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Revision as of 06:56, 17 December 2005 edit68.107.174.166 (talk) Beethoven was Black← Previous edit Latest revision as of 20:51, 24 December 2023 edit undoPrimeBOT (talk | contribs)Bots2,048,605 editsm Moonlight Sonata media file: Task 24: template replacement following a TFDTag: AWB 
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{{Aan}}
{{FAOL|Esperanto|eo:Ludwig VAN BEETHOVEN}}
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== Moonlight Sonata media file ==
{{oldpeerreview}}
The current Moonlight_sonata.ogg is inferior to another file on Misplaced Pages: Moonlight.ogg. I'm learning the piece myself (beginning pianist) and I wanted to hear a good example. In my opinion, the current one is void of any emotion whatsoever.
Propose to replace
{{listen|embed=yes|filename=Moonlight Sonata 2.ogg|title=Moonlight Sonata|description=Piano Sonata No. 14 in C-sharp minor, 1st movement|format=]}}
with
{{listen|embed=yes|filename=Moonlight.ogg|title=Moonlight Sonata|description=Piano Sonata No. 14, 1st movement (Adagio sostenuto)|format=]}}


--] 20:24, 31 August 2007 (UTC)
== Facts ==
'''Ludwig Van Beethoven'''


:Agree - the existing one seems to be produced by a midi sequencer, with no tempo variation at all. The other is an actual performance, and quite a nice one. --] 21:09, 31 August 2007 (UTC)
He wrote 138 opus numbers consisting of nine symphonies, sixteen string quartets, nine piano trios, thirty two piano sonatas, ten sonatas for violin and piano, five fo cello and piano, five piano concertos, a violin concerto, and nine concert overtures. (Borroff 488) Ludwig Van Beethoven was born in Bonn, German in 1770. His dad pushed him so hard to be the next Mozart that he hit his fingers with sticks until he played it right. When he started to play the piano he was only four, he was so tiny that he was to stand on the piano bench.


::Made the change. This is my first edit! yeah!... ] 21:35, 4 September 2007 (UTC)
When Beethoven turned twelve he started to work with a tutor to help him learn how to play the piano, by the age of fifteen he was already writing some of his first pieces. Beethoven’s first public performance was in 1795, when he was twenty five. While Beethoven was in his mid twenties he started to go tone deaf. It made it hard to write music and then perform in front of the public, so he resorted to private parties.(Bouchier)


== Romanticism template ==
Beethoven’s most famous piece was Fidelio. At its big public debut it was played very poorly by Beethoven so nobody really liked it. During this time he wrote some of his most powerful pieces such as Symphony no.7, Pastoral Symphony, Symphony no.8, Piano concertos nos.4 and 5, and Violin Concerto. During his late period he played Hammer Klavier, op.106 and op.110, and Choral Symphony no.9 in d minor.


==Copyright issue==


Is there a reason that there is a romantic box but no classical box at the bottom of this article? I have no problem with the romanticism template staying in place, but to try and pigeonhole Beethoven as a "Romantic composer," while partly true, is a gross oversimplification, as he was as much classical as romantic. I'm not familiar enough with Misplaced Pages to edit this myself, but I think it would be wise to include a Classical box along with the existing romantic box. ] 01:15, 13 May 2007 (UTC)
The article about Beethoven's ] is very interesting and enjoyable, but:
* are we sure it is copright-free? it is "signed" and has a structure of a piece of criticism which could have appeared in a book or journal (nothing of the above means that it was not written for the Misplaced Pages, or is free from copyright, of course, but one wonders).
* it expresses in some places very personal opinions and commentaries, some of which not universally shared. So, if we agree that it does not violate anything, one could work a bit about it. But, then again, perhaps it is by a great critic, so his opinion may well be interesting (and worthy an encyclopedia article) by themselves.


:I agree with you that Beethoven was both Classical and Romantic. There is no more pivotal figure. It seems, though, that there is not an equivalent ], since that template is quite different; and I don't see a template on either Mozart or Haydn, for example. (''Are'' these templates helpful? What do other people think? I thought it was nice to be able see links to Romanticism and its followers in the other arts, but isn't it necessarily POV to pick which names go on the template?) ] ] 01:48, 13 May 2007 (UTC)
Should anybody change or delete or whatever that article, please do not delete the initial part (the one with the description of the symphony's movements), which was written by myself, obtaining it by the score of the symphony. --]
-----
I would venture to say that it's written by an aficionado; if he's also a critic, he's a critic for a journal that doesn't bother archiving things online: . Those three pages yield the year-old email mestrin1 at earthlink.net. Anyone care to ask him? --]


::I didn't realize there wasn't a Classicism template. Perhaps there should be one... I have no idea how that process works. I think the template is helpful, especially for people that aren't familiar with music history; it provides a quick overview. I don't think it's POV so long as the names on the template are widely agreed-upon; I don't think anyone is going to cry POV when somebody says that Schumann is a Romantic composer. ] 03:29, 13 May 2007 (UTC)
==Beethoven and his predecessors==
::What I'm more concerned about is that the presence of the chart seems to deny the classical implications in Beethoven's music, and I forsee a generation of highschoolers writing reports with this article and saying, "Beethoven was a Romantic composer" which doesn't capture the entire truth. Anyways, I think we can both agree that this article is quite bad in general, while most of the glaring inaccuracies have been removed, there just isn't much information in it that is useful. This is distressing to me; it seems that the Misplaced Pages Beethoven article should be one of the most important in the encyclopedia. Some day I'll try to get around to a rewrite... ] 03:29, 13 May 2007 (UTC)


:::Several interesting issues here, some of which should properly be discussed elsewhere -- such as "who goes on the template". While no one will seriously claim that Schumann was not a romantic composer, the problem arises with "why not ''Clara'' Schumann? Why not Bruckner? Why not ..." But that's a discussion for the template page. Regarding the romanticism vs. classicism templates: it's misleading not to have ''both'', but there is not an equivalent classicism template (the one we have is jarringly different). Regarding the article: it's been bugging me for three years. We need a greater depth of coverage, with a well-cited and thorough survey of critical approaches to Beethoven over the last two hundred years, and it's not an easy job to do this. I think for most people it's ... easier to argue about infoboxes and templates, than get a pile of Beethoven biographies and critical works, and start writing. The meta-issue is that it is becoming harder in general to write Misplaced Pages as the articles become more and more mature and stable, even when they're not very good. Have you looked at the Schubert article recently? It's still full of the original 1911 Britannica prose, even after all these years of editing. ] ] 03:46, 13 May 2007 (UTC)
Some statements in the article concerning Beethoven's work in relation to Haydn's and Mozart's are inaccurate.
::::Many good points. I agree with the statment that it's easier to argue about templates than rewrite the article, and I hold myself guilty in that regard. Honestly, my years as a wiki editor have rather disillusioned me to the entire process- one has to wonder what is the point of writing a wiki on Beethoven when there is already so much quality information out there that is easily accessible- Groves, Solomon, etc. This is stuff written by paid people who are much more learned than we are, so it is silly to suppose that our work can ever match theirs, unless we copy it word for word, which is plagarism. Plus, they don't have to deal with vandalism, or people with agendas, or idiots in general. My goal as a wiki editor, I think, is just to police the articles and make sure there is an effort at fairness and no blatant inaccuracies.
::::That said, maybe I will try sometime this summer to sit down with a stack of biographies as you suggested and do a major rewrite. The last bio I read was by David Wyn Jones, it doesn't seem widely known. I found it well-written and very compact, if a little dry. It's been a while since I've read the Solomon, I'll definitely have to look over that again. Is the Thayer still used or is it considered outdated now? The one I am most excited about, though, is the forthcoming one by Jan Swafford, who wrote really thick biographies of Brahms and Ives. He has a really unique style which I really enjoy, but the publisher hasn't said how long it will be until that book comes out but assures me he is hard at work on it. If you have any other suggestions that I should look at I'd love to hear them. ] 21:01, 13 May 2007 (UTC)


"But in 1804 , when Napoleon's imperial ambitions became clear, Beethoven crossed out Napoleon's name on the title page."
First, the claim that his developments last 10 minutes. No, they are at most about 5 minutes. His longest movements are 15 to 20 minutes long (depending on repeats) with the development taking up about a third. In many of Haydn's works the development is equally extensive compared to the scale of the movement.


I think he actually tore out and crumpled up the title page. You might want to quote what he said about Napoleon, too, having given way to the seduction of power and betrayed the ideals for which he had supposedly stood. ] 01:10, 7 June 2007 (UTC)
Second, the claim that the Eroica first movement is as long as a Mozart-era symphony. Mozart's symphonies with 4 movements take about 25 minutes to perform whereas the first movement of the Eroica is about 15 minutes. Possibly if one were to perform the Eroica very slowly with repeats and the Mozart very fast without repeats the times could be equal, but this is not a fair comparison.


What about the ideals of the Enlightenment in Eroica? I think this piece is the best example.
However, it is indisputable that Beethoven's codas (closing sections) were on average much longer than Mozart's (no codas or very short ones) or Haydn's occasionally more extensive codas; and that Beethoven's movements were on average longer than Mozart's and Haydn's - say half as long again. There are very notable exceptions, like the short first movement of the Fifth Symphony and the String Quartet no.11 which is shorter than most of Haydn's mature works.


:He actually crossed out Napoleon's name so severely that it wore through the page I believe (I think this is what M. Solomon writes anyway--can't give you a reference right now, though). ] 23:30, 29 October 2007 (UTC)
It's not true to say that Beethoven's use of rhythmic motifs contrasts strongly with Haydn's. On the contrary, Haydn pioneered the technique of breaking up musical thought into short, flexible rhythmic motifs, which Beethoven undoubtedly drew from. (See Haydn string quartet op.50 no.4 (first movement), the finale of the piano sonata no.52, the first movement of the sonata no.49, etc.etc.) However, Beethoven achieved unprecedented rhythmic drive and emotional and dramatic range with the technique, which probably leads many people to neglect Haydn's contribution.


== Freelance ==
While it's correct to say that the first-movement themes of the Fifth and Ninth symphonies are more rhythmic than melodic in character, it's difficult to see how the broad cello theme of the Eroica first movement can be called unmelodic. In fact, Mozart used the exact same melody decades earlier in one of his early minuets (though with a rather different overall effect). One of the distinguishing features of the 3rd. is the strong contrast between broad, simple melodies and energetic rhythmic passages. (Compare the quartet Op.59 no.1 first movement.)
I'm not sure if the statement "was one of the first composers to work freelance" is a good idea. It is mostly true, but Mozart was probably the very first freelance composer. Rewrite maybe? ] 16:17, 25 April 2007 (UTC)
==Typo to correct==
In the "His Music" section under item #1, the word "sonatas" is misspelled as "sonats." Can someone more experienced with editing correct this? ] 18:40, 7 April 2007 (UTC)
:I went to do this, but couldn't find that misspelling anywhere - has it already been corrected? ] 18:23, 24 April 2007 (UTC)


Scarlatti as well.
Concerning the finale of the 3rd., it's more complex than just the initial (not very melodic) "theme" consisting of isolated notes. This turns out to be the bass-line of the theme revealed later, which is a broadly lyrical melody. In fact the bass-line is used as a *harmonic* theme, rather than a rhythmic one: Beethoven immediately changes the rhythm of the notes, but keeps the same harmony throughout the variations. This is similar to Baroque ground bass movements which present varying melodies and rhythms over the same harmony. Beethoven's innovation is in "fooling" us (at least the writer of the article) into thinking that the bass line is the melody. ***** tdent@auth.gr


==Songs?==
:Yes, the article needs quite a bit of work. I don't agree with absolutely everything you say, but I'm with you on most of it, and I'm sure you could much improve the article. Do feel free to do so: ] and all that. --]
Beethoven's work should not be reffered to as 'songs' as they so often are in the analysis of the Piano Sonatas...which are obviously not songs.Piano sonatas are clearly not songs.
:Can you point out where you see this happening? I do not see it in the article. ] ] 21:00, 11 April 2007 (UTC)


==The new infobox==
----
I'd like to make a case for deleting the recently installed infobox.
*It makes the portrait of Beethoven small and difficult to see.
*It doesn't contain any information that isn't already in the first two lines of the article.
] has, in various talk pages, wisely pointed out that a reader of an article should be expected to ''read the article''. If we put straightforward information like life dates in the first line of the text, that's sufficient to make it prominent. Cheers, ] 23:27, 18 September 2006 (UTC)
:I agree that the infobox should be removed. I believe it detracts from the article, rather than enhancing it. ] ] 23:41, 18 September 2006 (UTC)
::I also agree with Opus33. I have just removed it again. The template was worryingly given the background colour corresponding to "non_performing_personel", and equally disconcertingly has blank places for "label" and "associated acts". Even the clearest bits of Beethoven's biography (such as his occupation and date of birth) require somewhat nuanced presentation, and no template can provide for that. --] &#9836; ] 12:37, 4 January 2007 (UTC)
:I have modified the infobox to display some of the nuances described by ]. If anyone has further suggestions as to something that needs clarification in the infobox, please say so here or in the other discussion below on dates and places of birth and death. - ]<sup>(]|])</sup> 06:38, 13 April 2007 (UTC)


::If you change the infobox, you'll have to do the same with all the other composers! --<span style="color: blue;">] <sup>] ]</sup></span> 04:57, 24 April 2007 (UTC)
==Arrival of Stirling Newberry==
== Cause of death ==
There is heavy speculation on what killed LvB, but {{PMID|17214130}} suggests he had ]. ]&nbsp;|&nbsp;] 15:20, 1 March 2007 (UTC)
:More specifically, I've heard that he had cirrhosis of the liver. ] 14:52, 2 March 2007 (UTC)


From the autopsy report, quoted in Thayer:
Thanks for revising the Beethoven article, Stirling. I've edited slightly and added a bit more on the "crisis period."
"The liver appeared shrunk up to half its proper volume, of a leathery consistence and greenish-blue color, and was beset with knots, the size of a bean, on its tuberculated surface, as well as in its substance; all its vessels were very much narrowed and bloodless." Dr Joseph Wagner, 1827. That seems to support the liver cirrhosis. On the other hand his kidneys were in poor shape too: "every one of their calices was occupied by a calcareous concretion of a wart-like shape and as large as a split pea." This seems to suggest kidney stones. --] 15:32, 2 March 2007 (UTC)
:Kidney stones aren't generally fatal though. ''''']]]''''' 01:52, 6 March 2007 (UTC)
::Depends. ] lists several famous people who did, mostly when surgery was still in a fairly primitive state. --] 22:20, 6 March 2007 (UTC)


I hope you will endorse (or at least put up with) my trimback of the discussion of the Ninth Symphony--the bits about the Choral Fantasy predecessor and the Berlin Wall were already there in the ] article, and I feel they fit there better than in the Beethoven article as such.


I read in several bios that he died during a thunderstorm and that the friend who was then on watch over him saw Beethoven, who had apparently been sleeping, half-rise convulsively and shake an angry finger at heaven. Some sources even say he alluded to the idea of taking fate by the horns in his last moments. ] 01:07, 7 June 2007 (UTC)
Have you thought of taking on ] or ]? Both need tender loving care right now.


This recent article speculates that Beethoven was inadvertently poisoned with lead by his physician:
] 04:45, 9 Jan 2004 (UTC)
--] 21:00, 28 August 2007 (UTC)DSteckelberg


==How he died===
I had not seen the Ninth Symphony Article when I posted my additions, and I agree that moving more writing there is better, it is an extensive article. The Beethoven needs revising, in that the section on his music proper needs to have a bit more on what an encyclopedia reader would need. What is there is technically good, and worthy to keep, but needs to be balanced with the emotional and literary work.
He died a very sad death, and whenever i think about it, i want to cry.
After he came back from his brothers, he had caught pneumonia, because he hitched a ride on the back of a cart
(His brother was a REAL cheepskate) He caught pneumonia, because it was soking rain outside, and back then,
Pneumonia was more serious (they didn't have medicines, so no doctor could cure him(also, he hated doctors(He hated doctors,
because when he was smaller, they couldn't help his hearing))) So when he got back, he was so cold, and his clothes were so
soaked, he got even worse. He had to lay in bed for weeks!
Here is the part, that for some reason, isn't on the internet. The night he died. I mean, its on the net, but not THESE details.
Listen:
He was laying in a bed one stormy night, with all of his dearest friends around him(Kristoff, Kristoff's mom, etc.)
And he was starting to close his eyes, when he did something that sent a Chill down everybody's spine.
There was a crack of thunder, and he shook his fist at it, like he was mad at it,And Quoted:


"I shall hear again!!"
Schubert isn't really my strong point, I will probably stop by Haydn, and would like to continue to refine some of the individual articles on Beethoven's music, particularly his string quartets and piano trios.


He then took a long, deep breath, and closed his eyes.
]
Sad, but Creepy (in a sad way) <small>—Preceding ] comment added by ] (]) 20:44, 26 October 2007 (UTC)</small><!-- Template:UnsignedIP --> <!--Autosigned by SineBot-->


==Place of birth & death==
----
He was actually born in the ], ], and died in the Holy Roman Empire too. Should we put that in the infobox, or put "present-day" Germany & Austria? ] 00:57, 28 March 2007 (UTC)
==We don't know when Beethoven was born==
:You make a good point, and this is yet another reason why I don't think we should ''have'' an infobox. The problem with using them on non-contemporary figures is that the box makes an assumption that people are from a "country", or, in the case of Beethoven, that he composed in "genre, classical", which is how CDs may be classified in a record-shop, but which has no place in an encyclopedia. Composers need a more nuanced presentation than is possible in an infobox. Please see the thread above entitled ]. However I may be in the minority in my view. ] ] 01:27, 28 March 2007 (UTC)
::Indeed. Given that the infobox isn't especially informative, that two pieces of information in it are arguably inaccurate, and that the rather better-developed German version of this article can do without a box, I wouldn't mind seeing it removed. ] 00:59, 29 March 2007 (UTC)
:::I've deleted it. Salvage any lost information from the history. There was a discussion of this on ] article as well &mdash; there was clear consensus that an infobox on composers like them do not present any new information, and sum up a complicated person in too brief a manner. ] ] 04:22, 12 April 2007 (UTC)
::::it was i who put the infobox there, and i'm a bit disappointed you unilaterally decided to remove it with the courtesy of message. i further don't see how you consider three people over a span of four months a consensus. --] | ] 04:39, 12 April 2007 (UTC)
:::Please consider the reason why an infobox is presented on a page like this. An infobox puts vital information in a concise, easy table for cursory readers to glean. In this case, an infobox is not ideal because the birth date, first of all, is contested, and it does not provide sufficient information about the peculiarities of his actual birth. Moreover, the rest of the information is misleading and confusing to those who are not musicians &mdash; Beethoven uniquely straddles both Classical and Romantic eras in music, and putting both there means nothing to those who don't understand his chronological ambiguity. The "Occupations" row is misleading, apparently stating Beethoven's work was part of some job or career. The "Notable Instruments" section still confuses me; is it a list of instruments he owned? Why is that info pertinent in summarizing his life into a small box? Futhermore, I'm not obligated to personally message you about it, because you do not ] that edit, although you are perfectly validated in adding it back, and contributing to this new discussion. ] ] 05:07, 12 April 2007 (UTC)
:::'''Note:''' Choose your duke-out location; they've started a discussion on this very topic ]. ] ]
:In response to this discussion, I have modified the infobox as to ] suggestion in using "present-day" to modify the country locations of birth and death. - ]<sup>(]|])</sup> 06:35, 13 April 2007 (UTC)
== Conductor?! ==
I've deleted the title "conductor" from both the infobox and the lede:
# To call him a "celebrated...conductor" is dubious at best. A glance at the index of my copy of Maynard Solomon's bio yields 5 total mentions of him conducting, two of which are negative (one mention of his deafness leading to disaster while trying to lead ''Fidelio'' (p. 268); one comment that conducting was "...a role for which he had never been well suited." (p. 250)). Certainly to imply that Beethoven's fame during his lifetime owed as much to conducting as to piano playing is really just flat ''wrong''.
# I don't recall ever hearing evidence, in Solomon or elsewhere, of Beethoven "conducting" any music but his own. I've seen other composers called "conductors" on WP, I think erroneously. I think to avoid sowing confusion a distinction ''must'' be made between genuine composer-conductors like ], ], or ], and composers who occasionally conduct(ed) their own stuff, like ] or ].
# The title is also anachronistic: All the scholarship I've seen on the issue indicates that the role of "conductor" as we understand it was, in Beethoven's time, in an embryonic stage, if it existed at all. Indeed, Beethoven's music was in part responsible for its development as a specialty. ] touches on this, if regrettably briefly.
In short I believe the term is, in Beethoven's case, an innacurate, misleading anachronism. &mdash;] <sup>]</sup> 03:32, 15 April 2007 (UTC)
:Remove it, but for sure add that info somewhere (that he was an atrocious conductor)! ] ] 06:36, 15 April 2007 (UTC)
== Media box broken ==
The scroll box in ] hides information in the Printable version. As the information is part of the article it should be printable. Should it be replaced with the usual list format? (] 04:13, 16 April 2007 (UTC))
==Infobox problem==
{{Infobox musical artist <!-- See Misplaced Pages:WikiProject Musicians -->
| name = Ludwig van Beethoven
| image = Beethoven.jpg
| caption = portrait by ], ]
| background = non_performing_personnel
| Born = ], ]<ref name=baptism/><br><small>], ]</small>
| Died = ], ]<br><small>], ]</small>
| genre = ], ]
| occupation = ], ]
| years_active = ] – ]
| notable_instruments = <!--'''Violin'''<br>] 1671<br>'''Viola'''<br>] 1690<br>'''Violoncello'''<br>] 1675-->
}}


IMO this infobox detracts from the article in a simplistic and unhelpful way. Can we have a discussion about this? Thank you. - ] 23:10, 16 April 2007 (UTC)
A little while ago, somebody changed "baptized December 17" in the opening sentence to "born December 16". Is this definitely correct? I thought that we knew for sure when Beethoven was baptized, but couldn't say for sure what day he was born on. --]
*IMO, the article looks quite simplistic without it. ] 23:17, 16 April 2007 (UTC)
::Was it really necessary to kill the picture along with it? Something about babies and bathwater...
::::Only the infobox was moved to this discussion. If you know how to put the picture up by itself that's fine by me. Displaying portraits of composers is a good idea. --] 02:49, 17 April 2007 (UTC)
::I actually think the absence of the infobox & pic only heightens the impression of this page as a set of exemplary reflist, external links, & sound samples, tacked onto an article proper that is, considering the towering subject and huge extant literature, frankly borderline-stubby. I think this debate just distracts from making the actual article better.
::I think the infobox as currently "trimmed" & updated is a (small) net plus. As I said over at the WPComposers debate, what's so wrong with providing an "At-a-glance" intro for the novice, ''supplemental'' to a good article? &mdash;] <sup>]</sup> 01:00, 17 April 2007 (UTC)
<small>reset margin</small>I "trimmed" the box a bit more to remove the redundant "Birth Name" and suggest a simple compromise on the birthday issue--another solution would be "''c.'' December 17...". The footnote explains the baptism stuff fine w/o extra text above. &mdash;] <sup>]</sup> 01:07, 17 April 2007 (UTC)
:I have re-added the portrait to the top of the article as it was placed originally before the addition of the infobox. - ]<sup>(]|])</sup> 03:51, 17 April 2007 (UTC)
::Thanks. That looks good. --] 04:54, 17 April 2007 (UTC)
Well now the article is targeted by the "Article Improvement Drive." I'd expect much more conflict about this topic. ] ] 22:55, 18 April 2007 (UTC)
:Well, instead of discussion, somebody (''not'' me) just added a new one, filled with anachronistic flags and misinformation about "birthday" "beethoven the 'conductor' " (see above), etc. Sadly, so far the "collaboration drive" doesn't seem to have produced much other than seemingly increased vandalism and just bad edits...oy. I thought at least someone would come & slap some {{tl|fact}} tags around, which would have been helpful...


:Anyway, the better part of valor even for you anti-infobox crusaders may be to leave one there that's stripped of crap, so as to discourage eager wikipedians from disastrously "improving" the top of the article. For now I replaced the "bad" infobox in the lead with the model from here, which I consider at least benign; we'll see if that too gets "improved" In the meantime feel free to revert to nothing if you feel you must, but be prepared to fight a sustained rearguard action.&mdash;] <small>]</small> 06:34, 24 April 2007 (UTC)
*You're right, and I'm about to change it back. (It's really not at all unusual not to know a birth date but to know a baptismal date, but people keep trying to squeeze facts into a template, even if it means doing violence to the facts) Here's an online . -- ] 01:53, 14 May 2004 (UTC)


::Infoboxes are horribly ]: the newbie entering the edit window for the first time is immediately confronted by something they can't edit. What is more, an infobox is not helpful for Beethoven, where matters are quite nuanced. Proper writing in the usual way will work better. ] <sup> ]</sup> 15:22, 27 April 2007 (UTC)
==Shorten Symphony Section==


:::Infoboxes are a standard for almost all wikipedia articles of merit. Don't like it? Change the guidelines of a start-class article at WikiProject:Biography. WP:BITE is not an excuse to skip learning wikicoding. The infobox is correct, factual, and a good piece of layout. Use it now. ] 20:10, 13 May 2007 (UTC)
We've now got individual articles on all nine symphonies, which I think renders the discussion of individual symphonies on this page redundant. I've put in cross-references.
::::That's utter rubbish. There is no policy or guideline that says we need infoboxes, especially not when they're misleading, as has been the case on many composer articles. Plenty of excellent articles do not have them, ] for one. WP:WPBIO guidelines do not rule the world. And no, it is not correct, it is confusing. Genre: Classical, Romantic? How does that help anyone? It doesn't, it just confuses. Please don't people to "Use it now". That's very poor tone to take with good-faith contributors. There are many sections of Misplaced Pages where infoboxes are considered either useless, redundant, or detrimental. This particular box is confusing and is redundant to the text, which explains the subtleties of Beethoven's music far better than the box ever will. It's just absurd to try to reduce thousands of analyses of Beethoven's style and genre to the farcical phrase, "Classical, Romantic". ] <sup> ]</sup> 14:16, 17 May 2007 (UTC)
:::], an infobox is a standard for biographical articles. If you are unhappy with ] you may of course author ] to present pertinent facts to the novice. You've not pointed out with any specificity at all which points are "inappropriate" or 'oversimplified'. You've not attempted a minor edit to correct any particular statement you might disagree with. This is not the place to challenge the notion of infoboxes as a thing in themselves. At the risk of sounding like I'm accusing you of disrupting Misplaced Pages to prove a point, please knock it off. Blocking my attempt to conform to Misplaced Pages's standards of excellence with a simple piece of summary layout with non-specific complaints does not show an effort at consensus. I will continue to revert until you present a rational and specific defense of your actions. ] 13:08, 17 May 2007 (UTC)
::::What the devil is this? Kindly assume good faith and take a slightly less condescending term towards the regulars. You've got to be joking. Infoboxes are standard for biography articles? This is rubbish. I've written tons of bios and I've never used an infobox, nor needed one. So have others. For starters, you could see the discussions and consensus and sections at ] and the ]. Infoboxes are not part of our standards of excellence. Accurate information is. I've removed the infoboxes per perfectly rational consensus for this set of articles, and per Misplaced Pages's '''standards of excellence''' to remove inaccurate, misleading, and confusing information. There is no reason why I have to listen to anything WP:WPBIO says, ever, when writing a biography. ] <sup> ]</sup> 14:16, 17 May 2007 (UTC)


::::And please do a little research on the people you accuse of POINT violations. Adminstrators who have been here at Misplaced Pages for well over a year are unlikely to do such things. ] <sup> ]</sup> 14:16, 17 May 2007 (UTC)
In case anyone wants to restore old material, or transfer it to the individual symphony articles, below I've appended what I cut.
:::::Infoboxes are definitely not obligatory for biographical articles (with good reason). The Biography Project doesn't own this encyclopaedia and states as much in its own guidelines here . Infoboxes are at best redundant, at their all too frequent worst they are disastrous . --] 15:45, 17 May 2007 (UTC)
:::That Paderewski save is just a bad piece of layout. A good piece of layout using all the information without redundancy in a single box is completely doable. Nobody in opposition cares to make any suggestions about what a GOOD, appropriate and nuanced infobox would look like. There's a reason for that. ] 09:09, 18 May 2007 (UTC)
::::No it isn't. It's because human beings like Paderewski fail to fit into neat little boxes. The onus is on the people who want boxes - which are completely redundant and no more than prettification on articles like this - to sort out the problems they create. --] 09:29, 18 May 2007 (UTC)
:Straw poll anyone? ''']<span style="color: red;">Holloway</span>''' 17:27, 17 May 2007 (UTC)
::Hmm, I don't see how a straw poll will fix the problems inherent in these boxes. --] 18:15, 17 May 2007 (UTC)


The ] page explains: ''Certain biography articles have opposition camps on infoboxes. . . . if you are tagging a scientist, academic, or "classical" composer, first ask on the Talk page.'' Of course both the Composers' and the Opera Projects have decided against using them after discussion. In any case there is no infobox for composers, the musical artists' box is for popular musicians. I hope that helps clarify this issue. -- ] 01:44, 18 May 2007 (UTC)
I hope this is ok. ] 20:44, 14 May 2004 (UTC)


:Thanks, I got it. Opposition camps = ] arising from the self-importance of music scholars (no statement is "appropriate" or nuanced enough to summarize facts about we, the sublime). I don't care care what admin is going to pucker up for your "camp"... there was a reason I was asked to come here and edit, and it wasn't because this article had a rating appropriate to its notability in WikiProject:Biography. Quite the opposite. If you fellow editors are unable to come to a consensus about what are the most notable facts about Ludwig van and lead with them, and are furthermore content to leave all statements ambiguously summarized without much regard to the source of facts, then possibly the only contribution I could possibly make to this page (normally I'd be busy adding sources by now) is to delete non-notable entries in the reams of list-cruft on this page and individual statements which remain completely unattributed. Hopefully this will enable the editors here to pinpoint exactly what's important about Beethoven. Never again will I attempt to add an infobox here. I'll definitely comment against your "camp" wherever possible however, and work diligently to hold the editors here accountable for each and every line. ] 08:48, 18 May 2007 (UTC)
Beethoven completed nine numbered ]. His first symphony, in C, is reliant upon Haydn models. His Symphony No. 2 in D extends Beethoven's understanding of the symphony. His first famous symphony was ], better known as the ''Eroica''. As mentioned, although this was originally dedicated to the French First Consul, ], Beethoven angrily ripped off the dedication after the Frenchman declared himself emperor.


::(Uh, could you indent next time? Anyway I've done it for you now.) ''Opposition camps'' is not my expression. It's what it says on the Biography Project/Infoboxes page. I have no idea who wrote it. By the way, who was it who specially asked you to come and edit this page? I'm just curious, you are of course welcome here like any other editor. -- ] 09:58, 18 May 2007 (UTC)
The ] is a remarkable example of good humor. Even more famous is ], which starts with a well-known theme which people say sounds like fate knocking at the door. The Sixth Symphony, in F, is better known as the ''Pastoral''. It is based on country life, and made up of five movements, of which the most famous are the second movement, Scene by the Brook, and the third, Merry Gathering of Country Folk.


:::Thanks again. The request by ] was made via my talk page. Since we're not directly discussing the Maestro and edits to his page, perhaps you can kill two birds with one stone and drop by. ] 11:08, 18 May 2007 (UTC)
The ] and ] symphonies are more rhythmic, the second movement of the eighth being based on the ], an invention by Beethoven's friend ]. The final complete symphony is ], composed in 1823 (and occasionally referred to as ''Choral''), whose last movement, as mentioned, was a setting of ]'s poem celebrating joy. A choir and four vocal soloists appear in this movement. (The chorus has been adopted as the official ] of the ].)


::::Your comments grow increasingly unpleasant the more you write (note how I spoke disparagingly of your comments, in keeping with ]). I know it's been a while now, but please, as others have reminded you, assume ], and remember that in the end, we all have the same goal: an excellent article. --] 07:18, 11 June 2007 (UTC)
==Deleted material==


==Re obscure comment in To-Do List==
Here's the stuff I just removed from the top of the article, in case anyone want to put it back:
Meaning the "On IE the Birth name appear as John Winston Lennon". It actually dated from January 15, 2007, by an anon user. Agreed that it was probably vandalism. Thanks, Turangalila, for just getting rid of it. --] 03:08, 17 April 2007 (UTC)
== Merge ] ? ==
This article seems to me to have suffered from having a lot of biographical material either originally placed or moved into the above article in preference to this one. As a result, this article is quite sparse, while the above ] is actually longer than this one. To my mind the article bearing the subject's name should be a respectable article in its own right, and in particular should have more in the biographical section.


The problem will be that a straight merge will result in an article that is excessively long, but it would be a shame to lose any of the material in the other article. It seems to me that some of the more specialised stuff in the other article, such as Beethoven's ancestry, or modern interpretations of his illnesses, could be split off into other small articles. The mainstream biographical material (which by the way is lacking in inline citations) could be used here to flesh out the current biography. Opinions, anyone? --] 10:54, 19 April 2007 (UTC)
:His most famous works include his ], ], the piano piece "]", the ] and the ].
:Both artcles seem to have complicated histories. I've no real objection to making this article significantly longer; my main qualm about a merge is not so much length as the large ] and ] problems of the "Life" article; frankly this article doesn't need any more of that. While the bio here desperately needs filling out, I think I'd prefer a separate, ''referenced'' completion, even if smaller and/or slower. The breakup of "Life and Works" could be a another project--perhaps as part of a rationalization of the whole ]; currently the different articles are too often at cross-purposes...&mdash;] <sup>]</sup> 17:05, 19 April 2007 (UTC)


I think there should be a separate section about the Karl adoption case, which was a huge and drawn-out strain on Beethoven. During the case, as it had done a couple of times before, something else came up that embarassed B a lot. He always pretended to have a disdain for the nobility, yet this issue is a complex one. He had tried several times to pretend that the van ("the") in his name was actually the noble title von. During the Karl case, it was proved that he was definitely not a von, and the publicity dismayed B a lot. This ties in with his numerous infatuations with noble women... I think B's relationship with nobility and the noble needs to be explored more, because it might be significant in his music.


Also, what about when he and Goethe were walking down the street and some royal personage passed by and Goethe bowed and B kept walking...
Perhaps we should at least make a mention of it. Not all people visiting this site will know that Beethoven was the composer of these pieces. Let's make that connection for the layman reader. ] 13:55 9 Aug 2005.


In the social problems section, you could mention his temper. He once flung a hot bowl of soup in a waiter's face because it wasn't hot enough.
==Query for other classical music editors==


Boys used to throw stones after him as he walked, hunch-shouldered, self-absorboed, morose, down Vienna's streets.
I'm posting this under ], since I think most classical music editors have this page on their watchlist, but the issue comes up for all composers.


And he was nicknamed, among other less flattering things, Swarthy because of his black hair. His skin, too, was yellow, which might suggest he had had jaundice as a child.
We've now got a fair number of articles about individual compositions by Beethoven. What would be the best way to give the reader easy access to all of these articles? Asking the reader to go to "What links here" seems inadequate, since for someone like Beethoven the compositions are buried in a whole raft of other random cultural connections. Should there be a list, like ===Articles on compositions by Beethoven=== as part of the ==See also== section?


Again, I don't know if all these are notable. But I think some of these details might provide a more complete picture of such an important figure in Western civilisation. ] 01:19, 7 June 2007 (UTC)
Whatever we do, if anything, probably should be done uniformly for all composers.


== "Music: Overview" section ==
Thanks in advance for your opinion, yours very truly, ] 18:40, 7 Jul 2004 (UTC)
I placed a {{tl|POV-section}} tag in the "Overview" section under "Music". Currently I think this section is a big problem. It's totally unsourced (unfortunately that doesn't make it stick out in this article); its tone is patronizing (very "Music Appreciation class"; I hear ] in my head); and overall it's a veritable cornucopia of POV. Even ignoring the hagiographical bits it's highly interpretive in the least: How "well-crystallized" was the rondo? It wasn't "elastic" in Mozart? Is the ''Allegretto'' of the 7th Symphony really an "ethereal slow movement of mystic glorification"? (maybe on the Klemperer record...) I'd prefer to try and fix the section rather than just kill it, since a cogent discussion of the music beyond just naming the periods and saying how famous it is is important. &mdash;] <sub>]</sub> 08:52, 21 April 2007 (UTC)


== Kerman and Tyson from Grove ==
:What about ]? ] 21:03, 7 Jul 2004 (UTC)
Um, guys, I thought we weren't supposed to just cannibalize other reference material. Please cite from other sources besides (essentially) another encyclopedia. I also think that trying to create a 💕 is best achieved by eschewing as much as possible (while highly regarded) the most ridiculously overpriced piece of *ahem* literature in existence, or at least consulting all of its references first and using its synthesis lastly. I understand that the practice is to go to Grove first. But it ain't the Bible. It's a tertiary source. Make sense? ] 17:21, 18 May 2007 (UTC)


:I don't get any of that, for I've written whole articles using Grove, but at any rate I'm trying to use it for fairly basic facts and/or very commonly held opinions, not its synthesis. It's very exhaustive and very high-quality, and the articles are written by good people. It's rather reductive to claim that it's "just another encyclopedia", and as for your personal opinion that it's "the most ridiculously overpriced piece of *ahem* literature in existence", that's neither here nor there. There's certainly no reason not to use it to cite basic stuff. ] <sup> ]</sup> 17:34, 18 May 2007 (UTC)
::Thanks, Hyacinth, I think this is a plausible approach, at least for Beethoven, where we have already produced articles for a fair number of the works. But for prolific but less well-covered composers (how many of Scarlatti's sonatas or Schubert's songs have Misplaced Pages entries?), the reader seeing the list will find mostly a desert of empty links, no?


:Grove is a ]. Since we are not plagiarising from it, but rather using it as a reliable source of factual information, I don't see the problem. ] ] 17:37, 18 May 2007 (UTC)
::If the "List of Works by X" approach is the right way to go, it might be good to amplify these lists so that they give their content in more than one way--e.g. both by opus number and by genre. I do use the ] myself to look up articles and sometimes find the listing by just opus number to be a bit inconvenient. A genre list could perhaps be more selective and be of more help to the reader in finding articles. ] 22:53, 7 Jul 2004 (UTC)


== Infobox Musical Artist ==
:::We might not need to do it the same way for every composer. Some might benefit just by having a linked works list at the end of the article--consider composers with relatively few, but large works (Wagner, Mahler, ...) which could have a ===Works=== section at the end of the article (I have started doing this on some of the Renaissance/Medieval/Baroque folks whose bios I have been writing recently). With composers with a HUGE number of works, I like the idea of a separate works list article as Hyacinth suggests. But then I've never been a great fan of consistency for its own sake--I think Aristotle already occupies too much of our brains. :-) But at any rate I really want to see lists of composers works and an increasing amount of articles on individual pieces. Cheers, ] 15:32, 8 Jul 2004 (UTC)


I've put musical artist infobox on this page, but it has been reverted. I don't see why classical composers should be an exception for infoboxes. I want to put it back, unless there's some reason why I shouldn't do that. --] 12:15, 30 May 2007 (UTC)
:::: Whatever people decide I'm fine with, perhaps we could add a bit to a meta wiki page on music editing, there seems to be a growing community here. ] 19:29, 8 Jul 2004 (UTC)
:::::]. ] 02:19, 12 Jul 2004 (UTC)


:See ], ], and ]. ] 13:34, 30 May 2007 (UTC)
::::::Needs more that is applicable to history of classical music and classical music. ] 04:37, 12 Jul 2004 (UTC)


== Health ==
::::::I'd like a place where we could talk about all classical-music-related stuff, sort of a village pump for the community of editors here. I'm not sure the project meta page is the right spot for it. Ideas? I suppose I could make a sub-page under my user page but I think a more "public" spot would be better. ] 04:51, 12 Jul 2004 (UTC)


A book on Beethoven's health seems to have appeared, {{ISBN|978-0-7735-3190-1}}. He had a lot of respiratory and digestive problems, and of course his deafness & mood. ]&nbsp;|&nbsp;] 20:45, 2 August 2007 (UTC)
Thanks for all your replies. I've tried to take them into account in revising ], adding links to every work that already has a Misplaced Pages article. As far as ordering the genres, I tried to follow what's in the ''Penguin Guide to CDs'', which is probably already familiar to many people.


== bipolar disorder ==
For other composers, e.g. Haydn, I think I will take Antandrus's advice and not duplicate the Beethoven scheme, but simply add to the ==See also== section. This seems the simplest way to guide the reader to articles on individual works so long as there isn't a great number of them. ] 19:52, 10 Jul 2004 (UTC)
i suggest removing this until a source is provided.] 23:00, 13 August 2007 (UTC)


:Yes the paragraph
==The ad for Wikiquote==


"Beethoven frequently treated other people badly, and may have suffered from bipolar disorder, and/or irritability brought on by chronic abdominal pain beginning in his 20s, which has been attributed to his lead poisoning."
Hi- We already had a link to the Wikiquote entry for Beethoven, and there's also already a in the Misplaced Pages, so I took out the ad. I think the article will be just as useful and also look much nicer if we leave these ads out. I hope that's ok. Cheers, ] 00:36, 18 Sep 2004 (UTC)


is nonsense. Reiter's article only refers to the last months of Beethoven's life. We know absolutely nothing about the lead poisoning in Beethoven's youth.--] (]) 15:57, 17 November 2007 (UTC)
==Reformat as main article, satellite articles?==


==Lead poisoning?==
Hi all-- This article has a rather long and rambling feel to it, and I'm only adding to the effect right now by putting in more details of Beethoven's biography. Usually when a Misplaced Pages article gets long, it is redeployed as a main article plus various satellite articles, with the main article including brief summaries of the satellite articles. For an example, see (among many others) ].
The German Wiki entry on Beethoven notes that modern research indicates he suffered from lead poisoning:


:''Analysen, die das US-amerikanische Argonne National Laboratory in Chicago Anfang Dezember 2005 veröffentlicht hat, bestätigen, dass er von Jugend an unter einer schweren Bleivergiftung litt. Das Labor durchleuchtete einen der kürzlich von kalifornischen Wissenschaftlern identifizierten Schädelknochen Beethovens mit einem modernen Röntgengerät. Anschließend verglich es die Werte mit einem fremden Schädelfragment aus der damaligen Zeit. Demnach litt der große deutsche Komponist wahrscheinlich schon vor seinem 20. Lebensjahr massiv unter dem giftigen Einfluss von Blei.''
For the Beethoven article, the satellites would plausibly be a detailed biography, a detailed discussion of musical style and innovations, a list of works (already a satellite), and perhaps something on symphonies.


Please reply if you think this is not the right way to go; otherwise I will try to implement it soon. ] 15:17, 6 Oct 2004 (UTC) As I recall, news reports at the time (2005) included informed speculation that the lead may have come from glaze on drinking vessels. ] 03:40, 14 August 2007 (UTC)
: yes, here's one on Yahoo! news: -- ] 11:36, 29 August 2007 (UTC)


The above Wiki report was not attainable today, but the information on the German Wiki comes from the Argon Research Laboratory report 6-Dec-2005 (Contact:Catherine Foster, Phone: +1-630-252-5580) which states that ''synchrotron (micro) X-ray fluorescence analysis'' carried out on bone fragments of Beethoven's body (checked for sample identification by DNA analysis) showed the presence of massive amounts of lead. Ref: ''News for international x-ray analysis community'' Journal X-ray Spectrometry, January-24-2006, John Wiley and Sons publishers; http://www.nims.go.jp/xray/hot/xrsnews3502.htm This is a ''scientific proof'', which, of course does not tell us where the lead came from. ] (]) 05:51, 25 March 2008 (UTC)


::As long as detailed toxicological data have not been published, Prof. Reiter's hypothesis must be considered dubious. There is ''absolutely no proof'' that Dr. Ignaz Wawruch treated Beethoven's wound with lead poultices.--] (]) 16:00, 17 November 2007 (UTC)
==Was Beethoven of partly African ancestry?==
See the article below in the "Beethoven Was Black" section for references/proof concerning Beethoven's lineage.


==van Beethoven==
The article should mention the controversy (Edward G. Nilges 11-19-2004] 02:26, 17 Nov 2004 (UTC)) and I have added a paragraph.


If he was German, why is his name always listed van Beethoven? Shouldn't it be ''von'' Beethoven. Van is Dutch where von is German. ] 16:33, 14 August 2007 (UTC)
:I've moved the addition here<blockquote>Some scholars (by no means all) have raised the possibility that Beethoven was of at least partial African ancestry, and this may explain some of the rythmic and tonal explorations in his late works, where (for example) jazzlike syncopations appear in his Hammerklavier sonata. An explanation of this possibility would be the Turkish invasion of south-eastern Europe; the Turkish forces used Ethiopian and other African troops as musicians, and were stopped near Vienna in the 17th century. Other scholars reject this possibility.</blockquote>
:Beethoven's father's ancestors were Flemish, this is where ''van'' is from. ''Von'', in german, is usually a nobiliary particle ; Beethoven was not noble. Furthermore, ''van'' is the way he always signed his letters... I don't think we can contradict the composer himself. Cordially, ] 19:50, 16 August 2007 (UTC)
::It's a silly theory (that tacitly supposes his later (but not earlier) music's content is genetically determined), and that nothing says "jungle rhythm" like "late Beethoven". Worse, it's an unattributed silly theory. If the "some scholars" who have addressed it, it might be added back and attributed to them, but certainly not in such a prominent place as it was the first time...it's simply not that important a <s>wild-ass guess</s> theory. - ] 02:49, 17 Nov 2004 (UTC)
::Von isn't always for nobility, but thanks. Didn't know he had Flemish ancestory. All I knew was that he was German. ] 19:01, 18 August 2007 (UTC)


:::Thanks, Nunh-huh.


== Late String Quartets and/or Piano Sonatas ==
:::For the origin of the "Beethoven was black" claim, I found this a vaguely useful link:


I know this issue has already been discussed in some form or another elsewhere in the archives, but does anyone know if the middle (e.g. Op.31 and Op.53) and late piano sonatas (e.g. Op.81 and Op.106) are generally considered Classical or Romantic? What about the late string quartets? In my estimation, sonatas such as the Pastoral and the Tempest sound more Romantic than Classical (which is inconsistent with the "Eroica's" common consideration as Beethoven's first "Romantic" work), but the Hammerklavier and his other highly fugal works (e.g. the late string quartets) sound perhaps more Classical or post-Romantic than Romantic. I realize that these categories are neither cut nor dried, but is anyone familiar enough with the relevant literature to know how most scholars categorize these works (if they do at all)? ] 23:38, 29 October 2007 (UTC)
:::http://www.africawithin.com/bios/joel_rogers.htm


==Destroying of conversation books==
:::Joel Rogers was a self-trained historian who in 1966 published a book that made this claim. He seems to have been a brave and enterprising man who had an interesting career. But it also seems that the "Beethoven was black" hypothesis has not attracted much scholarly support.


To which persons does the following passage refer?
:::If we're to mention it (and I'm not sure we should), I think it should involve reading and quoting Rogers, pointing out that Rogers's theory hasn't convinced the musicologists.


"Towards the end of his life, Beethoven's friends competed in their efforts to help him cope with his incapacities, and after his death destroyed many of the conversation books to protect his reputation."
:::I agree with Nunh-huh that this material doesn't belong in such a prominent position; at best it should be in the detail satellite biography. And obviously, it should leave out the unsupported and inflammatory assertion about syncopation being genetic.


Who else beside Anton Schindler destroyed conversation books? Which friends of Beethoven collaborated with Schindler? The whole absurd sentence should be deleted.--] (]) 16:05, 17 November 2007 (UTC)
:::Cheers, ] 04:38, 17 Nov 2004 (UTC)


== Orignal research and Beethoven's character. ==
Edward Nilges: I'll consider rewriting it with sources when I have time. The issue was, I think now, more appropriate to raise first in discussion but I was also pressed for time when I modified the article.


It's well established that Beethoven was extremely erratic and unreasonable on the matter of his nephew. I'm not going to provide a source because it's such common knowledge across so many sources that it is superfluous to offer one.
There was no assertion about syncopation, being genetic. There are indeed irresponsible assertions made about genetics, but the rule here is that any POSITIVE assertion about African genes is "irresponsible and inflammatory".


The right of challenge is being abused; Misplaced Pages is becoming a laughing stock. Misplaced Pages, stand up to the extremists. ] (]) 22:30, 5 December 2007 (UTC)
I didn't mention genes. Instead, there was an entire hidden Turkish tradition in south-eastern European classical music which emerges in the "Turkish" march but which is in denial about "miscegenation".


:It isn't "superfluous"; it only means you have lots of choices. Choose one you think particularly appropriate or choose one randomly. ] (]) 10:28, 25 April 2008 (UTC)
Rather than thinking Beethoven unique, the mathematics of human reproduction show race mixture to be the (denied) norm and not exceptional. If one traces only the patrilineal line, one ignores contributions which are by default multiracial.


==Photo==
: The theory that Beethoven was of african or asian ancestry has as much scholary support as the theory that the pyramids were built by aliens. It's pseudo-science. The different musical traditions Beethoven was influenced by are a different issue. ] 12:30, 30 September 2005 (UTC)
]
I've uploaded a photo which may be valuble to the article.
] (]) 00:14, 9 December 2007 (UTC)


== Innappropiate wording? ==
I had alwayd understood it was ] who had a touch of black blood. Sounds like a fashionable theory of the day to explain musical talent, ] 15:01, 30 September 2005 (UTC)


From the custody battle section:


''"When Karl could stand his ->tyrannical<- uncle no longer"''
"Rather than thinking Beethoven unique, the mathematics of human reproduction show race mixture to be the (denied) norm and not exceptional. If one traces only the patrilineal line, one ignores contributions which are by default multiracial."


From the music section:
The mathematics of human reproductuon show that Beethoven could also be Swiss. We know that some of his ancestors were Flemish, and we also know that during the 80 years war many Swiss mercenaries fought in Flandres, and probably got on with the local women a bit. From this we can conclude that there is a possibilty of Swiss ancestry in Beethoven's linage. I think this hypotheticly possible Swissness should be mentioned in the article.


''"Beethoven is acknowledged as one of the ->giants<- of Western classical music"''
:I don't think that anything hypothetical involving controversy about abstruse points should be in an encyclopedia article, that's why Misplaced Pages has a policy against original research. This is not the "Journal of Beethoven Studies", it's an encyclopedia article, and people consult encyclopedias to find the main lines of consensus information about basic things. Things that are possible, speculative, highly controversial, and not essential to understanding the main things about Beethoven should not be in the Misplaced Pages Beethoven article, whether it's his genealogy or whether it's compositions he conceived of but never composed. These more abstruse things should be articles submitted to specialized scholarly journals. ] 06:42, 5 October 2005 (UTC)


The first sounds as POV. The second, I can't exactly pin point what it is, but to me, it just sounds bad. Maybe emotionally charged? --] (]) 17:07, 10 December 2007 (UTC)
The chances of Beethoven being black are about the same as the chances of Gustavus Adolphus being Vietnamese. Obviously the 19th century works claiming that he was black were ment to be defamatory, it's only in modern times that some Afrocentrics have accepted this as fact.


:Some more that I didn't read before:
: Actually at the time the idea that africans were musical and rhythmic was part of the racial thinking of the time. Wagner thought Beethoven might have african ancestory, and speculated that he should as well. It's part and parcel of that age, and it certainly hasn't gotten any better documented over time. If someone were to do a DNA test on his hair and find other ancestory, that would be notable. Until then... ] 17:59, 22 October 2005 (UTC)


:''"Equally ->remarkable<- was his use of "source-motives," which recurred in many different compositions."'' --] (]) 17:15, 10 December 2007 (UTC)
This seems to be so incredibly absurd; it is certainly not worth mentioning in the main article and I will most strenuously oppose anything of the kind.


== Beethoven was Black == == Homeopathy ==


] has added a section to "illness and health" that strongly implies that the subject took homeopathic medicines, and that they were effective for him. I have no doubt that he may have seen a dr who in addition to his practice was a proponent of homeopathy, but is there any evidence that Beethoven took homeopathic remedies? I also strongly doubt the claim/implication that any homeopathic treatment helped him, unless there is a reliable source that he believed it did. Even then we should only claim that it, in his opinion, helped him, as there is no scientific evidence for the efficacy of homeopathy. Any comments, or shall I just remove these changes? I also note that this user has been asked to avoid editing articles on homeopathy, and this is probably developing into a plug for his book so WP:COI applies. --] (]) 17:43, 9 January 2008 (UTC)
:*] was of course rampant in those days when ] was in its infancy. And whether or not the homeopathic medications "worked" (or perhaps even brought about Beethoven's death more rapidly) cannot be said with any certainty based on the experiences of one single subject (any beneficial effects could have been due to the ] or may have been spontaneous - after all, many people do often get better without any treatment). Whether or not Beethoven believed in homeopathy and whether or not they worked for him does not seem to be very relevant for this article and I agree that this addition is probably more like a plug for this editor. I would not object to a deletion at all. --] (]) 18:06, 9 January 2008 (UTC)
:::It's obviously ] in an article this size. Delete. --] (]) 18:08, 9 January 2008 (UTC)
:::: I'd remove it but for some reason I can't, I can only view source. As soon as that's gone I'll revert the changes --] (]) 18:53, 9 January 2008 (UTC)
:::::I've removed it myself per ]. The article has been semi-protected - so IPs can't edit. --] (]) 18:57, 9 January 2008 (UTC)


::::Strongly agree with you guys. The article should be about Beethoven the composer, and his music, and the addition seems to be more about how homeopathic medicines allegedly helped Beethoven than anything else. This is a pretty clear case of undue weight. Thanks, ] ] 00:06, 10 January 2008 (UTC)
While there is no evidence for it, it should be documented as a speculation which goes back to the 19th century. Perhaps in the life and work section?


:::::There are several reasons that I think that the information about Braunhofer is important here. It is known that Beethoven had certain health problems, not just hearing problems, that influenced his music. He was even known to have put his irregular heart beat to music. I referenced a book by Hayden, which, by the way, was very favorably reviewed by the New England Journal of Medicine and in Nature Medicine, that highlighted the fact that he considered almost all of his doctors to be "asses." However, he had a special and good relationship in Braunhofer, so much so that he dedicated two of his canons to him. I do not want to debate the validity of homeopathy here, but the bottomline is that, according to his famous "Conversation Books" (some of which have only recently been translated into English), Beethoven had a real appreciation for this doctor (Beethoven refers to him as "My esteemed friend" in his letters). I also reference a new book by F. Mai which was published by McGill-Queen's University Press. It would seem that this body of information is just the type that is NPOV and of special interest to wiki-readers.DanaUllman 02:14, 10 January 2008 (UTC) <small>—Preceding ] comment added by ] (] • ]) {{{2|}}}</small><!-- Template:Unsigned --> <!--Autosigned by SineBot-->
] 01:42, 9 Dec 2004 (UTC)


:::::: Maybe stuff about his views about doctors, and his special relationship with this one, should be included. This should be debated here first. However, any claims that he took homeopathic medicine need to be backed up, and any claims that he attributed any recovery to homeopathy also needs to be backed up, with specificity. The doctor might never have given him homeopathic treatments for all we know. Be aware of WP:SYN. Also, the section added was far too long for such a trivial fact: famous person in history took homeopathic pills, maybe. Since you are heavily involved in researching the history of famous people and homeopathy, perhaps you shouldn't edit the article space directly when editing pages such as these with homeopathic content. --] (]) 12:07, 10 January 2008 (UTC)
'''"EVIDENCE"'''


:::::::First, I am sorry that several of the people making comments here have little or no knowledge of the life of Beethoven, and instead, they simply seek to UNDO what scholarly writing that I do in various articles. ] seems to be one such person. S/he is also ] and ], and s/he has a strong POV, rarely provides NPOV references, and primarily seeks to UNDO the NPOV references I provide. My writing at this site is FULL of direct references to NPOV source material, and they link to the specific pages in Beethoven's "Conversations Books" (RDOLivaw seems to be not familiar with these documents). Unless you read the source material that I have cited and found that it is incorrect, please acknowledge that you are working in ignorance. Please note that I do not simply "claim" that Beethoven took homeopathic medicines, I show it to be true. Please also note that I purposefully choose not to reference my new book on famous people who used homeopathy due to COI. ] ] <sup>]</sup> 15:10, 10 January 2008 (UTC)
Fredrick Hertz, German anthropologist, in "Race and Civilation" refers twice to Beethoven's "Negroid traits" and his "dark" skin, and "flat, thick nose." (pp. 123 and 178.)
:::::::: Hi, yes I have previously been those two IPs - as I told Dana this morning on his talk page. I registered an account today after realising that my IP address was not static. My edits speak for themselves, however that is highly irrelevant here. I agree with the content of the two posts below, and stand by my comment above. --] (]) 16:10, 10 January 2008 (UTC)


Nobody here actually cares whether Beethoven did use homeopathic medicines or not. Doubtless he did if you say so. The issues here is one of article balance and ]. Might I suggest, in a similar fashion to ], a separate article for this? ] (or some vaguely similar title, at any rate). Just please be careful to avoid ]. ] <sup> ]</sup> 15:17, 10 January 2008 (UTC)
Frau Fischer, an intimate acquaintance of Beethoven, describes him thus, "Short, stocky, broad shoulders, short neck, round nose, blackish- brown complexion." (From R. H. Schauffler, The Man Who Freed Music, Vol. I p. 18, 1929)
:Agreed.You need to read Misplaced Pages policy on ] to understand the objections to the inclusion of this information. The point is not whether this material is true or reliably sourced, it's about whether its inclusion is appropriate in a basic article of this length. It might be worth a paragraph in a book-length biography of Beethoven, for instance, but certainly not in a short, general encyclopaedic article like this. Beethoven is famous as a composer, not as a consumer of medicines. I hope this makes things a bit clearer. --] (]) 15:21, 10 January 2008 (UTC)


::Everyone above (except Fonantin) is not a regular contributor to this article on Beethoven. Instead, these other people follow me around to undo any reference to homeopathic medicine that I provide. I would like to ask people who have contributed to this article on Beethoven in the past to provide comment on whether the information I previously provided is of use (or not). I welcome whatever comments you have. I certainly recognize that Beethoven was a musician and not a consumer of medicines, but his health and his deafness influenced his music and his life. I inserted the information about Beethoven's health under the sub-category "Illness and Death" because this section commanded more information about his health in the years just prior to his passing. I am not saying (or implying) that any treatment helped his deafness (nothing did), but Beethoven's experiences with Braunhofer has recently been uncovered by Professor Mai of the University of Ottawa, and this information did seemingly benefit Beethoven greatly (he was suffering from internal bleeding at the time). The fact that Beethoven dedicated two canons to this doctor seems to carry some weight. ] ] <sup>]</sup> 22:49, 10 January 2008 (UTC)
Alexander W. Thayer perhaps the foremost authority on Beethoven, says, "Beethoven had even more of the Moor in his features than his master, 'Haydn'." (Beethoven, Vol. I p. 146) By "Moor" was meant "Negro" Until recent times the German for "Negro" was "Mohr"


::: ] ] 23:38, 10 January 2008 (UTC)
Paul Bekker, another very noted authority on Beethoven, says that "the most faithful picture of Beethoven's head" shows him with "wide thicklipped mouth, short thick nose and proudly arched forehead" (Beethoven, p. 41 1925. trans. Bozman).


::::I stand corrected...and thank you, ], for correcting me...and thanks for introducing me to wikidashboard. You have provided many edits to this site, as ] has also done some good work. That said, do any other contributors to this article have an opinion on whether the information on Braunhofer carries weight or not? ] ] <sup>]</sup> 01:11, 11 January 2008 (UTC)
For more extended proof as well as a picture of Beethoven's life- mask see ("Sex and Race", Vol. 3 pp. 306-309)


:::::Hi Dana. I think Moreschi makes a good suggestion above; the kind of information you wish to include merits a mention in a detailed article about Beethoven's health and illnesses. If you study the history of the Beethoven article -- I've been following it for about four years -- you will see that we tend to spin off "satellite" articles when sections begin to contain too much detail, i.e. overbalance the article. I don't know myself whether or not homeopathic medicines played a role in Beethoven's treatment, and I'll take your word for it, especially since I'm aware of the importance of ] around this time -- but you may wish to write a detailed account of Beethoven's health, using all available sources (and being careful not to give undue weight to homeopathy, since I see it is your interest). Please also look at the ], which was a previous spinoff. Best, ] ] 01:25, 11 January 2008 (UTC)
Hopefully this will clear up the controversy about proof of Beethoven's race. These claims of Beethoven's African lineage were not originally made by black people, but by white Europeans. They were not made to diminish him in creativity or stature. They were simply a description of him. These same Europeans had no knowledge of the uproar that this would cause amongst their American offspring.
Tom 11/09/2005


==Biographical infobox added to this article without discussion here first==
This is not "proof" of anything. If Beethoven had swarthy skin, full lips, and a broad, flat nose, then fine; but this isn't extraordinary. Babe Ruth also had a nose that could be described as negroid , as did Socrates , as well as quite a few other white people, and full lips aren't exclusive to black Africans, either. Beethoven was supposed to have been a walker and to have spent a lot of time outside, which would account for a tanned appearance that would have stood out; but the round nose and full lips don't suggest that he was anything other than Germanic. If Beethoven actually did have negroid ancestry, then wouldn't Thayer have explicitly stated this, rather than just using "moor" to describe his features, as some white people's features could be described as "negroid"? If so, then quote it, and also explain who in his family was black, because of his known ancestors, none were . Neither of his parents nor his brother look black, either . The first explicit allegation that Beethoven had black ancestry came from J.A. Rogers, an overly race-conscious, autodidact mulatto who tried to make the world look like it was a black/white mix like him (he seems to have suffered an identity crisis), and was not preceded by "claims of Beethoven's African lineage" by white Europeans, as this person above has claimed and also has shown to be false with their quotes. This whole subject is speculative and dubious, and is false until proven, and is not worth mentioning in the article because it is of no consequence to Beethoven's identity. If Beethoven had been black, then it would be known, as in the case of Alexander Pushkin or G.P. Bridgetower, who was a close acquaintance of Beethoven's and to whose mulatto-ness attention was frequently drawn, as in Beethoven's dedicating his violin sonata no. 9 to him as "sonata per uno mulaticco lunaticco" , and in public papers and announcements that referred to him as "colored" (Europe was apparently color conscious at this time, so a black Beethoven wouldn't have been a secret). The claim that Beethoven was black seems to be made on racist premises like alleging that white people have "hidden" these "facts", and supported by distorted (shrunken) images, as exemplified on this page , revealing Beethoven's "true identity", as if this would change who he was! Produce an convincing image of a black Beethoven (even this wouldn't prove anything). Hair analysis would reveal negroid ancestry, and this would be the only way to prove or disprove it.
A biographical infobox has been added to this article by ] without prior discussion here. (It describes Beethoven as a 'freelance'.) --] (]) 03:12, 10 May 2008 (UTC)
:I'm removing it for discussion, as done in April 2007. Thank you. --] (]) 03:17, 10 May 2008 (UTC)
::My apologies for removing the picture - that was unintentional. --] (]) 04:34, 10 May 2008 (UTC)


I have removed the freelance designation; kept remaining parameters as they seem uncontroversial. --] (]) 18:00, 10 May 2008 (UTC)
== Birthdate ==


== Unbalanced parenthesis! ==
I removed the "born December 16" which was added by an anonymous editor. As far as I know, his exact birth date is not known with certainty, but inferred from the usual custom at the time of baptising infants a day or two after birth. The New Grove gives no birthdate; Slonimsky gives "December 15 or 16." At any rate this issue is covered in the full life and work article. I'm open to alternative opinions, including putting the date back if others feel it is sufficiently well established, or if there is a good source on his birthdate I don't know about. ] 01:42, 15 Dec 2004 (UTC)


The beginning of the article reads "(''English'' {{IPA-en|ˈlʊdvɪg væn ˈbeɪtoʊvən}}; ''German'' {{IPA-all|ˈluːtvɪç fan ˈbeːthoːfn}}, (], ] &ndash; ] ])". The programmer in me finds this very disturbing, as the brackets are unbalanced! I've looked far back in the edit history and it isn't a recent change. Is this really the way it is supposed to be written? ] (]) 15:02, 11 May 2008 (UTC)
:This is not the first time--see discussion above. I think what's happening is that people who don't know much about Beethoven ''think'' they know he was born on December 16, because they've seen that date somewhere (perhaps in material presented to children, who seldom are given the nuances). Thus they put it in December 16, thinking they are improving the article. We just have to be persistent here... ] 16:34, 19 Dec 2004 (UTC)


:Fixed it! Feel free to make changes like this on your own. If someone disagrees we can discuss it here, but seemed like obviously in need of some solution. -- ] <small>]</small> 20:08, 11 May 2008 (UTC)
--
:To prevent that, how about putting "Born: unknown. Often put as December 16 or 16"?


== See Also ==
Hi! good point


It seems that all the Beethoven articles should be listed in the See Also section, not just the two that are there. I am not sure how exactly See Also policy works, though, because the other articles are linked at the top of other section headings, e.g. ]. <span style="color:#008888;">] (] ♬ ])</span> 23:16, 7 June 2008 (UTC)
== Beethoven Relics ==
==Assessment comment==
{{Substituted comment|length=7513|lastedit=20100803094253|comment='''Composers Project Assessment of {{BASEPAGENAME}}: 2008-12-14'''
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{{Y}}, {{N}}
{{GAList/check|y}}, {{GAList/check|n}}, {{GAList/check|?}}
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This is an assessment of article ''']''' by a member of the ] project, according to its ] criteria. This review was done by ].
I know people have saved locks of Beethoven's hair, etc. Has anyone ever attributed any miracles to these relics? I've seen this web site, but I don't know if its for real or not.


If an article is well-cited, the reviewer is assuming that the article reflects reasonably current scholarship, and deficiencies in the historical record that are documented in a particular area will be appropriately scored. If insufficient inline citations are present, the reviewer will assume that deficiencies in that area may be cured, and that area may be scored down.
==Flowery prose==


Adherence to overall Misplaced Pages standards (], ], ]) are the reviewer's opinion, and are not a substitute for the Misplaced Pages's processes for awarding ] or ] status.
I reverted:


;Origins/family background/studies
"As a monolith of the music of his era, his legacy cast a wide shadow on those that succeeded him; he has left an indelible mark on the tradition of European classical music."
Does the article reflect what is known about the composer's background and childhood? If s/he received musical training as a child, who from, is the experience and nature of the early teachers' influences described?
*{{GAList/check|y}} Good
;Early career
Does the article indicate when s/he started composing, discuss early style, success/failure? Are other pedagogic and personal influences from this time on his/her music discussed?
*{{GAList/check|???}} Musical mentions are limited.
;Mature career
Does the article discuss his/her adult life and composition history? Are other pedagogic and personal influences from this time on his/her music discussed?
*{{GAList/check|???}} Content is disorganized; musical mentions limited.
;List(s) of works
Are lists of the composer's works in WP, linked from this article? If there are special catalogs (e.g. Köchel for Mozart, Hoboken for Haydn), are they used? If the composer has written more than 20-30 works, any exhaustive listing should be placed in a separate article.
*{{GAList/check|y}} Good
;Critical appreciation
Does the article discuss his/her style, reception by critics and the public (both during his/her life, and over time)?
*{{GAList/check|???}} Surprisingly lacking.
;Illustrations and sound clips
Does the article contain images of its subject, birthplace, gravesite or other memorials, important residences, manuscript pages, museums, etc? Does it contain samples of the composer's work (as composer and/or performer, if appropriate)? (Note that since many 20th-century works are copyrighted, it may not be possible to acquire more than brief ] samples of those works, but efforts should be made to do so.) If an article is of high enough quality, do its images and media comply with ] and ]? (Adherence to these is needed for Good Article or Featured Article consideration, and is apparently a common reason for nominations being quick-failed.)
*{{GAList/check|y}} Good
;References, sources and bibliography
Does the article contain a suitable number of references? Does it contain sufficient inline citations? (For an article to pass ] nomination, every paragraph possibly excepting those in the lead, and every direct quotation, ''should'' have at least one footnote.) If appropriate, does it include Further Reading or Bibliography beyond the cited references?
*{{GAList/check|???}} Article has "Further reading" and inline citations. No separate references. Inline cites are inadequate for GA/FA.
;Structure and compliance with WP:MOS
Does the article comply with Misplaced Pages style and layout guidelines, especially ], ], ], and possibly ]? (Article length is not generally significant, although Featured Articles Candidates may be questioned for excessive length.)
*{{GAList/check|???}} Lead is short. External links may need scrubbing.
;Things that may be necessary to pass a ] review
* Article requires more inline citations (])
* Article lead needs work (])
* Article prose needs work (])
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* Article lead needs work (])
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* Article needs (more) images and/or other media (])
* Images and media have copyright/fair-use issues (] or more specific GA/FA criteria)
* Article prose needs work (])
* Article text formatting needs work (e.g. quotation methods, punctuation, inconsistent styles)
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;Summary
Editor Bleh Fu actually expressed a qualm about this edit when offering it, i.e. that it might be a bit "flowery". I think this intuition is dead on, and would like to give a reason in support: most Misplaced Pages readers go to our encyclopedia to get facts, not flowery prose. If you agree with me (and I hope you do) that we write the Misplaced Pages for our readers and not for ourselves, than that's a good reason to go for a "just the facts" approach and keep the prose non-distracting. Thanks for listening. ] 16:07, 23 Jan 2005 (UTC)
I found this article to be a difficult read, and somewhat disappointing, considering the notability and importance of the subject. While the biography starts out as a somewhat typical biography, it disintegrates into a series of seemingly disjointed sections concerning events and conditions in his adult life, without notable continuity between them. The section headings and subheadings of the biographical section don't seem to have any rhyme or reason to them. There is at least one notable conflict in information between this article and ]: when his deafness is reported to begin. The Music section is somewhat superficial.


I find the organization of articles about Beethoven and what they cover to be confusing. The biography here has virtually no compositional components to it; we don't know from reading it when even a few of his many famous works were written. (I would expect this article to at least ''summarize'' some of this sort of information, even if most of it is in the "Life and work" article) Musicological descriptions of his style and its development over his life (something I'm sure whole books have been written about) are treated somewhat superficially. Instances of Beethoven's influence on later composers would be appropriate somewhere; there is but a brief mention in the "Life and work" article. (Note that I am not questioning or denying his influence; robust examples of e.g. another major composer using the idea of a germ-motif are what's missing.) Descriptions of some of his concerts and the public reception of his works appear to be lacking (for example, some of his concerts were notably long, and his music was not always well-received -- if it's here somewhere, I haven't been able to find it). Historical information about how his works were received or notably interpreted and analyzed throughout the time since his death is almost entirely absent.
I've added some language on reputation, it isn't the most felicitous, but I think that the fact beneath the prose should be there: that Beethoven did indeed cast a long shadow. ] 16:52, 23 Jan 2005 (UTC)


Editors working on this article might look to ] and ] as examples of better-written articles about famous composers.
I was trying to avoid ] in the description; there should definitely be an elaboration on *why* Beethoven is considered the greatest of composers, even if it is in twelve words or less. Regarding "just the facts", is is already a grey area once we use expressions like "is widely regarded as". I think Stirling's edit is good, and should stand. --] ] 21:23, Jan 23, 2005 (UTC)


The article's structure is decent. The lead is short for an article of this length; it should be 3-4 paragraphs. There are some inline citations; no References section. Much of the article is uncited; combined with a lack of References, we have no idea where this information comes from. The External Links section could likely stand to be scrubbed, given how long it is.
=="Almost certain" birth date==


This article might be B-class, but it is an embarrassment to Misplaced Pages in the condition it is in. '']''] 03:44, 14 December 2008 (UTC)}}
Concerning the "almost certainly" birth date, which I also reverted, please see the discussion from earlier in this forum--we've gone through this one several times already. I can't see any justification for including it unless the anonymous contributor can cite solid evidence from scholarly literature--what is actually known about 18th century baptismal practices in this part of Germany? In the absence of such documentation, we should stick to the facts.
Substituted at 19:59, 2 May 2016 (UTC)

] 16:07, 23 Jan 2005 (UTC)

Agreed, no one has found any sources since the last time. ] 16:25, 23 Jan 2005 (UTC)

:chiming in: I'm with you too. His actual, certain birth date is not known. ] 16:26, 23 Jan 2005 (UTC)

:: I'm also chiming in. I've never seen any primary documentary evidence of his birth date, only his baptism date. Old reference works that blandly stated "B. was born on 16th December" were simply regurgitating the "facts" that they read elsewhere, but these "facts" are not primary sources and therefore, by definition, unreliable. However, I have seen a horoscope of Beethoven drawn by A T Mann, which rectifies his birth to a precise moment of time on a particular day (16th December), based on the known circumstances of his life. This, while no doubt fascinating for astromusicologists (or musico-astrologists), has no credibility for scholarly research. Cheers ] 02:46, 22 August 2005 (UTC)

== My copy editing ==

I think this is a good article: a sensible length, with many useful links for those wanting detail. I have lightly edited all of it, without altering much at all in the content. I respect people's well-researched efforts, and feel little need to supplement them. Punctuation was often faulty, and there was some inconsistency in capitalisation. At a couple of points I felt the need to fix the wording, so that the point being made would be easier to grasp without the distraction of grammatical or stylistic problems. Please weigh these carefully if you intend to revert anything: especially, if you make a well-considered and ''well-explained'' alteration or reversion in wording, take care not to introduce or re-introduce bad punctuation and the like. (I would welcome comments.) --] 02:40, 13 Feb 2005 (UTC)

== who cares about Beethoven in fiction ==

I would like to delete the section on "Beethoven as Fictional Character". Who else agrees with me? Whenever someone tries to delete it, the deletion gets reverted. An encyclopedia article on the greatest composer who ever lived (debatable, of course) should not have some silliness about a clone of Beethoven in an anime novel. ] 03:57, 24 Feb 2005 (UTC)

:You could break it out as another satellite article, since we have already reduced a lot of the clutter that way without deleting information (for example, ]. Maybe keep the heading '''Beethoven as fictional character''', and retain its first paragraph only (which isn't so bad), preceded by the standard see-also line

:''Main article: ]''

:I too stumble over that anime paragraph every time I see it, but perhaps others disagree. And as I recall, Hollywood made Beethoven into a dog once (though it will be a windy cold day in the underworld that ''I'' ever add it to the article, LOL) ] 04:23, 24 Feb 2005 (UTC)

::I second the satellite article proposal; seeing it in the main article makes me cringe. ] ] 18:25, 26 Feb 2005 (UTC)

:::Done. I solicit improvements (though it seems that those on writing on this page may not be all that enthusiastic about the topic anyway ;=) )

:::] 05:24, 28 Feb 2005 (UTC)

::::That's a huge improvement, Opus, both to the Beethoven article and to the spinoff. Thanks! ] 06:34, 28 Feb 2005 (UTC)

==Roman Catholic?==
I know Beethoven was born into a Roman Catholic family, and in my view he wrote some of the greatest devotional music. However I am not clear that this qualifies him for consideration as a R.C.; he probably does not qualify through personal faith, Haydn considered him an atheist (see ]) and I remain unconvinced that his output is notably R.C. I notice that currently Madonna and Jenny McCarthy are also in the category, so I'm really not clear what the criteria are. I have respectfully removed the ''Roman Catholic artists'' category pending discussion. Anyone else have a view? --] &#9836; ] 08:30, 14 Jun 2005 (UTC)

:Well, I found him in this ]. That's why I added him. I'm not an expert on his life. Personally, I don't know what to make out of all of it. You tell me. ]|] 12:23, 14 Jun, 2005 (UTC)

:: I looked at that list, and it says ''This list of Roman Catholics is comprised of notables who were baptized as Catholics but may not be practicing, people who converted to Catholicism, people who are practicing Catholics or people who may be lapsed Catholics.'' On that basis he qualifies for the list, but I think to categorise Beethoven as a Roman Catholic artist is misleading. I think the appropriate action is to leave him out of the category. --] &#9836; ] 10:56, 14 Jun 2005 (UTC)

Would you distinguish between a practicing vs. non-practicing Jew, as opposed to a practicing vs. non-practicing Catholic? Being Jewish carries an obvious religious connotation, and yet a number of famous Jews have been agnostics or atheists. Does that make them any less Jewish? ] 11:37, 14 Jun 2005 (UTC)

: Does that analogy break down? Doesn't "Roman Catholic" mean "adherent of Roman Catholicism", while "Jewish" in the sense invoked above has meanings other than "adherent of Judaism"? But the discussion is not whether Beethoven can be said to have been a Roman Catholic (even an atheist or agnostic one), but whether he should be classified as a ''Roman Catholic artist'' on Misplaced Pages. Let me make it clear I have no objection to the categorisation if there's consensus. --] &#9836; ] 14:49, 14 Jun 2005 (UTC)

:::So, is there some kind of test every Catholic must take in order to qualify for Misplaced Pages's religion category? :) Come on, clearly, he was a Catholic. Well, I'm not going to decide this too much. As I see it, these composers were more religious than they usually are today, since atheism wasn't that popular in those days as it is today.
:::]|] 17:06, 14 Jun, 2005 (UTC)

:I'm beginning to wish I'd never asked the question. I'm going to restate my question for the last time, because I obviously haven't been clear, and then I'm withdrawing from this discussion to get on with something more important <span style="font-family:courier">:-)</span>.
:The question I thought I was asking was whether Misplaced Pages could reach consensus on whether classifying Beethoven as a ''Roman Catholic artist'' (which I would take to mean one whose Roman Catholicism impinged significantly on his/her art) is useful, or misleading. I think it's misleading. If I have misunderstood the purpose of the category then I apologise, but point out that it certainly misled one reasonably experienced Wikipedian (me) and should be made clearer. If it's a category of artists who happened to be vaguely Roman Catholic then so be it, but forgive me for not immediately understanding how users of Misplaced Pages will benefit from that category.
:A question I was definitely '''not''' intending to ask is whether Beethoven could be said to have been a Roman Catholic (atheist or otherwise). --] &#9836; ] 16:01, 14 Jun 2005 (UTC)

::Oh, well, I see. The category is for artists that just happen to be Roman Catholic, whether they're the most devout Catholics on earth, practising, or not. Strictly speaking, there aren't many Roman Catholic artists that have their work influenced by their religion. Sure, there are people like Mel Gibson, Madonna in her earlier career (Like a Prayer), and Rembrandt (don't know if he was Roman Catholic though, but he had some Christian paintings), but other than that, I doubt it would suffice for an entire category on Misplaced Pages. So, that being said, should I add him back into the category? And perhaps, the category needs a description?
::]|] 18:40, 14 Jun, 2005 (UTC)

:::I understand. Can we wait a bit and see if anyone else expresses a view? I feel a bit close to it, after all that!!! --] &#9836; ] 16:55, 14 Jun 2005 (UTC)

I might argue that the first and best Roman Catholic "artist" was the guy that painted the Sistine Chapel. :) Here's another angle to look at, which might or might not help: You often hear about someone being labeled a "Jewish comedian". Now, does that mean the comedian is Jewish and also tells primarily jokes that center on Judaism? Or does it mean he happens to be Jewish but tells jokes of all kinds? If it's the latter, then Myron Cohen was a lot more of a "Jewish comedian" than was Jacob Cohen (a.k.a. Rodney Dangerfield). If it's the former, they both qualify. ] 17:26, 14 Jun 2005 (UTC)

:So, should we add him in the Roman Catholic Artists category? Give me your conclusions.
:]|] 04:01, 16 Jun, 2005 (UTC)

::No. Adding him to the RC category is extremely misleading, to say the least. All the evidence from his biographers, as well as from his sketchbooks and notebooks, indicates that his religious beliefs tended towards the pantheist or even the deist. His ''Missa Solemnis'' is a setting of a Latin mass, but plenty of composers--some of them atheists or agnostics (e.g. Verdi, Janacek) set the Mass. Anyway, that's my opinion in the matter. Beethoven was a deeply spiritual man but not a traditionally religious one. ] ] 02:11, 16 Jun 2005 (UTC)

:::Well, okay. Just have in mind though, that it's not required to be the Pope in order to qualify in that category. Personally, I think he qualifies, but I'm no expert on his life.
:::]|] 04:14, 16 Jun, 2005 (UTC)

If ] can be categorized a "Roman Catholic artist", I don't see why Beethoven shouldn't be. ] 18:22, 19 Jun 2005 (UTC)

== Why did ] get rid of all his chickens??? ==

They kept saying ], ], ]... I must be 6 yrs old. --] <sup><font color="#3D9140">]</font></sup> 19:06, 28 July 2005 (UTC)

Awesome. You're my new idol. :) I assume you've heard what happened when they exhumed him? ] 23:15, 28 July 2005 (UTC)

:Who? Bach or Beethoven? I must have missed that little news item. --] <sup><font color="#3D9140">]</font></sup> 13:49, 29 July 2005 (UTC)

::I was referring to Beethoven, but either one works for this: They found him furiously erasing music sheets. ] 14:41, 29 July 2005 (UTC)

:::Not quite sure I get it. Call me dense. --] <sup><font color="#3D9140">]</font></sup> 14:50, 29 July 2005 (UTC)

:::He was DE-COMPOSING. >:) ] 15:01, 29 July 2005 (UTC)

::::Oh... My... Goodness... I can't believe I just laughed at that. I have the dumbest sense of humour ever. --] <sup><font color="#3D9140">]</font></sup> 15:39, 29 July 2005 (UTC)

Truly hilarious though needed explaining. I will remember that for my fav, Schubert. Still not quite sure why Beethoven shouldn't have been getting rid of his dogs not his chickens, ] 15:47, July 29, 2005 (UTC)

:Well, it works better spoken. Chickens say "bach, bach, bach." Onomatopoeia of their clucking. Not quite a bark. Like I said... I must be about 6. --] <sup><font color="#3D9140">]</font></sup> 15:51, 29 July 2005 (UTC)


Well I was singing that old classic perennial favourite '''Old Macdonald had a farm''' but I couldn't remember what the chickens said, ] 15:54, July 29, 2005 (UTC)
:Now I'm not sure if you are patronizing me or are being serious. --] <sup><font color="#3D9140">]</font></sup> 15:59, 29 July 2005 (UTC)

:The latter. Why would you think otherwise. Well lets reframe that and say I was being as serious as anyone else, ] 16:10, July 29, 2005 (UTC)

::People like to talk down to the Dark Lord. But I just couldn't tell if you were trying to say, "DUH! Of course I know chickens' clucks sound like 'bach'. Everyone knows the song." Or if you were trying to say, "Oh, Thank you for refreshing my memory. I couldn't quite remember the song." Okay, see ya Squeaks. --] <sup><font color="#3D9140">]</font></sup> 16:15, 29 July 2005 (UTC)

It may be more of an English song. I love singing it but my wife gets me to shut up if she is around. She also wishes the great composers '''were''' decomposing so she didn't have to put up with the Missa Solemnis and others favourites of mine, ] 16:20, July 29, 2005 (UTC)

Hey, it ''could'' still be "bark"... if the dog spoke with a Bostonian accent, yes? Meanwhile, back here with the chickens, I wonder if you've ever heard ]' version of '']'' done by "The Henhouse Five"? ] 16:28, 29 July 2005 (UTC)

==Strains of genius in his hair?==

The article at present has the following interesting sentence at the end of the Life & Work chapter (italics mine):

:When the hair was analysed chemically in 1996, distinctive trace-metal patterns associated with ''genius'', irritability, glucose disorders, and malabsorption were not present.

To quote ]: "What?" -- ] 12:26, 19 August 2005 (UTC)

:Here's that introduced it. It offers . San Jose State University, Statement by William J. Walsh, Ph.D., Director of Beethoven Research Project: "''Distinctive trace-metal patterns associated with genius, irritability, glucose disorders, and malabsorption were not present in the Beethoven samples tested by McCrone Research Institute.''". Disclaimer on said page, though: "''The Ira F. Brilliant Center for Beethoven Studies at San José State University is reproducing this statement for informational purposes only and is not responsible for its content.''" ] 12:37, 19 August 2005 (UTC)
::Very odd claim. Speaking as a doctor, I've never heard of reproducible methods of detecting or estimating genius and "irritability" via trace metal studies on hair. (Or trace metal studies on anything, for that matter). Extremely suspicious. I've rewritten the paragraph to read sensibly, and would have to take a closer look at that source page to see if it really ought to be struck off as well. ]]<i> 11:11, 12 October 2005 (UTC)</i>

== van or von ==

Is his name "Van Beethoven" or "Von Beethoven" or maybe even simply "Beethoven"? Perhaps the article could say something about this. --] 12:18, 21 August 2005 (UTC)

:it was "van Beethoven" for at least two generations, and maybe more. Beethoven's great-grandfather was a burgher of Mechelen; I believe the family has been traced back a couple hundred years but I'm not sure: at any rate they were originally Flemish, hence the "van" rather than "von". (please see the ] article). ] ] 15:26, 21 August 2005 (UTC)

: This raises an interesting lexicograhical question - what part (or parts) of a person's name do we consider to be their surname? He certainly was Ludwig van Beethoven (definitely not von), but he is usually listed under "B" for Beethoven, not under "V" for "van". Nobody talks about "van Beethoven, the composer". Yet we all talk about "van Gogh, the painter", and a lexicographer who listed the painter under "G" for "Gogh" would have to be prepared for the consequences. Maybe he'd be perfectly justified technically in listing the painter under "G", but popular usage would say this was ill-considered. And yet popular usage for Beethoven is 180 degrees different. Popular usage is very fickle, but nevertheless very powerful, and lexicographers who try to remain purists tend to come to sticky ends. What about ]? In Spain, his surname is considered to be "Falla" for the purposes of alphabetic ordering. But in English-speaking countries, we sometimes see him under "F" for Falla, and sometimes under "D" for de Falla. I guess he's not considered great enough for everybody outside Spain to be in agreement about his name. Then we come to transliterations from languages that use non-Latin characters. Before even starting, there needs to be agreement about the transliteration system used, and that's a huge minefield all by itself. If we use a system that approximates as closely as possible to the original sound, then we can get somewhere. But still there are problems. Such a system would have poor old Pyotr Ilyich spelled as CHAYKOVSKY, but nobody would ever think of looking for him under that spelling because we're all so used to seeing TSCHAIKOWSKY, or TCHAIKOVSKY, or various other variants all starting with T. And why T, if the initial sound is CH? Because the accepted English transliteration has come to us via the German TSCH, despite the fact that the frequently-encountered version starting with TCH is not German, or indeed from any other written language that I know of. Oh, I could go on for hours ... but I won't. ] in his preface to Baker's Encyclopaedia of Music has some very interesting things to say on this subject. Do check it out. Cheers ] 03:16, 22 August 2005 (UTC)

::"I don't have a solution, but I admire your problem." Very interesting posting. ] 07:22, 22 August 2005 (UTC)

::: Thanks. I admire my problem too. I've often thought of writing a book about such issues. Maybe I will one day. By the way, it's '''Baker's Dictionary of Music and Musicians''', not what I said above. Sorry.

::::Interesting. I started looking in Grove to see how they do it: the ONLY names that they have under "Von" are those who have become Anglicised (i.e. they took up residence in English-speaking countries) (Frederica Von Stade, Albert Von Tilzer, Harry Von Tilzer, a couple others). All others--von Suppé, etc. are under the last portion of the surname. ] ] 03:28, 23 August 2005 (UTC)

::Thanks for enlightening me on the von/van issue. In Dutch the van part is called a "tussenvoegsel", that is "something stuck in between". For alphebetizing it is never considered, but neither does anyone refer to someone called "L. van Beethoven" as mister Beethoven. Instead they would always say mister "Van Beethoven". Interestingly I just read on dutch wikipedia that german people _would_ say mister Beethoven. Maybe this is why the van part is always(often) omitted (even in holland). --] 16:17, 25 August 2005 (UTC)

::: If his name was Ludwig VON Beethoven, then Germans would definitely say Herr von Beethoven. Like Herr von Karajan. Maybe they don't do it in the case of VAN because, even though VAN means the same as VON, VAN is not part of German. That argument (in reverse) would also explain why dictionaries show Frederica Von Stade under Von and not under Stade. Particles like van, von, de and di, all meant "of" in their original langauge - but when they become part of a surname in another language (which has happened in the Von Stade case, but not in the Beethoven case), they lose that meaning and become merely some of the letters that form a part of the overall surname. That book is looking more and more necessary by the day. ] 00:05, 26 August 2005 (UTC)

:::Just a minor correction to prevent you from running off into the wrong direction: Germans do ''not'' refer to Beethoven as "Mister Beethoven" or ''"Herr Beethoven''" (in fact, this usage sounds definitely odd to German ears). He would be Herr van Beethoven. The particle can be omitted in German much in the same fashion it can be left out in English: If you talk or write of someone in the third person. Thus "Beethoven wrote the Waldstein sonata" is possible in both languages. But there is no idiosyncratic German usage that automatically deprives Beethoven of his "van". The Dutch Misplaced Pages is definitely wrong on this point, as the composer is beyond doubt known in German as "Ludwig van Beethoven" ] (Historian/Musician/German) (sorry, coudn't resist)

== Template on TfD ==

I discovered that the template ] was listed on ] about a week ago. It says on the top of the TFD page to "give notice of its proposed deletion at relevant talk pages." As the most relevant talk page, I'm helpfully giving notice here now. --] &#9836; ] 14:51, 25 August 2005 (UTC)

==Eponyms==

I've added a section nearly at the end. Yeah, the ]. There are many other places and things named after the Great Man. The section can grow some, but then should probably be spun off into ]. --] 09:16, 28 August 2005 (UTC)
:That's a great idea, Fourth Ave. However, I thought it would be perfect for a disambig page, and so I started one. If there turns out to be a large number of interesting associations, we could reconsider adding a lively section on them. ]]<i> 16:04, 16 October 2005 (UTC)</i>

== Ext links ==
I've edited this section that used to include a huge number of links to various personal/commercial sites. The Beethoven-Haus website is an impressively thorough and encyclopedic repository of all things eBeethoven, and is very professionaly done. I think it should satisfy most needs; I've also included the links to source material such as the CBC report and the page on the lock of hair. Regards ]]<i> 11:07, 12 October 2005 (UTC)</i>

== Grosse Fuge manuscript ==

This section seems rather abruptly out of place in this article, which is a general overview of the chap. It seems to me that it will be best placed in an article about his works and writings, but that's a list. Perhaps Life and Works? I'll move it there soon if there are no better suggestions. Thanks guys. ]]<i> 16:00, 16 October 2005 (UTC)</i>

: Chap? Chap?? Beethoven?? Really!! ] 12:22, 8 November 2005 (UTC)

== Categories questioned ==

I removed Beethoven from the "Dutch people" category - there's no mention of anything Dutch in the article. Did the "van" in his name confuse someone? He was not a native of Vienna - he was born in Bonn. I tightened the categorisation from "German people" to "German composers". I removed categorisation in "Roman Catholics" as per ]. I also question his categorisation as a "pop icon". Is he? Or is this someone's opinion? I'm afraid I am unhip, and don't really understand exactly what a pop icon is, but when I see Buddha, Britney Spears and Madonna also in that category I worry. Anyone else have a view? --] &#9836; ] 12:20, 17 October 2005 (UTC)

== Childhood? ==

I'd like to see someone with the know-how update the article on Beethoven's childhood and youth. There is very little mention of this.

== "Widely regarded as one of the..." ==

Hi ], with respect to the above claim in the intro, I think it's more in keeping with the NPOV of an international encyclopedia that it be qualified. Beethoven was possibly the finest composer of music in the Western tradition, true; however
#there are a number of other claimants to that honor, and using "widely regarded as" for Beethoven does not ];
#there are a number of other highly developed musical systems in the world as complex and refined as the European classical; saying that Beethoven's compositions are superior to all musical icons, even in those traditions, is a Eurocentric point-of-view, and not NPOV.
Thus, my compromise wording. I don't think the sentence "''He was a major musical figure in the transitional period between the Classical and Romantic eras, and is widely regarded as one of the greatest composers in history''" does serious violence to Beethoven's reputation and is, all things considered, probably the fairest way of putting it. However, it does retain the problem described in ]; a quote from a suitably weighty authority may be an improvement. Kind regards ]<i> 00:32, 6 November 2005 (UTC)</i>

"widely regarded as" follows with the qualifier "one of the greatest..." which allows the sentence to retain neutrality. No person would seriously dispute that Beethoven has a mammoth reputation surpassing other composers (except for maybe Mozart), so "widely regarded" is an accurate description. No one would disagree that "Hitler is widely regarded as one of the most hated figures in history", whether one agrees with that comment or not. ] 02:08, 6 November 2005 (UTC)

*''"widely regarded as" follows with the qualifier "one of the greatest..." which allows the sentence to retain neutrality.'' My point precisely. I'm happy that you agree, Taco325i. I don't think the sentence as I've re-written it is problematic, but would be happy to hear other views. Regards ]<i> 17:54, 6 November 2005 (UTC)</i>

Hi. My main point was that the sentence had bad grammar (at least in my browser it read: "regarded as one the greatest composers"). I think it is equally true that he is widely regarded as THE greatest composer of all time, but one could qualify this as well. At its present state, there is no indication that his reputation is greater than e.g. Schubert's. Could we use something like "widely regarded as one of the greatest composers in history, and by many as the greatest composer of all time" in order to clarify the matter? --] 09:20, 8 November 2005 (UTC)
:Hi there. I can see what you're saying, but I'm not sure we can write a sentence that satisfies all views and yet remain NPOV ''and ''unawkward. "''...widely regarded as one of the greatest composers in history, and by many as the greatest composer of all time''" seems to me very awkward, Sir/Miss. "''...is widely regarded as one of the greatest composers in history''" seems to capture most of what we want to say while retaining some stylistic merit. Furthermore, to say that someone "is widely regarded as one of the greatest composers in history" seems to me to be closest to what NPOV and the facts allow us to say. Very kind regards ]<i> 00:48, 11 November 2005 (UTC)</i>

== Beethoven the Negro? Section ==

The following previously existed as part of the article body:

BEETHOVEN THE NEGRO?

Another continuing controversy surrounding Beethoven is whether he was a "white man" or a "black man". What specifically is being referenced, is the true identity of Ludwig van Beethoven, considered Europe’s greatest classical music composer. Directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Africans who conquered parts of Europe--making Spain their capital--for some 800 years.

In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let's start with what some of Beethoven's contemporaries and biographers say about his appearance. Frau Fisher, a close friend of Beethoven, described him with “blackish-brown complexion.” Frederick Hertz, German anthropologist, used these terms to describe him: “Negroid traits, dark skin, flat, thick nose.”

Emil Ludwig, in his book “Beethoven,” says: “His face reveals no trace of the German. He was so dark that people dubbed him Spagnol .” Fanny Giannatasio del Rio, in her book “An Unrequited Love: An Episode in the Life of Beethoven,” wrote “His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.” C. Czerny stated, “His beard--he had not shaved for several days--made the lower part of his already brown face still darker.”

Following are one word descriptions of Beethoven from various writers: Grillparzer, “dark” Bettina von Armin, “brown” Schindler, “red and brown” Rellstab, “brownish” Gelinek, “short, dark.”

----

The above text, apart from leaving something to be desired stylistically, is not, I think, appropriate for inclusion in the encyclopedia article on Beethoven. First, it states a theory widely held to be... less than creditable by the international academic community. Second, it supports the theory entirely by (thin) circumstantial and hearsay evidence, with no direct evidence supporting any of the claims and no independent corroborations. Much of the evidence consists of double-hearsay (i.e., a book claiming to say what someone else claimed to say about Beethoven), and most of that is to the effect that Beethoven had darker skin and/or non-"Germanic" features. Aside from the evidentiary flimsiness, it simply does not follow logically that because Beethoven had dark skin, he was therefore a "negro." Additionally, the information about his mother's ethnicity is totally unsubstantiated. Third, the above does not define terms with sufficient rigor: what constitutes a "black man" as opposed to a "white man" for the purposes of this theory? What criteria must be met? How must they be met?

Thus, in light of the weakness of the argument, and the overwhelming presumption of both the academic community and the public at large that Beethoven was Caucasian, I don't see why this argument warrants an entire section. Perhaps a short mention might be warranted, but even then it would need to be so heavily caveated that it probably doesn't make sense.
] 06:33, 10 November 2005 (UTC)

: I agree with RiseAbove. --] &#9836; ] 09:02, 10 November 2005 (UTC)
: Also agreed. RiseAbove, thanks for removing it. ] ] 15:40, 10 November 2005 (UTC)
---
Well if you are so unsure that Beethoven was black then how can you be so sure he was white. You provide no evidence or proof. There is no book describing him as a white man or flemish or anything of such.

No need. We know Germany and Austria were countries where the great majority of people were white in that time. Therefore if he had been black it would have evoked interest whereas him being white evoked no interest whatsoever, so this is somnething we do NOT need to source, ] 02:32, 16 December 2005 (UTC)

==Beethoven and Romanticism==

The article currently states "If we consider the ] as an aesthetic epoch in literature and the arts generally, Beethoven sits squarely in the first half along with literary Romantics such as the German poets ] and ]". From my limited understanding of the history of German literature, neither Goethe or Schiller are considered to be part of the Romantic movement, and therefore this statement is incorrect. ] 21:34, 11 December 2005 (UTC)

Latest revision as of 20:51, 24 December 2023

This is an archive of past discussions about Ludwig van Beethoven. Do not edit the contents of this page. If you wish to start a new discussion or revive an old one, please do so on the current talk page.
Archive 1Archive 2Archive 3Archive 4Archive 5Archive 9

Moonlight Sonata media file

The current Moonlight_sonata.ogg is inferior to another file on Misplaced Pages: Moonlight.ogg. I'm learning the piece myself (beginning pianist) and I wanted to hear a good example. In my opinion, the current one is void of any emotion whatsoever. Propose to replace

Moonlight Sonata Piano Sonata No. 14 in C-sharp minor, 1st movement

with

Moonlight Sonata Piano Sonata No. 14, 1st movement (Adagio sostenuto)

--Puddyglum 20:24, 31 August 2007 (UTC)

Agree - the existing one seems to be produced by a midi sequencer, with no tempo variation at all. The other is an actual performance, and quite a nice one. --Stephen Burnett 21:09, 31 August 2007 (UTC)
Made the change. This is my first edit! yeah!... Puddyglum 21:35, 4 September 2007 (UTC)

Romanticism template

Is there a reason that there is a romantic box but no classical box at the bottom of this article? I have no problem with the romanticism template staying in place, but to try and pigeonhole Beethoven as a "Romantic composer," while partly true, is a gross oversimplification, as he was as much classical as romantic. I'm not familiar enough with Misplaced Pages to edit this myself, but I think it would be wise to include a Classical box along with the existing romantic box. Pianoguy 01:15, 13 May 2007 (UTC)

I agree with you that Beethoven was both Classical and Romantic. There is no more pivotal figure. It seems, though, that there is not an equivalent Template:Classicism, since that template is quite different; and I don't see a template on either Mozart or Haydn, for example. (Are these templates helpful? What do other people think? I thought it was nice to be able see links to Romanticism and its followers in the other arts, but isn't it necessarily POV to pick which names go on the template?) Antandrus (talk) 01:48, 13 May 2007 (UTC)
I didn't realize there wasn't a Classicism template. Perhaps there should be one... I have no idea how that process works. I think the template is helpful, especially for people that aren't familiar with music history; it provides a quick overview. I don't think it's POV so long as the names on the template are widely agreed-upon; I don't think anyone is going to cry POV when somebody says that Schumann is a Romantic composer. Pianoguy 03:29, 13 May 2007 (UTC)
What I'm more concerned about is that the presence of the chart seems to deny the classical implications in Beethoven's music, and I forsee a generation of highschoolers writing reports with this article and saying, "Beethoven was a Romantic composer" which doesn't capture the entire truth. Anyways, I think we can both agree that this article is quite bad in general, while most of the glaring inaccuracies have been removed, there just isn't much information in it that is useful. This is distressing to me; it seems that the Misplaced Pages Beethoven article should be one of the most important in the encyclopedia. Some day I'll try to get around to a rewrite... Pianoguy 03:29, 13 May 2007 (UTC)
Several interesting issues here, some of which should properly be discussed elsewhere -- such as "who goes on the template". While no one will seriously claim that Schumann was not a romantic composer, the problem arises with "why not Clara Schumann? Why not Bruckner? Why not ..." But that's a discussion for the template page. Regarding the romanticism vs. classicism templates: it's misleading not to have both, but there is not an equivalent classicism template (the one we have is jarringly different). Regarding the article: it's been bugging me for three years. We need a greater depth of coverage, with a well-cited and thorough survey of critical approaches to Beethoven over the last two hundred years, and it's not an easy job to do this. I think for most people it's ... easier to argue about infoboxes and templates, than get a pile of Beethoven biographies and critical works, and start writing. The meta-issue is that it is becoming harder in general to write Misplaced Pages as the articles become more and more mature and stable, even when they're not very good. Have you looked at the Schubert article recently? It's still full of the original 1911 Britannica prose, even after all these years of editing. Antandrus (talk) 03:46, 13 May 2007 (UTC)
Many good points. I agree with the statment that it's easier to argue about templates than rewrite the article, and I hold myself guilty in that regard. Honestly, my years as a wiki editor have rather disillusioned me to the entire process- one has to wonder what is the point of writing a wiki on Beethoven when there is already so much quality information out there that is easily accessible- Groves, Solomon, etc. This is stuff written by paid people who are much more learned than we are, so it is silly to suppose that our work can ever match theirs, unless we copy it word for word, which is plagarism. Plus, they don't have to deal with vandalism, or people with agendas, or idiots in general. My goal as a wiki editor, I think, is just to police the articles and make sure there is an effort at fairness and no blatant inaccuracies.
That said, maybe I will try sometime this summer to sit down with a stack of biographies as you suggested and do a major rewrite. The last bio I read was by David Wyn Jones, it doesn't seem widely known. I found it well-written and very compact, if a little dry. It's been a while since I've read the Solomon, I'll definitely have to look over that again. Is the Thayer still used or is it considered outdated now? The one I am most excited about, though, is the forthcoming one by Jan Swafford, who wrote really thick biographies of Brahms and Ives. He has a really unique style which I really enjoy, but the publisher hasn't said how long it will be until that book comes out but assures me he is hard at work on it. If you have any other suggestions that I should look at I'd love to hear them. Pianoguy 21:01, 13 May 2007 (UTC)

"But in 1804 , when Napoleon's imperial ambitions became clear, Beethoven crossed out Napoleon's name on the title page."

I think he actually tore out and crumpled up the title page. You might want to quote what he said about Napoleon, too, having given way to the seduction of power and betrayed the ideals for which he had supposedly stood. Letumbillon 01:10, 7 June 2007 (UTC)

What about the ideals of the Enlightenment in Eroica? I think this piece is the best example.

He actually crossed out Napoleon's name so severely that it wore through the page I believe (I think this is what M. Solomon writes anyway--can't give you a reference right now, though). W.M. O'Quinlan 23:30, 29 October 2007 (UTC)

Freelance

I'm not sure if the statement "was one of the first composers to work freelance" is a good idea. It is mostly true, but Mozart was probably the very first freelance composer. Rewrite maybe? Pianoguy 16:17, 25 April 2007 (UTC)

Typo to correct

In the "His Music" section under item #1, the word "sonatas" is misspelled as "sonats." Can someone more experienced with editing correct this? Ddunkman 18:40, 7 April 2007 (UTC)

I went to do this, but couldn't find that misspelling anywhere - has it already been corrected? TMaster 18:23, 24 April 2007 (UTC)

Scarlatti as well.

Songs?

Beethoven's work should not be reffered to as 'songs' as they so often are in the analysis of the Piano Sonatas...which are obviously not songs.Piano sonatas are clearly not songs.

Can you point out where you see this happening? I do not see it in the article. Antandrus (talk) 21:00, 11 April 2007 (UTC)

The new infobox

I'd like to make a case for deleting the recently installed infobox.

  • It makes the portrait of Beethoven small and difficult to see.
  • It doesn't contain any information that isn't already in the first two lines of the article.

User:EldKatt has, in various talk pages, wisely pointed out that a reader of an article should be expected to read the article. If we put straightforward information like life dates in the first line of the text, that's sufficient to make it prominent. Cheers, Opus33 23:27, 18 September 2006 (UTC)

I agree that the infobox should be removed. I believe it detracts from the article, rather than enhancing it. Mak (talk) 23:41, 18 September 2006 (UTC)
I also agree with Opus33. I have just removed it again. The template was worryingly given the background colour corresponding to "non_performing_personel", and equally disconcertingly has blank places for "label" and "associated acts". Even the clearest bits of Beethoven's biography (such as his occupation and date of birth) require somewhat nuanced presentation, and no template can provide for that. --RobertGtalk 12:37, 4 January 2007 (UTC)
I have modified the infobox to display some of the nuances described by RobertG. If anyone has further suggestions as to something that needs clarification in the infobox, please say so here or in the other discussion below on dates and places of birth and death. - cgilbert 06:38, 13 April 2007 (UTC)
If you change the infobox, you'll have to do the same with all the other composers! --pizza1512 04:57, 24 April 2007 (UTC)

Cause of death

There is heavy speculation on what killed LvB, but PMID 17214130 suggests he had cirrhosis. JFW | T@lk 15:20, 1 March 2007 (UTC)

More specifically, I've heard that he had cirrhosis of the liver. Ittan 14:52, 2 March 2007 (UTC)

From the autopsy report, quoted in Thayer: "The liver appeared shrunk up to half its proper volume, of a leathery consistence and greenish-blue color, and was beset with knots, the size of a bean, on its tuberculated surface, as well as in its substance; all its vessels were very much narrowed and bloodless." Dr Joseph Wagner, 1827. That seems to support the liver cirrhosis. On the other hand his kidneys were in poor shape too: "every one of their calices was occupied by a calcareous concretion of a wart-like shape and as large as a split pea." This seems to suggest kidney stones. --Stephen Burnett 15:32, 2 March 2007 (UTC)

Kidney stones aren't generally fatal though. bibliomaniac15 01:52, 6 March 2007 (UTC)
Depends. Kidney stones lists several famous people who did, mostly when surgery was still in a fairly primitive state. --Stephen Burnett 22:20, 6 March 2007 (UTC)


I read in several bios that he died during a thunderstorm and that the friend who was then on watch over him saw Beethoven, who had apparently been sleeping, half-rise convulsively and shake an angry finger at heaven. Some sources even say he alluded to the idea of taking fate by the horns in his last moments. Letumbillon 01:07, 7 June 2007 (UTC)

This recent article speculates that Beethoven was inadvertently poisoned with lead by his physician: --Dar 21:00, 28 August 2007 (UTC)DSteckelberg

How he died=

He died a very sad death, and whenever i think about it, i want to cry. After he came back from his brothers, he had caught pneumonia, because he hitched a ride on the back of a cart (His brother was a REAL cheepskate) He caught pneumonia, because it was soking rain outside, and back then, Pneumonia was more serious (they didn't have medicines, so no doctor could cure him(also, he hated doctors(He hated doctors, because when he was smaller, they couldn't help his hearing))) So when he got back, he was so cold, and his clothes were so soaked, he got even worse. He had to lay in bed for weeks! Here is the part, that for some reason, isn't on the internet. The night he died. I mean, its on the net, but not THESE details. Listen: He was laying in a bed one stormy night, with all of his dearest friends around him(Kristoff, Kristoff's mom, etc.) And he was starting to close his eyes, when he did something that sent a Chill down everybody's spine. There was a crack of thunder, and he shook his fist at it, like he was mad at it,And Quoted:

"I shall hear again!!"

He then took a long, deep breath, and closed his eyes. Sad, but Creepy (in a sad way) —Preceding unsigned comment added by 75.177.164.242 (talk) 20:44, 26 October 2007 (UTC)

Place of birth & death

He was actually born in the Electorate of Cologne, Holy Roman Empire, and died in the Holy Roman Empire too. Should we put that in the infobox, or put "present-day" Germany & Austria? Biruitorul 00:57, 28 March 2007 (UTC)

You make a good point, and this is yet another reason why I don't think we should have an infobox. The problem with using them on non-contemporary figures is that the box makes an assumption that people are from a "country", or, in the case of Beethoven, that he composed in "genre, classical", which is how CDs may be classified in a record-shop, but which has no place in an encyclopedia. Composers need a more nuanced presentation than is possible in an infobox. Please see the thread above entitled Talk:Ludwig_van_Beethoven#The_new_infobox. However I may be in the minority in my view. Antandrus (talk) 01:27, 28 March 2007 (UTC)
Indeed. Given that the infobox isn't especially informative, that two pieces of information in it are arguably inaccurate, and that the rather better-developed German version of this article can do without a box, I wouldn't mind seeing it removed. Biruitorul 00:59, 29 March 2007 (UTC)
I've deleted it. Salvage any lost information from the history. There was a discussion of this on Chopin's article as well — there was clear consensus that an infobox on composers like them do not present any new information, and sum up a complicated person in too brief a manner. ALTON .ıl 04:22, 12 April 2007 (UTC)
it was i who put the infobox there, and i'm a bit disappointed you unilaterally decided to remove it with the courtesy of message. i further don't see how you consider three people over a span of four months a consensus. --emerson7 | Talk 04:39, 12 April 2007 (UTC)
Please consider the reason why an infobox is presented on a page like this. An infobox puts vital information in a concise, easy table for cursory readers to glean. In this case, an infobox is not ideal because the birth date, first of all, is contested, and it does not provide sufficient information about the peculiarities of his actual birth. Moreover, the rest of the information is misleading and confusing to those who are not musicians — Beethoven uniquely straddles both Classical and Romantic eras in music, and putting both there means nothing to those who don't understand his chronological ambiguity. The "Occupations" row is misleading, apparently stating Beethoven's work was part of some job or career. The "Notable Instruments" section still confuses me; is it a list of instruments he owned? Why is that info pertinent in summarizing his life into a small box? Futhermore, I'm not obligated to personally message you about it, because you do not own that edit, although you are perfectly validated in adding it back, and contributing to this new discussion. ALTON .ıl 05:07, 12 April 2007 (UTC)
Note: Choose your duke-out location; they've started a discussion on this very topic here. ALTON .ıl
In response to this discussion, I have modified the infobox as to Biruitorul's suggestion in using "present-day" to modify the country locations of birth and death. - cgilbert 06:35, 13 April 2007 (UTC)

Conductor?!

I've deleted the title "conductor" from both the infobox and the lede:

  1. To call him a "celebrated...conductor" is dubious at best. A glance at the index of my copy of Maynard Solomon's bio yields 5 total mentions of him conducting, two of which are negative (one mention of his deafness leading to disaster while trying to lead Fidelio (p. 268); one comment that conducting was "...a role for which he had never been well suited." (p. 250)). Certainly to imply that Beethoven's fame during his lifetime owed as much to conducting as to piano playing is really just flat wrong.
  2. I don't recall ever hearing evidence, in Solomon or elsewhere, of Beethoven "conducting" any music but his own. I've seen other composers called "conductors" on WP, I think erroneously. I think to avoid sowing confusion a distinction must be made between genuine composer-conductors like Mahler, Bernstein, or Boulez, and composers who occasionally conduct(ed) their own stuff, like Stravinsky or Copland.
  3. The title is also anachronistic: All the scholarship I've seen on the issue indicates that the role of "conductor" as we understand it was, in Beethoven's time, in an embryonic stage, if it existed at all. Indeed, Beethoven's music was in part responsible for its development as a specialty. Conducting touches on this, if regrettably briefly.

In short I believe the term is, in Beethoven's case, an innacurate, misleading anachronism. —Turangalila 03:32, 15 April 2007 (UTC)

Remove it, but for sure add that info somewhere (that he was an atrocious conductor)! ALTON .ıl 06:36, 15 April 2007 (UTC)

Media box broken

The scroll box in Ludwig_van_Beethoven#Media hides information in the Printable version. As the information is part of the article it should be printable. Should it be replaced with the usual list format? (SEWilco 04:13, 16 April 2007 (UTC))

Infobox problem

Ludwig van Beethoven
portrait by Joseph Karl Stieler, 1820portrait by Joseph Karl Stieler, 1820
Background information
GenresClassical, Romantic
Occupation(s)Composer, pianist
Years active17951826

IMO this infobox detracts from the article in a simplistic and unhelpful way. Can we have a discussion about this? Thank you. - Kleinzach 23:10, 16 April 2007 (UTC)

Was it really necessary to kill the picture along with it? Something about babies and bathwater...
Only the infobox was moved to this discussion. If you know how to put the picture up by itself that's fine by me. Displaying portraits of composers is a good idea. --Kleinzach 02:49, 17 April 2007 (UTC)
I actually think the absence of the infobox & pic only heightens the impression of this page as a set of exemplary reflist, external links, & sound samples, tacked onto an article proper that is, considering the towering subject and huge extant literature, frankly borderline-stubby. I think this debate just distracts from making the actual article better.
I think the infobox as currently "trimmed" & updated is a (small) net plus. As I said over at the WPComposers debate, what's so wrong with providing an "At-a-glance" intro for the novice, supplemental to a good article? —Turangalila 01:00, 17 April 2007 (UTC)

reset marginI "trimmed" the box a bit more to remove the redundant "Birth Name" and suggest a simple compromise on the birthday issue--another solution would be "c. December 17...". The footnote explains the baptism stuff fine w/o extra text above. —Turangalila 01:07, 17 April 2007 (UTC)

I have re-added the portrait to the top of the article as it was placed originally before the addition of the infobox. - cgilbert 03:51, 17 April 2007 (UTC)
Thanks. That looks good. --Kleinzach 04:54, 17 April 2007 (UTC)

Well now the article is targeted by the "Article Improvement Drive." I'd expect much more conflict about this topic. ALTON .ıl 22:55, 18 April 2007 (UTC)

Well, instead of discussion, somebody (not me) just added a new one, filled with anachronistic flags and misinformation about "birthday" "beethoven the 'conductor' " (see above), etc. Sadly, so far the "collaboration drive" doesn't seem to have produced much other than seemingly increased vandalism and just bad edits...oy. I thought at least someone would come & slap some {{fact}} tags around, which would have been helpful...
Anyway, the better part of valor even for you anti-infobox crusaders may be to leave one there that's stripped of crap, so as to discourage eager wikipedians from disastrously "improving" the top of the article. For now I replaced the "bad" infobox in the lead with the model from here, which I consider at least benign; we'll see if that too gets "improved" In the meantime feel free to revert to nothing if you feel you must, but be prepared to fight a sustained rearguard action.—Turangalila talk 06:34, 24 April 2007 (UTC)
Infoboxes are horribly BITEY: the newbie entering the edit window for the first time is immediately confronted by something they can't edit. What is more, an infobox is not helpful for Beethoven, where matters are quite nuanced. Proper writing in the usual way will work better. Moreschi 15:22, 27 April 2007 (UTC)
Infoboxes are a standard for almost all wikipedia articles of merit. Don't like it? Change the guidelines of a start-class article at WikiProject:Biography. WP:BITE is not an excuse to skip learning wikicoding. The infobox is correct, factual, and a good piece of layout. Use it now. ClaudeReigns 20:10, 13 May 2007 (UTC)
That's utter rubbish. There is no policy or guideline that says we need infoboxes, especially not when they're misleading, as has been the case on many composer articles. Plenty of excellent articles do not have them, Josquin des Prez for one. WP:WPBIO guidelines do not rule the world. And no, it is not correct, it is confusing. Genre: Classical, Romantic? How does that help anyone? It doesn't, it just confuses. Please don't people to "Use it now". That's very poor tone to take with good-faith contributors. There are many sections of Misplaced Pages where infoboxes are considered either useless, redundant, or detrimental. This particular box is confusing and is redundant to the text, which explains the subtleties of Beethoven's music far better than the box ever will. It's just absurd to try to reduce thousands of analyses of Beethoven's style and genre to the farcical phrase, "Classical, Romantic". Moreschi 14:16, 17 May 2007 (UTC)
User:Moreschi, an infobox is a standard for biographical articles. If you are unhappy with Template:Infobox musical artist you may of course author Template:Infobox Beethoven to present pertinent facts to the novice. You've not pointed out with any specificity at all which points are "inappropriate" or 'oversimplified'. You've not attempted a minor edit to correct any particular statement you might disagree with. This is not the place to challenge the notion of infoboxes as a thing in themselves. At the risk of sounding like I'm accusing you of disrupting Misplaced Pages to prove a point, please knock it off. Blocking my attempt to conform to Misplaced Pages's standards of excellence with a simple piece of summary layout with non-specific complaints does not show an effort at consensus. I will continue to revert until you present a rational and specific defense of your actions. ClaudeReigns 13:08, 17 May 2007 (UTC)
What the devil is this? Kindly assume good faith and take a slightly less condescending term towards the regulars. You've got to be joking. Infoboxes are standard for biography articles? This is rubbish. I've written tons of bios and I've never used an infobox, nor needed one. So have others. For starters, you could see the discussions and consensus and sections at The Composers Project and the Opera one. Infoboxes are not part of our standards of excellence. Accurate information is. I've removed the infoboxes per perfectly rational consensus for this set of articles, and per Misplaced Pages's standards of excellence to remove inaccurate, misleading, and confusing information. There is no reason why I have to listen to anything WP:WPBIO says, ever, when writing a biography. Moreschi 14:16, 17 May 2007 (UTC)
And please do a little research on the people you accuse of POINT violations. Adminstrators who have been here at Misplaced Pages for well over a year are unlikely to do such things. Moreschi 14:16, 17 May 2007 (UTC)
Infoboxes are definitely not obligatory for biographical articles (with good reason). The Biography Project doesn't own this encyclopaedia and states as much in its own guidelines here . Infoboxes are at best redundant, at their all too frequent worst they are disastrous . --Folantin 15:45, 17 May 2007 (UTC)
That Paderewski save is just a bad piece of layout. A good piece of layout using all the information without redundancy in a single box is completely doable. Nobody in opposition cares to make any suggestions about what a GOOD, appropriate and nuanced infobox would look like. There's a reason for that. ClaudeReigns 09:09, 18 May 2007 (UTC)
No it isn't. It's because human beings like Paderewski fail to fit into neat little boxes. The onus is on the people who want boxes - which are completely redundant and no more than prettification on articles like this - to sort out the problems they create. --Folantin 09:29, 18 May 2007 (UTC)
Straw poll anyone? JoshHolloway 17:27, 17 May 2007 (UTC)
Hmm, I don't see how a straw poll will fix the problems inherent in these boxes. --Folantin 18:15, 17 May 2007 (UTC)

The Misplaced Pages:WikiProject Biography/Infoboxes page explains: Certain biography articles have opposition camps on infoboxes. . . . if you are tagging a scientist, academic, or "classical" composer, first ask on the Talk page. Of course both the Composers' and the Opera Projects have decided against using them after discussion. In any case there is no infobox for composers, the musical artists' box is for popular musicians. I hope that helps clarify this issue. -- Kleinzach 01:44, 18 May 2007 (UTC)

Thanks, I got it. Opposition camps = WP:POINT arising from the self-importance of music scholars (no statement is "appropriate" or nuanced enough to summarize facts about we, the sublime). I don't care care what admin is going to pucker up for your "camp"... there was a reason I was asked to come here and edit, and it wasn't because this article had a rating appropriate to its notability in WikiProject:Biography. Quite the opposite. If you fellow editors are unable to come to a consensus about what are the most notable facts about Ludwig van and lead with them, and are furthermore content to leave all statements ambiguously summarized without much regard to the source of facts, then possibly the only contribution I could possibly make to this page (normally I'd be busy adding sources by now) is to delete non-notable entries in the reams of list-cruft on this page and individual statements which remain completely unattributed. Hopefully this will enable the editors here to pinpoint exactly what's important about Beethoven. Never again will I attempt to add an infobox here. I'll definitely comment against your "camp" wherever possible however, and work diligently to hold the editors here accountable for each and every line. ClaudeReigns 08:48, 18 May 2007 (UTC)
(Uh, could you indent next time? Anyway I've done it for you now.) Opposition camps is not my expression. It's what it says on the Biography Project/Infoboxes page. I have no idea who wrote it. By the way, who was it who specially asked you to come and edit this page? I'm just curious, you are of course welcome here like any other editor. -- Kleinzach 09:58, 18 May 2007 (UTC)
Thanks again. The request by User:Pious7 was made via my talk page. Since we're not directly discussing the Maestro and edits to his page, perhaps you can kill two birds with one stone and drop by. ClaudeReigns 11:08, 18 May 2007 (UTC)
Your comments grow increasingly unpleasant the more you write (note how I spoke disparagingly of your comments, in keeping with WP:NPA). I know it's been a while now, but please, as others have reminded you, assume good faith, and remember that in the end, we all have the same goal: an excellent article. --Milton 07:18, 11 June 2007 (UTC)

Re obscure comment in To-Do List

Meaning the "On IE the Birth name appear as John Winston Lennon". It actually dated from January 15, 2007, by an anon user. Agreed that it was probably vandalism. Thanks, Turangalila, for just getting rid of it. --Lini 03:08, 17 April 2007 (UTC)

Merge Life_and_work_of_Ludwig_van_Beethoven ?

This article seems to me to have suffered from having a lot of biographical material either originally placed or moved into the above article in preference to this one. As a result, this article is quite sparse, while the above Life_and_work_of_Ludwig_van_Beethoven is actually longer than this one. To my mind the article bearing the subject's name should be a respectable article in its own right, and in particular should have more in the biographical section.

The problem will be that a straight merge will result in an article that is excessively long, but it would be a shame to lose any of the material in the other article. It seems to me that some of the more specialised stuff in the other article, such as Beethoven's ancestry, or modern interpretations of his illnesses, could be split off into other small articles. The mainstream biographical material (which by the way is lacking in inline citations) could be used here to flesh out the current biography. Opinions, anyone? --Stephen Burnett 10:54, 19 April 2007 (UTC)

Both artcles seem to have complicated histories. I've no real objection to making this article significantly longer; my main qualm about a merge is not so much length as the large Attribution and POV problems of the "Life" article; frankly this article doesn't need any more of that. While the bio here desperately needs filling out, I think I'd prefer a separate, referenced completion, even if smaller and/or slower. The breakup of "Life and Works" could be a another project--perhaps as part of a rationalization of the whole Beethoven namespace; currently the different articles are too often at cross-purposes...—Turangalila 17:05, 19 April 2007 (UTC)

I think there should be a separate section about the Karl adoption case, which was a huge and drawn-out strain on Beethoven. During the case, as it had done a couple of times before, something else came up that embarassed B a lot. He always pretended to have a disdain for the nobility, yet this issue is a complex one. He had tried several times to pretend that the van ("the") in his name was actually the noble title von. During the Karl case, it was proved that he was definitely not a von, and the publicity dismayed B a lot. This ties in with his numerous infatuations with noble women... I think B's relationship with nobility and the noble needs to be explored more, because it might be significant in his music.

Also, what about when he and Goethe were walking down the street and some royal personage passed by and Goethe bowed and B kept walking...

In the social problems section, you could mention his temper. He once flung a hot bowl of soup in a waiter's face because it wasn't hot enough.

Boys used to throw stones after him as he walked, hunch-shouldered, self-absorboed, morose, down Vienna's streets.

And he was nicknamed, among other less flattering things, Swarthy because of his black hair. His skin, too, was yellow, which might suggest he had had jaundice as a child.

Again, I don't know if all these are notable. But I think some of these details might provide a more complete picture of such an important figure in Western civilisation. Letumbillon 01:19, 7 June 2007 (UTC)

"Music: Overview" section

I placed a {{POV-section}} tag in the "Overview" section under "Music". Currently I think this section is a big problem. It's totally unsourced (unfortunately that doesn't make it stick out in this article); its tone is patronizing (very "Music Appreciation class"; I hear Karl Haas in my head); and overall it's a veritable cornucopia of POV. Even ignoring the hagiographical bits it's highly interpretive in the least: How "well-crystallized" was the rondo? It wasn't "elastic" in Mozart? Is the Allegretto of the 7th Symphony really an "ethereal slow movement of mystic glorification"? (maybe on the Klemperer record...) I'd prefer to try and fix the section rather than just kill it, since a cogent discussion of the music beyond just naming the periods and saying how famous it is is important. —Turangalila talk 08:52, 21 April 2007 (UTC)

Kerman and Tyson from Grove

Um, guys, I thought we weren't supposed to just cannibalize other reference material. Please cite from other sources besides (essentially) another encyclopedia. I also think that trying to create a 💕 is best achieved by eschewing as much as possible (while highly regarded) the most ridiculously overpriced piece of *ahem* literature in existence, or at least consulting all of its references first and using its synthesis lastly. I understand that the practice is to go to Grove first. But it ain't the Bible. It's a tertiary source. Make sense? ClaudeReigns 17:21, 18 May 2007 (UTC)

I don't get any of that, for I've written whole articles using Grove, but at any rate I'm trying to use it for fairly basic facts and/or very commonly held opinions, not its synthesis. It's very exhaustive and very high-quality, and the articles are written by good people. It's rather reductive to claim that it's "just another encyclopedia", and as for your personal opinion that it's "the most ridiculously overpriced piece of *ahem* literature in existence", that's neither here nor there. There's certainly no reason not to use it to cite basic stuff. Moreschi 17:34, 18 May 2007 (UTC)
Grove is a reliable source. Since we are not plagiarising from it, but rather using it as a reliable source of factual information, I don't see the problem. Antandrus (talk) 17:37, 18 May 2007 (UTC)

Infobox Musical Artist

I've put musical artist infobox on this page, but it has been reverted. I don't see why classical composers should be an exception for infoboxes. I want to put it back, unless there's some reason why I shouldn't do that. --Lošmi 12:15, 30 May 2007 (UTC)

See Misplaced Pages:WikiProject_Composers#Lead_section, Misplaced Pages:WikiProject_Biography/Infoboxes, and WP:WPO#Infoboxes. Fireplace 13:34, 30 May 2007 (UTC)

Health

A book on Beethoven's health seems to have appeared, ISBN 978-0-7735-3190-1. He had a lot of respiratory and digestive problems, and of course his deafness & mood. JFW | T@lk 20:45, 2 August 2007 (UTC)

bipolar disorder

i suggest removing this until a source is provided.Bluebonics 23:00, 13 August 2007 (UTC)

Yes the paragraph

"Beethoven frequently treated other people badly, and may have suffered from bipolar disorder, and/or irritability brought on by chronic abdominal pain beginning in his 20s, which has been attributed to his lead poisoning."

is nonsense. Reiter's article only refers to the last months of Beethoven's life. We know absolutely nothing about the lead poisoning in Beethoven's youth.--Suessmayr (talk) 15:57, 17 November 2007 (UTC)

Lead poisoning?

The German Wiki entry on Beethoven notes that modern research indicates he suffered from lead poisoning:

Analysen, die das US-amerikanische Argonne National Laboratory in Chicago Anfang Dezember 2005 veröffentlicht hat, bestätigen, dass er von Jugend an unter einer schweren Bleivergiftung litt. Das Labor durchleuchtete einen der kürzlich von kalifornischen Wissenschaftlern identifizierten Schädelknochen Beethovens mit einem modernen Röntgengerät. Anschließend verglich es die Werte mit einem fremden Schädelfragment aus der damaligen Zeit. Demnach litt der große deutsche Komponist wahrscheinlich schon vor seinem 20. Lebensjahr massiv unter dem giftigen Einfluss von Blei.

As I recall, news reports at the time (2005) included informed speculation that the lead may have come from glaze on drinking vessels. Sca 03:40, 14 August 2007 (UTC)

yes, here's one on Yahoo! news: Pathologist: Doctor killed Beethoven -- Mayuresh 11:36, 29 August 2007 (UTC)

The above Wiki report was not attainable today, but the information on the German Wiki comes from the Argon Research Laboratory report 6-Dec-2005 (Contact:Catherine Foster, Phone: +1-630-252-5580) which states that synchrotron (micro) X-ray fluorescence analysis carried out on bone fragments of Beethoven's body (checked for sample identification by DNA analysis) showed the presence of massive amounts of lead. Ref: News for international x-ray analysis community Journal X-ray Spectrometry, January-24-2006, John Wiley and Sons publishers; http://www.nims.go.jp/xray/hot/xrsnews3502.htm This is a scientific proof, which, of course does not tell us where the lead came from. LouisBB (talk) 05:51, 25 March 2008 (UTC)

As long as detailed toxicological data have not been published, Prof. Reiter's hypothesis must be considered dubious. There is absolutely no proof that Dr. Ignaz Wawruch treated Beethoven's wound with lead poultices.--Suessmayr (talk) 16:00, 17 November 2007 (UTC)

van Beethoven

If he was German, why is his name always listed van Beethoven? Shouldn't it be von Beethoven. Van is Dutch where von is German. Emperor001 16:33, 14 August 2007 (UTC)

Beethoven's father's ancestors were Flemish, this is where van is from. Von, in german, is usually a nobiliary particle ; Beethoven was not noble. Furthermore, van is the way he always signed his letters... I don't think we can contradict the composer himself. Cordially, Kokin 19:50, 16 August 2007 (UTC)
Von isn't always for nobility, but thanks. Didn't know he had Flemish ancestory. All I knew was that he was German. Emperor001 19:01, 18 August 2007 (UTC)


Late String Quartets and/or Piano Sonatas

I know this issue has already been discussed in some form or another elsewhere in the archives, but does anyone know if the middle (e.g. Op.31 and Op.53) and late piano sonatas (e.g. Op.81 and Op.106) are generally considered Classical or Romantic? What about the late string quartets? In my estimation, sonatas such as the Pastoral and the Tempest sound more Romantic than Classical (which is inconsistent with the "Eroica's" common consideration as Beethoven's first "Romantic" work), but the Hammerklavier and his other highly fugal works (e.g. the late string quartets) sound perhaps more Classical or post-Romantic than Romantic. I realize that these categories are neither cut nor dried, but is anyone familiar enough with the relevant literature to know how most scholars categorize these works (if they do at all)? W.M. O'Quinlan 23:38, 29 October 2007 (UTC)

Destroying of conversation books

To which persons does the following passage refer?

"Towards the end of his life, Beethoven's friends competed in their efforts to help him cope with his incapacities, and after his death destroyed many of the conversation books to protect his reputation."

Who else beside Anton Schindler destroyed conversation books? Which friends of Beethoven collaborated with Schindler? The whole absurd sentence should be deleted.--Suessmayr (talk) 16:05, 17 November 2007 (UTC)

Orignal research and Beethoven's character.

It's well established that Beethoven was extremely erratic and unreasonable on the matter of his nephew. I'm not going to provide a source because it's such common knowledge across so many sources that it is superfluous to offer one.

The right of challenge is being abused; Misplaced Pages is becoming a laughing stock. Misplaced Pages, stand up to the extremists. Tcaudilllg (talk) 22:30, 5 December 2007 (UTC)

It isn't "superfluous"; it only means you have lots of choices. Choose one you think particularly appropriate or choose one randomly. TheScotch (talk) 10:28, 25 April 2008 (UTC)

Photo

Two of Beethoven's pianos in the Beethoven-Haus in Bonn. Stieler's famous portrait hangs on the wall.

I've uploaded a photo which may be valuble to the article. Hbar.cc (talk) 00:14, 9 December 2007 (UTC)

Innappropiate wording?

From the custody battle section:

"When Karl could stand his ->tyrannical<- uncle no longer"

From the music section:

"Beethoven is acknowledged as one of the ->giants<- of Western classical music"

The first sounds as POV. The second, I can't exactly pin point what it is, but to me, it just sounds bad. Maybe emotionally charged? --W2bh (talk) 17:07, 10 December 2007 (UTC)

Some more that I didn't read before:
"Equally ->remarkable<- was his use of "source-motives," which recurred in many different compositions." --W2bh (talk) 17:15, 10 December 2007 (UTC)

Homeopathy

User:Danaullman has added a section to "illness and health" that strongly implies that the subject took homeopathic medicines, and that they were effective for him. I have no doubt that he may have seen a dr who in addition to his practice was a proponent of homeopathy, but is there any evidence that Beethoven took homeopathic remedies? I also strongly doubt the claim/implication that any homeopathic treatment helped him, unless there is a reliable source that he believed it did. Even then we should only claim that it, in his opinion, helped him, as there is no scientific evidence for the efficacy of homeopathy. Any comments, or shall I just remove these changes? I also note that this user has been asked to avoid editing articles on homeopathy, and this is probably developing into a plug for his book so WP:COI applies. --88.172.132.94 (talk) 17:43, 9 January 2008 (UTC)

  • Quackery was of course rampant in those days when Medical Science was in its infancy. And whether or not the homeopathic medications "worked" (or perhaps even brought about Beethoven's death more rapidly) cannot be said with any certainty based on the experiences of one single subject (any beneficial effects could have been due to the placebo effect or may have been spontaneous - after all, many people do often get better without any treatment). Whether or not Beethoven believed in homeopathy and whether or not they worked for him does not seem to be very relevant for this article and I agree that this addition is probably more like a plug for this editor. I would not object to a deletion at all. --Crusio (talk) 18:06, 9 January 2008 (UTC)
It's obviously undue weight in an article this size. Delete. --Folantin (talk) 18:08, 9 January 2008 (UTC)
I'd remove it but for some reason I can't, I can only view source. As soon as that's gone I'll revert the changes --88.172.132.94 (talk) 18:53, 9 January 2008 (UTC)
I've removed it myself per WP:UNDUE. The article has been semi-protected - so IPs can't edit. --Folantin (talk) 18:57, 9 January 2008 (UTC)
Strongly agree with you guys. The article should be about Beethoven the composer, and his music, and the addition seems to be more about how homeopathic medicines allegedly helped Beethoven than anything else. This is a pretty clear case of undue weight. Thanks, Antandrus (talk) 00:06, 10 January 2008 (UTC)
There are several reasons that I think that the information about Braunhofer is important here. It is known that Beethoven had certain health problems, not just hearing problems, that influenced his music. He was even known to have put his irregular heart beat to music. I referenced a book by Hayden, which, by the way, was very favorably reviewed by the New England Journal of Medicine and in Nature Medicine, that highlighted the fact that he considered almost all of his doctors to be "asses." However, he had a special and good relationship in Braunhofer, so much so that he dedicated two of his canons to him. I do not want to debate the validity of homeopathy here, but the bottomline is that, according to his famous "Conversation Books" (some of which have only recently been translated into English), Beethoven had a real appreciation for this doctor (Beethoven refers to him as "My esteemed friend" in his letters). I also reference a new book by F. Mai which was published by McGill-Queen's University Press. It would seem that this body of information is just the type that is NPOV and of special interest to wiki-readers.DanaUllman 02:14, 10 January 2008 (UTC) —Preceding unsigned comment added by Danaullman (talkcontribs)
Maybe stuff about his views about doctors, and his special relationship with this one, should be included. This should be debated here first. However, any claims that he took homeopathic medicine need to be backed up, and any claims that he attributed any recovery to homeopathy also needs to be backed up, with specificity. The doctor might never have given him homeopathic treatments for all we know. Be aware of WP:SYN. Also, the section added was far too long for such a trivial fact: famous person in history took homeopathic pills, maybe. Since you are heavily involved in researching the history of famous people and homeopathy, perhaps you shouldn't edit the article space directly when editing pages such as these with homeopathic content. --RDOlivaw (talk) 12:07, 10 January 2008 (UTC)
First, I am sorry that several of the people making comments here have little or no knowledge of the life of Beethoven, and instead, they simply seek to UNDO what scholarly writing that I do in various articles. RDOLivaw seems to be one such person. S/he is also 147.171.255.159 and 147.171.255.140, and s/he has a strong POV, rarely provides NPOV references, and primarily seeks to UNDO the NPOV references I provide. My writing at this site is FULL of direct references to NPOV source material, and they link to the specific pages in Beethoven's "Conversations Books" (RDOLivaw seems to be not familiar with these documents). Unless you read the source material that I have cited and found that it is incorrect, please acknowledge that you are working in ignorance. Please note that I do not simply "claim" that Beethoven took homeopathic medicines, I show it to be true. Please also note that I purposefully choose not to reference my new book on famous people who used homeopathy due to COI. Dana Ullman 15:10, 10 January 2008 (UTC)
Hi, yes I have previously been those two IPs - as I told Dana this morning on his talk page. I registered an account today after realising that my IP address was not static. My edits speak for themselves, however that is highly irrelevant here. I agree with the content of the two posts below, and stand by my comment above. --RDOlivaw (talk) 16:10, 10 January 2008 (UTC)

Nobody here actually cares whether Beethoven did use homeopathic medicines or not. Doubtless he did if you say so. The issues here is one of article balance and Misplaced Pages:Undue weight. Might I suggest, in a similar fashion to Death of Wolfgang Amadeus Mozart, a separate article for this? Beethoven's medical history (or some vaguely similar title, at any rate). Just please be careful to avoid content forking. Moreschi 15:17, 10 January 2008 (UTC)

Agreed.You need to read Misplaced Pages policy on undue weight to understand the objections to the inclusion of this information. The point is not whether this material is true or reliably sourced, it's about whether its inclusion is appropriate in a basic article of this length. It might be worth a paragraph in a book-length biography of Beethoven, for instance, but certainly not in a short, general encyclopaedic article like this. Beethoven is famous as a composer, not as a consumer of medicines. I hope this makes things a bit clearer. --Folantin (talk) 15:21, 10 January 2008 (UTC)
Everyone above (except Fonantin) is not a regular contributor to this article on Beethoven. Instead, these other people follow me around to undo any reference to homeopathic medicine that I provide. I would like to ask people who have contributed to this article on Beethoven in the past to provide comment on whether the information I previously provided is of use (or not). I welcome whatever comments you have. I certainly recognize that Beethoven was a musician and not a consumer of medicines, but his health and his deafness influenced his music and his life. I inserted the information about Beethoven's health under the sub-category "Illness and Death" because this section commanded more information about his health in the years just prior to his passing. I am not saying (or implying) that any treatment helped his deafness (nothing did), but Beethoven's experiences with Braunhofer has recently been uncovered by Professor Mai of the University of Ottawa, and this information did seemingly benefit Beethoven greatly (he was suffering from internal bleeding at the time). The fact that Beethoven dedicated two canons to this doctor seems to carry some weight. Dana Ullman 22:49, 10 January 2008 (UTC)
How sure are you about that? Antandrus (talk) 23:38, 10 January 2008 (UTC)
I stand corrected...and thank you, Antrandrus, for correcting me...and thanks for introducing me to wikidashboard. You have provided many edits to this site, as Moreschi has also done some good work. That said, do any other contributors to this article have an opinion on whether the information on Braunhofer carries weight or not? Dana Ullman 01:11, 11 January 2008 (UTC)
Hi Dana. I think Moreschi makes a good suggestion above; the kind of information you wish to include merits a mention in a detailed article about Beethoven's health and illnesses. If you study the history of the Beethoven article -- I've been following it for about four years -- you will see that we tend to spin off "satellite" articles when sections begin to contain too much detail, i.e. overbalance the article. I don't know myself whether or not homeopathic medicines played a role in Beethoven's treatment, and I'll take your word for it, especially since I'm aware of the importance of Hahnemann around this time -- but you may wish to write a detailed account of Beethoven's health, using all available sources (and being careful not to give undue weight to homeopathy, since I see it is your interest). Please also look at the Life and work of Ludwig van Beethoven, which was a previous spinoff. Best, Antandrus (talk) 01:25, 11 January 2008 (UTC)

Biographical infobox added to this article without discussion here first

A biographical infobox has been added to this article by CenturionZ 1 without prior discussion here. (It describes Beethoven as a 'freelance'.) --Kleinzach (talk) 03:12, 10 May 2008 (UTC)

I'm removing it for discussion, as done in April 2007. Thank you. --Kleinzach (talk) 03:17, 10 May 2008 (UTC)
My apologies for removing the picture - that was unintentional. --Kleinzach (talk) 04:34, 10 May 2008 (UTC)

I have removed the freelance designation; kept remaining parameters as they seem uncontroversial. --TrustTruth (talk) 18:00, 10 May 2008 (UTC)

Unbalanced parenthesis!

The beginning of the article reads "(English /ˈlʊdvɪg væn ˈbeɪtoʊvən/; German IPA: , (December 16, 1770March 26 1827)". The programmer in me finds this very disturbing, as the brackets are unbalanced! I've looked far back in the edit history and it isn't a recent change. Is this really the way it is supposed to be written? Foolip (talk) 15:02, 11 May 2008 (UTC)

Fixed it! Feel free to make changes like this on your own. If someone disagrees we can discuss it here, but seemed like obviously in need of some solution. -- Myke Cuthbert (talk) 20:08, 11 May 2008 (UTC)

See Also

It seems that all the Beethoven articles should be listed in the See Also section, not just the two that are there. I am not sure how exactly See Also policy works, though, because the other articles are linked at the top of other section headings, e.g. Beethoven and C Minor. Asmeurer (talkcontribs) 23:16, 7 June 2008 (UTC)

Assessment comment

The comment(s) below were originally left at Talk:Ludwig van Beethoven/Comments, and are posted here for posterity. Following several discussions in past years, these subpages are now deprecated. The comments may be irrelevant or outdated; if so, please feel free to remove this section.

Comment(s)Press to view →
Composers Project Assessment of Ludwig van Beethoven: 2008-12-14

This is an assessment of article Ludwig van Beethoven by a member of the Composers project, according to its assessment criteria. This review was done by Magicpiano.

If an article is well-cited, the reviewer is assuming that the article reflects reasonably current scholarship, and deficiencies in the historical record that are documented in a particular area will be appropriately scored. If insufficient inline citations are present, the reviewer will assume that deficiencies in that area may be cured, and that area may be scored down.

Adherence to overall Misplaced Pages standards (WP:MOS, WP:WIAGA, WP:WIAFA) are the reviewer's opinion, and are not a substitute for the Misplaced Pages's processes for awarding Good Article or Featured Article status.

Origins/family background/studies

Does the article reflect what is known about the composer's background and childhood? If s/he received musical training as a child, who from, is the experience and nature of the early teachers' influences described?

  • Good
Early career

Does the article indicate when s/he started composing, discuss early style, success/failure? Are other pedagogic and personal influences from this time on his/her music discussed?

  • Musical mentions are limited.
Mature career

Does the article discuss his/her adult life and composition history? Are other pedagogic and personal influences from this time on his/her music discussed?

  • Content is disorganized; musical mentions limited.
List(s) of works

Are lists of the composer's works in WP, linked from this article? If there are special catalogs (e.g. Köchel for Mozart, Hoboken for Haydn), are they used? If the composer has written more than 20-30 works, any exhaustive listing should be placed in a separate article.

  • Good
Critical appreciation

Does the article discuss his/her style, reception by critics and the public (both during his/her life, and over time)?

  • Surprisingly lacking.
Illustrations and sound clips

Does the article contain images of its subject, birthplace, gravesite or other memorials, important residences, manuscript pages, museums, etc? Does it contain samples of the composer's work (as composer and/or performer, if appropriate)? (Note that since many 20th-century works are copyrighted, it may not be possible to acquire more than brief fair use samples of those works, but efforts should be made to do so.) If an article is of high enough quality, do its images and media comply with image use policy and non-free content policy? (Adherence to these is needed for Good Article or Featured Article consideration, and is apparently a common reason for nominations being quick-failed.)

  • Good
References, sources and bibliography

Does the article contain a suitable number of references? Does it contain sufficient inline citations? (For an article to pass Good Article nomination, every paragraph possibly excepting those in the lead, and every direct quotation, should have at least one footnote.) If appropriate, does it include Further Reading or Bibliography beyond the cited references?

  • Article has "Further reading" and inline citations. No separate references. Inline cites are inadequate for GA/FA.
Structure and compliance with WP
MOS

Does the article comply with Misplaced Pages style and layout guidelines, especially WP:MOS, WP:LEAD, WP:LAYOUT, and possibly WP:SIZE? (Article length is not generally significant, although Featured Articles Candidates may be questioned for excessive length.)

  • Lead is short. External links may need scrubbing.
Things that may be necessary to pass a Good Article review
  • Article requires more inline citations (WP:CITE)
  • Article lead needs work (WP:LEAD)
  • Article prose needs work (WP:MOS)
Summary

I found this article to be a difficult read, and somewhat disappointing, considering the notability and importance of the subject. While the biography starts out as a somewhat typical biography, it disintegrates into a series of seemingly disjointed sections concerning events and conditions in his adult life, without notable continuity between them. The section headings and subheadings of the biographical section don't seem to have any rhyme or reason to them. There is at least one notable conflict in information between this article and Life and work of Ludwig van Beethoven: when his deafness is reported to begin. The Music section is somewhat superficial.

I find the organization of articles about Beethoven and what they cover to be confusing. The biography here has virtually no compositional components to it; we don't know from reading it when even a few of his many famous works were written. (I would expect this article to at least summarize some of this sort of information, even if most of it is in the "Life and work" article) Musicological descriptions of his style and its development over his life (something I'm sure whole books have been written about) are treated somewhat superficially. Instances of Beethoven's influence on later composers would be appropriate somewhere; there is but a brief mention in the "Life and work" article. (Note that I am not questioning or denying his influence; robust examples of e.g. another major composer using the idea of a germ-motif are what's missing.) Descriptions of some of his concerts and the public reception of his works appear to be lacking (for example, some of his concerts were notably long, and his music was not always well-received -- if it's here somewhere, I haven't been able to find it). Historical information about how his works were received or notably interpreted and analyzed throughout the time since his death is almost entirely absent.

Editors working on this article might look to Mozart and Maurice Ravel as examples of better-written articles about famous composers.

The article's structure is decent. The lead is short for an article of this length; it should be 3-4 paragraphs. There are some inline citations; no References section. Much of the article is uncited; combined with a lack of References, we have no idea where this information comes from. The External Links section could likely stand to be scrubbed, given how long it is.

This article might be B-class, but it is an embarrassment to Misplaced Pages in the condition it is in. Magic♪piano 03:44, 14 December 2008 (UTC)

Last edited at 09:42, 3 August 2010 (UTC). Substituted at 19:59, 2 May 2016 (UTC)

  1. Cite error: The named reference baptism was invoked but never defined (see the help page).