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	] in 1929.]]		] in 1929.]]
	The '''Grande Masse des Beaux-Arts'''{{efn\|Referring to the four fine arts taught at Paris' ] until 1968, namely painting, sculpture, architecture and engraving}} or '''Grande Masse''' is the association of students and alumni of the ] and ].		The '''Grande Masse des Beaux-Arts'''{{efn\|Referring to the four fine arts taught at Paris' ] until 1968, namely painting, sculpture, architecture and engraving}} or '''Grande Masse''' is the association of students and alumni of the ] and ].
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	== References==		== References==
			{{Reflist}}
	<references/>

	== Bibliography (in French)==		== Bibliography (in French)==

Latest revision as of 03:16, 22 December 2024

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The Grande Masse des Beaux-Arts or Grande Masse is the association of students and alumni of the École Nationale Supérieure des Beaux-Arts and Écoles Nationales Supérieures d'Architecture.

Founded as an association on 12 January 1926, it deposited its statutes eight days later and had its decree on 20 December the same year. Recognised as a utilité publique in 1932, its aim is to create and support links of solidarity between all students and former students and to improve conditions for its members.

It was a central association for student life from 1926 to 1968, organising the École des Beaux-Arts' social life. Since the suppression of the architecture section in the Beaux-Arts by decree number 68-1097 on 6 December 1968, which dealt with the provisional organisation of architecture teaching, the Grande Masse mainly includes architecture students and alumni.

The person elected to preside over the association is called Grande Massière or Grand Massier.

History

Origins

Foundation

'Utilité publique'

Organisation and function

Organisation

Functioning

Logo

In 1929, André Leconte, head of the architecture teaching studio and winner of the prix de Rome in 1927, designed the association's logo. To symbolise the broad scope of its activities, he chose five figures of the major arts, namely (from left to right) architecture, poetry, music, painting and sculpture or according to G. W. F. Hegel's classification architecture, sculpture, painting, music and poetry.

Roles

Grande Masse gala (1930-1967)

Callot building (1933)

Publications

Bulletin

Publishing

Notes

Referring to the four fine arts taught at Paris' École des Beaux-Arts until 1968, namely painting, sculpture, architecture and engraving

References

"Gallica entry". 27 January 1926.
(in French) Christophe Samoyault-Muller. "Les Grands Massiers : Présidentes et Présidents de 1925 à aujourd'hui".

Bibliography (in French)

Works

"Jean Margerand, « Les Ateliers extérieurs d'Architecture de l'École Nationale supérieure des Beaux-Arts », La Construction Moderne, revue hebdomadaire d'architecture, 48th year, no. 45, 6 August 1933, pp. 666-672".
ENSBA, L'École nationale supérieure des Beaux-Arts, GMBA, Paris, 1937, 32 p.
Marina Sauer, L'entrée des femmes à l'École des beaux-arts: 1880-1923, ENSBA, coll. « Beaux-arts histoire », Paris, 1990, 89 p. ISBN 9782903639723
Musée de la coopération Franco-américaine, Le Voyage de Paris : les Américains dans les écoles d'art, 1868-1918, RMN, Paris, 1990, 85 p . ISBN 9782711823703
Annie Jacques, dir., Les Beaux-Arts, de l'Académie aux Quat'z'arts, anthologie historique et littéraire, ENSBA, Paris, 2001 ISBN 9782840560968
Michel Day, Charrette, Édité à compte d'auteur, Paris, 2001, 150 p.
Jean-Michel Leniaud et Béatrice Bouvier, dir. Les périodiques d'architecture, XVIII-XX siecles : recherche d'une méthode critique d’analyse, École nationale des Chartes, Paris, 2001, 321 p. ISBN 2900791421
Emmanuel Schwartz, Les sculptures de l'École des Beaux-Arts de Paris. Histoire, doctrines, catalogue, Paris, ENSBA, 2004, 232 p. ISBN 978-2840561354
Tellier, Thibault (2007). "Jean-Louis Violeau, Les Architectes et Mai 68, Paris, Recherches, 2005, 476 p." Histoire Urbaine. 20 (3): 173–174. doi:10.3917/rhu.020.0173.
René Beudin, Charrette au cul les nouvôs ! Le parler des architectes, Éditions Horay, coll. « Cabinet de curiosité », Paris, 2006, 104 p. ISBN 2705804382
Max Querrien, Pour une politique de l’architecture. Témoignage d’un acteur (1960-1990), Le Moniteur, Paris, 2008, 240 p. ISBN 978-2281193985
Pommier, Juliette (2010). "Juliette Pommier, « La revue Melpomène(1958-1966) : l'architecture chez les étudiants des Beaux-Arts », Société & Représentation, n° 30, février 2010, pp. 157-172". Sociétés & Représentations. 30 (2): 157–172. doi:10.3917/sr.030.0157.
Michel Denès, « Gazettes, fanzines, bulletins, cahiers, journaux. Les publications introuvables des écoles d'architecture en France (1965–2005) », EAV, 2010, pp. 99–100
Guy Fichez, Le cru des Beaux-Arts, récoltes 1964 et suivantes, Edilivre, 2013, 414 p. ISBN 9782332561671
Véronique Flanet, La belle histoire des fanfares des Beaux-Arts, L'Harmattan, 2015, 250 p. ISBN 978-2-343-06353-9
"Isabelle Conte et Christophe Samoyault-Muller, « La Grande Masse de l'École des Beaux-Arts (1926-1968) : histoire d'une association fédératrice », HEnsA20, Cahier no. 7, November 2019, pp. 11-17".
Conte, Isabelle (15 June 2018). "Isabelle Conte, « Les femmes et la culture d'atelier à l'École des Beaux-Arts », Livraisons de l'histoire de l'architecture, no. 35, 2018, pp. 87-98". Livraisons de l'Histoire de l'Architecture (35): 87–98. doi:10.4000/lha.956.
Diener, Amandine (5 July 2018). "Amandine Diener, « Relire Mai 68 et l'enseignement de l'architecture. La longue gestation d'une crise », Métropolitiques, on metropolitiques.eu, 5 July 2018". Métropolitiques.

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