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'''''Raphael at the Vatican''''' (French: '''''Raphaël au Vatican''''') is an 1832 ] by the French artist ]. It depicts an encounter in ] between the ] ] and ]. It was inspired by a passage in the biography of Raphael written by ]. Raphael is shown at a makeshift ] drawing a ] woman with her child and surrounded by a crowd of attentive students while Michelangelo is shown in the bottom left corner. Above them are ] and ].<ref>Waller p.93</ref> |
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'''''Raphael at the Vatican''''' (French: '''''Raphaël au Vatican''''') is an 1832 ] by the French artist ]. It depicts an encounter in ] between the ] ] and ]. It was inspired by a passage in the biography of Raphael written by ]. Raphael is shown at a makeshift ] drawing a ] woman with her child and surrounded by a crowd of attentive students while Michelangelo is shown in the bottom left corner.<ref>Harkett & Hornstein p.137</ref> Above them are ] and ].<ref>Waller p.93</ref> |
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Vernet produced the work while he was director of the ]. It was exhibited at the ] of 1833.<ref>Harkett & Hornstein p.135</ref> Today it is in the collection of the ] in ].<ref>https://collections.louvre.fr/ark:/53355/cl010065825</ref> <ref>https://pop.culture.gouv.fr/notice/joconde/000PE002848</ref> |
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Vernet produced the work while he was director of the ]. It was exhibited at the ] of 1833.<ref>Harkett & Hornstein p.135</ref> Today it is in the collection of the ] in ].<ref>https://collections.louvre.fr/ark:/53355/cl010065825</ref> <ref>https://pop.culture.gouv.fr/notice/joconde/000PE002848</ref> |
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* Harkett, Daniel & Hornstein, Katie (ed.) ''Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture''. Dartmouth College Press, 2017. |
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* Harkett, Daniel & Hornstein, Katie (ed.) ''Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture''. Dartmouth College Press, 2017. |
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* Waller, Susan. ''The Invention of the Model: Artists and Models in Paris, 1830-1870''. Routledge, 2017. |
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* Waller, Susan. ''The Invention of the Model: Artists and Models in Paris, 1830-1870''. Routledge, 2017. |
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