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| Many Pontian dances are almost identical in steps to Greek dances. Pontian dances also resemble Persian and Middle Eastern dances in that they are not led, with no single leader in the dance formation. This is different from Greek dances but is a widespread aspect of Persian and Middle Eastern dances. A unique aspect of Pontian dance is the ''tremoulo'', which is a fast shaking of the upper torso by a turning of the back on its axis. | Many Pontian dances are almost identical in steps to Greek dances. Pontian dances also resemble Persian and Middle Eastern dances in that they are not led, with no single leader in the dance formation. This is different from Greek dances but is a widespread aspect of Persian and Middle Eastern dances. A unique aspect of Pontian dance is the ''tremoulo'', which is a fast shaking of the upper torso by a turning of the back on its axis. | ||
| The rapid shoulder and upper body movements from the waist might have evolved only in modern times, during the Ottoman reign, as some people seem to believe.{{fact}} These movements are said to have derived from the shimmying of the little silver ] fish (Turkish ''hamsi'') found in mass abundance in the ], which has worked its way into an inseparable part of northern Anatolian culture. It is said that long sea journeys and merchant exchanges, or perhaps the migration of troops as far away as ] en route to the Holy Land exposed foreign people with these dance styles. Some think{{who|date=June 2014}} that the ] and thus its modern version, the River Dance, may have its roots from this exposure. | The rapid shoulder and upper body movements from the waist might have evolved only in modern times, during the Ottoman reign, as some people seem to believe.{{fact}} These movements are said to have derived from the shimmying of the little silver ] fish (Turkish ''hamsi'') found in mass abundance in the ], which has worked its way into an inseparable part of northern Anatolian culture.{fact}} It is said that long sea journeys and merchant exchanges, or perhaps the migration of troops as far away as ] en route to the Holy Land exposed foreign people with these dance styles.{{fact}} Some think{{who|date=June 2014}} that the ] and thus its modern version, the River Dance, may have its roots from this exposure.{{fact}} | ||
| ==Horon types== | ==Horon types== | ||
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Horon (Greek) or khoron (Template:Lang-tr), which is related to Modern Greek χορός (chorós), refers to a group of folk dances from the Black Sea region of Turkey. It retains aspects of Greek and Persian dance styles. The dances called horoi (Template:Lang-el), singular also horos, meaning literally “dance” in both Ancient (cf. also όρχησις) and modern Greek language, are circular in nature and are each characterized by distinct short steps. Today they are also danced in those regions of Greece where Pontic Greek refugees established themselves after 1922.
Horon has tight relation to Georgian dance Khorumi (Georgian: ხორუმი), originated in Adjara, which is located in the southwestern region of Georgia at the Black Sea coast.
Many Pontian dances are almost identical in steps to Greek dances. Pontian dances also resemble Persian and Middle Eastern dances in that they are not led, with no single leader in the dance formation. This is different from Greek dances but is a widespread aspect of Persian and Middle Eastern dances. A unique aspect of Pontian dance is the tremoulo, which is a fast shaking of the upper torso by a turning of the back on its axis.
The rapid shoulder and upper body movements from the waist might have evolved only in modern times, during the Ottoman reign, as some people seem to believe. These movements are said to have derived from the shimmying of the little silver anchovy fish (Turkish hamsi) found in mass abundance in the Black Sea, which has worked its way into an inseparable part of northern Anatolian culture.{fact}} It is said that long sea journeys and merchant exchanges, or perhaps the migration of troops as far away as Ireland en route to the Holy Land exposed foreign people with these dance styles. Some think that the Irish jig and thus its modern version, the River Dance, may have its roots from this exposure.
Horon types
- Omal (ομάλ), meaning “the calm, normal one”, in Turkish düz horon
- Tik (τικ), from “perpendicular”, in Turkish dik
- Argon (αργόν), meaning “the slow one”
- Tromakton (τρομαχτόν), meaning “the fierce one”, in Turkish titreme horonu
- So gonaton (σο γόνατον), meaning “on the knee”
- Langefton (λαγκευτόν), meaning “the jumped, hopped one”
- Karslidikon (καρσλίδικον), meaning “the one from Kars”
- Diplon (διπλόν), meaning “the double one”
- Dipat or Giavaston (διπάτ, γιαβαστόν), meaning “double step”, in Turkish ikiayak horon
- Ters (τερς), meaning “the wrong or incorrect one” from Turkish ters (the dance exists in two versions, one from the Akdağmadeni town and district in Yozgat, one from Kioumoush Maten)
- Tas (τας)
- Trigona (τρυγόνα), meaning “pigeon” or Turkish dirvana (which exists in different versions in Trapezounta, Matsouka, Kerasounta)
- Seranitsa (σερανίτσα) or Laz horon, referring to the Laz people (two versions from Trapezounta and Sheriana)
- Serra (σέρρα), named after the river Serra (Trabzon); in Turkish sıksara horon
- Masher or Maheria (Μαχαίρια) or Pyrecheios (πυρήχειος, Turkish bıçak oyunu), an ancient Greek dance described by the ancient historian Xenophon as picturing “the sound of fire” (in the film The Addams Family, Gomez Addams dances the Masher)
- Kots (κοτς), meaning “heel dance”
- Kotsari (κότσαρι), an Armenian folk dance, meaning “heel dance”, Turkish koçari
- Almatsouk (αλματσούκ)
- Titara (τίταρα, existing in two version from Argyroupoli and Kars)
- Giurvalandun (γιουρβαλαντούν)
- Samson (σαμσόν), “from Samsun”
- Etere (έτερε)
- Karsilamas (καρσιλαμάς), from Kars, from Turkish karşılama “face to face”
- Pipilomatena (πιπιλομάτενα), meaning “with soft eyes”
- Tsurtuguzus (τσουρτούγουζους)
- Momogera (μομόγερα), meaning “immature old man”, Turkish momoyer
- Atsapat (ατσαπάτ), from Turkish Akçaabat
- Gemura (γέμουρα), meaning “from Yomra”, a town close to Trabzon
- Diplon Omal (διπλόν ομάλ), meaning “double calm”
- Kalon Korits (καλόν κορίτσ), meaning “good girl”
- Kymishanalidikon (κιμισχαναλίδικον), meaning from Gumushane
- Dolme (ντολμέ)
- Utsai (ούτσαϊ)
- Sarikuz (σαρικουζ), from Turkish sarı kız “blond girl”
- Siton (σιτόν)
- Tamsara (τάμσαρα), “from Tamzara town”, Giresun
- Tyrfon (τυρφόν)
- Fona (φόνα)
- Hala-Hala (χάλα-χάλα)
- Halai (χαλάϊ), a variant of the Halay dance
See also
References
External links
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