Études-Tableaux, Op. 39: Difference between revisions

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	{{About\|the second set of ''études-tableaux'' by Rachmaninoff, Op. 39\|the first set\|Études-Tableaux, Op. 33}}		{{About\|the second set of ''études-tableaux'' by Rachmaninoff, Op. 39\|the first set\|Études-Tableaux, Op. 33}}{{more citations needed\|date=September 2014}}
	{{Multiple issues\|
	{{more citations needed\|date=September 2014}}
	{{Peacock\|date=March 2022}}
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	{{italic title\|string=Études-Tableaux}}		{{italic title\|string=Études-Tableaux}}
			] in California, 1919]]
	The '''''Études-Tableaux''''' ("study pictures"), Op. 39 is the second set of piano ]s composed by ].
			The '''''Études-Tableaux''''' ("study paintings"), Op. 39, is the second of two sets of ] ]s composed by ]. Op. 39 was composed sometime between 1916 and 1917<ref>{{Cite web \|title=Boris Giltburg \|url=https://borisgiltburg.com/CMFA/rachmaninov-etudes-tableaux-Op-39-moments-musicaux/ \|access-date=2024-09-26 \|website=borisgiltburg.com}}</ref> and were among the final works composed by Rachmaninoff before his exit from ].<ref>{{Cite web \|date=2024-09-20 \|title=Sergey Rachmaninoff {{!}} Russian Composer, Pianist & Conductor {{!}} Britannica \|url=https://www.britannica.com/biography/Sergey-Rachmaninoff \|access-date=2024-09-26 \|website=www.britannica.com \|language=en}}</ref>

	They are even fuller, more finely textured and darker than the first set.{{According to whom\|date=August 2021}}

	== Structure ==		== Structure ==
	The Op. 39 set comprises nine études:		The Op. 39 set comprises nine études:
	* '''''Allegro agitato'' in C minor — No. 1'''
	:This quick-paced étude demands a tireless right hand, a ] left hand and considerable dexterity. Technically, the music is in an almost continual climax.<ref>Harrison, 207.</ref> It bears a resemblance to Chopin's ] in E{{music\|flat}} minor.
⚫	* ~~'''''~~Lento assai'' in A minor — ~~No. 2~~'''
	:Also known as "The Sea and the Seagulls". The work contains many musical textures that make it a difficult study in touch. It requires performers to restrain themselves and at the same time not sound monotonous. The technical workings of the étude are the 2-over-3 timing, the crossing hands, and large span of the arpeggiated figures for the left hand. This left-hand figure quotes the ] plainchant, one of the many works by the composer to do so.

	* ~~'''''~~Allegro ~~molto''~~ in ~~F{{music\|sharp}}~~ minor — ~~No.~~ 3'''		* No. 1 - Allegro agitato in C minor ''- "The Sea"''
		⚫	* No. 2 - Lento assai in A minor - ''"The Sea and the Seagulls"''
	:An incredibly complex étude, tone-wise. While it starts off with an angry, frenetic feel, there are moments of violent sublimity scattered throughout the piece.
			* No. 3 - Allegro molto in F{{music\|sharp}} minor
	* ~~'''''~~Allegro assai'' in B minor ~~— No. 4'''~~		* No. 4 - Allegro assai in B minor
	:A charming ], this étude contains a lot of harmonic color.
		⚫	* No. 5 - Appassionato in E{{music\|flat}} minor
	{{listen\|filename=Sergei Rachmaninoff - etudes tableaux, op. 39 - v. apassianato in e flat minor.ogg\|title=''Étude-Tableau'' No. 5 in E{{music\|flat}} minor\|description=Karine Gilanyan performing ''Étude-Tableau'' No. 5 in ], Op. 39, No. 5 (4:31, 8.48 MB) . Courtesy of \|format=]}}
			* No. 6 - Allegro in A minor - ''"Little Red Riding Hood and the Wolf" <ref>Harrison pg. 180.</ref>''
⚫	* ~~'''''~~Appassionato'' in E{{music\|flat}} minor ~~— No. 5'''~~
		⚫	* No. 7 - Lento lugubre in C minor
	:Possibly the dramatic peak of both the ] and Op. 39 sets, it turns passionate, tumultuous, despairing, and somber. It ends on a glimmer of hope, in the ] of E{{music\|flat}} major.
		⚫	* No. 8 - Allegro moderato in D minor
	*
	* ~~'''''~~Allegro'' in A ~~minor~~ — ~~No.~~ ~~6'''~~		* No. 9 - Allegro moderato. Tempo di marcia in D major
	:This aggressive and daunting piece opens with threatening chromatic octave runs low on the keyboard, answered by quick, chattering treble figures that eventually transform themselves into a march. The music grows hectic and, having reached ''presto'', sounds nearly out of control. The effect of the piece is seemingly mysterious yet fully unified.<ref name="har208">Harrison, 208.</ref> Referred to as "Little Red Riding Hood and the Wolf",<ref>Harrison pg. 180.</ref> the piece ends with the chromatic runs sounding as though the wolf swallowed Red Riding Hood whole.<ref>Harrison, 208–209.</ref>
	:This piece was originally the fourth étude of the Op. 33 set. Since it exhibits all the pianistic, rhythmic and harmonic features that characterize the Op. 39 set, it can be assumed Rachmaninoff revised this piece extensively before including it here.<ref name="har208"/>
⚫	* ~~'''''~~Lento lugubre'' in C minor ~~— No. 7'''~~
	:This étude is a lugubrious march that transforms into a cacophonous blaze of the composer's much-loved bell motif at the end.
⚫	* ~~'''''~~Allegro moderato'' in D minor ~~— No. 8'''~~
	:This piece is a lyrical and musical study of double notes. It requires precise pedaling, flexible and independent fingers, and agility. The piece has very long, defined legato melodic lines that are contrasted by a staccato middle section.<ref name="fsu-pdf"></ref>
	* '''''Allegro moderato. Tempo di marcia'' in D major — No. 9'''
	:A dramatic, bombastic march to conclude this set, this étude contains ingenious ], lush harmonies, and a wide range of musical colors.

	== Recordings ==		== Recordings ==
			* Rachmaninoff recorded Op. 39, No. 4 (piano roll only), and Op. 39, No. 6 (electrical recording and piano roll).<ref></ref><ref></ref>
	{{unreferenced section\|date=September 2014}}
			* ] recorded Nos. 1-2, 4-6, and 9 on the ] Red Seal label, May 16 and 17, 1988, in Watford Town Hall. The recording also includes the ], with the ] and ] conducting.<ref></ref>
	* Another recording of the Op. 39 Études-Tableaux is by ] on the Harmonia Mundi label. Other works are the Op. 38 songs and the ].		* Another recording of the Op. 39 Études-Tableaux is by ] on the ] label. Other works are the ] songs and the ].<ref></ref>
	* Rachmaninoff recorded Op. 39, No. 4 (piano roll only), and Op. 39, No. 6 (electrical recording and piano roll).
			* The Op. 39 also has been recorded by several other pianists, including ], ], and ].<ref>{{Cite web \|title=Rachmaninov - Etudes tableaux, Op. 33 & Op. 39 \|url=https://www.prestomusic.com/classical/products/7942019--rachmaninov-etudes-tableaux-op-33-op-39?srsltid=AfmBOoqqvVXzTvW9EWwsRqUrQGnAID0HgO01ETf2ORPgjtxgT0xQuWPI \|access-date=2024-09-11 \|website=Presto Music \|language=en}}</ref><ref>{{Cite web \|title=Vladimir Ashkenazy plays Rachmaninov's Etudes-Tableaux, Op. 39 \|url=https://www.medici.tv/en/concerts/ashkenzazy-plays-rachmaninov-six-etudes-tableaux-and-corelli-variations \|access-date=2024-09-11 \|website=medici.tv \|language=en-US}}</ref><ref>{{Cite web \|title=Release “Rachmaninov: Etudes-Tableaux, op. 33 & op. 39 / Busoni: Piano Works” by Rachmaninov, Ferruccio Busoni; John Ogdon - MusicBrainz \|url=https://musicbrainz.org/release/cbec5b98-5140-4aee-9195-d40e23a3a3f6 \|access-date=2024-09-11 \|website=musicbrainz.org}}</ref>
	* Evgeny Kissin recorded Nos. 1,2,4,5,6,9 on the RCA Victor Red Seal label, May 16 and 17, 1988, in Watford Town Hall. 7982-2-RC. The recording also includes the Piano Concerto No. 2, Opus 18, with the London Symphony Orchestra, Valery Gergiev, Conductor.

	== See also ==		== See also ==
	* ]		* ]
			* ]

	== References ==		== References ==
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	== Sources ==		== Sources ==
	* Norris, Geoffrey, ''Rachmaninoff'' (New York: Schirmer Books, 1976, 1983). {{ISBN\|0-02-870685-4}}.		* ], ''Rachmaninoff'' (New York: Schirmer Books, 1976, 1983). {{ISBN\|0-02-870685-4}}.

	== External links ==		== External links ==
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	=== Performances ===		=== Performances ===
		⚫	* , played by ]
	* by ], recorded in 2011		* by ], recorded in 2011
	* Opus 39 played by Igor Gryshyn in Leipzig		* Opus 39 played by Igor Gryshyn in Leipzig
	* https://www.youtube.com/watch?v=AC7WzWk75EM		** https://www.youtube.com/watch?v=AC7WzWk75EM
	* https://www.youtube.com/watch?v=zIGSG6e5T5E		** https://www.youtube.com/watch?v=zIGSG6e5T5E
	* https://www.youtube.com/watch?v=C0Nodt-Jn-E		** https://www.youtube.com/watch?v=C0Nodt-Jn-E
		⚫	* Complete Opus 39 set by Eduardo Fernandez:
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	* {{in lang\|ru}}		* {{in lang\|ru}}
⚫	Complete Opus 39 set by Eduardo Fernandez:
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	{{Sergei Rachmaninoff}}		{{Sergei Rachmaninoff}}
			{{Portalbar\|Classical Music}}
	{{Authority control}}		{{Authority control}}

Latest revision as of 12:01, 14 December 2024

This article is about the second set of études-tableaux by Rachmaninoff, Op. 39. For the first set, see Études-Tableaux, Op. 33.

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The Études-Tableaux ("study paintings"), Op. 39, is the second of two sets of piano études composed by Sergei Rachmaninoff. Op. 39 was composed sometime between 1916 and 1917 and were among the final works composed by Rachmaninoff before his exit from Russia.

Structure

The Op. 39 set comprises nine études:

No. 1 - Allegro agitato in C minor - "The Sea"
No. 2 - Lento assai in A minor - "The Sea and the Seagulls"
No. 3 - Allegro molto in F♯ minor
No. 4 - Allegro assai in B minor
No. 5 - Appassionato in E♭ minor
No. 6 - Allegro in A minor - "Little Red Riding Hood and the Wolf"
No. 7 - Lento lugubre in C minor
No. 8 - Allegro moderato in D minor
No. 9 - Allegro moderato. Tempo di marcia in D major

Recordings

Rachmaninoff recorded Op. 39, No. 4 (piano roll only), and Op. 39, No. 6 (electrical recording and piano roll).
Evgeny Kissin recorded Nos. 1-2, 4-6, and 9 on the RCA Victor Red Seal label, May 16 and 17, 1988, in Watford Town Hall. The recording also includes the Piano Concerto No. 2, Opus 18, with the London Symphony Orchestra and Valery Gergiev conducting.
Another recording of the Op. 39 Études-Tableaux is by Alexander Melnikov on the Harmonia Mundi label. Other works are the Op. 38 songs and the Variations on a Theme of Corelli.
The Op. 39 also has been recorded by several other pianists, including Nicholas Angelich, Vladimir Ashkenazy, and John Ogdon.