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{{Short description|American painter and antique dealer (1888–1954)}}
'''Mountford Coolidge''' (1888 – 1954) was an American ] ] painter. Coolidge was born in ] in 1888 and as a teenager moved to ], where he would stay for over forty years.<ref name=":0">{{Cite web |date=January 8, 2021 |title=Objects of Our Affection: The Rising Moon – The Golden Fleece |url=https://ogunquitmuseum.org/objects-of-our-affection-the-rising-moon-the-golden-fleece/ |website=Ogunquit Museum of American Art}}</ref> A 1921 article reviewing Coolidge's paintings in '']'' suggested that he "inclines to the formula of Post-Impressionism" and that he "seeks beauty in form rather than in atmosphere; his landscapes are undulating and solid, even the rocks having curling contours, and his colors are dull and deep."<ref>{{Cite journal |year=1921 |orig-date=Oct. 29, 1921 |title=Mountford Coolidge's Landscapes |url=https://www.jstor.org/stable/25589849?searchText=mountford+coolidge&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dmountford%2Bcoolidge%26so%3Drel&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3A8a0e59980a771c0f16fe2a17be5868b2 |journal=American Art News |volume=20 |issue=3 |pages=1 |via=JSTOR}}</ref>
{{Infobox artist
| name = Mountfort Coolidge
| alt = Mountford Coolidge
| birth_date = 1888
| birth_place = ]
| death_date = August 27, 1954
| death_place = ]
| nationality = American
| known_for = Painting, Antiques Trade
| notable_works = ''The Rising Moon – The Golden Fleece'',<ref name=":0">{{Cite web |date=January 8, 2021 |title=Objects of Our Affection: The Rising Moon – The Golden Fleece |url=https://ogunquitmuseum.org/objects-of-our-affection-the-rising-moon-the-golden-fleece/ |website=Ogunquit Museum of American Art}}</ref> 1912 Aerial Painting (title unknown)<ref name=":4">{{Cite news |date=12 January 1913 |title=Hang Your Pictures on the Floor |url=https://books.google.com/books?id=Gn1QAAAAIBAJ&lpg=PA21&dq=%22Montfort%20coolidge%22&pg=PA21#v=onepage&q&f=false |work=The Spokesman-Review |location=Spokane, Washington |page=2 |via=Google Books}}</ref>
| style = ]
| movement = ]
| partner = ]
}}


Coolidge studied painting with ] and ], and he also had associations with ] and ].<ref name=":0" /><ref name=":1">{{Cite web |title=Artists' Biographies |url=https://www.vanwardgallery.me/biographies.html#/ |website=Van Ward Gallery |place=Ogunquit, Maine}}</ref> He exhibited work at multiple distinguished galleries in New York City and elsewhere, including a solo exhibition at ].<ref name=":0" /><ref name=":1" /><ref>{{Cite journal |year=1921 |title=Calendar of New York Exhibitions |url=https://www.jstor.org/stable/25589847?searchText=mountford+coolidge&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dmountford%2Bcoolidge%26so%3Drel&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3Abaad2a27f293adcf7d6c6e9ba26bd61f&seq=3 |journal=American Art News |volume=20 |issue=2 |pages=10 |via=JSTOR}}</ref> Works by Coolidge are held by the ] and the ], and two photographs of Coolidge are held by the ].<ref name=":0" /><ref>{{Cite web |title=Untitled Maine Landscape |url=https://collection.farnsworthmuseum.org/objects/183/untitled-maine-landscape |access-date=2024-12-21 |website=Farnsworth Art Museum Collection Online |language=en}}</ref><ref>{{Cite web |title=Mountford Coolidge photograph / (photographed by Peter A. Juley & Son) |url=https://www.si.edu/object/mountford-coolidge-photograph-photographed-peter-juley-son:siris_jul_62282 |website=Smithsonian American Art Museum}}</ref><ref>{{Cite web |title=Mountford Coolidge photograph / (photographed by Peter A. Juley & Son) |url=https://www.si.edu/object/mountford-coolidge-photograph-photographed-peter-juley-son:siris_jul_62283 |website=Smithsonian American Art Museum}}</ref> '''Mountfort (or Mountford) Coolidge''' (1888–1954) was an American ] painter and antique dealer. He was born in ] in 1888 and later moved to ], where he resided for around forty years.<ref name=":0">{{Cite web |date=January 8, 2021 |title=Objects of Our Affection: The Rising Moon – The Golden Fleece |url=https://ogunquitmuseum.org/objects-of-our-affection-the-rising-moon-the-golden-fleece/ |website=Ogunquit Museum of American Art}}</ref> His landscapes emphasize form and texture and have been described as ] or occasionally ] in their approach.<ref name=":0" /><ref name=":2">{{Cite journal |year=1921 |orig-date=Oct. 29, 1921 |title=Mountford Coolidge's Landscapes |url=https://www.jstor.org/stable/25589849?searchText=mountford+coolidge&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dmountford%2Bcoolidge%26so%3Drel&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3A8a0e59980a771c0f16fe2a17be5868b2 |journal=American Art News |volume=20 |issue=3 |page=1 |JSTOR=25589849}}</ref><ref name=":3">{{Cite book |last=Vergine |first=Antongiulio |title=International Yearbook of Futurism Studies: volume 14. Open Issue |date=2024 |publisher=Walter de Gruyter |isbn=978-3-11-143481-0 |editor-last=Berghaus |editor-first=Günter |location=Boston |pages=346–349 |chapter=Hang Your Picture on the Floor”: A Para-Futurist Aeropainting from the USA |editor-last2=Baird |editor-first2=Nicola |editor-last3=Lee |editor-first3=Sze Wah}}</ref>


== Personal Life == == Artistic Career ==
Coolidge had a lifelong homosexual relationship the painter ], with whom he also ran a small antique shop in Ogunquit.<ref name=":0" /><ref>{{Cite web |date=June 10, 2023 |title=The End of Summer (Instagram Post) |url=https://www.instagram.com/p/CtUURMLv-FW/?ref=badge |website=Instagram, Ogunquit Museum of American Art}}</ref> The business operated in a building that had previously been a barn and chicken coop.<ref>{{Cite book |last=Severson |first=Kathryn M. |title=Ogunquit (Then and Now) |last2=Meffert |first2=Susan Day |last3=Natoli |first3=Marie D. |publisher=Arcadia Publishing |year=2009 |isbn=978-0738565354 |pages=39}}</ref> Coolidge and Hare were also charitable and went on to donate several works of historical art to different museums, including two ancient Roman paintings currently held by the ].<ref>{{Cite web |title=Mummy Portrait of a Young Man |url=https://worcester.emuseum.com/objects/32780/mummy-portrait-of-a-young-man?ctx=cc358eb182f6a74ab3c49ac5e8c2a103dbc05a5f&idx=8 |access-date=2024-12-21 |website=worcester.emuseum.com |language=en}}</ref><ref>{{Cite web |title=Fayuum Portrait of Woman with Pearl Jewelry |url=https://worcester.emuseum.com/objects/19186/fayuum-portrait-of-woman-with-pearl-jewelry;jsessionid=C730491AE91A0AA40449F87D6493106D |access-date=2024-12-21 |website=worcester.emuseum.com |language=en}}</ref><ref>{{Cite web |title=Figurine {{!}} Bennington Museum |url=https://bennington.pastperfectonline.com/Webobject/E4F64C73-76A4-4A43-BF9F-374893551570 |access-date=2024-12-21 |website=bennington.pastperfectonline.com}}</ref>


=== Work and Reception ===
== References ==
Coolidge studied painting with ] and ], and he also had associations with ] and ], among others.<ref name=":0" /><ref name=":3" /><ref name=":1">{{Cite book |last=Bardwell |first=John D. |title=Ogunquit By-The-Sea |publisher=Arcadia Publishing |year=1994 |isbn=9780738588346 |location=Charleston, South Carolina |page=84}}</ref> He was a member of the ]<ref name=":6" /> and exhibited at distinguished galleries across the United States and Europe,<ref name=":0" /><ref name=":3" /><ref>{{Cite book |title=Fifth Exhibition Oil Paintings by Contemporary American Artists |publisher=The Corcoran Gallery of Art |location=Washington, D.C. |publication-date=1914 |pages=33, 71}}</ref> particularly in New York City, where some of his work was shown at the ] alongside paintings by ].<ref>{{Cite book |last=Levin |first=Gail |title=Edward Hopper: An Intimate Biography |publisher=University of California Press |year=1995 |isbn=978-0520393387 |edition=Reissued Paperback |location=Oakland, California |publication-date=2023 |pages=86–87}}</ref> He also painted a portrait of the Russian writer ].<ref name=":6">{{Cite news |date=17 November 1912 |title=Room With Glass Floor |work=The New York Times |page=2 }}</ref><ref name=":5">{{Cite news |date=4 August 1912 |title=Coolidge Painted Gorky |work=The New York Times |page=3 }}</ref>

Coolidge continued to paint after moving to Maine around 1917,<ref name=":1" /> and in 1921 he provided ten paintings for a solo exhibition at ].<ref name=":2" /><ref>{{Cite journal |year=1921 |title=Calendar of New York Exhibitions |url=https://www.jstor.org/stable/25589847?searchText=mountford+coolidge&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dmountford%2Bcoolidge%26so%3Drel&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3Abaad2a27f293adcf7d6c6e9ba26bd61f&seq=3 |journal=American Art News |volume=20 |issue=2 |page=10 |JSTOR=25589847}}</ref> In a review of the show, an article in '']'' wrote that Coolidge "inclines to the formula of Post-Impressionism" and that he "seeks beauty in form rather than in atmosphere; his landscapes are undulating and solid, even the rocks having curling contours, and his colors are dull and deep."<ref name=":2" />

=== 1912 Aerial Painting ===
In the fall of 1912, having received a commission from an Italian Count in ] who was interested in aviation, Coolidge decided to paint an aerial view of the Italian ] as they would have been seen from an ].<ref name=":3" /><ref name=":5" /><ref name=":6" /><ref name=":4" /> He insisted that the painting was to be placed not on the wall but inside a glass case beneath the floor,<ref name=":6" /><ref name=":4" /> so that, as one anonymous critic put it, "while sitting in this room you have the sensation of flying in an aeroplane and looking at the earth beneath your feet."<ref name=":4">{{Cite news |date=12 January 1913 |title=Hang Your Pictures on the Floor |url=https://books.google.com/books?id=Gn1QAAAAIBAJ&lpg=PA21&dq=%22Montfort%20coolidge%22&pg=PA21#v=onepage&q&f=false |work=The Spokesman-Review |location=Spokane, Washington |page=2 |via=Google Books}}</ref>

From 1912 to 1913, the painting became the subject of numerous news articles.<ref name=":3" /><ref>{{Cite news |date=17 November 1912 |title=ROOM WITH GLASS FLOOR.; New Decorative Scheme by an American Artist Attracts Notice. |url=https://www.nytimes.com/1912/11/17/archives/room-with-glass-floor-new-decorative-scheme-by-an-american-artist.html |work=The New York Times |page=2 }}</ref> One such article, in a 1913 issue of the ], juxtaposes a caricature of Coolidge's painting with ] works by ] and ].<ref name=":3" /><ref name=":4" /> Unpacking this comparison in more detail, a 2024 research article in the ''International Yearbook of Futurism Studies'' has suggested that, while Coolidge was not himself a Futurist, his painting can nevertheless be understood through the lens of modernism, as an attempt to provoke his viewer's imagination in a way that prefigured later Futurist ideas about ].<ref name=":3" />

=== Collections ===
Works by Coolidge are held in the collections of the ] and the ],<ref name=":0" /><ref>{{Cite web |title=Untitled Maine Landscape |url=https://collection.farnsworthmuseum.org/objects/183/untitled-maine-landscape |access-date=2024-12-21 |website=Farnsworth Art Museum Collection Online |language=en}}</ref> and two photographs of Coolidge are held by the ].<ref>{{Cite web |title=Mountford Coolidge photograph / (photographed by Peter A. Juley & Son) |url=https://www.si.edu/object/mountford-coolidge-photograph-photographed-peter-juley-son:siris_jul_62282 |website=The Smithsonian Institution}}</ref><ref>{{Cite web |title=Mountford Coolidge photograph / (photographed by Peter A. Juley & Son) |url=https://www.si.edu/object/mountford-coolidge-photograph-photographed-peter-juley-son:siris_jul_62283 |website=The Smithsonian Institution}}</ref>

== Personal life ==
Coolidge had an intimate lifelong relationship with the painter ], with whom he also ran a small antique shop in Ogunquit.<ref name=":0" /><ref>{{Cite web |date= |title=The End of Summer, Channing Hare |url=https://ogunquitmuseumofamericanart.collection.veevartapp.com/artists/channing-hare/artworks/the-end-of-summer_1 |website=Ogunquit Museum of American Art}}</ref> The business, which Coolidge and Hare began together in 1920,<ref name=":1" /> operated in a building that had previously been a barn and chicken coop.<ref>{{Cite book |last=Severson |first=Kathryn M. |title=Ogunquit (Then and Now) |last2=Meffert |first2=Susan Day |last3=Natoli |first3=Marie D. |publisher=Arcadia Publishing |year=2009 |isbn=978-0738565354 |page=39}}</ref> The two artists resided in ] during the winter.<ref name=":7">{{Cite news |date=28 August 1954 |title=H. Mountford Coolidge |work=The New York Times |page=15}}</ref><ref>{{Cite news |date=14 February 1976 |title=Channing Hare, 76, Painter Of Portraits and Still‐Lifes |work=The New York Times |pages=28}}</ref>

Coolidge and Hare were also charitable and went on to donate several works of historical art to different museums, including two ] paintings currently held by the ];<ref>{{Cite web |title=Mummy Portrait of a Young Man |url=https://worcester.emuseum.com/objects/32780/mummy-portrait-of-a-young-man?ctx=cc358eb182f6a74ab3c49ac5e8c2a103dbc05a5f&idx=8 |access-date=2024-12-21 |website=Worcester Museum |language=en}}</ref><ref>{{Cite web |title=Fayuum Portrait of Woman with Pearl Jewelry |url=https://worcester.emuseum.com/objects/19186/fayuum-portrait-of-woman-with-pearl-jewelry;jsessionid=C730491AE91A0AA40449F87D6493106D |access-date=2024-12-21 |website=Worcester Museum |language=en}}</ref> the ] holds a collection of historical glassware and other objects of ] called the Channing Hare-Mountfort Coolidge Collection.<ref>{{Cite web |title=Search Results for "Channing Hare-Mountfort Coolidge Collection" |url=https://bennington.pastperfectonline.com/Search?search_criteria=%22Channing+Hare-Mountfort+Coolidge+Collection%22&onlyimages=false |access-date=2024-12-24 |website=Bennington Museum}}</ref><ref>{{Cite web |title=Inkwell |url=https://bennington.pastperfectonline.com/webobject/14CC5649-2042-4719-8640-244051851650 |access-date=2024-12-24 |website=Bennington Museum}}</ref>

Coolidge died in Ogunquit on August 27, 1954.<ref name=":7" />

== Note ==
Coolidge's first name has been spelled alternatively as "Mountfort" and "Mountford" (and occasionally "Montfort") in the historical record. The name of Coolidge's own business was spelled "Mountfort Coolidge Antiques."<ref>{{Cite journal |title= |url=https://www.google.com/books/edition/Magazine_Antiques/SqVHg9eqCkoC?hl=en&gbpv=1&bsq=mountfort |journal=Antiques |volume=70 |via=Google Books}}</ref>

== Reference ==
<references /> <references />

{{authority control}}

{{DEFAULTSORT:Coolidge, Mountfort}}
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Latest revision as of 19:31, 27 December 2024

American painter and antique dealer (1888–1954)
Mountfort Coolidge
Born1888
Brooklyn, New York
DiedAugust 27, 1954
Ogunquit, Maine
NationalityAmerican
Known forPainting, Antiques Trade
Notable workThe Rising Moon – The Golden Fleece, 1912 Aerial Painting (title unknown)
StyleLandscape painting
MovementPost-Impressionism
PartnerChanning Hare

Mountfort (or Mountford) Coolidge (1888–1954) was an American landscape painter and antique dealer. He was born in Brooklyn, New York in 1888 and later moved to Ogunquit, Maine, where he resided for around forty years. His landscapes emphasize form and texture and have been described as Post-Impressionist or occasionally modernist in their approach.

Artistic Career

Work and Reception

Coolidge studied painting with Hamilton Easter Field and Robert Henri, and he also had associations with Marsden Hartley and Bernard Karfiol, among others. He was a member of the Société Nationale des Beaux-Arts and exhibited at distinguished galleries across the United States and Europe, particularly in New York City, where some of his work was shown at the MacDowell Club alongside paintings by Edward Hopper. He also painted a portrait of the Russian writer Maxim Gorky.

Coolidge continued to paint after moving to Maine around 1917, and in 1921 he provided ten paintings for a solo exhibition at Kraushaar Galleries. In a review of the show, an article in American Art News wrote that Coolidge "inclines to the formula of Post-Impressionism" and that he "seeks beauty in form rather than in atmosphere; his landscapes are undulating and solid, even the rocks having curling contours, and his colors are dull and deep."

1912 Aerial Painting

In the fall of 1912, having received a commission from an Italian Count in Rimini who was interested in aviation, Coolidge decided to paint an aerial view of the Italian Alps as they would have been seen from an early airplane. He insisted that the painting was to be placed not on the wall but inside a glass case beneath the floor, so that, as one anonymous critic put it, "while sitting in this room you have the sensation of flying in an aeroplane and looking at the earth beneath your feet."

From 1912 to 1913, the painting became the subject of numerous news articles. One such article, in a 1913 issue of the Spokesman-Review, juxtaposes a caricature of Coolidge's painting with Futurist works by Carlo Carrà and Umberto Boccioni. Unpacking this comparison in more detail, a 2024 research article in the International Yearbook of Futurism Studies has suggested that, while Coolidge was not himself a Futurist, his painting can nevertheless be understood through the lens of modernism, as an attempt to provoke his viewer's imagination in a way that prefigured later Futurist ideas about aeropainting.

Collections

Works by Coolidge are held in the collections of the Ogunquit Museum of American Art and the Farnsworth Art Museum, and two photographs of Coolidge are held by the Smithsonian American Art Museum.

Personal life

Coolidge had an intimate lifelong relationship with the painter Channing Hare, with whom he also ran a small antique shop in Ogunquit. The business, which Coolidge and Hare began together in 1920, operated in a building that had previously been a barn and chicken coop. The two artists resided in Palm Beach, Florida during the winter.

Coolidge and Hare were also charitable and went on to donate several works of historical art to different museums, including two ancient Roman paintings currently held by the Worcester Art Museum; the Bennington Museum holds a collection of historical glassware and other objects of decorative art called the Channing Hare-Mountfort Coolidge Collection.

Coolidge died in Ogunquit on August 27, 1954.

Note

Coolidge's first name has been spelled alternatively as "Mountfort" and "Mountford" (and occasionally "Montfort") in the historical record. The name of Coolidge's own business was spelled "Mountfort Coolidge Antiques."

Reference

  1. ^ "Objects of Our Affection: The Rising Moon – The Golden Fleece". Ogunquit Museum of American Art. January 8, 2021.
  2. ^ "Hang Your Pictures on the Floor". The Spokesman-Review. Spokane, Washington. 12 January 1913. p. 2 – via Google Books.
  3. ^ "Mountford Coolidge's Landscapes". American Art News. 20 (3): 1. 1921 . JSTOR 25589849.
  4. ^ Vergine, Antongiulio (2024). "Hang Your Picture on the Floor": A Para-Futurist Aeropainting from the USA". In Berghaus, Günter; Baird, Nicola; Lee, Sze Wah (eds.). International Yearbook of Futurism Studies: volume 14. Open Issue. Boston: Walter de Gruyter. pp. 346–349. ISBN 978-3-11-143481-0.
  5. ^ Bardwell, John D. (1994). Ogunquit By-The-Sea. Charleston, South Carolina: Arcadia Publishing. p. 84. ISBN 9780738588346.
  6. ^ "Room With Glass Floor". The New York Times. 17 November 1912. p. 2 .
  7. Fifth Exhibition Oil Paintings by Contemporary American Artists. Washington, D.C.: The Corcoran Gallery of Art. 1914. pp. 33, 71.
  8. Levin, Gail (1995). Edward Hopper: An Intimate Biography (Reissued Paperback ed.). Oakland, California: University of California Press (published 2023). pp. 86–87. ISBN 978-0520393387.
  9. ^ "Coolidge Painted Gorky". The New York Times. 4 August 1912. p. 3 .
  10. "Calendar of New York Exhibitions". American Art News. 20 (2): 10. 1921. JSTOR 25589847.
  11. "ROOM WITH GLASS FLOOR.; New Decorative Scheme by an American Artist Attracts Notice". The New York Times. 17 November 1912. p. 2 .
  12. "Untitled Maine Landscape". Farnsworth Art Museum Collection Online. Retrieved 2024-12-21.
  13. "Mountford Coolidge photograph / (photographed by Peter A. Juley & Son)". The Smithsonian Institution.
  14. "Mountford Coolidge photograph / (photographed by Peter A. Juley & Son)". The Smithsonian Institution.
  15. "The End of Summer, Channing Hare ["Description"]". Ogunquit Museum of American Art.
  16. Severson, Kathryn M.; Meffert, Susan Day; Natoli, Marie D. (2009). Ogunquit (Then and Now). Arcadia Publishing. p. 39. ISBN 978-0738565354.
  17. ^ "H. Mountford Coolidge". The New York Times. 28 August 1954. p. 15.
  18. "Channing Hare, 76, Painter Of Portraits and Still‐Lifes". The New York Times. 14 February 1976. p. 28.
  19. "Mummy Portrait of a Young Man". Worcester Museum. Retrieved 2024-12-21.
  20. "Fayuum Portrait of Woman with Pearl Jewelry". Worcester Museum. Retrieved 2024-12-21.
  21. "Search Results for "Channing Hare-Mountfort Coolidge Collection"". Bennington Museum. Retrieved 2024-12-24.
  22. "Inkwell". Bennington Museum. Retrieved 2024-12-24.
  23. "[Advertisement for Mountfort Coolidge Antiques]". Antiques. 70 – via Google Books.
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