Misplaced Pages

José Manuel Aguilera: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editContent deleted Content addedVisualWikitext
Revision as of 21:35, 21 August 2024 editSer Amantio di Nicolao (talk | contribs)Autopatrolled, Administrators6,250,754 editsm add Category:Year of birth missing (living people)Tag: AWB← Previous edit Latest revision as of 01:25, 3 November 2024 edit undoKjell Knudde (talk | contribs)Extended confirmed users137,312 edits Added more categories. 
(2 intermediate revisions by 2 users not shown)
Line 1: Line 1:
{{Short description|Mexican composer and guitarist}} {{Short description|Mexican composer and guitarist}}
{{BLP sources|date=July 2024}}
{{Infobox musical artist {{Infobox musical artist
| image = José Manuel Aguilera con La Barranca.jpg | image = José Manuel Aguilera con La Barranca.jpg
Line 6: Line 5:
| alias = | alias =
| birth_date = {{Birth date and age|1959|02|14}} | birth_date = {{Birth date and age|1959|02|14}}
| birth_place = ], ] | birth_place = ], Mexico
| genre = {{Hlist|]|]|]}} | genre = {{Hlist|Rock|]|]}}
| occupation = ], ], ], ] | occupation = Musician, guitarist, songwriter, singer
| instrument = ], ] | instrument = Vocals, guitar
| years_active = 1981–present | years_active = 1981–present
| current_member_of = ] | current_member_of = ]
Line 21: Line 20:
In 1994 Aguilera recorded the album ''Odio Fonky: tomas de buró'' with Mexican singer and songwriter ], which has achieved a cult status in Mexican rock. The album has blues, folk and ] influences and consists of 16 songs, including the classic ''Chilanga Banda'', which was covered by ] in ''].''<ref>{{Cite web |last=Cantú |first=Domingo |date=2021-08-30 |title="Odio Fonky, tomas de buró"; un esencial álbum. |url=https://www.rockenmexico.com/discos/odio-fonky-tomas-de-buro-un-esencial-album/ |archive-url=https://web.archive.org/web/20240814140034/https://www.rockenmexico.com/discos/odio-fonky-tomas-de-buro-un-esencial-album/ |archive-date=2024-08-14 |access-date=2024-08-14 |website=Rock en México |language=es}}</ref> Hugo García Michel, writing in ''],'' described ''Odio Fonky'' as: "... an eminently urban work, with a taste of pavement, neon lights, vehicular traffic, rough neighborhoods, street soccer, homeless people and scavengers, office workers and secretaries and students and housewives, canteens with stained floors, seedy bars and dives, bucolic parks with yellowish trees, atmospheric and visual pollution, fog, alcohol and bohemianism, the slow rush to get nowhere."<ref>{{Cite web |last=García Michel |first=Hugo |date=2 February 2014 |title=El Odio Fonky de Jaime López y José Manuel Aguilera |url=https://musica.nexos.com.mx/2014/02/04/el-odio-fonky-de-jaime-lopez-y-jose-manuel-aguilera/ |access-date=2024-08-14 |website=Nexos |language=es}}</ref> In 1994 Aguilera recorded the album ''Odio Fonky: tomas de buró'' with Mexican singer and songwriter ], which has achieved a cult status in Mexican rock. The album has blues, folk and ] influences and consists of 16 songs, including the classic ''Chilanga Banda'', which was covered by ] in ''].''<ref>{{Cite web |last=Cantú |first=Domingo |date=2021-08-30 |title="Odio Fonky, tomas de buró"; un esencial álbum. |url=https://www.rockenmexico.com/discos/odio-fonky-tomas-de-buro-un-esencial-album/ |archive-url=https://web.archive.org/web/20240814140034/https://www.rockenmexico.com/discos/odio-fonky-tomas-de-buro-un-esencial-album/ |archive-date=2024-08-14 |access-date=2024-08-14 |website=Rock en México |language=es}}</ref> Hugo García Michel, writing in ''],'' described ''Odio Fonky'' as: "... an eminently urban work, with a taste of pavement, neon lights, vehicular traffic, rough neighborhoods, street soccer, homeless people and scavengers, office workers and secretaries and students and housewives, canteens with stained floors, seedy bars and dives, bucolic parks with yellowish trees, atmospheric and visual pollution, fog, alcohol and bohemianism, the slow rush to get nowhere."<ref>{{Cite web |last=García Michel |first=Hugo |date=2 February 2014 |title=El Odio Fonky de Jaime López y José Manuel Aguilera |url=https://musica.nexos.com.mx/2014/02/04/el-odio-fonky-de-jaime-lopez-y-jose-manuel-aguilera/ |access-date=2024-08-14 |website=Nexos |language=es}}</ref>


Aguilera was part of the initial line up of Jaguares, alongside ] and ]. He recorded their first albúm, '']'', released in 1996 and went in one tour with the band. According to Enrique Lopetegui from the ''Los Angeles Times'', Aguilera's guitar gave Jaguares most of their edge.<ref>{{Cite web |last=Lopetegui |first=Enrique |date=1996-10-14 |title=Hernandez, Jaguares Balance Passion With Gutsy Presence |url=https://www.latimes.com/archives/la-xpm-1996-10-14-ca-53747-story.html |archive-url=https://web.archive.org/web/20240801024958/https://www.latimes.com/archives/la-xpm-1996-10-14-ca-53747-story.html |archive-date=2024-08-01 |access-date=2024-08-03 |website=Los Angeles Times |language=en-US}}</ref> Aguilera was part of the initial line up of Jaguares, alongside ] and ]. He recorded their first albúm, '']'', released in 1996 and went in one tour with the band. According to Enrique Lopetegui from the ''Los Angeles Times'', Aguilera's guitar gave Jaguares most of their edge.<ref>{{Cite web |last=Lopetegui |first=Enrique |date=1996-10-14 |title=Hernandez, Jaguares Balance Passion With Gutsy Presence |url=https://www.latimes.com/archives/la-xpm-1996-10-14-ca-53747-story.html |archive-url=https://web.archive.org/web/20240801024958/https://www.latimes.com/archives/la-xpm-1996-10-14-ca-53747-story.html |archive-date=2024-08-01 |access-date=2024-08-03 |website=Los Angeles Times |language=en-US}}</ref>

In 1994 Aguilera and Fong had started La Barranca, and focused on this band after ''El Equilibrio de los Jaguares.'' According to Aguilera, La Barranca is part of the tradition of popular Mexican music, exemplified by composers such as Agustín Lara, Álvaro Carrillo y José Alfredo Jiménez. They released their first album "El fuego de la noche" in 1996 and then "Tempestad" in 1997.<ref>{{Cite web |last= |date=2017-09-06 |title=La Barranca, dos décadas bajo la influencia del cancionero popular mexicano |url=https://www.latimes.com/espanol/noticas-mas/articulo/2017-09-05/efe-3370967-13337845-20170905 |access-date=2024-09-01 |website=Los Angeles Times en Español |language=es-US}}</ref>

Aguilera's music and lyrics have been influenced by literature and film, for example Mexican writer ], but also Japanese authors such as ], ] and director ].<ref>{{Cite web |last=Bautista |first=Eduardo |date=2018-08-17 |title=La Barranca: sobrevivir desde los nichos |url=https://www.elfinanciero.com.mx/reflector/la-barranca-sobrevivir-desde-los-nichos/ |archive-url=https://web.archive.org/web/20240901024601/https://www.elfinanciero.com.mx/reflector/la-barranca-sobrevivir-desde-los-nichos/ |archive-date=2024-09-01 |access-date=2024-09-01 |website=El Financiero |language=es}}</ref>


== References == == References ==
Line 31: Line 34:
{{DEFAULTSORT:Aguilera, José Manuel}} {{DEFAULTSORT:Aguilera, José Manuel}}
] ]
] ]
]
] ]
] ]

Latest revision as of 01:25, 3 November 2024

Mexican composer and guitarist
José Manuel Aguilera
Background information
Birth nameJosé Manuel Aguilera
Born (1959-02-14) February 14, 1959 (age 65)
Guadalajara, Mexico
Genres
Occupation(s)Musician, guitarist, songwriter, singer
Instrument(s)Vocals, guitar
Years active1981–present
Member ofLa Barranca
Formerly of
Musical artist

José Manuel Aguilera (born 14 February 1959, in Guadalajara, Mexico) is a Mexican guitar player, singer and composer. He has been part of bands such as Sangre Azteka, Nine Rain and Jaguares. He is the founder and leader of rock band La Barranca. He has also collaborated with artists such as Julieta Venegas, Cecilia Toussaint, Ely Guerra y Lila Downs.

Career

Aguilera started playing with his cousins and guitarist Luis Arteaga in the band El Fracaso (The Failure) in the area of Ciudad Satélite, Mexico City. In 1986 he was part of the audience in the first gig of the band Sangre Asteka, in the Museo Universitario del Chopo. The next year accordionist Humberto Alvarez invited Aguilera to join Sangre Asteka.

In 1994 Aguilera recorded the album Odio Fonky: tomas de buró with Mexican singer and songwriter Jaime López, which has achieved a cult status in Mexican rock. The album has blues, folk and Danzón influences and consists of 16 songs, including the classic Chilanga Banda, which was covered by Café Tacuba in Avalancha de Exitos. Hugo García Michel, writing in Nexos, described Odio Fonky as: "... an eminently urban work, with a taste of pavement, neon lights, vehicular traffic, rough neighborhoods, street soccer, homeless people and scavengers, office workers and secretaries and students and housewives, canteens with stained floors, seedy bars and dives, bucolic parks with yellowish trees, atmospheric and visual pollution, fog, alcohol and bohemianism, the slow rush to get nowhere."

Aguilera was part of the initial line up of Jaguares, alongside Saúl Hernández and Federico Fong. He recorded their first albúm, El Equilibrio de los Jaguares, released in 1996 and went in one tour with the band. According to Enrique Lopetegui from the Los Angeles Times, Aguilera's guitar gave Jaguares most of their edge.

In 1994 Aguilera and Fong had started La Barranca, and focused on this band after El Equilibrio de los Jaguares. According to Aguilera, La Barranca is part of the tradition of popular Mexican music, exemplified by composers such as Agustín Lara, Álvaro Carrillo y José Alfredo Jiménez. They released their first album "El fuego de la noche" in 1996 and then "Tempestad" in 1997.

Aguilera's music and lyrics have been influenced by literature and film, for example Mexican writer Juan Rulfo, but also Japanese authors such as Yukio Mishima, Yasunari Kawabata and director Akira Kurosawa.

References

  1. "El rock se tiñe de elegancia con José Manuel Aguilera". El Universal Querétaro (in Spanish). 18 May 2023. Archived from the original on July 31, 2024. Retrieved July 31, 2024.
  2. López, Mixar (2016-11-08). "El espejo humeante de la guitarra: Una retrospectiva con José Manuel Aguilera". VICE (in European Spanish). Archived from the original on 2024-08-14. Retrieved 2024-08-14.
  3. Maza Bustamante, Verónica (7 June 2017). "Humberto Álvarez: Música para sanar". Milenio. Archived from the original on 6 December 2019. Retrieved 14 August 2024.
  4. Cantú, Domingo (2021-08-30). ""Odio Fonky, tomas de buró"; un esencial álbum". Rock en México (in Spanish). Archived from the original on 2024-08-14. Retrieved 2024-08-14.
  5. García Michel, Hugo (2 February 2014). "El Odio Fonky de Jaime López y José Manuel Aguilera". Nexos (in Spanish). Retrieved 2024-08-14.
  6. Lopetegui, Enrique (1996-10-14). "Hernandez, Jaguares Balance Passion With Gutsy Presence". Los Angeles Times. Archived from the original on 2024-08-01. Retrieved 2024-08-03.
  7. "La Barranca, dos décadas bajo la influencia del cancionero popular mexicano". Los Angeles Times en Español (in Spanish). 2017-09-06. Retrieved 2024-09-01.
  8. Bautista, Eduardo (2018-08-17). "La Barranca: sobrevivir desde los nichos". El Financiero (in Spanish). Archived from the original on 2024-09-01. Retrieved 2024-09-01.
Jaguares
Studio albums
Live albums
Categories: