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| producer = ] | producer = ]
| writer = Niall Johnson | writer = Niall Johnson
| starring = ]<br>]<br>]<br>] | starring = ]<br>]<br>]<br>]
| music = Claude Foisy | music = Claude Foisy
| cinematography = Chris Seager | cinematography = Chris Seager
| editing = Nick Arthurs | editing = Nick Arthurs
| studio = ]<br />White Noise UK Limited<br />]<br />]<br />]<br />] | studio = ]<br />White Noise UK Limited<br />]<br />]<br />]<br />]
| distributor = ] (United States)<br />] (Canada)<ref>{{cite web|title=White Noise|website=Canadian Feature Film Database|access-date=13 September 2021|url=https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/canadian-feature-film-database/Pages/item.aspx?IdNumber=3872&DotsIdNumber=}}</ref><br />] (United Kingdom)<ref name="bom"/> | distributor = ] (select territories)<br />] (Canada)<ref>{{cite web|title=White Noise|website=Canadian Feature Film Database|date=12 May 2015 |access-date=13 September 2021|url=https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/canadian-feature-film-database/Pages/item.aspx?IdNumber=3872&DotsIdNumber=}}</ref><br />] (United Kingdom)<ref name="bom"/>
| released = {{Film date|2005|1|7}} | released = {{Film date|2005|1|7}}
| runtime = 101 minutes | runtime = 101 minutes
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| gross = $91.2 million<ref name="bom">{{cite web|url=http://www.boxofficemojo.com/movies/?id=whitenoise.htm|title=White Noise (2005)|work=]|access-date=24 March 2018}}</ref> | gross = $91.2 million<ref name="bom">{{cite web|url=http://www.boxofficemojo.com/movies/?id=whitenoise.htm|title=White Noise (2005)|work=]|access-date=24 March 2018}}</ref>
}} }}
'''''White Noise''''' is a 2005 ] ] film directed by ] and starring ]. The title refers to ] (EVP), where voices, which some believe to be from the "other side", can be heard on audio recordings. '''''White Noise''''' is a 2005 ] ] directed by ] and starring ] and ]. The title refers to ] (EVP), where anomalous voice-like sounds, which some believe to be from the "other side" — interpreted as spirit voices, are found on electronic audio recordings.

The film did very well at the box office despite generally poor reviews from both critics and audiences. The commercial success of ''White Noise'' led Universal and other studios to realize that there was an untapped audience for horror films released in January, and began releasing higher-quality horror films during that period, usually dismissed as the winter ] of the film calendar.


==Plot== ==Plot==
Jonathan Rivers is an architect living with his young son Mikey (from a previous relationship) and wife Anna, a successful author. Prior to the beginning of their work day, Anna reveals she is pregnant with their first child. That evening, however, Anna does not return home and Jonathan files a missing person report. Jonathan nevertheless holds onto hope that she is alive. Jonathan Rivers is an architect, married to his wife Anna, a best-selling author. The couple have a young son from Jonathan's previous marriage, and Anna is newly pregnant. One evening, Anna fails to arrive home and becomes missing for five weeks without explanation.


Soon after Anna's disappearance, Jonathan is contacted by Raymond Price, whose son has died. Raymond explains he has received frequent communication from his son and other spirits via ] (EVP), claiming to also have recorded voice messages from Anna and suggests she is dead. Jonathan is initially dismissive and angered, yet he later learns of his wife's tragic drowning. The news reports the incident as an accidental death.
Eventually, he is contacted by Raymond Price, who lost his young son at age 12, and consequently became interested in ] (EVP), the act of using white noise to receive messages from the dead. He says he has recorded messages from Anna through his equipment, an indication that Anna is dead. While Jonathan is initially dismissive and angered, he is later contacted by police, who have found Anna's car along with her drowned body, noting damage to her head and a broken arm. The police return Anna's cell phone to Jonathan, at which point Jonathan begins to receive white noise-ridden phone calls from Anna's cell, even as he holds it in his hands. It is then that he accepts Raymond's invitation to listen to recordings captured of Anna, speaking his name. During the recording, a chorus of loud, hostile voices begin to scream across Raymond's tape, hurling expletives. Raymond casually deletes them and assures Jonathan they are harmless. A woman named Sarah Tate, who also came to Raymond for his EVP work because she lost her ], befriends Jonathan.


Jonathan encounters numerous instances of what he interprets as Anna attempting to contact him. Desperate, he visits Raymond to inquire more on EVP. During this visit, Jonathan is befriended by Sarah Tate, a woman who has also come to Raymond for his EVP work because her ] has recently died.
Jonathan later receives a phone call from Raymond, who has urgent news for Jonathan, but the call becomes filled with static and drops. Jonathan goes to Raymond's house and discovers him dead, crushed under his own EVP equipment and his house brutally ransacked. Jonathan becomes obsessed with trying to contact Anna himself, and after moving to a new home with Mikey, builds his own EVP setup. In order to focus on his mission to communicate with Anna, Mikey is left in the care of his biological mother, with whom Jonathan is on good terms. Jonathan begins to be followed by three demons attracted by his obsession with EVP, and finds that some of the messages he receives are from people who are not yet dead, but may soon be. Jonathan hears cries from a woman, along with a street name, and drives to the street to discover a car accident involving a woman and her infant. The woman begs Jonathan to save her baby, recreating the exact scene Jonathan was shown on his EVP. He is able to save the child, but the mother dies shortly after Jonathan arrives. At the woman's funeral, which Jonathan and Sarah both attend, Jonathan approaches the husband and tells him about what happened. The latter thanks Jonathan for saving his son but then demands to be left alone, heatedly telling Jonathan that he refuses to get involved with what his wife was doing. Afterwards, Jonathan sees images of another person, a missing woman named Mary Freeman, while working with his EVP devices. Jonathan notices a pattern that the woman in the accident and Mary Freeman were both receiving help from Raymond, which indicates they are being deliberately targeted based on their association with EVP. Sarah initially dismisses it as coincidence, until the two of them see an image of Sarah on the screen, crying and in pain.


Jonathan captures a recorded voice and believes it is indeed his wife's and becomes obsessed with trying to contact her himself. He soon encounters other voices — angry, aggressive, vulgar, and threatening.
In an effort to prevent Sarah from being harmed, they go to her apartment, where she takes sleeping pills and goes to bed. After Sarah is asleep, Jonathan hears disruption from her bedroom, and goes to discover Sarah standing on her balcony, possessed by the demons. She throws herself over, recreating the image seen on the EVP devices. She survives, but is paralyzed, and unable to further assist Jonathan. A police officer who responded to Jonathan's call becomes interested in how Jonathan has somehow been found at the scene of two different accidents in such a short amount of time, and lets Jonathan know he'll be stopping by his house to look around.


Raymond is found inexplicably dead. Jonathan and Sarah begin to review Raymond's EVP logs.
Jonathan later receives other images depicting an old abandoned factory in town, close to where Anna's car was found by police. Jonathan believes Anna is leading him to Mary Freeman, the missing local woman, and ventures there. Jonathan attempts to call the officer who responded to Sarah's accident to tip him about Mary's whereabouts, but loses his phone signal. The call is traced, and police are dispatched. In the factory, Jonathan finds a set of computers and electronic equipment on site. He discovers a construction worker from his company, who has been doing his own EVP work, is holding Mary captive, with restraints strapped to her head and arms. The worker reveals that he has been bringing victims to the factory to appease the demons within the EVP, including Anna, and Jonathan recalls Anna's head trauma and broken arm at the time of death. As the worker is about to slaughter Mary, Jonathan charges him, but before he can make it, the three demons emerge from the dark and torture Jonathan by breaking his arms and legs, causing him to fall to his death. The worker attempts to proceed with killing Mary, but the SWAT team arrives and shoots him. Jonathan's mangled body is discovered.
Jonathan seeks advice from a ] and is warned that, while she takes measures to avoid hostile entities, EVP is an indiscriminate process that offers no such safeguards. She cautions Jonathan's pursuance of EVP, comparing it to the potential dangers of using a ] board to invoke spirits.


Jonathan begins to be followed by three demons attracted by his obsession with EVP. He finds some of the EVP messages he receives are from people who are not yet dead but may soon be. Jonathan hears EVP cries from a woman whom he rushes to find in a wrecked car with an infant child. He is able to save the child but not the woman. At that woman's funeral, which Jonathan and Sarah both attend, Jonathan approaches the husband and attempts to explain how he came to know of the accident, beginning to discuss EVP. The man thanks Jonathan for saving his son but then demands to be left alone.
⚫ After Jonathan's funeral, Mikey's mother puts him in the car to leave, and Jonathan's voice can be heard on the car radio through static interference saying "I'm sorry, Mikey." Mikey recognizes the voice and smiles.


Afterward, while working with his EVP devices, Jonathan sees images of another person, a recently missing woman named Mary Freeman. Sarah is later seriously injured by a fall from a high-rise balcony while possessed by the demons, an incident which was foreshadowed by Sarah's image being among those on the EVP devices.
Sarah, at the graveside in a wheelchair, is menaced by odd noises. Right before the credits, the camera flashes to a TV where Jonathan and his wife are visible, reunited in the afterlife.


Following signs he finds on EVP recordings, Jonathan locates the site where he believes the missing Mary Freeman is being kept. He contacts police to report his suspicion and insists they come to the location right away. Jonathan finds elaborate EVP deciphering electronic equipment on site. A construction workman from Jonathan's company, who has been doing his own EVP work, is found to be holding Mary captive. He is under the control of the three demons, doing their evil bidding, and as the demons preside over this conversation, the workman confesses he has been instructed to kill Mary, insinuating he did the same with Anna. As the three demons watch, Jonathan attempts to save Mary, but the demons intervene, torturing Jonathan by breaking his arms and legs and cause him to fall to his death. A police SWAT team arrives on scene and are able to save Mary by shooting the workman dead.
A closing ] states that one of twelve out of thousands of EVP messages is threatening.

⚫ Leaving Jonathan's funeral, his ex-wife and son hear Jonathan's voice coming from the car radio through static interference saying, "I'm sorry, Mikey," to his son, who recognizes the voice and smiles. Sarah, in a wheelchair at Jonathan's graveside, is menaced by odd noises in the wind.

Just before film credits roll, the camera flashes to a screen where the image of Jonathan and his wife is visible in white noise static. A closing ] reads, "Of the many thousands of documented EVP messages, approximately 1 in 12 have been overtly threatening in nature..."


==Cast== ==Cast==
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* ] as Anna Rivers, a writer * ] as Anna Rivers, a writer
* ] as Raymond Price * ] as Raymond Price
* ] as Jane
* ] as Mirabelle Keegan
* ] as Carol Black
* ] as TV Reporter
* ] as Frank Black
* ] as Minister
* ] as EVP - Man
* ] as John's Secretary
* ] as Detective Smits


==Production== ==Production==
In May 2003, it was announced ] was attached to star the film with principal photography slated to begin in August of that year.<ref name="GoldInkPix">{{cite news|url=https://variety.com/2003/film/markets-festivals/senator-gold-ink-on-pix-1117886361/|title= Senator, Gold ink on pix |publisher=Variety|access-date=December 13, 2021}}</ref> In May 2003, it was announced ] was attached to star in the film with principal photography slated to begin in August of that year.<ref name="GoldInkPix">{{cite news|url=https://variety.com/2003/film/markets-festivals/senator-gold-ink-on-pix-1117886361/|title= Senator, Gold ink on pix |publisher=Variety|access-date=December 13, 2021}}</ref>


== Reception == == Reception ==
On the review aggregator website ], 7% of 149 critics' reviews are positive, with an average rating of 3.4/10. The website's consensus reads: "While there are some built-in scares, the movie is muddled and unsatisfying".<ref>{{Cite web |date=January 7, 2005 |title=White Noise |url=https://www.rottentomatoes.com/m/white_noise |website=] |access-date=September 30, 2024 }}</ref> ], which uses a weighted average, gave the film a score of 30 out of 100, based on 32 critics, indicating "generally unfavorable reviews".<ref>{{Cite web |title=White Noise |url=https://www.metacritic.com/movie/white-noise/ |access-date=November 17, 2023 |website=] |language=en}}</ref>
''White Noise'' was generally negatively received by critics, with a 7% rating at ], with the site's consensus being "While there are some built-in scares, the movie is muddled and unsatisfying".


==Sequel== ==Sequel==
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''White Noise''<nowiki>'</nowiki>s surprising box-office success for a movie released on the first weekend after ], the start of the winter ] and usually one of the worst weekends for new releases, led studios to reassess their releasing strategies for horror films. In 2013, Universal chairman Adam Fogelson said, "The first weekend in January used to be a non-starter for people; we had this little horror movie ''White Noise'' that did business, and that has become a place where movies that tend to operate."<ref name="Anne Thompson panel">{{cite news|last=Thompson|first=Anne|author-link=Anne Thompson (film critic)|title=CinemaCon Heavyweight Panel Debates Windows, Social Media, State of Industry|url=http://blogs.indiewire.com/thompsononhollywood/cinemacon-heavyweight-panel-debates-windows-social-media-state-of-industry|newspaper=]|date=April 26, 2013|access-date=March 14, 2014}}</ref> ''White Noise''<nowiki>'</nowiki>s surprising box-office success for a movie released on the first weekend after ], the start of the winter ] and usually one of the worst weekends for new releases, led studios to reassess their releasing strategies for horror films. In 2013, Universal chairman Adam Fogelson said, "The first weekend in January used to be a non-starter for people; we had this little horror movie ''White Noise'' that did business, and that has become a place where movies that tend to operate."<ref name="Anne Thompson panel">{{cite news|last=Thompson|first=Anne|author-link=Anne Thompson (film critic)|title=CinemaCon Heavyweight Panel Debates Windows, Social Media, State of Industry|url=http://blogs.indiewire.com/thompsononhollywood/cinemacon-heavyweight-panel-debates-windows-social-media-state-of-industry|newspaper=]|date=April 26, 2013|access-date=March 14, 2014}}</ref>


If a horror film as poorly received as ''White Noise'' could nevertheless make a significant amount of money in January, studios realized, a quality film in that genre could do even better. The following year, an elaborate ] campaign gave ]'s ] horror film '']'' a $40 million opening weekend, which remained the record for January until '']'' in 2014. In 2012 Paramount beat ''White Noise''<nowiki>'</nowiki>s first-weekend success with '']'', which took in $35 million despite a strongly negative reaction from critics and audiences. "Ever since ''White Noise'' was a hit in 2005, that's what started it. If you look back at every first weekend, besides expanding titles, the only new release is usually one crappy horror movie," ] of ] told ] in 2013.<ref name="Hollywood.com article">{{cite web|last=Salisbury|first=Brian|title=Why Oscar Season is Hollywood's Bad Movie Dumping Ground|url=http://www.hollywood.com/news/movies/55002083/bad-january-february-movies-oscar-season|publisher=]|date=February 23, 2013|access-date=March 14, 2014}}</ref> If a horror film as poorly received as ''White Noise'' could nevertheless make a significant amount of money in January, studios realized, a quality film in that genre could do even better. In 2008, an elaborate ] campaign gave ]'s ] horror film '']'' a $40 million opening weekend, which remained the record for January until '']'' in 2014. In 2012 Paramount beat ''White Noise''<nowiki>'</nowiki>s first-weekend success with '']'', which took in $35 million despite a strongly negative reaction from critics and audiences. "Ever since ''White Noise'' was a hit in 2005, that's what started it. If you look back at every first weekend, besides expanding titles, the only new release is usually one crappy horror movie," ] of ] told ] in 2013.<ref name="Hollywood.com article">{{cite web|last=Salisbury|first=Brian|title=Why Oscar Season is Hollywood's Bad Movie Dumping Ground|url=http://www.hollywood.com/news/movies/55002083/bad-january-february-movies-oscar-season|publisher=]|date=February 23, 2013|access-date=March 14, 2014}}</ref>

Another surprise from the first film's legacy was the stand-alone sequel, "White Noise: The Light", released in 2007 and starring Nathan Fillion ("Firefly", "The Suicide Squad") and Katee Sackhoff ("Battlestar Galactica", "The Mandalorian"). The film holds a 75% "fresh" rating on the Rotten Tomatoes aggregate review site and was considered a superior film in many ways, with strong critical praise for the powerful performances of its two leads.


==See also== ==See also==
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* {{official website|http://www.whitenoisemovie.com/}} * {{official website|http://www.whitenoisemovie.com/}}
* {{IMDb title|0375210|White Noise}} * {{IMDb title|0375210|White Noise}}
* {{Allmovie title|305243|White Noise}}
* {{rotten-tomatoes|white_noise|White Noise}} * {{rotten-tomatoes|white_noise|White Noise}}
* {{mojo title|whitenoise|White Noise}} * {{mojo title|whitenoise|White Noise}}
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] ]
] ]
] ]
] ]
] ]
] ]
] ]
] ]
] ]
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] ]
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Latest revision as of 14:22, 22 December 2024

Not to be confused with White Noise (2022 film). 2005 Canadian film
White Noise
Theatrical release poster
Directed byGeoffrey Sax
Written byNiall Johnson
Produced byPaul Brooks
StarringMichael Keaton
Deborah Kara Unger
Chandra West
Ian McNeice
CinematographyChris Seager
Edited byNick Arthurs
Music byClaude Foisy
Production
companies		Gold Circle Films
White Noise UK Limited
Brightlight Pictures
Endgame Entertainment
CHUM Television
The Movie Network
Distributed byUniversal Pictures (select territories)
TVA Films (Canada)
Entertainment Film Distributors (United Kingdom)
Release date
  • January 7, 2005 (2005-01-07)
Running time101 minutes
CountriesCanada
United Kingdom
United States
LanguageEnglish
Budget$10 million
Box office$91.2 million

White Noise is a 2005 supernatural horror film directed by Geoffrey Sax and starring Michael Keaton and Deborah Kara Unger. The title refers to electronic voice phenomena (EVP), where anomalous voice-like sounds, which some believe to be from the "other side" — interpreted as spirit voices, are found on electronic audio recordings.

Plot

Jonathan Rivers is an architect, married to his wife Anna, a best-selling author. The couple have a young son from Jonathan's previous marriage, and Anna is newly pregnant. One evening, Anna fails to arrive home and becomes missing for five weeks without explanation.

Soon after Anna's disappearance, Jonathan is contacted by Raymond Price, whose son has died. Raymond explains he has received frequent communication from his son and other spirits via electronic voice phenomena (EVP), claiming to also have recorded voice messages from Anna and suggests she is dead. Jonathan is initially dismissive and angered, yet he later learns of his wife's tragic drowning. The news reports the incident as an accidental death.

Jonathan encounters numerous instances of what he interprets as Anna attempting to contact him. Desperate, he visits Raymond to inquire more on EVP. During this visit, Jonathan is befriended by Sarah Tate, a woman who has also come to Raymond for his EVP work because her fiancé has recently died.

Jonathan captures a recorded voice and believes it is indeed his wife's and becomes obsessed with trying to contact her himself. He soon encounters other voices — angry, aggressive, vulgar, and threatening.

Raymond is found inexplicably dead. Jonathan and Sarah begin to review Raymond's EVP logs. Jonathan seeks advice from a psychic and is warned that, while she takes measures to avoid hostile entities, EVP is an indiscriminate process that offers no such safeguards. She cautions Jonathan's pursuance of EVP, comparing it to the potential dangers of using a Ouija board to invoke spirits.

Jonathan begins to be followed by three demons attracted by his obsession with EVP. He finds some of the EVP messages he receives are from people who are not yet dead but may soon be. Jonathan hears EVP cries from a woman whom he rushes to find in a wrecked car with an infant child. He is able to save the child but not the woman. At that woman's funeral, which Jonathan and Sarah both attend, Jonathan approaches the husband and attempts to explain how he came to know of the accident, beginning to discuss EVP. The man thanks Jonathan for saving his son but then demands to be left alone.

Afterward, while working with his EVP devices, Jonathan sees images of another person, a recently missing woman named Mary Freeman. Sarah is later seriously injured by a fall from a high-rise balcony while possessed by the demons, an incident which was foreshadowed by Sarah's image being among those on the EVP devices.

Following signs he finds on EVP recordings, Jonathan locates the site where he believes the missing Mary Freeman is being kept. He contacts police to report his suspicion and insists they come to the location right away. Jonathan finds elaborate EVP deciphering electronic equipment on site. A construction workman from Jonathan's company, who has been doing his own EVP work, is found to be holding Mary captive. He is under the control of the three demons, doing their evil bidding, and as the demons preside over this conversation, the workman confesses he has been instructed to kill Mary, insinuating he did the same with Anna. As the three demons watch, Jonathan attempts to save Mary, but the demons intervene, torturing Jonathan by breaking his arms and legs and cause him to fall to his death. A police SWAT team arrives on scene and are able to save Mary by shooting the workman dead.

Leaving Jonathan's funeral, his ex-wife and son hear Jonathan's voice coming from the car radio through static interference saying, "I'm sorry, Mikey," to his son, who recognizes the voice and smiles. Sarah, in a wheelchair at Jonathan's graveside, is menaced by odd noises in the wind.

Just before film credits roll, the camera flashes to a screen where the image of Jonathan and his wife is visible in white noise static. A closing intertitle reads, "Of the many thousands of documented EVP messages, approximately 1 in 12 have been overtly threatening in nature..."

Cast

Production

In May 2003, it was announced Michael Keaton was attached to star in the film with principal photography slated to begin in August of that year.

Reception

On the review aggregator website Rotten Tomatoes, 7% of 149 critics' reviews are positive, with an average rating of 3.4/10. The website's consensus reads: "While there are some built-in scares, the movie is muddled and unsatisfying". Metacritic, which uses a weighted average, gave the film a score of 30 out of 100, based on 32 critics, indicating "generally unfavorable reviews".

Sequel

A sequel titled White Noise: The Light was released in January 2007.

Legacy

White Noise's surprising box-office success for a movie released on the first weekend after New Year's Day, the start of the winter dump months and usually one of the worst weekends for new releases, led studios to reassess their releasing strategies for horror films. In 2013, Universal chairman Adam Fogelson said, "The first weekend in January used to be a non-starter for people; we had this little horror movie White Noise that did business, and that has become a place where movies that tend to operate."

If a horror film as poorly received as White Noise could nevertheless make a significant amount of money in January, studios realized, a quality film in that genre could do even better. In 2008, an elaborate viral marketing campaign gave Paramount's found footage horror film Cloverfield a $40 million opening weekend, which remained the record for January until Ride Along in 2014. In 2012 Paramount beat White Noise's first-weekend success with The Devil Inside, which took in $35 million despite a strongly negative reaction from critics and audiences. "Ever since White Noise was a hit in 2005, that's what started it. If you look back at every first weekend, besides expanding titles, the only new release is usually one crappy horror movie," C. Robert Cargill of Ain't It Cool News told Hollywood.com in 2013.

Another surprise from the first film's legacy was the stand-alone sequel, "White Noise: The Light", released in 2007 and starring Nathan Fillion ("Firefly", "The Suicide Squad") and Katee Sackhoff ("Battlestar Galactica", "The Mandalorian"). The film holds a 75% "fresh" rating on the Rotten Tomatoes aggregate review site and was considered a superior film in many ways, with strong critical praise for the powerful performances of its two leads.

See also

References

  1. "White Noise". Canadian Feature Film Database. 12 May 2015. Retrieved 13 September 2021.
  2. ^ "White Noise (2005)". Box Office Mojo. Retrieved 24 March 2018.
  3. "White Noise (2005) - Financial Information". The Numbers. Retrieved 24 March 2018.
  4. "Senator, Gold ink on pix". Variety. Retrieved December 13, 2021.
  5. "White Noise". Rotten Tomatoes. January 7, 2005. Retrieved September 30, 2024.
  6. "White Noise". Metacritic. Retrieved November 17, 2023.
  7. Thompson, Anne (April 26, 2013). "CinemaCon Heavyweight Panel Debates Windows, Social Media, State of Industry". indieWIRE. Retrieved March 14, 2014.
  8. Salisbury, Brian (February 23, 2013). "Why Oscar Season is Hollywood's Bad Movie Dumping Ground". Hollywood.com. Retrieved March 14, 2014.

External links

Films directed by Geoffrey Sax
Categories: