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{{about|the current-day New York radio station|the Milwaukee radio station that held these calls from 1935-2004|WSSP}} {{short description|Sports radio station in New York City}}
{{redirect|WQCD-FM|other uses|WQCD (disambiguation)}}
{{redirect|WRXP|the Illinois radio station that briefly used the call sign WRXP in 2006|WWCT}}
{{Use mdy dates|date=January 2024}}
{{original research|date=July 2021}}
{{Infobox radio station {{Infobox radio station
| name = WFAN-FM
| image =]
| above = Simulcast with ], New York City
| name = WEMP
| logo = WFAN logo.svg
| city = ]
| logo_size = 150px
| area = ]
| branding = ''New Rock 101.9'' | city = ]
| slogan = | country = US
| area = ]
| frequency = 101.9 ] ]<br>{{HD Radio}}<br /><small>101.9-2 FM Smooth 101.9 HD2 (CD 101.9 1988–2011)|CD 101.9" (]) (HD currently off the air)</small>
| branding = WFAN Sports Radio 66 and 101.9 FM, The Fan
| airdate = 1945
| frequency = {{frequency|101.9|]}} {{HD Radio}}
| format = ]
| airdate = {{Start date and age|1940|10|31}}
| erp = 6,200 ]s
| haat = 413 meters | format = ]
| subchannels = {{ubl|HD2: ]|HD3: ]}}
| class = B
| language = ]
| facility_id = 67846
| erp = {{val|6000|u=watts|fmt=commas}}
| callsign_meaning = '''W''' '''EMP'''ire State
| haat = {{convert|415|m|ft|sp=us}}
| former_callsigns = WGHF (1945–1955)<br>WBFM (1955–1964)<br>WPIX-FM (1964–1988)<br>WQCD (1988–2008)<br>WRXP (2008–2011)
| affiliations = | | class = B
| licensing_authority = ]
| owner = Merlin Media, LLC
| licensee = | facility_id = 67846
| coordinates = {{coord|40|44|54.4|N|73|59|8.5|W|type:landmark_region:US-NY_source:FCCInfo-NAD83|display=inline, title}} <!-- Empire State Building -->
| webcast =
| callsign_meaning = ]atic
| website = {{URL|www.newrock1019.com}}
| former_callsigns = {{ubl|W2XWF (1940)|W55NY (1941–1943)|WFGG (1943–1945)|WGHF (1945–1955)|WBFM (1955–1964)|WPIX-FM (1964–1988)|WQCD (1988–2008)|WRXP (2008–2011)|WEMP (2011–2012)|WRXP (2012)}}
| former_frequencies = {{ubl|42.18&nbsp;MHz (1940–1941)|45.5&nbsp;MHz (1941–1946)|99.7&nbsp;MHz (1946–1947)}}
| affiliations = {{ubl|]|]|]|]|]|]}}
| owner = ]
| licensee = Audacy License, LLC
| sister_stations = {{hlist|]|]|]|]|]|]|]}}
| webcast = {{Audacy.com|wfan}}
| website = {{URL|https://www.audacy.com/wfan}}
}} }}
'''WFAN-FM''' (101.9 ]) is a commercial radio station licensed to ]. Owned by ], the station ]s a ] ] known as "Sports Radio 66 AM and 101.9 FM", or "The FAN", along with co-owned ] (660 AM). Its studios are in the Audacy facility in the ] neighborhood of ].
'''WEMP''' (101.9 ]), known on-air as '''''New Rock 101.9''''', is an ] ] located in ]. WEMP is owned by Merlin Media LLC, and has studios located in New York's ] neighborhood. WEMP's transmitter is located at the ]. The station also broadcasts a ] format on its ] subchannel (101.9-2), named Smooth 101.9 HD2. Smooth 101.9 HD2 is currently off the air since June 2012 because WEMP's HD transmitter had a catastrophic failure.{{cn|date=July 2012}} It is unknown as to whether it will return to the air.{{whom?|date=July 2012}}


WFAN-FM has an ] (ERP) of 6,000 watts, ] from atop the ].<ref>{{Cite web|url=https://radio-locator.com/info/WFAN-FM|title=WFAN-FM 101.9 MHz - New York, NY|website=radio-locator.com}}</ref> WFAN-FM broadcasts using ] technology. Its HD ]s carry Audacy's national sports networks, ] and ].
==Early years==
The station first went on the air in 1945 as '''WGHF''', named after its original owner, '''W'''illiam '''G'''.'''H'''. '''F'''inch, and moved to the 101.9 frequency in 1947. In late 1948, it became the New York City affiliate of the farm-oriented ] based in ], which owned a group of upstate stations that would later associate with ]. In 1955, its then-owner, ], changed the call letters to '''WBFM'''.


==The WPIX-FM era== ==History==
===Early years===
]
(advertisement), ''Broadcasting'', December 17, 1945, page 83.</ref>]]
After the station was purchased by the New York '']'' in late 1963, WBFM adopted the '''WPIX-FM''' call letters on October 11, 1964, as the station was now ] with television station ]. Originally an ] station, WPIX-FM was famous for not being able to settle on a format for any real length of time, and was derisively nicknamed "the format of the month station" by many in the New York City radio industry, as it went through 11 different formats during this period:
The station traces its origin to an experimental ] radio station, W2XWF on 42.18&nbsp;MHz, which was authorized in 1940 and licensed to radio engineer William G. H. Finch.<ref> by Alfonso Narvaez, ''The New York Times'', November 17, 1990.</ref>


In May 1940, the ] (FCC) announced the establishment, effective January 1, 1941, of an FM radio band operating on 40 channels spanning 42–50&nbsp;MHz.<ref> ''Federal Register'', May 25, 1940, page 2011.</ref> On October 31, 1940, the ] construction permits for commercial FM stations were issued, including one to W. G. H. Finch for a station in New York City at 45.5&nbsp;MHz,<ref>, ''Broadcasting'', November 15, 1940, page 77.</ref> which was issued the call sign W55NY.<ref>The initial policy for commercial FM station call signs included an initial "W" for commercial stations located east of the Mississippi River, followed by the last two digits of a station's frequency assignment, "55" in this case, and closing with a one or two character regional identifier, which for New York City was "NY".</ref> Effective November 1, 1943, the FCC modified its policy for FM call letters,<ref>, ''The Billboard'', September 4, 1943, page 7.</ref> and the station was assigned new call letters of WFGG,<ref>, ''Broadcasting'', October 4, 1943, page 49.</ref> which were changed to WGHF in 1945. One of the uses of the station was to test Finch's sub-carrier ] system. By 1946, the station was broadcasting on 99.7&nbsp;MHz, moving to 101.9 in 1947.<ref> (nyradioguide.com)</ref>
*1971-1975; 1976-1977: ] - a Top 40 format at the time that played new songs less often than ]; while still focused on current music, it mixed in rock and roll oldies from about 1964 to what was then recent.
* 1975: Disco. '']'' reported, "Characterized by a strong bass, a simple melody, and terse repetitive lyrics...'Disco,' as this music is called...is becoming increasingly popular on AM and FM radio stations. WPIX-FM recently switched several hours of its nightly programming over to 'disco'" and leaned disco the rest of the day. The nightly show "Disco 102" was first hosted by Dr. Jerry Carroll, then by Howard Hoffman when Carroll moved to afternoons. By the summer of 1976 the station was back to a gold leaning Top 40 format which was popular on FM stations back then.
* ] launches "The Simone Phone", a pioneering FM comedy talk show featuring then producer/writer ] that contained many popular features like "Dial-A-Date", which were later borrowed by other radio shows.
* 1977-1978: ]/].<ref>{{cite news|author=Dena Kleiman|title =The 'Hustle' Restores New Touch To Old Dancing|work=]|date=July 12, 1975|accessdate=2006-08-19}}</ref>
* 1978-1980: ]/] Rock—At a time when other rock stations in New York were sticking with traditional ] formats (], ]), ] (]) or ] (]), WPIX staked out a groundbreaking format focused on new wave and punk but included older rock and roll as well, hence its advertising slogan: "From Elvis to Elvis." It helped break in New York and nationally early records by ], ], ], ], ], ], ], ], ], ], ], ], ], ], ] and ], to name just a few. The station was even featured in lyrics from the ] song, 'I Think I'm Go Go' (P I X and rock and roll).
* March 1980-1981: Rock-based ]--According to ''The New York Times'', a station spokesperson said the station was "modifying the format to improve the product to make it more mass acceptable."<ref>{{cite news|author=John Rockwell|title=The Pop Life|work=]|date=March 21, 1980|accessdate=2006-08-19}}</ref>
* 1981-1982: ].
* January–March 1982: ] (Top 40)--basically a transitional format to Adult Contemporary.
* March 1982: ]--began positioning itself as "''Nothing But Love Songs''" in 1983. Had good ratings from 1983 to 1985.
* 1985: ] "The Ballads and Beat of New York."
* August 16, 1986: ]/]/] "The Bright and Lively Sound of New York."<ref>{{cite news|author=Kevin Goldman|title = Radio Format Changes Signal a Hot Contest|work=]|location=] |date=August 15, 1986|accessdate=2006-08-19}}</ref>
* 1987: Hot Adult Contemporary during the day and ] evenings.
* 1987-1988: Hot Adult Contemporary during the day and overnights using "Easy Rock" as a slogan. ] in the evenings.


In late 1948, it became the New York City ] of the farm-oriented ] based in ], which owned a group of upstate stations that would later associate with ]. In 1955, its then-owner, ], changed the call letters to WBFM.<ref> '']'' November 28, 1955. pg. 103.</ref> The station aired a soft instrumental ] ].
Notable air personalities during the WPIX-FM period included ], ], ], ], ], ], ], ], ], Joe "from Chicago" Piasek, Ray Otis as "Johnny Alligator," Robert Desidario as "Desi da kid from da Bronx," Dan Neer, Alfred Santos, Rick Allison, Bill Vitka, and John Ogle. Forecaster Phil Rodent moonlinghted in costume as Capt. PIX. Another of its disc jockeys, ] (a.k.a. "Dr. Jerry"), would gain fame as ] spokesperson for the ] ]. ] would later go on to be a news anchor at ABC Radio, and then a business news anchor at ].


===WPIX-FM===
The station gave up quickly on both the Disco and the Rocknroll/new wave formats to see both ]s of music become popular several years later.
]
The station was purchased by the '']'' in late 1963.<ref> – '']'', December 10, 1963. pg.87.</ref> WBFM adopted the WPIX-FM ] on October 11, 1964, as the station was now ] with television station ] (channel 11).


Broadcasting from the "Pix Penthouse" on the 28th floor of the ], WPIX-FM ushered in what was to become one of the most popular formats in FM radio, ] (later ]), signaling the end of the dominance of beautiful music, jazz, classical and block programming on the FM band. WPIX-FM would be noted for not being able to settle on a format for any real length of time, and was derisively nicknamed "the format of the month station" by many in the New York City radio industry. The station went through 11 different formats during its post-easy listening period:
WPIX-FM then stayed as an adult contemporary station for a few years, as its ratings during this period were pretty good. By 1985, the station began mixing a number of eclectic songs into its adult contemporary format, and was known as "the ballads and the beat of New York."
* 1971–1975; 1976–1977: ] - a top 40 format at the time that played new songs less often than top 40 leader ]. While still focused on current music, it mixed in rock and roll oldies from about 1964 to what was then recent.
* 1975: ]/]. '']'' reported, "Characterized by a strong bass, a simple melody, and terse repetitive lyrics...'Disco,' as this music is called...is becoming increasingly popular on AM and FM radio stations. WPIX-FM recently switched several hours of its nightly programming over to 'disco.'"<ref>{{cite news|author=Dena Kleiman|title =The 'Hustle' Restores New Touch To Old Dancing|url=https://www.nytimes.com/1975/07/12/archives/the-hustle-restores-old-touch-to-dancing.html|work=]|date=July 12, 1975|access-date=July 30, 2020}}</ref> The nightly show "Disco 102" was first hosted by "Doctor" ], then by Howard Hoffman when Carroll moved to afternoons. By the summer of 1976 the station was back to a gold leaning top 40 format which was popular on FM stations at the time.
* 1977–1978: ]/rock music.
* During this time, Mark Simone launched "The Simone Phone", a pioneering FM comedy talk show featuring then-producer/writer ], that contained popular features such as "Dial-A-Date", which were later borrowed by other radio shows.{{citation needed|date=July 2020}} Simone moved to WMCA in 1979.
* 1978–1980: ]/]. At a time when other rock stations in New York were sticking with traditional ] formats (], ]), ] (]) and ] (]), WPIX staked out a groundbreaking format focused on new wave and punk but included older rock and roll as well, hence its advertising slogan: "From Elvis to Elvis" (meaning ] to ].) It helped break in New York and nationally early records by Costello, ], ], ], ], ], ], ], ], ], ], ], ], ], ] and ], among others. The station was even featured in lyrics from the Squeeze song, 'I Think I'm Go Go' (P I X and rock and roll).<ref name="LLC1980">{{cite magazine |last1=Rose |first1=Frank |title=Is Real Rock Radio Normal? |url=https://books.google.com/books?id=6OUCAAAAMBAJ&pg=PA64 |magazine=New York |date=February 4, 1980 |publisher=New York Media, LLC |page=64 |issn=0028-7369 |via=Google Books}}</ref>
* March 1, 1980 – July 6, 1981: Rock-based ]. A station spokesperson said WPIX-FM was "modifying the format to improve the product to make it more mass acceptable".<ref>{{cite news|author=John Rockwell|title=The Pop Life|url=https://www.nytimes.com/1980/03/21/archives/the-pop-life.html|work=]|date=March 21, 1980|access-date=July 30, 2020}}</ref>
* July 6, 1981 – January 15, 1982: ].
* January 15 – February 28, 1982: ] (top 40). Basically a transitional format to adult contemporary.
* March 1982 – 1985: Adult contemporary music. Beginning in January 1983, WPIX-FM positioned itself as "nothing but love songs". A series of TV commercials featuring ] ]s, and starring artists such as ], ], ] and ]<ref>{{Cite web|url=https://www.youtube.com/watch?v=V3oN8DLFoz0|title=Carly Simon 1984 WPIX Radio Station Commercial|via=YouTube}}</ref> were credited with bringing new listeners to the station. The tagline was, "Your ex wants you back!"<ref>{{cite web|title=WPIX-FM 102 Commercial (Sheena Easton), 1984| via=YouTube |url=https://www.youtube.com/watch?v=3Jtcp2XGUUo |archive-url=https://ghostarchive.org/varchive/youtube/20211213/3Jtcp2XGUUo |archive-date=December 13, 2021 |url-status=live}}{{cbignore}}</ref>
* 1985: ], a mix of love songs and eclectic music as "the ballads and beat of New York". Also in 1985, the station began running a nighttime show called "The PIX Penthouse", which played ] and ] as well as ]. It had been used through the 1960s as the station's tagline for its easy listening format. ("The PIX Penthouse Party" had been originally used as a program title during WPIX-FM's Punk/New Wave era and was notable for playing 1960s music that influenced Punk and New Wave Rock.)
* August 16, 1986 – March 1987: ]/]/]/smooth jazz — "The Bright and Lively Sound of New York".<ref>{{cite news|author=Kevin Goldman|title = Radio Format Changes Signal a Hot Contest|work=]|location=Melville, NY |date=August 15, 1986}}</ref>
* March - September 1987: Hot adult contemporary during the day and ]/smooth jazz evenings.
* September 1987 – August 10, 1988: Hot adult contemporary during the day and overnights using "Easy Rock" as a slogan. ] in the evenings.


Notable air personalities during the WPIX-FM period included Mark Simone, ], ], ] and ] (a.k.a. "Dr. Jerry"). Another WPIX-FM personality, Ken Harper, host of the all-night "Manhattan After Hours", from 1964 to 1968, went on to produce "]" on ].<ref>{{cite web|title=Ken Harper|url=http://www.thewizthemusical.com/creators/ken-harper|work=thewizthemusical.com}}</ref>
Also in 1985, the station was running a nighttime show called "The PIX Penthouse", which played ] and ] songs. It was also used through the 1960s as the station's tagline for an easy-listening format. ("The PIX Penthouse Party" had been originally used as a program title during WPIX-FM's Punk/New Wave era and was notable for playing 1960s music that influenced Punk and New Wave Rock.)


The station gave up quickly on both the Disco and the Punk/New Wave formats, only to see both genres of music become popular several years later.
From 1966 to 1988, WPIX-FM simulcast the background holiday music played during WPIX Television's annual '']'' program on ].


From 1966 to 1988, WPIX-FM ] the ] played during WPIX television's annual '']'' program on Christmas Eve and Christmas morning.
==As WQCD, "CD101.9"==
] By 1987, the station started to play contemporary jazz at night, as its ratings were on the decline. Then, on August 10, 1988 the station adopted a jazz-based adult contemporary format during the day and retained all jazz at night. Later that month, on August 22, the station modified into a full-time contemporary jazz (now known as smooth jazz) format, with the new call letters '''WQCD''' and the new branding, '''"CD 101.9"'''.<ref>{{cite news|author=Paul D. Colford|title = WPIX: New Format, New Letters|work=Newsday|location=Melville, NY |date=August 9, 1988|accessdate=2006-08-19}}</ref> The smooth jazz format proved successful and long-lasting for a station that had not been used to stability in its programming. New York City had not had a full-time commercial jazz station since 1980, when WRVR (106.7 FM, now ]) became ] station WKHK following an ownership change two years earlier.


===CD101.9===
WQCD's early music blend featured contemporary jazz mixed with ] and ], and some ], with an equal balance between vocal and instrumental music. At night the station played strictly contemporary jazz music, with a majority of it instrumental. As time went on, WQCD phased-out soft-rock cuts and became a full-time contemporary jazz station. The playlist continued to feature large amounts of instrumental jazz and new age, and several urban adult contemporary songs. This formula would largely be unchanged for over 15 years.
Beginning with "The PIX Penthouse" in 1985, WPIX-FM started to play contemporary jazz after dark to boost its nighttime ratings, and beginning in September 1987, the station's evening programming was entirely dedicated to the genre. Then, on August 10, 1988, the station adopted a jazz-based adult contemporary format during the day and retained all jazz at night.


Later that month, on August 22, the station modified into a full-time ] format, with the new call letters WQCD and the new branding, "CD 101.9".<ref>{{cite news|author=Paul D. Colford|title = WPIX: New Format, New Letters|work=Newsday|location=Melville, NY |date=August 9, 1988}}</ref> While the genre had varying degrees of presence on most Top 40 and AC stations at the time, New York City had not had a full-time commercial jazz station since 1980, when WRVR (106.7 FM, now ]) became ] station WKHK following an ownership change two years earlier. The re-launch of 101.9 was accompanied by a new television advertising campaign which featured ], ], ], ] and ]<ref>{{Cite web|url=https://www.youtube.com/watch?v=nKH8_vnFCwI|title=CD 101.9 - Jazz Radio Commercial - NYC Area - 1988|via=YouTube}}</ref>–all artists whose music formed the core of the new smooth jazz format, which proved successful and long-lasting for a station that had not been used to stability in its programming.
] Even after the ''Daily News'' changed ownership in 1991, WQCD was retained by the ''News'''s former corporate parent, the ]. In 1997 Tribune sold WQCD to ], and the combination of WQCD with Emmis's two existing New York stations, ] (97.1 FM) and WRKS (98.7 FM, now ]), gave the ]-based company an FM ] in the New York market.


WQCD's early music blend featured contemporary jazz mixed with ] and ], along with some ] (the "CD" branding came from the station promoting that it played between 70 and 80 minutes of music between commercial breaks, the length of an average compact disc). The station programmed an equal balance between vocal and instrumental music. At night the station played strictly contemporary jazz music, with a majority of it instrumental. As time went on, WQCD phased-out soft-rock cuts and became a full-time contemporary jazz station. The playlist continued to feature large amounts of instrumental jazz, with some new age, and several urban adult contemporary songs. This formula would largely be unchanged for over 15 years.
During its time under Tribune ownership, WQCD had been headquartered with WPIX at the (now-landmarked) ] in Midtown Manhattan. In 1998, Emmis moved WQCD, WQHT and WRKS into a newly-constructed common facility at 395 ], at the meeting point of Manhattan's ] and ] neighborhoods. The multi-station complex was the first of its kind in American radio, which was now becoming increasingly consolidated.
{{clear}}


When the ''Daily News'' changed ownership in 1991, WQCD and WPIX were retained by the newspaper's former corporate parent, the ]. In 1997 Tribune sold WQCD to ]. The combination of WQCD and Emmis's two existing New York stations, ] (97.1 FM) and ] (98.7 FM), gave the ]-based company an FM ] in the New York market. In 1998, Emmis moved WQCD out of the Daily News Building, and along with WQHT and WRKS into a newly constructed common facility at 395 ].
===WQCD goes "New York Chill"===
] WQCD also ran an experiment from November 22, 2004 until August 2005, when the station's playlist included ], a form of relaxing music based on the music found in the beaches of ]. Their ratings were not satisfactory, and the experiment ended. The station retained the tagline, "CD101.9, Your Chill-Out Station" during its successful transition back to the standard smooth jazz format.


WQCD ran an experiment from November 22, 2004, until August 2005, when the station's playlist included ], a relaxing sound based on the music found on the beaches of ]. The ratings were not satisfactory, and the experiment ended. The station retained the tagline, "CD101.9, Your Chill-Out Station" during its successful transition back to the standard smooth jazz format. WQCD's on-air staff remained unusually stable in the generally volatile radio climate, led by morning host Dennis Quinn. Midday host Deborah Rath had been with parent company Emmis since 1988, as a veteran of both WRKS and WQHT. Afternoon drive host Paul Cavalconte was a veteran of New York jazz, classical, and rock stations, ] ]. Evening host Sharon Davis called WQCD home for nearly a decade. Other notable long-term airstaff members include Ray White, Pat Prescott, Russ Davis, Steve Harris, Ian Karr, Maria Von Dickersohn, Meryl Kubrick and John Vidaver. ] hosted "The Groove Boutique", a nationally syndicated groove jazz mix show that aired on Saturday nights beginning in 2003. "The Groove Boutique" was a finalist in the 2005 Best Mix Show category of the 8th annual New York Radio Market Achievements in Radio (A.I.R.) awards.<ref>{{cite web |title=8th Annual A.I.R. Awards Winners |url=http://nymrad.org/air.html |website=NYMRAD.org |archive-url=https://web.archive.org/web/20060209180201/http://nymrad.org/air.html |access-date=July 4, 2021|archive-date=February 9, 2006 }}</ref>
===Final years of CD101.9===
] WQCD's on-air staff remained unusually stable in the generally volatile radio climate, led by morning host Dennis Quinn. Midday host Deborah Rath had been with parent company Emmis since 1988, as a veteran of both WRKS and WQHT's original incarnation "Hot 103.5". Afternoon drive host Paul Cavalconte was a veteran of New York jazz, classical and rock stations, including WQCD's generational predecessor ]. Evening host Sharon Davis called WQCD home for nearly a decade as well, but on February 5, 2008, CD101.9 and Smooth Jazz all came to an end.
{{clear}}


==As WRXP "101.9 RXP"== ===101.9 RXP===
] On February 5, 2008 at 4:00 p.m., Emmis Communications announced a change to a rock format under the '''WRXP''' call letters and the tagline '''''101.9 RXP: The New York Rock Experience'''''. The last songs played were "Shining Star" and an instrumental rendition of "Street Life" by jazz artist U-Nam. The entire WQCD airstaff was released including Dennis Quinn, who had survived every other format change at 101.9 since joining the station as WPIX-FM in 1971. Only ] Blake Lawrence was retained from the previous format for WRXP. Emmis cited a declining audience for smooth jazz, the format which moved to the station's ] subcarrier. On February 5, 2008, at 4:00&nbsp;pm, Emmis Communications announced a change to a rock format under the WRXP call letters and the tagline ''101.9 RXP: The New York Rock Experience''. The last songs played on "CD 101.9" were "]" by ] and an instrumental rendition of "]" by U-Nam, while the first two songs played on "RXP" were "Rock and Roll" by ] and "Supernatural Superserious" by ] With the exception of Paul Cavalconte, the entire WQCD air staff was released including Dennis Quinn, who had survived every other format change at 101.9 since joining the station in 1971. Only ] Blake Lawrence was retained from the previous format for WRXP. Emmis cited a declining audience for smooth jazz, which moved to the station's ] subchannel. (An online version of CD101.9 would eventually be launched in late summer 2015.)


WRXP was the first ] station in New York City since ]'s format flip to ] in April ]. Even though classified as alternative rock (with a slight ] lean), ] and ] reported WRXP as an AAA, with suburban station ] recognized as the main AAA station in the New York City market. By ], WRXP was classified as an alternative rock station by both Nielsen BDS and Mediabase. WRXP was the first ] station in New York City since ]'s format flip to ] in April ]. Even though classified as alternative rock (with a slight ] lean), ] and ] reported WRXP as an AAA, with suburban station ] recognized as the main AAA station in the New York City market. By ], WRXP was classified as an alternative rock station by both Nielsen BDS and Mediabase.


WRXP's first on-air personality was Brian Schock, who, until leaving the station for personal reasons in January 2009, was also the station's assistant program director and ]. Station management promised to hire a New York rock-savvy airstaff for the rest of the station's dayparts,<ref>{{cite news|url=http://www.nydailynews.com/entertainment/tv/2008/02/06/2008-02-06_wqcd_plays_taps_for_jazz__is_reborn_as_r.html | location=New York, NY | work=] | title=WQCD plays taps for jazz & is reborn as rock WRXP | first=David | last=Hinckley | date=February 6, 2008 |accessdate=2008-02-19}}</ref> and started with the hiring of former ] personality ] as the morning drive host. Other additions to WRXP's on-air team included former ] personality Steve Craig as midday host along with Brian Phillips as evening host. The weekend air staff includes Dave Greek, Greg Russ, ] and ], who was the only personality rehired from the WQCD smooth jazz format. In March 2009, WRXP announced through their morning program that Nik Carter, formerly of WXRK, was to join as the anchor from 3 to 7 PM on weekdays. WRXP's first on-air personality was Brian Schock. Until leaving the station to return to ] in January 2009, he was also the station's assistant program director and music director. Station management promised to hire a New York rock-savvy airstaff for the rest of the station's dayparts.<ref>{{cite news|url=http://www.nydailynews.com/entertainment/tv/2008/02/06/2008-02-06_wqcd_plays_taps_for_jazz__is_reborn_as_r.html | location=New York, NY | work=] | title=WQCD plays taps for jazz & is reborn as rock WRXP | first=David | last=Hinckley | date=February 6, 2008 |access-date=February 19, 2008}}</ref> Among those hired were veteran radio and ] personality ] as the morning drive host; Steve Craig as midday host; and Brian Phillips as evening host. The weekend air staff included Dave Greek, Greg Russ and Jennifer Kajzer, as well as Cavalconte, the only personality retained from the WQCD smooth jazz format. In March 2009, WRXP announced that Nik Carter, formerly of WXRK, and later with ], joined as the station as its afternoon drive personality.


On June 16, 2008, ], formerly of ] in ], was appointed Program Director. In addition to her duties as program director, Fram was also co-host of the WRXP morning drive (and later midday) show with Pinfield.<ref>{{cite news| url=http://www.nydailynews.com/entertainment/tv/2008/05/20/2008-05-20_new_wrxp_jock_got_an_early_start.html | location=New York, NY | work=Daily News | title=New WRXP jock got an early start | first=David | last=Hinckley | date=May 19, 2008}}</ref> On June 16, 2008, ], formerly of ] in ], was appointed Program Director. She also co-hosted the WRXP morning drive (and later midday) show with Pinfield.<ref>{{cite news| url=http://www.nydailynews.com/entertainment/tv/2008/05/20/2008-05-20_new_wrxp_jock_got_an_early_start.html | location=New York, NY | work=Daily News | title=New WRXP jock got an early start | first=David | last=Hinckley | date=May 19, 2008}}</ref> On November 9, 2008, '']'' debuted on the station.


===Merlin Media===
On November 9, 2008, the free form show Anything Anything with Rich Russo began airing on sunday nights. Upon the sale and format change of WRXP-FM, the Anything Anything show began airing on both WXPK-FM and WDHA-FM
On June 21, 2011, it was announced that majority ownership of WRXP was acquired by Merlin Media LLC, a new entity headed by veteran radio executive ].<ref>{{cite news| url=http://www.nydailynews.com/blogs/showandtell/2011/06/rock-could-sink-at-wrxp-with-sale-of-station-to-new-media-group | location=New York, NY | work=Daily News | title=Rock could sink at WRXP with sale of station to new media group | first=David | last=Hinckley | date=June 21, 2011}}</ref> The sale, which the ] (FCC) approved in September 2011, included two other Emmis-owned stations in Chicago, ] and ]. Merlin registered several domains for what the new format of the station would be, including a return of ]'s country music format, but many suggested an ] format.


All of WRXP's DJs, except for Cavalconte, were dismissed, and at 5 p.m. on July 15, 2011, WRXP's rock format ended with "]" by ]. WRXP's website (MyRXP.com) continued operation after the station left the airwaves, offering its music format via streaming online audio and later a ] playlist (with occasional new songs added) until Merlin acquired the domain name.
==Transition to Merlin Media and FM News 101.9==
]] Majority ownership of WRXP was acquired by Merlin Media LLC, a new entity headed by veteran radio executive ], in a sale announced on June 21, 2011.<ref>{{cite news| url=http://www.nydailynews.com/blogs/showandtell/2011/06/rock-could-sink-at-wrxp-with-sale-of-station-to-new-media-group | location=New York, NY | work=Daily News | title=Rock could sink at WRXP with sale of station to new media group | first=David | last=Hinckley | date=June 21, 2011}}</ref> The ]-based company became majority owners of two other Emmis stations there, ] and WKQX (now ]), through the same deal. The deal would be approved by the FCC in September.


At 5:00 PM on July 15, 2011, after playing "]" by ], WRXP switched to a ] of ] music with the brand "101.9 FM New."<ref></ref> At 6:00 AM on July 18, WRXP began a live morning show hosted by veteran New York City radio personality Paul Cavalconte (who has been with 101.9 since 1998), with Jeff McKay (formerly of ] and ]) providing weather and traffic updates.<ref name="Daily News 20110720">{{cite news|last=Hinckley|first=David|title=WRXP still in standstill over future of station; Merlin Media aims to change rock hits to news talk|url=http://www.nydailynews.com/entertainment/tv/2011/07/20/2011-07-20_wrxp_still_in_standstill_over_future_of_station_merlin_media_aims_to_change_rock.html|accessdate=20 July 2011|newspaper=New York Daily News|date=20 July 2011}}</ref> The station's call letters were changed to '''WEMP''' on July 21. On July 25, 2011, the first ever newscast premiered at 3PM with Dave Packer and Mike Barker. On August 12, the station ended its Adult Contemporary stunt for "FM News 101.9," an all-news format. After a brief period of dead air, WRXP (whose call sign was changed to WEMP on July 21) switched to a ] of adult contemporary music branded as "101.9 FM New", which served as a transition to the station's new format.<ref>{{Cite web|url=https://www.youtube.com/watch?v=AnTuVFmgl9A|title=The End Of WRXP 101.9 New York - 14 and 15 July 2011|via=YouTube}}</ref> The first song on "FM New" was "]" by ]. "101.9 FM New" featured a live morning show that began at 6:00&nbsp;a.m. on July 18, hosted by Paul Cavalconte (who had been with 101.9 since 1998), with Jeff McKay (a New York traffic reporter formerly of ] and ]) providing traffic reports and weather updates (until the next day, when meteorologist Scott Derek began).<ref name="Daily News 20110720">{{cite news|last=Hinckley|first=David|title=WRXP still in standstill over future of station; Merlin Media aims to change rock hits to news talk|url=http://www.nydailynews.com/entertainment/tv/2011/07/20/2011-07-20_wrxp_still_in_standstill_over_future_of_station_merlin_media_aims_to_change_rock.html|access-date=July 20, 2011|newspaper=Daily News|location=New York|date=July 20, 2011}}</ref> News reports and news blocks were gradually introduced beginning with a 3 p.m. newscast on July 25, 2011, anchored by Dave Packer and Mike Barker.


===FM News 101.9===
After the terrestrial radio change, WRXP maintained their website at http://www.myrxp.com/ and continued to offer their music format in streaming audio. The streaming audio has since been replaced by a ] playlist that has had songs occasionally added.
On August 12, 2011, the station ended its adult contemporary stint and became an all-news station as "FM News 101.9". It followed in the footsteps of its Chicago sister station WWWN (the former and current ]), which flipped to all-news on July 29.<ref name=FMQB08152011> from FMQB, August 15, 2011</ref><ref> from ''The New York Times'', August 14, 2011</ref> As conceived by Merlin's then-COO, Walter Sabo, "FM News" was what Sabo considered a "redefining" of the all-news format.<ref name=NYDN08172011> from ''Daily News'' (New York), August 17, 2011</ref> The on-air presentation was generally looser and conversational in tone, while an emphasis was placed on lifestyle, health, and entertainment features.<ref> from Radio-Info, August 15, 2011</ref> The initial news staff at WEMP included people with experience in New York radio, including WINS alums Catherine Smith, Alice Stockton-Rossini, and Brett Larson, as well as former ] anchor Therese Crowley and WRXP holdover Paul Cavalconte.<ref> from FishbowlNY, posted August 16, 2011</ref>


Over time, the "FM News" approach on WEMP was adjusted. The reliance on lifestyle and entertainment features was decreased. The station turned towards a tighter on-air presentation and hard news format. Several new features were added, including "10 minutes of non-stop news" at :00, :20 and :40 past the hour (similar to the fact that WINS delivers news headlines at these intervals), the "Top 5 Trending Stories" leading off every hour, with hourly sports and business updates.<ref> from ''Daily News'' (New York), October 31, 2011</ref><ref> from Radio-Info, January 23, 2012</ref>
WEMP struggled to make gains in ratings, and lost a large share when compared to WRXP numbers. In the period ending January 4, 2012, ] rated WEMP at a 0.5, while the News category leader, ], rated at 3.2.<ref>{{cite web|last=Barmash|first=Jerry|title=Christmas Music Means Another Ratings Win for WLTW|url=http://www.mediabistro.com/fishbowlny/christmas-music-means-another-ratings-win-for-wltw_b51774#more-51774|publisher=FishbowlNY|accessdate=31 January 2012|date=25 January 2012}}</ref> One of the last ratings for WRXP, in July 2011, was at a 2.6.<ref>{{cite web|last=Barmash|first=Jerry|title=WLTW Keeps Number One, WCBS-FM Returns to Number Two|url=http://www.mediabistro.com/fishbowlny/wltw-keeps-number-one-wcbs-fm-returns-to-number-two_b39263#more-39263|publisher=FishbowlNY|accessdate=31 January 2012|date=13 July 2011}}</ref> Despite rumors that the station would turn more toward News/Talk, the station instead went into a different direction.
{{clear}}


The station also advertised "traffic and weather on the 5s". Coinciding with the on-air changes was a major promotional push, including television ads.<ref> from Radio-Info, January 12, 2012</ref> Promotions tweaked WINS' longtime "22 minutes" slogan, with WEMP proclaiming "Give us 10 minutes, we'll give you the world."<ref> from ''Daily News'' (New York), January 19, 2012</ref> (After WINS owner ] sent a cease-and-desist letter to Merlin Media, WEMP dropped the slogan, and replaced it by "non-stop news".) Then, Merlin Media fought back against WINS by demanding that station not to call itself as "New York's One and Only All-News Station" (to highlighting its round-the-clock newswheel as opposed to WCBS carrying some live sports broadcasts). Merlin Media said this was misleading according to WEMP's format at the time.<ref> from ''Daily News'' (New York), January 23, 2012</ref>
==Transition back to rock==
On July 17, 2012, following the 10:00 AM news update, the newscast was abruptly silenced. WEMP then aired its final story, which announced that the "FM News" format was ceasing operations. Following that announcement, and going into "]" by ], WEMP returned to alternative rock as "New Rock 101.9."{{cn|date=July 2012}} WEMP's Chicago sister station, WIQI, flipped at the same time to a 1990s-based ] format, branded as "i101".


In the time FM News was in operation, it was plagued by a variety of technical issues after management in Chicago decided to ] the news, much as some music stations automate their playlists. The controversial approach led to a number of on-air gaffes, including wrong time checks and news stories misplaced. The only live elements on the air were traffic reports, which were reportedly demanded by a manager at WEMP, despite the traffic reports being recorded by their Chicago sister station. The expanded traffic reports became one of the few successes of the radio station, and several months later, Chicago's "FM News 101.1" would also return to the live traffic reports.
The next day, Merlin staff filed paperwork with the FCC to revert WEMP's call letters back to WRXP.<ref> from Radio-Info.com, 7/18/2012</ref>

WEMP and its all-news format struggled to make gains in ] ratings. For example, in the period ending January 4, 2012, Arbitron rated WEMP at a 0.5, far behind both of the CBS Radio-owned all-news stations in New York, category leader WINS at 3.2 and WCBS at 2.8 in that month.<ref>{{cite web|last=Barmash|first=Jerry|title=Christmas Music Means Another Ratings Win for WLTW|url=http://www.mediabistro.com/fishbowlny/christmas-music-means-another-ratings-win-for-wltw_b51774#more-51774|publisher=FishbowlNY|access-date=January 31, 2012|date=January 25, 2012}}</ref> (WEMP's share was lower than one of the last ratings books for WRXP, a 2.6 share in July 2011.)<ref>{{cite web|last=Barmash|first=Jerry|title=WLTW Keeps Number One, WCBS-FM Returns to Number Two|url=http://www.mediabistro.com/fishbowlny/wltw-keeps-number-one-wcbs-fm-returns-to-number-two_b39263#more-39263|publisher=FishbowlNY|access-date=January 31, 2012|date=July 13, 2011}}</ref>

===New Rock 101.9===
In July 2012, there was speculation that Merlin Media would convert WEMP to a ] hybrid, similar to its sister stations in ], ], and Chicago, WIQI, which was also struggling in ratings with all-news and had added some talk programming.<ref> from FishbowlNY, posted July 16, 2012</ref> Instead, Merlin had other plans for the station.

On July 17, 2012, at 10&nbsp;am, Merlin management held meetings with the news staffs of both WEMP and WIQI.<ref name=CRM07172012> from Chicagoland Radio & Media, July 17, 2012</ref> While the meeting took place, a pre-recorded newscast from earlier in the day on "FM News 101.9" was abruptly cut off and replaced by the reporting of one final story – an announcement that the all-news format was ending immediately. {{cquote|''"This is the final story being covered by FM News. It is to announce that a format change is about to occur at 101.9. In just a few moments, FM News will become New Rock 101.9. The final line of our final story is this: A special note of thanks to everyone involved with FM News for their passion and support. Sometimes just saying thank you isn't enough, but in this case, it'll have to do. Thank you... and good-bye."''}}

After a brief period of ], WEMP then returned to an alternative rock format under the "New Rock 101.9" branding, with "]" by the ], as the first song played.<ref name=FC07172012> from FormatChange.com, posted July 17, 2012</ref> (At the very same time, WIQI transitioned from all-news to ].)<ref name=RI07172012> from Radio Insight, July 17, 2012</ref><ref>{{Cite web|url=https://www.allaccess.com/net-news/archive/story/108232/merlin-brings-alternative-back-to-new-york-adult-h|title=Merlin Brings Alternative Back To New York, Adult Hits To Chicago|website=All Access}}</ref> In a press release, Merlin CEO Randy Michaels called dropping all-news from both WEMP and WIQI "a difficult decision to make" but one that had to be made in light of "minimal audience engagement".<ref name=CRM07172012/> Most "FM News 101.9" staffers were released by Merlin, with a handful retained by the company to serve as reporters for Merlin's WWIQ in Philadelphia.<ref> from FishbowlNY, July 19, 2012</ref>

"New Rock 101.9" ("New Rock for New York") featured a ] that included current and recent alternative rock songs and artists.<ref name=RI07172012/> The presentation included an irreverent attitude and the "backselling" (identification of artist and song title) at the end of many current songs.<ref name=FC07172012/> To coincide with the format change back to rock, Merlin Media made two noteworthy moves: It filed a request with the FCC on July 18 to revert the station's call sign from WEMP to WRXP.<ref> from Radio-Info.com, July 18, 2012</ref> The call letters were officially changed on July 25.<ref name=FBNY07252012> from FishbowlNY, July 25, 2012</ref> Merlin also obtained WRXP-related domain names from the station's previous owner, Emmis Communications, including MyRXP.com (which would redirect to the station's NewRock1019.com website).<ref>{{Cite web|url=https://twitter.com/radioinsight|title=Source: Radio Insight on Twitter, posted 7/25/2012}}</ref>{{Primary source inline|date=February 2024}} "New Rock 101.9" ran with limited on-air talent, including former WRXP host Brian Phillips on middays, with the possibility that other former 'RXP staffers would be invited to rejoin the station.<ref name=FBNY07252012/>

===WFAN-FM===
WRXP made some gains in the Arbitron ratings with its revived alternative format. The station jumped to a 1.6 share in July, and then to a 2.1 share in August. But Merlin Media was faced with a high debt load from recent purchases and the cost of its failed news format. Additionally, one of Merlin's investors was seeking buyers for the company's stations.<ref> from ''Time Out Chicago'', September 25, 2012</ref>

Merlin announced on October 8, 2012, that it had agreed to sell WRXP to CBS Radio. With the purchase (estimated at $75&nbsp;million), CBS said it would convert WRXP to a simulcast of its sports radio station, WFAN.<ref name="aa-saletocbs">{{cite news|title=Merlin Sells WRXP/New York To CBS; WFAN To FM|url=http://www.allaccess.com/net-news/archive/story/111125/merlin-sells-wrxp-new-york-to-cbs?ref=mail_bulletin|access-date=October 8, 2012|newspaper=All Access|date=October 8, 2012}}</ref> The simulcast began at 11:57&nbsp;p.m. on November 1, 2012, after ]'s "]" brought a close to WRXP's "New Rock" format.<ref>, posted November 1, 2012</ref> A call sign change from WRXP to WFAN-FM took effect the next day, November 2. CBS operated WFAN-FM under a ] (LMA) until closing its purchase on December 10, 2012.<ref> from Media Bistro, October 29, 2012</ref><ref> from CBSNewYork.com, December 10, 2012</ref> The LMA officially relieved Merlin Media of its only New York radio property and allowed it to concentrate on its stations in the Chicago and Philadelphia markets.<ref> from FMQB, October 8, 2012</ref>

The purchase of 101.9 by CBS put WFAN back on equal footing with ] affiliate ], which made its own AM-to-FM move in April 2012 (to the former WRKS). It also improved daytime coverage for WFAN; for years, ] had rendered it all but unlistenable in parts of Manhattan. Speculation at the time suggested that the move would also allow CBS to split the WFAN simulcast at a later date and ensure a full-power New York home for its new national sports network, ], which began daily programming in January 2013 (and would ultimately air on WFAN-FM's HD2 subchannel). Such a move would have mirrored CBS-owned sports talk pairings in markets such as ], where ] aired CBS Sports Radio full-time and ] aired local sports talk.<ref> from ''The New York Times'', October 8, 2012</ref> CBS (and later, Entercom) chose not to break the simulcast, with ]'s suburban station ] (1230) serving as the ''de facto'' CBS Sports Radio flagship instead.

On February 2, 2017, CBS Radio announced it would merge with Entercom (now ]).<ref>{{Cite web|url=https://radioinsight.com/headlines/116299/cbs-radio-to-merge-with-entercom/|title=CBS Radio To Merge With Entercom - RadioInsight|date=February 2, 2017}}</ref> The merger was approved on November 9, 2017, and was consummated on November 17.<ref>{{cite web|url=http://entercom.com/press/entercom-receives-fcc-approval-merger-cbs-radio/|title=Entercom Receives FCC Approval for Merger with CBS Radio|work=Entercom|date=November 9, 2017|access-date=November 17, 2017}}</ref><ref>{{cite web|url=https://radioinsight.com/headlines/121072/entercom-completes-cbs-radio-merger/|title=Entercom Completes CBS Radio Merger|last=Venta|first=Lance|work=Radio Insight|date=November 17, 2017|access-date=November 17, 2017}}</ref>


==References== ==References==
{{reflist|30em}}
* (Change of call letters from WGHF to WBFM) — '']'', November 17, 1955.{{pn|date=October 2011}}
* "WPIX Buys Radio Station" – '']'', December 10, 1963.{{pn|date=October 2011}}
{{reflist}}


==External links== ==External links==
* {{Official website|https://www.audacy.com/wfan}}
*
{{FM station data|67846|WFAN}}
* &mdash; info on smooth jazz happenings in the New York area
* {{Cite web|url= https://cdbs.recnet.com/corres/?doc=84127 |title= History Cards for WFAN-FM|publisher=]}} (])<!--Converted from {{FCC letter}}--> (Covering 1940-1981 as W55NY / WFGG / WGHF / WBFM / WPIX-FM)
* &mdash; Internet-only radio station for baby boomers and other WQCD fans
*{{FM station data|WEMP}}


===Format Changes===
{{New York Radio}}
*
{{Bridgeport Radio}}
*
{{Modern Rock Radio Stations in New York}}
*
*
*
*


{{WFAN}}
{{coord|40.748|N|73.986|W|type:landmark_region:US_source:FCC|display=title}}
{{New York Radio}}
{{Sports Radio Stations in New York}}
{{Entercom}}
{{New York Mets broadcasters}}


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Latest revision as of 03:40, 30 December 2024

Sports radio station in New York City "WQCD-FM" redirects here. For other uses, see WQCD (disambiguation).

This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (July 2021) (Learn how and when to remove this message)
WFAN-FM
Simulcast with WFAN, New York City
Broadcast areaNew York metropolitan area
Frequency101.9 MHz (HD Radio)
BrandingWFAN Sports Radio 66 and 101.9 FM, The Fan
Programming
Language(s)English
FormatSports radio
Subchannels
Affiliations
Ownership
Owner
Sister stations
History
First air dateOctober 31, 1940; 84 years ago (1940-10-31)
Former call signs
  • W2XWF (1940)
  • W55NY (1941–1943)
  • WFGG (1943–1945)
  • WGHF (1945–1955)
  • WBFM (1955–1964)
  • WPIX-FM (1964–1988)
  • WQCD (1988–2008)
  • WRXP (2008–2011)
  • WEMP (2011–2012)
  • WRXP (2012)
Former frequencies
  • 42.18 MHz (1940–1941)
  • 45.5 MHz (1941–1946)
  • 99.7 MHz (1946–1947)
Call sign meaningSports fanatic
Technical information
Licensing authorityFCC
Facility ID67846
ClassB
ERP6,000 watts
HAAT415 meters (1,362 ft)
Transmitter coordinates40°44′54.4″N 73°59′8.5″W / 40.748444°N 73.985694°W / 40.748444; -73.985694
Links
Public license information
WebcastListen live (via Audacy)
Websitewww.audacy.com/wfan

WFAN-FM (101.9 FM) is a commercial radio station licensed to New York, New York. Owned by Audacy, Inc., the station simulcasts a sports radio format known as "Sports Radio 66 AM and 101.9 FM", or "The FAN", along with co-owned WFAN (660 AM). Its studios are in the Audacy facility in the Hudson Square neighborhood of Lower Manhattan.

WFAN-FM has an effective radiated power (ERP) of 6,000 watts, transmitting from atop the Empire State Building. WFAN-FM broadcasts using HD Radio technology. Its HD digital subchannels carry Audacy's national sports networks, Infinity Sports Network and BetQL.

History

Early years

December 1945 station advertisement as WGHF, featuring the station's experimental broadcast facsimile service.

The station traces its origin to an experimental Apex band radio station, W2XWF on 42.18 MHz, which was authorized in 1940 and licensed to radio engineer William G. H. Finch.

In May 1940, the Federal Communications Commission (FCC) announced the establishment, effective January 1, 1941, of an FM radio band operating on 40 channels spanning 42–50 MHz. On October 31, 1940, the first fifteen construction permits for commercial FM stations were issued, including one to W. G. H. Finch for a station in New York City at 45.5 MHz, which was issued the call sign W55NY. Effective November 1, 1943, the FCC modified its policy for FM call letters, and the station was assigned new call letters of WFGG, which were changed to WGHF in 1945. One of the uses of the station was to test Finch's sub-carrier facsimile system. By 1946, the station was broadcasting on 99.7 MHz, moving to 101.9 in 1947.

In late 1948, it became the New York City affiliate of the farm-oriented Rural Radio Network based in Ithaca, New York, which owned a group of upstate stations that would later associate with WQXR. In 1955, its then-owner, Muzak, changed the call letters to WBFM. The station aired a soft instrumental beautiful music radio format.

WPIX-FM

A WPIX-FM logo from the mid-1970s.

The station was purchased by the New York Daily News in late 1963. WBFM adopted the WPIX-FM call letters on October 11, 1964, as the station was now co-owned with television station WPIX (channel 11).

Broadcasting from the "Pix Penthouse" on the 28th floor of the Daily News Building, WPIX-FM ushered in what was to become one of the most popular formats in FM radio, easy listening (later adult contemporary music), signaling the end of the dominance of beautiful music, jazz, classical and block programming on the FM band. WPIX-FM would be noted for not being able to settle on a format for any real length of time, and was derisively nicknamed "the format of the month station" by many in the New York City radio industry. The station went through 11 different formats during its post-easy listening period:

  • 1971–1975; 1976–1977: Adult top 40 - a top 40 format at the time that played new songs less often than top 40 leader WABC. While still focused on current music, it mixed in rock and roll oldies from about 1964 to what was then recent.
  • 1975: Top 40/disco. The New York Times reported, "Characterized by a strong bass, a simple melody, and terse repetitive lyrics...'Disco,' as this music is called...is becoming increasingly popular on AM and FM radio stations. WPIX-FM recently switched several hours of its nightly programming over to 'disco.'" The nightly show "Disco 102" was first hosted by "Doctor" Jerry Carroll, then by Howard Hoffman when Carroll moved to afternoons. By the summer of 1976 the station was back to a gold leaning top 40 format which was popular on FM stations at the time.
  • 1977–1978: Top 40/rock music.
  • During this time, Mark Simone launched "The Simone Phone", a pioneering FM comedy talk show featuring then-producer/writer Tom Leykis, that contained popular features such as "Dial-A-Date", which were later borrowed by other radio shows. Simone moved to WMCA in 1979.
  • 1978–1980: New wave music/punk rock. At a time when other rock stations in New York were sticking with traditional AOR formats (WPLJ, WNEW-FM), adult Top 40 (WXLO) and oldies (WCBS-FM), WPIX staked out a groundbreaking format focused on new wave and punk but included older rock and roll as well, hence its advertising slogan: "From Elvis to Elvis" (meaning Elvis Presley to Elvis Costello.) It helped break in New York and nationally early records by Costello, The Police, Nick Lowe, The Clash, The Cars, Squeeze, Devo, The Kings, Iggy Pop, Lou Reed, Buzzcocks, Cheap Trick, Talking Heads, David Johansen, Tom Verlaine and Richard Lloyd, among others. The station was even featured in lyrics from the Squeeze song, 'I Think I'm Go Go' (P I X and rock and roll).
  • March 1, 1980 – July 6, 1981: Rock-based top 40. A station spokesperson said WPIX-FM was "modifying the format to improve the product to make it more mass acceptable".
  • July 6, 1981 – January 15, 1982: Album-oriented rock.
  • January 15 – February 28, 1982: CHR (top 40). Basically a transitional format to adult contemporary.
  • March 1982 – 1985: Adult contemporary music. Beginning in January 1983, WPIX-FM positioned itself as "nothing but love songs". A series of TV commercials featuring clay animation cherubs, and starring artists such as the Pointer Sisters, Bette Midler, Sheena Easton and Carly Simon were credited with bringing new listeners to the station. The tagline was, "Your ex wants you back!"
  • 1985: Hot adult contemporary, a mix of love songs and eclectic music as "the ballads and beat of New York". Also in 1985, the station began running a nighttime show called "The PIX Penthouse", which played contemporary R&B and soul music as well as smooth jazz. It had been used through the 1960s as the station's tagline for its easy listening format. ("The PIX Penthouse Party" had been originally used as a program title during WPIX-FM's Punk/New Wave era and was notable for playing 1960s music that influenced Punk and New Wave Rock.)
  • August 16, 1986 – March 1987: Adult contemporary music/standards/AAA/smooth jazz — "The Bright and Lively Sound of New York".
  • March - September 1987: Hot adult contemporary during the day and urban adult contemporary/smooth jazz evenings.
  • September 1987 – August 10, 1988: Hot adult contemporary during the day and overnights using "Easy Rock" as a slogan. Smooth jazz in the evenings.

Notable air personalities during the WPIX-FM period included Mark Simone, Alan Colmes, Meg Griffin, Ted David and Jerry Carroll (a.k.a. "Dr. Jerry"). Another WPIX-FM personality, Ken Harper, host of the all-night "Manhattan After Hours", from 1964 to 1968, went on to produce "The Wiz" on Broadway.

The station gave up quickly on both the Disco and the Punk/New Wave formats, only to see both genres of music become popular several years later.

From 1966 to 1988, WPIX-FM simulcast the Christmas music played during WPIX television's annual Yule Log program on Christmas Eve and Christmas morning.

CD101.9

Beginning with "The PIX Penthouse" in 1985, WPIX-FM started to play contemporary jazz after dark to boost its nighttime ratings, and beginning in September 1987, the station's evening programming was entirely dedicated to the genre. Then, on August 10, 1988, the station adopted a jazz-based adult contemporary format during the day and retained all jazz at night.

Later that month, on August 22, the station modified into a full-time smooth jazz radio format, with the new call letters WQCD and the new branding, "CD 101.9". While the genre had varying degrees of presence on most Top 40 and AC stations at the time, New York City had not had a full-time commercial jazz station since 1980, when WRVR (106.7 FM, now WLTW) became country music station WKHK following an ownership change two years earlier. The re-launch of 101.9 was accompanied by a new television advertising campaign which featured Al Jarreau, Miles Davis, Kenny G, Bobby McFerrin and Herb Alpert–all artists whose music formed the core of the new smooth jazz format, which proved successful and long-lasting for a station that had not been used to stability in its programming.

WQCD's early music blend featured contemporary jazz mixed with soft rock and urban adult contemporary, along with some new-age music (the "CD" branding came from the station promoting that it played between 70 and 80 minutes of music between commercial breaks, the length of an average compact disc). The station programmed an equal balance between vocal and instrumental music. At night the station played strictly contemporary jazz music, with a majority of it instrumental. As time went on, WQCD phased-out soft-rock cuts and became a full-time contemporary jazz station. The playlist continued to feature large amounts of instrumental jazz, with some new age, and several urban adult contemporary songs. This formula would largely be unchanged for over 15 years.

When the Daily News changed ownership in 1991, WQCD and WPIX were retained by the newspaper's former corporate parent, the Tribune Company. In 1997 Tribune sold WQCD to Emmis Communications. The combination of WQCD and Emmis's two existing New York stations, WQHT (97.1 FM) and WRKS-FM (98.7 FM), gave the Indianapolis-based company an FM triopoly in the New York market. In 1998, Emmis moved WQCD out of the Daily News Building, and along with WQHT and WRKS into a newly constructed common facility at 395 Hudson Street.

WQCD ran an experiment from November 22, 2004, until August 2005, when the station's playlist included chill music, a relaxing sound based on the music found on the beaches of Ibiza. The ratings were not satisfactory, and the experiment ended. The station retained the tagline, "CD101.9, Your Chill-Out Station" during its successful transition back to the standard smooth jazz format. WQCD's on-air staff remained unusually stable in the generally volatile radio climate, led by morning host Dennis Quinn. Midday host Deborah Rath had been with parent company Emmis since 1988, as a veteran of both WRKS and WQHT. Afternoon drive host Paul Cavalconte was a veteran of New York jazz, classical, and rock stations, adult standards WNEW. Evening host Sharon Davis called WQCD home for nearly a decade. Other notable long-term airstaff members include Ray White, Pat Prescott, Russ Davis, Steve Harris, Ian Karr, Maria Von Dickersohn, Meryl Kubrick and John Vidaver. Rafe Gomez hosted "The Groove Boutique", a nationally syndicated groove jazz mix show that aired on Saturday nights beginning in 2003. "The Groove Boutique" was a finalist in the 2005 Best Mix Show category of the 8th annual New York Radio Market Achievements in Radio (A.I.R.) awards.

101.9 RXP

On February 5, 2008, at 4:00 pm, Emmis Communications announced a change to a rock format under the WRXP call letters and the tagline 101.9 RXP: The New York Rock Experience. The last songs played on "CD 101.9" were "Shining Star" by The Manhattans and an instrumental rendition of "Street Life" by U-Nam, while the first two songs played on "RXP" were "Rock and Roll" by Velvet Underground and "Supernatural Superserious" by R.E.M. With the exception of Paul Cavalconte, the entire WQCD air staff was released including Dennis Quinn, who had survived every other format change at 101.9 since joining the station in 1971. Only program director Blake Lawrence was retained from the previous format for WRXP. Emmis cited a declining audience for smooth jazz, which moved to the station's HD2 subchannel. (An online version of CD101.9 would eventually be launched in late summer 2015.)

WRXP was the first alternative rock station in New York City since WXRK's format flip to active rock in April 2005. Even though classified as alternative rock (with a slight adult album alternative lean), Nielsen BDS and Mediabase reported WRXP as an AAA, with suburban station WXPK recognized as the main AAA station in the New York City market. By 2011, WRXP was classified as an alternative rock station by both Nielsen BDS and Mediabase.

WRXP's first on-air personality was Brian Schock. Until leaving the station to return to San Diego in January 2009, he was also the station's assistant program director and music director. Station management promised to hire a New York rock-savvy airstaff for the rest of the station's dayparts. Among those hired were veteran radio and MTV personality Matt Pinfield as the morning drive host; Steve Craig as midday host; and Brian Phillips as evening host. The weekend air staff included Dave Greek, Greg Russ and Jennifer Kajzer, as well as Cavalconte, the only personality retained from the WQCD smooth jazz format. In March 2009, WRXP announced that Nik Carter, formerly of WXRK, and later with VH1, joined as the station as its afternoon drive personality.

On June 16, 2008, Leslie Fram, formerly of WNNX in Atlanta, was appointed Program Director. She also co-hosted the WRXP morning drive (and later midday) show with Pinfield. On November 9, 2008, Anything Anything with Rich Russo debuted on the station.

Merlin Media

On June 21, 2011, it was announced that majority ownership of WRXP was acquired by Merlin Media LLC, a new entity headed by veteran radio executive Randy Michaels. The sale, which the Federal Communications Commission (FCC) approved in September 2011, included two other Emmis-owned stations in Chicago, WLUP-FM and WKQX. Merlin registered several domains for what the new format of the station would be, including a return of WYNY's country music format, but many suggested an all-news radio format.

All of WRXP's DJs, except for Cavalconte, were dismissed, and at 5 p.m. on July 15, 2011, WRXP's rock format ended with "Long Live Rock" by The Who. WRXP's website (MyRXP.com) continued operation after the station left the airwaves, offering its music format via streaming online audio and later a Spotify playlist (with occasional new songs added) until Merlin acquired the domain name.

After a brief period of dead air, WRXP (whose call sign was changed to WEMP on July 21) switched to a stunt of adult contemporary music branded as "101.9 FM New", which served as a transition to the station's new format. The first song on "FM New" was "All Summer Long" by Kid Rock. "101.9 FM New" featured a live morning show that began at 6:00 a.m. on July 18, hosted by Paul Cavalconte (who had been with 101.9 since 1998), with Jeff McKay (a New York traffic reporter formerly of Shadow Traffic and WINS) providing traffic reports and weather updates (until the next day, when meteorologist Scott Derek began). News reports and news blocks were gradually introduced beginning with a 3 p.m. newscast on July 25, 2011, anchored by Dave Packer and Mike Barker.

FM News 101.9

On August 12, 2011, the station ended its adult contemporary stint and became an all-news station as "FM News 101.9". It followed in the footsteps of its Chicago sister station WWWN (the former and current WKQX), which flipped to all-news on July 29. As conceived by Merlin's then-COO, Walter Sabo, "FM News" was what Sabo considered a "redefining" of the all-news format. The on-air presentation was generally looser and conversational in tone, while an emphasis was placed on lifestyle, health, and entertainment features. The initial news staff at WEMP included people with experience in New York radio, including WINS alums Catherine Smith, Alice Stockton-Rossini, and Brett Larson, as well as former WCBS anchor Therese Crowley and WRXP holdover Paul Cavalconte.

Over time, the "FM News" approach on WEMP was adjusted. The reliance on lifestyle and entertainment features was decreased. The station turned towards a tighter on-air presentation and hard news format. Several new features were added, including "10 minutes of non-stop news" at :00, :20 and :40 past the hour (similar to the fact that WINS delivers news headlines at these intervals), the "Top 5 Trending Stories" leading off every hour, with hourly sports and business updates.

The station also advertised "traffic and weather on the 5s". Coinciding with the on-air changes was a major promotional push, including television ads. Promotions tweaked WINS' longtime "22 minutes" slogan, with WEMP proclaiming "Give us 10 minutes, we'll give you the world." (After WINS owner CBS Radio sent a cease-and-desist letter to Merlin Media, WEMP dropped the slogan, and replaced it by "non-stop news".) Then, Merlin Media fought back against WINS by demanding that station not to call itself as "New York's One and Only All-News Station" (to highlighting its round-the-clock newswheel as opposed to WCBS carrying some live sports broadcasts). Merlin Media said this was misleading according to WEMP's format at the time.

In the time FM News was in operation, it was plagued by a variety of technical issues after management in Chicago decided to automate the news, much as some music stations automate their playlists. The controversial approach led to a number of on-air gaffes, including wrong time checks and news stories misplaced. The only live elements on the air were traffic reports, which were reportedly demanded by a manager at WEMP, despite the traffic reports being recorded by their Chicago sister station. The expanded traffic reports became one of the few successes of the radio station, and several months later, Chicago's "FM News 101.1" would also return to the live traffic reports.

WEMP and its all-news format struggled to make gains in Arbitron ratings. For example, in the period ending January 4, 2012, Arbitron rated WEMP at a 0.5, far behind both of the CBS Radio-owned all-news stations in New York, category leader WINS at 3.2 and WCBS at 2.8 in that month. (WEMP's share was lower than one of the last ratings books for WRXP, a 2.6 share in July 2011.)

New Rock 101.9

In July 2012, there was speculation that Merlin Media would convert WEMP to a news/talk hybrid, similar to its sister stations in Philadelphia, WWIQ, and Chicago, WIQI, which was also struggling in ratings with all-news and had added some talk programming. Instead, Merlin had other plans for the station.

On July 17, 2012, at 10 am, Merlin management held meetings with the news staffs of both WEMP and WIQI. While the meeting took place, a pre-recorded newscast from earlier in the day on "FM News 101.9" was abruptly cut off and replaced by the reporting of one final story – an announcement that the all-news format was ending immediately.

"This is the final story being covered by FM News. It is to announce that a format change is about to occur at 101.9. In just a few moments, FM News will become New Rock 101.9. The final line of our final story is this: A special note of thanks to everyone involved with FM News for their passion and support. Sometimes just saying thank you isn't enough, but in this case, it'll have to do. Thank you... and good-bye."

After a brief period of dead air, WEMP then returned to an alternative rock format under the "New Rock 101.9" branding, with "No Sleep Till Brooklyn" by the Beastie Boys, as the first song played. (At the very same time, WIQI transitioned from all-news to adult hits.) In a press release, Merlin CEO Randy Michaels called dropping all-news from both WEMP and WIQI "a difficult decision to make" but one that had to be made in light of "minimal audience engagement". Most "FM News 101.9" staffers were released by Merlin, with a handful retained by the company to serve as reporters for Merlin's WWIQ in Philadelphia.

"New Rock 101.9" ("New Rock for New York") featured a playlist that included current and recent alternative rock songs and artists. The presentation included an irreverent attitude and the "backselling" (identification of artist and song title) at the end of many current songs. To coincide with the format change back to rock, Merlin Media made two noteworthy moves: It filed a request with the FCC on July 18 to revert the station's call sign from WEMP to WRXP. The call letters were officially changed on July 25. Merlin also obtained WRXP-related domain names from the station's previous owner, Emmis Communications, including MyRXP.com (which would redirect to the station's NewRock1019.com website). "New Rock 101.9" ran with limited on-air talent, including former WRXP host Brian Phillips on middays, with the possibility that other former 'RXP staffers would be invited to rejoin the station.

WFAN-FM

WRXP made some gains in the Arbitron ratings with its revived alternative format. The station jumped to a 1.6 share in July, and then to a 2.1 share in August. But Merlin Media was faced with a high debt load from recent purchases and the cost of its failed news format. Additionally, one of Merlin's investors was seeking buyers for the company's stations.

Merlin announced on October 8, 2012, that it had agreed to sell WRXP to CBS Radio. With the purchase (estimated at $75 million), CBS said it would convert WRXP to a simulcast of its sports radio station, WFAN. The simulcast began at 11:57 p.m. on November 1, 2012, after Jeff Buckley's "Last Goodbye" brought a close to WRXP's "New Rock" format. A call sign change from WRXP to WFAN-FM took effect the next day, November 2. CBS operated WFAN-FM under a local marketing agreement (LMA) until closing its purchase on December 10, 2012. The LMA officially relieved Merlin Media of its only New York radio property and allowed it to concentrate on its stations in the Chicago and Philadelphia markets.

The purchase of 101.9 by CBS put WFAN back on equal footing with ESPN Radio affiliate WEPN, which made its own AM-to-FM move in April 2012 (to the former WRKS). It also improved daytime coverage for WFAN; for years, radio frequency interference had rendered it all but unlistenable in parts of Manhattan. Speculation at the time suggested that the move would also allow CBS to split the WFAN simulcast at a later date and ensure a full-power New York home for its new national sports network, CBS Sports Radio, which began daily programming in January 2013 (and would ultimately air on WFAN-FM's HD2 subchannel). Such a move would have mirrored CBS-owned sports talk pairings in markets such as Baltimore, where WJZ aired CBS Sports Radio full-time and WJZ-FM aired local sports talk. CBS (and later, Entercom) chose not to break the simulcast, with Cumulus Media's suburban station WFAS (1230) serving as the de facto CBS Sports Radio flagship instead.

On February 2, 2017, CBS Radio announced it would merge with Entercom (now Audacy, Inc.). The merger was approved on November 9, 2017, and was consummated on November 17.

References

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