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{{Short description|American digital cinematography company}}
{{future product}}
{{Use mdy dates|date=April 2019}}

{{Update|reason=No official history|date=September 2024}}
{{Infobox_Company
{{Infobox company
| company_name = Red Digital Cinema Camera Company
| name = Red Digital Cinema, LLC

| logo = Red-Camera-Logo.jpeg
| company_logo =
| type = ]

| foundation = {{Start date and age|2005}}
| company_type = ]
| founder = ]
| foundation =
| fate = Acquired by Nikon on April 8th, 2024
| location = {{flagicon|USA}} ], ], ]
| key_people = ] | location_city = ]
| location_country = United States
| industry = ]<br />
| key_people = ] (president)
| products = Red One<br />Red Cine<br />
| industry = ]
| revenue =
| products = Red One, Epic, Scarlet, DSMC2, Scarlet-W & Red Raven cameras
| operating_income = | operating_income =
| net_income = | net_income =
| num_employees = | num_employees =
| parent = {{ubl|]|{{smaller|(2024–present)}}}}
| homepage =
| homepage = {{URL|https://red.com/}}
}} }}
'''Red Digital Cinema, LLC''' is an American camera manufacturer specializing in ] headquartered in ], United States. It has been owned by ] since April 2024.<ref>{{Cite web |date=2024-04-12 |title=Nikon Completes Acquisition of US Cinema Camera Manufacturer RED.com, LLC {{!}} News {{!}} Nikon About Us |url=https://www.nikon.com/company/news/2024/0412_imaging_01.html |access-date=2024-04-14 |website=www.nikon.com |language=en}}</ref>


The company has studios in ], and has offices in ], ], and ] as well as retail stores in Hollywood, ], and ]. In addition it has various authorized resellers and service centers around the world.<ref>{{cite web|url=http://www.red.com/locations|title=Worldwide Locations - RED Digital Cinema|website=www.red.com|access-date=February 14, 2017|archive-date=April 25, 2017|archive-url=https://web.archive.org/web/20170425211849/http://www.red.com/locations|url-status=live}}</ref>
'''Red Digital Cinema Camera Company''' is the developer of a ] camera called the '''Red One'''. The company claims that when the camera is released, it will be capable of recording ] up to 4520 x 2540 using a ]-sized ] sensor. The ''Red One'' will have a competitive price point which may allow comparatively low-budget productions to produce high-resolution digital cinematography. The Red Digital Cinema Camera Company was founded by ], founder of the ] company.


==History==
==Technical Specifications==
Red Digital Cinema was founded by ], who previously founded ]. As a self-described "camera fanatic" owning over 1,000 models, Jannard started the company with the intent to deliver a (relatively) affordable ] digital cinema camera.<ref name="archive.wired.com" /><ref>{{cite web|url=http://www.red.com/history|title=The History of RED Digital Cinema|work=red.com|access-date=August 22, 2014|archive-date=September 7, 2016|archive-url=https://web.archive.org/web/20160907220937/http://www.red.com/history|url-status=live}}</ref> Jannard dates the idea to a time when he bought a ] video camera and learned that the files had to be converted with software from Lumiere HD and were not viewable on ].<ref name="archive.wired.com" /> Lumiere HD's owner Frederic Lumiere collaborated with Jannard on developing an alternative and introduced him to Ted Schilowitz who became Red's first employee.<ref name="mit">{{cite web|url=https://www.technologyreview.com/s/426387/red-the-camera-that-changed-hollywood/|title=Red: The Camera That Changed Hollywood|first=Lee|last=Gomes|publisher=MIT Technology Review|date=December 19, 2011|access-date=April 22, 2018|archive-date=November 10, 2018|archive-url=https://web.archive.org/web/20181110172429/https://www.technologyreview.com/s/426387/red-the-camera-that-changed-hollywood/|url-status=live}}</ref>
===Sensor===
The sensor will have a 12 ] ] (brand name: Mysterium) that is 24.4mm x 13.7mm, with 4520x2540 active pixels, 4900x2580 full pixels, and a 66dB dynamic range. The Mysterium sensor has the same active area as a ] film frame (masked to a 16:9 ]), allowing the same shallow ] to be produced in conjunction with lenses designed to cover the 35mm format.


The early team members engaged in ] research on how to make a digital camera feasible for Hollywood productions. Part of the process involved using 4K resolution instead of ] which was most common at the time. Another technical hurdle was to achieve the focusing quality of ] cameras without sacrificing frame rate. Part of Red's solution to this problem was developing a sensor with a physical size comparable to that of analog film.<ref name="archive.wired.com" /> At the 2006 ], Jannard announced that Red would build a 4K digital cinema camera, called the Red One and began taking pre-orders.
The camera also allows the sensor to be used in a 'windowed' mode, in which the sensor can emulate the active area of a ] film frame while capturing 2K footage. This allows the camera to be used with lenses designed to cover the super 16 format. Mysterium is the company's proprietary sensor design.


In March 2007, director ] completed a camera test of two prototype Red One cameras, which became the 12-minute World War I film '']''.<ref>{{cite web|url=https://www.imdb.com/title/tt0473181/|title=Crossing the Line (2006)|author=SnakesOnAnAfricanPlain|date=August 10, 2007|work=IMDb|access-date=July 21, 2018|archive-date=August 23, 2018|archive-url=https://web.archive.org/web/20180823004447/https://www.imdb.com/title/tt0473181/|url-status=live}}</ref> On seeing the short film, director ] told Jannard: "I am all in. I have to shoot with this." Soderbergh took two prototype Red Ones into the jungle to shoot his film '']''.<ref name="archive.wired.com">{{cite magazine|url=http://archive.wired.com/entertainment/hollywood/magazine/16-09/ff_redcamera?currentPage=all|title=Analog Meets Its Match in Red Digital Cinema's Ultrahigh-Res Camera|magazine=WIRED|last1=Behar|first1=Michael}}</ref> A short documentary, ''Che and the Digital Revolution'', was made about the Red camera technology that was used in the film's production.<ref name="DVDTown"> {{webarchive |url=https://web.archive.org/web/20100121181208/http://www.dvdtown.com/review/che-the-criterion-collection/blu-ray/7722 |date=January 21, 2010 }} by Christopher Long, ''DVD Town'', January 16, 2010</ref> The Red One first shipped in August 2007. One of the first television programs to shoot with it was the medical drama '']''.<ref name="nyfa">{{cite web|url=https://www.nyfa.edu/student-resources/how-red-cameras-changed-the-game/|title=How RED cameras changed the game|first=Helen|last=Kantilaftis|publisher=New York Film Academy|date=August 7, 2015|access-date=April 22, 2018|archive-date=April 23, 2018|archive-url=https://web.archive.org/web/20180423102136/https://www.nyfa.edu/student-resources/how-red-cameras-changed-the-game/|url-status=live}}</ref>
===Recording formats===
The recording formats include ]("4K+"), ], ], ],], and ].


In 2010, Red acquired the historic Ren-Mar Studios in Hollywood, and renamed it "]".<ref>{{cite web|url=http://www.studiodaily.com/2010/01/red-buys-ren-mar-studios-in-hollywood/|title=RED buys Ren Mar Studios in Hollywood|work=Studio Daily|date=January 18, 2010|access-date=August 22, 2014|archive-date=October 15, 2014|archive-url=https://web.archive.org/web/20141015160513/http://www.studiodaily.com/2010/01/red-buys-ren-mar-studios-in-hollywood/|url-status=dead}}</ref> By 2011, it had over 400 employees.<ref name="mit" /> 2011 was also the year in which ], ], and ] announced that they would no longer be producing analog cameras. Red Digital Cinema and the Red One were widely credited with accelerating this transition in the industry.<ref name="nyfa" /> Schilowitz responded by saying "It was never our goal to kill film. Instead, we wanted to evolve it."<ref name="mit" />
{| class="wikitable"
|-
! | Frame Rate
! | Supported Resolution
|-
| 1 – 60 fps
| 2540p, 4K, 2K,1080p, 720p
|-
| 1 – 120 fps
| 2K, 720p (windowed sensor)
|-
| 50 / 59.94fps
| 1080i, 720p
|}


In 2010, 5% of the top 100 grossing domestic films that were shot on digital video used Red cameras as their primary system. Their share increased to over 25% by 2016, but has declined since then.<ref>{{Cite web|url=https://stephenfollows.com/digital-vs-film-on-hollywood-movies/|title=The use of digital vs celluloid film on Hollywood movies {{!}} Stephen Follows|date=February 11, 2019|language=en-GB|access-date=2019-12-16|archive-date=April 11, 2022|archive-url=https://web.archive.org/web/20220411214338/https://stephenfollows.com/digital-vs-film-on-hollywood-movies/|url-status=live}}</ref>
Red does not natively capture ] formats. However, its higher definition formats can be scaled down in post production, and should yield extremely high-quality standard definition output. The sensor does not record 1080i natively. However, the camera can record 1080p60, from which 1080i can be extracted in-camera.


On August 19, 2013, Jim Jannard announced his retirement from Red, leaving ] as president.<ref>{{Cite news |last=Schneider |first=Jaron |date=August 19, 2013 |title=RED's CEO Jim Jannard Has Resigned, Jarred Land To Take Helm |url=https://fstoppers.com/news/reds-ceo-jim-jannard-has-resigned-jarred-land-take-helm-2566 |url-status=live |archive-url=https://web.archive.org/web/20180810142639/https://fstoppers.com/news/reds-ceo-jim-jannard-has-resigned-jarred-land-take-helm-2566 |archive-date=August 10, 2018 |access-date=August 10, 2018 |work=Fstoppers}}</ref>
===Compression & Workflow===


On March 7, 2024, Red Digital Cinema accepted a takeover of the company by Japanese camera equipment manufacturer ] for an undisclosed amount;<ref name="nikon">{{cite web |title=Nikon to Acquire US Cinema Camera Manufacturer RED |url=https://www.nikon.com/company/news/2024/0307_01.html}}</ref> this may be part of a growing interest of Nikon to expand into the digital cinema camera market.<ref>{{Cite web|url=https://www.theverge.com/2024/3/7/24093109/nikon-acquiring-red-cameras-film-motion-picture-tv|title=Nikon is acquiring US camera manufacturer RED|publisher=The Verge|access-date=March 8, 2024|date=March 7, 2024|archive-date=March 8, 2024|archive-url=https://web.archive.org/web/20240308012205/https://www.theverge.com/2024/3/7/24093109/nikon-acquiring-red-cameras-film-motion-picture-tv|language=en-US}}</ref> On April 12, 2024, Nikon announced that it had acquired 100% of the outstanding membership interests of Red Digital Cinema. Keiji Oishi, of Nikon's imaging business unit, assumed the role of CEO and Tommy Rios, the executive vice president of Red Digital Cinema, became co-CEO. Red's former president, Jarred Land, and ], Red's founder, remain as close advisors to the company.<ref>{{Cite web |title=Nikon Completes Acquisition of US Cinema Camera Manufacturer RED.com, LLC {{!}} News {{!}} Nikon About Us |url=https://www.nikon.com/company/news/2024/0412_imaging_01.html#:~:text=Nikon%20Corporation%20(Nikon)%20hereby%20announces,cameras%20and%20award-winning%20technologies. |access-date=2024-04-15 |website=www.nikon.com |language=en}}</ref>
The Redcode RAW ] will allow 4K sensor data to be recorded at 24 frames per second with a data rate of around 27.5 MB/s (220 megabits per second). This data rate is low enough that on-camera recording (for example, to a Red-Drive digital magazine containing two 2.5" hard drives) will be possible. Redcode only functions at up to 30 frames per second at 4K. To achieve higher frame rates at 4K or to record 2540p, uncompressed video must be recorded to an external ].


On May 9, 2024, ] released their financial results report of the year ended March 31, 2024<ref>{{cite web | url=https://www.nikon.com/company/ir/ir_library/result/ | title=Financial Results and Presentation Materials &#124; IR Documents &#124; Nikon About Us }}</ref> and disclosed the amount paid, reported as "the deal of the century" in the camera industry:<ref>{{cite web | url=https://nikonrumors.com/2024/05/09/nikon-acquired-red-for-85-million.aspx/ | title=Nikon acquired RED for $85 million | date=May 10, 2024 |website=Nikon Rumors }}</ref> 13,167 million yen, approximately $87 million US dollars (the currency exchange rate on April 8, 2024<ref>{{cite web | url=https://www.newsshooter.com/2024/05/09/nikon-didnt-pay-as-much-for-red-as-you-may-think/ | title=Nikon didn't pay as much for RED as you may think | date=May 9, 2024 |website=Newsshooter |first1=Matthew |last1=Allard }}</ref>), which represents 1-2% within the Nikon Group Companies.<ref>{{Cite web |date=May 9, 2024 |title=Consolidated Financial Results of the Year Ended March 31, 2024 (IFRS) |url=https://www.nikon.com/company/ir/ir_library/result/pdf/2024/24_4qf_c_e.pdf |website=NIKON}}</ref><ref>{{Cite web |last=A. |first=Emanuel |date=May 12, 2024 |title=Means now 1-2% inside the bigger company, well... still a great deal for Nikon IMHO... I would have estimated up to five times more TBH here but what do I know? :- ) |url=https://reduser.net/threads/nikon-to-acquire-us-cinema-camera-manufacturer-red-com-llc.3828787/post-3832972 |url-status=live |archive-url=https://web.archive.org/web/20240512231044/https://reduser.net/threads/nikon-to-acquire-us-cinema-camera-manufacturer-red-com-llc.3828787/page-12#post-3832972 |archive-date=2024-05-12 |website=REDUSER}}</ref>
Redcode is a ] codec, like ], so many of the blocking artifacts associated with digital video compression should be absent. Red has claimed Redcode RAW is visually lossless. Because Redcode RAW will be recording RAW ] data, the footage may not be usable on desktop editing systems without additional processing, though Red has commented that playback should be possible in any ] application. Red has announced an application called Redcine, which can convert Redcode RAW footage to other formats. The camera can also record using an RGB (non-RAW) version of Redcode at 1080p or 720p.


===Audio=== ==Cameras==
]
The Red One will be able to shoot ] with 4 channels of uncompressed audio at 16/24 bit 48KHz. Inputs are line/mic level switchable with 48V phantom power available.
===Red One===
The Red One first introduced in 2007 was Red Digital Cinema's first production camera.<ref>{{cite web|url=http://www.digital-intermediate.co.uk/examples/redcamera/redcamera.htm|title=The Red Digital Camera Company|work=The Digital Intermediate Guide |first1=Phil |last1=Green |access-date=August 23, 2014|archive-date=June 10, 2014|archive-url=https://web.archive.org/web/20140610132415/http://www.digital-intermediate.co.uk/examples/redcamera/redcamera.htm|url-status=live}}</ref> It captures up to 120 frames per second at 2K resolution and 60 frames per second at 4K resolution.<ref>{{cite web|url=http://www.simdigital.com/rental_product.aspx?pid=333|title=Red One / Red One MX |work=SIM Digital |url-status=dead|archive-url=https://web.archive.org/web/20140826121959/http://www.simdigital.com/rental_product.aspx?pid=333|archive-date=August 26, 2014}}</ref> Its "Mysterium" sensor was acquisitioned for use with the proprietary ] called Redcode. By 2010, Red began selling upgrades to a 14 megapixel sensor called the "M-X".<ref>{{cite web|url=http://www.rule.com/2010/06/14/new-mysterium-x-sensor-for-red-one-camera/|title=New Mysterium-X Sensor for RED One Camera|first=Zbigniew|last=Twarog|publisher=Rule|date=June 14, 2010|access-date=April 23, 2018|archive-date=August 30, 2018|archive-url=https://web.archive.org/web/20180830110321/http://www.rule.com/2010/06/14/new-mysterium-x-sensor-for-red-one-camera/|url-status=live}}</ref> The Red One has been reviewed as having effectively the same quality as ].<ref name="archive.wired.com"/><ref>{{cite web|url=https://gizmodo.com/243779/red-one-digital-cinema-camera-price-list-now-on-line-still-not-shipping|title=Red One Digital Cinema Camera Price List Now On Line, Still Not Shipping|first=Charlie|last=White|publisher=Gawker Media|work=Gizmodo|date=March 13, 2007|access-date=September 10, 2017|archive-date=May 21, 2017|archive-url=https://web.archive.org/web/20170521104623/http://gizmodo.com/243779/red-one-digital-cinema-camera-price-list-now-on-line-still-not-shipping|url-status=live}}</ref> The Red One was made out of aluminum alloy, and the body alone weighs {{Convert|10|lb|kg}}.


It was used to shoot '']'', '']'', and '']''. In 2010, Red released the Red Epic, which was used to shoot '']'', '']'', '']'', '']'' and '']'' as well as many other feature films.
===Weight, Dimensions & Body Design===
The Red One camera body is expected to weigh about nine pounds. Dimensions are
12" long x 6.3" tall x 5.2" wide. The camera is based around a modular design concept. It has many mounting points, and accessories like recording devices, viewfinders, etc. are mounted to the camera, rather than being integral parts of the body.


==Footage== ===DSMC system===
In 2009, Red began releasing new cameras with an updated form factor compared to the Red One. Designed with the goal of facilitating either still images or video, depending on the mounting setup, Red called the concept DSMC for "Digital Stills and Motion Capture".<ref>{{cite web|url=http://www.outdoorphotographer.com/gear/op-news-and-announcements/red-announces-dsmc.html#.U_t-RKVjCf0|title=RED Announces DSMC|work=outdoorphotographer.com|date=November 13, 2008|access-date=August 25, 2014|archive-date=August 26, 2014|archive-url=https://web.archive.org/web/20140826114413/http://www.outdoorphotographer.com/gear/op-news-and-announcements/red-announces-dsmc.html#.U_t-RKVjCf0|url-status=live}}</ref> The first camera released for this system was Epic-X, a professional digital stills and motion capture camera with interchangeable lens mounts. After this a new camera line called Scarlet was introduced that provided lower end specifications at a more affordable price. Initially equipped with a 5K imaging sensor, upgrades were later offered to a 6K sensor with higher dynamic range called the "{{Visible anchor|Red Dragon}}".<ref>{{cite web|url=http://nofilmschool.com/2013/04/red-dragon-scarlet-upgrade/|title=RED Dragon is Finally Here: Upgrade Schedule Announced, SCARLET Will Get Dragon Upgrade|work=No Film School|date=April 8, 2013|access-date=August 22, 2014|archive-date=October 20, 2020|archive-url=https://web.archive.org/web/20201020152556/https://nofilmschool.com/2013/04/red-dragon-scarlet-upgrade|url-status=live}}</ref>
Red previewed footage from their ] Mysterium sensor at the ]. The footage was shown on a ] ] 4K projector; at the time, the only 4K projector model on the market. ] from the ] site stated that the footage looked extremely clean, with impressive dynamic range, and good rendering of skin tones and highlights .


===DSMC2 system===
Stills up to 4K can be found , and video clips up to 1080p can be found . This is footage from a prototype camera, and has not undergone much of the processing that digital camera footage usually undergoes before viewing, such as dead pixel correction, so it may not be representative of the full quality the final product will be capable of.
] Expo 2016]]
The DSMC2 family of cameras was introduced in 2015 as the new form factor for all cameras up to 2020.<ref>{{cite web|url=http://www.reduser.net/forum/showthread.php?144095-Obsolescence&p=1616206&viewfull=1#post1616206|title=Obsolescence...|website=www.reduser.net|quote="...making a commitment right now that the DSMC2 form factor will stay the same until at least 2020."|access-date=October 13, 2016|archive-date=September 13, 2020|archive-url=https://web.archive.org/web/20200913150938/http://www.reduser.net/forum/showthread.php?144095-Obsolescence&p=1616206&viewfull=1#post1616206|url-status=dead}}</ref> The Weapon 8K ] and Weapon 6K were the first two cameras announced within this line. They were followed by the Red Raven 4.5K and Scarlet-W 5K. Third-party capture formats, namely ] and ], were made available for these cameras.<ref>{{cite web|url=http://www.fdtimes.com/2016/10/11/red-8k-helium-super35mm-cameras/|title=RED 8K HELIUM Super35mm Cameras|first=Jon|last=Fauer|author-link=Jon Fauerpublisher=Film and Digital Times|date=October 11, 2016|access-date=April 22, 2018|archive-date=April 23, 2018|archive-url=https://web.archive.org/web/20180423170125/http://www.fdtimes.com/2016/10/11/red-8k-helium-super35mm-cameras/|url-status=live}}</ref>


In 2016, an 8K sensor called "Helium" was introduced with the two cameras Red Epic-W and Weapon 8K ]. In early January 2017, this was given the highest sensor score ever, 108, by the ] website.<ref>{{Cite news|url=https://www.dxomark.com/Reviews/RED-Helium-8K-DxOMark-Sensor-Score-108-A-new-all-time-high-score2|title=RED Helium 8K DxOMark Sensor Score: 108 — A new all-time-high score! {{!}} DxOMark|last=DxO|access-date=January 13, 2017|archive-date=June 19, 2017|archive-url=https://web.archive.org/web/20170619041130/https://www.dxomark.com/Reviews/RED-Helium-8K-DxOMark-Sensor-Score-108-A-new-all-time-high-score2|url-status=dead}}</ref> ]' '']'' was the first film to be released that was shot on the Weapon. The film was shot at the camera's full 8K resolution, and featured an equivalent workflow, supplanting director ]'s '']'' as the film with the highest-resolution post-production workflow.
===Exposure latitude===
Red has rated the Mysterium sensor's signal-to-noise ratio at 66dB. Preliminary internal testing at Red suggests 11 1/3 stops of ]. This should not be considered a final number.


=== DSMC3 System ===
==Accessories==
In 2019, Jared Land from Red announced the '''Red Komodo camera'''.<ref>{{Cite web|date=2019-08-09|title=Another RED Komodo 6K Teaser|url=https://www.newsshooter.com/2019/08/09/another-red-komodo-6k-teaser/|access-date=2020-08-25|website=Newsshooter|language=en-US|archive-date=September 13, 2020|archive-url=https://web.archive.org/web/20200913161351/https://www.newsshooter.com/2019/08/09/another-red-komodo-6k-teaser/|url-status=live}}</ref> In 2020, Red started to ship the "beta" stormtrooper white models of the Red Komodo to customers on the waitlist. The price for the beta cameras is $6,995, with the regular black shipping models for $5,995 (body only). The Komodo camera features 6K video, super 35 sensor, a Canon RF lens mount, a dual BP battery plate, and a global shutter.<ref>{{Cite web|title=6K RED Komodo In-Depth Review {{!}} Best Indie Cinema Camera!?|url=https://www.youtube.com/watch?v=d1HGXhjFtnk&t=51s|access-date=2020-08-25|website=YouTube| date=August 21, 2020 |archive-date=November 9, 2021|archive-url=https://web.archive.org/web/20211109035335/https://www.youtube.com/watch?v=d1HGXhjFtnk&t=51s|url-status=live}}</ref>
]
]<nowiki/>mm {{f/|2.8}} lens]]In 2021, Red announced the '''Red V-Raptor camera''', the current flagship model in Red's lineup of cameras, and the first camera that officially belongs to the DSMC3 family of cameras. Like the Komodo, the Red V-Raptor also has an active Canon RF lens mount, but unlike the Komodo, the V-Raptor is capable of multi-format recording.<ref>{{Cite web|title=RED Announces the New V-RAPTOR 8K VV Cinema Camera; Learn More at B&H Photo|url=https://markets.businessinsider.com/news/stocks/red-announces-the-new-v-raptor-8k-vv-cinema-camera-learn-more-at-b-h-photo-1030878691|date=October 19, 2021|access-date=2021-10-20|website=]|language=en|archive-date=October 20, 2021|archive-url=https://web.archive.org/web/20211020200749/https://markets.businessinsider.com/news/stocks/red-announces-the-new-v-raptor-8k-vv-cinema-camera-learn-more-at-b-h-photo-1030878691|url-status=live}}</ref>


The V-Raptor features a ] 8K sensor (40.96]<nowiki/>mm x 21.60]<nowiki/>mm) with the ability to crop to smaller formats like Super35. It is capable of recording full sensor 8K at 120]FPS (or 150]FPS cropped to 2.4:1), and ] of up to 600]FPS in 2K. With an advertised dynamic range of 17 stops.<ref>{{Cite web|title=Red Digital Cinema Launches Next Generation DSMC3 Camera System With New V-Raptor 8K VV|url=https://www.live-production.tv/news/products/red-digital-cinema-launches-next-generation-dsmc3-camera-system-new-v-raptor-8k-vv|access-date=2021-10-20|website=Live-Production.tv|archive-date=October 20, 2021|archive-url=https://web.archive.org/web/20211020200800/https://www.live-production.tv/news/products/red-digital-cinema-launches-next-generation-dsmc3-camera-system-new-v-raptor-8k-vv|url-status=live}}</ref> It was launched with a price tag of $24,500 (body only).<ref>{{Cite web |date=2021-09-02 |title=RED V-RAPTOR 8K VV- $24,500 USD |url=https://www.newsshooter.com/2021/09/02/red-v-raptor-8k-vv-24500-usd/ |access-date=2023-04-08 |website=Newsshooter |language=en-US |archive-date=April 8, 2023 |archive-url=https://web.archive.org/web/20230408143646/https://www.newsshooter.com/2021/09/02/red-v-raptor-8k-vv-24500-usd/ |url-status=live }}</ref> Red would later release the V-Raptor XL in 2022, featuring a larger body with an expanded range of ports, internal ND filter, additional aux power, interchangeable lens mount, among other features.<ref>{{Cite web |last=Andreola |first=Francesco |date=2022-08-04 |title=RED V-RAPTOR XL 8K VV – Now Available for Pre-Order |url=https://www.cined.com/red-v-raptor-xl-8k-vv-now-available-for-pre-order/ |access-date=2023-04-08 |website=CineD |language=en-US |archive-date=April 8, 2023 |archive-url=https://web.archive.org/web/20230408145148/https://www.cined.com/red-v-raptor-xl-8k-vv-now-available-for-pre-order/ |url-status=live }}</ref>
{{Sectstub}}


In November 2022, Red announced the V-Raptor Rhino, a limited edition version of the V-Raptor, but featuring an 8K Super35 sensor and a light grey color scheme. It was launched with a price tag of $19,500.<ref>{{Cite web |last=Loch |first=Jeff |date=2022-11-08 |title=RED S35 V-RAPTOR "RHINO" Launched - 8K120p, Same Camera Body, Different Sensor |url=https://www.cined.com/red-s35-v-raptor-rhino-launched-8k120p-same-camera-body-different-sensor/ |access-date=2023-04-08 |website=CineD |language=en-US |archive-date=April 8, 2023 |archive-url=https://web.archive.org/web/20230408143649/https://www.cined.com/red-s35-v-raptor-rhino-launched-8k120p-same-camera-body-different-sensor/ |url-status=live }}</ref> In March 2023, the V-Raptor and V-Raptor XL S35 was launched. These cameras were identical to the previous V-Raptor and XL models and, like the V-Raptor Rhino, have Super35 sensors instead of the original VistaVision sensor.<ref>{{Cite web |last=Loch |first=Jeff |date=2023-03-08 |title=RED V-RAPTOR and V-RAPTOR XL 8K S35 Cinema Cameras Released |url=https://www.cined.com/red-v-raptor-and-v-raptor-xl-8k-s35-cinema-cameras-released/ |access-date=2023-04-08 |website=CineD |language=en-US |archive-date=April 8, 2023 |archive-url=https://web.archive.org/web/20230408143647/https://www.cined.com/red-v-raptor-and-v-raptor-xl-8k-s35-cinema-cameras-released/ |url-status=live }}</ref>
Red has announced several for the camera. Pricing and expected delivery dates are unknown, except as noted.


]
*Red-Rail: A configurable rail system allowing for shoulder-mounted use. The digital magazine and/or battery are placed at the back of the rails, behind the shoulder, and the length of the rails can be adjusted to counterbalance the camera and lens as needed.


]
*Red-Cage: A cage for the camera with many mounting points, allowing the camera to be used for crane or studio work, or in conjunction with a large number of accessories. The cage has both a right and a left half, which can be attached independently, and can be used in conjunction with the Red-Rail system.


==Other products==
*Red-Gun: A device for mounting the camera around one's arm, resembling a gun. Pictures of the Red-Gun are not currently posted on Red's web site, as it is undergoing a major redesign.
===Lenses===
{{more citations needed section|date=June 2020}}
Red has offered S35 ] prime and zoom lenses for their cameras.


==== Primes ====
*RedFlash: A ] based "digital magazine" for the Red One. Available in sizes ranging from 32GB to 128GB.
{| class="wikitable"
|-
! Name !! Focal length !! Aperture !! Minimum focal distance
|-
|rowspan="7"|Pro Prime || 18]<nowiki/>mm || T1.8 || 4"
|-
| 25]<nowiki/>mm || T1.8 || 4"
|-
| 35]<nowiki/>mm || T1.8 || 4"
|-
| 50]<nowiki/>mm || T1.8 || 6"
|-
| 85]<nowiki/>mm || T1.8 || 18"
|-
| 100]<nowiki/>mm || T1.8 || 24"
|-
| 300]<nowiki/>mm || T2.9 || 7.36&nbsp;ft.
|}


==== Zooms ====
*Red-Drive: A disk-based "digital magazine", using two 2.5" hard drives in a "mini-RAID". Red has mentioned a 320 GB (2 x 160 GB) version and a price under $1000.
{| class="wikitable"
|-
! Name !! Focal length !! Aperture !! Minimum focal distance
|-
|rowspan="3"|Pro Zoom || 17–50]<nowiki/>mm || T2.9 || 4"
|-
|18–85]<nowiki/>mm || T2.9 || 8"
|-
| 50–150]<nowiki/>mm || T2.8 || 8"
|}


=== Hydrogen One modular smartphone system ===
*Monitor: A 720p camera-mountable monitor. Expected to be included with the Red One base package for reservation holders. Whether the display will use ], ] or some other technology is unknown.
In 2017, Red announced their intentions to enter the smartphone market including planned features such as a 5.7" ] and integration with existing camera products.<ref>{{cite web |last=Allard |first=Matthew |date=July 7, 2017 |title=The Red Hydrogen – niche phone for the faithful or breakthrough tech for the masses? |url=https://www.newsshooter.com/2017/07/07/the-red-hydrogen-my-thoughts/ |access-date=April 22, 2018 |publisher=News Shooter |archive-date=April 23, 2018 |archive-url=https://web.archive.org/web/20180423232321/https://www.newsshooter.com/2017/07/07/the-red-hydrogen-my-thoughts/ |url-status=live }}</ref> On May 18, 2018, Red announced the ], with a release date in August 2018. Promised features included a holographic display, spatial sound, compatibility with the Red camera program, the launch of a streaming service, and modular add-ons similar to the "Moto Mods" feature of Motorola's ].<ref>{{Cite news |title=The $1,200 Red Hydrogen One phone is coming to Verizon and AT&T this summer, but why? |work=PCWorld |url=https://www.pcworld.com/article/3274444/android/red-hydrogen-one-phone-verizon-att.html |access-date=May 18, 2018 |archive-date=May 20, 2018 |archive-url=https://web.archive.org/web/20180520014607/https://www.pcworld.com/article/3274444/android/red-hydrogen-one-phone-verizon-att.html |url-status=live }}</ref> Especially the announced camera sensor module received attention, with Red founder Jannard claiming: "If you were shooting an 8K Weapon on set as your A camera, this could certainly be your B camera."<ref>{{Cite news |title=RED Hydrogen One review: all hype |work=The Verge |url=https://www.theverge.com/2018/10/29/18027782/red-hydrogen-one-review-all-hype |access-date=October 21, 2022 |archive-date=October 29, 2018 |archive-url=https://web.archive.org/web/20181029151917/https://www.theverge.com/2018/10/29/18027782/red-hydrogen-one-review-all-hype |url-status=live }}</ref>


On release, the smartphone was a critical disappointment and was even cited as a contender for the worst technology product of 2018, arising from outdated hardware and a lack of capabilities.<ref>{{Cite news |title=RED's Hydrogen One was the worst tech product of 2018 |work=MashableUK |url=https://mashable.com/review/red-hydrogen-one/ |access-date=October 25, 2019 |archive-date=October 25, 2019 |archive-url=https://web.archive.org/web/20191025225728/https://mashable.com/review/red-hydrogen-one/ |url-status=live }}</ref> Similarly, the phone was a commercial flop, and in 2019, promised modular add-ons vanished from Red's website, with Jannard announcing the company was "currently in the middle of radically changing the Hydrogen program".<ref>{{cite web |title=Red's Hydrogen One smartphone won't actually get those camera modules |url=https://arstechnica.com/gadgets/2019/03/reds-hydrogen-one-smartphone-wont-actually-get-those-camera-modules/ |access-date=October 21, 2022 |work=Ars Technica |date=March 12, 2019 |archive-date=October 21, 2022 |archive-url=https://web.archive.org/web/20221021174219/https://arstechnica.com/gadgets/2019/03/reds-hydrogen-one-smartphone-wont-actually-get-those-camera-modules/ |url-status=live }}</ref> In late 2019, the company discontinued the product line.<ref>{{cite web |title=Red quits the smartphone business after a single, terrible phone |url=https://arstechnica.com/gadgets/2019/10/red-quits-the-smartphone-business-after-a-single-terrible-phone/ |access-date=October 26, 2018 |work=Ars Technica |archive-date=October 25, 2019 |archive-url=https://web.archive.org/web/20191025174203/https://arstechnica.com/gadgets/2019/10/red-quits-the-smartphone-business-after-a-single-terrible-phone/ |url-status=live }}</ref>
*Electronic Viewfinder: A 720p color ]. The Red One will not have an optical viewfinder, but this is possible on future camera models .


==Lens Mounts and Lenses== === Software ===
Red began selling its Redcine-X package for post-production workflow in 2009.<ref>{{cite web|url=http://provideocoalition.com/ssimmons/story/red_announces_redcine_x|title=Pro Video Coalition - RED announces REDCINE-X™|first=Scott|last=Simmons|work=provideocoalition.com|access-date=August 25, 2014|archive-date=October 15, 2014|archive-url=https://web.archive.org/web/20141015020017/http://provideocoalition.com/ssimmons/story/red_announces_redcine_x|url-status=dead}}</ref> The process of decompressing the sensor data can be sped up with a Red Rocket accelerator card.<ref>{{cite web|url=https://digitalfilms.wordpress.com/2012/02/18/a-red-post-production-workflow/|title=A RED post production workflow|first=Oliver|last=Peters|work=DV Magazine|date=February 18, 2012|access-date=April 22, 2018|archive-date=April 23, 2018|archive-url=https://web.archive.org/web/20180423102240/https://digitalfilms.wordpress.com/2012/02/18/a-red-post-production-workflow/|url-status=live}}</ref> There is a downloadable ] for working directly with the Redcode images, and another for controlling the cameras remotely.<ref>{{cite web|url=https://www.red.com/developers|title=Developers|work=red.com|access-date=August 25, 2014|archive-date=July 13, 2014|archive-url=https://web.archive.org/web/20140713065346/https://www.red.com/developers|url-status=live}}</ref>


===Redray===
The Red One camera will ship with a ], a common mount for modern 35mm and 16mm motion picture cameras. The company also has plans to release adapters for ] and ] lenses, and for 2/3" B4 lenses. Pricing and availability are currently unknown, but the Canon and Nikon mounts are expected to be available before the 2/3" B4 mount. At least one company has announced other lens mount options such as ] in cooperation with RED, and other third party solutions may become available.
Announced in 2012, the Redray Player was the first stand-alone device capable of providing 4K content to compatible 2D or 3D displays. Using a 1]TB internal drive for storage, the Redray plays 4K or ] media in the Redcode format. The player uses 12-bit ] precision.<ref>{{cite web|url=http://www.red.com/news/redray-has-arrived|title=REDRAY Has Arrived|work=red.com|access-date=August 25, 2014|archive-date=November 3, 2014|archive-url=https://web.archive.org/web/20141103212016/http://www.red.com/news/redray-has-arrived|url-status=live}}</ref> A cinema laser projector in the same family was also announced in 2012 but never released.<ref>{{cite web|url=https://www.engadget.com/2012/04/16/redray-4k-cinema-laser-hands-on/|title=REDray 4K cinema laser projector and player eyes-on|work=engadget.com|date=April 16, 2012 |access-date=October 14, 2016|archive-date=October 18, 2016|archive-url=https://web.archive.org/web/20161018212252/https://www.engadget.com/2012/04/16/redray-4k-cinema-laser-hands-on/|url-status=live}}</ref>


==Lawsuits==
Red has announced several Red-branded PL-mount lenses: a Red 300mm f2.8 Telephoto with a 300mm PL-mount lens designed to cover the s35mm format, which is expected early in 2007; a Red 18-50mm f2.8 Close Focus zoom in PL-mount designed to cover s35mm, which is expected in Summer 2007; and a set of Red prime lenses (sold only as a set, not individually), comprising of 15mm f2.8, 25mm f1.9, 35mm f1.9, 50mm f1.9, and 85mm f1.9 in PL mount expected late in 2007. A Red 18-85mm f2.8 zoom was announced but has reportedly been delayed- reservation holders may elect to wait or can switch their reservations to the less expensive 18-50mm f2.8 CF lens.
On August 18, 2008, Red filed a lawsuit against the electronics company ] over its use of the name ''Scarlet''.<ref>{{cite web |url=https://www.engadget.com/2008/08/18/red-brings-the-trademark-pain-against-lgs-scarlet-hdtv/ |title=Red brings the trademark pain against LG's Scarlet HDTV |date=August 18, 2008 |publisher=Engadget |access-date=June 21, 2012 |archive-date=August 21, 2012 |archive-url=https://web.archive.org/web/20120821030742/http://www.engadget.com/2008/08/18/red-brings-the-trademark-pain-against-lgs-scarlet-hdtv/ |url-status=live }}</ref> Red accused LG "of taking the 'Scarlet' brand name from the camera company" after Red had denied LG's request to use it.<ref>{{cite web |url=http://www.h2hreviews.com/news/RED-vs-LG-in-Lawsuit-Over---Scarlet---Name.html |title=Head-2-Head News |publisher=H2hreviews.com |date=October 1, 2008 |access-date=June 21, 2012 |archive-date=September 29, 2015 |archive-url=https://web.archive.org/web/20150929150139/http://www.h2hreviews.com/news/RED-vs-LG-in-Lawsuit-Over---Scarlet---Name.html |url-status=live }}</ref>


On September 23, 2011, Jannard announced that his personal email account was compromised by former ] executive Michael Bravin.<ref>{{cite web |url=http://reduser.net/forum/showthread.php?63753-Michael-Bravin-Arrested!&p=827252&viewfull=1#post827252 |title=Michael Bravin Charged with email hacking! |publisher=Reduser.net |date=September 22, 2011 |access-date=June 21, 2012 |archive-date=November 18, 2020 |archive-url=https://web.archive.org/web/20201118231024/http://reduser.net/forum/showthread.php?63753-Michael-Bravin-Arrested!&p=827252&viewfull=1#post827252 |url-status=dead }}</ref> A lawsuit against Arri and Bravin was filed at the end of 2011; it was settled and dismissed in 2013.<ref>{{cite news | url=https://www.reuters.com/article/idUS381262194920111229 | work=Reuters | title=Movie-Camera Maker Red Accuses Rival Arri of Corporate Espionage | date=December 29, 2011 | access-date=July 5, 2021 | archive-date=March 18, 2020 | archive-url=https://web.archive.org/web/20200318053732/https://www.reuters.com/article/idUS381262194920111229 | url-status=live }}</ref>
==Reservation Program==


On June 27, 2012, Red sued Wooden Camera, a manufacturer of third party accessories, for patent infringement.<ref>{{cite web |url=http://cinescopophilia.com/red-sues-wooden-camera/ |title=Red Sues Wooden Camera Over Patent Infringements, Sunglasses & More |date=June 27, 2012 |work=Cinescopophilia |access-date=September 24, 2012 |archive-date=September 25, 2012 |archive-url=https://web.archive.org/web/20120925083913/http://cinescopophilia.com/red-sues-wooden-camera/ |url-status=live }}</ref>
Through October 31, 2006, Red ran a reservation for the Red One camera ($1000 deposit required, $17,500 purchase price, including a camera-mountable monitor), a 18-85mm zoom lens ($750 deposit required, $9500 purchase price) and a 300mm telephoto lens ($500 deposit required, $4995 purchase price). Deposits were refundable. The first 1080 Reservation holders received a machined titanium 'R' with their serial number engraved on it.


In February 2013, Red filed for an injunction against ], claiming that several of its new ] products, particularly the 4K-capable F65, infringed on patents the company held. They requested that Sony not only be forced to stop selling the cameras, but that they be destroyed as well.<ref>{{cite web |last=Dent |first=Steve |url=https://www.engadget.com/2013/02/14/red-sues-sony-over-patents-wants-offending-f-series-cameras-de/ |title=Red sues Sony over patents, wants disputed F-series cameras 'destroyed' (updated) |date=February 14, 2013 |publisher=Engadget.com |access-date=November 30, 2013 |archive-date=December 3, 2013 |archive-url=https://web.archive.org/web/20131203023433/http://www.engadget.com/2013/02/14/red-sues-sony-over-patents-wants-offending-f-series-cameras-de/ |url-status=live }}</ref> Sony filed a countersuit against Red in April 2013, alleging that Red's entire product line infringed on Sony patents. In July 2013, both parties filed jointly for dismissal, and as of July 20, 2013, the case is closed.<ref>{{cite web |last=Krishnan |first=Bala |url=http://ipinsiders.com/profiles/blogs/sony-red-end-patent-dispute |title=Sony, Red End Patent Dispute - Intellectual Property Insiders |publisher=Ipinsiders.com |date=July 29, 2013 |access-date=November 30, 2013 |archive-date=December 3, 2013 |archive-url=https://web.archive.org/web/20131203014349/http://ipinsiders.com/profiles/blogs/sony-red-end-patent-dispute |url-status=live }}</ref>
Initial reservations were closed on October 31, 2006. Over 1000 Red One cameras had been reserved at that time. Red's explanation for closing the reservation program is that it had existed primarily to gauge demand, and had fulfilled that purpose.


On March 2, 2017, Red filed a lawsuit against the maker of JinniMag, a third party copy of the Red Mini Mag.<ref>{{Cite web|url=http://jinnimag.com/lawsuit/assets/docs/2017-06-16-RED-MTD.pdf|title=Jinni Tech, Ltd vs Red.com, Inc|website=www.jinnimag.com|url-status=dead|archive-url=https://web.archive.org/web/20170721230339/http://jinnimag.com/lawsuit/assets/docs/2017-06-16-RED-MTD.pdf|archive-date=2017-07-21|access-date=September 23, 2019}}</ref> Videos posted on the ] channel have accused Red Digital Cinema Cameras of lying to their customers and possibly obtaining their patents by deceiving the ].<ref>{{cite web|author=Jinni.Tech |url=https://www.youtube.com/watch?v=NZ20yQhMYx4 |archive-url=https://ghostarchive.org/varchive/youtube/20211212/NZ20yQhMYx4| archive-date=2021-12-12 |url-status=live|title=RED DIGITAL CINEMA - Things you only thought you knew. |publisher=YouTube.com |date=August 13, 2019 |access-date=August 13, 2019}}{{cbignore}}</ref>
Red subsequently announced that reservations would re-open from January 21 until midnight January 24, 2007, "ue to popular demand." In that same announcement, Jim Jannard stated that "he next time orders will be taken will be at ]." .


In May 2019, ]. filed a lawsuit against Red.com, LLC over several patents relating to digital cinema cameras and sensor processing.<ref>{{cite web |url=https://www.docketalarm.com/cases/PTAB/IPR2019-01065/Inter_Partes_Review_of_U.S._Pat._9245314/ |title=Inter Partes Review of U.S. Pat. 9,245,314 |date=May 6, 2019 |access-date=August 15, 2019 |archive-date=August 15, 2019 |archive-url=https://web.archive.org/web/20190815222321/https://www.docketalarm.com/cases/PTAB/IPR2019-01065/Inter_Partes_Review_of_U.S._Pat._9245314/ |url-status=live }}</ref> Apple lost the case in November 2019. Apple argued that the patents related to Redcode Raw were "unpatentable", but a judge ruled that Apple's legal team had not provided sufficient evidence to back up their claims.<ref>{{Cite web|url=https://developer.uspto.gov/ptab-web/#/search/documents?proceedingNumber=IPR2019-01065|title=PTAB Open Data|access-date=July 28, 2020|archive-date=July 28, 2020|archive-url=https://web.archive.org/web/20200728150530/https://developer.uspto.gov/ptab-web/#/search/documents?proceedingNumber=IPR2019-01065|url-status=live}}</ref>
==September 2006 theft==


Red's RAW video patent that has resulted in multiple companies being sued by Red is . This US patent is scheduled to expire on April 11, 2028.
On September 24, 2006, the Red offices in ] were broken into by unknown persons. No sensors or sensor information were stolen . Some of the stolen items, including a prototype camera shell, have since been recovered, and some items such as computers containing in-detail information on the Red One have not been recovered as of yet. Red has not revealed the circumstances of the recovery, due to the existence of an ongoing investigation. Red has offered a $100,000 reward for any information leading to the apprehension of the person or persons responsible .


==See also==
==NAB 2007 Appearance & Peter Jackson's Short==
* ]
* ]


==References==
At the ] 2007 show in ], ], three working Red One cameras were on display as well as two screenings of a recent short directed by ] using two "alpha" versions of the Red camera - nicknamed Boris and Natasha. The alpha versions had nothing but a record/stop button and shot at 4K/24 fps and a 180 degree shutter. All other features were disabled. Initially expecting a standard camera test, when Jim Jannard, Jarred Land and Deanan Dasilva from Red showed up in NZ they were surprised to learn that Peter Jackson intended to shoot a ten minute short set in ] featuring battles in trenches and in the air. The film was used to showcase the results of the Red One camera in action rather than in controlled test environments (although Jackson opted to skip using the Red lenses in favor of the Angenieux Zoom and Cooke S4 lenses with which he was more familiar . Amazingly, the film was shot in 2 days.
{{Reflist}}


==External links==
Despite being feature incomplete, the team showcasing assured booth visitors the cameras would start shipping by the end of the month.
{{Commons category}}
* {{Official website}}
* ] 2012 . on the Movie Making Manual at ]
* {{cite web |url= http://www.theblackandblue.com/guide/red-one/ <!-- redir https://www.theblackandblue.com/2010/02/04/red-one-camera-reports-download/ --> |title= Red One Pocket Guide |date= Feb 4, 2010 |display-authors= 0 |first= Evan |last= Luzi |website= The Black and Blue }}
* {{cite web |url= http://www.theblackandblue.com/guide/red-epic/ <!-- redir https://www.theblackandblue.com/2010/07/06/red-epic-and-scarlet-cameras-by-end-of-2010/ --> |title= Red Epic Pocket Guide |date= July 6, 2010 |display-authors= 0 |first= Evan |last= Luzi |website= The Black and Blue }}


]
At the NAB 07, it was announced that Redcode RAW data generated by the camera can be converted using propriety software called Red Cine into a range of formats, including ]. Redcode RAW will also be supported in ] 6. A new set of prime Red lenses was released which includes f2.8 15mm, f1.9 25mm, f1.9 35mm, f1.9 50mm and f1.9 85mm lenses for US$19,975 as well as a new 18mm-50mm (f2.8) zoom for $6,500. The previously announced 18-80mm zoom has been slightly delayed .
]

]
Also at the NAB 07, during the ] ] ] the Red team appeared on stage. Although they were scheduled to show footage from the camera, they declined, citing copyright concerns. They also used the venue to announce that they would be developing a "Professional Pocket Cam" and their own 4k projector, but refused to give any more details.
]

==Filmography==

According to Red's official website, director ] is going to shoot his two upcoming features '']'' and '']'' with the Red camera. <sup>http://www.red.com/pages/soderbergh</sup> Soderbergh is very enthusiastic about the camera, saying that "this is the camera I've been waiting for my whole career: jaw-dropping imagery recorded onboard a camera light enough to hold with one hand. I don't know how Jim and the Red team did it--and they won't tell me--but I know this: Red is going to change everything".

==Competitors==

Red has many competitors, some having resolution of only 1080p. Resolution aside, the competitors have very similar features and some are already in wide use by the ].

* ] (35mm sensor size, 1080p output)
* ] (35mm, 1080p)
* ] (35mm, 4K)
* (1.2", 2K)
* ] (2/3", 1080p)
* (65mm, 4K)
* (35mm, 2K)
===In development===
** (35mm, 2K)
** (2/3", 1080p)
** (2/3", 1080p)
** ] (2/3", 1080p)
** (2/3", 720p)

==WikiBooks==
* on the Movie Making Manual

==External links==
*
*
] ]
]
]
]
]
]
]
]

Latest revision as of 23:41, 19 December 2024

American digital cinematography company

This article needs to be updated. The reason given is: No official history. Please help update this article to reflect recent events or newly available information. (September 2024)
Red Digital Cinema, LLC
Company typeSubsidiary
IndustryDigital cinematography
Founded2005; 19 years ago (2005)
FounderJim Jannard
FateAcquired by Nikon on April 8th, 2024
HeadquartersFoothill Ranch, California, United States
Key peopleJarred Land (president)
ProductsRed One, Epic, Scarlet, DSMC2, Scarlet-W & Red Raven cameras
Parent
Websitered.com

Red Digital Cinema, LLC is an American camera manufacturer specializing in digital cinematography headquartered in Foothill Ranch, California, United States. It has been owned by Nikon since April 2024.

The company has studios in Hollywood, Los Angeles, and has offices in London, Shanghai, and Singapore as well as retail stores in Hollywood, New York City, and Miami. In addition it has various authorized resellers and service centers around the world.

History

Red Digital Cinema was founded by Jim Jannard, who previously founded Oakley. As a self-described "camera fanatic" owning over 1,000 models, Jannard started the company with the intent to deliver a (relatively) affordable 4K digital cinema camera. Jannard dates the idea to a time when he bought a Sony HDR-FX1 video camera and learned that the files had to be converted with software from Lumiere HD and were not viewable on Mac OS. Lumiere HD's owner Frederic Lumiere collaborated with Jannard on developing an alternative and introduced him to Ted Schilowitz who became Red's first employee.

The early team members engaged in undisclosed research on how to make a digital camera feasible for Hollywood productions. Part of the process involved using 4K resolution instead of 2K which was most common at the time. Another technical hurdle was to achieve the focusing quality of DSLR cameras without sacrificing frame rate. Part of Red's solution to this problem was developing a sensor with a physical size comparable to that of analog film. At the 2006 NAB Show, Jannard announced that Red would build a 4K digital cinema camera, called the Red One and began taking pre-orders.

In March 2007, director Peter Jackson completed a camera test of two prototype Red One cameras, which became the 12-minute World War I film Crossing the Line. On seeing the short film, director Steven Soderbergh told Jannard: "I am all in. I have to shoot with this." Soderbergh took two prototype Red Ones into the jungle to shoot his film Che. A short documentary, Che and the Digital Revolution, was made about the Red camera technology that was used in the film's production. The Red One first shipped in August 2007. One of the first television programs to shoot with it was the medical drama ER.

In 2010, Red acquired the historic Ren-Mar Studios in Hollywood, and renamed it "Red Studios Hollywood". By 2011, it had over 400 employees. 2011 was also the year in which Panavision, Arri, and Aaton announced that they would no longer be producing analog cameras. Red Digital Cinema and the Red One were widely credited with accelerating this transition in the industry. Schilowitz responded by saying "It was never our goal to kill film. Instead, we wanted to evolve it."

In 2010, 5% of the top 100 grossing domestic films that were shot on digital video used Red cameras as their primary system. Their share increased to over 25% by 2016, but has declined since then.

On August 19, 2013, Jim Jannard announced his retirement from Red, leaving Jarred Land as president.

On March 7, 2024, Red Digital Cinema accepted a takeover of the company by Japanese camera equipment manufacturer Nikon Corporation for an undisclosed amount; this may be part of a growing interest of Nikon to expand into the digital cinema camera market. On April 12, 2024, Nikon announced that it had acquired 100% of the outstanding membership interests of Red Digital Cinema. Keiji Oishi, of Nikon's imaging business unit, assumed the role of CEO and Tommy Rios, the executive vice president of Red Digital Cinema, became co-CEO. Red's former president, Jarred Land, and James Jannard, Red's founder, remain as close advisors to the company.

On May 9, 2024, Nikon Corporation released their financial results report of the year ended March 31, 2024 and disclosed the amount paid, reported as "the deal of the century" in the camera industry: 13,167 million yen, approximately $87 million US dollars (the currency exchange rate on April 8, 2024), which represents 1-2% within the Nikon Group Companies.

Cameras

Red Epic-X with hexacopter, 2011

Red One

The Red One first introduced in 2007 was Red Digital Cinema's first production camera. It captures up to 120 frames per second at 2K resolution and 60 frames per second at 4K resolution. Its "Mysterium" sensor was acquisitioned for use with the proprietary RAW format called Redcode. By 2010, Red began selling upgrades to a 14 megapixel sensor called the "M-X". The Red One has been reviewed as having effectively the same quality as 35 mm film. The Red One was made out of aluminum alloy, and the body alone weighs 10 pounds (4.5 kg).

It was used to shoot Che, The Informant, and The Girl with the Dragon Tattoo. In 2010, Red released the Red Epic, which was used to shoot The Amazing Spider-Man, The Hobbit, Prometheus, Pirates of the Caribbean: On Stranger Tides and The Great Gatsby as well as many other feature films.

DSMC system

In 2009, Red began releasing new cameras with an updated form factor compared to the Red One. Designed with the goal of facilitating either still images or video, depending on the mounting setup, Red called the concept DSMC for "Digital Stills and Motion Capture". The first camera released for this system was Epic-X, a professional digital stills and motion capture camera with interchangeable lens mounts. After this a new camera line called Scarlet was introduced that provided lower end specifications at a more affordable price. Initially equipped with a 5K imaging sensor, upgrades were later offered to a 6K sensor with higher dynamic range called the "Red Dragon".

DSMC2 system

RED Raven camera seen at the BSC Expo 2016

The DSMC2 family of cameras was introduced in 2015 as the new form factor for all cameras up to 2020. The Weapon 8K VV and Weapon 6K were the first two cameras announced within this line. They were followed by the Red Raven 4.5K and Scarlet-W 5K. Third-party capture formats, namely Apple ProRes and Avid DNxHD, were made available for these cameras.

In 2016, an 8K sensor called "Helium" was introduced with the two cameras Red Epic-W and Weapon 8K S35. In early January 2017, this was given the highest sensor score ever, 108, by the DxOMark website. Marvel Studios' Guardians of the Galaxy Vol. 2 was the first film to be released that was shot on the Weapon. The film was shot at the camera's full 8K resolution, and featured an equivalent workflow, supplanting director David Fincher's Gone Girl as the film with the highest-resolution post-production workflow.

DSMC3 System

In 2019, Jared Land from Red announced the Red Komodo camera. In 2020, Red started to ship the "beta" stormtrooper white models of the Red Komodo to customers on the waitlist. The price for the beta cameras is $6,995, with the regular black shipping models for $5,995 (body only). The Komodo camera features 6K video, super 35 sensor, a Canon RF lens mount, a dual BP battery plate, and a global shutter.

Red Digital Cinema (2023)
Red Weapon Helium 8K image showing 6K, 4K, 3K, HD and Instagram native resolution frame overlays Captured through a Canon FD 135 mm f/2.8 lens

In 2021, Red announced the Red V-Raptor camera, the current flagship model in Red's lineup of cameras, and the first camera that officially belongs to the DSMC3 family of cameras. Like the Komodo, the Red V-Raptor also has an active Canon RF lens mount, but unlike the Komodo, the V-Raptor is capable of multi-format recording.

The V-Raptor features a VistaVision 8K sensor (40.96 mm x 21.60 mm) with the ability to crop to smaller formats like Super35. It is capable of recording full sensor 8K at 120 FPS (or 150 FPS cropped to 2.4:1), and high frame rates of up to 600 FPS in 2K. With an advertised dynamic range of 17 stops. It was launched with a price tag of $24,500 (body only). Red would later release the V-Raptor XL in 2022, featuring a larger body with an expanded range of ports, internal ND filter, additional aux power, interchangeable lens mount, among other features.

In November 2022, Red announced the V-Raptor Rhino, a limited edition version of the V-Raptor, but featuring an 8K Super35 sensor and a light grey color scheme. It was launched with a price tag of $19,500. In March 2023, the V-Raptor and V-Raptor XL S35 was launched. These cameras were identical to the previous V-Raptor and XL models and, like the V-Raptor Rhino, have Super35 sensors instead of the original VistaVision sensor.

Red in use
ISS-56 Ricky Arnold films on the ISS with a Helium 8K camera.The station was designed between 1984 and 1993. Elements of the station were in construction throughout the US, Canada, Japan, and Europe beginning in the late 1980s.
ISS-56 Ricky Arnold films on the ISS with a Helium 8K camera.The station was designed between 1984 and 1993. Elements of the station were in construction throughout the US, Canada, Japan, and Europe beginning in the late 1980s.

Other products

Lenses

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Red has offered S35 PL mount prime and zoom lenses for their cameras.

Primes

Name Focal length Aperture Minimum focal distance
Pro Prime 18 mm T1.8 4"
25 mm T1.8 4"
35 mm T1.8 4"
50 mm T1.8 6"
85 mm T1.8 18"
100 mm T1.8 24"
300 mm T2.9 7.36 ft.

Zooms

Name Focal length Aperture Minimum focal distance
Pro Zoom 17–50 mm T2.9 4"
18–85 mm T2.9 8"
50–150 mm T2.8 8"

Hydrogen One modular smartphone system

In 2017, Red announced their intentions to enter the smartphone market including planned features such as a 5.7" holographic display and integration with existing camera products. On May 18, 2018, Red announced the Hydrogen One, with a release date in August 2018. Promised features included a holographic display, spatial sound, compatibility with the Red camera program, the launch of a streaming service, and modular add-ons similar to the "Moto Mods" feature of Motorola's Moto Z. Especially the announced camera sensor module received attention, with Red founder Jannard claiming: "If you were shooting an 8K Weapon on set as your A camera, this could certainly be your B camera."

On release, the smartphone was a critical disappointment and was even cited as a contender for the worst technology product of 2018, arising from outdated hardware and a lack of capabilities. Similarly, the phone was a commercial flop, and in 2019, promised modular add-ons vanished from Red's website, with Jannard announcing the company was "currently in the middle of radically changing the Hydrogen program". In late 2019, the company discontinued the product line.

Software

Red began selling its Redcine-X package for post-production workflow in 2009. The process of decompressing the sensor data can be sped up with a Red Rocket accelerator card. There is a downloadable SDK for working directly with the Redcode images, and another for controlling the cameras remotely.

Redray

Announced in 2012, the Redray Player was the first stand-alone device capable of providing 4K content to compatible 2D or 3D displays. Using a 1 TB internal drive for storage, the Redray plays 4K or HD media in the Redcode format. The player uses 12-bit 4:2:2 precision. A cinema laser projector in the same family was also announced in 2012 but never released.

Lawsuits

On August 18, 2008, Red filed a lawsuit against the electronics company LG over its use of the name Scarlet. Red accused LG "of taking the 'Scarlet' brand name from the camera company" after Red had denied LG's request to use it.

On September 23, 2011, Jannard announced that his personal email account was compromised by former Arri executive Michael Bravin. A lawsuit against Arri and Bravin was filed at the end of 2011; it was settled and dismissed in 2013.

On June 27, 2012, Red sued Wooden Camera, a manufacturer of third party accessories, for patent infringement.

In February 2013, Red filed for an injunction against Sony, claiming that several of its new CineAlta products, particularly the 4K-capable F65, infringed on patents the company held. They requested that Sony not only be forced to stop selling the cameras, but that they be destroyed as well. Sony filed a countersuit against Red in April 2013, alleging that Red's entire product line infringed on Sony patents. In July 2013, both parties filed jointly for dismissal, and as of July 20, 2013, the case is closed.

On March 2, 2017, Red filed a lawsuit against the maker of JinniMag, a third party copy of the Red Mini Mag. Videos posted on the Jinni.Tech YouTube channel have accused Red Digital Cinema Cameras of lying to their customers and possibly obtaining their patents by deceiving the USPTO.

In May 2019, Apple Inc. filed a lawsuit against Red.com, LLC over several patents relating to digital cinema cameras and sensor processing. Apple lost the case in November 2019. Apple argued that the patents related to Redcode Raw were "unpatentable", but a judge ruled that Apple's legal team had not provided sufficient evidence to back up their claims.

Red's RAW video patent that has resulted in multiple companies being sued by Red is US8872933. This US patent is scheduled to expire on April 11, 2028.

See also

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