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By E. J. Harrison - Page 190 </ref><ref>Centropa: a journal of central European architecture and related arts, Volume 3 - Page 249 </ref><ref>History of the Literary Cultures of East-Central Europe: Junctures and Disjunctures in the 19th and 20th Centuries, by John Neubauer - Page 23</ref>architect and sculptor. | By E. J. Harrison - Page 190 </ref><ref>Centropa: a journal of central European architecture and related arts, Volume 3 - Page 249 </ref><ref>History of the Literary Cultures of East-Central Europe: Junctures and Disjunctures in the 19th and 20th Centuries, by John Neubauer - Page 23</ref>architect and sculptor. | ||
He was born February 20, 1877 in ] near ] in ], where his father |
He was born February 20, 1877 in ] near ] in ], where his father served as forest superintendant<ref>Centropa: a journal of central European architecture and related arts, Volume 3 - Page 249 </ref>. He graduated from two of the most prestigious art and architecture universities of the epoch: the ] in ] and the ] in ]. | ||
Among the most notable of his works are: | Among the most notable of his works are: |
Revision as of 18:41, 18 April 2010
Antoni Wiwulski (1877-1919) was a Polish and Lithuanianarchitect and sculptor.
He was born February 20, 1877 in Totma near Vologda in Imperial Russia, where his father served as forest superintendant. He graduated from two of the most prestigious art and architecture universities of the epoch: the École Supérieure des Beaux-Arts in Paris and the Higher Technical School in Vienna.
Among the most notable of his works are:
- the Battle of Grunwald monument in Kraków, Poland
- Chapel in Šiluva, Lithuania
- Three Crosses on the Hill of the Three Crosses Vilnius, Lithuania
- the Holy Heart of Jesus' Church in Vilnius, Lithuania
The latter building was started in 1913 and was the first example of usage of reinforced concrete in former Polish-Lithuanian Commonwealth. Wiwulski, astonished by the possibility to build gigantic buildings of the newly-rediscovered material prepared a project of a giant church with a stylised gigantic sculpture of the Creator sitting on the dome. However, the project was discontinued after Wiwulski's death on January 10, 1919.
In 1919, despite suffering from tuberculosis, he volunteered for the Polish Army and took part in the defence of Vilna against the Bolshevik assault in the early stages of the Polish-Bolshevik War. He contracted pneumonia while on guard in the Vilnius' suburb of Užupis. After his death he was buried in the cellars beneath the church he had designed. When it was converted by the Soviets into a Palace of the Construction Workers in 1964 his ashes were moved to the Rasos Cemetery.
A monography on Wiwulski was published by Nijolė Tolvaišienė in 2002
References
- In-line:
- Phillips, Charles (1933). Paderewski - The Story of a Modern Immortal. The Macmillan Company. p. 280.
- Lithuania - Past & Present By E. J. Harrison - Page 190
- Centropa: a journal of central European architecture and related arts, Volume 3 - Page 249
- History of the Literary Cultures of East-Central Europe: Junctures and Disjunctures in the 19th and 20th Centuries, by John Neubauer - Page 23
- Centropa: a journal of central European architecture and related arts, Volume 3 - Page 249
- Template:Pl icon Wiktor Zenonowicz (1986). "Rys życia autora wileńskich Trzech Krzyży (A sketch on the author of Three Crosses)". Nasza Gazeta. 8 (547). Retrieved 2006-07-10.
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(help) - Template:Pl icon J. Polonus (2005). "Grunwaldzkie uroczystości (Anniversary of Grunwald)". Źródło. 705 (27): 31–33. Retrieved 2006-07-10.
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ignored (help) - Template:Pl icon Katarzyna Deptuła (2001). "Cmentarz na Rossie (Rasos Cemetery)". Gazeta Wyborcza. Retrieved 2006-07-10.
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ignored (help) - Template:Lt icon Nijolė Lukšionytė-Tolvaišienė (2002). Antanas Vivulskis: Tradicijų ir modernumo dermė (Antanas Vivulskis (1877-1919): combination of traditions and modernity). Academy of Fine Arts Press: Vilniaus dailės akademijos leidykla. p. 163. ISBN 9986-571-79-0.
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