Misplaced Pages

View of Pillnitz Castle: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editContent deleted Content addedVisualWikitext
Revision as of 14:01, 17 December 2024 editLord Cornwallis (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers459,525 editsNo edit summary← Previous edit Latest revision as of 21:05, 17 December 2024 edit undoCAPTAIN RAJU (talk | contribs)Extended confirmed users, Page movers, New page reviewers, Pending changes reviewers, Rollbackers409,679 editsm clean up, typo(s) fixed: the the → theTag: AWB 
Line 16: Line 16:
| city=] | city=]
}} }}
'''''View of Pillnitz Castle''''' is an 1823 ] by the Norwegian artist ].<ref>''Baltic Light'' p.76</ref> <ref>Lund p.74</ref> It depicts a view of the ] ] outside ] on the ]. Dahl had long since settled in the city, and worked on ] landscapes in the same style as his friend ].<ref>Rewald p.48</ref> The painting's unusual composition is comes from the the scene being view through an opened window. It is implied that it is seen from the artist's studio in the city, although Pillnitz is in fact located several miles upriver. In his delicate depiction of the case Dahl had to use the technique of a ]<ref>Rewald p.50-51</ref> '''''View of Pillnitz Castle''''' is an 1823 ] by the Norwegian artist ].<ref>''Baltic Light'' p.76</ref><ref>Lund p.74</ref> It depicts a view of the ] ] outside ] on the ]. Dahl had long since settled in the city, and worked on ] landscapes in the same style as his friend ].<ref>Rewald p.48</ref> The painting's unusual composition is comes from the scene being view through an opened window. It is implied that it is seen from the artist's studio in the city, although Pillnitz is in fact located several miles upriver. In his delicate depiction of the case Dahl had to use the technique of a ]<ref>Rewald p.50-51</ref>


Today the painting is in the collection of the ] in ].<ref>https://sammlung-online.museum-folkwang.de/eMP/eMuseumPlus?service=direct/1/ResultListView/result.t2.collection_list.$TspTitleImageLink$0.link&sp=10&sp=Scollection&sp=SfieldValue&sp=0&sp=0&sp=3&sp=SsimpleList&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=1</ref> Today the painting is in the collection of the ] in ].<ref>https://sammlung-online.museum-folkwang.de/eMP/eMuseumPlus?service=direct/1/ResultListView/result.t2.collection_list.$TspTitleImageLink$0.link&sp=10&sp=Scollection&sp=SfieldValue&sp=0&sp=0&sp=3&sp=SsimpleList&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=1</ref>
Line 26: Line 26:
* Johnston, Catherine, Borsch-Supan, Helmut & Leppien, Helmut R. ''Baltic Light: Early Open-air Painting in Denmark and North Germany''. Yale University Press, 1999. * Johnston, Catherine, Borsch-Supan, Helmut & Leppien, Helmut R. ''Baltic Light: Early Open-air Painting in Denmark and North Germany''. Yale University Press, 1999.
* Lund, Hans. ''Text as Picture: Studies in the Literary Transformation of Pictures''. E. Mellen Press, 1992. * Lund, Hans. ''Text as Picture: Studies in the Literary Transformation of Pictures''. E. Mellen Press, 1992.
* Rewald, Sabine. ''Rooms with a View: The Open Window in the 19th Century''. Metropolitan Museum of Art, 2011. * Rewald, Sabine. ''Rooms with a View: The Open Window in the 19th Century''. Metropolitan Museum of Art, 2011.


{{Johan Christian Dahl}} {{Johan Christian Dahl}}
Line 34: Line 34:
] ]
] ]



{{19C-painting-stub}} {{19C-painting-stub}}

Latest revision as of 21:05, 17 December 2024

Painting by Johan Christian Dahl
View of Pillnitz Castle
ArtistJohan Christian Dahl
Year1823
TypeOil on canvas, landscape painting
Dimensions70 cm × 45.5 cm (28 in × 17.9 in)
LocationMuseum Folkwang, Essen

View of Pillnitz Castle is an 1823 landscape painting by the Norwegian artist Johan Christian Dahl. It depicts a view of the baroque Pillnitz Castle outside Dresden on the River Elbe. Dahl had long since settled in the city, and worked on romantic landscapes in the same style as his friend Caspar David Friedrich. The painting's unusual composition is comes from the scene being view through an opened window. It is implied that it is seen from the artist's studio in the city, although Pillnitz is in fact located several miles upriver. In his delicate depiction of the case Dahl had to use the technique of a miniaturist

Today the painting is in the collection of the Museum Folkwang in Essen.

References

  1. Baltic Light p.76
  2. Lund p.74
  3. Rewald p.48
  4. Rewald p.50-51
  5. https://sammlung-online.museum-folkwang.de/eMP/eMuseumPlus?service=direct/1/ResultListView/result.t2.collection_list.$TspTitleImageLink$0.link&sp=10&sp=Scollection&sp=SfieldValue&sp=0&sp=0&sp=3&sp=SsimpleList&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=1

Bibliography

  • Johnston, Catherine, Borsch-Supan, Helmut & Leppien, Helmut R. Baltic Light: Early Open-air Painting in Denmark and North Germany. Yale University Press, 1999.
  • Lund, Hans. Text as Picture: Studies in the Literary Transformation of Pictures. E. Mellen Press, 1992.
  • Rewald, Sabine. Rooms with a View: The Open Window in the 19th Century. Metropolitan Museum of Art, 2011.
Johan Christian Dahl
Paintings
Painting series
Related


Stub icon

This article about a nineteenth-century painting is a stub. You can help Misplaced Pages by expanding it.

Categories: