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'''Bachir Attar''' (Arabic: بشير عطار, born 1964) is a Moroccan musician and the leader of ].<ref>{{cite news |url=https://www.independent.co.uk/arts-entertainment/no-stone-unturned-1592456.html |title=No Stone unturned |accessdate=2009-04-02 |work=] | location=London | first=Philip | last=Sweeney | date=July 21, 1995}}</ref> He is the son of Hadj Abdesalam Attar, who led the group ] at the time of their album, '']'', produced by ] in 1968.<ref>Rosemary Woodruff Leary, "The Master Musicians" Excerpted from "The Magician's Daughter", a work-in-progress., in Paul Krassner (ed.), ''Psychedelic Trips for the Mind''. Reprint. (New York, 2000), pp. 58-62.</ref>


== Attar as leader of the Master Musicians of Jajouka ==
'''Bachir Attar''' claims leadership of the ] ], and since 1990 has released records as ]. Attar's father, Hadj Abdesalam Attar, may have led the ] for their ground breaking album produced by ]. He was leader of the rhiata players at the time they recorded with Joel Rubiner in the early 1970s. The group recorded under the shorter name "Master Musicians of Jajouka" on soundtracks for films including ''The Cell'', appearances with the Rolling Stones on ''Steel Wheels'', the second album of the group from 1974 produced by Rubiner, and the 1995 reissue of the group's first album, ].


Bachir Attar was born in ], ], and the Master Musicians are descended from members of his father's group. They include his brothers Mostapha Attar, Abdellah Attar, and the son of the famous drum master, Mohammed "Berdous" Attar. Other members include Abderrzak el Attar, Mokhtar Jaghdal, and Mohamed Attar, moqqadem of the shrine of Sidi Ahmed Sheikh, and Abdellah Bokhzar, all who played with Bachir's father. Hamri was released as manager in 1972. Hamri had sold the copyright for the music to Brian Jones, and Bachir Attar had to negotiate with the Estate of Brian Jones and The Rolling Stones for the loan of their ancient music for the 1995 reissue of the first album.
This reissue resulted in protests at Attar's concerts, as well as those of ] whose label ] released the reissue. A contemporary photo of Bachir Attar replaced the original painting by ] which, featured Brian Jones and The Master Musicians of Joujouka. Bachir was four when the record was made and was only a dancing boy Sleavenotes were altered to remove all mention of Hamri's central role in promoting Joujouka/Jajouka and bringing Jones and ] to the village. The harshest critisisms were that none of the actual musicians or decendaents were consulted or recieved any payments from the large advance paid to Bachir Attrar. Bachir Attar claims to carry on his father's Attar family traditions with a new generation of "master musicians" descended from members of his father's group. However as Jajouka is halal his taste, as reported, for vodka makes this claim dubious. The fact that he does not live in the village and that only two genuine musicians from the sacred village play with him make those claims rather unsustainable.


Attar and the group recorded under the shorter and correct pronunciation of the Moghrebi name ''The Master Musicians of Jajouka'' on soundtracks for films including ''The Cell''; ''The Hand of Fatima'' in 2009 by director Augusta Palmer; ''William S. Burroughs: A Man Within''; directed by Yoni Leyser (2010); and Nicolas Roeg's ''Bad Timing'' (1980). Albums with the group and Attar include ''Apocalypse Across the Sky'' (], 1992), ''Jajouka Between the Mountains'' (], 1996), appearances with the ] on "Continental Drift" from the album '']'' in 1989, the second album of the group from 1974, produced by Joel Rubiner, entitled ''The Master Musicians of Jajouka'', and the 1995 reissue of '']'' on Point (Polygram) records. The spelling of "Jajouka" in the 1995 reissue title was corrected from "Joujouka" in the initial release's title for consistency with the band name spelling on the second album from 1974.
He has recorded a couple of ]s in addition to his work with Master Musicians of Jajouka. Attar was a guest performer on ]'s 1993 album, ''Ekstasis''. Attar's manager and official photographer during his group's 1990s recording career was his wife, ], whom he had married in 1989. The two parted in 1996, but she was managing him and his band again by the mid-2000s.


== Solo Discography == == Solo and group performances and recordings ==
In addition to his work with Master Musicians of Jajouka, Bachir Attar was granted a Music Composition Fellowship by "The New York Foundation for the Arts" in 1990 for his compositions "Memories of My Father" and "Sounds of New York". Attar has also recorded a ] entitled ''The Next Dream'', which was produced in ] by ] in connection with ''Apocalypse Across The Sky'', the album Laswell recorded of the traditional music for his ] label. Attar was a guest performer on ]'s 1993 album, '']''. He recorded "In New York" with ] in 1990 and toured with Sharp's band Carbon. He also recorded with Debby Harry and Chris Stein on the ''Cash Cow: The Best of Giorno Poetry Systems 1965-1993''. Talvin Singh and Attar also made a CD in London 2000. With Attar, the group has toured extensively in Canada, Europe, Hong Kong and USA since the 1990s. Attar's manager and official photographer during his group's 1990s recording career was his wife, ], whom he had married in 1989. The two parted amicably in 1996, but she was managing him and his band again by the mid-2000s.
* ''The Next Dream'' (1992)
* ''In New York'' (With Elliott Sharp, 1994)


The Master Musicians of Jajouka led by Bachir Attar released a live album on newly founded Jajouka Records in January 2009. Bachir Attar and The Master Musicians of Jajouka toured the US in winter 2009 playing at UCLA Live, Arabesque: Arts of the Arab World festival at The Kennedy Center in Washington D.C. among other concerts around the US. In August 2009 Bachir and the Jajouka Masters played at Festival des Plages in Al Hoceima, Morocco, and during la Fête du Trône in honor of the coronation of His Majesty King Mohammed VI. In June 2009 Bachir Attar and The Master Musicians of Jajouka performed with ], ] and ] from the ] at The Southbank Meltdown Festival in London. In July 2010 Bachir and his master musicians group performed again with Ornette Coleman at The North Sea Jazz Festival in ]. A new CD and vinyl album, ''The Source'', was released in July 2010 by Son du Maquis in Paris. On May 12, 2013, Attar's performance with the Master Musicians of Jajouka on CNN's '']'', was aired in the first season's episode 5 segment, which focused on ].<ref>. May 12, 2013. CNN.com (retrieved August 19, 2013).</ref>
== Further reading ==


=== Discography ===
* {{fr}} Alaoui, Mehdi Sekkouri. . Telquel Online. Retrieved Jan. 14, 2007.
(Solo)
* Bowles, Paul (1991). ''Days''. The Ecco Press. ISBN 0-88001-269-2.
* ''In New York'', with Elliott Sharp (1990)
* Davis, Stephen (1993). ''Jajouka Rolling Stone''. Random House. ISBN 0-679-42119-X.
* ''The Next Dream'', with ] (1992)
* Gross, Jason (June 2000). . ''Perfect Sound Forever''. Retrieved Jan. 22, 2007.
* Harris, Craig. . Retrieved Jan. 14, 2007.
* Kinney, Glenn (June 20, 1993). "Bachir Attar: The Next Dream". ''The New York Times'', p. H841.


==References==
* Nutting, Cherie, with Bowles, Paul. (2000). ''Yesterday's Perfume: An Intimate Memoir of Paul Bowles''. Clarkson Potter, at p. 199. ISBN 0-609-60573-9.
{{Reflist}}
* Pareles, Jon (December 9, 1993). "Pop and Jazz in Review: Bachir Attar and Trilok Gurtru". ''The New York Times'', p. C14.

* Ranaldo, Lee (August 1996). . ''The Wire''. Retrieved Jan. 14, 2007.
==Further reading==

* {{in lang|fr}} Alaoui, Mehdi Sekkouri. . Telquel Online. Retrieved January 14, 2007.
* Bowles, Paul (1991). ''Days''. The Ecco Press. {{ISBN|0-88001-269-2}}.
* Davis, Stephen (1993). ''Jajouka Rolling Stone''. Random House: New York. {{ISBN|0-679-42119-X}}
* Davis, Stephen (2000). "Old Gods Almost Dead". Broadway Books: New York. {{ISBN|978-0767903127}}
* Gross, Jason (June 2000). . ''Perfect Sound Forever''. Retrieved January 22, 2007.
* Harris, Craig. . Retrieved January 14, 2007.
* Kinney, Glenn (June 20, 1993). "Bachir Attar: The Next Dream". ''The New York Times'', p. H841.
* Nutting, Cherie, with Bowles, Paul. (2000). ''Yesterday's Perfume: An Intimate Memoir of Paul Bowles''. Clarkson Potter, at p.&nbsp;199. {{ISBN|0-609-60573-9}}.
* Palmer, Robert (2010). "Blues and Chaos - The music writing of Bob Palmer". Ed. Anthony DeCurtis. New York: Scribners. {{ISBN|978-1416599746}}
* Palmer, Robert (October 14, 1971). "Jajouka: Up the Mountain". ''Rolling Stone'' magazine.
* Palmer, Robert (March 22, 1989). "Into the Mystic". ''Rolling Stone''.
* Pareles, Jon (December 9, 1993). "Pop and Jazz in Review: Bachir Attar and Trilok Gurtru". ''The New York Times'', p.&nbsp;C14.
* Ranaldo, Lee (August 1996). . ''The Wire''. Retrieved November 22, 2009.


==External links== ==External links==
* *
* *
* *
* in ''Exberliner Magazine''
*": Bachir Attar and Frank Rynne comment on the controversy surrounding the reissue of ''Brian Jones Presents The Pipes of Pan at Joujouka''" in ''The Independent'' (retrieved ] ])

* ]
{{Authority control}}
{{Expand|date=January 2007}}


] {{DEFAULTSORT:Attar, Bachir}}
] ]
]
]
]
]

Latest revision as of 20:57, 29 May 2024

Moroccan musician
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Image of Bachir Attar

Bachir Attar (Arabic: بشير عطار, born 1964) is a Moroccan musician and the leader of The Master Musicians of Jajouka led by Bachir Attar. He is the son of Hadj Abdesalam Attar, who led the group Master Musicians of Jajouka at the time of their album, Brian Jones Presents The Pipes of Pan at Jajouka, produced by Brian Jones in 1968.

Attar as leader of the Master Musicians of Jajouka

Bachir Attar was born in Jajouka, Morocco, and the Master Musicians are descended from members of his father's group. They include his brothers Mostapha Attar, Abdellah Attar, and the son of the famous drum master, Mohammed "Berdous" Attar. Other members include Abderrzak el Attar, Mokhtar Jaghdal, and Mohamed Attar, moqqadem of the shrine of Sidi Ahmed Sheikh, and Abdellah Bokhzar, all who played with Bachir's father. Hamri was released as manager in 1972. Hamri had sold the copyright for the music to Brian Jones, and Bachir Attar had to negotiate with the Estate of Brian Jones and The Rolling Stones for the loan of their ancient music for the 1995 reissue of the first album.

Attar and the group recorded under the shorter and correct pronunciation of the Moghrebi name The Master Musicians of Jajouka on soundtracks for films including The Cell; The Hand of Fatima in 2009 by director Augusta Palmer; William S. Burroughs: A Man Within; directed by Yoni Leyser (2010); and Nicolas Roeg's Bad Timing (1980). Albums with the group and Attar include Apocalypse Across the Sky (Axiom, 1992), Jajouka Between the Mountains (WOMAD, 1996), appearances with the Rolling Stones on "Continental Drift" from the album Steel Wheels in 1989, the second album of the group from 1974, produced by Joel Rubiner, entitled The Master Musicians of Jajouka, and the 1995 reissue of Brian Jones Presents The Pipes of Pan at Jajouka on Point (Polygram) records. The spelling of "Jajouka" in the 1995 reissue title was corrected from "Joujouka" in the initial release's title for consistency with the band name spelling on the second album from 1974.

Solo and group performances and recordings

In addition to his work with Master Musicians of Jajouka, Bachir Attar was granted a Music Composition Fellowship by "The New York Foundation for the Arts" in 1990 for his compositions "Memories of My Father" and "Sounds of New York". Attar has also recorded a solo album entitled The Next Dream, which was produced in New York City by Bill Laswell in connection with Apocalypse Across The Sky, the album Laswell recorded of the traditional music for his Axiom label. Attar was a guest performer on Nicky Skopelitis's 1993 album, Ekstasis. He recorded "In New York" with Elliott Sharp in 1990 and toured with Sharp's band Carbon. He also recorded with Debby Harry and Chris Stein on the Cash Cow: The Best of Giorno Poetry Systems 1965-1993. Talvin Singh and Attar also made a CD in London 2000. With Attar, the group has toured extensively in Canada, Europe, Hong Kong and USA since the 1990s. Attar's manager and official photographer during his group's 1990s recording career was his wife, Cherie Nutting, whom he had married in 1989. The two parted amicably in 1996, but she was managing him and his band again by the mid-2000s.

The Master Musicians of Jajouka led by Bachir Attar released a live album on newly founded Jajouka Records in January 2009. Bachir Attar and The Master Musicians of Jajouka toured the US in winter 2009 playing at UCLA Live, Arabesque: Arts of the Arab World festival at The Kennedy Center in Washington D.C. among other concerts around the US. In August 2009 Bachir and the Jajouka Masters played at Festival des Plages in Al Hoceima, Morocco, and during la Fête du Trône in honor of the coronation of His Majesty King Mohammed VI. In June 2009 Bachir Attar and The Master Musicians of Jajouka performed with Ornette Coleman, Patti Smith and Flea from the Red Hot Chili Peppers at The Southbank Meltdown Festival in London. In July 2010 Bachir and his master musicians group performed again with Ornette Coleman at The North Sea Jazz Festival in Rotterdam, Holland. A new CD and vinyl album, The Source, was released in July 2010 by Son du Maquis in Paris. On May 12, 2013, Attar's performance with the Master Musicians of Jajouka on CNN's Anthony Bourdain: Parts Unknown, was aired in the first season's episode 5 segment, which focused on Tangier.

Discography

(Solo)

  • In New York, with Elliott Sharp (1990)
  • The Next Dream, with Maceo Parker (1992)

References

  1. Sweeney, Philip (July 21, 1995). "No Stone unturned". The Independent. London. Retrieved 2009-04-02.
  2. Rosemary Woodruff Leary, "The Master Musicians" Excerpted from "The Magician's Daughter", a work-in-progress., in Paul Krassner (ed.), Psychedelic Trips for the Mind. Reprint. (New York, 2000), pp. 58-62.
  3. Burroughs, Bogey and Bourdain: A portrait of Tangier. May 12, 2013. CNN.com (retrieved August 19, 2013).

Further reading

  • (in French) Alaoui, Mehdi Sekkouri. "Souvenirs. Sur les traces des Rolling Stones". Telquel Online. Retrieved January 14, 2007.
  • Bowles, Paul (1991). Days. The Ecco Press. ISBN 0-88001-269-2.
  • Davis, Stephen (1993). Jajouka Rolling Stone. Random House: New York. ISBN 0-679-42119-X
  • Davis, Stephen (2000). "Old Gods Almost Dead". Broadway Books: New York. ISBN 978-0767903127
  • Gross, Jason (June 2000). "Master Musicians of Jajouka: Bachir Attar Interview". Perfect Sound Forever. Retrieved January 22, 2007.
  • Harris, Craig. "Bachir Attar". Retrieved January 14, 2007.
  • Kinney, Glenn (June 20, 1993). "Bachir Attar: The Next Dream". The New York Times, p. H841.
  • Nutting, Cherie, with Bowles, Paul. (2000). Yesterday's Perfume: An Intimate Memoir of Paul Bowles. Clarkson Potter, at p. 199. ISBN 0-609-60573-9.
  • Palmer, Robert (2010). "Blues and Chaos - The music writing of Bob Palmer". Ed. Anthony DeCurtis. New York: Scribners. ISBN 978-1416599746
  • Palmer, Robert (October 14, 1971). "Jajouka: Up the Mountain". Rolling Stone magazine.
  • Palmer, Robert (March 22, 1989). "Into the Mystic". Rolling Stone.
  • Pareles, Jon (December 9, 1993). "Pop and Jazz in Review: Bachir Attar and Trilok Gurtru". The New York Times, p. C14.
  • Ranaldo, Lee (August 1996). "Into The Mystic". The Wire. Retrieved November 22, 2009.

External links

Categories: