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{{Short description|Film by Kenneth Branagh}}
{{Infobox Film
{{Use British English|date=September 2024}}
| name = Hamlet
{{Use dmy dates|date=September 2024}}
| image = Hamlet_1996_poster.jpg
{{Infobox film
| caption = Film poster for ''Hamlet''
| image = Hamlet_a192cc9d.png
| alt = Prince Hamlet views a wedding raining with confetti.
| caption = Theatrical release poster
| director = ] | director = ]
| producer = ] | screenplay = Kenneth Branagh
| writer = ] | based_on = {{Based on|'']''|]}}
| producer = ]
| starring = ]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]<br>]
| starring = {{plainlist|
*Kenneth Branagh
*]
*]
*]
*]
*]
*]
*]
*]
*]}}
| cinematography = ]
| editing = Neil Farrell
| music = ] | music = ]
| cinematography = ] | studio = ]
| editing = ] | distributor = {{Plainlist|
*]-Castle Rock/] (United Kingdom)<ref>{{cite web|title=Hamlet (1996)|work=]|access-date=31 March 2021|url=https://www.bbfc.co.uk/release/hamlet-q29sbgvjdglvbjpwwc0yotu5mzy}}</ref>
| distributor = ]
*] (through ]; Select territories)
| released = ], ]
| runtime = 242 min.
| language = English
| budget =
| preceded_by =
| followed_by =
| imdb_id = 0116477
}} }}
| released = {{Film date|df=y|1996|12|25}}
| runtime = 242 minutes
| country = {{plainlist|
*United Kingdom
*United States}}
| language = ]
| budget = $18 million<ref name="Box Office Mojo"> {{webarchive|url=https://web.archive.org/web/20111113075311/http://boxofficemojo.com/movies/?id=hamlet96.htm |date=13 November 2011 }}. '']''. Retrieved 26 January 2012.</ref>
| gross = $4.7 million<ref name="Box Office Mojo" />
}}

'''''Hamlet''''' is a 1996 British ] ] serving as an adaptation of ]'s play '']'', adapted and directed by ], who also stars as ]. The film also features ] as ], ] as ], ] as ], ] as ], ] as ], and ] as ]. Other cast members include ], ], ], ], ], ], ], ], ] and ].

The film is the first unabridged theatrical film version of ''Hamlet'', running more than four hours. The setting is updated to the 19th century, but its ] text remains the same. ] is the setting used for the exterior grounds of ], and interiors were photographed at ]. ''Hamlet'' was the last major dramatic motion picture to be filmed entirely on ] until 2011, with the release of the documentary '']''.

Branagh's ''Hamlet'' has been regarded as one of the best Shakespeare film adaptations ever made.<ref name="Rotten Tomatoes" /><ref name="Roger Ebert" /><ref name="ReelViews" /><ref name="Greatest Shakespeare" /> However, it was a ], mostly due to its limited release, grossing just under US$5 million on a budget of $18 million.<ref name="Box Office Mojo" /> The film received four ] nominations for the ] for ] (]), ] (]), ] (]) and ] (Kenneth Branagh).

== Plot ==
{{Long plot|date=April 2024}}<!--word count is nearly 1,600 words; plot summaries should be between 400 and 700 words per ]; Shakespeare's storylines are especially well known; they should not be excessively detailed; you can help by reducing this plot-->

] of ] is the son of the recently deceased ] and nephew of ], his father's brother and successor. Claudius hastily married King Hamlet's widow Gertrude, Hamlet's mother, and took the throne for himself. Denmark has a longstanding feud with neighbouring ], in which King Hamlet slew King Fortinbras of Norway in a battle some years ago. Although Denmark defeated Norway and the Norwegian throne fell to King Fortinbras's infirm brother, Denmark fears that an invasion led by the dead Norwegian king's son, Prince ], is imminent.

On a cold night on the ramparts of ], the Danish royal castle, the ] Bernardo and Marcellus discuss a ] resembling the late King Hamlet that they have recently seen, and bring Prince Hamlet's friend ] as a witness. After the ghost appears again, the three vow to tell Prince Hamlet what they have witnessed.

As the court gathers the next day while King Claudius and Queen Gertrude discuss affairs of state with their elderly adviser, ], Hamlet watches glumly. During the court, Claudius grants permission for Polonius's son, ], to return to school in France and sends envoys to inform the King of Norway of Fortinbras. Claudius also scolds Hamlet for continuing to grieve over his father and forbids him to return to his schooling in ]. After the court exits, Hamlet despairs of his father's death and his mother's hasty remarriage. Learning of the ghost from Horatio, Hamlet resolves to see it himself.

As Laertes prepares to depart for a visit to France, Polonius offers him advice that culminates in the maxim, "to thine own self be true".<ref>{{cite book |title=Sincerity and Authenticity |last=Trilling |first=Lionel |author-link=Lionel Trilling |series=The Charles Eliot Norton Lectures |publisher=] |year=2009 |isbn=978-0-674-50419-6 |page=8}}</ref> Polonius's daughter, ], admits that she has interest in Hamlet, but Laertes warns her against seeking the prince's attention, and Polonius orders her to reject his advances. That night on the rampart, the ghost appears to Hamlet, telling the prince that he was murdered by Claudius and demanding that Hamlet avenge him. Hamlet agrees, and the ghost vanishes. The prince confides to Horatio and the sentries that he plans to "put an antic disposition on", or act like he has gone mad, and forces them to swear to keep secret his plans for revenge. However, he remains uncertain of the ghost's reliability.

Soon after, Ophelia rushes to her father, telling him that Hamlet arrived at her door the night before, half-dressed and behaving erratically. Polonius blames the love for Hamlet's madness and resolves to inform Claudius and Gertrude. As he enters to do so, the King and Queen finish welcoming ], two student acquaintances of Hamlet, to Elsinore. The royal couple has requested that the students investigate the cause of Hamlet's mood and behaviour. Additional news requires that Polonius waits to be heard: messengers from Norway inform Claudius that the King of Norway has rebuked Prince Fortinbras for attempting to re-fight his father's battles. The forces that Fortinbras had conscripted to march against Denmark will instead be sent against ], although they will pass through Danish territory to get there.

Polonius tells Claudius and Gertrude of his theory regarding Hamlet's behaviour and speaks to Hamlet in a hall of the castle to try to uncover more information. Hamlet feigns madness and subtly insults Polonius all the while. When Rosencrantz and Guildenstern arrive, Hamlet warmly greets his "friends" but quickly discerns that they are spies. Hamlet admits that he is upset at his situation but refuses to give the true reason, instead commenting on "]". Rosencrantz and Guildenstern tell Hamlet that they have brought with them a troupe of actors whom they met while travelling to Elsinore. Hamlet, after welcoming the actors and dismissing his friends-turned-spies, asks them to deliver a soliloquy about the death of ] and ] at the climax of the ]. Impressed by their delivery of the speech, he plots to stage ''The Murder of Gonzago'', a play featuring a death in the style of his father's murder, and to determine the truth of the ghost's story, as well as Claudius's guilt or innocence, by studying Claudius's reaction.

Polonius forces Ophelia to return Hamlet's love letters and tokens of affection to the prince while he and Claudius watch from afar to evaluate Hamlet's reaction. Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance, musing whether "]". When Ophelia enters and tries to return Hamlet's things, Hamlet accuses her of immodesty and cries "get thee to a nunnery", though it is unclear whether this, too, is a show of madness or genuine distress. His reaction convinces Claudius that Hamlet is not mad for love. Shortly thereafter, the court assembles to watch the play Hamlet has commissioned. After seeing the ] murdered by his rival pouring poison in his ear, Claudius abruptly rises and runs from the room; for Hamlet, this is proof positive of his uncle's guilt.

Gertrude summons Hamlet to her chamber to demand an explanation. Meanwhile, Claudius talks to himself about the impossibility of repenting, since he still has possession of his ill-gotten goods: his brother's crown and wife. He sinks to his knees. On his way to visit his mother, Hamlet sneaks up behind Claudius but does not kill him, reasoning that killing Claudius while he is praying will send him straight to heaven while the ghost of Hamlet's father is stuck in purgatory. In the queen's bedchamber, Hamlet and Gertrude fight bitterly. Polonius, spying on the conversation from behind a ], calls for help as Gertrude, believing Hamlet wants to kill her, calls out for help herself.

Hamlet, believing it is Claudius, stabs wildly, killing Polonius, but he pulls aside the curtain and sees his error. In a rage, Hamlet brutally insults his mother for her apparent ignorance of Claudius's villainy, but the ghost enters and reprimands Hamlet for his inaction and harsh words. Unable to see or hear the ghost herself, Gertrude takes Hamlet's conversation with it as further evidence of madness. After begging the queen to stop sleeping with Claudius, Hamlet leaves, dragging Polonius's corpse away.

Hamlet jokes with Claudius about where he has hidden Polonius's body, and the King, fearing for his life, sends Rosencrantz and Guildenstern to accompany Hamlet to ] with a sealed letter to the King of England requesting that Hamlet be executed immediately.

Unhinged by grief at Polonius's death, Ophelia wanders Elsinore. Laertes arrives back from France, enraged by his father's death and his sister's madness. Claudius convinces Laertes that Hamlet is solely responsible, but a letter soon arrives indicating that Hamlet has returned to Denmark, foiling Claudius's plan. Claudius switches tactics, proposing a fencing match between Laertes and Hamlet to settle their differences. Laertes will be given a poison-tipped foil, and, if that fails, Claudius will offer Hamlet poisoned wine as a congratulation. Gertrude interrupts to report that Ophelia has drowned, though it is unclear whether it was suicide or an accident caused by her madness.

Horatio has received a letter from Hamlet, explaining that the prince escaped by negotiating with pirates who attempted to attack his England-bound ship, and the friends reunite offstage. Two ] discuss Ophelia's apparent suicide while digging her grave. Hamlet arrives with Horatio and banters with one of the gravediggers, who unearths the skull of a ] from Hamlet's childhood, ]. Hamlet picks up the skull, saying, "alas, poor Yorick", as he contemplates mortality. Ophelia's ] approaches, led by Laertes. Hamlet and Horatio initially hide, but when Hamlet realizes that Ophelia is the one being buried, he reveals himself, proclaiming his love for her. Laertes and Hamlet fight by Ophelia's graveside, but the brawl is broken up.


Back at Elsinore, Hamlet explains to Horatio that he had discovered Claudius's letter with Rosencrantz and Guildenstern's belongings and replaced it with a forged copy indicating that his former friends should be killed instead of him. A foppish courtier, ], interrupts the conversation to deliver the fencing challenge to Hamlet, who, despite Horatio's pleas, accepts it. Hamlet does well at first, leading the match by two hits to none, and Gertrude raises a toast to him using the poisoned glass of wine Claudius had set aside for Hamlet. Claudius tries to stop her but is too late: she drinks, and Laertes realizes the plot will be revealed. Laertes slashes Hamlet with his poisoned blade. In the ensuing scuffle, they switch weapons, and Hamlet wounds Laertes with his own poisoned sword. Gertrude collapses and, claiming she has been poisoned, dies. In his dying moments, Laertes reconciles with Hamlet and reveals Claudius's plan. Hamlet rushes at Claudius and kills him. As the poison takes effect, Hamlet, hearing that Fortinbras is marching through the area, names the Norwegian prince as his successor.
'''''Hamlet''''' is a ] ] of ]'s ], adapted and directed by ], who also stars in the title role as ]. It is set in the 19th century, and uses ] for exterior scenes. It co-stars ] as ], ] as ], ] as ], ] as ], and ] as ].


Horatio, distraught at the thought of being the last survivor and living while Hamlet does not, says that he will perform ] by drinking the dregs of Gertrude's poisoned wine, but Hamlet begs him to live and tell his story. Hamlet dies on the floor in front of Horatio, proclaiming "the rest is silence". Fortinbras, who was ostensibly marching toward Poland with his army, arrives at the palace, along with an English ambassador bringing news of Rosencrantz's and Guildenstern's deaths. Horatio promises to recount the full story of what happened, and Fortinbras, seeing the entire Danish royal family dead, takes the crown for himself and orders a military funeral to honour Prince Hamlet.
The film is notable as the first unabridged ] version of the play. The complete film runs at just over four hours. The longest version of the play prior to the 1996 film was the 1980 ] ] version starring ], which runs three-and-a-half hours. A shorter edit of the Branagh film, approximately two-and-a-half hours long, was shown in some markets.<ref></ref>


==Cast== ==Cast==
The film features a large number of celebrity ]s. Seemingly no role was too small to be played by a star; the servant Reynaldo, who appears only briefly in a single scene and is often left out of abridged versions of the play, is played by French star ] and other appearances by well-known actors include ] as the First Player, ] as the courtier ], ] as the English Ambassador, ] as the ghost of Hamlet's father, ] as Marcellus, the palace guard, and ] as the gravedigger. The flashbacks and dream sequences even allow for celebrities appearing in non-speaking roles as characters who are only mentioned in the play: ] and ] play ] and ] (mentioned in the monologue performed by the First Player on his arrival at Elsinore), ] plays "Old Norway", uncle of Fortinbras (mentioned by Claudius and Voltemand), and ] plays ].


===Main characters===
In addition to the film stars, the play also features British theatre stars in tiny roles: for example; ] plays the second gravedigger, ] plays the guard Fransisco, Ian McElhinney as Barnardo (Bernardo), and ] plays Fortinbras's captain.
*] as ], the story's protagonist and Prince of Denmark. He is the son of the late King Hamlet and heir to the throne of Denmark. At first, Hamlet is depressed about his father's death and is angered by his mother Gertrude's swift remarriage to his uncle Claudius. However, Hamlet is told by the ghost of his father that Claudius murdered him, usurping his throne. Hamlet swears to avenge his father's murder. Branagh described his interpretation of the title role as considerably less "neurotic" than others, removing the ] prominently featured in ]'s ], among others. During the scenes in which Hamlet pretends to be insane, Branagh portrayed the Prince as ].<ref>{{cite web |url=https://www.rogerebert.com/reviews/hamlet-1996 |title=Hamlet: Review |author=Roger Ebert |date=24 January 1997}}</ref>
*] as ], the play's antagonist and brother of the late king. He murders his brother by pouring poison into his ear while he sleeps. He usurps his brother's title and marries his widow. At first, believing Hamlet to have been driven mad by the loss of his father, Claudius tries to spy on Hamlet. When Claudius learns that Hamlet knows of the murder, he tries to use ], two of Hamlet's schoolmates, to murder his nephew. Jacobi appeared in the title role in the ]'s ].
*] as ], Queen of Denmark and wife to both the late King Hamlet and King Claudius, whom she swiftly married following the former's death — ignorant of the foul play that caused his death.
*] as ], the Lord Chamberlain. An impertinent busybody, Polonius believes Hamlet to be mad and convinces Claudius to join him in spying on the prince. Hamlet eventually kills him, believing him to be Claudius.
*] as ], noblewoman of Denmark and daughter of Polonius. Ophelia is in love with Hamlet until she is advised by her father Polonius and brother Laertes to end their relationship. She is eventually driven mad by both Hamlet's rejection and her father's murder and drowns herself.
*] as ], a good friend of Hamlet whom he met while attending ].
*] as ], the son of Polonius and brother of Ophelia. After instructing his sister to have no further relations with Hamlet, he departs for Paris. On news of his father's murder, Laertes returns to Denmark, leading a mob to storm the castle. Claudius incites Laertes to kill Hamlet and avenge Polonius's death. He later conspires with Claudius to murder Hamlet during a fencing duel.
*] as ], the Norwegian crown prince. Played mostly in flashback and frequently referenced throughout the film, Fortinbras storms Elsinore castle with his army during the final scene, and assumes the vacant throne of Denmark.

===Supporting characters===
*] as ], the Elsinore courtier sent by Claudius to invite Hamlet to participate in the duel with Laertes.
*] as Reynaldo, a servant to Polonius. He is sent by Polonius to Paris to spy on Laertes.
*] as ] and ] as ], courtier friends of Hamlet who are sent by Claudius to spy on Hamlet.
*] as Marcellus and ] as Bernardo, sentries at Elsinore who alert Horatio of the appearance of King Hamlet's Ghost.
*] as Francisco, a sentry at Elsinore and the first character to appear on screen.
*] as the ], an apparition in the form of the late King who informs Hamlet of his murder and Claudius's usurpation of the throne.
*] as the ], a sexton digging Ophelia's grave who makes a case for why she should not receive a Christian burial before having a quick dialogue with Hamlet. Later, he presents the skull of ] to Hamlet, not knowing Hamlet's history with the jester.
*] as the ].
*] as Voltemand, an ambassador sent by King Claudius to Old King Norway.
*] as Cornelius, an ambassador sent by King Claudius to Old King Norway.
*] as the Player King.
*] as the Player Queen.
*] as the English Ambassador.
*] as ], the King of ], played in flashback during the Player King's speech.
*] as ], the Queen of Troy and wife of Priam, played in flashback during the Player King's speech.
*] as Old King Norway, uncle of Fortinbras, played in flashback, reprimanding his nephew for claims against Denmark.
*] as ], the King's Jester, played in flashback entertaining the royals of Elsinore during the gravediggers scene.
*], appears in a cameo as the Norwegian captain.


==Production== ==Production==
], built in the early 18th century, became Elsinore Castle in the external scenes. The film's budget was $18 million. ''Hamlet'' was filmed in ] by ]. It was the last feature film shot entirely in the ] as of 2007.


==Text== ===Origins===
Aspects of the film's staging were based on ]'s ] production of the play, in which Branagh played the title role.<ref>{{cite book|first=Samuel|last=Crowl|chapter=Flamboyant Realist: Kenneth Branagh|editor-first=Russell|editor-last=Jackson|title=The Cambridge Companion to Shakespeare on Film|url=https://archive.org/details/cambridgecompani00jack_577|url-access=limited|publisher=]|location=Cambridge, England|date=2000|isbn=978-0521866002|page=}}</ref>
All previous ] versions of the play abbreviate the text considerably; Branagh's is notable as the first unabridged presentation. Indeed, Branagh's textual approach is 'maximalist', in that he conflates the ] and ] texts, and therefore includes material (such as the 'How all occasions do inform against me' speech) that is only present in the Second Quarto version and is thus often regarded as of uncertain status.{{Fact|date=November 2007}} (In addition, the film also includes, a single word - "Attack!" - not present in any Shakespearean source or scholarly edition).


==Interpretation== ===Text===
The film uses a conflated text based on the 1623 ], with additions from the ] and amendments from other sources. According to a note appended to the published screenplay:


{{blockquote|The screenplay is based on the text of ''Hamlet'' as it appears in the First Folio – the edition of Shakespeare's plays collected by his theatrical associates Heminges and Condell and published in 1623 by a syndicate of booksellers. Nothing has been cut from this text, and some passages absent from it (including the soliloquy "How all occasions do inform against me ...") have been supplied from the Second Quarto (an edition of the play which exists in copies dated 1604 and 1605). We have also incorporated some readings of words and phrases from this source and from other early printed texts, and in a few cases emendations from modern editors of the play. Thus in I, 4, in the passage (from the Second Quarto) about the "dram of eale", we use an emendation from the Oxford edition of the ''Complete Works'' (edited by Stanley Wells and Gary Taylor, 1988): "doth all the noble substance ''over-daub''" – rather than the original's "of a doubt".<ref>Branagh, Kenneth (1996), ''"Hamlet" by William Shakespeare: Screenplay and Introduction by Kenneth Branagh; production diary by Russell Jackson'' (New York: W W Norton), p.174. {{ISBN|0393045196}}</ref>}}
Aspects of the film's staging are based on ]'s recent ] production of the play, in which Branagh had played the title role.<ref>Crowl, Samuel "Flamboyant Realist: Kenneth Branagh" in Jackson, Russell ''The Cambridge Companion to Shakespeare on Film'' (Cambridge University Press, 2000)</ref>


===Style===
In a radical departure from previous Hamlet films, Branagh set the internal scenes in a vibrantly colourful setting, featuring a throne room dominated by mirrored doors; film scholar Samuel Crowl calls the setting "''film noir'' with all the lights on."<ref>Crowl, p.227</ref> Branagh chose ] costuming and furnishings, using ], built in the early 18th century, as Elsinore Castle for the external scenes. Harry Keyishan has suggested that the film is structured as an ], courting comparison with '']'', '']'' and '']''.<ref>Keyishian, p.78</ref> As J. Lawrence Guntner points out, comparisons with the latter film are heightened by the presence of ] (''Zhivago's'' Lara) as Gertrude.<ref>Guntner, pp.122-123.</ref>
Despite using a full text, Branagh's film is also very visual; it makes frequent use of ] to depict scenes that are described but not performed in Shakespeare's text, such as Hamlet's childhood friendship with Yorick, or scenes merely implied by the play's text, such as Hamlet's sexual relationship with Ophelia.<ref>Keyishian, p.79</ref> The film also uses very ] for numerous scenes.


In a radical departure from previous ''Hamlet'' films, Branagh set the internal scenes in a vibrantly colourful setting, featuring a throne room dominated by mirrored doors. Film scholar Samuel Crowl called the setting "''film noir'' with all the lights on".<ref>Crowl, p.227</ref> Branagh chose ] costuming and furnishings, using ], built in the early 18th century as the seat of the Dukes of Marlborough, as Elsinore Castle for the external scenes. Harry Keyishan has suggested that the film is structured as an ], courting comparison with '']'', '']'' and '']''.<ref>Keyishian, p.78</ref> As J. Lawrence Guntner pointed out, comparisons with the latter are heightened by the presence of ] (''Zhivago''{{'s}} Lara) as Gertrude.<ref>Guntner, pp. 122–123.</ref>
Despite using a full text, Branagh's film is also very visual; it makes frequent use of ] to depict elements that are not performed in Shakespeare's text, such as Hamlet's sexual relationship with ]'s Ophelia and his childhood friendship with Yorick.<ref>Keyishian, p.79</ref> The film also uses very ] for numerous scenes.


==Reaction== ===Filming===
''Hamlet'' was shot in ] by ]. It was the last feature film to be entirely shot in 70&nbsp;mm until production of '']'' in 2011.<ref>{{cite web |last=McGavin |first=Patrick |url=http://movieline.com/2012/08/17/the-master-chicago-screening-paul-thomas-anderson-music-box/ |title=The Master Rules in Chicago: 70 mm Screening of Anderson Film Recalls Welles' The Lady From Shanghai |publisher=] |work=Movieline.com |date=17 August 2012 |access-date=21 August 2012 |url-status=live |archive-url=https://web.archive.org/web/20120819002100/http://movieline.com/2012/08/17/the-master-chicago-screening-paul-thomas-anderson-music-box/ |archive-date=19 August 2012 }}</ref> Branagh was among the few to use ] cameras after that, on his 2017 film '']''.<ref>{{cite web |url=https://www.hollywoodreporter.com/review/murder-orient-express-review-1053433 |title='Murder on the Orient Express' Review &#124; Hollywood Reporter |website=] |date=2 November 2017 |access-date=2017-11-09 |url-status=live |archive-url=https://web.archive.org/web/20171103041759/http://www.hollywoodreporter.com/review/murder-orient-express-review-1053433 |archive-date=3 November 2017 }}</ref> The filming was done from 25 January to 12 April 1996.


===Music===
''Hamlet'' received positive reviews. It has 94% "fresh" rating at '']'', a website that collects reviews. Critics praised the film for its uncut text, its visual spectacle and its production design by longtime Branagh collaborator Tim Harvey.{{Fact|date=October 2007}} Some disapproved of Branagh's interpolation of scenes not in the play (including a sexual tryst between ] and ]) and Branagh's own performance came in for criticism.{{Fact|date=October 2007}} ] awarded the film four stars, comparing it to ]'s lauded 1948 version while ] praised both the film and Branagh's performance.<ref>{{cite web
{{Infobox album
|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19970124/REVIEWS/701240303/1023
| name = William Shakespeare's Hamlet: Original Motion Picture Soundtrack
|title=Roger Ebert's Review
| type = soundtrack
}}</ref>
| artist = ]
<ref>{{cite web
| cover = Hamlet_Doyle.jpg
|url=http://www.nytimes.com/library/film/hamlet.html
| alt =
|title=Janet Maslin's Review
| released = 10 December 1996
}}</ref>
| recorded = 1996
| venue =
| studio =
| genre = Soundtrack
| length = 76:25
| label = ]
| producer = Patrick Doyle<br />Maggie Rodford
| prev_title =
| prev_year =
| next_title =
| next_year =
}}
{{Music ratings
| rev1 = ]
| rev1Score = {{Rating|3|5}}
| rev2 = Film Music on the Web
| rev2Score ={{Rating|5|5}}
| rev3 = ]
| rev3Score = {{Rating|3|5}}
}}
The ] of ''Hamlet'' was composed and co-produced by frequent-Kenneth-Branagh-collaborator ], and conducted by Robert Ziegler. Doyle composed three primary themes for the film to accompany the characters of Ophelia, Claudius and Hamlet, which are varied throughout the score. The "simple, childlike" theme for Ophelia is mostly string-dominant, often performed by a ] yet occasionally accompanied by a full string ensemble or mixed chorus. For Claudius, Doyle composed a theme in the form of a demented ], using more 20th-century harmonies. The theme for Hamlet was considered by Doyle to be "the most daunting and elusive" to conceive, before settling on a more "simple" motif to accompany the contemplative character.<ref name="Filmtracks"> {{webarchive|url=https://web.archive.org/web/20120208204035/http://filmtracks.com/titles/hamlet.html |date=8 February 2012 }}. '']''. Retrieved 27 January 2012.</ref>


The ] was released on 10 December 1996 through ] and features 26 tracks, with a running time of more than 76 minutes.<ref> {{webarchive|url=https://web.archive.org/web/20120312080611/http://www.allmusic.com/album/doylewilliam-shakespeares-hamlet-soundtrack-r244048 |date=12 March 2012 }}. '']''. Retrieved 27 January 2012.</ref> For his work on the film, Doyle received an ] nomination for ].
Some critics, notably ], declared the film to be the finest motion picture version of ''Hamlet'' yet made, and online film critic ] has gone so far as to declare the Branagh ''Hamlet'' the finest ] film ever made, rating it as the fourth best film of the 90's and one of the top 100 of all time.
<ref>{{cite web
|url=http://www.reelviews.net/movies/h/hamlet.html
|title=James Berardinelli's Review
}}</ref>
The ''New York Review of Books'' praised the attention given to Shakespeare's language, "giving the meter of the verse a musician's respect,"<ref>O'Brien, Geoffrey ''New York Review of Books'' 6 February 1997, cited by Samuel Crowl, "Framboyant Realist: Kenneth Branagh" in Jackson, Russell ''The Cambridge Companion to Shakespeare on Film'' (Cambridge University Press, 2000) p.228</ref>; Branagh himself says his aim is "telling the story with utmost clarity and simplicity."<ref>Branagh, Kenneth ''Introduction and Notes'' to ''Much Ado About Nothing: Screenplay'' p.ix cited by Crowl, p.228</ref>


# In Pace (3:07) – performed by ] (heard in the film during the closing credits)
However, the film failed at the box office, playing on fewer than 100 screens in the U.S. and earning only $5 million in its limited American run.
# Fanfare (0:48)
# "All that lives must die" (2:40)
# "To thine own self be true" (3:04)
# The Ghost (9:55)
# "Give me up the truth" (1:05)
# "What a piece of work is a man" (1:50)
# "What players are they" (1:33)
# "Out out thou strumpet fortune" (3:11)
# "To be, or not to be" (1:53)
# "I loved you once" (3:27)
# "Oh, what a noble mind" (2:41)
# "If once a widow" (3:36)
# "Now could I drink hot blood" (6:57)
# "A foolish prating nave" (1:05)
# "Oh heavy deed" (0:56)
# "Oh here they come" (4:39)
# "My thoughts be bloody" (2:52)
# "The doors are broke" (1:20)
# "And will 'a not come again?" (1:59)
# "Alas poor Yorick" (2:49)
# "Sweets to the sweet – farewell" (4:39)
# "Give me your pardon sir" (1:24)
# "Part them they are incensed" (1:47)
# "Goodnight, sweet prince" (3:36)
# "Go bid the soldiers shoot" (2:52)


==Release==
The film received four Oscar nominations (for Best Adapted Screenplay, Best Costume Design, Best Art Direction and Best Original Score). The nomination for Best Adapted Screenplay raised some eyebrows, since Branagh had made little alteration to Shakespeare's text beyond transposing two or three speeches. However, Roger Ebert, in particular, defended the choice<ref>{{cite web
''Hamlet'' was screened out of competition at the ].<ref name="festival-cannes.com">{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/4801/year/1997.html |title=Festival de Cannes: Hamlet |access-date=27 September 2009 |work=festival-cannes.com |url-status=live |archive-url=https://web.archive.org/web/20121006194129/http://www.festival-cannes.com/en/archives/ficheFilm/id/4801/year/1997.html |archive-date=6 October 2012 }}</ref> A shorter edit of the Branagh film, at approximately two and a half hours in length, was also shown in some markets.<ref> {{webarchive|url=https://web.archive.org/web/20040627015549/http://www.imdb.com/title/tt0116477/alternateversions |date=27 June 2004 }}. ]. Retrieved 26 January 2012.</ref><ref>{{cite web |url=http://unseenfilms.blogspot.com/2011/09/hamlet-kenneth-branaugh-1996.html |title=Unseen Films: Hamlet- Kenneth Branaugh (1996) |access-date=2013-12-15 |url-status=live |archive-url=https://web.archive.org/web/20131221190024/http://unseenfilms.blogspot.com/2011/09/hamlet-kenneth-branaugh-1996.html |archive-date=21 December 2013 }}</ref>
|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19970223/ANSWERMAN/702230303
|title=Ebert on Oscar Nomination
}}</ref>
, noting, "A screenplay is something more than dialogue ... Screenplays also cover construction, scene choices, character treatments and, in the case of a writer-director like Branagh, the visual strategy."


==DVD release== ===Home media===
A two-disc ] set was released in the United States and Canada on 14 August 2007. It includes a full-length commentary by Branagh and Shakespeare scholar Russell Jackson. A ] was released on 17 August 2010 in the United States and Canada with similar additional features, including an introduction by Kenneth Branagh, the featurette "To Be on Camera: A History with Hamlet", the 1996 Cannes Film Festival Promo, and a Shakespeare Movies Trailer Gallery.<ref>{{Citation |title=Hamlet Blu-ray (DigiBook) |url=https://www.blu-ray.com/movies/Hamlet-Blu-ray/10381/ |access-date=2023-10-16}}</ref>


==Reception==
A 2-Disc DVD was released in the United States on the 14th August 2007. It includes a full-length commentary by Branagh and Shakespeare scholar Russell Jackson.<ref></ref>

===Box office===
''Hamlet'' was not a success at the box office, mostly due to its limited release. The film earned more than $90,000 in its opening weekend playing on three screens. It made more than $30,000 in the Czech Republic, and more than $545,000 in Spain. It ultimately played on fewer than 100 screens in the United States, bringing its total gross to less than $5 million on a budget of $18 million.<ref name="Box Office Mojo" />

===Critical response===
''Hamlet'' received positive reviews. It currently holds a 95% rating at ], based on 57 reviews. The consensus reads: "Kenneth Branagh's sprawling, finely textured adaptation of Shakespeare's masterpiece lives up to its source material, using strong performances and a sharp cinematic focus to create a powerfully resonant film that wastes none of its 246 minutes."<ref name="Rotten Tomatoes">{{cite web |title=Hamlet (1996) |url=https://www.rottentomatoes.com/m/1075422-hamlet/ |url-status=live |archive-url=https://web.archive.org/web/20080808173621/http://www.rottentomatoes.com/m/1075422-hamlet/ |archive-date=8 August 2008 |access-date=3 April 2024 |work=] |publisher=]}}</ref>

], film critic of the '']'', awarded the film four stars out of four, comparing it to ]'s ], stating, "Branagh's Hamlet lacks the narcissistic intensity of Laurence Olivier's (in the 1948 ] winner), but the film as a whole is better, placing Hamlet in the larger context of royal politics, and making him less a subject for pity."<ref name="Roger Ebert">{{cite web | last =Ebert | first =Roger | title =Hamlet | work =] | date =24 January 1997 | url =http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19970124/REVIEWS/701240303/1023 | access-date =26 January 2012 | url-status =live | archive-url =https://web.archive.org/web/20120129115618/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F19970124%2FREVIEWS%2F701240303%2F1023 | archive-date =29 January 2012 }}</ref>

] of '']'' also praised both Branagh's direction and performance, writing, "This ''Hamlet'', like ] of '']'', takes a frank, try-anything approach to sustaining its entertainment value, but its gambits are most often evidence of Branagh's solid showmanship. His own performance is the best evidence of all."<ref>{{cite web | last =Maslin | first =Janet | title =Hamlet | work =] | date =15 December 1996 | url =https://www.nytimes.com/library/film/hamlet.html | access-date =4 May 2010}}</ref>

'']'' praised the attention given to Shakespeare's language, "giving the meter of the verse a musician's respect";<ref>O'Brien, Geoffrey ''New York Review of Books'' 6 February 1997, cited by Samuel Crowl, "Framboyant Realist: Kenneth Branagh" in Jackson, Russell ''The Cambridge Companion to Shakespeare on Film'' (Cambridge University Press, 2000) p.228</ref> Branagh said that his aim was "telling the story with utmost clarity and simplicity".<ref>Branagh, Kenneth ''Introduction and Notes'' to ''Much Ado About Nothing: Screenplay'' p.ix cited by Crowl, p.228</ref>

Some critics, notably ], declared the film to be the finest motion picture version of ''Hamlet''. Online film critic ] gave the film a four-star review and declared that the Branagh ''Hamlet'' is the finest Shakespeare adaptation, rating it as the best film of 1996, the fourth best film of the 1990s, and one of his top 101 favourite films of all time, saying, "From the moment it was first announced that Branagh would attempt an unabridged ''Hamlet'', I never doubted that it would be a worthy effort... I have seen dozens of versions of this play, and none has ever held me in such a grip of awe."<ref name="ReelViews">{{cite web | last =Berardinelli | first =James | title =Hamlet (1996) | work =ReelViews.com | url =http://preview.reelviews.net/movies/h/hamlet.html| access-date =26 January 2012}}</ref>

The film did have its detractors, however. ] of '']'' called it "the film equivalent of a lushly illustrated coffee-table book".<ref>{{cite news | url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/hamletrose.htm | newspaper=The Washington Post| date=22 July 1997 | access-date=4 May 2010 | title='Hamlet': Kenneth Branagh's Inaction Flick | url-status=live | archive-url=https://web.archive.org/web/20121104094854/http://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/hamletrose.htm | archive-date=4 November 2012 }}</ref> ] wrote of Branagh's performance that "the choices he makes are usually overextended. When it's time to be funny, he skitters over the top. When he's sad or touched, he makes a mechanical, catching noise in his throat."<ref>{{cite news | url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/hamlethowe.htm | newspaper=The Washington Post| date=22 July 1997 | access-date=4 May 2010 | title=Branagh's 'Hamlet': Not to Be | url-status=live | archive-url=https://web.archive.org/web/20121104094859/http://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/hamlethowe.htm | archive-date=4 November 2012 }}</ref>

] called Branagh's performance "brawny" and "not easy to like" and said that Branagh's direction used "explicitness where Shakespeare... settled for subtlety or mere suggestion".<ref> {{dead link|date=June 2020|bot=medic}}{{cbignore|bot=medic}}</ref>

], who gave the film a positive three stars in his ''Movie and Video Guide'' (and gave the Olivier version of ''Hamlet'' four stars), praised the cinematography by ], but stated that "Branagh essentially gives a stage performance that is nearly as over-the-top as some of his directorial touches".<ref> {{webarchive|url=https://web.archive.org/web/20130617202454/http://books.google.com/books?id=6EgPDierNGUC&pg=PA572&lpg=PA572 |date=17 June 2013 }}</ref>

Kenneth Branagh's ''Hamlet'' ranks number 3 on the ] list of Greatest Shakespeare Movies, behind ]'s '']'' (1985, based on '']''), which ranks in second place, and Branagh's '']'' (1989), which ranks in first place.<ref name="Greatest Shakespeare">{{cite web |url=https://www.rottentomatoes.com/guides/greatest_shakespeare_movies/1075422-hamlet/ |title=Greatest Shakespeare Movies |access-date=21 January 2012 |work=] |url-status=dead |archive-url=https://web.archive.org/web/20120123122251/http://www.rottentomatoes.com/guides/greatest_shakespeare_movies/1075422-hamlet/ |archive-date=23 January 2012 }}</ref>

===Accolades===
{| class="wikitable plainrowheaders" style="font-size: 95%;"
|-
! scope="col" |Award
! scope="col" |Category
! scope="col" |Recipients and nominees
! scope="col" |Result
|-
| rowspan=4 | ''']'''
| ]
| ]
| {{nom}}
|-
| ]
| ]
| {{nom}}
|-
| ]
| ]
| {{nom}}
|-
| ]
| ]
| {{nom}}
|-
| ''']'''
| ]
| ], Desmond Crowe
| {{nom}}
|-
| rowspan=2 | ''']'''
| ]
| ]
| {{nom}}
|-
| ]
| ]
| {{nom}}
|-
| rowspan=2 | ''']'''
| GBCT Operators Award
| ]
| {{won}}
|-
| Best Cinematography Award
| ]
| {{won}}
|-
| ''']s'''
| ]
| ]
| {{nom}}
|-
| ''']'''
| Golden Frog Award for Best Cinematography
| ]
| {{nom}}
|-
| ''']'''
| ]
| ]
| {{nom}}
|-
| ''']'''
| ]
| ]
| {{won}}
|-
| ''']'''
| Special Jury Award
| ]
| {{won}}
|-
| ''']'''
| ]
| ]
| {{won}}
|-
| rowspan=5 | ''']s'''
| ]
| ]
| {{nom}}
|-
| ]
| ]
| {{nom}}
|-
| ]
| Alex Byrne
| {{nom}}
|-
| ]
| ]
| {{nom}}
|-
| ]
| ]
| {{nom}}
|-
|}

== Game ==
A spin-off game titled ''Hamlet: A Murder Mystery'', directed by historian ], was a co-production by Pantheon and ].<ref>{{Cite web|url=https://videogamegeek.com/videogame/79090/hamlet-murder-mystery|title=Hamlet: A Murder Mystery|website=VideoGameGeek|access-date=2019-02-11}}</ref><ref>{{Cite web|url=http://www.cdaccess.com/html/pc/hamletmm.htm|title=Hamlet: A Murder Mystery - from CD-ROM Access|website=www.cdaccess.com|access-date=2019-02-11|archive-date=7 July 2019|archive-url=https://web.archive.org/web/20190707061625/http://www.cdaccess.com/html/pc/hamletmm.htm|url-status=dead}}</ref><ref name="Hansen">Eric Hansen, "You're the bard in 'Hamlet' game", ''Tampa Bay Times'' (14 February 1997), p. 9T.</ref> Also produced in 1996, this was arguably the first video game based on a Shakespeare work.<ref>{{Cite web|url=https://www.thefreelibrary.com/NEW+%60ELSINORE%27+CD-ROM:+TO+WIN+OR+NOT+TO+WIN+..-a084004481|title=NEW 'ELSINORE' CD-ROM: TO WIN OR NOT TO WIN ... - Free Online Library|website=www.thefreelibrary.com|access-date=2019-02-11|archive-date=12 February 2019|archive-url=https://web.archive.org/web/20190212011758/https://www.thefreelibrary.com/NEW+%60ELSINORE%27+CD-ROM:+TO+WIN+OR+NOT+TO+WIN+..-a084004481|url-status=dead}}</ref><ref>{{Cite web|url=http://www.newspapers.com/newspage/113395430/|title=The Tennessean from Nashville, Tennessee on September 15, 1996 · Page 159|website=Newspapers.com|date=15 September 1996 |access-date=2019-02-11}}</ref> The ] is divided into two parts titled: "To be" (in which players can play Hamlet in the narrative) and "Not to be" (in which players can read the texts).<ref>{{Cite web|url=http://www.emme.com:80/france2/emmemag/press/hamlet.html|archive-url=https://web.archive.org/web/19970417044808/http://www.emme.com/france2/emmemag/press/hamlet.html|url-status=dead|archive-date=17 April 1997|access-date=2019-02-11|title=Archived copy}}</ref> In gameplay, players wander through the castle trying to locate the killer.<ref>{{Cite news|url=https://www.nrc.nl/nieuws/2002/04/22/hamlet-op-het-web-als-detectivespel-7586641-a436954|title=Hamlet op het web als detectivespel|website=NRC|date=22 April 2002 |language=nl|access-date=2019-02-11}}</ref> The game combines material from the film with original footage, animation, and games and puzzles.<ref name="Hansen"/>

] deemed it "The Hamlet Video Game That Time Forgot".<ref>{{Cite web|url=https://www.adweek.com/galleycat/14464/15468|title=The Hamlet Video Game That Time Forgot|website=www.adweek.com|date=19 October 2010 |access-date=2019-02-11}}</ref> Shakespeare Studies, Volume 38, thought that the game shows the film's potential as a middle ground for digital works by offering a sound narrative that can be manipulated by player choices.<ref>{{Cite book|url=https://books.google.com/books?id=mGqJodOK6bUC&q=%22Hamlet%3A+A+Murder+Mystery%22&pg=PA50|title=Shakespeare Studies|last1=Zimmerman|first1=Susan|last2=Sullivan|first2=Garrett|date=September 2010|publisher=Fairleigh Dickinson Univ Press|isbn=9780838642702}}</ref> "Shakespeare's ''Hamlet'' In An Era of Textual Exhaustion" felt that the game offers a reworking of the plot that gives the player agency and a sense of immersion.<ref>{{Cite book|url=https://books.google.com/books?id=y25ADwAAQBAJ&q=%22Hamlet%3A+A+Murder+Mystery%22&pg=PT48|title=SHAKESPEARE'S HAMLET IN AN ERA OF TEXTUAL EXHAUSTION|last1=Loftis|first1=Sonya Freeman|last2=Kellar|first2=Allison|last3=Ulevich|first3=Lisa|date=2017-11-27|publisher=Routledge|isbn=9781351967457}}</ref> Quandary praised the game for its multi-layered nature and its packaging.<ref>{{Cite web|url=http://www.quandaryland.com:80/jsp/dispArticle.jsp?index=580|archive-url=https://web.archive.org/web/20040813230551/http://www.quandaryland.com/jsp/dispArticle.jsp?index=580|url-status=dead|archive-date=13 August 2004|title=Hamlet: A Murder Mystery Review by Quandary|date=2004-08-13|access-date=2019-02-11}}</ref>


==See also== ==See also==
{{Portal|Film|United Kingdom|United States|History|1990s}}
*]
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==References== ==References==
{{reflist}} {{reflist}}
* Maric, Jasminka, "Filozofija u Hamletu", Alfa BK Univerzitet, Beograd, 2015.
* Maric, Jasminka, "Philosophy in Hamlet", author's edition, Belgrade, 2018.


==External links== ==External links==
*{{imdb title|id=0116477|title=Hamlet}} * {{IMDb title|0116477|Hamlet}}
* {{rotten-tomatoes|1075422-hamlet|Hamlet}}
*
* {{mojo title|hamlet96|Hamlet}}


{{Hamlet}} {{Hamlet}}
{{Kenneth Branagh's Shakespearean Films}} {{Kenneth Branagh}}
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Latest revision as of 21:25, 23 December 2024

Film by Kenneth Branagh

Hamlet
Prince Hamlet views a wedding raining with confetti.Theatrical release poster
Directed byKenneth Branagh
Screenplay byKenneth Branagh
Based onHamlet
by William Shakespeare
Produced byDavid Barron
Starring
CinematographyAlex Thomson
Edited byNeil Farrell
Music byPatrick Doyle
Production
company		Castle Rock Entertainment
Distributed by
Release date
  • 25 December 1996 (1996-12-25)
Running time242 minutes
Countries
  • United Kingdom
  • United States
LanguageEarly Modern English
Budget$18 million
Box office$4.7 million

Hamlet is a 1996 British epic historical drama film serving as an adaptation of William Shakespeare's play The Tragedy of Hamlet, Prince of Denmark, adapted and directed by Kenneth Branagh, who also stars as Prince Hamlet. The film also features Derek Jacobi as King Claudius, Julie Christie as Queen Gertrude, Kate Winslet as Ophelia, Michael Maloney as Laertes, Richard Briers as Polonius, and Nicholas Farrell as Horatio. Other cast members include Robin Williams, Gérard Depardieu, Jack Lemmon, Billy Crystal, Rufus Sewell, Charlton Heston, Richard Attenborough, Judi Dench, John Gielgud and Ken Dodd.

The film is the first unabridged theatrical film version of Hamlet, running more than four hours. The setting is updated to the 19th century, but its Elizabethan English text remains the same. Blenheim Palace is the setting used for the exterior grounds of Elsinore Castle, and interiors were photographed at Shepperton Studios. Hamlet was the last major dramatic motion picture to be filmed entirely on 70 mm film until 2011, with the release of the documentary Samsara.

Branagh's Hamlet has been regarded as one of the best Shakespeare film adaptations ever made. However, it was a box-office bomb, mostly due to its limited release, grossing just under US$5 million on a budget of $18 million. The film received four Oscar nominations for the 69th Academy Awards for Best Art Direction (Tim Harvey), Best Costume Design (Alexandra Byrne), Best Original Score (Patrick Doyle) and Best Writing, Adapted Screenplay (Kenneth Branagh).

Plot

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Prince Hamlet of Denmark is the son of the recently deceased King Hamlet and nephew of King Claudius, his father's brother and successor. Claudius hastily married King Hamlet's widow Gertrude, Hamlet's mother, and took the throne for himself. Denmark has a longstanding feud with neighbouring Norway, in which King Hamlet slew King Fortinbras of Norway in a battle some years ago. Although Denmark defeated Norway and the Norwegian throne fell to King Fortinbras's infirm brother, Denmark fears that an invasion led by the dead Norwegian king's son, Prince Fortinbras, is imminent.

On a cold night on the ramparts of Elsinore, the Danish royal castle, the sentries Bernardo and Marcellus discuss a ghost resembling the late King Hamlet that they have recently seen, and bring Prince Hamlet's friend Horatio as a witness. After the ghost appears again, the three vow to tell Prince Hamlet what they have witnessed.

As the court gathers the next day while King Claudius and Queen Gertrude discuss affairs of state with their elderly adviser, Polonius, Hamlet watches glumly. During the court, Claudius grants permission for Polonius's son, Laertes, to return to school in France and sends envoys to inform the King of Norway of Fortinbras. Claudius also scolds Hamlet for continuing to grieve over his father and forbids him to return to his schooling in Wittenberg. After the court exits, Hamlet despairs of his father's death and his mother's hasty remarriage. Learning of the ghost from Horatio, Hamlet resolves to see it himself.

As Laertes prepares to depart for a visit to France, Polonius offers him advice that culminates in the maxim, "to thine own self be true". Polonius's daughter, Ophelia, admits that she has interest in Hamlet, but Laertes warns her against seeking the prince's attention, and Polonius orders her to reject his advances. That night on the rampart, the ghost appears to Hamlet, telling the prince that he was murdered by Claudius and demanding that Hamlet avenge him. Hamlet agrees, and the ghost vanishes. The prince confides to Horatio and the sentries that he plans to "put an antic disposition on", or act like he has gone mad, and forces them to swear to keep secret his plans for revenge. However, he remains uncertain of the ghost's reliability.

Soon after, Ophelia rushes to her father, telling him that Hamlet arrived at her door the night before, half-dressed and behaving erratically. Polonius blames the love for Hamlet's madness and resolves to inform Claudius and Gertrude. As he enters to do so, the King and Queen finish welcoming Rosencrantz and Guildenstern, two student acquaintances of Hamlet, to Elsinore. The royal couple has requested that the students investigate the cause of Hamlet's mood and behaviour. Additional news requires that Polonius waits to be heard: messengers from Norway inform Claudius that the King of Norway has rebuked Prince Fortinbras for attempting to re-fight his father's battles. The forces that Fortinbras had conscripted to march against Denmark will instead be sent against Poland, although they will pass through Danish territory to get there.

Polonius tells Claudius and Gertrude of his theory regarding Hamlet's behaviour and speaks to Hamlet in a hall of the castle to try to uncover more information. Hamlet feigns madness and subtly insults Polonius all the while. When Rosencrantz and Guildenstern arrive, Hamlet warmly greets his "friends" but quickly discerns that they are spies. Hamlet admits that he is upset at his situation but refuses to give the true reason, instead commenting on "What a piece of work is a man". Rosencrantz and Guildenstern tell Hamlet that they have brought with them a troupe of actors whom they met while travelling to Elsinore. Hamlet, after welcoming the actors and dismissing his friends-turned-spies, asks them to deliver a soliloquy about the death of King Priam and Queen Hecuba at the climax of the Trojan War. Impressed by their delivery of the speech, he plots to stage The Murder of Gonzago, a play featuring a death in the style of his father's murder, and to determine the truth of the ghost's story, as well as Claudius's guilt or innocence, by studying Claudius's reaction.

Polonius forces Ophelia to return Hamlet's love letters and tokens of affection to the prince while he and Claudius watch from afar to evaluate Hamlet's reaction. Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance, musing whether "to be or not to be". When Ophelia enters and tries to return Hamlet's things, Hamlet accuses her of immodesty and cries "get thee to a nunnery", though it is unclear whether this, too, is a show of madness or genuine distress. His reaction convinces Claudius that Hamlet is not mad for love. Shortly thereafter, the court assembles to watch the play Hamlet has commissioned. After seeing the Player King murdered by his rival pouring poison in his ear, Claudius abruptly rises and runs from the room; for Hamlet, this is proof positive of his uncle's guilt.

Gertrude summons Hamlet to her chamber to demand an explanation. Meanwhile, Claudius talks to himself about the impossibility of repenting, since he still has possession of his ill-gotten goods: his brother's crown and wife. He sinks to his knees. On his way to visit his mother, Hamlet sneaks up behind Claudius but does not kill him, reasoning that killing Claudius while he is praying will send him straight to heaven while the ghost of Hamlet's father is stuck in purgatory. In the queen's bedchamber, Hamlet and Gertrude fight bitterly. Polonius, spying on the conversation from behind a tapestry, calls for help as Gertrude, believing Hamlet wants to kill her, calls out for help herself.

Hamlet, believing it is Claudius, stabs wildly, killing Polonius, but he pulls aside the curtain and sees his error. In a rage, Hamlet brutally insults his mother for her apparent ignorance of Claudius's villainy, but the ghost enters and reprimands Hamlet for his inaction and harsh words. Unable to see or hear the ghost herself, Gertrude takes Hamlet's conversation with it as further evidence of madness. After begging the queen to stop sleeping with Claudius, Hamlet leaves, dragging Polonius's corpse away.

Hamlet jokes with Claudius about where he has hidden Polonius's body, and the King, fearing for his life, sends Rosencrantz and Guildenstern to accompany Hamlet to England with a sealed letter to the King of England requesting that Hamlet be executed immediately.

Unhinged by grief at Polonius's death, Ophelia wanders Elsinore. Laertes arrives back from France, enraged by his father's death and his sister's madness. Claudius convinces Laertes that Hamlet is solely responsible, but a letter soon arrives indicating that Hamlet has returned to Denmark, foiling Claudius's plan. Claudius switches tactics, proposing a fencing match between Laertes and Hamlet to settle their differences. Laertes will be given a poison-tipped foil, and, if that fails, Claudius will offer Hamlet poisoned wine as a congratulation. Gertrude interrupts to report that Ophelia has drowned, though it is unclear whether it was suicide or an accident caused by her madness.

Horatio has received a letter from Hamlet, explaining that the prince escaped by negotiating with pirates who attempted to attack his England-bound ship, and the friends reunite offstage. Two gravediggers discuss Ophelia's apparent suicide while digging her grave. Hamlet arrives with Horatio and banters with one of the gravediggers, who unearths the skull of a jester from Hamlet's childhood, Yorick. Hamlet picks up the skull, saying, "alas, poor Yorick", as he contemplates mortality. Ophelia's funeral procession approaches, led by Laertes. Hamlet and Horatio initially hide, but when Hamlet realizes that Ophelia is the one being buried, he reveals himself, proclaiming his love for her. Laertes and Hamlet fight by Ophelia's graveside, but the brawl is broken up.

Back at Elsinore, Hamlet explains to Horatio that he had discovered Claudius's letter with Rosencrantz and Guildenstern's belongings and replaced it with a forged copy indicating that his former friends should be killed instead of him. A foppish courtier, Osric, interrupts the conversation to deliver the fencing challenge to Hamlet, who, despite Horatio's pleas, accepts it. Hamlet does well at first, leading the match by two hits to none, and Gertrude raises a toast to him using the poisoned glass of wine Claudius had set aside for Hamlet. Claudius tries to stop her but is too late: she drinks, and Laertes realizes the plot will be revealed. Laertes slashes Hamlet with his poisoned blade. In the ensuing scuffle, they switch weapons, and Hamlet wounds Laertes with his own poisoned sword. Gertrude collapses and, claiming she has been poisoned, dies. In his dying moments, Laertes reconciles with Hamlet and reveals Claudius's plan. Hamlet rushes at Claudius and kills him. As the poison takes effect, Hamlet, hearing that Fortinbras is marching through the area, names the Norwegian prince as his successor.

Horatio, distraught at the thought of being the last survivor and living while Hamlet does not, says that he will perform suicide by drinking the dregs of Gertrude's poisoned wine, but Hamlet begs him to live and tell his story. Hamlet dies on the floor in front of Horatio, proclaiming "the rest is silence". Fortinbras, who was ostensibly marching toward Poland with his army, arrives at the palace, along with an English ambassador bringing news of Rosencrantz's and Guildenstern's deaths. Horatio promises to recount the full story of what happened, and Fortinbras, seeing the entire Danish royal family dead, takes the crown for himself and orders a military funeral to honour Prince Hamlet.

Cast

Main characters

  • Kenneth Branagh as Prince Hamlet, the story's protagonist and Prince of Denmark. He is the son of the late King Hamlet and heir to the throne of Denmark. At first, Hamlet is depressed about his father's death and is angered by his mother Gertrude's swift remarriage to his uncle Claudius. However, Hamlet is told by the ghost of his father that Claudius murdered him, usurping his throne. Hamlet swears to avenge his father's murder. Branagh described his interpretation of the title role as considerably less "neurotic" than others, removing the Oedipal fixation prominently featured in Laurence Olivier's 1948 film adaptation, among others. During the scenes in which Hamlet pretends to be insane, Branagh portrayed the Prince as manic.
  • Derek Jacobi as King Claudius, the play's antagonist and brother of the late king. He murders his brother by pouring poison into his ear while he sleeps. He usurps his brother's title and marries his widow. At first, believing Hamlet to have been driven mad by the loss of his father, Claudius tries to spy on Hamlet. When Claudius learns that Hamlet knows of the murder, he tries to use Rosencrantz and Guildenstern, two of Hamlet's schoolmates, to murder his nephew. Jacobi appeared in the title role in the BBC's 1980 made-for-television version of Hamlet.
  • Julie Christie as Gertrude, Queen of Denmark and wife to both the late King Hamlet and King Claudius, whom she swiftly married following the former's death — ignorant of the foul play that caused his death.
  • Richard Briers as Polonius, the Lord Chamberlain. An impertinent busybody, Polonius believes Hamlet to be mad and convinces Claudius to join him in spying on the prince. Hamlet eventually kills him, believing him to be Claudius.
  • Kate Winslet as Ophelia, noblewoman of Denmark and daughter of Polonius. Ophelia is in love with Hamlet until she is advised by her father Polonius and brother Laertes to end their relationship. She is eventually driven mad by both Hamlet's rejection and her father's murder and drowns herself.
  • Nicholas Farrell as Horatio, a good friend of Hamlet whom he met while attending Wittenberg University.
  • Michael Maloney as Laertes, the son of Polonius and brother of Ophelia. After instructing his sister to have no further relations with Hamlet, he departs for Paris. On news of his father's murder, Laertes returns to Denmark, leading a mob to storm the castle. Claudius incites Laertes to kill Hamlet and avenge Polonius's death. He later conspires with Claudius to murder Hamlet during a fencing duel.
  • Rufus Sewell as Fortinbras, the Norwegian crown prince. Played mostly in flashback and frequently referenced throughout the film, Fortinbras storms Elsinore castle with his army during the final scene, and assumes the vacant throne of Denmark.

Supporting characters

Production

Origins

Aspects of the film's staging were based on Adrian Noble's Royal Shakespeare Company production of the play, in which Branagh played the title role.

Text

The film uses a conflated text based on the 1623 First Folio, with additions from the Second Quarto and amendments from other sources. According to a note appended to the published screenplay:

The screenplay is based on the text of Hamlet as it appears in the First Folio – the edition of Shakespeare's plays collected by his theatrical associates Heminges and Condell and published in 1623 by a syndicate of booksellers. Nothing has been cut from this text, and some passages absent from it (including the soliloquy "How all occasions do inform against me ...") have been supplied from the Second Quarto (an edition of the play which exists in copies dated 1604 and 1605). We have also incorporated some readings of words and phrases from this source and from other early printed texts, and in a few cases emendations from modern editors of the play. Thus in I, 4, in the passage (from the Second Quarto) about the "dram of eale", we use an emendation from the Oxford edition of the Complete Works (edited by Stanley Wells and Gary Taylor, 1988): "doth all the noble substance over-daub" – rather than the original's "of a doubt".

Style

Despite using a full text, Branagh's film is also very visual; it makes frequent use of flashbacks to depict scenes that are described but not performed in Shakespeare's text, such as Hamlet's childhood friendship with Yorick, or scenes merely implied by the play's text, such as Hamlet's sexual relationship with Ophelia. The film also uses very long single takes for numerous scenes.

In a radical departure from previous Hamlet films, Branagh set the internal scenes in a vibrantly colourful setting, featuring a throne room dominated by mirrored doors. Film scholar Samuel Crowl called the setting "film noir with all the lights on". Branagh chose Victorian era costuming and furnishings, using Blenheim Palace, built in the early 18th century as the seat of the Dukes of Marlborough, as Elsinore Castle for the external scenes. Harry Keyishan has suggested that the film is structured as an epic, courting comparison with Ben-Hur, The Ten Commandments and Doctor Zhivago. As J. Lawrence Guntner pointed out, comparisons with the latter are heightened by the presence of Julie Christie (Zhivago's Lara) as Gertrude.

Filming

Hamlet was shot in Panavision Super 70 by Alex Thomson. It was the last feature film to be entirely shot in 70 mm until production of Samsara in 2011. Branagh was among the few to use 65mm film cameras after that, on his 2017 film Murder on the Orient Express. The filming was done from 25 January to 12 April 1996.

Music

William Shakespeare's Hamlet: Original Motion Picture Soundtrack
Soundtrack album by Patrick Doyle
Released10 December 1996
Recorded1996
GenreSoundtrack
Length76:25
LabelSony Classical Records
ProducerPatrick Doyle
Maggie Rodford
Professional ratings
Review scores
SourceRating
AllMusic link
Film Music on the Web link
Filmtracks link

The score of Hamlet was composed and co-produced by frequent-Kenneth-Branagh-collaborator Patrick Doyle, and conducted by Robert Ziegler. Doyle composed three primary themes for the film to accompany the characters of Ophelia, Claudius and Hamlet, which are varied throughout the score. The "simple, childlike" theme for Ophelia is mostly string-dominant, often performed by a string quartet yet occasionally accompanied by a full string ensemble or mixed chorus. For Claudius, Doyle composed a theme in the form of a demented canon, using more 20th-century harmonies. The theme for Hamlet was considered by Doyle to be "the most daunting and elusive" to conceive, before settling on a more "simple" motif to accompany the contemplative character.

The soundtrack album was released on 10 December 1996 through Sony Classical Records and features 26 tracks, with a running time of more than 76 minutes. For his work on the film, Doyle received an Academy Award nomination for Best Original Score.

  1. In Pace (3:07) – performed by Plácido Domingo (heard in the film during the closing credits)
  2. Fanfare (0:48)
  3. "All that lives must die" (2:40)
  4. "To thine own self be true" (3:04)
  5. The Ghost (9:55)
  6. "Give me up the truth" (1:05)
  7. "What a piece of work is a man" (1:50)
  8. "What players are they" (1:33)
  9. "Out out thou strumpet fortune" (3:11)
  10. "To be, or not to be" (1:53)
  11. "I loved you once" (3:27)
  12. "Oh, what a noble mind" (2:41)
  13. "If once a widow" (3:36)
  14. "Now could I drink hot blood" (6:57)
  15. "A foolish prating nave" (1:05)
  16. "Oh heavy deed" (0:56)
  17. "Oh here they come" (4:39)
  18. "My thoughts be bloody" (2:52)
  19. "The doors are broke" (1:20)
  20. "And will 'a not come again?" (1:59)
  21. "Alas poor Yorick" (2:49)
  22. "Sweets to the sweet – farewell" (4:39)
  23. "Give me your pardon sir" (1:24)
  24. "Part them they are incensed" (1:47)
  25. "Goodnight, sweet prince" (3:36)
  26. "Go bid the soldiers shoot" (2:52)

Release

Hamlet was screened out of competition at the 1997 Cannes Film Festival. A shorter edit of the Branagh film, at approximately two and a half hours in length, was also shown in some markets.

Home media

A two-disc DVD set was released in the United States and Canada on 14 August 2007. It includes a full-length commentary by Branagh and Shakespeare scholar Russell Jackson. A Blu-ray was released on 17 August 2010 in the United States and Canada with similar additional features, including an introduction by Kenneth Branagh, the featurette "To Be on Camera: A History with Hamlet", the 1996 Cannes Film Festival Promo, and a Shakespeare Movies Trailer Gallery.

Reception

Box office

Hamlet was not a success at the box office, mostly due to its limited release. The film earned more than $90,000 in its opening weekend playing on three screens. It made more than $30,000 in the Czech Republic, and more than $545,000 in Spain. It ultimately played on fewer than 100 screens in the United States, bringing its total gross to less than $5 million on a budget of $18 million.

Critical response

Hamlet received positive reviews. It currently holds a 95% rating at Rotten Tomatoes, based on 57 reviews. The consensus reads: "Kenneth Branagh's sprawling, finely textured adaptation of Shakespeare's masterpiece lives up to its source material, using strong performances and a sharp cinematic focus to create a powerfully resonant film that wastes none of its 246 minutes."

Roger Ebert, film critic of the Chicago Sun-Times, awarded the film four stars out of four, comparing it to Laurence Olivier's lauded 1948 version, stating, "Branagh's Hamlet lacks the narcissistic intensity of Laurence Olivier's (in the 1948 Academy Award winner), but the film as a whole is better, placing Hamlet in the larger context of royal politics, and making him less a subject for pity."

Janet Maslin of The New York Times also praised both Branagh's direction and performance, writing, "This Hamlet, like Branagh's version of Much Ado About Nothing, takes a frank, try-anything approach to sustaining its entertainment value, but its gambits are most often evidence of Branagh's solid showmanship. His own performance is the best evidence of all."

The New York Review of Books praised the attention given to Shakespeare's language, "giving the meter of the verse a musician's respect"; Branagh said that his aim was "telling the story with utmost clarity and simplicity".

Some critics, notably Stanley Kauffmann, declared the film to be the finest motion picture version of Hamlet. Online film critic James Berardinelli gave the film a four-star review and declared that the Branagh Hamlet is the finest Shakespeare adaptation, rating it as the best film of 1996, the fourth best film of the 1990s, and one of his top 101 favourite films of all time, saying, "From the moment it was first announced that Branagh would attempt an unabridged Hamlet, I never doubted that it would be a worthy effort... I have seen dozens of versions of this play, and none has ever held me in such a grip of awe."

The film did have its detractors, however. Lloyd Rose of The Washington Post called it "the film equivalent of a lushly illustrated coffee-table book". Desson Thomson wrote of Branagh's performance that "the choices he makes are usually overextended. When it's time to be funny, he skitters over the top. When he's sad or touched, he makes a mechanical, catching noise in his throat."

John Simon called Branagh's performance "brawny" and "not easy to like" and said that Branagh's direction used "explicitness where Shakespeare... settled for subtlety or mere suggestion".

Leonard Maltin, who gave the film a positive three stars in his Movie and Video Guide (and gave the Olivier version of Hamlet four stars), praised the cinematography by Alex Thomson, but stated that "Branagh essentially gives a stage performance that is nearly as over-the-top as some of his directorial touches".

Kenneth Branagh's Hamlet ranks number 3 on the Rotten Tomatoes list of Greatest Shakespeare Movies, behind Akira Kurosawa's Ran (1985, based on King Lear), which ranks in second place, and Branagh's Henry V (1989), which ranks in first place.

Accolades

Award Category Recipients and nominees Result
Academy Awards Best Writing (Adapted Screenplay) Kenneth Branagh Nominated
Best Art Direction Tim Harvey Nominated
Best Costume Design Alexandra Byrne Nominated
Best Original Dramatic Score Patrick Doyle Nominated
Art Directors Guild Awards ADG Excellence in Production Design Award Tim Harvey, Desmond Crowe Nominated
British Academy Film Awards Best Costume Design Alexandra Byrne Nominated
Best Production Design Tim Harvey Nominated
British Society of Cinematographers GBCT Operators Award Martin Kenzie Won
Best Cinematography Award Alex Thomson Won
Broadcast Film Critics Association Awards Best Film Kenneth Branagh Nominated
The International Film Festival of the Art of Cinematography CAMERIMAGE Golden Frog Award for Best Cinematography Alex Thomson Nominated
Chicago Film Critics Association Awards Best Actor Kenneth Branagh Nominated
Empire Awards Best British Actress Kate Winslet Won
Evening Standard British Film Awards Special Jury Award Kenneth Branagh Won
San Diego Film Critics Society Awards Best Actor Kenneth Branagh Won
Satellite Awards Best Art Direction and Production Design Tim Harvey Nominated
Best Cinematography Alex Thomson Nominated
Best Costume Design Alex Byrne Nominated
Best Original Score Patrick Doyle Nominated
Best Supporting Actress – Motion Picture Kate Winslet Nominated

Game

A spin-off game titled Hamlet: A Murder Mystery, directed by historian Jean-Pierre Isbouts, was a co-production by Pantheon and Castle Rock Entertainment. Also produced in 1996, this was arguably the first video game based on a Shakespeare work. The CD-ROM is divided into two parts titled: "To be" (in which players can play Hamlet in the narrative) and "Not to be" (in which players can read the texts). In gameplay, players wander through the castle trying to locate the killer. The game combines material from the film with original footage, animation, and games and puzzles.

GalleyCat deemed it "The Hamlet Video Game That Time Forgot". Shakespeare Studies, Volume 38, thought that the game shows the film's potential as a middle ground for digital works by offering a sound narrative that can be manipulated by player choices. "Shakespeare's Hamlet In An Era of Textual Exhaustion" felt that the game offers a reworking of the plot that gives the player agency and a sense of immersion. Quandary praised the game for its multi-layered nature and its packaging.

See also

References

  1. "Hamlet (1996)". BBFC. Retrieved 31 March 2021.
  2. ^ Hamlet (1996) Archived 13 November 2011 at the Wayback Machine. Box Office Mojo. Retrieved 26 January 2012.
  3. ^ "Hamlet (1996)". Rotten Tomatoes. IGN Entertainment, Inc. Archived from the original on 8 August 2008. Retrieved 3 April 2024.
  4. ^ Ebert, Roger (24 January 1997). "Hamlet". Chicago Sun-Times. Archived from the original on 29 January 2012. Retrieved 26 January 2012.
  5. ^ Berardinelli, James. "Hamlet (1996)". ReelViews.com. Retrieved 26 January 2012.
  6. ^ "Greatest Shakespeare Movies". Rotten Tomatoes. Archived from the original on 23 January 2012. Retrieved 21 January 2012.
  7. Trilling, Lionel (2009). Sincerity and Authenticity. The Charles Eliot Norton Lectures. Harvard University Press. p. 8. ISBN 978-0-674-50419-6.
  8. Roger Ebert (24 January 1997). "Hamlet: Review".
  9. Crowl, Samuel (2000). "Flamboyant Realist: Kenneth Branagh". In Jackson, Russell (ed.). The Cambridge Companion to Shakespeare on Film. Cambridge, England: Cambridge University Press. p. 225. ISBN 978-0521866002.
  10. Branagh, Kenneth (1996), "Hamlet" by William Shakespeare: Screenplay and Introduction by Kenneth Branagh; production diary by Russell Jackson (New York: W W Norton), p.174. ISBN 0393045196
  11. Keyishian, p.79
  12. Crowl, p.227
  13. Keyishian, p.78
  14. Guntner, pp. 122–123.
  15. McGavin, Patrick (17 August 2012). "The Master Rules in Chicago: 70 mm Screening of Anderson Film Recalls Welles' The Lady From Shanghai". Movieline.com. Movieline. Archived from the original on 19 August 2012. Retrieved 21 August 2012.
  16. "'Murder on the Orient Express' Review | Hollywood Reporter". The Hollywood Reporter. 2 November 2017. Archived from the original on 3 November 2017. Retrieved 9 November 2017.
  17. Hamlet (1996): (Patrick Doyle) Archived 8 February 2012 at the Wayback Machine. Filmtracks.com. Retrieved 27 January 2012.
  18. Doyle: William Shakespeare's Hamlet (soundtrack) Archived 12 March 2012 at the Wayback Machine. AllMusic. Retrieved 27 January 2012.
  19. "Festival de Cannes: Hamlet". festival-cannes.com. Archived from the original on 6 October 2012. Retrieved 27 September 2009.
  20. Alternate versions for Hamlet Archived 27 June 2004 at the Wayback Machine. IMDb. Retrieved 26 January 2012.
  21. "Unseen Films: Hamlet- Kenneth Branaugh (1996)". Archived from the original on 21 December 2013. Retrieved 15 December 2013.
  22. Hamlet Blu-ray (DigiBook), retrieved 16 October 2023
  23. Maslin, Janet (15 December 1996). "Hamlet". The New York Times. Retrieved 4 May 2010.
  24. O'Brien, Geoffrey New York Review of Books 6 February 1997, cited by Samuel Crowl, "Framboyant Realist: Kenneth Branagh" in Jackson, Russell The Cambridge Companion to Shakespeare on Film (Cambridge University Press, 2000) p.228
  25. Branagh, Kenneth Introduction and Notes to Much Ado About Nothing: Screenplay p.ix cited by Crowl, p.228
  26. "'Hamlet': Kenneth Branagh's Inaction Flick". The Washington Post. 22 July 1997. Archived from the original on 4 November 2012. Retrieved 4 May 2010.
  27. "Branagh's 'Hamlet': Not to Be". The Washington Post. 22 July 1997. Archived from the original on 4 November 2012. Retrieved 4 May 2010.
  28. John Simon On Film: Criticism, 1982–2001 – John Ivan Simon – Google Books
  29. Leonard Maltin's 2009 Movie Guide – Leonard Maltin – Google Books Archived 17 June 2013 at the Wayback Machine
  30. "Hamlet: A Murder Mystery". VideoGameGeek. Retrieved 11 February 2019.
  31. "Hamlet: A Murder Mystery - from CD-ROM Access". www.cdaccess.com. Archived from the original on 7 July 2019. Retrieved 11 February 2019.
  32. ^ Eric Hansen, "You're the bard in 'Hamlet' game", Tampa Bay Times (14 February 1997), p. 9T.
  33. "NEW 'ELSINORE' CD-ROM: TO WIN OR NOT TO WIN ... - Free Online Library". www.thefreelibrary.com. Archived from the original on 12 February 2019. Retrieved 11 February 2019.
  34. "The Tennessean from Nashville, Tennessee on September 15, 1996 · Page 159". Newspapers.com. 15 September 1996. Retrieved 11 February 2019.
  35. "Archived copy". Archived from the original on 17 April 1997. Retrieved 11 February 2019.{{cite web}}: CS1 maint: archived copy as title (link)
  36. "Hamlet op het web als detectivespel". NRC (in Dutch). 22 April 2002. Retrieved 11 February 2019.
  37. "The Hamlet Video Game That Time Forgot". www.adweek.com. 19 October 2010. Retrieved 11 February 2019.
  38. Zimmerman, Susan; Sullivan, Garrett (September 2010). Shakespeare Studies. Fairleigh Dickinson Univ Press. ISBN 9780838642702.
  39. Loftis, Sonya Freeman; Kellar, Allison; Ulevich, Lisa (27 November 2017). SHAKESPEARE'S HAMLET IN AN ERA OF TEXTUAL EXHAUSTION. Routledge. ISBN 9781351967457.
  40. "Hamlet: A Murder Mystery Review by Quandary". 13 August 2004. Archived from the original on 13 August 2004. Retrieved 11 February 2019.
  • Maric, Jasminka, "Filozofija u Hamletu", Alfa BK Univerzitet, Beograd, 2015.
  • Maric, Jasminka, "Philosophy in Hamlet", author's edition, Belgrade, 2018.

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