Misplaced Pages

Wilhelm Nienstädt: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editContent deleted Content addedVisualWikitext
Revision as of 02:26, 21 November 2007 editGene Nygaard (talk | contribs)Extended confirmed users90,047 edits fix missorting← Previous edit Latest revision as of 07:42, 30 November 2024 edit undoCitation bot (talk | contribs)Bots5,408,157 edits Altered chapter-url. URLs might have been anonymized. Added url. | Use this bot. Report bugs. | Suggested by Jay8g | #UCB_toolbar 
(39 intermediate revisions by 25 users not shown)
Line 1: Line 1:
{{Short description|Prussian playwright (1784–1862)}}
'''Wilhelm Nienstädt''' (] ], Geitelde (now ]) — ] ], ]) was a ] educator and writer.
{{More citations needed|date=November 2024}}


'''Wilhelm Nienstädt''' (16 October 1784 – 28 April 1862) was a Prussian playwright and tutor to ] from 1815 to 1823.<ref>{{Cite book |last=Jung |first=Theo |title=Frühe Neue Zeiten: Zeitwissen zwischen Reformation und Revolution |date=2012 |publisher=transcript Verlag |location=Bielefeld |pages=319–356 |language=de |chapter=ZEITGEIST IM LANGEN 18. JAHRHUNDERT: DIMENSIONEN EINES UMSTRITTENEN BEGRIFFS |doi=10.1515/transcript.9783839421642.319|url=http://nbn-resolving.de/urn:nbn:de:bsz:25-opus-93439 }}</ref><ref>{{Cite book |last=Kosch |first=Wilhelm |title=Deutsches Theater-Lexikon |date=2019 |publisher=De Gruyter |volume=2 |chapter=Nienstädt, Wilhelm: Haupteintrag → Nachtrag |chapter-url=https://www.degruyter.com/database/DTLO/entry/dtlo.II.5163/html}}</ref><ref>{{Cite book |last=Bigler-Marschall |first=Ingrid |title=Deutsches Theater-Lexikon Online |date=2019 |publisher=De Gruyter |language=de |chapter=Nienstädt, Wilhelm: Nachtrag → Haupteintrag |chapter-url=https://www.degruyter.com/database/DTLO/entry/dtlo.4.1893/html}}</ref>
⚫ The son of a minister, he studied ] at ] and ]. In ] Nienstädt contributed the essay ''On Didactic Poetry'' to the literary journal ], published by ] and ].


== Early life ==
⚫ After graduation he took a two-year trip or '']'', probably to Italy, and worked as a ] for various aristocratic families, including the houses of Count Häseler and Count von Voß. On the recommendation of the future Prussian Foreign Minister ], in ] he was appointed tutor of ], the son of ], and over the next ten years he produced many works, including the play ''Ein Zaubertag'' (1816), the essay ''Versuch einer Darstellung unser Zeit'' (1819), and the collection of poems ''Gedichte vermischten Inhalts'' (1820), which includes some drama and ballads, as well as the epic ''Olint and Elvire''.
⚫ Nienstädt was born in Geitelde (now ]). The son of a minister, he studied ] at ] and ]. In 1808 Nienstädt contributed the essay ''On Didactic Poetry'' to the literary journal ], published by ] and ].


== Career ==
⚫ In ] Nienstädt was appointed to the ''geheimer Hofrat'', but was honourably discharged after a short time, with a pension, and in ], he published the seven-part drama cycle ''Die Hohenstaufen'' and the play ''Karl V''. In ] he left ] for Hallendorf, a village near ] and married Johanna Henriette Augusta Pauli, also the child of a minister. The rest of his life is very obscure and his activities unknown.
⚫ After graduation, he took a two-year trip or '']'', probably to Italy, and worked as a ] for various aristocratic families, including the houses of Count Häseler and Count von Voß. On the recommendation of the future Prussian Foreign Minister ], in 1815 he was appointed tutor of ], the son of ], and over the next ten years he produced many works, including the play ''Ein Zaubertag'' (1816), the essay ''Versuch einer Darstellung unser Zeit'' (1819), and the collection of poems ''Gedichte vermischten Inhalts'' (1820), which includes some drama and ballads, as well as the epic ''Olint and Elvire''.

⚫ In 1822, Nienstädt was appointed to the ''geheimer Hofrat'', but was honourably discharged after a short time, with a pension, and in 1826, he published the seven-part drama cycle ''Die Hohenstaufen'' and the play ''Karl V''. In 1829 he left ] for Hallendorf, a village near ] and married Johanna Henriette Augusta Pauli, also the child of a minister. The rest of his life is very obscure and his activities unknown. He died in ], aged 77.


==Significance== ==Significance==
Nienstädt's ] pessimism, inspired by ], sees a break in cultural continuity around ] with the invention of ], which made the ] possible, with the widespread use of ] and with ]. He praises the falling away of religious ] but deplores the ], political jockeying, ] and ] brought about by the ], which he sees as the victory of ratiocination over love and tradition. Nienstädt was a ] and rejected the ] in its entirety. Nienstädt's ] pessimism, inspired by ], sees a break in cultural continuity around 1500 with the invention of ], which made the ] possible, with the widespread use of ] and with ]. He praises the falling away of religious ]tism but deplores the ], political jockeying, ] and ] brought about by the ], which he sees as the victory of ratiocination over love and tradition. Nienstädt was a ] and rejected the ] in its entirety.


Only the ] dramas, inspired by the work of the historian ], had any detectable influence on German literature of the ensuing decades. Only the ] dramas, inspired by the work of the historian ], had any detectable influence on German literature of the ensuing decades.

==References==
{{reflist}}

{{Authority control}}


{{DEFAULTSORT:Nienstadt, Wilhelm}} {{DEFAULTSORT:Nienstadt, Wilhelm}}
] ]
] ]
] ]
] ]
]

]
]
]
]
]
]
]
]
]

Latest revision as of 07:42, 30 November 2024

Prussian playwright (1784–1862)
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Wilhelm Nienstädt" – news · newspapers · books · scholar · JSTOR (November 2024) (Learn how and when to remove this message)

Wilhelm Nienstädt (16 October 1784 – 28 April 1862) was a Prussian playwright and tutor to Prince Albert of Prussia from 1815 to 1823.

Early life

Nienstädt was born in Geitelde (now Braunschweig). The son of a minister, he studied theology at Helmstedt and Göttingen. In 1808 Nienstädt contributed the essay On Didactic Poetry to the literary journal Phöbus, published by Heinrich von Kleist and Adam Heinrich Müller.

Career

After graduation, he took a two-year trip or Bildungsreise, probably to Italy, and worked as a tutor for various aristocratic families, including the houses of Count Häseler and Count von Voß. On the recommendation of the future Prussian Foreign Minister Friedrich Ancillon, in 1815 he was appointed tutor of Prince Albert of Prussia (1809-1872), the son of Frederick William III, and over the next ten years he produced many works, including the play Ein Zaubertag (1816), the essay Versuch einer Darstellung unser Zeit (1819), and the collection of poems Gedichte vermischten Inhalts (1820), which includes some drama and ballads, as well as the epic Olint and Elvire.

In 1822, Nienstädt was appointed to the geheimer Hofrat, but was honourably discharged after a short time, with a pension, and in 1826, he published the seven-part drama cycle Die Hohenstaufen and the play Karl V. In 1829 he left Berlin for Hallendorf, a village near Salzgitter and married Johanna Henriette Augusta Pauli, also the child of a minister. The rest of his life is very obscure and his activities unknown. He died in Wolfenbüttel, aged 77.

Significance

Nienstädt's conservative pessimism, inspired by Fichte, sees a break in cultural continuity around 1500 with the invention of printing, which made the Reformation possible, with the widespread use of gunpowder and with the Discovery of America by Christopher Columbus. He praises the falling away of religious dogmatism but deplores the competition, political jockeying, alienation and individualism brought about by the Enlightenment, which he sees as the victory of ratiocination over love and tradition. Nienstädt was a monarchist and rejected the French Revolution in its entirety.

Only the Hohenstaufen dramas, inspired by the work of the historian Friedrich von Raumer, had any detectable influence on German literature of the ensuing decades.

References

  1. Jung, Theo (2012). "ZEITGEIST IM LANGEN 18. JAHRHUNDERT: DIMENSIONEN EINES UMSTRITTENEN BEGRIFFS". Frühe Neue Zeiten: Zeitwissen zwischen Reformation und Revolution (in German). Bielefeld: transcript Verlag. pp. 319–356. doi:10.1515/transcript.9783839421642.319.
  2. Kosch, Wilhelm (2019). "Nienstädt, Wilhelm: Haupteintrag → Nachtrag". Deutsches Theater-Lexikon. Vol. 2. De Gruyter.
  3. Bigler-Marschall, Ingrid (2019). "Nienstädt, Wilhelm: Nachtrag → Haupteintrag". Deutsches Theater-Lexikon Online (in German). De Gruyter.
Categories: