Misplaced Pages

Salon of 1822: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactivelyContent deleted Content addedVisualWikitext
Revision as of 23:25, 22 December 2024 editLord Cornwallis (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers459,971 edits Created page with '{{Short description|1822 art exhibition in Paris}} The '''Salon of 1822''' was an art exhibition held at the Louvre in Paris, opening on 24 April 1822. One of the most notable works to be displayed was ''The Barque of Dante'' by the romantic painter Eugène Delacroix, which owed much to Théodore Géricault's ''The Raft of the Medusa'' which had appeared at the previous Salon of 1819.<ref>Boime p.199</ref> Tak...'Tag: Disambiguation links added  Latest revision as of 03:42, 23 December 2024 edit undoCitrusHemlock (talk | contribs)Extended confirmed users1,185 edits added Category:Salon de peinture et de sculpture using HotCat 
(4 intermediate revisions by 2 users not shown)
Line 1: Line 1:
{{Short description|1822 art exhibition in Paris}} {{Short description|1822 art exhibition in Paris}}
The '''Salon of 1822''' was an ] held at the ] in ], opening on 24 April 1822. One of the most notable works to be displayed was '']'' by the ] painter ], which owed much to ]'s '']'' which had appeared at the previous ].<ref>Boime p.199</ref> Taking place during the ], it was the last to be held during the reign of ]. The ] took place after his brother ] had succeeded to the throne. The '''Salon of 1822''' was an ] held at the ] in ], opening on 24 April 1822. The ] took place every two or three years at the time and featured ]s and ]. One of the most notable works to be displayed was '']'' by the ] painter ], which owed much to ]'s '']'' which had appeared at the previous ].<ref>Boime p.199</ref> Taking place during the ], it was the last to be held during the reign of ]. The ] took place after his brother ] had succeeded to the throne.


The Salon was notable for a boycott by ]. After two of his paintings '']'' and '']'' were rejected by the authorities as their theme depicting battles of the ] and ]s due to being potentially subversive he withdrew all his other paintings from the exhibition barring one, the royal commission '']''. Vernet instead held his own solo exhibition in his studio.<ref>Harkett & Hornstein p.40-42</ref> <ref>Murray p.1182</ref> ] was awarded a ] for his battle scenes.<ref>Samuels p.50</ref> Notable first time exhibitors were ]<ref>Murray p.274</ref> and ].<ref>Bury p.143</ref> The Salon was notable for a boycott by ]. After two of his paintings '']'' and '']'' were rejected by the authorities as their theme depicting battles of the ] and ]s due to being potentially subversive he withdrew all his other paintings from the exhibition barring one, the royal commission '']''. Vernet instead held his own solo exhibition in his studio.<ref>Harkett & Hornstein p.40-42</ref> <ref>Murray p.1182</ref> ] was awarded a ] for his battle scenes.<ref>Samuels p.50</ref> Notable first time exhibitors were ]<ref>Murray p.274</ref> and ].<ref>Bury p.143</ref>
Line 14: Line 14:
File:Entrevue d'Éléonore de Guyenne avec le sultan d'iconie).jpg|''Meeting Between Eleanor of Guyenne with the Sultan of Iconia'' by ] File:Entrevue d'Éléonore de Guyenne avec le sultan d'iconie).jpg|''Meeting Between Eleanor of Guyenne with the Sultan of Iconia'' by ]
File:Charles-Victor Prévost d'Arlincourt - Robert Lefèvre.jpg|''Portrait of ]'' by ] File:Charles-Victor Prévost d'Arlincourt - Robert Lefèvre.jpg|''Portrait of ]'' by ]
File:Hortense haudebourt-lescot vendeur de reliques a rome.jpg|''Vendeur de reliques à Rome'' by ]
File:HERSENT Ruth et Booz.jpg|''Ruth and Booz'' by ]
File:Saint Evre Miranda playing chess with Ferdinand 1822.jpg|''Miranda Playing Chess with Ferdinand'' by ] File:Saint Evre Miranda playing chess with Ferdinand 1822.jpg|''Miranda Playing Chess with Ferdinand'' by ]
File:Soldat de Marathon, plâtre de Jean-Pierre Cortot (1822), musée de Semur-en-Auxois.jpg|''Soldat de Marathon'' by ] File:Soldat de Marathon, plâtre de Jean-Pierre Cortot (1822), musée de Semur-en-Auxois.jpg|''Soldat de Marathon'' by ]
File:TRUCHOT Convoi d'Isabeau de Bavière.jpg|''Le Convoi d'Isabeau de Bavière'' by Henri-Édouard Truchot File:TRUCHOT Convoi d'Isabeau de Bavière.jpg|''Le Convoi d'Isabeau de Bavière'' by Henri-Édouard Truchot
File:Girodet peignant «Pygmalion et Galatée» en présence de Sommariva (Dejuinne).jpg|''] Painting 'Pygmalion and Galatea' In the Presence of ]'' by ] File:Girodet peignant «Pygmalion et Galatée» en présence de Sommariva (Dejuinne).jpg|''] Painting 'Pygmalion and Galatea' In the Presence of ]'' by ]
File:Jean Baptiste Joseph De Bay the Elder - Count Alcide de la Rivallière.jpg|''Count Alcide de la Rivallière'' by ]
</gallery> </gallery>


Line 34: Line 37:
] ]
] ]
]

]

Latest revision as of 03:42, 23 December 2024

1822 art exhibition in Paris

The Salon of 1822 was an art exhibition held at the Louvre in Paris, opening on 24 April 1822. The Salon took place every two or three years at the time and featured paintings and sculpture. One of the most notable works to be displayed was The Barque of Dante by the romantic painter Eugène Delacroix, which owed much to Théodore Géricault's The Raft of the Medusa which had appeared at the previous Salon of 1819. Taking place during the Restoration era, it was the last to be held during the reign of Louis XVIII. The Salon of 1824 took place after his brother Charles X had succeeded to the throne.

The Salon was notable for a boycott by Horace Vernet. After two of his paintings The Gate at Clichy and The Battle of Jemappes were rejected by the authorities as their theme depicting battles of the Revolutionary and Napoleonic eras due to being potentially subversive he withdrew all his other paintings from the exhibition barring one, the royal commission Joseph Vernet Tied to a Mast During a Storm. Vernet instead held his own solo exhibition in his studio. Jean-Charles Langlois was awarded a gold medal for his battle scenes. Notable first time exhibitors were Paul Delaroche and Richard Parkes Bonington.

Gallery

References

  1. Boime p.199
  2. Harkett & Hornstein p.40-42
  3. Murray p.1182
  4. Samuels p.50
  5. Murray p.274
  6. Bury p.143

Bibliography

  • Boime, Albert. Art in an Age of Counterrevolution, 1815-1848. University of Chicago Press, 2004.
  • Bury, Stephen (ed.) Benezit Dictionary of British Graphic Artists and Illustrators, Volume 1. OUP, 2012.
  • Harkett, Daniel & Hornstein, Katie (ed.) Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture. Dartmouth College Press, 2017.
  • Murray, Christopher John. Encyclopedia of the Romantic Era, 1760-1850, Volume 2. Taylor & Francis, 2004.
  • Noon, Patrick & Bann, Stephen. Constable to Delacroix: British Art and the French Romantics. Tate, 2003.
  • Samuels, Maurice. The Spectacular Past: Popular History and the Novel in Nineteenth-Century France. Cornell University Press, 2018.
Categories: