Revision as of 18:58, 17 January 2012 editTjmayerinsf (talk | contribs)Pending changes reviewers58,637 editsm →Film clips← Previous edit | Latest revision as of 02:00, 22 December 2024 edit undoSporkBot (talk | contribs)Bots1,244,917 editsm Remove template per TFD outcome | ||
(54 intermediate revisions by 34 users not shown) | |||
Line 1: | Line 1: | ||
{{Short description|1984 documentary film}} | |||
{{Use dmy dates|date=January 2023}} | |||
{{Infobox film | {{Infobox film | ||
| name = Marlene | | name = Marlene | ||
| image = Marlene. |
| image = Marlene (1984 film - poster).jpg | ||
| caption = |
| caption = Theatrical release poster | ||
| director = ] | | director = ] | ||
| |
| writer = {{ubl|Maximilian Schell|Meir Dohnal}} | ||
| |
| producer = {{ubl|]|Karel Dirka}} | ||
| starring = | | starring = | ||
⚫ | | cinematography = {{ubl|Henry Hauck|Pavel Hispler|Ivan Slapeta}} | ||
⚫ | | editing = {{ubl|]|Dagmar Hirtz}} | ||
| music = Nicolas Economou | | music = Nicolas Economou | ||
| studio = {{ubl|]|OKO-Film}} | |||
⚫ | | cinematography = Henry Hauck |
||
⚫ | | distributor = Futura Film | ||
⚫ | | editing = ] |
||
⚫ | | released = {{Film date|df=y|1984|1|13|Bavarian Film Festival|1984|3|2|West Germany}} | ||
⚫ | | distributor = Futura Film |
||
⚫ | | released = {{ |
||
| runtime = 94 minutes | | runtime = 94 minutes | ||
| country = |
| country = West Germany | ||
| language = English |
| language = {{ubl|English|German|French}} | ||
| budget = | | budget = | ||
| preceded_by = | |||
| followed_by = | |||
}} | }} | ||
'''''Marlene''''' |
'''''Marlene''''' (also known in Germany as '''''Marlene Dietrich – Porträt eines ]''''') is a 1984 West German ] co-written and directed by ] about German-American actress ]. It was produced by ] and OKO-Film and released by Futura Film in West Germany and by Alive Films in the United States. | ||
==Background== | ==Background== | ||
Marlene Dietrich and Maximilian Schell had worked together on '']'' in |
Marlene Dietrich and Maximilian Schell had worked together on '']'' in 1961. By the late 1970s, Dietrich had become a virtual recluse in her ] apartment on the ]. However, financial issues inspired her to develop a television documentary about her work. Her initial choice for a director, her friend ], proved unavailable and after considering Welles' friend and fan of hers, ], she eventually agreed to have Schell direct—primarily, it seems, because he spoke both German and English.<ref>{{Cite book|title=Marlene Dietrich: Life and Legend|last=Bach|first=Steven|publisher=William Morrow and Company|year=1992|isbn=978-0-6880-7119-6|location=New York|page=|url-access=registration|url=https://archive.org/details/marlenedietrichl00bach/page/453}}</ref> In 1982, with Schell on board, she agreed to participate in what she intended to be a television documentary. Schell had other ideas and their sessions became a film. | ||
==Film clips== | |||
Because Dietrich did not wish to be photographed, the film consists of an audio commentary and the visuals illustrating her career by showing film clips and stills from her films, as well as newsreel footage. She was contracted for "40 hours of interviews",<ref>{{cite news|last=Canby|first=Vincent|author-link=Vincent Canby|url=https://www.nytimes.com/1986/11/07/movies/screen-marlene.html|title=Screen: Marlene|newspaper=]|date=7 November 1986|at=Section C, page 4|issn=0362-4331|access-date=27 January 2023}}</ref> as she reminds Schell during one of their exchanges. The film consists of voice interviews between Schell and Dietrich in which she often ignores his questions, makes acerbic comments about, among other things, some of the books written about her life and films. She resists Schell's attempts to criticize those she knew in her life asking him, "Why must we say critical things?" During their discussions, she touches on the subjects of life and death, reality and illusion and the nature of stardom. | |||
==Films featured== | |||
The film contains clips from the following films: | The film contains clips from the following films: | ||
* |
*''Love Tragedy'' (1923) | ||
* |
*''Nights of Love'' (1929) | ||
* |
*'']'' (1930) | ||
*'']'' (1930) | *'']'' (1930) | ||
*'']'' (1931) | *'']'' (1931) | ||
*'']'' (1932) | *'']'' (1932) | ||
*'']'' (1934) | *'']'' (1934) | ||
*'']'' (1935) | *'']'' (1935) | ||
*'']'' (1936) | *'']'' (1936) | ||
*'']'' (1939) | *'']'' (1939) | ||
*'']'' (1941) | *'']'' (1941) | ||
*'']'' (1950) | *'']'' (1950) | ||
*'']'' (1957) | *'']'' (1957) | ||
*'']'' (1958) | *'']'' (1958) | ||
*'']'' (1961) | *'']'' (1961) | ||
*'']'' (1979) | *'']'' (1979) | ||
==Accolades== | |||
==Awards and nominations== | |||
<!-- Deleted image removed: ] --> | <!-- Deleted image removed: ] --> | ||
The film was nominated for an ] for Best Documentary |
The film was nominated for an ] for ].<ref name="NY Times">{{cite web |url=https://movies.nytimes.com/movie/31526/Marlene/details |archive-url=https://web.archive.org/web/20090629082853/http://movies.nytimes.com/movie/31526/Marlene/details |url-status=dead |archive-date=2009-06-29 |department=Movies & TV Dept. |work=The New York Times |year=2009 |title=NY Times: Marlene |access-date=2008-11-16}}</ref><ref name="Oscars1985">{{Cite web|url=http://www.oscars.org/oscars/ceremonies/1985 |title=The 57th Academy Awards (1985) Nominees and Winners |access-date=May 20, 2019 |work=oscars.org |url-status=live |archive-url=https://web.archive.org/web/20111228050833/http://www.oscars.org/awards/academyawards/legacy/ceremony/57th-winners.html |archive-date=December 28, 2011 }}</ref> It won the Best Production Award at the Bavarian Film Awards, the Outstanding Non-Feature Film at the ] and the Best Documentary Award from the ], the ], USA and the ]. | ||
Marlene was rankled by the raw and vulnerable portrayal of her, thinking it would be an ordinary documentary, and she did not speak to Schell for a year. However, she was won over by the glowing reviews of the film, and after it was nominated for an Academy Award, she reconciled with him.<ref name="News">{{cite news |url=https://news.google.com/newspapers?nid=1917&dat=19870417&id=uxAhAAAAIBAJ&pg=2597,4467487&hl=en |title=Maximilian Schell directs Marlene Dietrich documentary|access-date=2016-09-02|newspaper=]}}</ref> | |||
⚫ | ==External links== | ||
* {{Imdb title|id=0085905|title=Marlene}} | |||
⚫ | * | ||
==References== | ==References== | ||
{{ |
{{Reflist}} | ||
⚫ | ==External links== | ||
* {{IMDb title}} | |||
* {{Mojo title}} | |||
⚫ | * | ||
* | |||
{{Marlene Dietrich}} | |||
{{Navboxes | |||
|title = Awards for ''Marlene'' | |||
|list1 = | |||
{{Boston Society of Film Critics Award for Best Documentary Film}} | |||
{{National Society of Film Critics Award for Best Non-Fiction Film}} | |||
{{New York Film Critics Circle Award for Best Non-Fiction Film}} | |||
}} | |||
{{DEFAULTSORT:Marlene (1984 Film)}} | {{DEFAULTSORT:Marlene (1984 Film)}} | ||
] | ] | ||
] | ] | ||
] | ] | ||
] | ] | ||
] | ] | ||
] | ] | ||
] | ] | ||
⚫ | ] | ||
] | ] | ||
] | |||
] | |||
⚫ | ] | ||
] | |||
] | |||
⚫ | ] | ||
] | |||
] | |||
] | |||
⚫ | ] | ||
] | |||
] | |||
] |
Latest revision as of 02:00, 22 December 2024
1984 documentary film
Marlene | |
---|---|
Theatrical release poster | |
Directed by | Maximilian Schell |
Written by |
|
Produced by |
|
Cinematography |
|
Edited by |
|
Music by | Nicolas Economou |
Production companies |
|
Distributed by | Futura Film |
Release dates |
|
Running time | 94 minutes |
Country | West Germany |
Languages |
|
Marlene (also known in Germany as Marlene Dietrich – Porträt eines Mythos) is a 1984 West German documentary film co-written and directed by Maximilian Schell about German-American actress Marlene Dietrich. It was produced by Bayerischer Rundfunk and OKO-Film and released by Futura Film in West Germany and by Alive Films in the United States.
Background
Marlene Dietrich and Maximilian Schell had worked together on Judgment at Nuremberg in 1961. By the late 1970s, Dietrich had become a virtual recluse in her Paris apartment on the Avenue Montaigne. However, financial issues inspired her to develop a television documentary about her work. Her initial choice for a director, her friend Orson Welles, proved unavailable and after considering Welles' friend and fan of hers, Peter Bogdanovich, she eventually agreed to have Schell direct—primarily, it seems, because he spoke both German and English. In 1982, with Schell on board, she agreed to participate in what she intended to be a television documentary. Schell had other ideas and their sessions became a film.
Because Dietrich did not wish to be photographed, the film consists of an audio commentary and the visuals illustrating her career by showing film clips and stills from her films, as well as newsreel footage. She was contracted for "40 hours of interviews", as she reminds Schell during one of their exchanges. The film consists of voice interviews between Schell and Dietrich in which she often ignores his questions, makes acerbic comments about, among other things, some of the books written about her life and films. She resists Schell's attempts to criticize those she knew in her life asking him, "Why must we say critical things?" During their discussions, she touches on the subjects of life and death, reality and illusion and the nature of stardom.
Films featured
The film contains clips from the following films:
- Love Tragedy (1923)
- Nights of Love (1929)
- The Blue Angel (1930)
- Morocco (1930)
- Dishonored (1931)
- Blonde Venus (1932)
- The Scarlet Empress (1934)
- The Devil Is a Woman (1935)
- Desire (1936)
- Destry Rides Again (1939)
- Citizen Kane (1941)
- Stage Fright (1950)
- Witness for the Prosecution (1957)
- Touch of Evil (1958)
- Judgment at Nuremberg (1961)
- Just a Gigolo (1979)
Accolades
The film was nominated for an Academy Award for Best Documentary Feature Film. It won the Best Production Award at the Bavarian Film Awards, the Outstanding Non-Feature Film at the German Film Awards and the Best Documentary Award from the New York Film Critics Circle Awards, the National Society of Film Critics Awards, USA and the Boston Society of Film Critics Awards.
Marlene was rankled by the raw and vulnerable portrayal of her, thinking it would be an ordinary documentary, and she did not speak to Schell for a year. However, she was won over by the glowing reviews of the film, and after it was nominated for an Academy Award, she reconciled with him.
References
- Bach, Steven (1992). Marlene Dietrich: Life and Legend. New York: William Morrow and Company. p. 453. ISBN 978-0-6880-7119-6.
- Canby, Vincent (7 November 1986). "Screen: Marlene". The New York Times. Section C, page 4. ISSN 0362-4331. Retrieved 27 January 2023.
- "NY Times: Marlene". Movies & TV Dept. The New York Times. 2009. Archived from the original on 29 June 2009. Retrieved 16 November 2008.
- "The 57th Academy Awards (1985) Nominees and Winners". oscars.org. Archived from the original on 28 December 2011. Retrieved 20 May 2019.
- "Maximilian Schell directs Marlene Dietrich documentary". The Daily Gazette. Retrieved 2 September 2016.
External links
Marlene Dietrich | |
---|---|
Studio albums |
|
Live albums |
|
Selected singles | |
Videos | An Evening with Marlene Dietrich (2003) |
Related articles |
|
- 1984 films
- 1984 documentary films
- 1984 multilingual films
- 1980s English-language films
- 1980s French-language films
- 1980s German films
- 1980s German-language films
- Documentary films about actors
- Documentary films about women in film
- Films directed by Maximilian Schell
- Films produced by Zev Braun
- German documentary films
- German multilingual films
- Marlene Dietrich
- West German films
- Collage film
- English-language documentary films