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'''''Napoleon's Tomb'''''' (French title: '''''L'Apothéose de Napoléon''''') is an 1821 ] by the French ] ].<ref>Duffy p.233</ref> <ref>Driskel p.99</ref> An ], it depicts the ] of the former ] ] following his death in exile on the island of ]. Although in reality Napoleon was buried by a ] in the ] on the island (until his body was ] in 1840), Vernet depicts it as a dramatic ] with the wreckage of nearby ship bearing the names of some of his most famous victories.<ref>https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65509&viewType=detailView</ref> To the left of the tomb ]s ] and ] and his family who had accompanied Napoleon into exile are mourning. To the right several of his dead former ] (including ] and ]) and troops are gathered to welcome him.<ref>Dwyer p.146</ref> |
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'''''Napoleon's Tomb'''''' (French title: '''''L'Apothéose de Napoléon''''') is an 1821 ] by the French ] ].<ref>Duffy p.233</ref><ref>Driskel p.99</ref> An ], it depicts the ] of the former ] ] following his death in exile on the island of ]. Although in reality Napoleon was buried by a ] in the ] on the island (until his body was ] in 1840), Vernet depicts it as a dramatic ] with the wreckage of nearby ship bearing the names of some of his most famous victories.<ref>https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65509&viewType=detailView</ref> To the left of the tomb ]s ] and ] and his family who had accompanied Napoleon into exile are mourning. To the right several of his dead former ] (including ] and ]) and troops are gathered to welcome him.<ref>Dwyer p.146</ref> |
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It was produced during the ] when the ] has been restored to the French throne. It has been mentioned as one of the paintings that Vernet had rejected for exhibition at the Salon of 1822, leading to the artist withdrawing his other works from the Salon. However the two barred paintings were the battle scenes '']'' and ].<ref>Harkett & Hornstein p.40-42</ref> Vernet produced the painting in July 1821 two months after Napoleon's death. This version is now untraceable but in October the same year Vernet created a second version which is now in the Wallace Collection in London, having been acquired in 1834.<ref>https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65509&viewType=detailView</ref> |
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It was produced during the ] when the ] has been restored to the French throne. It has been mentioned as one of the paintings that Vernet had rejected for exhibition at the ], leading to the artist withdrawing his other works from the Salon. However the two barred paintings were the battle scenes '']'' and '']''.<ref>Harkett & Hornstein p.40-42</ref> Vernet produced the painting in July 1821 two months after Napoleon's death. This version is now untraceable but in October the same year Vernet created a second version which is now in the ] in London, having been acquired in 1834.<ref>https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65509&viewType=detailView</ref> |
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==References== |
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==References== |
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* Dwyer, Philip. ''Napoleon: Passion, Death and Resurrection, 1815-1840''. Bloomsbury Publishing, 2019. |
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* Dwyer, Philip. ''Napoleon: Passion, Death and Resurrection, 1815-1840''. Bloomsbury Publishing, 2019. |
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* Harkett, Daniel & Hornstein, Katie (ed.) ''Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture''. Dartmouth College Press, 2017. |
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* Harkett, Daniel & Hornstein, Katie (ed.) ''Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture''. Dartmouth College Press, 2017. |
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{{Horace Vernet}} |
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_-_Napoleon%27s_Tomb_-_P575_-_The_Wallace_Collection.jpg)
