Article snapshot taken from Wikipedia with creative commons attribution-sharealike license.
Give it a read and then ask your questions in the chat.
We can research this topic together.
<!-- Please leave new messages at the bottom. Thanks! =) -->
<!-- Please leave new messages at the bottom. Thanks! =) -->
== '''Data is written by famous professors in the field of Gahsa.''' ==
== '''This is a good material!''' ==
'''Data is written by famous professors in the field of Gahsa.'''
'''Professor Lee Sang-Bo in Korea, literature Pioneering work was the best.'''
'''News Source from: '''
'''My disciples have translated a good data!'''
'''If you delete a good data will be lost.'''
'''That is the right Gahsa'''
See also: Sijo and Gasa (poetry)
Sijo and gasa are closely linked to the development of hangul in the early Joseon period. As hangul was created, akjang was developed as a way to note musical scores using the Korean script. King Sejong himself is credited with a compilation of Buddhist songs.
Sijo (literally current tune) was common in the Joseon period. Although its poetic form was established in the late Goryeo period, it did not become popular until the Joseon period. Many of the sijo reflected Confucian thought; the theme of loyalty is common. Sijo are characterized by a structure of three stanzas of four feet each. Each foot contains three to four syllables except on the third stanza, where the 1st foot is supposed to have 3 syllables and the 2nd foot can have as many as seven. Sijo are thought to have been popular with common people.
Gasa is a form of verse, although its content can include more than the expression of individual sentiment, such as moral admonitions. Gasa is a simple form of verse, with twinned feet of three or four syllables each. Some regard gasa a form of essay. Common themes in gasa were nature, the virtues of gentlemen, or love between man and woman.
*'''Source from''':
{{Infobox Korean name
|title=Gasa
|hangul=가사
|hanja=歌詞 ''also'' 歌辭
|rr=gasa
|mr=kasa
}}
== '''Gahsa (poetry)''' ==
'''Gasa''' (or '''Kasa''') was a form of poetry popular during the ] in ]. They were commonly sung, and were popular among ] women. ], a poet of the 16th century, is regarded as having perfected the form, which consisted of parallel lines, each broken into two four-syllable units. The form had first emerged during the ] period.
*'''Misplaced Pages: original research'''
Revision as of 13:35, 2 November 2008
Welcome to my talk page! I will reply on your talk page unless you prefer otherwise as usually noted on your talk page. If you are an editor without an account, I will reply here.
When leaving messages, please keep these tips in mind:
Use a descriptive subject/headline.
If you are asking a question about an article, please tell me which article you are referring to.
Please do not add your message to another editor's conversation unless you are commenting on the same topic. Start a new section, unless...
If you are continuing a conversation with me, please edit the relevant section instead of starting a new section.
Data is written by famous professors in the field of Gahsa.
This is a good material!
Data is written by famous professors in the field of Gahsa.
Professor Lee Sang-Bo in Korea, literature Pioneering work was the best.
News Source from:
My disciples have translated a good data!
If you delete a good data will be lost.
That is the right Gahsa
See also: Sijo and Gasa (poetry)
Sijo and gasa are closely linked to the development of hangul in the early Joseon period. As hangul was created, akjang was developed as a way to note musical scores using the Korean script. King Sejong himself is credited with a compilation of Buddhist songs.
Sijo (literally current tune) was common in the Joseon period. Although its poetic form was established in the late Goryeo period, it did not become popular until the Joseon period. Many of the sijo reflected Confucian thought; the theme of loyalty is common. Sijo are characterized by a structure of three stanzas of four feet each. Each foot contains three to four syllables except on the third stanza, where the 1st foot is supposed to have 3 syllables and the 2nd foot can have as many as seven. Sijo are thought to have been popular with common people.
Gasa is a form of verse, although its content can include more than the expression of individual sentiment, such as moral admonitions. Gasa is a simple form of verse, with twinned feet of three or four syllables each. Some regard gasa a form of essay. Common themes in gasa were nature, the virtues of gentlemen, or love between man and woman.
Gasa (or Kasa) was a form of poetry popular during the Joseon Dynasty in Korea. They were commonly sung, and were popular among yangban women. Jeong Cheol, a poet of the 16th century, is regarded as having perfected the form, which consisted of parallel lines, each broken into two four-syllable units. The form had first emerged during the Goryeo period.