| Revision as of 06:55, 16 December 2024 editLord Cornwallis (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers459,734 edits →Bibliography← Previous edit |
Latest revision as of 23:39, 22 December 2024 edit undoLord Cornwallis (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers459,734 editsNo edit summary |
| Line 18: |
Line 18: |
|
'''''Napoleon's Tomb'''''' (French title: '''''L'Apothéose de Napoléon''''') is an 1821 ] by the French ] ].<ref>Duffy p.233</ref><ref>Driskel p.99</ref> An ], it depicts the ] of the former ] ] following his death in exile on the island of ]. Although in reality Napoleon was buried by a ] in the ] on the island (until his body was ] in 1840), Vernet depicts it as a dramatic ] with the wreckage of nearby ship bearing the names of some of his most famous victories.<ref>https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65509&viewType=detailView</ref> To the left of the tomb ]s ] and ] and his family who had accompanied Napoleon into exile are mourning. To the right several of his dead former ] (including ] and ]) and troops are gathered to welcome him.<ref>Dwyer p.146</ref> |
|
'''''Napoleon's Tomb'''''' (French title: '''''L'Apothéose de Napoléon''''') is an 1821 ] by the French ] ].<ref>Duffy p.233</ref><ref>Driskel p.99</ref> An ], it depicts the ] of the former ] ] following his death in exile on the island of ]. Although in reality Napoleon was buried by a ] in the ] on the island (until his body was ] in 1840), Vernet depicts it as a dramatic ] with the wreckage of nearby ship bearing the names of some of his most famous victories.<ref>https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65509&viewType=detailView</ref> To the left of the tomb ]s ] and ] and his family who had accompanied Napoleon into exile are mourning. To the right several of his dead former ] (including ] and ]) and troops are gathered to welcome him.<ref>Dwyer p.146</ref> |
|
|
|
|
|
It was produced during the ] when the ] has been restored to the French throne. It has been mentioned as one of the paintings that Vernet had rejected for exhibition at the Salon of 1822, leading to the artist withdrawing his other works from the Salon. However the two barred paintings were the battle scenes '']'' and '']''.<ref>Harkett & Hornstein p.40-42</ref> Vernet produced the painting in July 1821 two months after Napoleon's death. This version is now untraceable but in October the same year Vernet created a second version which is now in the ] in London, having been acquired in 1834.<ref>https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65509&viewType=detailView</ref> |
|
It was produced during the ] when the ] has been restored to the French throne. It has been mentioned as one of the paintings that Vernet had rejected for exhibition at the ], leading to the artist withdrawing his other works from the Salon. However the two barred paintings were the battle scenes '']'' and '']''.<ref>Harkett & Hornstein p.40-42</ref> Vernet produced the painting in July 1821 two months after Napoleon's death. This version is now untraceable but in October the same year Vernet created a second version which is now in the ] in London, having been acquired in 1834.<ref>https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65509&viewType=detailView</ref> |
|
|
|
|
|
==References== |
|
==References== |
_-_Napoleon%27s_Tomb_-_P575_-_The_Wallace_Collection.jpg)
