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| | name = The Brothers Karamazov | | name = The Brothers Karamazov | ||
| | image = Brothers Karamazov.jpeg | | image = Brothers Karamazov.jpeg | ||
| | image_size = | |||
| | caption = Theatrical release poster | | caption = Theatrical release poster | ||
| | director = ] | | director = ] | ||
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| | studio = Avon Productions | | studio = Avon Productions | ||
| | distributor = ] | | distributor = ] | ||
| | released = {{Film date|1958| |
| released = {{Film date|1958|2|20|] premiere|df=y|ref1=<ref name="afi details">{{cite web |url=http://catalog.afi.com/Catalog/moviedetails/52490#3 |title=The Brothers Karamazov - Details |website=] |accessdate=July 13, 2018}}</ref>}} | ||
| | runtime = 145 minutes | | runtime = 145 minutes | ||
| | country = United States | | country = United States | ||
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| ==Plot== | ==Plot== | ||
| In 1870 Russia, ], a dissipated and unscrupulous businessman, manipulates three legitimate sons, Dmitri, an army officer; Ivan, a writer; and Alexey, a monk; as well as a bastard son, Smerdyakov, who lives like a servant in Fyodor’s home. | |||
| {{more plot|date=July 2019}} | |||
| The story follows ], the patriarch of the Karamazov family, and his sons. When he tries to decide on an heir, the tensions among the brothers run high, leading to infighting and murder. | |||
| Impractical with money, Dmitri spends on drinking, partying, and women whatever money he can wrest from his father from an inheritance his mother left him. Before giving Dimitri any money, Fyodor forces him to sign a promissory note. Alexey delivers to Dimitri a portion of the amount he has requested from Fyodor, and Dimitri proceeds to drink and wreck a tavern in a brawl. | |||
| Besides financial irresponsibility, Dimitri has an idiosyncratic sense of gallantry. The desperate daughter of a military commander, Katya, has agreed to exchange sexual favors for five thousand rubles to replace the amount stolen from her father’s charge. When Katya presents herself to fulfill the bargain, Dimitri sardonically proposes marriage, but Katya declines, saying that would be a greater degradation. Dmitri gives Katya the money without holding her to any bargain and sends her away. | |||
| After Dmitri is arrested for the tavern brawl, Katya visits him in gratitude in a military prison. When Dimitri asserts he always intended to give her the money, Katya declares her admiration to him and takes charge. Her grandmother has given her a generous dowry, and Katya now accepts his earlier half-serious proposal. Unenthusiastically, Dmitry agrees to their betrothal. Katya then intends to settle his debts with Fyodor, but Dmitri refuses. She bails Dmitri out of prison. | |||
| When Katya asks Ivan for details of Dmitri's youth, Ivan becomes attracted to her. Fyodor presses Dmitri to pay off his notes, and Dmitri leaves town for several months. During Dmitri’s absence, Ivan visits Katya daily, while Fyodor targets young, beautiful, shrewd tavern owner Grushenka. | |||
| Fyodor and Grushenka plot to cheat Dmitri of his inheritance. To gain Grushenka’s regard, Fyodor has given her Dmitri's notes to collect for herself. Grushenka refuses Fyodor’s advances, but has former army captain Snegiryov, an employee, buy all Dmitri's debts at fraction value and demand repayment. Unable to pay, Dmitry will go to debtor's prison, and Fyodor can keep Dmitri's inheritance legally. Dmitri confronts Snegiryov in the street, humiliating the meek man in front of his young son Illusha. Katya again offers to pay Dmitri’s debts, but Dmitri refuses. She then asks him to mail a letter containing three thousand rubles to her father, knowing that Dimitri will keep the money. | |||
| Dmitri confronts Grushenka, but the two are strongly attracted and spend Katya's money on a binge. Grushenka forgives Dmitri his debts when he determines not to marry Katya. Dmitri asks Alexey to speak to Katya to break their engagement. Dmitri and Grushenka start a passionate affair, but Dmitri’s obsession increasingly turns into corrosive, possessive jealousy. | |||
| Smerdyakov greatly admires Ivan, the intellectual, and in conversation both agree that if God does not exist, all behavior is permissible. Dmitri bursts in, looking for Grushenka, who he suspects is seeing his father. When Fyodor taunts him, Dmitri attacks his father, threatening to kill him if he sees Grushenka. | |||
| Alexey goes to Katya on his errand from Dmitri. He finds Grushenka with Katya, who assures Alexey that Grushenka is tired of Dmitri's jealousy and wants to return to a Polish officer. Angered by Katya's presumptuousness, Grushenka insists she has not promised to leave Dmitri and departs. Ivan arrives to inform Katya he is going to Moscow. When Katya urges him to stay, Ivan derides her for using him while besotted with an indifferent Dmitri. | |||
| Pawning his pistols, Dmitry asks Alexey to give the money to Snegiryov as an apology for his insult. Dmitri realizes he must take responsibility for his actions. While Dmitri collects debts owed him by army colleagues, Alexey takes the money to Snegiryov. Shamed by the insult, Illusha convinces his father not to accept the apology or the money. | |||
| Smerdyakov brags to Ivan that he is planning to arrange a confrontation between Fyodor and Dmitri and believes Dmitri will kill his father. After Ivan goes to Moscow, Smerdyakov puts his plot into action, arranging a rendezvous between Grushenka and the Polish officer. When Dmitri finds Grushenka gone, he goes to Fyodor's, but Dmitri is unable to assault his father, even when Fyodor attacks him. | |||
| Confronting Grushenka and the Polish officer, Dmitri finds that the officer has been gambling all evening, and a neglected Grushenka realizes that he only wants her for her money. Grushenka apologizes to Dmitri and reconciles with him. | |||
| The police arrive and Dmitri is stunned to learn that Fyodor has been murdered. At his trial, Dmitri pleads guilty to a life of debauchery and debt but innocent of murdering Fyodor. The prosecutor discloses that three thousand rubles were stolen from Fyodor the night of his murder. Katya testifies that Dmitri had taken the same amount from her but insists she did not want reimbursement. Afterward, Ivan tells Katya that he expects Dmitri will be found guilty, but he has a plan to smuggle Dmitri out of Russia. | |||
| At home, Ivan confronts Smerdyakov, wearing Fyodor's clothes and drinking his liquor. Smerdyakov confesses to killing Fyodor and stealing three thousand rubles to implicate Dmitri but insists that Ivan was complicit when he took off knowing Smerdyakov’s plot. Ivan departs for the police. Later that evening, Alexey and Grushenka find Smerdyakov has hanged himself. | |||
| At trial, Ivan testifies to Smerdyakov's confession and his own implication. A vindictive Katya produces a letter from Dmitri claiming he will repay her money even if he has to kill Fyodor to get it. Dmitri is found guilty. The next day, Katya watches the train transporting prisoners to prison camp, disappointed that Dmitri is not among them. Ivan and Alexey have arranged to get Dmitri and Grushenka out of Russia. | |||
| As a last stop on their escape route, despite the obvious risks of wasting time, Dmitri visits the Snegiryov family, where Illusha lies in bed with a grave illness. First, Dmitri tries to buy the pardon of the boy with small gifts but the boy refuses and turns away. Then Dmitri pretends it was just a duel that happened between the former captain and himself, and he was afraid for his own life, knowing the marksmanship of the former captain, and asks for forgiveness. The boy finally turns to his father and asks him to spare Dmitri's life and release him from his bond. After this reconciliation, Dmitri and Grushenka resume their escape. | |||
| ==Cast== | ==Cast== | ||
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| ] was rumored to be in negotiations to play the role of Grushenka, but several conflicting accounts arose around the time the film entered production. An MGM executive said she'd turned down the role in part because she was expecting a baby, but Monroe's agent denied this and claimed that the studio had never even made her an offer.<ref>{{cite journal |date=May 7, 1957 |title=Marilyn and Studio Differ on Role Offer |journal=] |page=2 }}</ref> Richard Brooks said that Monroe would have made a "fine" Grushenka, but claimed that negotiations fell through "because of her contractual demands and personal troubles."<ref>{{cite journal |last=Scheuer |first=Philip K. |date=June 16, 1957 |title='The Brothers Karamazov' Rolling — Without Marilyn |journal=] |page=Part V, p. 2 }}</ref> ] was the next choice for the role, but Warner Bros. put her on suspension and would not loan her out after she refused to play ] in '']''. ] stepped in instead, making her American film debut.<ref>{{cite journal |last=Pryor |first=Thomas M. |date=May 3, 1957 |title=Warners to Hold Actress to Pact |journal=] |page=20 }}</ref><ref name="afi history">{{cite web |url=http://catalog.afi.com/Catalog/moviedetails/52490#1 |title=The Brothers Karamazov - History |website=AFI Catalog of Feature Films |accessdate=July 13, 2018 }}</ref> It was also the film debut for ], ] and ]. | ] was rumored to be in negotiations to play the role of Grushenka, but several conflicting accounts arose around the time the film entered production. An MGM executive said she'd turned down the role in part because she was expecting a baby, but Monroe's agent denied this and claimed that the studio had never even made her an offer.<ref>{{cite journal |date=May 7, 1957 |title=Marilyn and Studio Differ on Role Offer |journal=] |page=2 }}</ref> Richard Brooks said that Monroe would have made a "fine" Grushenka, but claimed that negotiations fell through "because of her contractual demands and personal troubles."<ref>{{cite journal |last=Scheuer |first=Philip K. |date=June 16, 1957 |title='The Brothers Karamazov' Rolling — Without Marilyn |journal=] |page=Part V, p. 2 }}</ref> ] was the next choice for the role, but Warner Bros. put her on suspension and would not loan her out after she refused to play ] in '']''. ] stepped in instead, making her American film debut.<ref>{{cite journal |last=Pryor |first=Thomas M. |date=May 3, 1957 |title=Warners to Hold Actress to Pact |journal=] |page=20 }}</ref><ref name="afi history">{{cite web |url=http://catalog.afi.com/Catalog/moviedetails/52490#1 |title=The Brothers Karamazov - History |website=AFI Catalog of Feature Films |accessdate=July 13, 2018 }}</ref> It was also the film debut for ], ] and ]. | ||
| The film was shot from June to August 1957<ref name="afi details" /> |
The film was shot from June to August 1957<ref name="afi details" /> in ] and ].<ref name="afi history" /> | ||
| == Release == | == Release == | ||
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| ==Reception== | ==Reception== | ||
| ===Box office=== | |||
| In its opening week at Radio City Music Hall it grossed $157,000.<ref>{{cite magazine |date=February 26, 1958 |title=B'way Snaps Back; 'Karamazov' Sock 157G, 'Cowboy' OK 32G, 'Sing' Mild 10G, 'Witness' Mighty 53G, 2 Houses |url=https://archive.org/details/variety209-1958-02/page/n232/mode/1up |magazine=] |page=9 |access-date=September 27, 2021 |via=]}}</ref> In its third week of release, the film reached ].<ref>{{cite magazine |date=March 12, 1958 |title=National Boxoffice Survey |url=https://archive.org/details/variety210-1958-03/page/n81/mode/2up |magazine=] |page=3 |access-date=September 26, 2021 |via=]}}</ref> According to MGM records, the film made $2,390,000 in the U.S. and Canada<ref>{{cite magazine|url=https://archive.org/details/variety213-1959-01/page/n46/mode/1up?q=%22top+grossers%22|magazine=Variety|title=Top Grossers of 1958|date=7 January 1959|page=48}} Please note figures are for |
In its opening week at Radio City Music Hall it grossed $157,000.<ref>{{cite magazine |date=February 26, 1958 |title=B'way Snaps Back; 'Karamazov' Sock 157G, 'Cowboy' OK 32G, 'Sing' Mild 10G, 'Witness' Mighty 53G, 2 Houses |url=https://archive.org/details/variety209-1958-02/page/n232/mode/1up |magazine=] |page=9 |access-date=September 27, 2021 |via=]}}</ref> In its third week of release, the film reached ].<ref>{{cite magazine |date=March 12, 1958 |title=National Boxoffice Survey |url=https://archive.org/details/variety210-1958-03/page/n81/mode/2up |magazine=] |page=3 |access-date=September 26, 2021 |via=]}}</ref> According to MGM records, the film made $2,390,000 in the U.S. and Canada<ref>{{cite magazine|url=https://archive.org/details/variety213-1959-01/page/n46/mode/1up?q=%22top+grossers%22|magazine=Variety|title=Top Grossers of 1958|date=7 January 1959|page=48}} Please note figures are for U.S. and Canada only and are domestic rentals accruing to distributors as opposed to theatre gross</ref> and $3,050,000 in other markets, resulting in a profit of $441,000.<ref name="Mannix">{{Citation |title=The Eddie Mannix Ledger |place=Los Angeles |publisher=Margaret Herrick Library, Center for Motion Picture Study}}.</ref> | ||
| === Critical response === | === Critical response === | ||
| Contemporary reviews were mixed to positive. |
Contemporary reviews were mixed to positive. | ||
| ] of ''The New York Times'' wrote "Except for a halfway happy ending that blunts the drama's irony, has done a good job of compressing the substance of the book...But most of all, Mr. Brooks and Mr. Berman have put upon the screen a large splash of vigorous drama and passion involving interesting, robust characters."<ref>{{cite journal |last=Crowther |first=Bosley |date=February 21, 1958 |title=Screen: 'The Brothers Karamazov' |journal=] |page=18 }}</ref> ''Variety'' declared "Sumptuous and sensitive MGM production by Pandro S. Berman doesn't sacrifice art to entertainment nor lose entertainment in a false conception of what constitutes art. 'The Brothers Karamazov' should be one of the year's commercial successes."<ref>{{cite journal |date=February 19, 1958 |title=The Brothers Karamazov |journal=] |page=6 }}</ref> '']'' wrote: "Excellent is the word for this absorbing and vigorous screen version of Fyodor Dostoyevsky's epic novel...The acting is superb, with brilliant performances turned in by Lee J. Cobb, as the lecherous and crafty father, and by Yul Brynner, as his fiery, quick-tempered eldest son."<ref>{{cite journal |date=February 22, 1958 |title=The Brothers Karamazov |journal=] |page=32 }}</ref> For the ''Los Angeles Times'', Philip K. Scheuer called Brynner's performance "impressive" and wrote that Lee J. Cobb as Fyodor "succeeds in striking a recognizable and responsive chord with an audience," but found that Maria Schell's Grushenka was played "with a persisting Mona Lisa smile that I felt was not only foreign to the role of the materialistic, venal harlot but was also incomprehensibly at variance with her changing moods."<ref>{{cite journal |last=Scheuer |first=Philip K. |date=February 16, 1958 |title='Karamazov' People Full of Complexities |journal=] |page=Part V, p. 1–2 }}</ref> |
] of ''The New York Times'' wrote "Except for a halfway happy ending that blunts the drama's irony, has done a good job of compressing the substance of the book...But most of all, Mr. Brooks and Mr. Berman have put upon the screen a large splash of vigorous drama and passion involving interesting, robust characters."<ref>{{cite journal |last=Crowther |first=Bosley |date=February 21, 1958 |title=Screen: 'The Brothers Karamazov' |journal=] |page=18 }}</ref> ''Variety'' declared "Sumptuous and sensitive MGM production by Pandro S. Berman doesn't sacrifice art to entertainment nor lose entertainment in a false conception of what constitutes art. 'The Brothers Karamazov' should be one of the year's commercial successes."<ref>{{cite journal |date=February 19, 1958 |title=The Brothers Karamazov |journal=] |page=6 }}</ref> '']'' wrote: "Excellent is the word for this absorbing and vigorous screen version of Fyodor Dostoyevsky's epic novel...The acting is superb, with brilliant performances turned in by Lee J. Cobb, as the lecherous and crafty father, and by Yul Brynner, as his fiery, quick-tempered eldest son."<ref>{{cite journal |date=February 22, 1958 |title=The Brothers Karamazov |journal=] |page=32 }}</ref> For the ''Los Angeles Times'', Philip K. Scheuer called Brynner's performance "impressive" and wrote that Lee J. Cobb as Fyodor "succeeds in striking a recognizable and responsive chord with an audience," but found that Maria Schell's Grushenka was played "with a persisting Mona Lisa smile that I felt was not only foreign to the role of the materialistic, venal harlot but was also incomprehensibly at variance with her changing moods."<ref>{{cite journal |last=Scheuer |first=Philip K. |date=February 16, 1958 |title='Karamazov' People Full of Complexities |journal=] |page=Part V, p. 1–2 }}</ref> | ||
| In more critical reviews, ] of ''The New Yorker'' declared that the film "goes on for about two and a half hours, most of which you'd be better off spending at some more rewarding pursuit...I think that Mr. Brooks, in addition to being saddled with actors who just can't stand up to the obligations they've assumed, never quite grapples with the ideas that Dostoevski was trying to propound."<ref>{{cite magazine |last=McCarten |first=John |date=March 1, 1958 |title=The Current Cinema |magazine=] |pages=104, 106 }}</ref> '']'' wrote "There is none of Dostoievsky's profundity or exciting exploration of motive. All the brothers emerge as quite inexplicable people. It is hard to be sympathetic to Dmitri, and not to be embarrassed by Alyosha or scornful of Ivan. The performances throughout suggest that the cast never really knew what it was all about."<ref>{{cite journal |date=August 1958 |title=The Brothers Karamazov |journal=] |volume=25 |issue=295 |pages=98–99 }}</ref> | In more critical reviews, ] of ''The New Yorker'' declared that the film "goes on for about two and a half hours, most of which you'd be better off spending at some more rewarding pursuit...I think that Mr. Brooks, in addition to being saddled with actors who just can't stand up to the obligations they've assumed, never quite grapples with the ideas that Dostoevski was trying to propound."<ref>{{cite magazine |last=McCarten |first=John |date=March 1, 1958 |title=The Current Cinema |magazine=] |pages=104, 106 }}</ref> '']'' wrote "There is none of Dostoievsky's profundity or exciting exploration of motive. All the brothers emerge as quite inexplicable people. It is hard to be sympathetic to Dmitri, and not to be embarrassed by Alyosha or scornful of Ivan. The performances throughout suggest that the cast never really knew what it was all about."<ref>{{cite journal |date=August 1958 |title=The Brothers Karamazov |journal=] |volume=25 |issue=295 |pages=98–99 }}</ref> | ||
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* {{TCMDb title|id=640}} | ||
| * {{amg movie|7262}} | |||
| * {{AFI film|52490}} | * {{AFI film|52490}} | ||
| * {{rotten-tomatoes|brothers_karamazov}} | * {{rotten-tomatoes|brothers_karamazov}} | ||
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Latest revision as of 08:05, 22 December 2024
1958 film by Richard Brooks
| The Brothers Karamazov | |
|---|---|
 Theatrical release poster | |
| Directed by | Richard Brooks |
| Screenplay by | Richard Brooks Julius J. Epstein Philip G. Epstein |
| Based on | The Brothers Karamazov 1880 novel by Fyodor Dostoevsky |
| Produced by | Pandro S. Berman |
| Starring | Yul Brynner Maria Schell Claire Bloom Lee J. Cobb Albert Salmi Richard Basehart William Shatner |
| Cinematography | John Alton |
| Edited by | John Dunning |
| Music by | Bronislau Kaper |
| Production company | Avon Productions |
| Distributed by | Metro-Goldwyn-Mayer |
| Release date |
|
| Running time | 145 minutes |
| Country | United States |
| Language | English |
| Budget | $2.7 million |
| Box office | $5.4 million |
The Brothers Karamazov is a 1958 American period drama film directed by Richard Brooks from a screenplay co-written with Julius and Philip Epstein, based on Fyodor Dostoevsky's 1880 novel. It stars Yul Brynner, Maria Schell, Claire Bloom, Lee J. Cobb, Albert Salmi, Richard Basehart, and William Shatner in his film debut.
The film was released by Metro-Goldwyn-Mayer on February 20, 1958. It received mixed-to-positive reviews from critics, though the performances were widely praised. It was nominated for the Palme d'Or at the Cannes Film Festival, and Lee J. Cobb received an Oscar nomination performance as Fyodor Karamazov. The National Board of Review ranked The Brothers Karamazov as one of its Top 10 Films of 1958.
Plot
In 1870 Russia, Fyodor Karamazov, a dissipated and unscrupulous businessman, manipulates three legitimate sons, Dmitri, an army officer; Ivan, a writer; and Alexey, a monk; as well as a bastard son, Smerdyakov, who lives like a servant in Fyodor’s home.
Impractical with money, Dmitri spends on drinking, partying, and women whatever money he can wrest from his father from an inheritance his mother left him. Before giving Dimitri any money, Fyodor forces him to sign a promissory note. Alexey delivers to Dimitri a portion of the amount he has requested from Fyodor, and Dimitri proceeds to drink and wreck a tavern in a brawl.
Besides financial irresponsibility, Dimitri has an idiosyncratic sense of gallantry. The desperate daughter of a military commander, Katya, has agreed to exchange sexual favors for five thousand rubles to replace the amount stolen from her father’s charge. When Katya presents herself to fulfill the bargain, Dimitri sardonically proposes marriage, but Katya declines, saying that would be a greater degradation. Dmitri gives Katya the money without holding her to any bargain and sends her away.
After Dmitri is arrested for the tavern brawl, Katya visits him in gratitude in a military prison. When Dimitri asserts he always intended to give her the money, Katya declares her admiration to him and takes charge. Her grandmother has given her a generous dowry, and Katya now accepts his earlier half-serious proposal. Unenthusiastically, Dmitry agrees to their betrothal. Katya then intends to settle his debts with Fyodor, but Dmitri refuses. She bails Dmitri out of prison.
When Katya asks Ivan for details of Dmitri's youth, Ivan becomes attracted to her. Fyodor presses Dmitri to pay off his notes, and Dmitri leaves town for several months. During Dmitri’s absence, Ivan visits Katya daily, while Fyodor targets young, beautiful, shrewd tavern owner Grushenka.
Fyodor and Grushenka plot to cheat Dmitri of his inheritance. To gain Grushenka’s regard, Fyodor has given her Dmitri's notes to collect for herself. Grushenka refuses Fyodor’s advances, but has former army captain Snegiryov, an employee, buy all Dmitri's debts at fraction value and demand repayment. Unable to pay, Dmitry will go to debtor's prison, and Fyodor can keep Dmitri's inheritance legally. Dmitri confronts Snegiryov in the street, humiliating the meek man in front of his young son Illusha. Katya again offers to pay Dmitri’s debts, but Dmitri refuses. She then asks him to mail a letter containing three thousand rubles to her father, knowing that Dimitri will keep the money.
Dmitri confronts Grushenka, but the two are strongly attracted and spend Katya's money on a binge. Grushenka forgives Dmitri his debts when he determines not to marry Katya. Dmitri asks Alexey to speak to Katya to break their engagement. Dmitri and Grushenka start a passionate affair, but Dmitri’s obsession increasingly turns into corrosive, possessive jealousy.
Smerdyakov greatly admires Ivan, the intellectual, and in conversation both agree that if God does not exist, all behavior is permissible. Dmitri bursts in, looking for Grushenka, who he suspects is seeing his father. When Fyodor taunts him, Dmitri attacks his father, threatening to kill him if he sees Grushenka.
Alexey goes to Katya on his errand from Dmitri. He finds Grushenka with Katya, who assures Alexey that Grushenka is tired of Dmitri's jealousy and wants to return to a Polish officer. Angered by Katya's presumptuousness, Grushenka insists she has not promised to leave Dmitri and departs. Ivan arrives to inform Katya he is going to Moscow. When Katya urges him to stay, Ivan derides her for using him while besotted with an indifferent Dmitri.
Pawning his pistols, Dmitry asks Alexey to give the money to Snegiryov as an apology for his insult. Dmitri realizes he must take responsibility for his actions. While Dmitri collects debts owed him by army colleagues, Alexey takes the money to Snegiryov. Shamed by the insult, Illusha convinces his father not to accept the apology or the money.
Smerdyakov brags to Ivan that he is planning to arrange a confrontation between Fyodor and Dmitri and believes Dmitri will kill his father. After Ivan goes to Moscow, Smerdyakov puts his plot into action, arranging a rendezvous between Grushenka and the Polish officer. When Dmitri finds Grushenka gone, he goes to Fyodor's, but Dmitri is unable to assault his father, even when Fyodor attacks him.
Confronting Grushenka and the Polish officer, Dmitri finds that the officer has been gambling all evening, and a neglected Grushenka realizes that he only wants her for her money. Grushenka apologizes to Dmitri and reconciles with him.
The police arrive and Dmitri is stunned to learn that Fyodor has been murdered. At his trial, Dmitri pleads guilty to a life of debauchery and debt but innocent of murdering Fyodor. The prosecutor discloses that three thousand rubles were stolen from Fyodor the night of his murder. Katya testifies that Dmitri had taken the same amount from her but insists she did not want reimbursement. Afterward, Ivan tells Katya that he expects Dmitri will be found guilty, but he has a plan to smuggle Dmitri out of Russia.
At home, Ivan confronts Smerdyakov, wearing Fyodor's clothes and drinking his liquor. Smerdyakov confesses to killing Fyodor and stealing three thousand rubles to implicate Dmitri but insists that Ivan was complicit when he took off knowing Smerdyakov’s plot. Ivan departs for the police. Later that evening, Alexey and Grushenka find Smerdyakov has hanged himself.
At trial, Ivan testifies to Smerdyakov's confession and his own implication. A vindictive Katya produces a letter from Dmitri claiming he will repay her money even if he has to kill Fyodor to get it. Dmitri is found guilty. The next day, Katya watches the train transporting prisoners to prison camp, disappointed that Dmitri is not among them. Ivan and Alexey have arranged to get Dmitri and Grushenka out of Russia.
As a last stop on their escape route, despite the obvious risks of wasting time, Dmitri visits the Snegiryov family, where Illusha lies in bed with a grave illness. First, Dmitri tries to buy the pardon of the boy with small gifts but the boy refuses and turns away. Then Dmitri pretends it was just a duel that happened between the former captain and himself, and he was afraid for his own life, knowing the marksmanship of the former captain, and asks for forgiveness. The boy finally turns to his father and asks him to spare Dmitri's life and release him from his bond. After this reconciliation, Dmitri and Grushenka resume their escape.
Cast
- Yul Brynner as Dmitri Karamazov
- Maria Schell as Grushenka
- Claire Bloom as Katya
- Lee J. Cobb as Fyodor Karamazov
- Albert Salmi as Smerdyakov
- William Shatner as Alexey Karamazov
- Richard Basehart as Ivan Karamazov
- Judith Evelyn as Anna Hohlakov
- Edgar Stehli as Grigory
- Harry Townes as Ippoli Kirillov
- David Opatoshu as Captain Snegiryov
- Miko Oscard as Illusha Snegiryov
- Simon Oakland as Mavrayek
- William Vedder as Father Zossima
- Frank DeKova as Captain Vrublevsky
- Jay Adler as Pawnbroker
- Gage Clarke as Defense Counsel
- Ann Morrison as Marya
- Mel Welles as Trifon Borissovitch
- Friedrich von Ledebur as Chief Judge
- Ziva Rodann as Gypsy Singer
- Gloria Pall as Peasant Girl
Source:
Production
Marilyn Monroe was rumored to be in negotiations to play the role of Grushenka, but several conflicting accounts arose around the time the film entered production. An MGM executive said she'd turned down the role in part because she was expecting a baby, but Monroe's agent denied this and claimed that the studio had never even made her an offer. Richard Brooks said that Monroe would have made a "fine" Grushenka, but claimed that negotiations fell through "because of her contractual demands and personal troubles." Carroll Baker was the next choice for the role, but Warner Bros. put her on suspension and would not loan her out after she refused to play Diana Barrymore in Too Much, Too Soon. Maria Schell stepped in instead, making her American film debut. It was also the film debut for William Shatner, Albert Salmi and Simon Oakland.
The film was shot from June to August 1957 in London and Paris.
Release
 | This section is missing information about the film's theatrical/home media releases. Please expand the section to include this information. Further details may exist on the talk page. (July 2019) |
The film had its premiere at Radio City Music Hall in New York on February 20, 1958. It opened at the Pantages Theatre in Los Angeles on February 26 and a day later at 3 theaters in Florida before expanding to 20 US cities in March.
Reception
Box office
In its opening week at Radio City Music Hall it grossed $157,000. In its third week of release, the film reached number one at the U.S. box office. According to MGM records, the film made $2,390,000 in the U.S. and Canada and $3,050,000 in other markets, resulting in a profit of $441,000.
Critical response
Contemporary reviews were mixed to positive.
Bosley Crowther of The New York Times wrote "Except for a halfway happy ending that blunts the drama's irony, has done a good job of compressing the substance of the book...But most of all, Mr. Brooks and Mr. Berman have put upon the screen a large splash of vigorous drama and passion involving interesting, robust characters." Variety declared "Sumptuous and sensitive MGM production by Pandro S. Berman doesn't sacrifice art to entertainment nor lose entertainment in a false conception of what constitutes art. 'The Brothers Karamazov' should be one of the year's commercial successes." Harrison's Reports wrote: "Excellent is the word for this absorbing and vigorous screen version of Fyodor Dostoyevsky's epic novel...The acting is superb, with brilliant performances turned in by Lee J. Cobb, as the lecherous and crafty father, and by Yul Brynner, as his fiery, quick-tempered eldest son." For the Los Angeles Times, Philip K. Scheuer called Brynner's performance "impressive" and wrote that Lee J. Cobb as Fyodor "succeeds in striking a recognizable and responsive chord with an audience," but found that Maria Schell's Grushenka was played "with a persisting Mona Lisa smile that I felt was not only foreign to the role of the materialistic, venal harlot but was also incomprehensibly at variance with her changing moods."
In more critical reviews, John McCarten of The New Yorker declared that the film "goes on for about two and a half hours, most of which you'd be better off spending at some more rewarding pursuit...I think that Mr. Brooks, in addition to being saddled with actors who just can't stand up to the obligations they've assumed, never quite grapples with the ideas that Dostoevski was trying to propound." The Monthly Film Bulletin wrote "There is none of Dostoievsky's profundity or exciting exploration of motive. All the brothers emerge as quite inexplicable people. It is hard to be sympathetic to Dmitri, and not to be embarrassed by Alyosha or scornful of Ivan. The performances throughout suggest that the cast never really knew what it was all about."
Awards and nominations
| Award | Category | Nominee(s) | Result |
|---|---|---|---|
| Academy Award | Best Supporting Actor | Lee J. Cobb | Nominated |
| Cannes Film Festival | Palme d'Or | Richard Brooks | Nominated |
| Directors Guild of America Award | Outstanding Directorial Achievement in Motion Pictures | Nominated | |
| Laurel Award | Top Male Dramatic Performance | Lee J. Cobb | Nominated |
| Top Cinematography – Color | John Alton | Nominated | |
| Top Music Composer | Bronislau Kaper | Nominated | |
| National Board of Review Award | Top Ten Films | 8th Place | |
| Best Supporting Actor | Albert Salmi (also for The Bravados) | Won | |
| New York Film Critics Circle Award | Best Director | Richard Brooks | Nominated |
See also
References
- ^ "The Brothers Karamazov - Details". AFI Catalog of Feature Films. Retrieved July 13, 2018.
- ^ The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ "AFI|Catalog". catalog.afi.com. Retrieved September 28, 2022.
- "Festival de Cannes: The Brothers Karamazov". festival-cannes.com. Retrieved February 9, 2009.
- "Marilyn and Studio Differ on Role Offer". Los Angeles Times: 2. May 7, 1957.
- Scheuer, Philip K. (June 16, 1957). "'The Brothers Karamazov' Rolling — Without Marilyn". Los Angeles Times: Part V, p. 2.
- Pryor, Thomas M. (May 3, 1957). "Warners to Hold Actress to Pact". The New York Times: 20.
- ^ "The Brothers Karamazov - History". AFI Catalog of Feature Films. Retrieved July 13, 2018.
- "M-G-M Back On Top in '58!". Variety. February 19, 1958. p. 15. Retrieved September 26, 2021 – via Archive.org.
- "B'way Snaps Back; 'Karamazov' Sock 157G, 'Cowboy' OK 32G, 'Sing' Mild 10G, 'Witness' Mighty 53G, 2 Houses". Variety. February 26, 1958. p. 9. Retrieved September 27, 2021 – via Archive.org.
- "National Boxoffice Survey". Variety. March 12, 1958. p. 3. Retrieved September 26, 2021 – via Archive.org.
- "Top Grossers of 1958". Variety. January 7, 1959. p. 48. Please note figures are for U.S. and Canada only and are domestic rentals accruing to distributors as opposed to theatre gross
- Crowther, Bosley (February 21, 1958). "Screen: 'The Brothers Karamazov'". The New York Times: 18.
- "The Brothers Karamazov". Variety: 6. February 19, 1958.
- "The Brothers Karamazov". Harrison's Reports: 32. February 22, 1958.
- Scheuer, Philip K. (February 16, 1958). "'Karamazov' People Full of Complexities". Los Angeles Times: Part V, p. 1–2.
- McCarten, John (March 1, 1958). "The Current Cinema". The New Yorker. pp. 104, 106.
- "The Brothers Karamazov". The Monthly Film Bulletin. 25 (295): 98–99. August 1958.
External links
- The Brothers Karamazov at IMDb
- The Brothers Karamazov at the TCM Movie Database
- The Brothers Karamazov at the AFI Catalog of Feature Films
- The Brothers Karamazov at Rotten Tomatoes
| Fyodor Dostoevsky's The Brothers Karamazov (1880) | |
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| Characters | |
| Films |
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| Related | |
| Films directed by Richard Brooks | |
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- 1958 films
- 1958 drama films
- 1950s American films
- 1950s English-language films
- American drama films
- English-language drama films
- Films based on The Brothers Karamazov
- Films directed by Richard Brooks
- Films produced by Pandro S. Berman
- Films scored by Bronisław Kaper
- Films set in Russia
- Films set in the 19th century
- Films with screenplays by Richard Brooks
- Metro-Goldwyn-Mayer films