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	The first written account of the material is due to the ]ian author Shora Begmurzin Nogma (written in Russian 1835-1843, published posthumously in 1861, German translation by ] in 1866). The stories exist in the form of prose tales as well as epic songs.		The first written account of the material is due to the ]ian author Shora Begmurzin Nogma (written in Russian 1835-1843, published posthumously in 1861, German translation by ] in 1866). The stories exist in the form of prose tales as well as epic songs.

	The word "Nart" is of ] origin, from a ] root that is the source of words meaning 'man,' 'hero,' in various ],<ref name=colarusso>John Colarusso. . Princeton University Press. xxiv, 552..</ref> and all the Nart corpora have an ancient Iranian core, inherited from the ], ], and ] (the Alans being the ancestors of the ]).<ref name=colarusso/><ref name=colarusso2>, John Colarusso, Circassian World</ref> However, they also contain abundant local North Caucasian accretions of great antiquity, which sometimes reflect an even more archaic past.<ref name=colarusso/>		The word "Nart" is problably of ] origin, from a ] root that is the source of words meaning 'man,' 'hero,' in various ],<ref name=colarusso>John Colarusso. . Princeton University Press. xxiv, 552..</ref> and all the Nart corpora have an ancient Iranian core, inherited from the ], ], and ] (the Alans being the ancestors of the ]).<ref name=colarusso/><ref name=colarusso2>, John Colarusso, Circassian World</ref> However, they also contain abundant local North Caucasian accretions of great antiquity, which sometimes reflect an even more archaic past.<ref name=colarusso/> André Sikojev derives the word "Nart" from the Mongolian word 'Narta', meaning ´''sun''´.<ref>André Sikojev: , H. Hugendubel, 2005 {{de icon}}</ref> Furthermore John Colarusso assumes that Caucasian myths have common parallels within Indo-European, ] and ] traditions:
			{{cquote\|"Surely experts whose knowledge lies beyond my own will draw further links from the present corpora, links not only with the traditions that I have already examined but further afield, both within Indo-European and in the Turkic and Mongol traditions."<ref></ref>}}

	Based especially on the Ossetian versions, the sagas have long been valued as a window towards the world of the ]-speaking cultures of Antiquity. For example, the philologist ] used the Ossetian division of the Narts into three ]s to support his ''Trifunctional Hypothesis'' that the ] were similarly divided into three castes—warriors, priests, and commoners.		Based especially on the Ossetian versions, the sagas have long been valued as a window towards the world of the ]-speaking cultures of Antiquity. For example, the philologist ] used the Ossetian division of the Narts into three ]s to support his ''Trifunctional Hypothesis'' that the ] were similarly divided into three castes—warriors, priests, and commoners.

Revision as of 17:33, 11 December 2012

"Nart" redirects here. For other uses, see Nart (disambiguation).

The Nart sagas (Template:Lang-ady; Template:Lang-krc; Template:Lang-os; Narty kaddžytæ; Template:Lang-ce); are a series of tales originating from the North Caucasus. They form the basic mythology of the tribes in the area, including Abazin, Abkhaz, Circassian, Ossetian, Karachay-Balkar and Chechen-Ingush folklore.

The Narts themselves are a race of giants and heroes. Like Rustu-can Nart.

Characters

Some of the characters who feature prominently in the sagas are:

Sosruko (Ubykh, Abkhaz and Adyghe sawsərəqʷa (Саусырыкъо), Ossetian soslan (Сослан)), a hero who sometimes also appears as a trickster;
Satanaya (Ubykh satanaja, Adyghe setenej (Сэтэнай), Ossetian: satana (Сатана)), the mother of the Narts, a fertility figure and matriarch;
Tlepsh (Adyghe and Abaza Template:IPA-cau, Ossetian Kyrdaləgon (Куырдалæгон)), a blacksmith deity;
Syrdon (Ossetian: Syrdon (Сырдон)) a trickster figure compared by Georges Dumezil to the Norse Loki.
Pkharmat (Template:Lang-ce), in Vainakh epos, a blacksmith figure that steals fire from the gods for the mortals .

Study and significance

The first written account of the material is due to the Kabardian author Shora Begmurzin Nogma (written in Russian 1835-1843, published posthumously in 1861, German translation by Adolf Berge in 1866). The stories exist in the form of prose tales as well as epic songs.

The word "Nart" is problably of Iranian origin, from a Proto-Indo-European root that is the source of words meaning 'man,' 'hero,' in various Indo-European languages, and all the Nart corpora have an ancient Iranian core, inherited from the Scythians, Sarmatians, and Alans (the Alans being the ancestors of the Ossetians). However, they also contain abundant local North Caucasian accretions of great antiquity, which sometimes reflect an even more archaic past. André Sikojev derives the word "Nart" from the Mongolian word 'Narta', meaning ´sun´. Furthermore John Colarusso assumes that Caucasian myths have common parallels within Indo-European, Turkic and Mongol traditions:

"Surely experts whose knowledge lies beyond my own will draw further links from the present corpora, links not only with the traditions that I have already examined but further afield, both within Indo-European and in the Turkic and Mongol traditions."

Based especially on the Ossetian versions, the sagas have long been valued as a window towards the world of the Iranian-speaking cultures of Antiquity. For example, the philologist Georges Dumézil used the Ossetian division of the Narts into three clans to support his Trifunctional Hypothesis that the Proto-Indo-Europeans were similarly divided into three castes—warriors, priests, and commoners.

The Northwest Caucasian (Circassian, Abkhaz-Abasin and Ubykh) versions are also highly valuable, because they are more archaic and preserve "all the odd details constituting the detritus of earlier traditions and beliefs", as opposed to the Ossetian ones, which have been "reworked to form a smooth narrative".

Some motifs in the Nart sagas are shared by Greek mythology. The story of Prometheus chained to Mount Kazbek or to Mount Elbrus in particular is similar to an element in the Nart sagas. These shared motifs are seen by some as indicative of an earlier proximity of the Caucasian peoples to the ancient Greeks, also shown in the myth of the Golden Fleece, in which Colchis is generally accepted to have been part of modern-day Georgia.

In the book From Scythia to Camelot, authors C. Scott Littleton and Linda A. Malcor speculate that many aspects of the Arthurian legends are derived from the Nart sagas. The proposed vector of transmission is the Alans, some of whom migrated into northern France at around the time the Arthurian legends were forming. As expected, these parallels are most evident in the Ossetian versions, according to researcher John Colarusso. See Historical basis for King Arthur - Sarmatian hypothesis for more details.

Differences between Nart Legends

There are various differences between the various versions of the Nart legends. For example, the Ossetian versions depict the Nartic tribe as composed of three distinct clans that sometimes rival with each other (the brave Æxsærtægkatæ, to whom the most prominent Narts belong, the rich Borætæ and the wise Alægatæ), while the Circassian ones don't depict such a division, and the Abkhaz ones are unique in describing the Narts as a single nuclear family composed of Satanaya's one hundred sons. Yet all of these versions describe the Narts as a single coherent group of mostly "good" heroes. In contrast, the Nakh (Chechen-Ingush) legends sometimes depict the Nart-Orxustxoi, a group including the most prominent Narts known from the other versions (e.g. Seska-Solsa corresponding to Sosruko/Soslan, Khamtsha-Patarish corresponding to Batraz/Batradz etc.) as warlike bandits, who fight against local good heroes such as Koloi-Kant and Qinda-Shoa (the latter corresponding to Sawway/Shawey).