Misplaced Pages

Aro gTér: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 06:59, 15 January 2015 editOgress (talk | contribs)Extended confirmed users, New page reviewers51,088 edits The name "Aro gTér": rm uncited← Previous edit Revision as of 06:59, 15 January 2015 edit undoOgress (talk | contribs)Extended confirmed users, New page reviewers51,088 edits Romance as Buddhist practice: rm unreliable citesNext edit →
Line 23: Line 23:


"Tantric Buddhism employs what is called ‘symbolic activity’ to engage with our emotional and perceptual aspects. Symbolic activity includes such things as ceremony or ceremonial craftwork, artwork, music and dance."{{sfn | Nam'gyal | She-zer | 2007 | p = 32}} "Tantric Buddhism employs what is called ‘symbolic activity’ to engage with our emotional and perceptual aspects. Symbolic activity includes such things as ceremony or ceremonial craftwork, artwork, music and dance."{{sfn | Nam'gyal | She-zer | 2007 | p = 32}}

=== Romance as Buddhist practice ===

One of the Tantric ] (vows) is for men always to regard women as the embodiment of wisdom and never to disparage them.{{sfn | Ray | 2001 }} Aro, with a predominance of female practitioners, makes the symmetry explicit: women vow to regard men as the embodiment of compassion and never to disparage them. The Aro ''Tantra of the Mirror that Reflects the Sun and Moon of the Khandros and Pawos'' discusses the consequences of this Tantric vow from point of view of men-ngag-de.{{sfn | Ngakpa Rinpoche | Déchen, Khandro | 1996 | pages = 14-18 }} It describes perceptual practices that are possible only within the context of romantic relationship.{{sfn | Chögyam | Déchen | 2009b }}


== Lineage history == == Lineage history ==

Revision as of 06:59, 15 January 2015

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
The neutrality of this article is disputed. Relevant discussion may be found on the talk page. Please do not remove this message until conditions to do so are met. (December 2014) (Learn how and when to remove this message)
This article contains wording that promotes the subject in a subjective manner without imparting real information. Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance. (December 2014) (Learn how and when to remove this message)
This article relies excessively on references to primary sources. Please improve this article by adding secondary or tertiary sources.
Find sources: "Aro gTér" – news · newspapers · books · scholar · JSTOR (December 2014) (Learn how and when to remove this message)
This article may contain excessive or inappropriate references to self-published sources. Please help improve it by removing references to unreliable sources where they are used inappropriately. (December 2014) (Learn how and when to remove this message)
This article may rely excessively on sources too closely associated with the subject, potentially preventing the article from being verifiable and neutral. Please help improve it by replacing them with more appropriate citations to reliable, independent, third-party sources. (December 2014) (Learn how and when to remove this message)
This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (January 2015) (Learn how and when to remove this message)
(Learn how and when to remove this message)
Part of a series on
Tibetan Buddhism
Tibetan Dharma Wheel
Schools
Key personalities
First dissemination
Second dissemination
Nyingma
Kagyu
Jonang
Sakya
Bodongpa

Samding Dorje Phagmo

Gelugpa
Teachings
General Buddhist
Tibetan
Nyingma
Practices and attainment
Major monasteries
Institutional roles
Festivals
Texts
Art
History and overview

The Aro gTér is a lineage within the Nyingma tradition of Tibetan Buddhism. The lineage is entirely non-monastic (Ngagpa), and so emphasizes householder practice and non-celibate ordination. All of its contemporary teachers are ethnically non-Tibetan.

Essential Tantric practice

Aro describes its Tantric practices as "essential," meaning that they lack the typical complexities of Tantra (elaborate mandala visualizations, extensive sadhana texts, and lengthy rituals). This is viewed as a reflection of the simple style of the Indian mahasiddhas in the earliest days of Tantra.

Vajrayana and the arts

Vajrayana and art are closely connected in Tibetan Buddhist history. Vajrayana teachers such as Chögyam Trungpa, bringing Buddhism to the West, emphasized art as Buddhist practice. Artistic creativity is taught as an integrative method for opening the sense fields to a richer appreciation of life: Aro teaches art and Tantra in terms of each other; "every Tantrika is an artist of some kind because we have sense fields, we have senses, and appreciating the sense fields makes you an artist." In 2009, New York Arts Magazine published an interview by Tchera Niyego with Ngak’chang Rinpoche under the title ‘Speaking with the Ravens.’ In the article Ngak’chang Rinpoche talks about the special relationship between Vajrayana and art, and the connection between the meditative state and creativity.

  • creating ritual items such as kanglings
  • creating or restoring Tantric musical instruments such as damaru and ghanta
  • sewing and embroidery work as in the creation of wall appliqués and chöd drum tails
  • weaving namkha

"Tantric Buddhism employs what is called ‘symbolic activity’ to engage with our emotional and perceptual aspects. Symbolic activity includes such things as ceremony or ceremonial craftwork, artwork, music and dance."

Lineage history

According to the terma, Aro has antecedents in a "Mother Essence Lineage" of female tertöns stretching back to Yeshe Tsogyal, in the early days of Buddhism in Tibet, and forward to Khandro Yeshé Réma (1886-1923), who discovered it.

One of the present Aro gTér lineage holders, Ngak'chang Rinpoche, was recognized as the tulku of Aro Yeshe by Dilgo Khyentse Rinpoche, and as the incarnation of Aro Yeshe's predecessor, 'a-Shul Pema Legden, by Chhi'med Rig'dzin Rinpoche.

In the 1970s, Ngakpa Chögyam studied with Chhi'med Rig'dzin Rinpoche, Dudjom Rinpoche, Dilgo Khyentse Rinpoche, Kunzang Dorje Rinpoche, Khamtrül Yeshé Dorje Rinpoche and Konchog Rinpoche. Ngakpa Chögyam wrote of his experiences of these times in his 2011 book Wisdom Eccentrics.

Ngakpa Chögyam was the subject of an early neuroscience study of meditation, demonstrating the ability to retain relaxed alpha brain rhythm while performing arithmetic.

Aro in the contemporary West

The current Aro lineage holders, Ngak'chang Rinpoche and Khandro Déchen, are ethnically non-Tibetan. Other Lamas of the lineage were also Western-born, and teach in the United States and various European countries. The lineage's primary legal organization, given the name Sang-ngak-chö-dzong by Dudjom Rinpoche, is located in Britain.

References

  1. ^ Simmer-Brown 2001, p. 346.
  2. Dri’mèd 2009, p. xvi.
  3. Trungpa 1996.
  4. ^ Niyego 2009, p. 20-24.
  5. Chapman 2013.
  6. Dorje 1994, p. 6 - 10.
  7. Nam'gyal & She-zer 2007, p. 32-35.
  8. Nam'gyal & She-zer 2007, p. 32.
  9. Chögyam 1994. sfn error: multiple targets (2×): CITEREFChögyam1994 (help)
  10. ^ Rawlinson 1998, pp. 207.
  11. ^ Cousens 2010, p. 196.
  12. Smith 2003, p. 390-391.
  13. ^ Gyaltsen Rinpoche 1995, pp. xi–xvii.
  14. Chhi’-mèd Rig’dzin Rinpoche 2003.
  15. Ngakchang Yeshe Dorje Rinpoche 1991.
  16. Chögyam 2011.
  17. Fontana 1999, p. 26.

Sources

External links

Categories: