abbas al-Ṣūlī; see the section on Family. Al-Isfahani's direct sources from this family are the famous al-Ṣūlī, Muhammad b. Yahya (d. 335/946 or 336/947), who was the boon companion of a number of the caliphs and a phenomenal chess player; his son, Yahya b. Muhammad al-Ṣūlī; and al-Abbas b. Ali, known as Ibn Burd al-Khiyār. See: See also:
  17. ^ The Banu Hamdun were known for their boon companionship at the Abbasid court in the ninth century; al-Isfahani's informant is Abdallāh b. Ahmad b. Ḥamdūn; about the Banū Ḥamdūn; see:
  18. Yahya b. Muhammad b. ʿAbdallāh b. Ṭāhir, identified by al-Isfahani as the nephew of ʿUbaydallāh b. ʿAbdallāh b. Ṭāhir (d. 300/913), is the son of Muhammad b. ʿAbdallāh b. Ṭāhir (d. 296/908–9), the governor of Khurāsān. See also:
  19. Al-Isfahani mentions a conversation between his father and Muhammad b. Khalaf b. al-Marzubānī and notes the long-term friendship and marital tie between the two families; see: I owe this reference to: Muhammad b. Khalaf b. al-Marzubān is a ubiquitous informant in the Aghānī; see:
  20. The Ṭālibid informants of al-Isfahani comprise: Ali b. al-Husayn b. Ali b. Hamza; Ali b. Ibrahim b. Muhammad; Ali b. Muhammad b. Ja'far; Ja'far b. Muhammad b. Ja'far; Muhammad b. Ali b. Hamza; see:
  21. al-Isfahani's uncle, al-Hasan b. Muhammad, mentioned in the Tarikh Madinat al-Salam, either settled in Baghdad with him or at least active for some time there; see:
  22. About Ibn ʿUqd, see also:
  23. Compare, for instance, his teacher, al-Ṭabarī.
  24. It has to be kept in mind that the categorisation is based on the attributives given by al-Isfahani. Just as al-Isfahani was not a local Isfahani, the subjects discussed here do not necessarily engage with the professions their nisbas indicate.
  25. See also the footnotes above:
  26. See Legacy, below
  27. For the few references by al-Isfahani to his administrative tasks, see:
  28. It is noteworthy that the first sentence of this quote is written differently from the works given here in al-Khaṭīb's Tārīkh.
  29. Among the frequently cited sources in the Aghānī is Ḥabīb b. Naṣr al-Muhallabī (d. 307/919), presumably from the Muhallabid family, but it is not clear how this informant relates to Abū Muhammad al-Muhallabī; see:
  30. See section on Legacy
  31. See also:
  32. Al-Washshāʾ says: “It is not permissible for the people of elegance and etiquette to wear dirty clothes with clean ones, or clean ones with new ones,” and they should eat with small morsels, while avoiding gluttony. Al-Isfahani never washed his clothes and shoes and only replaced them when they became too shabby to put on.
  33. For the discussion of colic and its treatment by enema; see:
  34. See also:
  35. Al-Isfahani specifies not only his sources (the identities of his informants, or the titles of the written material used by him) but also the methods by which he acquired the reports. Now and then, he mentions the occasions on which he received the given information; see:
  36. See also:
  37. See the section on al-Iṣfahānī’s works.
  38. The earliest mention of the Umayyad-Shi'i combination in the biographical sources is perhaps: This is then repeated in later sources; see
  39. The Zaydī writings in the late ninth and early tenth centuries more or less devote discussion to the role and qualities of imam; see, for example: al-Ḥādī ilā al-Ḥaqq also singled out a line of the Zaydi imams up till his time in his Kitab al-Ahkam; see:
  40. See the section on Dates
  41. For an example, see:
  42. See the section on Personalities, preferences and beliefs.
  43. The misconception that al-Isfahani gave his Aghani to Sayf al-Dawla came from a misreading of the text in Muʿjam al-udabāʾ; the original initially mentioned that Abu al-Qasim al-Husayn b. Ali al-Maghribi made an abridgement of the Aghani and gave it to Sayf al-Dawla Abu al-Hasan Sadaqa Fakhr al-Din b. Baha al-Dawla, whom Yaqut mistook for the Hamdanid, Sayf al-Dawla. This account is then followed by a comment from al-Ṣāḥib b. ʿAbbād and a dialogue between al-Muhallabī and al-Isfahani and then returns to the words of Abu al-Qasim, who states that he only made one copy of this work in his life and that that is the one given to Sayf al-Dawla. See also: Although Khalafallah admits that his reading is conjectural, he rightly points out the obscurities in this text.
  44. This and the Nasab Abd Shams seem to have been only available in the Iberian Peninsula; see:

References

This article was adapted from the following source under a CC BY 4.0 license (2020) (reviewer reports): I-Wen Su (2020). "Abū al-Faraj ʿAlī b. al-Ḥusayn al-Iṣfahānī, the Author of the Kitāb al-Aghānī" (PDF). WikiJournal of Humanities. 3 (1): 1. doi:10.15347/WJH/2020.001. ISSN 2639-5347. Wikidata Q99527624.

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  57. Sellheim 2012.
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  64. Vadet 2012.
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  66. al-Iṣfahānī, Kitāb al-Aghānī, vol. 21, p. 48.
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  68. Bosworth, Marín & Smith 2012.
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  70. Kilpatrick 2003, p. 17.
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  83. Günther 1991, p. 127–131.
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  85. Su 2016, p. 204–209.
  86. Brown 2008, p. 55–58.
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  89. Fleischhammer 2004, p. 42 (Dhukāʾ Wajh al-Ruzza); 34 (Jaḥẓa).
  90. Fleischhammer 2004, p. 52–53 (ʿĪsā b. al-Ḥusayn al-Warrāq); 40 (ʿAlī b. al-Ḥusayn al-Warrāq); 37 (Aḥmad b. Muḥammad al-Ṣaḥḥāf); 31 (ʿAbd al-Wahhāb b. ʿUbayd al-Ṣaḥḥāf); 65 (Muḥammad b. Zakariyyā al-Ṣaḥḥāf).
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  93. Fleischhammer 2004, p. 43–44 (Jaʿfar b. Qudāma al-Kātib); 50–51 (al-Ḥusayn b. al-Qāsim al-Kawkabī al-Kātib); 53 (Isḥāq b. al-Ḍaḥḥāk al-Kātib); 41 (ʿAlī b. Ṣāliḥ al-Kātib); 39 (ʿAlī b. al-ʿAbbās al-Ṭalḥī al-Kātib); 39–40 (ʿAlī b. ʿAbd al-ʿAzīz al-Kātib); 49 (al-Ḥasan b. Muḥammad al-Kātib); 57 (Muḥammad b. Baḥr al-Iṣfahānī al-Kātib).
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  95. al-Iṣfahānī, Kitāb al-Aghānī, vol. 15, p. 255; vol. 19, p. 38; vol. 20, p. 163; vol. 21, p. 158.
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