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| language = English | language = English
| budget = $45 million<ref name="VarietySep2010"/> | budget = $45 million<ref name="VarietySep2010"/>
| gross = $30.9-$36 million<ref name="BOM"/><ref name="BO"/> | gross = $30,931,946million<ref name="BOM"/>
}} }}
'''''Dredd''''' is a 2012 ] ] directed by ] and written and produced by ]. The British production is based on the '']'' comic strip '']'' and its eponymous character created by ] and ]. ] stars as Judge Dredd, a law enforcer given the power of judge, jury and executioner in a vast, dystopian metropolis called ] that lies in a post-apocalyptic wasteland. Dredd and his inexperienced sidekick, ] (]), are forced to bring order to a 200-storey high-rise block of flats and deal with its resident drug lord, Ma-Ma (]). '''''Dredd''''' is a 2012 ] ] directed by ] and written and produced by ]. The British production is based on the '']'' comic strip '']'' and its eponymous character created by ] and ]. ] stars as Judge Dredd, a law enforcer given the power of judge, jury and executioner in a vast, dystopian metropolis called ] that lies in a post-apocalyptic wasteland. Dredd and his inexperienced sidekick, ] (]), are forced to bring order to a 200-storey high-rise block of flats and deal with its resident drug lord, Ma-Ma (]).
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=== Box office === === Box office ===
''Dredd'' earned over $17,517,232 from international markets and $13,414,714 from North America, a total of $30,931,946.<ref name="BOM"/><ref name="BO"/> In the UK, ''Dredd'' grossed £1.05 million ($1.7 million) from 415 cinemas during its opening weekend. This made it the weekend's number-one film, the first film restricted to audiences over 18 years of age to do so since '']'' in 2010.<ref name="BO1"/><ref name="BO2"/> In its second weekend, the film placed number five, earning £769,381.<ref name="BO3"/> In North America, pre-release tracking estimated that the film would gross between $8 and $10 million during its opening weekend based on its adult rating and the poor reputation of the 1995 adaptation.<ref name="BONA1"/> The film earned $2.2 million on its opening day<ref name="BONA2"/> and finished the weekend in sixth place, grossing $6.3 million from 2,506 cinemas—an average of $2,514 per cinema. The largest demographic of the opening weekend audience was over the age of 25 (69%) and male (75%).<ref name="BOM"/><ref name="BONA3"/> ''Dredd'' earned over $17,517,232 from international markets and $13,414,714 from North America, a total of $30,931,946.<ref name="BOM"/> In the UK, ''Dredd'' grossed £1.05 million ($1.7 million) from 415 cinemas during its opening weekend. This made it the weekend's number-one film, the first film restricted to audiences over 18 years of age to do so since '']'' in 2010.<ref name="BO1"/><ref name="BO2"/> In its second weekend, the film placed number five, earning £769,381.<ref name="BO3"/> In North America, pre-release tracking estimated that the film would gross between $8 and $10 million during its opening weekend based on its adult rating and the poor reputation of the 1995 adaptation.<ref name="BONA1"/> The film earned $2.2 million on its opening day<ref name="BONA2"/> and finished the weekend in sixth place, grossing $6.3 million from 2,506 cinemas—an average of $2,514 per cinema. The largest demographic of the opening weekend audience was over the age of 25 (69%) and male (75%).<ref name="BOM"/><ref name="BONA3"/>


=== Critical reception === === Critical reception ===
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<ref name="2012Empire">{{cite web|first=Owen |last=Williams |title=Exclusive: John Wagner And Alex Garland Talk Dredd |url=http://www.empireonline.com/interviews/interview.asp?IID=1530 |publisher=] |work=] |year=2012 |accessdate=5 September 2012 |archiveurl=http://www.webcitation.org/6AeIhHk36 |archivedate=13 September 2012 |deadurl=no}}</ref> <ref name="2012Empire">{{cite web|first=Owen |last=Williams |title=Exclusive: John Wagner And Alex Garland Talk Dredd |url=http://www.empireonline.com/interviews/interview.asp?IID=1530 |publisher=] |work=] |year=2012 |accessdate=5 September 2012 |archiveurl=http://www.webcitation.org/6AeIhHk36 |archivedate=13 September 2012 |deadurl=no}}</ref>

<ref name="BO">{{cite news|first=|last=| url=http://www.boxoffice.com/statistics/movies/dredd-2012?q=dredd |title=Dredd 3D (R) |publisher=Boxoffice Media LP. | work=] |year=2012|accessdate=23 November 2012| archiveurl= |archivedate= |deadurl=no}}</ref>


<ref name="BO1">{{cite news|first=Stuart |last=Kemp | url=http://www.boxofficemojo.com/news/?id=3523&p=.htm |title=Around-the-World Roundup: 'Expendables' Back on Top |publisher=Amazon.com | work=] |date=11 September 2012|accessdate=11 September 2012| archiveurl=http://www.webcitation.org/6AeIkbxTN |archivedate=13 September 2012 |deadurl=no}}</ref> <ref name="BO1">{{cite news|first=Stuart |last=Kemp | url=http://www.boxofficemojo.com/news/?id=3523&p=.htm |title=Around-the-World Roundup: 'Expendables' Back on Top |publisher=Amazon.com | work=] |date=11 September 2012|accessdate=11 September 2012| archiveurl=http://www.webcitation.org/6AeIkbxTN |archivedate=13 September 2012 |deadurl=no}}</ref>

Revision as of 07:59, 11 December 2012

This article is about the film. For the character on which it is based, see Judge Dredd. For other uses, see Judge Dredd (disambiguation). 2012 film
Dredd
A futuristic police officer in armour and a helmet that covers all but his mouth stands on the corner of a building roof with a gun in his hand as large tower blocks burn behind him. Above the man reads a tagline "Judgment is Coming".Theatrical poster
Directed byPete Travis
Written byAlex Garland
Produced by
Starring
CinematographyAnthony Dod Mantle
Edited byMark Eckersley
Music byPaul Leonard-Morgan
Production
companies
Distributed by
Release dates
  • 11 July 2012 (2012-07-11) (San-Diego Comic Con)
  • 7 September 2012 (2012-09-07) (United Kingdom)
Running time95 minutes
Countries
  • United Kingdom
  • South Africa
LanguageEnglish
Budget$45 million
Box office$30,931,946million

Dredd is a 2012 science fiction action film directed by Pete Travis and written and produced by Alex Garland. The British production is based on the 2000 AD comic strip Judge Dredd and its eponymous character created by John Wagner and Carlos Ezquerra. Karl Urban stars as Judge Dredd, a law enforcer given the power of judge, jury and executioner in a vast, dystopian metropolis called Mega-City One that lies in a post-apocalyptic wasteland. Dredd and his inexperienced sidekick, Judge Anderson (Olivia Thirlby), are forced to bring order to a 200-storey high-rise block of flats and deal with its resident drug lord, Ma-Ma (Lena Headey).

Garland began writing the script in 2006, although the development of a new Judge Dredd film adaptation, that would be unrelated to the 1995 film Judge Dredd, was not announced until December 2008. Principal photography, using 3D cameras throughout on practical sets and locations in Cape Town and Johannesburg, began in November 2010.

Dredd was released on 7 September 2012 in the United Kingdom and on 21 September 2012 worldwide. Critics were generally positive about the film's visual effects, casting and action, while criticism focused on a perceived lack of satirical elements in the source comic and excessive violence. The film had an estimated budget of $45 million and earned between $30−$36 million.

Plot

The future United States is an irradiated wasteland known as the Cursed Earth. On the east coast lies Mega-City One, a violent metropolis with 800 million residents and 17,000 crimes reported daily. There, an addictive new drug called "Slo-Mo" has been introduced, which slows the user's perception of time to 1% of normal. The only force for order are the Judges, who act as judge, jury and executioner. Judge Dredd is tasked by the Chief Judge with evaluating new recruit Cassandra Anderson, a powerful psychic who failed the aptitude tests to be a Judge.

In Peach Trees, a 200-storey slum tower block, drug lord Madeline Madrigal, also known as "Ma-Ma", executes three rogue drug dealers by having them skinned, infused with Slo-Mo and thrown down the atrium from the top floor. Dredd and Anderson are sent in to investigate and learn of a drug den, which they raid. They arrest a thug named Kay, whom Anderson's mind probe reveals to be the one who carried out the drug dealers' execution. Dredd decides to take him in for questioning. In response, Ma-Ma's forces seize the tower's security control room and seal the building, using its blast shields under the pretence of a security test, preventing the Judges from leaving or summoning help.

Ma-Ma orders Dredd and Anderson killed, and the Judges fight their way through dozens of armed thugs. Arriving at the 76th floor, the Judges are assaulted by Ma-Ma and her men with miniguns that rip through the walls, killing numerous residents. By breaching a damaged outer wall, the Judges become able to call for backup. Meanwhile, Ma-Ma sends her henchman Caleb to confirm the Judges' deaths, but when they meet, Dredd throws Caleb off the tower in full view of Ma-Ma.

Dredd suspects Ma-Ma is desperate to keep Kay quiet and beats him for information. Anderson intervenes and uses her psychic abilities to read Kay's mind and learn that Peach Trees is the centre of Slo-Mo production and distribution. Anderson suggests they hide while awaiting assistance but Dredd insists they move up the tower and pursue Ma-Ma. Judges Volt and Guthrie respond to Dredd's call, but Ma-Ma's computer expert denies them entry by persuading them the call is part of the security drill. A pair of armed teens confront Dredd and Anderson, allowing Kay to disarm Anderson and escape with her as hostage. He brings her to Ma-Ma's base on the top floor.

While Dredd works his way toward Ma-Ma, she bribes the corrupt Judges Lex, Kaplan, Chan and Alvarez to kill Dredd. Dredd encounters Chan and is suspicious that he does not ask about Anderson's status. Seeing his cover blown, Chan attacks Dredd, who kills him. Meanwhile, Kay tries to execute Anderson with her own weapon, but the pistol's DNA scanner does not recognize him and blows his arm off. Anderson escapes and later encounters Kaplan, whom she promptly kills after reading her mind. Elsewhere, Dredd kills Alvarez but runs out of ammunition, and Lex shoots him in the abdomen. Lex moves in to execute Dredd, but Dredd stalls him long enough for Anderson to arrive and kill Lex.

Anderson and Dredd obtain the code to Ma-Ma's apartment from her hacker and confront her. Ma-Ma tells Dredd that in the case of her death, a device on her wrist will detonate explosives on the top floors, destroying the building. Dredd reasons that the detonator's signal will not reach the explosives from the ground floor, so he forces Ma-Ma to inhale Slo-Mo and throws her down the atrium to her death.

In the aftermath, Anderson accepts that she has failed her evaluation by getting disarmed, and leaves. The Chief Judge asks Dredd about Anderson's performance; he responds that she has passed.

Cast

Olivia Thirlby promoting the film at the 2012 Fantastic Fest.
A famed and feared Judge. Producer Allon Reich described Dredd as "an extreme character, and he administers justice with an extreme lack of prejudice." Urban approached the producers about joining the film. He found the role challenging because the character never removes his helmet, requiring Urban to convey emotion without using his eyes. He viewed the character as an average man with an insanely tough job in a fragmenting society and likened Dredd's heroism to that of a fireman. The role also demanded physical preparation; Urban undertook intensive physical training to become a "beast of a man". He also underwent weapons and technical training to learn how to operate under fire, how to arrest criminals and breach doors. He insisted on performing his own motorcycle stunts for the film. He played Dredd with a raspy and harsh vocal tone akin to "a saw cutting through bone", which he found difficult to sustain.
A rookie Judge and genetic mutant with powerful psychic abilities. Anderson can sense the thoughts and emotions of others. Thirlby contrasted her character with Dredd's "black and white" perspective, describing Anderson as existing "in a grey area where everything is enhanced or clouded by the fact she knows what is going on in the very interior of a person". She undertook weapons and combat training, learning to perform a roundhouse kick to make her believably physically commanding. The character was partially inspired by singer Debbie Harry.
A former prostitute turned drug lord and criminal kingpin who is the sole supplier of Slo-Mo, a new and addictive drug. Headey's performance was inspired by punk-rock singer Patti Smith. Reich described the character as someone who does "not care at all about what anybody thinks or feels and she will do, and behave, as she wants." Headey said: "I think of like an old great white shark who is just waiting for someone bigger and stronger to show up and kill her ...  she’s ready for it. In fact, she can't wait for it to happen ... She's an addict, so she's dead in that way, but that last knock just hasn't come." Before Headey's casting, the character was described as a heavily made-up, scarred and obese older woman.
Ma-Ma's clansman. Harris described the character as a villain, but one that sees himself as no worse than the Judges. Harris said: " ... Dredd goes around literally judging and killing people if they do wrong ... Anyone who goes against the system might end up the bad guy. So I think Kay has justified fighting that in his mind."

The cast also includes: Domhnall Gleeson as the gang's unnamed computer expert, or "clan techie"; Warrick Grier as Ma-Ma's right hand man Caleb; Langley Kirkwood as Judge Lex, Edwin Perry as Judge Alvarez, Karl Thaning as Judge Chan and Michele Levin as Judge Kaplan; Junior Singo as Amos and Luke Tyler as Freel, young boys who confront Dredd; Jason Cope as Zwirnerr; Joe Vaz as Big Joe and Scott Sparrow as Japhet, members of Ma-Ma's gang; Francis Chouler as Judge Guthrie; Rakie Ayola as the Chief Judge; Deobia Oparei as TJ, a paramedic; and Daniel Hadebe as Judge Volt.

Production

Development

Development of the film was announced on 20 December 2008; it would be an independent project under British studio DNA Films, who worked with sales agency IM Global to sell worldwide distribution rights. In September 2009, it was confirmed that Alex Garland was writing the film and that comic artist Jock was developing concept art. However, by October 2009, no director was attached to the film. In May 2010, it was announced that Reliance Big Pictures and its subsidiary IM Global would co-finance DNA Films' 3-D project with a $45 million budget and a schedule to begin filming in late 2010 in Johannesburg. Pete Travis was named as the film's director and Garland, Andrew MacDonald and Allon Reich would produce it. Duncan Jones had previously been offered the role of director. In September 2010, it was reported that the film would be titled Dredd.

During the Toronto International Film Festival in September 2010, the film attracted $30 million in worldwide pre-sales to distributors in 90% of theatrical markets. The sales included a $7 million deal with British distributor Entertainment Film Distributors. On 2 November 2010, Lions Gate Entertainment secured the North American distribution rights to Dredd. Judge Dredd creator John Wagner acted as a consultant on the film. In 2012 he confirmed that it was a new adaptation of the comic material and was not a remake or reboot of the 1995 adaptation Judge Dredd, which starred Sylvester Stallone. In July 2011, the film was scheduled for a theatrical release on 21 September 2012 in North America.

Pre-production commenced on 23 August 2010 at Cape Town Film Studios in Cape Town, South Africa. During the 2010 San Diego Comic-Con International in July, Urban confirmed that he had been offered the role of Judge Dredd and on 18 August 2010 it was reported that Urban officially had the role. In September 2010, it was announced that Thirlby would play Dredd's telepathic rookie Cassandra Anderson. Headey joined the cast as drug-dealer Ma-Ma in January 2011.

Writing

"...what John does is have Dredd evolve, in the way that a glacier moves: you look a year later and something actually has shifted! I tried to be true to that."

Alex Garland concerning writing Dredd's character.

Garland began writing Dredd in 2006 during post-production of Sunshine and completed his first draft during filming of 28 Weeks Later. Garland's draft revolved around one of Dredd's main enemies, the undead Judge Death. He described the story as a "riff on the whole Judge system", but that it did not work because the Judge system had not yet been established and required too much knowledge about the Judge Dredd comic from the audience. He also considered the end result too surreal and extreme. From this script, Garland decided that the story needed to be more focused and grounded. He instead considered adapting some of the notable Judge Dredd storylines, including "Democracy" (1986) and "Origins" (2006), but he decided to avoid these lengthy tales in favour of a shorter, day-in-the-life story about Dredd and his function as a cop in the dystopian environment of Mega-City One. When developing the Judge Dredd character, Garland tried to closely follow that of the comic-book character, who undergoes only small personality changes over a lengthy period of time. He said: "I didn’t think Dredd could have a great epiphany, but there is definitely a change in him over the course of the movie. He makes a very clear statement at the beginning of the film which he then contradicts at the end. That’s about as far as the shift goes." Garland intentionally gave the traditional character development to Anderson to compensate for Dredd's character stability.

Discussing the film's setting within the Peach Tree Block tower, Garland said the buildings were "like micro city states ... you could live and die in those buildings". He also considered that the setting met Wagner's suggestion that the future portrayed in Dredd should relate to modern ways of living. Garland named the tower after a restaurant called "The Peach Tree", where he first met with Wagner. The budget limited his ability to represent some of the comic aspects of Mega-City One, such as robots and aliens. Throughout the production, Garland would send his script to Wagner, who would revise some of the dialogue. Urban would then further revise the script during his performance.

Design

The filmmakers decided that Dredd should appear lean and fast like a boxer rather than bulky like "someone who spends hours sort of steroiding himself up." His Judge uniform was altered from the comic version; an extruded eagle statuette was removed from his shoulder pad to emphasise the outfit's functionality and give it a sense of realism. Garland said: "If you did a very faithful adaptation of the uniform you'd have someone who if he got stabbed in the stomach he’d be in big trouble. Dredd is out there on the frontline so he needed protection." Remaining faithful to the comic, Dredd's face, except for his mouth, is never shown and his helmet is not removed throughout the film. Urban said: "He is supposed to be the faceless representative of the law and I think that is part of his enigma ... You wouldn't get to the end of a Sergio Leone Western and go, 'God, I didn't even know the character's name!' It's irrelevant."

Dredd's signature weapon, the "Lawgiver" was developed as a fully operational weapon based on a 9mm firing system, capable of firing ammunition and being changed from automatic to semi-auto fire. His motorcycle "Lawmaster" was a modified 500cc motorcycle. A large fairing was added over the motorcycle with machine guns, an extended wheel base and the largest functional tyres possible. The vehicle was also operational and Urban insisted on riding it himself rather than relying on Chroma key visual effects. Wagner described the necessity of adaptation from the source material and said that the 1995 film's attempt to directly replicate the comic's motorcycle was unable to steer because the tyres were too large.

Garland and VFX supervisor Jon Thum began developing the Slo-Mo concept sequences in 2009 during filming for Never Let Me Go. They experimented with an effect to replicate the visual effects of hallucinogenic drugs to see how long it could be used before it distracted the viewer from the story or action sequence. They continued to develop and modify the effect until the end of post-production, tweaking colours, colour saturation, image framing and camera motion. Garland said the concept was inspired by nature documentaries that used high-speed photography to capture animals in slow motion. He said, "You see a whale or a shark breach the water ... then you'd stop thinking about the animal and you get transfixed by ... how water droplets connect and touch against each other. Somehow like a real trip, sort of stepping outside it but staying attached at the same time." He questioned whether the technique could be used with violence to make it purely aesthetic. He said "Can it be so abstract that it becomes genuinely beautiful? ...really aesthetically beautiful even if someone is having their cheek blown out or their head crushing into concrete."

Filming

With a $45 million budget, filming began on 12 November 2010 in Cape Town and took approximately 13 weeks, with second unit photography occurring over seven weeks. Filming locations included Johannesburg and Cape Town Film Studios. The film was shot digitally and primarily in 3D using RED MX, SI2K and Phantom Flex high-speed cameras. Multiple camera rigs were used. Some 2D elements were converted to 3D in post production.

DNA Films' co-founder Andrew Macdonald engaged cinematographer Anthony Dod Mantle to manage the shoot; it was the first time Mantle worked with 3D. The filmmakers wanted Dredd to have a realistic, visceral look and drew inspiration from crime and gangster films. For scenes conveying the time and space altering effects of Slo-Mo, Mantle aimed to create images that would be beautiful but disorienting.

Mega-City One and its high rise towers were created in Cape Town Film Studios. A key sequence involving Ma-Ma and her gang killing hundreds of people in their attempt to kill Judge Dredd required ten days of filming and eight different sets inside and outside the studio which were blended together with visual effects. Mantle had to develop new rigs to obtain close-up shots. Describing the aesthetic he aimed to achieve, he said: "I hope it will be more painterly. If we get it right, it will be a cross between Blade Runner and Clockwork Orange." Garland was a constant presence on the shoot; Urban turned to Garland for direction instead of Travis.

Post-production

Final art of the city by VFX Art Director Neil Miller; note Peach Trees on the left. The "micro-city state"-like towers were gradually positioned further apart to emphasise their size and allow for a more detailed city to exist between them; highlighting the scale of Mega-City One.

The filmmakers experimented with the visuals of Mega-City One, including the design and positioning of the city's tower blocks. They found that replicating the comic visuals of blocks close together made the blocks appear small. Instead they allowed more space between the buildings to emphasise the larger buildings and allow for the presence of roads and cars to allow for extrapolation outside of the picture. On 7 October 2011, the Los Angeles Times reported that Travis was prohibited from participating in the editing process following creative disagreements between producers and executives. Garland took over the editing process; his contribution was considered significant enough for him to seek a co-director credit—a situation considered unusual as Garland had never directed a film before and had not been in charge of any filming. The disagreement concerned a disapproval over the footage that Travis was providing. Although Travis was removed from the editing process he was monitoring the progress of the film. On 10 October, Travis and Garland released a joint statement claiming that they had agreed on an "unorthodox collaboration" before production began, that Travis was still involved in the film and that Garland was not seeking a co-director credit.

Music

Paul Leonard-Morgan wrote the film's industrial music score. Leonard-Morgan created music to suit the film's futuristic setting. He experimented with band-based music, but decided it sounded over-produced and too safe. He turned to electronic music and used 1980's-style synthesisers and modern sound modules to create various combinations and applied distortion and other effects to the result. Leonard-Morgan said: "I was looking to create a timeless score which couldn't be placed in any particular era. So it's ended up being a cross between a modern dance track and evocative soundscapes." For scenes conveying the effect of the Slo-Mo narcotic, he composed new music with real instruments and then slowed the songs down by thousands of percent to match the visuals, such that 1 second of his composed score could last 10 minutes. He then added additional real-time score to the slowed track.

The film also features songs by artists including: "Poison Lips" by Vitalic; "Dubstride" by Yann McCullough and Gemma Kicks; "Snuffbox" by Matt Berry; "Pontiac Moon" by Robert J. Walsh; and "Jubilee (Don't Let Nobody Turn You Around)" by Bobby Womack.

No.TitleArtistLength
1."She's a Pass"Paul Leonard-Morgan3:16
2."Mega City One"Paul Leonard-Morgan3:13
3."The Plan"Paul Leonard-Morgan2:37
4."The Rise Of Ma-Ma"Paul Leonard-Morgan1:55
5."Anderson's Theme"Paul Leonard-Morgan2:37
6."Lockdown"Paul Leonard-Morgan2:46
7."Cornered"Paul Leonard-Morgan2:17
8."Kay Escapes"Paul Leonard-Morgan3:17
9."Mini-Guns"Paul Leonard-Morgan2:02
10."Undefined Space"Paul Leonard-Morgan1:17
11."Bad Judges"Paul Leonard-Morgan2:03
12."Judgment Time"Paul Leonard-Morgan1:52
13."Hiding Out"Paul Leonard-Morgan2:23
14."Order in the Chaos"Paul Leonard-Morgan1:16
15."Slo-Mo"Paul Leonard-Morgan1:27
16."Taking Over Peach Trees"Paul Leonard-Morgan1:27
17."It's All A Deep End"Paul Leonard-Morgan2:20
18."Judge, Jury and Executioner"Paul Leonard-Morgan2:18
19."Any Last Requests"Paul Leonard-Morgan3:25
20."You Look Ready"Paul Leonard-Morgan1:38
21."Ma-Ma's Requiem"Paul Leonard-Morgan3:37
22."Apocalyptic Wasteland"Paul Leonard-Morgan2:24

Marketing

In August 2012, the viral advertising site "Dredd Report" was launched, satirising the Drudge Report. The site featured a video condemning the use of Slo-Mo, and links to news about the film. A tie-in comic book was published; its plot serves as a prequel to the film's narrative and follows Ma-Ma's life as a prostitute, controlled by her pimp Lester Grimes. Ma-Ma forms a relationship with Eric—the creator of Slo-Mo. Lester kills Eric for interfering with his business, Ma-Ma castrates Lester with her teeth in retaliation and Ma-Ma takes over the Slo-Mo operation. The comic was written by Judge Dredd Megazine editor Matt Smith, drawn by 2000 AD artist Henry Flint and was released on 5 September 2012. An exclusive film poster featuring artwork by Jock was released by Mondo to promote the film's appearance at the 2012 Fantastic Fest in September 2012.

Release

Dredd premiered at the 2012 San Diego Comic-Con International on 11 July 2012. It was also screened at the Toronto International Film Festival on 6 September 2012, and at the 2012 Fantastic Fest in late September. The film was first theatrically released on 7 September 2012 in the UK and on 21 September 2012 worldwide.

Box office

Dredd earned over $17,517,232 from international markets and $13,414,714 from North America, a total of $30,931,946. In the UK, Dredd grossed £1.05 million ($1.7 million) from 415 cinemas during its opening weekend. This made it the weekend's number-one film, the first film restricted to audiences over 18 years of age to do so since Saw 3D in 2010. In its second weekend, the film placed number five, earning £769,381. In North America, pre-release tracking estimated that the film would gross between $8 and $10 million during its opening weekend based on its adult rating and the poor reputation of the 1995 adaptation. The film earned $2.2 million on its opening day and finished the weekend in sixth place, grossing $6.3 million from 2,506 cinemas—an average of $2,514 per cinema. The largest demographic of the opening weekend audience was over the age of 25 (69%) and male (75%).

Critical reception

Karl Urban promoting the film at the 2012 Fantastic Fest. Critics praised his performance.

The film has garnered a 77% approval rating from 136 critics, with an average rating of 6.5 out of 10, on the review-aggregate website Rotten Tomatoes, which said, "Fueled by bombastic violence and impressive special effects, rooted in self-satire and deadpan humor, Dredd is a rare example of a remake that actually works." Metacritic provides a score of 59 out of 100 from 29 critics, which indicates "mixed or average" reviews. CinemaScore polls reported that the average grade moviegoers gave the film was a "B" on a scale of A+ to F.

At its premiere screening at the 2012 San Diego Comic-Con International, Dredd received positive reviews. IGN awarded the film eight out of ten and said, "Dredd is a character study, primarily, one fuelled by violence and action, and we can't think of a better way to re-introduce this character to cinema audiences." IndieWire said, "As Dredd, Urban either has a better character to play than did, or simply has a better grasp on what makes him tick, but the actor continues to distinguish himself as a versatile performer who turns mimicry into emotional meaning." Empire's Chris Hewitt scored the film three out of five stars, and said it gets the lead character "absolutely, incontrovertibly right" and that Urban's Dredd is "a deadpan delight—he doesn't grow as a person and he doesn't crack wise ... the movie generates its few laughs from his sheer intractability". Hewitt also called Thirlby's Anderson engaging and wrote that the film is "a solid, occasionally excellent take on , with Urban's chin particularly impressive." Variety's Geoff Berkshire said the film is "Grim, gritty and ultra-violent", called Dredd "a "badass of few words", and wrote that Urban "does a fine job embodying the more mythic qualities of Dredd as an upright law enforcer no lowlife would want to confront." He also praised Thirlby for carrying the film's emotional story and said, "one of the film's true thrills comes in watching Thirlby effortlessly balance the conflict between a Judge's merciless duties and a psychic's compassionate understanding."

Entertainment Weekly's Darren Franich said that the film is a "darkly funny blood-soaked romp" and singled out Urban for his "credibly wry performance using little more than his gravelly, imitation-Eastwood voice—and his chin." The Hollywood Reporter's Stephen Dalton wrote that the "dark, ironic, very British humour of the original strip" was largely absent from the film and that "he limited location, computer game-style plot and muted humour" of the film might disappoint some fans of the comic. Dalton also said that Urban's performance, while close to the comic, lacked something. Overall, however, Dalton said, "itched at the right level to please original fans, but still slick and accessible enough to attract new ones, feels like a smart and muscular addition to the sci-fi action genre." The Guardian's Phelim O'Neill scored the film 4 stars out of 5 and praised Urban's performance, saying, "The essence of Dredd is that he is almost an anti-character—he doesn't change or learn—and Urban nails it in an ego-free performance". He also wrote, "In a world of compromised adaptations, Dredd is something of a triumph."

Many US newspaper critics were less taken with the film. Mark Olsen of the Los Angeles Times called it "a clunk-headed action picture" that "simply becomes a monotonous series of bad-guy confrontations." Frank Lovece of Newsday described it as a "soullessly gritty" film, which apart from one believable scene involving Thirlby, is "all tough-guy talk and humorless cynicism". Kyle Smith of the New York Post found the police tactics distasteful, wrote, "Justice is supposed to be blind, but in this case I think what the Law really wants is unaccountability" and called Dredd a " thudding, repetitive movie", He also wrote, "It’s not that the movie is in bad taste or cheesy (though it is) but that all of its hyper-violence adds up to nothing". Stephen Whitty of The Star-Ledger called it a "gray and ugly film", said that there was little to draw viewers in, and wrote that apart from the drug-induced slow-motion sequences, the film offers nothing new.

The visual effects and slow-motion sequences induced by Slo-Mo received consistent praise. Berkshire said that they are notable and eye-catching with "impressively utilized 3d." Hewitt said the visuals were "genuinely surreal splashes of heightened colour that ... don’t outstay their welcome. The film's use of 3D is often excellent (including the credits) and it really comes to life in the Slo-mo scenes". Dalton said the film "constantly impresses on a visual level, with a gritty style more akin to cult hits like District 9 or 28 Days Later than to standard Hollywood comic-book blockbusters." Dalton said, " first venture into 3D is a blaze of saturated colours, gorgeous high-resolution close-ups and dazzling slow-motion sequences."

Judge Dredd creator John Wagner was critical of the 1995 adaptation, but positively received Dredd. He said: "I liked the movie. It was, unlike the first film, a true representation of Judge Dredd ... Karl Urban was a fine Dredd and I'd be more than happy to see him in the follow-up. Olivia Thirlby excelled as Anderson ... The character and storyline are pure Dredd."

Home media

Dredd is scheduled for release on DVD, Blu-ray and Digital Download on January 8, 2013. The Blu-ray edition will contain the 2D and 3D versions of the film and a digital copy. The DVD and Blu-ray editions will contain a motion comic version of the Dredd prequel comic and seven featurettes: "Mega-City Masters: 35 Years of Judge Dredd", "Day of Chaos: The Visual Effects of Dredd 3D", "Dredd"; "Dredd's Gear", "The 3rd Dimension" and "Welcome to Peachtrees".

Sequel

At the London Film and Comic Con in July 2012, Garland said that a North American gross of over $50 million for Dredd would make sequels possible and that he had plans for a trilogy of films. A second film would focus on the origins of Dredd and Mega-City One, and a third would introduce Dredd's nemeses, the undead Judge Death and his Dark Judges. In August 2012, Garland said that a Judge Dredd television series would be a positive future step for the series. In September 2012, Garland said that he would explore the "Origins" and "Democracy" storylines, would introduce characters Judge Cal and Chopper, and would pursue the concept that Judge Dredd is a fascist. Also in September, Macdonald said that further films would be made in partnership with IM Global and would likely be shot in South Africa.

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