Kling Klang Studio: Difference between revisions

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	'''Kling Klang''' began as a studio in ]; the band marked this as the real beginning of ].<ref> ''Electronics & Music Maker'', September 1981</ref> The studio began as an empty room in a workshop premises located in an industrial part of ].<ref> ''Electronics & Music Maker'', September 1981</ref> The building exterior was clad in yellow tiles with a large electric shuttered doorway leading to an enclosed courtyard. On the right was a loading stage used by an electrical installation company that used the upper floor.<ref>Flür, W, ''I Was A Robot'', Sanctuary Publishing, 2001, page 40</ref> The studio was accessed through a small anteroom. The main studio room was fitted with sound insulation and measured about sixty square feet. Later on other adjoning rooms were used for things like making instruments such as home made ]s.<ref> ''Electronics & Music Maker'', September 1981</ref> The basement of the studio was used to store old instruments and machines. The band never threw anything away and used the older equipment to later recreate sounds. <ref>Bussey, P, ''Kraftwerk - Man Machine & Music'', SAF Publishing 1993, page 163</ref>		'''Kling Klang''' began as a studio in ]; the band marked this as the real beginning of ].<ref> ''Electronics & Music Maker'', September 1981</ref> The studio began as an empty room in a workshop premises located in an industrial part of ].<ref> ''Electronics & Music Maker'', September 1981</ref> The building exterior was clad in yellow tiles with a large electric shuttered doorway leading to an enclosed courtyard. On the right was a loading stage used by an electrical installation company that used the upper floor.<ref>Flür, W, ''I Was A Robot'', Sanctuary Publishing, 2001, page 40</ref> The studio was accessed through a small anteroom. The main studio room was fitted with sound insulation and measured about sixty square feet. Later on other adjoning rooms were used for things like making instruments such as home made ]s.<ref> ''Electronics & Music Maker'', September 1981</ref> The basement of the studio was used to store old instruments and machines. The band never threw anything away and used the older equipment to later recreate sounds. <ref>Bussey, P, ''Kraftwerk - Man Machine & Music'', SAF Publishing 1993, page 163</ref>

	When first using the studio, the band recorded with ] tape machines and cassette recorders. These master tapes were then taken to a commercial recording studio for the final mix down. Part of the reason for this was so the band could self produce their albums.<ref> ''Electronics & Music Maker'', September 1981</ref> The ] equipment at this time was self constructed and consisted of plywood bass horns and cast aluminium mid range horns.<ref>Flür, W, ''I Was A Robot'', Sanctuary Publishing, 2001, page 43</ref> In 1971 ] were still without a drummer so they purchased a cheap drum machine. By treating the sounds with echo and filtering they used the ] to record rhythm tracks for their second album.<ref> ''Electronics & Music Maker'', September 1981</ref> During the making of their third album they purchased their first commercial ]s for the studio, the ] and Mk I ]. Other equipment at this time included an Echolette Tape Echo.<ref> http://kraftwerk.technopop.com.br/data_setup.php</ref> ] had joined the band at this stage and was using a custom built electronic drum system.<ref> ''Electronics & Music Maker'', September 1981</ref> When he had first visited the studio a small acoustic drum kit resided in the studio.<ref>Flür, W, ''I Was A Robot'', Sanctuary Publishing, 2001, page 42</ref> After ] joined the band more studio equipment was designed, by all four band members. A full time engineer was employed to assist with the designs and new equipment purchases.<ref>''Electronics & Music Maker'', September 1981</ref> It was in ] that the studio was christened Kling Klang.<ref>Bussey, P, ''Kraftwerk - Man Machine & Music'', SAF Publishing 1993, page 51</ref> ~~By this time the~~ band members ~~were~~ spending eight to ten hours a day in the studio, regarding themselves as "musical workers". ~~The~~ time was spent designing a complete portable studio setup, including stage backdrops, curtains, lighting, staging and a ] ] system.<ref>''Electronics & Music Maker'', September 1981</ref> Portable nineteen inch equipment frames were designed and linked to other equipment using custom made wiring looms used for quick dismantling whilst touring. This new system of mobile equipment was designed for the '']'' tour and replaced the previous "messy" system. ] spent three years designing the newer system.<ref> ''Electronics & Music Maker'', September 1981</ref> The newer studio could be set up in about two hours and was far easier to transport whilst touring. The Kling Klang 12k ] system was also designed to be portable and matched the grey colour of the equipment frames.<ref> ''Electronics & Music Maker'', September 1981</ref>		When first using the studio, the band recorded with ] tape machines and cassette recorders. These master tapes were then taken to a commercial recording studio for the final mix down. Part of the reason for this was so the band could self produce their albums.<ref> ''Electronics & Music Maker'', September 1981</ref> The ] equipment at this time was self constructed and consisted of plywood bass horns and cast aluminium mid range horns.<ref>Flür, W, ''I Was A Robot'', Sanctuary Publishing, 2001, page 43</ref> In 1971 ] were still without a drummer so they purchased a cheap drum machine. By treating the sounds with echo and filtering they used the ] to record rhythm tracks for their second album.<ref> ''Electronics & Music Maker'', September 1981</ref> During the making of their third album they purchased their first commercial ]s for the studio, the ] and Mk I ]. Other equipment at this time included an Echolette Tape Echo.<ref> http://kraftwerk.technopop.com.br/data_setup.php</ref> ] had joined the band at this stage and was using a custom built electronic drum system.<ref> ''Electronics & Music Maker'', September 1981</ref> When he had first visited the studio a small acoustic drum kit resided in the studio.<ref>Flür, W, ''I Was A Robot'', Sanctuary Publishing, 2001, page 42</ref> After ] joined the band more studio equipment was designed, by all four band members. A full time engineer was employed to assist with the designs and new equipment purchases.<ref>''Electronics & Music Maker'', September 1981</ref> It was in ] that the studio was christened Kling Klang.<ref>Bussey, P, ''Kraftwerk - Man Machine & Music'', SAF Publishing 1993, page 51</ref>

			The band members had begun spending eight to ten hours a day in the studio, regarding themselves as "musical workers". That time was spent designing a complete portable studio setup, including stage backdrops, curtains, lighting, staging and a ] ] system.<ref>''Electronics & Music Maker'', September 1981</ref> Portable nineteen inch equipment frames were designed and linked to other equipment using custom made wiring looms used for quick dismantling whilst touring. This new system of mobile equipment was designed for the '']'' tour and replaced the previous "messy" system. ] spent three years designing the newer system.<ref> ''Electronics & Music Maker'', September 1981</ref> The newer studio could be set up in about two hours and was far easier to transport whilst touring. The Kling Klang 12k ] system was also designed to be portable and matched the grey colour of the equipment frames.<ref> ''Electronics & Music Maker'', September 1981</ref>

	In September 2007, the ''Neuss Grevenbroicher Zeitung'' reported that Ralf Hütter had purchased property space in a proposed new commercial development in Meerbusch, about 10 kilometers northwest of Düsseldorf, with the intention of building a new sound studio and office there, so that Kraftwerk's recording, merchandise, and administration can be managed from a single location.<ref>NGZ-online.de, 9 September 2007</ref>		In September 2007, the ''Neuss Grevenbroicher Zeitung'' reported that Ralf Hütter had purchased property space in a proposed new commercial development in Meerbusch, about 10 kilometers northwest of Düsseldorf, with the intention of building a new sound studio and office there, so that Kraftwerk's recording, merchandise, and administration can be managed from a single location.<ref>NGZ-online.de, 9 September 2007</ref>

Revision as of 08:28, 19 February 2009

For the Liverpool experimental rock band, see Kling Klang (band).

Kling Klang is the private music studio of the band Kraftwerk. The name is taken from a track on the Kraftwerk 2 album. The studio is located in Düsseldorf, Germany.

Background

Kling Klang began as a studio in 1970; the band marked this as the real beginning of Kraftwerk. The studio began as an empty room in a workshop premises located in an industrial part of Düsseldorf. The building exterior was clad in yellow tiles with a large electric shuttered doorway leading to an enclosed courtyard. On the right was a loading stage used by an electrical installation company that used the upper floor. The studio was accessed through a small anteroom. The main studio room was fitted with sound insulation and measured about sixty square feet. Later on other adjoning rooms were used for things like making instruments such as home made oscillators. The basement of the studio was used to store old instruments and machines. The band never threw anything away and used the older equipment to later recreate sounds.

When first using the studio, the band recorded with stereo tape machines and cassette recorders. These master tapes were then taken to a commercial recording studio for the final mix down. Part of the reason for this was so the band could self produce their albums. The PA equipment at this time was self constructed and consisted of plywood bass horns and cast aluminium mid range horns. In 1971 Kraftwerk were still without a drummer so they purchased a cheap drum machine. By treating the sounds with echo and filtering they used the drum machine to record rhythm tracks for their second album. During the making of their third album they purchased their first commercial synthesisers for the studio, the Minimoog and Mk I ARP Odyssey. Other equipment at this time included an Echolette Tape Echo. Wolfgang Flur had joined the band at this stage and was using a custom built electronic drum system. When he had first visited the studio a small acoustic drum kit resided in the studio. After Karl Bartos joined the band more studio equipment was designed, by all four band members. A full time engineer was employed to assist with the designs and new equipment purchases. It was in 1973 that the studio was christened Kling Klang.

The band members had begun spending eight to ten hours a day in the studio, regarding themselves as "musical workers". That time was spent designing a complete portable studio setup, including stage backdrops, curtains, lighting, staging and a stereo PA system. Portable nineteen inch equipment frames were designed and linked to other equipment using custom made wiring looms used for quick dismantling whilst touring. This new system of mobile equipment was designed for the Computer World tour and replaced the previous "messy" system. Kraftwerk spent three years designing the newer system. The newer studio could be set up in about two hours and was far easier to transport whilst touring. The Kling Klang 12k PA system was also designed to be portable and matched the grey colour of the equipment frames.

In September 2007, the Neuss Grevenbroicher Zeitung reported that Ralf Hütter had purchased property space in a proposed new commercial development in Meerbusch, about 10 kilometers northwest of Düsseldorf, with the intention of building a new sound studio and office there, so that Kraftwerk's recording, merchandise, and administration can be managed from a single location.

Kling Klang Schallplatten

In the late 1970s Kraftwerk released its records on the label Kling Klang Schallplatten, which were licensed to and distributed by EMI Electrola in Germany and licensed to other EMI labels (most of the time) in other parts of the world. Later and current releases are credited to Kling Klang Produkt. Kling Klang Music also existed as a music-publishing company for a small period of time in the US, being associated with ASCAP.