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"'''Fill Your Heart'''" is a song written by |
"'''Fill Your Heart'''" is a song written by Academy Award winner ] in ] with added four bar melody by songwriter ], widely perceived as lesser known than Williams. | ||
The song |
The song appeared on the B-side to ]'s 1968 hit single, "Tiptoe through the Tulips." | ||
Rose released a recording of the song on his ] album, '''''The Thorn in Mrs. Rose's Side.''''' This version was orchestrated, arranged and developed by Arthur G. Wright. | |||
] |
] next recorded it for his album ''''']''''' in ]. ] replaced the song "]," which was originally intended for that album. The notes to the album make special mention of the original Arthur G. Wright arrangement, whose presentation greatly influenced Bowie's take on the song. | ||
⚫ | Bowie's version of the song also appeared on the Japanese compilation '''''The Best of David Bowie''''' in ]. | ||
Guitarist ] is credited as arranger on the David Bowie version, though the cover credits on Hunky Dory include the following: "Mick and I agree that the 'Fill You Heart' arrangement owes one hell of a lot to Arthur G. Wright and his proto-type." This refers to the Biff Rose recording, on which Bowie and Ronson closely based this performance. | |||
⚫ | Bowie's version of the song also appeared on the Japanese compilation '''''The Best of David Bowie''''' in 1974. | ||
Revision as of 21:52, 23 June 2006
"Fill Your Heart" is a song written by Academy Award winner Paul Williams in 1966 with added four bar melody by songwriter Biff Rose, widely perceived as lesser known than Williams.
The song appeared on the B-side to Tiny Tim's 1968 hit single, "Tiptoe through the Tulips."
Rose released a recording of the song on his 1968 album, The Thorn in Mrs. Rose's Side. This version was orchestrated, arranged and developed by Arthur G. Wright.
David Bowie next recorded it for his album Hunky Dory in 1971. Fill Your Heart replaced the song "Bombers," which was originally intended for that album. The notes to the album make special mention of the original Arthur G. Wright arrangement, whose presentation greatly influenced Bowie's take on the song.
Bowie's version of the song also appeared on the Japanese compilation The Best of David Bowie in 1974.
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