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{{short description|1945 film by William Dieterle}}
{{Use mdy dates|date=December 2018}} {{Use mdy dates|date=December 2018}}
{{Infobox film {{Infobox film
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| director = ] | director = ]
| producer = ] | producer = ]
| writer = ] | screenplay = ]
| based_on = {{Based on|''Pity My Simplicity''|Christopher Massie}}
| starring = ]<br>]<br>]<br>]<br>]<br>] | starring = ]<br>]<br>]<br>]<br>]<br>]
| music = ] | music = ]
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| language = English | language = English
}} }}
'''''Love Letters''''' is a 1945 American ]. The screenplay was adapted by ] from the novel ''Pity My Simplicity'' by Christopher Massie. It was directed by ] and stars ], ], ], ], ] and ]. The plot tells the story of a man falling in love with an amnesiac woman with two personalities who is supposed to have killed his soldier friend. '''''Love Letters''''' is a 1945 American ] ] directed by ] from a screenplay by ], based on the novel ''Pity My Simplicity'' by Christopher Massie. It stars ], ], ], ], ] and ]. The plot tells the story of a man falling in love with an amnesiac woman ], who is believed to have killed his soldier friend.


The film was nominated for four ], including a ] for Jones. The film was nominated for four ], including a ] nomination for Jones.


==Plot== ==Plot==
Alan Quinton (]), an American soldier in Italy during ], has been writing letters for his friend, Roger Morland (Robert Sully), a man who admits he "never had any standards, manners or taste." Alan has never met Victoria Remington, but regards her as a "] of the spirit," to whom he can express feelings he has never expressed in person. He realizes that Victoria has fallen in love with the letters and is concerned that she will be disappointed by the real Roger. However, Roger abruptly leaves for ] training in England. Alan Quinton, an American soldier in Italy during ], has been writing letters for his friend, Roger Morland, a man who admits he "never had any standards, manners or taste." Alan has never met Victoria Remington, but regards her as a "] of the spirit," to whom he can express feelings he has never expressed in person. He realizes that Victoria has fallen in love with the letters and is concerned that she will be disappointed by the real Roger, who abruptly leaves for ] training in England (and to see Victoria when on leave) after Alan tells him this.


Alan is subsequently injured on the ] and finds out that Roger is dead. He is having trouble readjusting to civilian life and spending time with his fiancée, Helen Wentworth (]). He decides to live for a while at his aunt's farm in ]. In ], his brother takes him to a party at which he meets Dilly Carson (]) and Singleton (]). He drunkenly tells them the story about falling in love with a woman he's never met, and Dilly realizes he is referring to Roger and Victoria. She tells Alan that a murder was committed and the letters were somehow involved. Alan is subsequently injured on the ] and finds out that Roger is dead. He is having trouble readjusting to civilian life and spending time with his fiancée, Helen Wentworth. He decides to live at his aunt's farm in ]. In ], his brother takes him to a party at which he meets Dilly Carson and a woman who introduces herself as Singleton. He drunkenly tells them the story of the letters and falling in love with a woman he's never met, and Dilly realizes he is referring to Victoria. She tells Alan that a murder was committed and the letters were somehow involved.


Alan and his fiancée realize they aren't in love and part amicably before he moves to the farm. While in Essex, Alan visits Longreach — the road to which he addressed all the letters — and finds out that Victoria died over a year ago. He also learns that Roger was murdered by his wife, and Alan feels guilty for ever writing those letters. Back in London, Dilly informs him that Singleton is suffering from ] and is actually the real Victoria. She begs him not to tell Singleton that he was the one who wrote the letters because Victoria fell in love with Roger through the letters and married him solely based on them. Alan and his fiancée realize they aren't in love and part amicably before he moves to the farm. While in Essex, Alan sees a sign for Longreach — the address of the farm where he sent all the letters — and visits the house, where he is told that Victoria died over a year ago. He also learns that Roger was murdered by his wife, and Alan feels guilty for ever writing the letters. Back in London, Dilly informs him that Singleton is suffering from ] and is actually Victoria. She begs him not to tell Singleton that he wrote the letters because Victoria fell in love with Roger through the letters and married him based on them.


Dilly recounts that one day, she found Roger stabbed to death in the country house on Longreach, but Victoria was completely unable to remember what happened, even though she was holding the murder weapon right beside him. After a trial during which she cannot remember anything, she is sent to a prison ] for a year and then released into the care of Dilly. Victoria never regained her memory, and continues to now live as Singleton. Singleton realizes that Alan is in love with Victoria, but does not realize Victoria is actually herself. Regardless, Alan and Singleton marry after he gets permission from her ] mother, Beatrice Remington (]). However, their marriage is constantly scarred by Alan's love of the "other woman." Dilly recounts that one day, she found Roger stabbed to death in the country house on Longreach, but Victoria was completely unable to remember what happened, even though she was holding the murder weapon right beside him. After a trial during which she cannot remember anything, she is sent to a prison ] for a year and then released into the care of Dilly. Victoria never regained her memory, and continues to now live as Singleton, her original name as a foundling. Singleton believes that Alan is in love with Victoria, but does not realize Victoria is actually herself. Nevertheless, Alan and Singleton marry after he gets permission from her ] mother, Beatrice Remington. Their marriage is troubled, however, by Alan's love of who Singleton believes is another woman.


Beatrice returns to the farm and while conversing with Singleton, Singleton begins to remember the events of that fateful night: As Roger begins to drink, Victoria rereads the letters to remind herself of the man she loves and not the bitter man she sees in front of her. Roger confesses that he is not the one who wrote the letters, and he becomes abusive. Beatrice takes a knife and is the one to stab him to death as Victoria attempts to save the letters he had thrown into the fireplace. Beatrice returns to the farm and Singleton is drawn by her suppressed memories during a drive in the country to visit Longreach and the farm. Conversing with Beatrice, Singleton begins to remember the events of that fateful night: Victoria and an inebriated Roger argue as Victoria rereads the letters to remind herself of the man she loves and not the bitter man with her now. Roger reveals that he is not the one who wrote the letters, and he becomes abusive, striking her. Beatrice takes a knife and stabs him to death as Victoria tries to save the letters he had thrown into the fireplace.


As Alan arrives at the house, Victoria recalls her true identity and they fall into each other's arms. As Alan arrives at the house, Victoria recalls her true identity and realizes that Alan was the one who wrote the letters. Then they passionately kiss.


==Cast== ==Cast==
{{div col|colwidth=30em}} {{div col|colwidth=30em}}
* ] – Singleton / Victoria Morland * ] as Singleton / Victoria Morland
* ] – Alan Quinton * ] as Alan Quinton
* ] – Dilly Carson * ] as Dilly Carson
* ] – Mac * ] as Mac
* ] – Beatrice Remington * ] as Beatrice Remington
* ] – Helen Wentworth * ] as Helen Wentworth
* Robert Sully – Roger Morland * Robert Sully as Roger Morland
* ] – Defense counsel Phillips * ] as Defense counsel Phillips
* ] – Bishop * ] as Bishop
* ] – Derek Quinton * ] as Derek Quinton
{{div col end}} {{div col end}}


==Adaptation and production== ==Adaptation and production==
The movie was one of the first produced by Hal Wallis, who had recently left his position as head of production at Warner to become a producer with Paramount.
⚫ Rand's screenplay of Massie's book converted his story into an adaptation of ]'s famous play '']''. Rand had admired the work since reading it in the original French in her youth. As in Rostand's play, the heroine falls in love with a soldier believing him to be the author of certain love letters that had been written for him by another soldier, including a moving note sent from the front. In Rand's version, a dimension of psychological mystery is added, and the heroine discovers the identity of the true author in time for the protagonists to experience a "happy ending."<ref name="Heller">{{cite book |ref=harv |title=] |last=Heller |first=Anne C. |location=New York |publisher=Doubleday |year=2009 |isbn=978-0-385-51399-9 |page=170}}.</ref>


⚫ Rand's screenplay adaptation of Massie's book was also influenced by ]'s famous play '']''. Rand had admired the work since reading it in the original French in her youth. As in Rostand's play, the heroine falls in love with a soldier believing him to be the author of certain love letters that had been written for him by another soldier, including a moving note sent from the front. In Rand's version, a dimension of psychological mystery is added, and the heroine discovers the identity of the true author in time for the protagonists to experience a "happy ending."<ref name="Heller">{{cite book |title=] |last=Heller |first=Anne C. |location=New York |publisher=Doubleday |year=2009 |isbn=978-0-385-51399-9 |page= }}.</ref>
⚫ ''Love Letters'' is the second of four films that included both Jones and Cotten leading roles. The others were '']'' (1944), '']'' (1946), and '']'' (1948).

⚫ ''Love Letters'' is the second of four films that featured both Jones and Cotten in leading roles. The others are '']'' (1944), '']'' (1946), and '']'' (1948).

Hal Wallis had to borrow the services of Jones and Cotten from ] who had both actors under personal contract (along with director William Dieterle). Cotten was Wallis' second choice, after his first choice, Gregory Peck, turned down the film for being too close to ''Spellbound''. Wallis said Selznick was difficult to deal with and tried to exert control over the film.<ref>{{cite book|page=124|url=https://archive.org/details/starmakerautobio00wall/page/124/mode/1up?|title= Starmaker : the autobiography of Hal Wallis|last1=Wallis|first1= Hal B.|last2= Higham|first2= Charles|year=1980 |isbn=978-0-02-623170-1 }}</ref>

Ann Richards had recently been put under contract to Wallis. She and Barry Sullivan tested for the leads and for a moment it looked like they might play them but Wallis decided to cast more established stars. Richards was cast in the second female lead role.<ref>{{cite book|url=https://archive.org/details/fortiesfilmtalko0000mccl/page/156/mode/1up?|pages=155–156|title= Forties film talk : oral histories of Hollywood, with 120 lobby posters|last=McClelland|first= Doug|year=1992|publisher=McFarland & Company |isbn=978-0-89950-672-2 }}</ref>

Filming started October 1944 and ended by 1 January.


==Music== ==Music==
The musical score by ] was also nominated for an Oscar, and featured the melody of the hit song "]," which has been recorded by numerous artists since 1945, including ], ], ], ], ], ], ], and ], among others. The melody or song has been reused in other films, including the '']'' (1986), directed by ].<ref>{{cite book|title=Top R&B/Hip-Hop Singles: 1942–2004|last=Whitburn|first=Joel|authorlink=Joel Whitburn|year=2004|publisher=Record Research|page=345}}.</ref> The musical score by ] was nominated for an Oscar, and featured the melody of the hit song "]". The first notable release of the song, with lyrics by ], was by vocalist ] whose recording peaked in popularity in September 1945.<ref>Joel Whitburn’s chart book , retrospectively compiled from various sources, has the Dick Haymes record peaking at No. 11 on 29 September 1945 (p.205). Digitised copy at Internet Archive, retrieved 4 January 2024.</ref><ref>Denis Brown and Maurice Dunn, (1974), p.20, has a recording date of March 1945. Digitised copy at Internet Archive, retrieved 4 January 2024.
</ref> The song has been recorded by numerous artists since 1945, including ], ], ], ], ], ], ], ], and ], among others. The melody or song has been used in other films, including the ] film '']'' (1986), which features the Ketty Lester version.<ref>{{cite book|title=Top R&B/Hip-Hop Singles: 1942–2004|last=Whitburn|first=Joel|author-link=Joel Whitburn|year=2004|publisher=Record Research|page=345}}.</ref>


==Reception== ==Reception==
Although critical reviews were mostly negative, ''Love Letters'' succeeded at the box office.<ref name="Heller"/> '']'' reviewer ] berated it as "sentimental twaddle", calling Jones' performance "fatuous", Rand's writing "a mucky muddle", and Dieterle's direction "mushy and pretentious".<ref>{{cite news |first=Bosley |last=Crowther |authorlink=Bosley Crowther |title=The Screen |work=The New York Times |date=August 27, 1945 |url=https://www.nytimes.com/movie/review?res=9E0DE2D71E3CE333A05754C2A96E9C946493D6CF |accessdate=November 4, 2013}}</ref> Although critical reviews were mostly negative, ''Love Letters'' succeeded at the box office.<ref name="Heller"/> '']'' reviewer ] berated it as "sentimental twaddle", calling Jones' performance "fatuous", Rand's writing "a mucky muddle", and Dieterle's direction "mushy and pretentious".<ref>{{cite news |first=Bosley |last=Crowther |author-link=Bosley Crowther |title=The Screen |work=The New York Times |date=August 27, 1945 |url=https://www.nytimes.com/movie/review?res=9E0DE2D71E3CE333A05754C2A96E9C946493D6CF |access-date=November 4, 2013}}</ref>

The ] was indifferent: “This is one of those ‘depends’ pictures — meaning that liking it is a matter of personal taste. Incurable romantics will probably eat it up; others may have a very different reaction. ... Miss Jones does some fine acting in the last half of the film, but seems just plain silly, with affectation extending even to the way she walked, in the beginning. Mr. Cotten, as always, gives a solid and talented performance, but even he almost sinks into the morass of melodramatic verbiage and situations. No one in the film talks like a human being — every one philosophizes all over the place, even the old handyman, coyly known as ‘the gargoyle.’ Maybe I just ain’t erudite, and don’t appreciate that life isn’t a burden, etc., but except for rare moments, I found ‘Love Letters’ a distinct bore.<ref>Tinee, Mae. “Here’s a Film You May or May Not Like: ‘Love Letters’.” Chicago Tribune, 20 September 1945, 20.</ref>


==Accolades== ==Accolades==


The film was nominated in several categories at the ]:<ref> {{webarchive|url=https://archive.is/20140107162551/http://awardsdatabase.oscars.org/ampas_awards/DisplayMain.jsp?curTime=1389060407453 |date=January 7, 2014 }}. ]. Retrieved January 7, 2014.</ref> The film was nominated in several categories at the ]:<ref> {{webarchive|url=https://archive.today/20140107162551/http://awardsdatabase.oscars.org/ampas_awards/DisplayMain.jsp?curTime=1389060407453 |date=January 7, 2014 }}. ]. Retrieved January 7, 2014.</ref>
* ]: Jennifer Jones * ]: Jennifer Jones
* ]: ''Art Direction:'' ], ]; ''Interior Decoration:'' ], ] * ]: ''Art Direction:'' ], ]; ''Interior Decoration:'' ], ]
* ]: ] * ]: ]
* ]: "Love Letters," Music by Victor Young; Lyrics by ] * ]: "Love Letters," Music by Victor Young; Lyrics by ]

In 2002, the ] nominated this film for ].<ref>{{cite web|url=http://www.afi.com/Docs/100Years/passions400.pdf |title=AFI's 100 Years...100 Passions Nominees |format=PDF |date= |accessdate=August 19, 2016}}</ref>


==References== ==References==
Line 74: Line 85:


==External links== ==External links==
* {{IMDb title|0037885|Love Letters}} * {{IMDb title}}
* {{TCMDb title}}
* {{Amg movie|70501|Love Letters}}
*
* {{tcmdb title|82008|Love Letters}}

{{William Dieterle}} {{William Dieterle}}
{{Ayn Rand}} {{Ayn Rand}}
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] ]
] ]
⚫ ]
] ]
] ]
] ]
⚫ ]
] ]
] ]
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] ]
] ]
] ]
]
]
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Latest revision as of 01:36, 22 December 2024

1945 film by William Dieterle

Love Letters
Promotional poster
Directed byWilliam Dieterle
Screenplay byAyn Rand
Based onPity My Simplicity
by Christopher Massie
Produced byHal B. Wallis
StarringJennifer Jones
Joseph Cotten
Ann Richards
Cecil Kellaway
Gladys Cooper
Anita Louise
CinematographyLee Garmes
Edited byAnne Bauchens
Music byVictor Young
Production
company		Hal Wallis Productions
Distributed byParamount Pictures
Release date
  • October 26, 1945 (1945-10-26)
Running time101 minutes
CountryUnited States
LanguageEnglish

Love Letters is a 1945 American romantic film noir directed by William Dieterle from a screenplay by Ayn Rand, based on the novel Pity My Simplicity by Christopher Massie. It stars Jennifer Jones, Joseph Cotten, Ann Richards, Cecil Kellaway, Gladys Cooper and Anita Louise. The plot tells the story of a man falling in love with an amnesiac woman with two personalities, who is believed to have killed his soldier friend.

The film was nominated for four Academy Awards, including a Best Actress in a Leading Role nomination for Jones.

Plot

Alan Quinton, an American soldier in Italy during World War II, has been writing letters for his friend, Roger Morland, a man who admits he "never had any standards, manners or taste." Alan has never met Victoria Remington, but regards her as a "pin-up girl of the spirit," to whom he can express feelings he has never expressed in person. He realizes that Victoria has fallen in love with the letters and is concerned that she will be disappointed by the real Roger, who abruptly leaves for paratrooper training in England (and to see Victoria when on leave) after Alan tells him this.

Alan is subsequently injured on the Italian front and finds out that Roger is dead. He is having trouble readjusting to civilian life and spending time with his fiancée, Helen Wentworth. He decides to live at his aunt's farm in Essex. In London, his brother takes him to a party at which he meets Dilly Carson and a woman who introduces herself as Singleton. He drunkenly tells them the story of the letters and falling in love with a woman he's never met, and Dilly realizes he is referring to Victoria. She tells Alan that a murder was committed and the letters were somehow involved.

Alan and his fiancée realize they aren't in love and part amicably before he moves to the farm. While in Essex, Alan sees a sign for Longreach — the address of the farm where he sent all the letters — and visits the house, where he is told that Victoria died over a year ago. He also learns that Roger was murdered by his wife, and Alan feels guilty for ever writing the letters. Back in London, Dilly informs him that Singleton is suffering from amnesia and is actually Victoria. She begs him not to tell Singleton that he wrote the letters because Victoria fell in love with Roger through the letters and married him based on them.

Dilly recounts that one day, she found Roger stabbed to death in the country house on Longreach, but Victoria was completely unable to remember what happened, even though she was holding the murder weapon right beside him. After a trial during which she cannot remember anything, she is sent to a prison psychiatric hospital for a year and then released into the care of Dilly. Victoria never regained her memory, and continues to now live as Singleton, her original name as a foundling. Singleton believes that Alan is in love with Victoria, but does not realize Victoria is actually herself. Nevertheless, Alan and Singleton marry after he gets permission from her adoptive mother, Beatrice Remington. Their marriage is troubled, however, by Alan's love of who Singleton believes is another woman.

Beatrice returns to the farm and Singleton is drawn by her suppressed memories during a drive in the country to visit Longreach and the farm. Conversing with Beatrice, Singleton begins to remember the events of that fateful night: Victoria and an inebriated Roger argue as Victoria rereads the letters to remind herself of the man she loves and not the bitter man with her now. Roger reveals that he is not the one who wrote the letters, and he becomes abusive, striking her. Beatrice takes a knife and stabs him to death as Victoria tries to save the letters he had thrown into the fireplace.

As Alan arrives at the house, Victoria recalls her true identity and realizes that Alan was the one who wrote the letters. Then they passionately kiss.

Cast

Adaptation and production

The movie was one of the first produced by Hal Wallis, who had recently left his position as head of production at Warner to become a producer with Paramount.

Rand's screenplay adaptation of Massie's book was also influenced by Edmond Rostand's famous play Cyrano de Bergerac. Rand had admired the work since reading it in the original French in her youth. As in Rostand's play, the heroine falls in love with a soldier believing him to be the author of certain love letters that had been written for him by another soldier, including a moving note sent from the front. In Rand's version, a dimension of psychological mystery is added, and the heroine discovers the identity of the true author in time for the protagonists to experience a "happy ending."

Love Letters is the second of four films that featured both Jones and Cotten in leading roles. The others are Since You Went Away (1944), Duel in the Sun (1946), and Portrait of Jennie (1948).

Hal Wallis had to borrow the services of Jones and Cotten from David O. Selznick who had both actors under personal contract (along with director William Dieterle). Cotten was Wallis' second choice, after his first choice, Gregory Peck, turned down the film for being too close to Spellbound. Wallis said Selznick was difficult to deal with and tried to exert control over the film.

Ann Richards had recently been put under contract to Wallis. She and Barry Sullivan tested for the leads and for a moment it looked like they might play them but Wallis decided to cast more established stars. Richards was cast in the second female lead role.

Filming started October 1944 and ended by 1 January.

Music

The musical score by Victor Young was nominated for an Oscar, and featured the melody of the hit song "Love Letters". The first notable release of the song, with lyrics by Edward Heyman, was by vocalist Dick Haymes whose recording peaked in popularity in September 1945. The song has been recorded by numerous artists since 1945, including Ketty Lester, Alison Moyet, Rosemary Clooney, Nat King Cole, Elvis Presley, Jack Jones, Elton John, Del Shannon, and Sinéad O'Connor, among others. The melody or song has been used in other films, including the David Lynch film Blue Velvet (1986), which features the Ketty Lester version.

Reception

Although critical reviews were mostly negative, Love Letters succeeded at the box office. New York Times reviewer Bosley Crowther berated it as "sentimental twaddle", calling Jones' performance "fatuous", Rand's writing "a mucky muddle", and Dieterle's direction "mushy and pretentious".

The Chicago Tribune was indifferent: “This is one of those ‘depends’ pictures — meaning that liking it is a matter of personal taste. Incurable romantics will probably eat it up; others may have a very different reaction. ... Miss Jones does some fine acting in the last half of the film, but seems just plain silly, with affectation extending even to the way she walked, in the beginning. Mr. Cotten, as always, gives a solid and talented performance, but even he almost sinks into the morass of melodramatic verbiage and situations. No one in the film talks like a human being — every one philosophizes all over the place, even the old handyman, coyly known as ‘the gargoyle.’ Maybe I just ain’t erudite, and don’t appreciate that life isn’t a burden, etc., but except for rare moments, I found ‘Love Letters’ a distinct bore.

Accolades

The film was nominated in several categories at the 18th Academy Awards:

References

  1. ^ Heller, Anne C. (2009). Ayn Rand and the World She Made. New York: Doubleday. p. 170. ISBN 978-0-385-51399-9..
  2. Wallis, Hal B.; Higham, Charles (1980). Starmaker : the autobiography of Hal Wallis. p. 124. ISBN 978-0-02-623170-1.
  3. McClelland, Doug (1992). Forties film talk : oral histories of Hollywood, with 120 lobby posters. McFarland & Company. pp. 155–156. ISBN 978-0-89950-672-2.
  4. Joel Whitburn’s chart book Pop memories, 1890-1954, retrospectively compiled from various sources, has the Dick Haymes record peaking at No. 11 on 29 September 1945 (p.205). Digitised copy at Internet Archive, retrieved 4 January 2024.
  5. Denis Brown and Maurice Dunn, A Dick Haymes discography volume 1 (1974), p.20, has a recording date of March 1945. Digitised copy at Internet Archive, retrieved 4 January 2024.
  6. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 345..
  7. Crowther, Bosley (August 27, 1945). "The Screen". The New York Times. Retrieved November 4, 2013.
  8. Tinee, Mae. “Here’s a Film You May or May Not Like: ‘Love Letters’.” Chicago Tribune, 20 September 1945, 20.
  9. "Oscars.org – Love Letters" Archived January 7, 2014, at archive.today. Academy of Motion Picture Arts and Sciences. Retrieved January 7, 2014.

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