| Revision as of 15:19, 17 December 2024 editLord Cornwallis (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers459,595 edits ←Created page with '{{Short description|Painting by Johan Christian Dahl}} {{Infobox artwork | image_file=File:Johan Christian Dahl - Two Men before a Waterfall at Sunset - Metropolitan Museum of Art - DP319598 - 2019.167.3 (cropped).jpg | image_size=300px | title= Two Men Before a Waterfall at Sunset | artist=Johan Christian Dahl | year=1823 | type=Oil on canvas, landscape painting | height_metric=39 | width_metric=35 | height_imperial= | width_impe...' |
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'''''Two Men Before a Waterfall at Sunset''''' is an 1823 ] by the Norwegian ] ]<ref>https://www.jstor.org/stable/community.27227802</ref> It depicts Dahl and his friend and contemporary ] standing in a landscape inspired by his native ]. It pays home to Friedrich's 1819 work '']''.<ref>https://www.metmuseum.org/art/collection/search/439344</ref> The Norwegian Dahl settled in Dresden and worked there for most of his career, but continued to drawn inspiration from his homeland. |
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'''''Two Men Before a Waterfall at Sunset''''' is an 1823 ] by the Norwegian ] ]<ref>{{cite web | url=https://www.jstor.org/stable/community.27227802 | title=Two Men before a Waterfall at Sunset | last1=Artist: Johan Christian Dahl (Norwegian | first1=Bergen 1788–1857 Dresden) }}</ref> It depicts Dahl and his friend and contemporary ] standing in a landscape inspired by his native ]. It pays home to Friedrich's 1819 work '']''.<ref>{{cite web | url=https://www.metmuseum.org/art/collection/search/439344 | title=Two Men before a Waterfall at Sunset | date=1823 }}</ref> The Norwegian Dahl settled in Dresden and worked there for most of his career, but continued to drawn inspiration from his homeland. |
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The painting is today in the collection of the ] in ], having been received as a gift from ] in 2019.<ref>Hollien p.194</ref> |
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The painting is today in the collection of the ] in ], having been received as a gift from ] in 2019.<ref>Hollien p.194</ref> |
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