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{{short description|English playwright and screenwriter (1931–2004)}} | |||
{{no footnotes|date=February 2013}} | |||
{{Use dmy dates|date= |
{{Use dmy dates|date=March 2021}} | ||
{{Use British English|date=June 2012}} | {{Use British English|date=June 2012}} | ||
] | |||
'''Peter Barnes''' (10 January 1931 – 1 July 2004)<ref name="Independent">{{cite news | url=http://www.independent.co.uk/news/obituaries/peter-barnes-6166201.html | title=Peter Barnes: Surprising and adventurous dramatist | work=] | date=5 July 2004 | |
'''Peter Barnes''' (10 January 1931 – 1 July 2004)<ref name="Independent">{{cite news | url=https://www.independent.co.uk/news/obituaries/peter-barnes-6166201.html | archive-url=https://web.archive.org/web/20141225103308/http://www.independent.co.uk/news/obituaries/peter-barnes-6166201.html | url-status=dead | archive-date=25 December 2014 | title=Peter Barnes: Surprising and adventurous dramatist | work=] | date=5 July 2004 | access-date=5 September 2014 | author=Strachan, Alan}}</ref> was an English ]-winning ] and ]. His best known work is the play '']'', which was made into ] for which ] received an ] nomination.<ref>{{Cite news|url=https://www.irishtimes.com/news/peter-o-toole-74-gets-eighth-oscar-nomination-for-best-actor-1.1291327|title=Peter O'Toole (74) gets eighth Oscar nomination for best actor|first=Michael|last=Dwyer|newspaper=The Irish Times}}</ref> | ||
==Biography== | |||
⚫ | Barnes was educated at ] in ] and performed his ] with the ]. |
||
===Early career=== | |||
Bored with his job, Barnes took a ] in ]. It was at this time that he began to visit the ], which he used as an office on a daily basis. During this period he worked as a ], story editor, and a screenwriter. He achieved critical and box-office success with his ] comedy ''The Ruling Class'' (1968), which debuted at the ]. The play was notorious for its anti-] approach, unusual in ] at the time. Critic ] deemed it to be one of the best first plays of its generation. Following a successful three-month run in the ], Barnes adapted the play for the 1972 film of the same name, which featured a highly acclaimed performance by ]. | |||
⚫ | Barnes was educated at ] in ] and performed his ] with the ]. He then worked briefly for ].<ref name=telegraph>{{Cite web|url=https://www.telegraph.co.uk/news/obituaries/1466176/Peter-Barnes.html|title=Peter Barnes|date=4 July 2004|via=www.telegraph.co.uk}}</ref> | ||
Bored with his job, Barnes took a ] in ] and began to visit the ], which he used as an office on a daily basis.<ref name=guardian>{{Cite web|url=https://www.theguardian.com/news/2004/jul/05/guardianobituaries.artsobituaries|title=Obituary: Peter Barnes|website=] |date=5 July 2004}}</ref> During this period he worked as a ], story editor, and a screenwriter.<ref>{{Cite news|url=https://www.irishtimes.com/news/dramatist-celebrated-subversive-power-of-laughter-1.1148656|title=Dramatist celebrated subversive power of laughter|newspaper=The Irish Times}}</ref> He achieved critical and box-office success with his ] comedy ''The Ruling Class'' (1968), which debuted at the ].<ref>{{Cite web|url=https://www.nottinghamplayhouse.co.uk/about-us/50/fifty-years-at-wellington-circus-the-sixties/|title=50 Years at Wellington Circus: The Sixties|website=Nottingham Playhouse}}</ref> The play was notorious for its anti-] approach, unusual in ] at the time.<ref>{{Cite web|url=http://www.independent.co.uk/arts-entertainment/books/features/forgotten-authors-no29-peter-barnes-1654122.html|archive-url=https://web.archive.org/web/20090402011901/http://www.independent.co.uk/arts-entertainment/books/features/forgotten-authors-no29-peter-barnes-1654122.html|url-status=dead|archive-date=2 April 2009|title=Forgotten authors No.29: Peter Barnes|date=29 March 2009|website=The Independent}}</ref> Critic ] deemed it to be one of the best first plays of its generation.<ref name=guardian/> Following a successful three-month run in the ], Barnes adapted the play for the 1972 ], which featured a highly acclaimed performance by ].<ref name=nytimes>{{Cite news|url=https://www.nytimes.com/2004/07/03/theater/peter-barnes-playwright-known-for-the-ruling-class-dies-at-73.html|title=Peter Barnes, Playwright Known For 'The Ruling Class,' Dies at 73|first=Wolfgang|last=Saxon|newspaper=The New York Times |date=3 July 2004}}</ref> | |||
===Later plays=== | |||
Following his initial success, Barnes wrote a series of plays offering apocalyptic visions of various periods in history: | Following his initial success, Barnes wrote a series of plays offering apocalyptic visions of various periods in history: | ||
* '']'' (1969) portrayed ] |
* '']'' (1969) portrayed ] as prematurely declared dead, with his subsequent "resurrection" in a filthy charnel-house.<ref>{{Cite web|url=https://www.dramaonlinelibrary.com/plays/leonardos-last-supper-iid-125730|title=Leonardo's Last Supper – Drama Online|website=www.dramaonlinelibrary.com}}</ref> | ||
* '' |
* ''The Bewitched'' (1974), which he produced with the ], showed the Spanish state attempting to produce an heir for ], whom Barnes portrayed as being an impotent imbecile.<ref>{{Cite web|url=https://www.dramaonlinelibrary.com/playwrights/peter-barnes-iid-12381|title=Barnes, Peter – Drama Online|website=www.dramaonlinelibrary.com}}</ref> | ||
* '']'' (1978) was his most controversial work, a double-bill that jumped from the reign of ] to a satire based on the tedious bureaucracy required to sustain ]. | * '']'' (1978) was his most controversial work, a double-bill that jumped from the reign of ] to a satire based on the tedious bureaucracy required to sustain ].<ref name=guardian/> | ||
* '']'' (1985) depicts a sprightly priest, originally played by ], who travelled around the ]-affected villages of 14th |
* '']'' (1985) depicts a sprightly priest, originally played by ], who travelled around the ]-affected villages of 14th-century France with a band of fools, known as God's Zanies, offering holy assistance.<ref name=variety>{{Cite web|url=https://variety.com/2004/scene/people-news/peter-barnes-1117907348/|title=Peter Barnes|first1=Matt|last1=Wolf|date=5 July 2004}}</ref> It was for this play that Barnes won his ].<ref>{{Cite web|url=https://officiallondontheatre.com/olivier-awards/winners/olivier-winners-1985/|title=Olivier Winners 1985|website=Olivier Awards}}</ref> | ||
==Later life== | ===Later life=== | ||
In his later years Barnes turned his attention more in the direction of films, radio, and television. His screenplay for ]'s '']'' earned him a nomination for the ] in 1992. He also wrote several hugely successful mini-series for |
In his later years Barnes turned his attention more in the direction of films, radio, and television.<ref name=variety/> His screenplay for ]'s '']'' earned him a nomination for the ] in 1992.<ref>{{Cite web|url=https://www.oscars.org/oscars/ceremonies/1993|title=The 65th Academy Awards | 1993|website=Oscars.org | Academy of Motion Picture Arts and Sciences|date=4 October 2014 }}</ref> He also wrote several hugely successful mini-series for U.S. television, including '']'', '']'' and '']''.<ref>{{Cite web|url=https://www.bfi.org.uk/films-tv-people/4ce2ba12198d2|archive-url=https://web.archive.org/web/20181010124937/http://www.bfi.org.uk/films-tv-people/4ce2ba12198d2|url-status=dead|archive-date=10 October 2018|title=Peter Barnes|website=BFI}}</ref> For ] he wrote a series of monologues entitled ''Barnes's People'', for which he attracted a large number of well known actors: ], ], ], ], ], and ].<ref>{{Cite web|url=https://genome.ch.bbc.co.uk/6423ecf725f84b5b8c7493a1163c2a89|title=Barnes' People|date=27 September 1981|issue=3020|pages=45|via=BBC Genome}}</ref> His television miniseries for ABC and NBC were the most popular of the day with record audiences.<ref>{{Cite news|url=https://www.nytimes.com/1998/04/29/arts/tv-notes-merlin-sparks-ratings-magic.html|title=TV Notes; Merlin Sparks Ratings Magic|first=Bill|last=Carter|newspaper=The New York Times |date=29 April 1998}}</ref> | ||
Barnes |
Barnes continued writing historical comedies throughout the 1990s. These include '']'' (1990), '']'' (1999) which transferred to London's West End, and '']'' (2001).<ref>{{Cite book|url=https://books.google.com/books?id=rQINrHtwNU0C&q=peter+Barnes+continued+writing+historical+comedies+throughout+the+1990s&pg=PA74|title=The Cambridge Guide to Literature in English|first=Dominic|last=Head|date=26 January 2006|publisher=Cambridge University Press|isbn=9780521831796}}</ref><ref name=guardian/> He was the Royal Shakespeare Company's most produced living playwright at the time.<ref>{{Cite web|url=https://www.casarotto.co.uk/clients/peter-barnes|title=Peter Barnes|first=Casarotto Ramsay &|last=Associates|website=Casarotto Ramsay & Associates}}</ref> | ||
The last play that Barnes completed was '']'', which is based on his experiences as an elderly father. | The last play that Barnes completed was '']'', which is based on his experiences as an elderly father.<ref name=telegraph/> His second wife gave birth to a daughter when he was 69, followed by triplets a year later.<ref name="Obituary: Peter Barnes">{{cite news|url=https://www.theguardian.com/news/2004/jul/05/guardianobituaries.artsobituaries|title=Obituary: Peter Barnes|newspaper=The Guardian |date=2 July 2004|via=theguardian.com |last1=Billington |first1=Michael }}</ref> | ||
Barnes's film scripts continue to be produced after his death including '']'' with Colin Firth, Kristen Scott Thomas and Jessica Biel. | |||
John Irvin directed his '']'' with Alfred Molina about the film business in |
] directed his '']'' with ] about the film business in 1930s' Rome.<ref>{{Cite web|url=https://www.allmovie.com/movie/the-moon-and-the-stars-v392458|title=The Moon and the Stars (2007) – John Irvin | Synopsis, Characteristics, Moods, Themes and Related|website=AllMovie}}</ref> A revival of his '']'' was produced by renowned theatre designer John Napier.<ref>{{Cite news|url=https://www.theguardian.com/stage/2015/jul/15/noonday-demons-review-comedy-peter-barnes|title=Noonday Demons review – rival hermits declare holy war in caustic comedy|first=Michael|last=Billington|newspaper=The Guardian |date=15 July 2015|via=www.theguardian.com}}</ref> Barnes television miniseries are shown yearly as holiday favourites. | ||
⚫ | ==Personal life== | ||
Barnes, who had two sons and two daughters, married twice – in 1958 to Charlotte Beck and less than a year after Charlotte's death in 1995 to Christie Horn.<ref name="Independent"/> His second wife, Christie, gave birth to his first daughter Leela, who also became a writer, in 2000 when he was 69.<ref name=nytimes/> Barnes, who received much American mainstream media attention for his movies and US television miniseries in later life, became a ] obsession in 2002 when he became a father again at the age of 71.<ref>{{Cite web|url=https://www.telegraph.co.uk/men/active/mens-health/4712519/Im-ready-for-fatherhood-now.html|title='I'm ready for fatherhood now'|first=Maureen|last=Paton|date=20 December 2002|via=www.telegraph.co.uk}}</ref> This time Christie gave birth to triplets Abigail, Nathaniel and Zachary.<ref name=guardian/> Barnes died of a stroke on 1 July 2004.<ref name="Obituary: Peter Barnes"/> | |||
==Works== | ==Works== | ||
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* ''The Time of the Barracudas'', Curran Theatre, San Francisco, 1963 | * ''The Time of the Barracudas'', Curran Theatre, San Francisco, 1963 | ||
* ''Sclerosis'', Aldwych Theatre, 1965 | * ''Sclerosis'', Aldwych Theatre, 1965 | ||
* ''The Ruling Class'', Nottingham/Piccadilly Theatre, 1968 | * '']'', Nottingham/Piccadilly Theatre, 1968 | ||
* ''Leonardo’s Last Supper'', Open Space, 1969 | * ''Leonardo’s Last Supper'', Open Space, 1969 | ||
* ''Noonday Demons'', Open Space, 1969 | * ''Noonday Demons'', Open Space, 1969 | ||
Line 34: | Line 42: | ||
* ''Laughter!'', Royal Court, 1978 | * ''Laughter!'', Royal Court, 1978 | ||
* ''Somersaults'' (revue), Leicester, 1981 | * ''Somersaults'' (revue), Leicester, 1981 | ||
* ''Red Noses'', RSC, 1985 | * '']'', RSC, 1985 | ||
* ''Sunsets And Glories'', Yorkshire Playhouse, 1990 | * ''Sunsets And Glories'', Yorkshire Playhouse, 1990 | ||
* ''Luna Park Eclipses'', National Theatre Studio, 1995 | * ''Luna Park Eclipses'', National Theatre Studio, 1995 | ||
Line 41: | Line 49: | ||
* ''Heaven’s Blessings'', Florida State University, 1997 | * ''Heaven’s Blessings'', Florida State University, 1997 | ||
* ''Dreaming'', Royal, Exchange & Queen’s Theatre, 1999 | * ''Dreaming'', Royal, Exchange & Queen’s Theatre, 1999 | ||
* ''Jubilee'', RSC 2001 | * ''Jubilee'', RSC, 2001 | ||
===Original works for radio=== | ===Original works for radio=== | ||
* ''My Ben |
* ''My ]'', 1973 | ||
* '' |
* ''Barnes' People : Seven Monologues'', 1981 | ||
* '' |
* ''Barnes' People II: Seven Duologues'', 1984 | ||
* ''Barnes People III: Eight Trialogues'', 1986 | * ''Barnes People III: Eight Trialogues'', 1986 | ||
* ''No End to Dreaming'', 1987 | * ''No End to Dreaming'', 1987 | ||
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===Original screenplays=== | ===Original screenplays=== | ||
* ''Violent Moment'' (film, Anglo Amalgamated, 1959) | * '']'' (film, Anglo Amalgamated, 1959) | ||
* ''Breakout'' (film, Anglo Amalgamated, 1959) | * '']'' (film, Anglo Amalgamated, 1959) | ||
* ''The White Trap'' (film, Anglo Amalgamated, 1959) | * '']'' (film, Anglo Amalgamated, 1959) | ||
* ''The Professionals'' (film, Anglo Amalgamated, 1960) | * '']'' (film, Anglo Amalgamated, 1960) | ||
* ''The Devil Inside'' (aka ''Off-Beat'', film, 1961) | * '']'' (aka ''Off-Beat'', film, 1961) | ||
* ''Ring of |
* '']'' (aka, ''Ring of Treason'', film written with Frank Launder, 1964) | ||
* ''] (film co-writer, 1966) | * '']'' (film co-writer, 1966) | ||
* ''The Ruling Class'' (film, 1972) | * '']'' (film, 1972) | ||
===Original teleplays=== | ===Original teleplays=== | ||
* ''Checkmate'' (No Hiding Place TV |
* ''Checkmate'' ('']'' TV series 1959) | ||
* ''With Suicidal Intent'' (No Hiding Place TV |
* ''With Suicidal Intent'' ('']'' TV series 1959) | ||
* ''Who Is Gustav Varnia?'' (No Hiding Place TV |
* ''Who Is Gustav Varnia?'' ('']'' TV series 1959) | ||
* ''The Man with a Feather in His Hat'' (Armchair Mystery Theatre TV Series 1960) | * ''The Man with a Feather in His Hat'' ('']'' TV Series 1960) | ||
* ''Breakout'' (Kraft Mystery Theater TV Series 1961) | * ''Breakout'' ('']'' TV Series 1961) | ||
* ''Nobody Here but Us Chickens'': Nobody Here but Us Chickens, More than a Touch of Zen, Not as Bad as They Seem (Channel 4, 1989) | * ''Nobody Here but Us Chickens'': Nobody Here but Us Chickens, More than a Touch of Zen, Not as Bad as They Seem (Channel 4, 1989) | ||
* ''Revolutionary Witness'': The Patriot, The Preacher, The Butcher, The Amazon 1989 | * ''Revolutionary Witness'': The Patriot, The Preacher, The Butcher, The Amazon 1989 | ||
* ''The Spirit of Man'' (] 1990) | * ''The Spirit of Man'' (] 1990) | ||
* ''Bye Bye Columbus'' (BBC Two 1992) | * ''Bye Bye Columbus'' (BBC Two 1992) | ||
* '']'' (Hallmark 1998): two episodes | |||
===Adaptations for stage, screen and radio=== | ===Adaptations for stage, screen and radio=== | ||
* ''Lulu: A Sex Tragedy'' (adaptation of Frank Wedekind plays Earth Spirit and Pandora's Box), produced at Nottingham Playhouse / Royal Court |
* ''Lulu: A Sex Tragedy'' (adaptation of Frank Wedekind's plays ''Earth Spirit'' and ''Pandora's Box''), produced at Nottingham Playhouse / Royal Court Theatre, London, 1970 | ||
* ''The Alchemist'' (adaptation of a play by Ben Jonson) |
* ''The Alchemist'' (adaptation of a play by ]), produced at ] Theatre, 1970 | ||
* ''The Devil Is an Ass'' (adaptation of a play by Ben Jonson), produced at Nottingham Playhouse, 1973 revised version, Edinburgh Festival, 1976 then National |
* ''The Devil Is an Ass'' (adaptation of a play by Ben Jonson), produced at Nottingham Playhouse, 1973 revised version, Edinburgh Festival, 1976 then National Theatre, London, 1977 | ||
* ''For All Those Who Get Despondent'' (cabaret; based on works by Bertolt Brecht and Frank Wedekind), produced at |
* ''For All Those Who Get Despondent'' (cabaret; based on works by ] and ]), produced at Theatre Upstairs, 1976 | ||
* ''The Frontiers of Farce'' (adaptation of the plays |
* ''The Frontiers of Farce'' (adaptation of the plays ''The Purging'' by ] and ''The Singer'' by Frank Wedekind), produced at Old Vic Theatre, 1976 | ||
* ''Bartholomew Fair'' (based on the play by Ben Jonson), produced at Round House |
* ''Bartholomew Fair'' (based on the play by Ben Jonson), produced at Round House Theatre, 1978 then London, 1987 | ||
* ''Antonio'' (based on |
* ''Antonio'' (based on John Marston's plays ''Antonio' and Mellida'' and ''Antonio's Revenge''), produced at Nottingham Playhouse, 1979 | ||
* ''Chaste Maid in Cheapside'' (radio adaptation of a play by Thomas Middleton),BBC, 1979 | * ''Chaste Maid in Cheapside'' (radio adaptation of a play by Thomas Middleton), BBC, 1979 | ||
* ''The Two Hangmen'' (radio adaptation of Barnes's stage play For All Those Who Get Despondent), 1979 | * ''The Two Hangmen'' (radio adaptation of Barnes's stage play ''For All Those Who Get Despondent''), 1979 | ||
* ''Eulogy on Baldness'' (radio adaptation of a work by Synesius of Cyrene), BBC, 1980 | * ''Eulogy on Baldness'' (radio adaptation of a work by Synesius of Cyrene), BBC, 1980 | ||
* ''The Devil Himself'' (revue; adaptation of works by Frank Wedekind), music by Carl Davis and Stephen Deutsch, produced at Lyric Hammersmith |
* ''The Devil Himself'' (revue; adaptation of works by Frank Wedekind), music by Carl Davis and Stephen Deutsch, produced at Lyric Hammersmith Theatre, London, 1980 | ||
* ''The Atheist'' (radio adaptation of play by Thomas Otway), BBC, 1981 | * ''The Atheist'' (radio adaptation of play by Thomas Otway), BBC, 1981 | ||
* ''The Singer'' (radio adaptation of work by Frank Wedekind), 1981 | * ''The Singer'' (radio adaptation of work by Frank Wedekind), 1981 | ||
* ''The Soldier's Fortune'' (radio adaptation of a play by Thomas Otway), BBC, 1981 | * ''The Soldier's Fortune'' (radio adaptation of a play by Thomas Otway), BBC, 1981 | ||
* ''The Dutch Courtesan'' (radio adaptation of play by John Marston), BBC, 1982 | * ''The Dutch Courtesan'' (radio adaptation of play by John Marston), BBC, 1982 | ||
* ''The Magician'' |
* ''The Magician'', radio adaptation of work by ], 1982 | ||
* ''A Mad World, My Masters'' (radio adaptation of a play by Thomas Middleton), 1983 | * ''A Mad World, My Masters'' (radio adaptation of a play by Thomas Middleton), 1983 | ||
* ''The Primrose Path'' (radio adaptation of a play by |
* ''The Primrose Path'' (radio adaptation of a play by Georges Feydeau), 1984 | ||
* ''A Trick to Catch the Old One'' (radio adaptation of a play by Thomas Middleton), 1985 | * ''A Trick to Catch the Old One'' (radio adaptation of a play by Thomas Middleton), 1985 | ||
* ''Scenes from a Marriage'' (based on the play by |
* ''Scenes from a Marriage'' (based on the play by Georges Feydeau), produced at Barbican Theatre, London, 1986 | ||
* ''The Old Law'' (radio adaptation of a play by Thomas Middleton, William Rowley |
* ''The Old Law'' (radio adaptation of a play by Thomas Middleton, William Rowley and Philip Massinger), 1986 | ||
* ''Woman of Paris'' (radio adaptation of work by Henri Becque), 1986 | * ''Woman of Paris'' (radio adaptation of work by Henri Becque), 1986 | ||
* ''Don Juan and Faust'' (radio adaptation of by C. D. Grabbe), 1987 | * ''Don Juan and Faust'' (radio adaptation of by C. D. Grabbe), 1987 | ||
* ''The Magnetic Lady'' (radio adaptation of a play by Ben Jonson), 1987 | * ''The Magnetic Lady'' (radio adaptation of a play by Ben Jonson), 1987 | ||
* ''Tango at the End of Winter'' (based on a play by Kunio Shimizu), produced in London, 1991 | * ''Tango at the End of Winter'' (based on a play by Kunio Shimizu), produced in London, 1991 | ||
* ''Hard Times'' (television adaptation of the novel by Charles Dickens), BBC, 1994 | * '']'' (television adaptation of the novel by Charles Dickens), BBC, 1994 | ||
* ''Enchanted April'' (screen adaptation of the novel by Elizabeth Von Arnim), Miramax, 1992 | * '']'' (screen adaptation of the novel by ]), ], 1992 | ||
* ''Voices'' (aka Voices from a Locked Room, screen adaptation written with Nicholas Meyer of the book |
* ''Voices'' (aka ''Voices from a Locked Room'', screen adaptation written with Nicholas Meyer of the book ''Double Jeopardy'' by Mark A. Stuart), 1995 | ||
* ''Noah's Ark'' (television adaptation) Hallmark, 1999 | * '']'' (television adaptation) Hallmark, 1999 | ||
* ''A Christmas Carol'' (television adaptation) Hallmark, 1999 | * '']'' (television adaptation) Hallmark, 1999 | ||
* ''Alice in Wonderland'' (television adaptation) Hallmark, 1999 | * '']'' (television adaptation) Hallmark, 1999 | ||
* ''Arabian Nights'' (television adaptation) Hallmark, 2000 | * '']'' (television adaptation) Hallmark, 2000 | ||
==Selected filmography== | ==Selected filmography== | ||
* '']'' (1959) | * '']'' (1959) | ||
⚫ | ==Personal life== | ||
Barnes's second wife, Christie, gave birth to his first daughter Leela in 1998 when he was 67. Barnes, who received much American mainstream media attention for his movies and acclaimed US television miniseries in later life, quickly became a ] obsession in 2002 when his wife gave birth again, this time to triplets Abigail, Nathaniel and Zachary, who are now all actors and are following their father's path in Hollywood as well as their sister Leela. Wife Christie became a nationally acclaimed author of the parenting book, '']''. She also works with entertainment agencies and casting directors in entertainment career development and career consulting. | |||
==References== | ==References== | ||
Line 116: | Line 122: | ||
==Bibliography== | ==Bibliography== | ||
*Woolland, Brian (2004). ''Dark Attractions: The Theatre of Peter Barnes''. London, Methuen, ISBN |
*Woolland, Brian (2004). ''Dark Attractions: The Theatre of Peter Barnes''. London, Methuen, {{ISBN|0-413-77442-2}}. | ||
==External links== | ==External links== | ||
*{{ |
*{{IMDb name|id=0055726|name=Peter Barnes}} | ||
* , Fellows Remembered, The Royal Society of Literature | |||
{{Authority control}} | |||
{{John Whiting Award}} | |||
{{Persondata <!-- Metadata: see ]. --> | |||
| NAME = Barnes, Peter | |||
| ALTERNATIVE NAMES = | |||
| SHORT DESCRIPTION = | |||
| DATE OF BIRTH = 10 January 1931 | |||
| PLACE OF BIRTH = London | |||
| DATE OF DEATH = 1 July 2004 | |||
| PLACE OF DEATH = London | |||
}} | |||
{{DEFAULTSORT:Barnes, Peter}} | {{DEFAULTSORT:Barnes, Peter}} | ||
] | ] | ||
] | ] | ||
] | ] | ||
] | ] | ||
] | ] | ||
] | ] | ||
] | |||
] | ] | ||
⚫ | ] | ||
] | ] | ||
⚫ | ] | ||
] |
Latest revision as of 07:48, 25 December 2024
English playwright and screenwriter (1931–2004)
Peter Barnes (10 January 1931 – 1 July 2004) was an English Olivier Award-winning playwright and screenwriter. His best known work is the play The Ruling Class, which was made into a 1972 film for which Peter O'Toole received an Oscar nomination.
Biography
Early career
Barnes was educated at Marling School in Stroud, Gloucestershire and performed his national service with the Royal Air Force. He then worked briefly for London County Council.
Bored with his job, Barnes took a correspondence course in theology and began to visit the British Museum Reading Room, which he used as an office on a daily basis. During this period he worked as a film critic, story editor, and a screenwriter. He achieved critical and box-office success with his baroque comedy The Ruling Class (1968), which debuted at the Nottingham Playhouse. The play was notorious for its anti-naturalistic approach, unusual in theatre at the time. Critic Harold Hobson deemed it to be one of the best first plays of its generation. Following a successful three-month run in the West End, Barnes adapted the play for the 1972 film of the same name, which featured a highly acclaimed performance by Peter O'Toole.
Later plays
Following his initial success, Barnes wrote a series of plays offering apocalyptic visions of various periods in history:
- Leonardo's Last Supper (1969) portrayed Leonardo da Vinci as prematurely declared dead, with his subsequent "resurrection" in a filthy charnel-house.
- The Bewitched (1974), which he produced with the Royal Shakespeare Company, showed the Spanish state attempting to produce an heir for Carlos II, whom Barnes portrayed as being an impotent imbecile.
- Laughter! (1978) was his most controversial work, a double-bill that jumped from the reign of Ivan the Terrible to a satire based on the tedious bureaucracy required to sustain Auschwitz concentration camp.
- Red Noses (1985) depicts a sprightly priest, originally played by Antony Sher, who travelled around the plague-affected villages of 14th-century France with a band of fools, known as God's Zanies, offering holy assistance. It was for this play that Barnes won his Olivier award.
Later life
In his later years Barnes turned his attention more in the direction of films, radio, and television. His screenplay for Elizabeth von Arnim's The Enchanted April earned him a nomination for the best adapted screenplay Oscar in 1992. He also wrote several hugely successful mini-series for U.S. television, including Arabian Nights, Merlin and Noah's Ark. For BBC Radio 3 he wrote a series of monologues entitled Barnes's People, for which he attracted a large number of well known actors: Laurence Olivier, John Gielgud, Alec Guinness, Peggy Ashcroft, Judi Dench, and Ian McKellen. His television miniseries for ABC and NBC were the most popular of the day with record audiences.
Barnes continued writing historical comedies throughout the 1990s. These include Sunsets and Glories (1990), Dreaming (1999) which transferred to London's West End, and Jubilee (2001). He was the Royal Shakespeare Company's most produced living playwright at the time.
The last play that Barnes completed was Babies, which is based on his experiences as an elderly father. His second wife gave birth to a daughter when he was 69, followed by triplets a year later.
John Irvin directed his The Moon and the Stars with Alfred Molina about the film business in 1930s' Rome. A revival of his Noonday Demons was produced by renowned theatre designer John Napier. Barnes television miniseries are shown yearly as holiday favourites.
Personal life
Barnes, who had two sons and two daughters, married twice – in 1958 to Charlotte Beck and less than a year after Charlotte's death in 1995 to Christie Horn. His second wife, Christie, gave birth to his first daughter Leela, who also became a writer, in 2000 when he was 69. Barnes, who received much American mainstream media attention for his movies and US television miniseries in later life, became a tabloid obsession in 2002 when he became a father again at the age of 71. This time Christie gave birth to triplets Abigail, Nathaniel and Zachary. Barnes died of a stroke on 1 July 2004.
Works
Theatre plays
- The Time of the Barracudas, Curran Theatre, San Francisco, 1963
- Sclerosis, Aldwych Theatre, 1965
- The Ruling Class, Nottingham/Piccadilly Theatre, 1968
- Leonardo’s Last Supper, Open Space, 1969
- Noonday Demons, Open Space, 1969
- The Bewitched, RSC at the Aldwych Theatre, 1974
- Laughter!, Royal Court, 1978
- Somersaults (revue), Leicester, 1981
- Red Noses, RSC, 1985
- Sunsets And Glories, Yorkshire Playhouse, 1990
- Luna Park Eclipses, National Theatre Studio, 1995
- Corpsing (revue), Tristan Bates Theatre, 1996
- Clap Hands Here Comes Charlie, (first act was to have been performed in 1967, second act written in 1996)
- Heaven’s Blessings, Florida State University, 1997
- Dreaming, Royal, Exchange & Queen’s Theatre, 1999
- Jubilee, RSC, 2001
Original works for radio
- My Ben Jonson, 1973
- Barnes' People : Seven Monologues, 1981
- Barnes' People II: Seven Duologues, 1984
- Barnes People III: Eight Trialogues, 1986
- No End to Dreaming, 1987
- More Barnes' People, 1990
Original screenplays
- Violent Moment (film, Anglo Amalgamated, 1959)
- Breakout (film, Anglo Amalgamated, 1959)
- The White Trap (film, Anglo Amalgamated, 1959)
- The Professionals (film, Anglo Amalgamated, 1960)
- The Devil Inside (aka Off-Beat, film, 1961)
- Ring of Spies (aka, Ring of Treason, film written with Frank Launder, 1964)
- Not with My Wife, You Don't! (film co-writer, 1966)
- The Ruling Class (film, 1972)
Original teleplays
- Checkmate (No Hiding Place TV series 1959)
- With Suicidal Intent (No Hiding Place TV series 1959)
- Who Is Gustav Varnia? (No Hiding Place TV series 1959)
- The Man with a Feather in His Hat (Armchair Mystery Theatre TV Series 1960)
- Breakout (Kraft Mystery Theater TV Series 1961)
- Nobody Here but Us Chickens: Nobody Here but Us Chickens, More than a Touch of Zen, Not as Bad as They Seem (Channel 4, 1989)
- Revolutionary Witness: The Patriot, The Preacher, The Butcher, The Amazon 1989
- The Spirit of Man (BBC Two 1990)
- Bye Bye Columbus (BBC Two 1992)
- Merlin (Hallmark 1998): two episodes
Adaptations for stage, screen and radio
- Lulu: A Sex Tragedy (adaptation of Frank Wedekind's plays Earth Spirit and Pandora's Box), produced at Nottingham Playhouse / Royal Court Theatre, London, 1970
- The Alchemist (adaptation of a play by Ben Jonson), produced at Old Vic Theatre, 1970
- The Devil Is an Ass (adaptation of a play by Ben Jonson), produced at Nottingham Playhouse, 1973 revised version, Edinburgh Festival, 1976 then National Theatre, London, 1977
- For All Those Who Get Despondent (cabaret; based on works by Bertolt Brecht and Frank Wedekind), produced at Theatre Upstairs, 1976
- The Frontiers of Farce (adaptation of the plays The Purging by Georges Feydeau and The Singer by Frank Wedekind), produced at Old Vic Theatre, 1976
- Bartholomew Fair (based on the play by Ben Jonson), produced at Round House Theatre, 1978 then London, 1987
- Antonio (based on John Marston's plays Antonio' and Mellida and Antonio's Revenge), produced at Nottingham Playhouse, 1979
- Chaste Maid in Cheapside (radio adaptation of a play by Thomas Middleton), BBC, 1979
- The Two Hangmen (radio adaptation of Barnes's stage play For All Those Who Get Despondent), 1979
- Eulogy on Baldness (radio adaptation of a work by Synesius of Cyrene), BBC, 1980
- The Devil Himself (revue; adaptation of works by Frank Wedekind), music by Carl Davis and Stephen Deutsch, produced at Lyric Hammersmith Theatre, London, 1980
- The Atheist (radio adaptation of play by Thomas Otway), BBC, 1981
- The Singer (radio adaptation of work by Frank Wedekind), 1981
- The Soldier's Fortune (radio adaptation of a play by Thomas Otway), BBC, 1981
- The Dutch Courtesan (radio adaptation of play by John Marston), BBC, 1982
- The Magician, radio adaptation of work by Maxim Gorky, 1982
- A Mad World, My Masters (radio adaptation of a play by Thomas Middleton), 1983
- The Primrose Path (radio adaptation of a play by Georges Feydeau), 1984
- A Trick to Catch the Old One (radio adaptation of a play by Thomas Middleton), 1985
- Scenes from a Marriage (based on the play by Georges Feydeau), produced at Barbican Theatre, London, 1986
- The Old Law (radio adaptation of a play by Thomas Middleton, William Rowley and Philip Massinger), 1986
- Woman of Paris (radio adaptation of work by Henri Becque), 1986
- Don Juan and Faust (radio adaptation of by C. D. Grabbe), 1987
- The Magnetic Lady (radio adaptation of a play by Ben Jonson), 1987
- Tango at the End of Winter (based on a play by Kunio Shimizu), produced in London, 1991
- Hard Times (television adaptation of the novel by Charles Dickens), BBC, 1994
- Enchanted April (screen adaptation of the novel by Elizabeth Von Arnim), Miramax, 1992
- Voices (aka Voices from a Locked Room, screen adaptation written with Nicholas Meyer of the book Double Jeopardy by Mark A. Stuart), 1995
- Noah's Ark (television adaptation) Hallmark, 1999
- A Christmas Carol (television adaptation) Hallmark, 1999
- Alice in Wonderland (television adaptation) Hallmark, 1999
- Arabian Nights (television adaptation) Hallmark, 2000
Selected filmography
- Violent Moment (1959)
References
- ^ Strachan, Alan (5 July 2004). "Peter Barnes: Surprising and adventurous dramatist". The Independent. Archived from the original on 25 December 2014. Retrieved 5 September 2014.
- Dwyer, Michael. "Peter O'Toole (74) gets eighth Oscar nomination for best actor". The Irish Times.
- ^ "Peter Barnes". 4 July 2004 – via www.telegraph.co.uk.
- ^ "Obituary: Peter Barnes". TheGuardian.com. 5 July 2004.
- "Dramatist celebrated subversive power of laughter". The Irish Times.
- "50 Years at Wellington Circus: The Sixties". Nottingham Playhouse.
- "Forgotten authors No.29: Peter Barnes". The Independent. 29 March 2009. Archived from the original on 2 April 2009.
- ^ Saxon, Wolfgang (3 July 2004). "Peter Barnes, Playwright Known For 'The Ruling Class,' Dies at 73". The New York Times.
- "Leonardo's Last Supper – Drama Online". www.dramaonlinelibrary.com.
- "Barnes, Peter – Drama Online". www.dramaonlinelibrary.com.
- ^ Wolf, Matt (5 July 2004). "Peter Barnes".
- "Olivier Winners 1985". Olivier Awards.
- "The 65th Academy Awards | 1993". Oscars.org | Academy of Motion Picture Arts and Sciences. 4 October 2014.
- "Peter Barnes". BFI. Archived from the original on 10 October 2018.
- "Barnes' People". 27 September 1981. p. 45 – via BBC Genome.
- Carter, Bill (29 April 1998). "TV Notes; Merlin Sparks Ratings Magic". The New York Times.
- Head, Dominic (26 January 2006). The Cambridge Guide to Literature in English. Cambridge University Press. ISBN 9780521831796.
- Associates, Casarotto Ramsay &. "Peter Barnes". Casarotto Ramsay & Associates.
- ^ Billington, Michael (2 July 2004). "Obituary: Peter Barnes". The Guardian – via theguardian.com.
- "The Moon and the Stars (2007) – John Irvin | Synopsis, Characteristics, Moods, Themes and Related". AllMovie.
- Billington, Michael (15 July 2015). "Noonday Demons review – rival hermits declare holy war in caustic comedy". The Guardian – via www.theguardian.com.
- Paton, Maureen (20 December 2002). "'I'm ready for fatherhood now'" – via www.telegraph.co.uk.
Bibliography
- Woolland, Brian (2004). Dark Attractions: The Theatre of Peter Barnes. London, Methuen, ISBN 0-413-77442-2.
External links
- Peter Barnes at IMDb
- "Peter Barnes", Fellows Remembered, The Royal Society of Literature
John Whiting Award | |
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1967–1969 |
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1970–1979 |
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1980–1989 |
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1990–1999 |
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2000–2009 |
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2010–9999 |
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- 1931 births
- 2004 deaths
- 20th-century English dramatists and playwrights
- English male screenwriters
- English male dramatists and playwrights
- English satirists
- Fellows of the Royal Society of Literature
- Laurence Olivier Award winners
- People educated at Marling School
- People from Bow, London
- 20th-century English screenwriters