Revision as of 20:34, 5 August 2008 view sourceOttava Rima (talk | contribs)Extended confirmed users20,327 editsm →The History of Sir Charles Grandison: fixed for clarification← Previous edit | Latest revision as of 21:37, 18 December 2023 view source Herostratus (talk | contribs)Autopatrolled, Extended confirmed users, File movers, New page reviewers, Pending changes reviewers, Rollbackers53,198 edits →Miss ya: new sectionTag: New topic | ||
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Cleaned up - getting back to work. | |||
== Thanks again for all the high quality contributions == | |||
==To move tasks== | |||
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''']''' has been identified as an '''''Awesome Wikipedian''''',<br /> | |||
and therefore, I've officially declared today as ]!<br /> | |||
You have made remarkable contributions to the project,<br /> | |||
and the editors and readers of those pages are and always will be grateful to you for them.<br /> We all look forward to seeing you return and continue in such development. <br/>Thank you again for your outstanding efforts at article development. | |||
Peace,<br /> ] (]) 20:39, 19 December 2009 (UTC) | |||
<small>A record of your Day will always be kept ].</small> | |||
|} | |||
:Thanks from me to and thanks for trying to save the Han / Roman article as your last action. If you decide to return I look forward to seeing more of your gorgeous content for me to review over at Good Articles. Merry Christmas! ] (]) 13:51, 24 December 2009 (UTC) | |||
== Merry Christmas, Ottava Rima! == | |||
Peace be with you, brother. | |||
Serious. Peace. Let these things go and be filled with joy. Christ was not gifted to humanity for you to be unhappy. | |||
<center><poem> | |||
Someday at Christmas man will not fail | |||
Take hope because your love will prevail | |||
Someday a new world that we can start | |||
With hope in every heart | |||
</poem></center> --] (]) 15:44, 24 December 2009 (UTC) | |||
:And to you to, Moni. But don't worry, I could never be unhappy in regards to Christ. :) I'm sure most people have read excerpts of my column to know that so far. ;/ Have a good New Year, too. ] (]) 15:48, 24 December 2009 (UTC) | |||
== DYK for Elegy Written in a Country Churchyard == | |||
{| class="messagebox standard-talk" | |||
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|On ], |
| On ], ''']''' was updated with a fact from the article ''''']''''', which you recently nominated. If you know of an interesting fact from another recently created article, then please suggest it on the ]. | ||
|}<!-- Template:UpdatedDYKNom --> ] ''(])'' 19:23, 5 April 2010 (UTC) | |||
}}{{#if:|{{#if:|, |, and}} ''''']''''' | |||
}}{{#if:|, and ''''']'''''}}, which you created or substantially expanded. If you know of another interesting fact from a recently created article, then please suggest it on the ]. | |||
==Main page== | |||
|} <!-- ], ] --> --] (]) 08:52, 1 August 2008 (UTC) | |||
Congratulations, dude. ] (]) 18:29, 15 April 2010 (UTC) | |||
== Two things == | |||
, | |||
and . | |||
Commence half-frowny-face reaction. That is all. --] (]) 15:51, 9 June 2010 (UTC) | |||
== DYK for Kubla Khan == | |||
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|text = On ], ''']''' was updated with a fact from the article ''''']''''', which you created or substantially expanded. You are welcome to check how many hits the article got while on the front page <small>(], )</small> and add it to ] if it got over 5,000. If you know of another interesting fact from a recently created article, then please suggest it on the ]. | |||
}} ] ''(])'' 11:17, 2 July 2010 (UTC) | |||
Actually... | |||
{{tmbox | |||
|tyle = notice | |||
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|text = On ], ''']''' was updated with a fact from the article ''''']''''', which you created or substantially expanded somewhere else. You are welcome to check how many hits the article got while on the front page <small>(], )</small> and somebody else may add it to ] if it got over 5,000. If you know of another interesting missing or substandard article, then please write about it elsewhere and perhaps somebody will import it and suggest it on the ]. | |||
}} ]] 11:26, 2 July 2010 (UTC) | |||
==Banglapedia copyright problems== | |||
Hi, Ottava. I just wanted to thank you for having this brought to my attention. You might be interested in what we're doing with your tip; we've launched a ] (special, since this isn't a contributor) and are planning to appeal to the relevant WikiProject for assistance. It's going to be a lot of work cleaning it all up, but certainly it is much needed, and the longer problems like this go unaddressed, the more tangled clean-up becomes. --] <sup>]</sup> 17:23, 14 August 2010 (UTC) | |||
== ] for ] == | |||
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=== Double hook DYK? nom === | |||
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|style="font-size: x-large; padding: 0; vertical-align: middle; height: 1.1em;" | '''Four Award''' | |||
|- | |- | ||
|style="vertical-align: middle; border-top: 1px solid gray;" | Congratulations! You have been awarded the ] for your work from beginning to end on ''']'''. ] <small>(]/]/]/]/]) </small> 00:30, 24 August 2011 (UTC) | |||
|] | |||
|}--] <small>(]/]/]/]/]) </small> 00:30, 24 August 2011 (UTC) | |||
|On ], ], ''']''' was updated with {{#if:The History of Sir Charles Grandison]|facts|a fact}} from the article{{#if:The History of Sir Charles Grandison]|s|}} ''''']'''''{{#if:The History of Sir Charles Grandison]|{{#if:|, |, and}} ''''']]''''' | |||
}}{{#if:|{{#if:|, |, and}} ''''']''''' | |||
== Cookie == | |||
}}{{#if:|, and ''''']'''''}}, which you created or substantially expanded. If you know of another interesting fact from a recently created article, then please suggest it on the ]. | |||
Aparrantly no one comments on your talk page, so I thought I'd give you a cookie ... except I cba to find the cookie template, so I'll give you an IOU for a cookie :) --<span class="sigInvitatious"><span id="Imagine Wizard" class="plainlinks" >] (] <small>•</small> ] <small>•</small> </span>) <small>]</small></span> 01:48, 31 August 2011 (UTC) | |||
== ] for ] == | |||
{| style="border: 1px solid gray; background-color: #fdffe7;" | |||
|rowspan="2" valign="middle" | ] | |||
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|style="font-size: x-large; padding: 0; vertical-align: middle; height: 1.1em;" | '''Four Award''' | |||
|- | |||
|style="vertical-align: middle; border-top: 1px solid gray;" | Congratulations! You have been awarded the ] for your work from beginning to end on ''']'''. ] <small>(]/]/]/]/]) </small> 19:25, 16 September 2011 (UTC) | |||
|}--] <small>(]/]/]/]/]) </small> 19:25, 16 September 2011 (UTC) | |||
== Barnstar == | |||
{| style="background-color: #FFFFFF; border: 2px solid black;" | |||
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|style="font-size: x-large; padding: 3px 3px 0 3px; height: 1.5em;" |<font style="font-family:AR Blanca;font-size:40px"> '''The Writer's Barnstar'''</font> | |||
|- | |||
|style="vertical-align: top; border-top: 1px solid gray;" |<font style="font-family:AR Blanca;font-size:20px">I just wanted to let you know that your monumental literary contributions are still very much appreciated. ] 19:40, 6 June 2012 (UTC) | |||
|} | |} | ||
== Whoa... == | |||
You're such a friendly chap; your inclusion of Stratford490 is commended. -- <b>]]</b> 04:10, 4 August 2008 (UTC) | |||
I just stumbled across your story while looking up other things. | |||
Suffice to say, it's a whale of a tale. Being rather brutally honest, you were kind of like me back in 2007; | |||
Good intentions, but poor execution. | |||
==Samuel Johnson== | |||
- I would like to thank Lexo for the work on the lead. Yes, it was unwieldy. | |||
Don't get me wrong, I'm not trying to insult you or be mean or cowardly. Seriously, you made some INCREDIBLE edits (a quick once-over of your edit history will back me up here), but looking over your block log tells me that you were always rather confromational (a Wikiversity fracas with the equally-legendary Abd springs to mind), and as such, you were always "riding the ragged edge of disaster", to quote Jim Davis. And you got tangled up with the ArbCom...there's a pit that's hard to get out of. Banned, even stripped of the ability to edit your own talkpage and reply to me. That's a rather stiff punishment, no? You must have really screwed up somewhere (I'm not going to dwell on that). Still, in my eyes, you deserve a...what is it now, twentieth chance? (just kidding). But there are a bunch of people who are behind you all the way. I'm not one of them....I know bog all about you, really. Have a listen to Queen's ''Hang On In There'' and mull it over; try to see how it relates to your experiences. | |||
* 1. "The first two paras of the biography section take an inordinate amount of time to sum up questions about Johnson's biography that are, although interesting, not quite as relevant as all that, and probably more relevant to the article on the ''Life of Johnson''." This will be moved to its own page when there is a chance. Its just left over from the beginning. | |||
]]]]] 20:02, 23 June 2012 (UTC) | |||
* 2. "', to take a random example, is too involved and flits forward a couple of centuries to call in TS Eliot's (unsourced and unquoted) opinion, something that should really be removed to a properly cited footnote, before bouncing back to the 18th century via a quick nod to Walter Scott." You can blame Bate for that one. The citation is a summary from what Bate says. It is no longer necessary after I created a page on the poem and can be removed. | |||
* 3. "which is a rather ugly passive" Many different writers and many different tweaks. Feel free to rewrite and blame anything improper on me. :) | |||
* 4. "much-needed article on ''The Vanity of Human Wishes''" I've been meaning to also. I have 11 sources on the work and title page and the rest. If you are willing to wait a few days, we can whip something up together. | |||
* 5. I relied on Bate because his would be the most renown based on the Pulitzer. However, I do rely on multiply biographies, and I did leave out Lain because of the year. I've been wanting to add parts from Robert Demaria's ''The Life of Johnson'' (1993) and John Wiltshire's ''Samuel Johnson in the Medical World'' (1991), but the new information they provide is on the medical side, which the MoS would prefer the doctors speaking instead of the biographers. However, I do plan to incorporate them into the various "works" pages that I have slowly built. Note - there are two Bate sources used, and its a little hard to see them as different from a first glance. | |||
* 6. Thanks once again for the help. | |||
== Main page appearance: The Covent-Garden Journal == | |||
- ] (]) 14:57, 5 August 2008 (UTC) | |||
This is a note to let the main editors of ] know that the article will be appearing as ] on January 6, 2013. You can view the TFA blurb at ]. If you prefer that the article appear as TFA on a different date, or not at all, please ask featured article director {{user|Raul654}} or his delegates {{user|Dabomb87}}, {{user|Gimmetoo}}, and {{user|Bencherlite}}, or start a discussion at ]. If the previous blurb needs tweaking, you can change it—following the instructions at ]. If this article needs any attention or maintenance, it would be preferable if that could be done before its appearance on the Main Page. The blurb as it stands now is below: | |||
:Thank you for such a prompt and polite response. I've already started on the ''Human Wishes'' article but am hampered by not owning a copy of the Yale edition of the poems, so my bibliographical data is a bit skimpy. I am not a Johnson scholar by any means, just a lifelong reader of the guy and (though I say so myself) a reasonably good editor. I look forward to working with you. BTW, you do know that the Hibbert (i.e. Penguin) edition of Boswell's ''Life'' is abridged? I have the OUP unabridged version. It seems strange to be using an abridged edition of Boswell in an article on Johnson. ] (]) 15:49, 5 August 2008 (UTC) | |||
::Yep. But heres the thing - the abridge version was easier to find the quotes used in the quote boxes. :D I guess I'm lazy. I will post some information on the poem here. ] (]) 16:10, 5 August 2008 (UTC) | |||
<blockquote> | |||
===Vanity notes=== | |||
<div style="float: left; margin: 0.5em 0.9em 0.4em 0;">]</div> | |||
Notes for the ''Vanity of Human Wishes''. All citations not provided in full can be found on the Samuel Johnson page: | |||
''''']''''' was an English literary ] published twice a week for most of 1752. It was edited and almost entirely financed by novelist, playwright, and essayist ] ''(pictured)'', under a pseudonym. The ''Journal'' incited the ], a conflict between a number of contemporary literary critics and writers, which began after Fielding declared war on the "armies of ]" in the first issue. His proclamation attracted multiple aggressors and instigated a long-lasting debate argued in the pages of their respective publications. Initially waged for the sake of increasing sales, the Paper War ultimately became much larger than Fielding had expected. Further controversy erupted in June, when Fielding expressed support for a letter decrying the Government's 1752 Disorderly House Act in the ''Journal''. His remarks were viewed by the public as an endorsement of the legality of ]. The final issue of the ''Journal'' was released on 25 November 1752. In its last months, poor sales had resulted in a transition from biweekly to weekly release. Ill-health and a disinclination to continue led Fielding to end its run after the 72nd number. {{TFAFULL|The Covent-Garden Journal}} | |||
</blockquote> | |||
] (]) 23:01, 27 December 2012 (UTC) | |||
{{clear}} | |||
== Precious == | |||
Bate - ''Samuel Johnson'' | |||
* p. 277 - Written during ''Dictionary'', imitation of Tenth Satire of Juvenal, written autumn of 1748, "told Geogre Steevens he wrote the first seventy lines 'in the course of one morning, in that small house behind the church.'" (found in Johnsonian Miscellanies Vol II 313-314, I have a copy if you need more detail of quote). | |||
* p. 278 - VoHW "discloses the inner landscape of his mind - that is, it reveals the image of reality that was fixed in him, and to which his experience naturally assimilated itself - more completely than any other single work" | |||
* p. 279 - VoHW "has a denser, more active texture than would be tolerable in essayistic writing. There is more activity within phrases, and therea re more interwoven strands of connection between phrases. All that is going on helps form and refine our sense of Johnson's imagination, its habitual processes and vision." | |||
* - "deeply personal" | |||
* - "Loosely based on a satire of Juvenal's, it adopts the closed heroic couplet of Dryden and Pope." | |||
* - similar argument to Augustine's ''Confessions'', Jeremy Taylor's ''Holy Living'' and ''Holy Dying'', and William Law's ''Serious Call'' (the argument is "the complete inability of the world and of worldly life to offer genuine or permanent satisfaction" | |||
* - leaves out "Juvenal's coarseness of imagery, and he voices less anger and contempt", less "playful" than Dryden or Pope, more meditative | |||
* - "formally a satire, but his irony differs essentially from that in most classical or Augustan satiric writing" | |||
* 280 - irony is "in the world", "Johnson is closer to Hardy than to Pope" | |||
- follows 10th satire of Juvenal, associated with stoicism | |||
* 281 - two themes - first is "he dwells on the helpless vulnerability of the individual before the social context", second is that he "traces the inevitable 'doom of man' to inward and psychological causes", "inevitable self-deception by which human beings are led astray" | |||
* 282 - beginning lines about "natural passions of man", "betrayal is from within" | |||
* - "When at the end of the poem Johnson turns to religion as the only true and lasting source of hope, the turn of feeling and argument is expected, magnificently handled, and yet also raises central problems of interpretation. Ultimately, they are problems in interpreting the character of Johnson's religion, and naturally cannot be explored in the context of this poem only." Problem stems from his use of Roman satire | |||
* 285 - "The imagery of ''The Vanity of Human Wishes'' is constant, condensed, concerely pictorial, and expressed with gusto." | |||
<div style="margin: auto; max-width: 60em; box-shadow: 0.1em 0.1em 0.5em rgba( 192, 192, 192, 0.75 ); border-radius: 1em; border: 1px solid #a7d7f9; margin-bottom: 1em; padding: 0.5em 1em 1em; color: black;" class="ui-helper-clearfix"> | |||
Lane -''Samuel Johnson and His World'' | |||
<div> | |||
* p. 113 - "This serious, sober, pessimistic work reflects clearly enough his state of mind at the time, which is one of total disenchantment with life. The statesman, soldier, scholar are alike victims of delusion and disappointment; nothing is permanent or safe; even the rich man and the virtuous are doomed, and the poet, the dedicate writer, is no expection." | |||
<div style="float: right; margin-left: 1em; background-color: #ddd; border: 5px solid #ddd; box-shadow: 0.1em 0.1em 0.5em rgba(0,0,0,0.75); border-radius: 0.5em;">]</div> | |||
* p. 114 - (important - "first to carry his name on title-page") "A theme so stoical and gloomy, so sternly expounded, was not likely to be popular with the public, and the poem, for which Dodsley paid Johnson fifteen guineas, sold less well than his ''London'', which had run through several editions. Garrick, though anxious to praise his friend's new work, the first to carry his name on the title-page, found it heavy going: 'When Johnson lived much with the Herveys, and saw a good deal of what was passing in life, he wrote his ''London'', which is lively and easy. When he became more retired, he gave us his ''Vanity of Human Wishes'', which is as hard as Greek.'" (quoting Boswell's Life book I) | |||
'''story, poem and play'''<br /> | |||
Thank you for the broad coverage of English language literature in quality articles, showing in '']'' and '']'', and for ] on conflict, consensus ... respect ..., - repeating: you are an ] (20 December 2009)! | |||
--] (]) 12:55, 10 January 2013 (UTC) | |||
Howard D Weinbrot "Johnson's poetry" in ''Cambridge Companion to Samuel Johnson'' | |||
</div></div> | |||
* p. 36 "Each side profits from the process of questioning and asking. To be sure, as poetic narrator Johnson normally is the superior questioner, but so long as we also learn, engage various intellectual faculties, and are variously pleased, our dialogues with Johnson, with ourselves, and with our culture proceed generously - aas we shall see in the "Drury Lane Prologue" (1747) and in ''The Vanity of Human Wishes''. | |||
* p. 45 "''London'' and ''The Vanity of Human Wishes'' are Johnson's longest non-dramatic public poems. Each falls into that rich eighteenth-century genre called the 'imitation,' in which an earlier or even contemporary poem is adapted to modern or different circumstances." | |||
* p. 46 "''London'' is well worth reading, but ''The Vanity of Human Wishes'' is one of the great poems in the English language. It follows the outline of Juvenal's tenth satire, embraces some of what Johnson thought of as its 'sublimity,' but also uses it as a touchstone rather than an argument on authority." | |||
* p. 47 "He unifies different portraits through a common denominator of vain human wishes and through interlocking metaphors, like collapsing buildings and life as a battle." | |||
* - "As guide, Johnson uses a plural pronoun to suggest that he shares our human weakness." | |||
* - "When Johnson invokes the laughing philosopher Democritus (49-72) to mock eternal folly in human farce, he reminds us of the importance of continuing our search before we draw inferences: 'How just that Scorn ere yet thy Voice declare,/ Search every State, and canvass ev'ry Pray'r' (71-72)." | |||
* - "Johnson shows his skill in human and moral psychology in several of the character portraits. Cardinal Wolsey rose so high that he seemed to threaten his monarch." | |||
* - "The Portrait of Charles XII of Sweden (1682-1718) is deservedly famous. He was the overreaching monarch and general whose bold but finally fatal attacks terrorized much of Europe. The passage skillfully includes many of Johnson's familiar themes - repulsion with slaughter that aggrandizes one man and kills and impoverishes thousands, understanding of the human need to glorify heroes, and subtle contrast with the classical parent-poem and its inadequate moral vision." | |||
* p. 48 "Johnson's ultimate target and audience is the human situation - hence he includes Juvenal and his parochial treatment of the North African Hannibal, Juvenal's original Swedish Charles. When reading the ''Vanity'' our response includes pity for Charles, for Europe, and for ourselves. In contrast, Juvenal enjoys the barbarian lunatic's death and miniaturization into Roman school-boy's declamation." | |||
* - "Johnson is cosmopolitan; Juvenal is local. Johnson is sympathetic; Juvenal is vengeful. Like Democritus, Juvenal is an inadequate guide for the Christian empiricist. The conclusion to the poem further illustrates its moral and poetic grandeu, and satisfies a key expectation of formal verse satire - praise of the virtue opposed to the vice attacked." | |||
* - "The final portrait before the ''Vanity's'' conclusion exploits that most enduring and endearing emblem of human renewal - the birth of a child. After all, what parent does not wish to have an attractive child? That child, alas, becomes a prisoner of the dangerous, cloudy, snare-encrusted world of Johnson's first paragraph, but now with the special reference to female fragility." | |||
* p. 49 "The antidote for vain human wishes is non-vain spiritual wishes; the antidote for an unreliable monarch is a reliable God; the antidote for overreaching is trust in God's knowledge of what is best for us." | |||
<div style="float: right; margin-left: 1em; background-color: #ddd; border: 5px solid #ddd; box-shadow: 0.1em 0.1em 0.5em rgba(0,0,0,0.75); border-radius: 0.5em;">]<p style="text-align: center; margin-bottom: 0;">Precious and missed</p></div> | |||
Robert Demaria, Jr ''The Life of Samuel Johnson: A Critical Biography''. Oxford: Blackwell. 1993. | |||
:: Today, I like your TFA, "... a lot of examination and discussion over just about every line over months and months. I will welcome -all- concerns and comments, and I will thoroughly discuss matters with ] in order to ensure that changes would not disrupt the balance. I would also prefer to keep the balance over anything else. However, I do feel that the page is extremely thorough and well put together, as it represents just about -everything- on Giraud. So, I now present to you our dear ], the boy/young man who almost absolutely nothing is really known, for your consideration." --] (]) 11:48, 16 May 2014 (UTC) | |||
* p. 130 "Johnson's greatest poem" | |||
:: ]. --] (]) 08:10, 10 January 2020 (UTC) | |||
* - "a distilled statement of the central theme of his work of the late 1740s." "Although Johnson is in some ways an expressive writer, he was a professional writer capable of separating his personal and public lives. He continued to carry on a scholarly life that was concerned with particulars rather than the grand ends of learning, and he continued to be interested in particular political issues after he shifted his professional literary focus away from these areas." | |||
* - Robert Dodsley helped Johnson "broaden his audience and thereby achieve greater professional independence" knew Dodsley while writing for his ''Preceptor'' | |||
* - "Johnson called Dodsley his patron, and he frequented Dodsley's shop at Tully's Head." | |||
* - "the ''Vanity'' also seems written with Dodsley in mind, and it eventually became a part of ''A Collection of Poems by Several Hands'', an anthology Dodsley brought out earlier in the same year that he purchased the rights to Johnson's great poem." Note on 321 says "Johnson revised the ''Vanity'' for the fourth edition of Dodsley's ''Collection'' (1755); he contributed other poems to the first edition of 1748." | |||
* p. 131 "In ''The Vanity of Human Wishes'' Johnson displays the moral blueprint of his ''Dictionary''." | |||
* - "The ''Vanity'' is a great poem, and it therefore deserves and rewards treatment as a literary phenomenon unfettered by any but aesthetic and intellectual associations. As T. S. Eliot shows in his introduction to the Haslewood Press edition, the ''Vanity'' belongs in the artistic world defined by the poetry of Juvenal, Dryden, Pope, and Horace. It ias also, however, an artefact of Johnson's professional life in the late 1740s." | |||
== A beer for you! == | |||
==The History of Sir Charles Grandison== | |||
- "So, that's Sabor in the ''CCEL,'' pages 149 to 113" | |||
{| style="background-color: #fdffe7; border: 1px solid #fceb92;" | |||
* 1. According to there is no such text. However, if you hover over the thing, it tells you the page number and what ref number it links to. I assume this was a mistake on the part of the editor above to think that the "-" mark was anything more than html code linking two sections. | |||
|style="vertical-align: middle; padding: 5px;" | ] | |||
* 2. "Either drop the reference to ''Amelia'' or explain it exactly as Sabor does." Okay - Here is what he says: "With novels such as ''Tom Jones'' and ''Amelia'' clearly in view, Richardson writes: 'It has been said, in behalf of many modern fictious pieces...'" Looks like I summarized Sabor 100% correct. | |||
|style="vertical-align: middle; padding: 3px;" | Cheers. ] (]) 17:25, 19 April 2016 (UTC) | |||
* 3. is improper, as verisimilitude is the act of writing as if the story was composed by the narrator, i.e. sans writer. This extends to having a novel written as if it was an autobiography to one that is composed of a series of notes that are merely "edited", like ''The Woman in White''. | |||
|} | |||
* 4. is not a "fib" when most literary critics and Richardson himself refered to it as ''Gradison'' in the same way ''Pamela'' is. | |||
* 5. is wrong. That was a woman who wrote the piece who was a friend of Scott. Not Walter Scott. And she was 100% serious. | |||
* me too. — <small><span class="nowrap" style="border:1px solid #000000;padding:1px;"><b>]</b> : ]</span></small> 18:20, 19 April 2016 (UTC) | |||
Plenty more mistakes, but these are the major ones. ] (]) 14:57, 5 August 2008 (UTC) | |||
Welcome back, and I look forward to helping you come back into the community. ] (]) 18:21, 19 April 2016 (UTC) | |||
Oh, dear! | |||
#Ok, then you need to check your note 14. | |||
# If you are telling the truth, then Sabor is wrong and uncharacteristically tin-eared. I invite you to read ''Amelia'' (or even ''Sir Charles Grandison''), but, more to the point, you need to explain who or what in ''Amelia'' is this vicious character that is rewarded. If Sabor does say that ''Amelia'' has a bad character rewarded, as you claim, then summarize it, because, unlike other things, this is '''likely to be challenged.''' | |||
#No, it isn't. You can find a ''critic'' who has stretched the word to try to create a coinage, but you cannot find a lexicographer; it certainly is not wide usage. Therefore, when given the choice between a precious usage or a licensed definition and a better explanation for the device, choose the latter. This is a question of good usage, good practice, and employing words that mean what you need them to mean. | |||
#Richardson can call it what he wants, but it is not "referred to" (passive voices... you seem to love them) that way. Please give some examples from current criticism. I asked some other 18th c. professionals, and they also never refer to that book as "Grandison" except in ''serial reference'' within a discussion. This is the way that someone writing on ''Gulliver's Travels'' will say "''Gulliver''" inside a discussion, but that book is not "referred to" as "Gulliver." | |||
#You are either wilfully misreading me or incapable of grasping the distinction between indirect and direct discourse. Did you get that quotation from the friend? You ''say'' that you got it from Scott, cited in another. Scott is being ironic. The friend is not. Scott quotes her to have a sly wink at the fans of the book. If you actually read the quote ''in situ'' instead of as a clip elsewhere, you'd see this, presuming that you have an ear for Scott's writing. | |||
I don't know why you have to be immune to help, but, had you not reviewed the thing yourself, given yourself a "high" and "B," and then gone to DYK, I wouldn't have seen your new malignity. ] (]) 17:57, 5 August 2008 (UTC) | |||
Welcome back. I'll be really happy to see you contributing as prolifically as you did in the past. If there's anything I can do to make that easier for you, please say so here. I'll keep your talk page on my watchlist. All the best --] (]) 23:06, 19 April 2016 (UTC) | |||
::Geogre, I don't want to fight with you. I don't mind most of your edits. However, I do feel as if you are trying to come after me. Yes, I know that is not AGF. However, I don't feel good right now, and I wanted to make it very open and clear. If I am terse with you, then I apologize. | |||
*All the Best Ottava!...] (]) 23:08, 19 April 2016 (UTC) | |||
*A belated welcome back Ottava. --]<sup>(]) </sup> 21:58, 20 April 2016 (UTC) | |||
== Happy == | |||
::Lets deal with the rating system first. is where I promoted it from "start". B class is defined as anything that is completely cited, verified, and doesn't have any major MoS problems. It is not GA class. I even disclaimed it by stating "changing ratings appropriately. If its c class, you can bump it down." Secondly, the "high" was not my choosing, but the Wikiproject's placing the importance level there themselves. | |||
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::"If you are telling the truth, then Sabor is wrong and uncharacteristically tin-eared" I don't think you get what Sabor is saying. "that they have exhibted Human Nature as it is" this is the reference to Amelia, as Sabor points out. Amelia isn't as moral as ''Richardson'' would want her to be. She is, if you follow Richardson's view, "low class". And if you noticed, I wrote the page on Amelia, so yes, I know all about it. | |||
| image = Cat dancing in the snow-Tscherno.jpg | |||
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(found by ], where ice-breaking is also mentioned) --] (]) 18:20, 19 April 2016 (UTC) | |||
:Maybe kitty kitty here got into the beer Drmies left above? Good to see you back, OR. ] (]) 16:08, 21 April 2016 (UTC) | |||
::"You can find a ''critic'' who has stretched the word to try to create a coinage, but you cannot find a lexicographer; it certainly is not wide usage." Harmon and Holmand, ''A Handbook to Literature'' - "Verisimilitude. The semblance of truth. The term indicates the degree to which a work creates the appearance of truth." The original title of the novel is ''The History of Sir Charles Grandison: in a Series of Letters published from the Originals''. That is classic Verisimilitude. | |||
::"Richardson can call it what he wants, but it is not "referred to" " I think your statement justifies the use quite clearly in the first clause. | |||
== New Article == | |||
::"You ''say'' that you got it from Scott, cited in another." Then you misread. It clearly says a friend of Scott. It was not written by Scott. It was not published by Scott. As Flynn states bluntly: "An old lady of Sir Walter Scott's acquaintance explained why she enjoyed hearing ''Sir Charles Grandison'' read aloud". The citation comes from the "'Memoir' of Richardson" which is part of the ''Ballantyne's Novelist's Library'' vol 6, 1824, p xlvi "as cited in Eaves and Kimpel, ''Samuel Richardson'' p. 389". There is nothing to suggest that Walter Scott wrote or had a part of anything. All that is suggested is that the woman is only known as an acquaintance of his, so altering in any fashion in the manner that you did cannot be justified from the sources. | |||
As I finish drafting material related to ''Lamia'', I have some material for an article on an award winning poet for someone else to use to create a page. | |||
Ryan Wilson (1982-) is an academic, editor, literary critic, and poet from Baltimore, Maryland. He is the office manager of the ], editor of ''Literary Matters'', and an award winning poet and essayist. His first collection of poetry, ''The Stranger World'', will be published in June, 2017. | |||
===Personal life=== | |||
In 1982, Wilson was born in Griffin, Georgia.<ref name="Awards"/> He grew up in Macon, Georgia and graduated from Tattnall Square Academy in 2000.<ref name="Literacy Matters"/> | |||
He has a B.A. (English) from the University of Georgia, an M.F.A. (Poetry) from The Johns Hopkins University, and an M. F. A. (Poetry) <ref name="Catholic"/> from Boston University in 2008.<ref name="Awards"/> Currently he is a doctoral candidate at The Catholic University of America, and he serves as the Office Manager of the ] and editor of ''Literary Matters'', the association's digital literary journal.<ref name="Literacy Matters"/> He lives in Baltimore with his wife.<ref name="Awards"/> | |||
===Publications=== | |||
His works have been published in ''32 Poems'',<ref name="Awards"/> ''Able Muse'',<ref name="Awards"/> ''The Classical Outlook'',<ref name="Pushcart"/> ''Dappled Things'',<ref name="Awards"/> ''First Things'',<ref name="Awards"/> ''Light'',<ref name="Awards"/> ''The Hopkins Review'',<ref name="Awards"/> ''Iron Horse Literary Review'',<ref name="Awards"/> ''Measure'',<ref name="Awards"/> ''Raintown Review'',<ref name="Awards"/> ''River Styx'',<ref name="Awards"/> ''The Sewanee Review'',<ref name="Awards"/> ''The Sewanee Theological Review'',<ref name="Awards"/> ''Unsplendid'',<ref name="Awards"/> among others. | |||
His first collection of poetry, ''The Stranger World'' was published by Measure Press in June 2017.<ref name="Awards"/> ] said, "The Stranger World includes heartbreaking lyrics, haunting narratives, inspired translations, and finely honed satires... written with the authority of mastery."<ref name="Literacy Matters"/> ] wrote, "Ryan Wilson’s mastery of traditional forms serves a fresh, distinctive poetry of candor and meditation: soulful rather than brittle, more observant than performative. The idiomatic, American blank verse of Wilson’s 'Authority' and 'L’Estraneo' is as fluent as that of Robert Frost, but with an oblique tenderness that reminds me of Frost’s friend Edward Thomas."<ref name="Literacy Matters"/> | |||
===Awards=== | |||
* Sankey Prize for Excellence in Poetry (JHU).<ref name="Catholic"/> | |||
* Schmuel Traum Prize (BU).<ref name="Catholic"/> | |||
* Eleanor Clark Award (Robert Penn Warren Circle), winner.<ref name="Catholic"/> | |||
* Morton Marr Prize (''The Southwest Review''), finalist, 2009.<ref name="Catholic"/> | |||
* International Poetry Contest (''River Styx''), honorable mention, 2012.<ref name="Catholic"/> | |||
* Vassar Miller Book Prize, finalist, 2015.<ref name="Awards"/> | |||
* Frost Farm Poetry Prize, honorable mention, 2015.<ref name="Farm"/> | |||
* Jacques Maritain Prize (Dappled Things), winner, 2015.<ref name="Jacques"/> | |||
* Vassar Miller Book Prize, finalist, 2016.<ref name="Pushcart"/> | |||
* Walter Sullivan Prize for Promise in Criticism (''The Sewanne Review''), winner, 2016.<ref name="Sewanee"/> | |||
* ], winner, 2017.<ref name="Poetry News"/> | |||
===Works cited=== | |||
{{reflist|30em|refs= | |||
<ref name="Awards">"Ryan Wilson’s recent publications and awards." Boston University Creative Writing. June 15, 2015 </ref> | |||
<ref name="Pushcart">"Ryan Wilson’s Pushcart nomination and publications." Boston University Creative Writing. July 15, 2016. </ref> | |||
<ref name="Catholic">Catholic University of America </ref> | |||
<ref name="Farm">The Robert Frost Farm </ref> | |||
<ref name="Jacques">"Winners of the 2015 Jacques Maritain Prize for Nonfiction." ''Dappled Things'' </ref> | |||
<ref name="Sewanee">Johns Hopkins University Press </ref> | |||
<ref name="Literacy Matters">"Ryan Wilson, Our Editor" ''Literary Matters'', The Association of Literary Scholars, Critics, and Writers. </ref> | |||
<ref name="Poetry News">"Poetry News." Westchester University Poetry Center </ref> | |||
}} | |||
===External links=== | |||
* Beltway Poetry ''Quarterly''. http://www.beltwaypoetry.com/poetry/poets/names/wilson-ryan/ | |||
==Update== | |||
I updated the article proposed above for anyone to use it. As a disclosure, I know the gentleman (he is a bit of a big to do in the literary circles). I also have a lot of notes for Lamia and am looking for someone who would be interested in working with me. Drop me a note. ] (]) 23:55, 19 June 2017 (UTC) | |||
: <s>Hello. Just to let you know that you can move the above content to ] or ] if you wish. BTW, I'd love to help out, but I have other priorities. Sorry.</s> Well, best of luck. --] (]) 02:34, 20 July 2017 (UTC); oh well, 03:08, 20 July 2017 (UTC) | |||
: Hmm... I can just reformat your references <s>and/or move the content to either page for you</s>, but that's it. Thanks. --] (]) 02:36, 20 July 2017 (UTC); okey dokey, 03:05, 20 July 2017 (UTC) | |||
::I -can't- move the page or use it due to various restrictions. All I can do is offer it to other people. But thanks anyway. :) ] (]) 02:39, 20 July 2017 (UTC) | |||
*Hey Ottava--the praise cited in note 2, are those blurbs from the book? They all sound good, but I typically don't regard those very highly. Thanks, ] (]) 12:03, 20 July 2017 (UTC) | |||
::: | |||
::: {{ec}} I've created the article at ] and made a couple of snapshots at archive.org to replace the Google caches. I hope it meets with your approval. Hopefully others will expand it. It should be ready for mainspace anyway as I believe it passes ] and ] part 4(c). Cheers --] (]) 12:09, 20 July 2017 (UTC) | |||
::::Thanks. ] (]) 13:17, 20 July 2017 (UTC) | |||
:::Drmies, I would normally agree but for the status of those two: Pinsky was the US Poet Laureate, which is a pretty big deal. ] (]) 13:17, 20 July 2017 (UTC) | |||
::::Oh I know--I'm a big fan. I have his ''Sounds of Poetry'' laying around somewhere. But the sourcing here is tricky. Where did Pinsky say this? His publications are sourced to the BU website, and these blurbs are sourced to the journal that he himself edits. So what's left, I suppose, is the awards--one of which may be notable, but even that one, the Donald Justice prize, hasn't received much coverage (I mean both your subject winning it and the award itself). In fact, I don't see a single real secondary publication in here, so I won't be the one moving it to main space. If {{U|RexxS}} wishes to do so, that's his prerogative of course. ] (]) 13:34, 20 July 2017 (UTC) | |||
::::::Awards are secondary to the author but primary to themselves. The problem with modern poets in general is that they tend to have very few news articles so award pages tend to be all we have left. Also has some background on the publication and Donald Justice Poetry Prize - "The award includes publication of his manuscript, The Stranger World". This suggested to me that the Pinksy quotes were connected to this. I'm still looking for some more sources. ] (]) 13:47, 20 July 2017 (UTC) | |||
:::::::Awards themselves need secondary sourcing to prove they're notable awards. That Justice award is hard to gauge; it's not a big national one, of course. So it helps, sure, but whether that alone is enough is a matter of judgment. I am well aware of the problems with poetic sourcing (you know I've worked on a few articles pertaining to modern poetry...) and it's something that I'm working on; what we really need is a set of guidelines (we need to get away from "poet X published in these journals" and then list them all) and a list of notable publications and awards. Most of all, we need a list of publications and zines whose reviews are reliable and important. I know someone who writes on LitHub, and the moment he started doing that his career started happening--so clearly that's an important place in the world of poetry. Just like poetry.com, haha. If only poetry generated the kind of airtime that's dedicated to monster trucks, K-pop, rassling, and all that. ] (]) 13:55, 20 July 2017 (UTC) | |||
::::::::Indeed! ] (]) 13:57, 20 July 2017 (UTC) | |||
::::::::By the way, the Frost Farm Poetry Prize should probably have its own page, seeing as how it is from the Robert Frost foundation. is interesting, though. Poor Robert Frost and his legacy. ] (]) 14:01, 20 July 2017 (UTC) | |||
::::::::: My hesitation in putting the article in mainspace to begin with, is that I'm no expert on the ''significance'' of the awards. If this were some here-today-and-gone-tomorrow pop star, they'd have hundreds of mentions in the popular press for every two-bit award they received. Sadly, no such channels exist for promulgating the news of more traditional artists' awards. However, my take is that the sections devoted to Wilson in particular by John Hopkins Press, and by Boston University amount to "''significant coverage in reliable sources that are independent of the subject''" – the touchstone of our notability criteria. I would also argue that "''The person's work ... has won significant critical attention''" which is ]. No doubt others may disagree, so I'll leave the final decision to publish the article in mainspace to someone else for now. Cheers --] (]) 16:23, 20 July 2017 (UTC) | |||
:::::::::::I'll keep an eye out for more sources and links. ] (]) 16:33, 20 July 2017 (UTC) | |||
:::::::::::By the way, I had a typo - it is ''Literary Matters'' and not ''Literary Manners''. ] (]) 16:38, 20 July 2017 (UTC) | |||
Just a note: ] page has the Aiken Taylor award but not the breakdown of the other five titles: . These should probably be listed in the same section (or change the section name to "Prizes"). ] (]) 14:10, 20 July 2017 (UTC) | |||
:Similarly, ] could mention along with their others . ] (]) 14:14, 20 July 2017 (UTC) | |||
:And another: Vassar Miller could be noted at the ] (a sadly under-served page). ] (]) 14:17, 20 July 2017 (UTC) | |||
It's interesting that ] has just made its way into mainspace. You were right, {{u|Drmies}}: predictably, the quotes have attracted disagreement about their sourcing, and it would perhaps be best to reduce them to a summary as a compromise. We'll see how that pans out. --] (]) 17:18, 17 May 2018 (UTC) | |||
*Hmm a good occasion to do some updating: the LitHub person mentioned above is getting two books out with ]. Anyway, Rexx, what I mentioned above, those are also the standards I try to live by--I don't write in awards unless I can verify them, even if I know them to be true. And my standards--obviously notable ones (even if "obviously notable" to the experts only) can do with some kind of primary sourcing, from the organization, less obviously notable ones require secondary sourcing of the not-just-local-news kind. ] (]) 17:34, 17 May 2018 (UTC) | |||
*Ah, yes, the Pinsky quote...can't find anything for that. I assume it's a note of sorts pertaining to an award, or possibly a blurb for a book. I don't like it, sorry. ] (]) 17:37, 17 May 2018 (UTC) | |||
::The Pinsky quote can be found on the bio page at the Association of Literary Scholars, Critics, and Writer's journal Literary Matters: . The same quote is also at Verse Daily and poems.com . Also, CUA has a faculty page that is available . Dappled Things has an interview . Also, Archive.Org has a file on him as part of their "Apostrophe Cast" program . And here is a review . And in searching, I found him at Yale Review to add to the others . ] (]) 20:25, 17 May 2018 (UTC) | |||
::: Thank you, Ottava. I've transcribed them onto ] and asked if others would like to use them to expand the article (hint {{u|Drmies}}). Otherwise I'll try to find time to incorporate them myself to the best of my limited ability. --] (]) 21:50, 17 May 2018 (UTC) | |||
::::Ottava, that they're repeated on various websites doesn't tell me anything about when the man said that and to whom and in what context... ] (]) 21:57, 17 May 2018 (UTC) | |||
::::: My spidey-sense is telling me that the quotes smack of something you would read on the dust-cover of a book like ''The Stranger World''. Unfortunately, the nearest library copy to me appears to be in San Angelo, TX (7800 km away). | |||
::::: Update: My spidey-sense didn't let me down. Have a look at https://www.amazon.com/Stranger-World-Ryan-Wilson/dp/193957420X – there's a link on the left under the front cover image, . Clicking that allows you to see the back cover. Lo and behold! There are the quotes from Pinsky, Yezzi, Warren and Jarman. So the answers to {{u|Drmies|the good Doctor's}} questions are: the quotes were said to the publisher's gopher who was canvassing for text for the back cover prior to the book's publication. Does that help? --] (]) 23:15, 17 May 2018 (UTC) | |||
::::::The publisher is the group that awarded the Donald Justice Prize (Measure Press), and publication of the book is part of the prize. As for the Pinsky quote, he is a former laureate and has a relationship with Measure Press, often reviewing works. He also has a relationship with Ryan as per the interview ("Anyway, a few dozen drafts, a lot of help from Robert Pinsky, and a year later, “The City Under Vesuvius” came out in heroic couplets") and taught in the Boston University program where Ryan graduated. It would be a notable quote simply because he is a very notable individual. Bias doesn't really affect quotations, especially when most quotations are formed by bias. Would it settle any concerns if it was from Robert Pinsky's website? ] (]) 23:29, 17 May 2018 (UTC) | |||
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Thanks again for all the high quality contributions
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Merry Christmas, Ottava Rima!
Peace be with you, brother.
Serious. Peace. Let these things go and be filled with joy. Christ was not gifted to humanity for you to be unhappy.
Someday at Christmas man will not fail
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With hope in every heart
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- And to you to, Moni. But don't worry, I could never be unhappy in regards to Christ. :) I'm sure most people have read excerpts of my column to know that so far. ;/ Have a good New Year, too. Ottava Rima (talk) 15:48, 24 December 2009 (UTC)
DYK for Elegy Written in a Country Churchyard
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NW (Talk) 19:23, 5 April 2010 (UTC)
Main page
Congratulations, dude. Ceoil (talk) 18:29, 15 April 2010 (UTC)
Two things
This,
and this.
Commence half-frowny-face reaction. That is all. --Moni3 (talk) 15:51, 9 June 2010 (UTC)
DYK for Kubla Khan
On July 2, 2010, Did you know? was updated with a fact from the article Kubla Khan, which you created or substantially expanded. You are welcome to check how many hits the article got while on the front page (here's how, quick check ) and add it to DYKSTATS if it got over 5,000. If you know of another interesting fact from a recently created article, then please suggest it on the Did you know? talk page. |
NW (Talk) 11:17, 2 July 2010 (UTC)
Actually...
On July 2, 2010, Did you know? was updated with a fact from the article Kubla Khan, which you created or substantially expanded somewhere else. You are welcome to check how many hits the article got while on the front page (here's how, quick check ) and somebody else may add it to DYKSTATS if it got over 5,000. If you know of another interesting missing or substandard article, then please write about it elsewhere and perhaps somebody will import it and suggest it on the Did you know? talk page. |
Yomangani 11:26, 2 July 2010 (UTC)
Banglapedia copyright problems
Hi, Ottava. I just wanted to thank you for having this brought to my attention. You might be interested in what we're doing with your tip; we've launched a special "CCI" (special, since this isn't a contributor) and are planning to appeal to the relevant WikiProject for assistance. It's going to be a lot of work cleaning it all up, but certainly it is much needed, and the longer problems like this go unaddressed, the more tangled clean-up becomes. --Moonriddengirl 17:23, 14 August 2010 (UTC)
WP:FOUR for Christopher Smart's asylum confinement
Four Award | ||
Congratulations! You have been awarded the Four Award for your work from beginning to end on Christopher Smart's asylum confinement. TonyTheTiger (T/C/BIO/WP:CHICAGO/WP:FOUR) 00:30, 24 August 2011 (UTC) |
--TonyTheTiger (T/C/BIO/WP:CHICAGO/WP:FOUR) 00:30, 24 August 2011 (UTC)
Cookie
Aparrantly no one comments on your talk page, so I thought I'd give you a cookie ... except I cba to find the cookie template, so I'll give you an IOU for a cookie :) --Imagine Wizard (talk • contribs • count) Iway amway Imagineway Izardway. 01:48, 31 August 2011 (UTC)
WP:FOUR for The Author's Farce
Four Award | ||
Congratulations! You have been awarded the Four Award for your work from beginning to end on The Author's Farce. TonyTheTiger (T/C/BIO/WP:CHICAGO/WP:FOUR) 19:25, 16 September 2011 (UTC) |
--TonyTheTiger (T/C/BIO/WP:CHICAGO/WP:FOUR) 19:25, 16 September 2011 (UTC)
Barnstar
The Writer's Barnstar | |
I just wanted to let you know that your monumental literary contributions are still very much appreciated. INeverCry 19:40, 6 June 2012 (UTC) |
Whoa...
I just stumbled across your story while looking up other things. Suffice to say, it's a whale of a tale. Being rather brutally honest, you were kind of like me back in 2007;
Good intentions, but poor execution.
Don't get me wrong, I'm not trying to insult you or be mean or cowardly. Seriously, you made some INCREDIBLE edits (a quick once-over of your edit history will back me up here), but looking over your block log tells me that you were always rather confromational (a Wikiversity fracas with the equally-legendary Abd springs to mind), and as such, you were always "riding the ragged edge of disaster", to quote Jim Davis. And you got tangled up with the ArbCom...there's a pit that's hard to get out of. Banned, even stripped of the ability to edit your own talkpage and reply to me. That's a rather stiff punishment, no? You must have really screwed up somewhere (I'm not going to dwell on that). Still, in my eyes, you deserve a...what is it now, twentieth chance? (just kidding). But there are a bunch of people who are behind you all the way. I'm not one of them....I know bog all about you, really. Have a listen to Queen's Hang On In There and mull it over; try to see how it relates to your experiences. Xterra1 20:02, 23 June 2012 (UTC)
Main page appearance: The Covent-Garden Journal
This is a note to let the main editors of The Covent-Garden Journal know that the article will be appearing as today's featured article on January 6, 2013. You can view the TFA blurb at Misplaced Pages:Today's featured article/January 6, 2013. If you prefer that the article appear as TFA on a different date, or not at all, please ask featured article director Raul654 (talk · contribs) or his delegates Dabomb87 (talk · contribs), Gimmetoo (talk · contribs), and Bencherlite (talk · contribs), or start a discussion at Misplaced Pages talk:Today's featured article/requests. If the previous blurb needs tweaking, you can change it—following the instructions at Misplaced Pages:Today's featured article/requests/instructions. If this article needs any attention or maintenance, it would be preferable if that could be done before its appearance on the Main Page. The blurb as it stands now is below:
The Covent-Garden Journal was an English literary periodical published twice a week for most of 1752. It was edited and almost entirely financed by novelist, playwright, and essayist Henry Fielding (pictured), under a pseudonym. The Journal incited the "Paper War" of 1752–1753, a conflict between a number of contemporary literary critics and writers, which began after Fielding declared war on the "armies of Grub Street" in the first issue. His proclamation attracted multiple aggressors and instigated a long-lasting debate argued in the pages of their respective publications. Initially waged for the sake of increasing sales, the Paper War ultimately became much larger than Fielding had expected. Further controversy erupted in June, when Fielding expressed support for a letter decrying the Government's 1752 Disorderly House Act in the Journal. His remarks were viewed by the public as an endorsement of the legality of prostitution. The final issue of the Journal was released on 25 November 1752. In its last months, poor sales had resulted in a transition from biweekly to weekly release. Ill-health and a disinclination to continue led Fielding to end its run after the 72nd number. (Full article...)
UcuchaBot (talk) 23:01, 27 December 2012 (UTC)
Precious
story, poem and play
Thank you for the broad coverage of English language literature in quality articles, showing in The Covent-Garden Journal and The Awful German Language, and for your philosophy on conflict, consensus ... respect ..., - repeating: you are an awesome Wikipedian (20 December 2009)!
--Gerda Arendt (talk) 12:55, 10 January 2013 (UTC)
Precious and missed
- Today, I like your TFA, "... a lot of examination and discussion over just about every line over months and months. I will welcome -all- concerns and comments, and I will thoroughly discuss matters with Haiduc in order to ensure that changes would not disrupt the balance. I would also prefer to keep the balance over anything else. However, I do feel that the page is extremely thorough and well put together, as it represents just about -everything- on Giraud. So, I now present to you our dear Nicolo Giraud, the boy/young man who almost absolutely nothing is really known, for your consideration." --Gerda Arendt (talk) 11:48, 16 May 2014 (UTC)
- Seven years ago. --Gerda Arendt (talk) 08:10, 10 January 2020 (UTC)
A beer for you!
Cheers. Drmies (talk) 17:25, 19 April 2016 (UTC) |
- me too. — Ched : ? 18:20, 19 April 2016 (UTC)
Welcome back, and I look forward to helping you come back into the community. Kevin Rutherford (talk) 18:21, 19 April 2016 (UTC)
Welcome back. I'll be really happy to see you contributing as prolifically as you did in the past. If there's anything I can do to make that easier for you, please say so here. I'll keep your talk page on my watchlist. All the best --RexxS (talk) 23:06, 19 April 2016 (UTC)
- All the Best Ottava!...Modernist (talk) 23:08, 19 April 2016 (UTC)
- A belated welcome back Ottava. --kelapstick 21:58, 20 April 2016 (UTC)
Happy
Happy cat dance |
---|
(found by Opabinia regalis, where ice-breaking is also mentioned) --Gerda Arendt (talk) 18:20, 19 April 2016 (UTC)
- Maybe kitty kitty here got into the beer Drmies left above? Good to see you back, OR. John Carter (talk) 16:08, 21 April 2016 (UTC)
New Article
As I finish drafting material related to Lamia, I have some material for an article on an award winning poet for someone else to use to create a page.
Ryan Wilson (1982-) is an academic, editor, literary critic, and poet from Baltimore, Maryland. He is the office manager of the Association of Literary Scholars, Critics, and Writers, editor of Literary Matters, and an award winning poet and essayist. His first collection of poetry, The Stranger World, will be published in June, 2017.Photo, released CC-BY-SA 4.0 according to ref 7
Personal life
In 1982, Wilson was born in Griffin, Georgia. He grew up in Macon, Georgia and graduated from Tattnall Square Academy in 2000.
He has a B.A. (English) from the University of Georgia, an M.F.A. (Poetry) from The Johns Hopkins University, and an M. F. A. (Poetry) from Boston University in 2008. Currently he is a doctoral candidate at The Catholic University of America, and he serves as the Office Manager of the Association of Literary Scholars, Critics, and Writers and editor of Literary Matters, the association's digital literary journal. He lives in Baltimore with his wife.
Publications
His works have been published in 32 Poems, Able Muse, The Classical Outlook, Dappled Things, First Things, Light, The Hopkins Review, Iron Horse Literary Review, Measure, Raintown Review, River Styx, The Sewanee Review, The Sewanee Theological Review, Unsplendid, among others.
His first collection of poetry, The Stranger World was published by Measure Press in June 2017. Mark Jarman said, "The Stranger World includes heartbreaking lyrics, haunting narratives, inspired translations, and finely honed satires... written with the authority of mastery." Robert Pinsky wrote, "Ryan Wilson’s mastery of traditional forms serves a fresh, distinctive poetry of candor and meditation: soulful rather than brittle, more observant than performative. The idiomatic, American blank verse of Wilson’s 'Authority' and 'L’Estraneo' is as fluent as that of Robert Frost, but with an oblique tenderness that reminds me of Frost’s friend Edward Thomas."
Awards
- Sankey Prize for Excellence in Poetry (JHU).
- Schmuel Traum Prize (BU).
- Eleanor Clark Award (Robert Penn Warren Circle), winner.
- Morton Marr Prize (The Southwest Review), finalist, 2009.
- International Poetry Contest (River Styx), honorable mention, 2012.
- Vassar Miller Book Prize, finalist, 2015.
- Frost Farm Poetry Prize, honorable mention, 2015.
- Jacques Maritain Prize (Dappled Things), winner, 2015.
- Vassar Miller Book Prize, finalist, 2016.
- Walter Sullivan Prize for Promise in Criticism (The Sewanne Review), winner, 2016.
- Donald Justice Poetry Prize, winner, 2017.
Works cited
- ^ "Ryan Wilson’s recent publications and awards." Boston University Creative Writing. June 15, 2015
- ^ "Ryan Wilson, Our Editor" Literary Matters, The Association of Literary Scholars, Critics, and Writers.
- ^ Catholic University of America
- ^ "Ryan Wilson’s Pushcart nomination and publications." Boston University Creative Writing. July 15, 2016.
- The Robert Frost Farm
- "Winners of the 2015 Jacques Maritain Prize for Nonfiction." Dappled Things
- Johns Hopkins University Press
- "Poetry News." Westchester University Poetry Center
External links
- Beltway Poetry Quarterly. http://www.beltwaypoetry.com/poetry/poets/names/wilson-ryan/
Update
I updated the article proposed above for anyone to use it. As a disclosure, I know the gentleman (he is a bit of a big to do in the literary circles). I also have a lot of notes for Lamia and am looking for someone who would be interested in working with me. Drop me a note. Ottava Rima (talk) 23:55, 19 June 2017 (UTC)
Hello. Just to let you know that you can move the above content to Draft:Ryan Wilson or User:Ottava Rima/Ryan Wilson if you wish. BTW, I'd love to help out, but I have other priorities. Sorry.Well, best of luck. --George Ho (talk) 02:34, 20 July 2017 (UTC); oh well, 03:08, 20 July 2017 (UTC)- Hmm... I can just reformat your references
and/or move the content to either page for you, but that's it. Thanks. --George Ho (talk) 02:36, 20 July 2017 (UTC); okey dokey, 03:05, 20 July 2017 (UTC)- I -can't- move the page or use it due to various restrictions. All I can do is offer it to other people. But thanks anyway. :) Ottava Rima (talk) 02:39, 20 July 2017 (UTC)
- Hey Ottava--the praise cited in note 2, are those blurbs from the book? They all sound good, but I typically don't regard those very highly. Thanks, Drmies (talk) 12:03, 20 July 2017 (UTC)
- (edit conflict) I've created the article at Draft:Ryan Wilson (poet) and made a couple of snapshots at archive.org to replace the Google caches. I hope it meets with your approval. Hopefully others will expand it. It should be ready for mainspace anyway as I believe it passes WP:GNG and WP:CREATIVE part 4(c). Cheers --RexxS (talk) 12:09, 20 July 2017 (UTC)
- Thanks. Ottava Rima (talk) 13:17, 20 July 2017 (UTC)
- (edit conflict) I've created the article at Draft:Ryan Wilson (poet) and made a couple of snapshots at archive.org to replace the Google caches. I hope it meets with your approval. Hopefully others will expand it. It should be ready for mainspace anyway as I believe it passes WP:GNG and WP:CREATIVE part 4(c). Cheers --RexxS (talk) 12:09, 20 July 2017 (UTC)
- Drmies, I would normally agree but for the status of those two: Pinsky was the US Poet Laureate, which is a pretty big deal. Ottava Rima (talk) 13:17, 20 July 2017 (UTC)
- Oh I know--I'm a big fan. I have his Sounds of Poetry laying around somewhere. But the sourcing here is tricky. Where did Pinsky say this? His publications are sourced to the BU website, and these blurbs are sourced to the journal that he himself edits. So what's left, I suppose, is the awards--one of which may be notable, but even that one, the Donald Justice prize, hasn't received much coverage (I mean both your subject winning it and the award itself). In fact, I don't see a single real secondary publication in here, so I won't be the one moving it to main space. If RexxS wishes to do so, that's his prerogative of course. Drmies (talk) 13:34, 20 July 2017 (UTC)
- Awards are secondary to the author but primary to themselves. The problem with modern poets in general is that they tend to have very few news articles so award pages tend to be all we have left. Also has some background on the publication and Donald Justice Poetry Prize - "The award includes publication of his manuscript, The Stranger World". This suggested to me that the Pinksy quotes were connected to this. I'm still looking for some more sources. Ottava Rima (talk) 13:47, 20 July 2017 (UTC)
- Awards themselves need secondary sourcing to prove they're notable awards. That Justice award is hard to gauge; it's not a big national one, of course. So it helps, sure, but whether that alone is enough is a matter of judgment. I am well aware of the problems with poetic sourcing (you know I've worked on a few articles pertaining to modern poetry...) and it's something that I'm working on; what we really need is a set of guidelines (we need to get away from "poet X published in these journals" and then list them all) and a list of notable publications and awards. Most of all, we need a list of publications and zines whose reviews are reliable and important. I know someone who writes on LitHub, and the moment he started doing that his career started happening--so clearly that's an important place in the world of poetry. Just like poetry.com, haha. If only poetry generated the kind of airtime that's dedicated to monster trucks, K-pop, rassling, and all that. Drmies (talk) 13:55, 20 July 2017 (UTC)
- Indeed! Ottava Rima (talk) 13:57, 20 July 2017 (UTC)
- By the way, the Frost Farm Poetry Prize should probably have its own page, seeing as how it is from the Robert Frost foundation. This is interesting, though. Poor Robert Frost and his legacy. Ottava Rima (talk) 14:01, 20 July 2017 (UTC)
- My hesitation in putting the article in mainspace to begin with, is that I'm no expert on the significance of the awards. If this were some here-today-and-gone-tomorrow pop star, they'd have hundreds of mentions in the popular press for every two-bit award they received. Sadly, no such channels exist for promulgating the news of more traditional artists' awards. However, my take is that the sections devoted to Wilson in particular by John Hopkins Press, and by Boston University amount to "significant coverage in reliable sources that are independent of the subject" – the touchstone of our notability criteria. I would also argue that "The person's work ... has won significant critical attention" which is the notability guideline for creative writers. No doubt others may disagree, so I'll leave the final decision to publish the article in mainspace to someone else for now. Cheers --RexxS (talk) 16:23, 20 July 2017 (UTC)
- I'll keep an eye out for more sources and links. Ottava Rima (talk) 16:33, 20 July 2017 (UTC)
- By the way, I had a typo - it is Literary Matters and not Literary Manners. Ottava Rima (talk) 16:38, 20 July 2017 (UTC)
- My hesitation in putting the article in mainspace to begin with, is that I'm no expert on the significance of the awards. If this were some here-today-and-gone-tomorrow pop star, they'd have hundreds of mentions in the popular press for every two-bit award they received. Sadly, no such channels exist for promulgating the news of more traditional artists' awards. However, my take is that the sections devoted to Wilson in particular by John Hopkins Press, and by Boston University amount to "significant coverage in reliable sources that are independent of the subject" – the touchstone of our notability criteria. I would also argue that "The person's work ... has won significant critical attention" which is the notability guideline for creative writers. No doubt others may disagree, so I'll leave the final decision to publish the article in mainspace to someone else for now. Cheers --RexxS (talk) 16:23, 20 July 2017 (UTC)
- Awards themselves need secondary sourcing to prove they're notable awards. That Justice award is hard to gauge; it's not a big national one, of course. So it helps, sure, but whether that alone is enough is a matter of judgment. I am well aware of the problems with poetic sourcing (you know I've worked on a few articles pertaining to modern poetry...) and it's something that I'm working on; what we really need is a set of guidelines (we need to get away from "poet X published in these journals" and then list them all) and a list of notable publications and awards. Most of all, we need a list of publications and zines whose reviews are reliable and important. I know someone who writes on LitHub, and the moment he started doing that his career started happening--so clearly that's an important place in the world of poetry. Just like poetry.com, haha. If only poetry generated the kind of airtime that's dedicated to monster trucks, K-pop, rassling, and all that. Drmies (talk) 13:55, 20 July 2017 (UTC)
- Awards are secondary to the author but primary to themselves. The problem with modern poets in general is that they tend to have very few news articles so award pages tend to be all we have left. Also has some background on the publication and Donald Justice Poetry Prize - "The award includes publication of his manuscript, The Stranger World". This suggested to me that the Pinksy quotes were connected to this. I'm still looking for some more sources. Ottava Rima (talk) 13:47, 20 July 2017 (UTC)
- Oh I know--I'm a big fan. I have his Sounds of Poetry laying around somewhere. But the sourcing here is tricky. Where did Pinsky say this? His publications are sourced to the BU website, and these blurbs are sourced to the journal that he himself edits. So what's left, I suppose, is the awards--one of which may be notable, but even that one, the Donald Justice prize, hasn't received much coverage (I mean both your subject winning it and the award itself). In fact, I don't see a single real secondary publication in here, so I won't be the one moving it to main space. If RexxS wishes to do so, that's his prerogative of course. Drmies (talk) 13:34, 20 July 2017 (UTC)
- Drmies, I would normally agree but for the status of those two: Pinsky was the US Poet Laureate, which is a pretty big deal. Ottava Rima (talk) 13:17, 20 July 2017 (UTC)
Just a note: The Sewanee Review page has the Aiken Taylor award but not the breakdown of the other five titles: . These should probably be listed in the same section (or change the section name to "Prizes"). Ottava Rima (talk) 14:10, 20 July 2017 (UTC)
- Similarly, Southwest Review could mention The Morton Marr Poetry Prize along with their others . Ottava Rima (talk) 14:14, 20 July 2017 (UTC)
- And another: Vassar Miller could be noted at the University of North Texas Press (a sadly under-served page). Ottava Rima (talk) 14:17, 20 July 2017 (UTC)
It's interesting that Ryan Wilson (poet) has just made its way into mainspace. You were right, Drmies: predictably, the quotes have attracted disagreement about their sourcing, and it would perhaps be best to reduce them to a summary as a compromise. We'll see how that pans out. --RexxS (talk) 17:18, 17 May 2018 (UTC)
- Hmm a good occasion to do some updating: the LitHub person mentioned above is getting two books out with Riverhead Books. Anyway, Rexx, what I mentioned above, those are also the standards I try to live by--I don't write in awards unless I can verify them, even if I know them to be true. And my standards--obviously notable ones (even if "obviously notable" to the experts only) can do with some kind of primary sourcing, from the organization, less obviously notable ones require secondary sourcing of the not-just-local-news kind. Drmies (talk) 17:34, 17 May 2018 (UTC)
- Ah, yes, the Pinsky quote...can't find anything for that. I assume it's a note of sorts pertaining to an award, or possibly a blurb for a book. I don't like it, sorry. Drmies (talk) 17:37, 17 May 2018 (UTC)
- The Pinsky quote can be found on the bio page at the Association of Literary Scholars, Critics, and Writer's journal Literary Matters: . The same quote is also at Verse Daily and poems.com . Also, CUA has a faculty page that is available . Dappled Things has an interview . Also, Archive.Org has a file on him as part of their "Apostrophe Cast" program . And here is a review . And in searching, I found him at Yale Review to add to the others . Ottava Rima (talk) 20:25, 17 May 2018 (UTC)
- Thank you, Ottava. I've transcribed them onto Talk:Ryan Wilson (poet) and asked if others would like to use them to expand the article (hint Drmies). Otherwise I'll try to find time to incorporate them myself to the best of my limited ability. --RexxS (talk) 21:50, 17 May 2018 (UTC)
- Ottava, that they're repeated on various websites doesn't tell me anything about when the man said that and to whom and in what context... Drmies (talk) 21:57, 17 May 2018 (UTC)
- My spidey-sense is telling me that the quotes smack of something you would read on the dust-cover of a book like The Stranger World. Unfortunately, the nearest library copy to me appears to be in San Angelo, TX (7800 km away).
- Update: My spidey-sense didn't let me down. Have a look at https://www.amazon.com/Stranger-World-Ryan-Wilson/dp/193957420X – there's a link on the left under the front cover image, . Clicking that allows you to see the back cover. Lo and behold! There are the quotes from Pinsky, Yezzi, Warren and Jarman. So the answers to the good Doctor's questions are: the quotes were said to the publisher's gopher who was canvassing for text for the back cover prior to the book's publication. Does that help? --RexxS (talk) 23:15, 17 May 2018 (UTC)
- The publisher is the group that awarded the Donald Justice Prize (Measure Press), and publication of the book is part of the prize. As for the Pinsky quote, he is a former laureate and has a relationship with Measure Press, often reviewing works. He also has a relationship with Ryan as per the interview ("Anyway, a few dozen drafts, a lot of help from Robert Pinsky, and a year later, “The City Under Vesuvius” came out in heroic couplets") and taught in the Boston University program where Ryan graduated. It would be a notable quote simply because he is a very notable individual. Bias doesn't really affect quotations, especially when most quotations are formed by bias. Would it settle any concerns if it was from Robert Pinsky's website? Ottava Rima (talk) 23:29, 17 May 2018 (UTC)
- Ottava, that they're repeated on various websites doesn't tell me anything about when the man said that and to whom and in what context... Drmies (talk) 21:57, 17 May 2018 (UTC)
- Thank you, Ottava. I've transcribed them onto Talk:Ryan Wilson (poet) and asked if others would like to use them to expand the article (hint Drmies). Otherwise I'll try to find time to incorporate them myself to the best of my limited ability. --RexxS (talk) 21:50, 17 May 2018 (UTC)
- The Pinsky quote can be found on the bio page at the Association of Literary Scholars, Critics, and Writer's journal Literary Matters: . The same quote is also at Verse Daily and poems.com . Also, CUA has a faculty page that is available . Dappled Things has an interview . Also, Archive.Org has a file on him as part of their "Apostrophe Cast" program . And here is a review . And in searching, I found him at Yale Review to add to the others . Ottava Rima (talk) 20:25, 17 May 2018 (UTC)
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articles
How did you get two articles to FA status while banned? Benjamin (talk) 05:26, 24 January 2019 (UTC)
- Which two are you referring to? Ottava Rima (talk) 15:15, 24 January 2019 (UTC)
- None, in particular; any, or all of them, I suppose. Really, I'm just curious what the procedure is for contributing while banned. Benjamin (talk) 15:17, 24 January 2019 (UTC)
- There is none. Most of the articles were written well before hand. Ottava Rima (talk) 15:19, 24 January 2019 (UTC)
- How is that "while" banned, then? Benjamin (talk) 15:23, 24 January 2019 (UTC)
- There is none. Most of the articles were written well before hand. Ottava Rima (talk) 15:19, 24 January 2019 (UTC)
- None, in particular; any, or all of them, I suppose. Really, I'm just curious what the procedure is for contributing while banned. Benjamin (talk) 15:17, 24 January 2019 (UTC)
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Today's Wikipedian 10 years ago
Ten years! |
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and today's TFA is an article about a poem ;) --Gerda Arendt (talk) 08:25, 20 December 2019 (UTC)
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will stop the proposed deletion process, but other deletion processes exist. In particular, the speedy deletion process can result in deletion without discussion, and files for discussion allows discussion to reach consensus for deletion. Salavat (talk) 03:04, 26 December 2020 (UTC)
- @Salavat: "Orphaned file with no obvious value in transferring to Commons" is not a reason to delete. Editors may choose to upload to Misplaced Pages freely-licensed images for use in an article at a future date without any need to transfer to Commons, and there is no deadline to include the image in an article. I've declined the prod. See File talk:Drapiers Letter 2.JPG. --RexxS (talk) 04:07, 26 December 2020 (UTC)
Precious anniversary
Eight years! |
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--Gerda Arendt (talk) 07:59, 10 January 2021 (UTC)
A barnstar for you!
The Writer's Barnstar | |
I just started making my way through the articles on T. S. Eliot you wrote. Thanks again for your dedication to qualitiy work. Viriditas (talk) 21:20, 14 July 2022 (UTC) |
File:Candide1759b.jpg listed for discussion
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File source problem with File:Streatham Park.jpg
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Miss ya
Hope you are well and things are going OK. Herostratus (talk) 21:37, 18 December 2023 (UTC)