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{{Short description|American artist and AIDS activist (1954–1992)}}
{{Use mdy dates|date=December 2013}}
{{Infobox artist {{Infobox artist
| bgcolour = #6495ED
| name = David Wojnarowicz | name = David Wojnarowicz
| imagesize = | image = David Wojnarowicz.jpg
| image_size =
| caption = David Wojnarowicz, from his film ''A Fire in My Belly''<ref>{{cite web|first=Michael Joshua |last=Rowin |url=http://www.laweekly.com/2010-12-30/film-tv/david-wojnarowicz-s-a-fire-in-my-belly-comes-to-l-a/ |title=David Wojnarowicz's A Fire in My Belly Comes to L.A. |publisher=LA Weekly |date=December 30, 2010 |accessdate=2012-06-27}}</ref>
| caption = David Wojnarowicz, from the book ''Fire in the Belly: The Life and Times of David Wojnarowicz''
| birth_name =
| birth_name =
| birth_date = {{Birthdate|1954|9|14|}}
| birth_date = {{Birth date|1954|9|14}}
| birth_place = ], ]
| birth_place = ], ], U.S.
| death_date = {{dda|1992|7|22|1954|9|14|}}
| death_date = {{death date and age|1992|07|22|1954|09|14}}
| death_place = ], ], ]
| death_place = New York City, U.S.
| nationality = ]
| death_cause = ]
| field =
| training = | nationality = American
| movement = | known_for =
| works = | training =
| patrons = | movement =
| influenced by = | notable_works =
| influenced = | patrons =
| awards = | awards =
}} }}


'''David Michael Wojnarowicz''' ({{IPAc-en|ˌ|v|ɔɪ|n|ə|ˈ|r|oʊ|v|ɪ|tʃ}} {{respell|VOY|nə|ROH|vitch}};<ref name="NYT obit">{{cite news |title=David Wojnarowicz, 37, Artist in Many Media |first=Michael |last=Kimmelman |work=] |date=July 24, 1992 |url=https://www.nytimes.com/1992/07/24/arts/david-wojnarowicz-37-artist-in-many-media.html |access-date=August 23, 2010}}</ref> September 14, 1954 – July 22, 1992) was an American painter, photographer, writer, filmmaker, performance artist, songwriter/recording artist, and ] prominent in the ] art scene.<ref>{{cite journal |last1=Hirsch |first1=Faye |title=David Wojnarowicz at P.P.O.W. and Roth Horowitz |journal=Art in America |date=April 2005 |volume=94 |issue=4 |page=143 }}</ref> He incorporated personal narratives influenced by his struggle with AIDS as well as his political activism in his art until his death from the disease in 1992.<ref>{{Cite web |title=LGBT and Photography - The Inexhaustible Fight for Equality {{!}} Widewalls |url=https://www.widewalls.ch/magazine/lgbt-and-photography |access-date=2023-02-11 |website=www.widewalls.ch |language=en}}</ref>
'''David Wojnarowicz''' ({{IPAc-en|ˌ|v|ɔɪ|n|ə|ˈ|r|oʊ|v|ɪ|tʃ}};<ref>{{USdict|voy′·nə·rō′·vĭch}}</ref><ref>{{cite news
| title = David Wojnarowicz, 37, Artist in Many Media
| first = Michael | last = Kimmelman
| newspaper = ] | date = {{#formatdate:1992-07-24|mdy}}
| url = http://www.nytimes.com/1992/07/24/arts/david-wojnarowicz-37-artist-in-many-media.html
| accessdate = {{#formatdate:2010-08-23|mdy}}}}</ref>
September 14, 1954 – July 22, 1992) was a ], ], ], ], ], and ] who was prominent in the ] art world of the 1980s.<ref>{{cite news
| year = 2005
| month = April
| title = David Wojnarowicz at P.P.O.W. and Roth Horowitz
| publisher = findarticles.com
| url = http://www.findarticles.com/p/articles/mi_m1248/is_4_93/ai_n13629229
| accessdate = {{#formatdate:2007-02-20|mdy}}}} {{Dead link|date=September 2010|bot=RjwilmsiBot}}</ref>


==Biography== ==Biography==
Wojnarowicz was born in ], where he and his two siblings and sometimes their mother were physically abused by their father, Ed Wojnarowicz. Ed, a Polish-American merchant marine from Detroit, had met and married Dolores McGuinness in Sydney, Australia, in 1948 when he was 26 and she was 16.<ref>{{cite web|url=https://sydneyreviewofbooks.com/essay/david-wojnarowicz-history-keeps-awake-at-night/ |title=Howl Sky |publisher=Sydney Review of Books |access-date=2020-12-05}}</ref> After his parents' bitter divorce, Wojnarowicz and his siblings were kidnapped by their father and raised in Michigan and Long Island. After finding their young, Australian-born mother in a New York City phone book, they moved in with her.<ref name="NYT 2010-12-10">{{cite news |url=https://www.nytimes.com/2010/12/11/arts/design/11ants.html |title=As Ants Crawl Over Crucifix, Dead Artist Is Assailed Again |first=Holland |last=Cotter |work=The New York Times |url-status=live |archive-url=https://web.archive.org/web/20171001212023/http://www.nytimes.com/2010/12/11/arts/design/11ants.html |date=December 10, 2010 |archive-date=October 1, 2017 |access-date=February 7, 2018 }}</ref> During his teenage years in Manhattan, Wojnarowicz worked as a ] around Times Square. He graduated from the ] in Manhattan.<ref name="NYT obit"/> By 1971, at age 17, Wojnarowicz was living on the streets full time, sleeping in ]s and squats.<ref>{{cite web|title=David Wojnarowicz|url=https://www.theartstory.org/artist/wojnarowicz-david/}}</ref>
Wojnarowicz was born in ], and later lived with his mother in New York City, where he attended the ] for a brief period. From 1970 until 1973, after dropping out of school, he for a time lived on the streets of New York City prostituting himself and also worked as a farmer on the Canadian border.


After a period outside New York, Wojnarowicz returned in the late 1970s and emerged as one of the most prominent and prolific members of an ] wing that used mixed media as well as graffiti and street art. His first recognition came from stencils of houses afire that appeared on the exposed sides of East Village buildings.
Upon returning to New York City, he went through a particularly prolific period for his artwork from the late 1970s through the 1980s. During this time, he made ], such as ''Heroin'', began a photographic series of ], did ] work, played in a band called ], and exhibited his work in well-known ] galleries, notably Civilian Warfare, ], Public Illumination Picture Gallery, Gracie Mansion and Hal Bromm. Wojnarowicz is also connected to other prolific artists of the time, appearing in or collaborating on works with artists like ], ], ], ], ], ], ], ], ] and ].


Wojnarowicz completed a 1977–1979 photographic series on ], did stencil work and collaborated with the band ], which released the independent ] ''No Motive'' in 1982. He made autonomous ] such as ''Heroin'' and ''Beautiful People'' with bandmate Jesse Hultberg, and collaborated with filmmakers ] and Tommy Turner of the ]. He exhibited his work in well-known East Village galleries and New York City landmarks, notably ], ], Public Illumination Picture Gallery, ], and Hal Bromm Gallery.
In 1985, he was included in the ], the so-called ''Graffiti Show''. In the 1990s, he fought and successfully issued an injunction against ] and the ] on the grounds that Wojnarowicz's work had been copied and distorted in violation of the New York Artists' Authorship Rights Act.<ref>See ''Wojnarowicz v. American Family Association'', 745 F.Supp 130 (1990).</ref> Wojnarowicz' successful lawsuit represented a notable and affirmative step towards artists rights in the United States.<ref>See case summary on ArtUntitled.com .</ref>


Wojnarowicz was also connected to other prolific artists of the time, appearing in or collaborating on works with ], ], ], ], ], ], ], ], ], Marion Scemama,<ref>{{Dead link|date=October 2022 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> and Phil Zwickler.
Wojnarowicz died of ]-related complications on July 22, 1992, at the age of 37.<ref>{{Cite news |date=25 July 1992 |url=http://news.google.com/newspapers?id=ijYeAAAAIBAJ&sjid=XL8EAAAAIBAJ&pg=6034,4886457&dq=david-wojnarowicz+died&hl=en |title=Obituaries: David Wojnarowicz |publisher=Sarasota Herald-Tribune }}</ref> His personal papers are part of the Downtown Collection held by the ] at ].


In early 1981, Wojnarowicz met the photographer ], and after a brief period as lovers, came to see Hujar as his great friend and mentor. Weeks after Hujar died of AIDS on November 26, 1987, Wojnarowicz moved into his loft at 189 2nd Avenue. He was soon diagnosed with AIDS himself<ref name="NYT 2010-12-10" /> and, after successfully fighting the landlord to keep the lease, lived the last five years of his life in Hujar's loft. Inheriting Hujar’s dark room—and supplies like rare Portriga Rapid paper—was a boon to Wojnarowicz's artistic process. It was in this loft that he printed elements of his ‘Sex Series’ and an edition of “Untitled (Buffalos)”.
His works include: ''Untitled (One Day This Kid...); Untitled (Buffalo); Water; Birth of Language II; Untitled (Shark), Untitled (Peter Hujar); Tuna; Peter Hujar Dreaming/Yukio Mishima: St. Sebastian; Delta Towels; True Myth (Domino Sugar); Something From Sleep II; Untitled (Face in Dirt);'' and ''I Feel a Vague Nausea'' among others.


Hujar's death moved Wojnarowicz to create much more explicit activism and political content, notably about the social and legal injustices related to the government response to the AIDS epidemic.<ref name="NYT obit" /> He collaborated with video artist ] on the short film ''Listen to This'' (1992), a critique of the Reagan and Bush administrations' homophobic responses and failure to address the crisis. The film was shown at ]'s 2017-18 exhibit ''Club 57: Film, Performance, and Art in the East Village, 1978–1983.''<ref name = moma>{{cite web | title = Club 57: Film, Performance, and Art in the East Village, 1978–1983, Oct 31, 2017–Apr 8, 2018 | website = Museum of Modern Art | url = https://www.moma.org/calendar/exhibitions/3824 | access-date = 28 Jan 2023}}</ref><ref>{{cite web | title = Club 57 – Tom Rubnitz | date = December 4, 2017 | work = Arts in New York City – Hunter College | last = Paucar | first = Samantha | url = https://eportfolios.macaulay.cuny.edu/gillespie17/2017/12/04/club-57-tom-rubnitz/ | access-date = 28 Jan 2023}}</ref>
After his death, photographer and artist ], who was a friend of Wojnarowicz, exhibited a work inspired by him, entitled "Strange Fruit (for David)".<ref>{{Citation | last = Sorkin | first = Jenni | title = Finding the Right Darkness | newspaper = ] | issue = 113 | date = March 2008 | url = http://www.frieze.com/issue/article/finding_the_right_darkness | accessdate =May 16, 2010}}</ref>


In 1985, Wojnarowicz was included in the ]'s so-called ''Graffiti Show.'' In the 1990s, he sued and obtained an injunction against ] and the ] on the grounds that Wojnarowicz's work had been copied and distorted in violation of the New York ].<ref>See ''Wojnarowicz v. American Family Association'', 745 F.Supp 130 (1990).</ref>
Wojnarowicz has served as an inspiration to many artists; those that have credited him as an influence include: Zoe Leonard, Victoria Yee Howe, Matt Wolf, Emily Roysdon, Henrik Olesen, Mike Estabrook, and Carrie Mae Weems. <ref> ARTINFO.com</ref>


Wojnarowicz's works include ''Untitled (One Day This Kid...)'', ''Untitled (Buffalo)'', ''Water'', ''Birth of Language II'', ''Untitled (Shark)'', ''Untitled (Peter Hujar)'', ''Tuna'', ''Peter Hujar Dreaming/Yukio Mishima: St. Sebastian'', ''Delta Towels'', ''True Myth (Domino Sugar)'', ''Something From Sleep II'', ''Untitled (Face in Dirt)'', and ''I Feel a Vague Nausea''.
In Spring 2011, P.P.O.W. gallery showed ''Spirituality'', an exhibition of Wojnarowicz's drawings, photographs, videos, collages, and personal notebooks; in a review in '']'', Kara L. Rooney called the show "meticulously researched and commendably curated from a wide array of sources, ... a mini-retrospective, providing context and clues for Wojnarowicz's often elusive, sometimes dangerous, and always brutally honest."<ref>{{cite journal|last=Rooney|first=Kara L.|title=DAVID WOJNAROWICZ: Spirituality|journal=The Brooklyn Rail|year=2011|month=April|url=http://brooklynrail.org/2011/04/artseen/david-wojnarowicz-spirituality}}</ref>


Wojnarowicz also wrote two memoirs in his lifetime including ''Close to the Knives: A Memoir of Disintegration'', discussing topics such as his troubled childhood, becoming a renowned artist in New York City, and his AIDS diagnosis <ref name="Reference1980sclass">{{Citation |year=2008 |first=Lucy |last=Sumners |publisher=] |title=AIDS Art: Activism on Canvas }}</ref> and ''Memories that Smell like Gasoline.'' ''Knives'' opens with an essay about his homeless years: a boy in glasses selling his skinny body to the pedophiles and creeps who hung around Times Square. The heart of ''Knives'' is the title essay, which deals with the sickness and death of Hujar, Wojnarowicz's lover, best friend and mentor, "my brother, my father, my emotional link to the world". In the final essay, "The Suicide of a Guy Who Once Built an Elaborate Shrine Over a Mouse Hole", Wojnarowicz investigates the suicide of a friend, mixing his own reflections with interviews with members of their shared circle.<ref name="guard-2016">{{Cite web|url=https://www.theguardian.com/books/2016/may/13/david-wojnarowicz-close-to-the-knives-a-memoir-of-disintegration-artist-aids-activist|title=David Wojnarowicz: still fighting prejudice 24 years after his death|last=Laing|first=Olivia|date=12 May 2016|website=The Guardian|access-date=28 March 2021}}</ref> In 1989, Wojnarowicz appeared in ]'s widely acclaimed film '']'' about gay artists in New York City fighting for the rights of AIDS sufferers.
=="A Fire in My Belly" controversy==
In November 2010, after consultation with Gallery director Martin Sullivan and co-curator David C. Ward but not with co-curator ],<ref name="washingtonpost1">{{cite news|author=Jacqueline Trescott |url=http://www.washingtonpost.com/wp-dyn/content/article/2010/12/06/AR2010120607328.html |title=After Smithsonian exhibit's removal, banned ant video still creeps into gallery |publisher=Washingtonpost.com |date=1990-04-21 |accessdate=2010-12-07}}</ref> ], Secretary of the ], removed an edited version of footage used in Wojnarowicz's short silent film ''A Fire in My Belly'' () from the exhibit "Hide/Seek: Difference and Desire in American Portraiture" at the ] after complaints from the ], Minority Leader ], Rep. ] and the possibility of reduced federal funding for the Smithsonian.<ref name=jacq/> The video contains a scene with a crucifix covered in ants.<ref>{{Citation
| last = Trescott
| first = Jacqueline
| title = Ant-covered Jesus video removed from Smithsonian after Catholic League complains
| newspaper = Washington Post
| date = 2010-11-30
| url = http://www.washingtonpost.com/wp-dyn/content/article/2010/11/30/AR2010113004647.html?hpid=topnews
| accessdate = 2010-11-30 }}
</ref><ref>{{cite web
| url = http://www.npg.si.edu/docs/SIQ&A.pdf
| title = Smithsonian Q&A Regarding the "Hide/Seek" Exhibition
| date = 7 December 2010
| page = 1
| page = 2
| format = PDF
| accessdate = 14 Dec 2010
}}</ref><ref>{{Citation
| last = Cooter
| first = Holland
| title = As Ants Crawl Over Crucifix, Dead Artist Is Assailed Again
| newspaper = New York Times
| date = 2010-12-10
| url = http://www.nytimes.com/2010/12/11/arts/design/11ants.html
| accessdate = 2010-12-14 }}
}}</ref><ref>{{cite news| url=http://www.telegraph.co.uk/culture/art/art-news/8175907/Museum-removes-portrait-of-crucifix-covered-in-ants.html | location=London | work=The Daily Telegraph | title=Museum removes portrait of crucifix covered in ants | date=2010-12-02}}</ref> ] of the Catholic League claimed the work was "hate speech", against Catholics.<ref>{{cite web|url=http://www.wsws.org/articles/2010/dec2010/smit-d03.shtml |title=National Portrait Gallery in Washington bows to right-wing censorship |publisher=Wsws.org |date= |accessdate=2010-12-03}}</ref><ref>{{cite web|author= |url=http://www.tbd.com/blogs/tbd-arts/2010/12/national-portrait-gallery-censorship-controversy-who-was-david-wojnarowicz--5383.html |title=National Portrait Gallery censorship controversy: Who was David Wojnarowicz? |publisher=TBD.com |date=December 2, 2010 |accessdate=2010-12-03}}</ref><ref>{{cite news|author= Blake Gopnik|url=http://www.washingtonpost.com/wp-dyn/content/article/2010/11/30/AR2010113007227.html |title=Museums shouldn't bow to censorship of any kind |publisher=Washingtonpost.com |date= 2010-12-01|accessdate=2010-12-03}}</ref><ref>{{cite web|last=Starr |first=Penny |url=http://www.cnsnews.com/news/article/smithsonian-christmas-season-exhibit-fea |title=Smithsonian Christmas-Season Exhibit Features Ant-Covered Jesus, Naked Brothers Kissing, Genitalia, and Ellen DeGeneres Grabbing Her Breasts |publisher=CNSnews.com |date=2010-11-29 |accessdate=2010-12-07}}</ref><ref>{{cite news|url=http://www.foxnews.com/us/2010/11/30/smithsonian-remove-ant-covered-jesus-cross-video-exhibit/ |title=Smithsonian to Remove Ant-Covered Jesus on Cross Video From Exhibit |publisher=FoxNews.com |date=2010-04-07 |accessdate=2010-12-07 |deadurl=yes}} {{Dead link|date=February 2012|bot=RjwilmsiBot}}</ref><ref>{{cite news| url=http://www.economist.com/blogs/democracyinamerica/2010/12/smithsonian_censorship?fsrc=scn/fb/wl/bl/fireinbelly | work=The Economist | title=Fire in their belly | date=2010-12-13}}</ref> Gay historian ] wrote:
<blockquote>In 1989 Senator ] demonized ]'s sexuality, and by extension, his art, and with little effort pulled a cowering art world to its knees. His weapon was threatening to disrupt the already pitiful federal support for the arts. and once again, that same weapon is being brandished, and once again we cower.<ref name="washingtonpost1"/></blockquote>


Wojnarowicz died at home in Manhattan on July 22, 1992, at the age of 37, from what his boyfriend Tom Rauffenbart confirmed was AIDS.<ref name="NYT obit"/>
===Response from Clough and Smithsonian===
Smithsonian Secretary ] later in interview states that although he stands by his decision, it "might have been made too quickly"<ref name=jacq>{{cite news|last=Trescott |first=Jacqueline |url=http://www.washingtonpost.com/wp-dyn/content/article/2011/01/18/AR2011011806129.html?wprss=rss_print/style |title=Clough defends removal of video |publisher=The Washington Post |date=January 19, 2011 |accessdate=2012-06-27}}</ref> and he describes that making the decision was "painful."<ref name=artbeat>{{cite news|last=Taylor |first=Kate |url=http://artsbeat.blogs.nytimes.com/2011/01/18/smithsonian-chief-defends-withdrawal-of-video/ |title=Smithsonian Chief Defends Withdrawal of Video |publisher=The New York Times |date=January 18, 2011 |accessdate=2012-06-27}}</ref> Clough mentions that because of heated controversy surrounding the footage and the possibility that it might "spiral out of control", the Smithsonian might be in the end forced to shut-down the entire "Hide/Seek" exhibition, and its "something he didn’t want to happen."<ref name=artbeat/> The "Hide/Seek" exhibition "examines representations of homosexuality in American portraiture", and Clough states "The funders and people who were upset by the decision, and I respect that, still have an appreciation that this exhibition is up. We were willing to take this topic on when others were not, and people appreciate that."<ref name=jacq/>


After his death, photographer and artist ], a friend of Wojnarowicz, exhibited a work inspired by him, ''Strange Fruit (for David)''.<ref>{{Cite news |date=2008-03-02 |title=Finding the Right Darkness |language=en |work=Frieze |issue=113 |url=https://www.frieze.com/article/finding-right-darkness |access-date=2023-02-11 |issn=0962-0672}}</ref>
{{blockquote|I think it was very important to cut off the dialogue that was headed towards, in essence, hijacking the exhibit away from us and putting it into the context of religious desecration. This continues to be a powerful exhibit about the contributions of gay and lesbian artists. It was not about religious iconography and it was not about desecration. When you look at the news cycles that take over, their megaphones are this big and our megaphone is this big . We don't control that. And when it gets out of control, you can't get it back.|G. Wayne Clough<ref>{{cite news|last=Rosenbaum |first=Lee |url=http://www.huffingtonpost.com/lee-rosenbaum/smithsonian-clough-interview_b_811261.html |title='Hide/Seek' Interview: Smithsonian Secretary Clough 'Can Do the Math' (But Miscalculates) |publisher=Huffington Post |date=January 20, 2011 |accessdate=2012-06-27}}</ref>}}


== Legacy ==
Clough states "But looking back, sure, I wish I had taken more time. We have a lot of friends who felt left out. We needed to spend more time letting our friends know where this was going. I regret that."<ref name=jacq/>


===''A Fire in My Belly'' controversy===
===Response from artists===
In November 2010, after consultation with ] director Martin Sullivan and co-curator ] but not co-curator ],<ref name="washingtonpost1">{{cite news|author=Jacqueline Trescott |url=https://www.washingtonpost.com/wp-dyn/content/article/2010/12/06/AR2010120607328.html |title=After Smithsonian exhibit's removal, banned ant video still creeps into gallery |newspaper=] |date=December 6, 2010 |access-date=December 11, 2013}}</ref> ] Secretary ] removed an edited version of footage used in Wojnarowicz's short silent film '']'' from the exhibit "Hide/Seek: Difference and Desire in American Portraiture" at the National Portrait Gallery in response to complaints from the ], U.S. House Minority Leader ], Representative ] and the possibility of reduced federal funding for the Smithsonian.<ref name="jacq" /> The video contains a scene with a crucifix covered in ants.<ref name="washingtonpost1" /><ref>{{cite web |url=http://www.npg.si.edu/docs/SIQ&A.pdf |title=Smithsonian Q&A Regarding the "Hide/Seek" Exhibition |date=December 7, 2010 |pages=1–2 |access-date=December 14, 2010 |archive-url=https://web.archive.org/web/20110614120929/http://www.npg.si.edu/docs/SIQ%26A.pdf |archive-date=June 14, 2011 |url-status=dead }}</ref><ref name="NYT Ants">{{cite news |last=Cooter |first=Holland |title=As Ants Crawl Over Crucifix, Dead Artist Is Assailed Again |newspaper=The New York Times |date=December 10, 2010 |url=https://www.nytimes.com/2010/12/11/arts/design/11ants.html |access-date=December 14, 2010 }}</ref><ref>{{cite news |url=https://www.telegraph.co.uk/culture/art/art-news/8175907/Museum-removes-portrait-of-crucifix-covered-in-ants.html |work=] |title=Museum removes portrait of crucifix covered in ants |date=December 2, 2010 }}</ref> ] of the Catholic League claimed the work was "hate speech" against Catholics.<ref>{{cite news |first=Blake |last=Gopnik |url=https://www.washingtonpost.com/wp-dyn/content/article/2010/11/30/AR2010113007227.html |title=Museums shouldn't bow to censorship of any kind |newspaper=The Washington Post |date= December 1, 2010 |access-date=December 3, 2010 }}</ref><ref>{{cite news |url=https://www.foxnews.com/us/smithsonian-to-remove-ant-covered-jesus-on-cross-video-from-exhibit/ |title=Smithsonian to Remove Ant-Covered Jesus on Cross Video From Exhibit |publisher=] |date=April 7, 2010 |access-date=December 7, 2010 |url-status=live |archive-url=https://web.archive.org/web/20101203063143/http://www.foxnews.com/us/2010/11/30/smithsonian-remove-ant-covered-jesus-cross-video-exhibit/ |archive-date=December 3, 2010 }}</ref><ref>{{cite news| url=https://www.economist.com/blogs/democracyinamerica/2010/12/smithsonian_censorship?fsrc=scn/fb/wl/bl/fireinbelly |newspaper=] |title=Fire in their belly | date=December 13, 2010}}</ref> Gay historian ] wrote:
The curator David C. Ward said: "It is not anti-religion or sacrilegious. It is a powerful use of imagery".<ref name="washingtonpost1"/>


{{blockquote|In 1989 Senator ] demonized ]'s sexuality, and by extension, his art, and with little effort pulled a cowering art world to its knees. His weapon was threatening to disrupt the already pitiful federal support for the arts, and once again, that same weapon is being brandished, and once again we cower.<ref name="washingtonpost1"/>}}
In response, The ] Foundation, which had provided a $100,000 grant to the exhibition, announced that it would not fund future Smithsonian projects, while several institutions, including ] and ], scheduled showings of the removed work.<ref>"Outcry Over Smithsonian Censorship Grows," ''The Bay Citizen'' December 14 http://www.baycitizen.org/visual-art/story/outcry-over-smithsonian-censorship-grows/</ref><ref name="tate-jan22,2011">{{cite web|title=David Wojnarowicz|url=http://www.tate.org.uk/modern/eventseducation/film/23150.htm|publisher=Tate Modern|accessdate=5 January 2011}}</ref>


====Response from Clough and Smithsonian====
On December 2, 2010, protesters against the supposed "censorship" (there was no censorship; the artist was not prevented from creating or dissseminating his work; the issue was whether or not publicly funded institutions should be used as a venue or means of dissemination) marched from the Transformer Gallery,<ref>{{cite news| url=http://artsbeat.blogs.nytimes.com/2010/12/02/pulled-from-national-portrait-gallery-video-emerges-elsewhere-in-washington/| date=December 2, 2010| title=Pulled from National Portrait Gallery, Video Emerges Elsewhere in Washington| author= Dave itzkoff| work=The New York Times}}</ref><ref>{{cite news|url=http://voices.washingtonpost.com/goingoutgurus/2010/12/hideseek_go_see_it_for_yourself.html |title=Going Out Gurus - 'Hide/Seek': Go see it for yourself |publisher=Voices.washingtonpost.com |date=2010-12-01 |accessdate=2010-12-07}}</ref><ref>{{cite web|last=Capps |first=Kriston |url=http://www.washingtoncitypaper.com/blogs/artsdesk/visual-arts/2010/12/01/transformer-steps-up/ |title=Transformer Will Show Video Art That National Portrait Gallery Took Down - Arts Desk |publisher=Washington City Paper |date=2010-12-01 |accessdate=2010-12-07}}</ref> to the National Portrait Gallery. The art work was projected on the building.<ref>{{cite web|url=http://news1.capitalbay.com/news/washington-dc/157567.html |title=National Portrait Gallery censorship controversy: Artist projects film on portrait gallery, recreating '89 protest |publisher=News1.capitalbay.com |date= |accessdate=2010-12-03}}</ref><ref>{{cite web|url=http://www.wusa9.com/news/local/story.aspx?storyid=123522&catid=158 |title=Silent March Held To Protest Controversial Film's Removal From National Portrait Gallery &#124; WUSA9.com &#124; Washington, DC &#124; |publisher=WUSA9.com |date= |accessdate=2010-12-03}}</ref><ref>{{cite web| url=http://www.theawl.com/2010/12/what-else-is-in-the-national-portrait-gallerys-offensive-gay-show| title=What Else Is In the National Portrait Gallery's "Offensive" Gay Show?| author= Jessica Roake| date= December 2, 2010| accessdate=12/2/2010| publisher=The Awl }}</ref>
Clough later said that although he stood by his decision, it "might have been made too quickly",<ref name=jacq>{{cite news|last=Trescott |first=Jacqueline |url=https://www.washingtonpost.com/wp-dyn/content/article/2011/01/18/AR2011011806129.html |title=Clough defends removal of video |newspaper=The Washington Post |date=January 19, 2011 |access-date=June 27, 2012}}</ref> and called the decision "painful."<ref name=artbeat>{{cite news|last=Taylor |first=Kate |url=http://artsbeat.blogs.nytimes.com/2011/01/18/smithsonian-chief-defends-withdrawal-of-video/ |title=Smithsonian Chief Defends Withdrawal of Video |work=The New York Times |date=January 18, 2011 |access-date=June 27, 2012}}</ref> He said that because of the controversy surrounding the footage and the possibility that it might "spiral out of control", the Smithsonian might have been forced to shut down the entire "Hide/Seek" exhibition, and that was "something he didn't want to happen."<ref name=artbeat/>
On December 5, Michael Blasenstein and Michael Dax Iacovone were detained and barred from the gallery for holding leaflets.<ref>{{cite news|url=http://voices.washingtonpost.com/arts-post/2010/12/on_sunday_at_around_1.html |title=Arts Post - Protestors banned from Smithsonian after playing video on iPad |publisher=Voices.washingtonpost.com |date=2010-04-13 |accessdate=2010-12-07}}</ref><ref>, ''TBDArts'', December 6, 2010</ref>
On December 9, National Portrait Gallery Commissioner James T. Bartlett resigned in protest.<ref>{{cite web|last=Green |first=Tyler |url=http://blogs.artinfo.com/modernartnotes/2010/12/npg-commissioner-resigns-in-protest-of-video-removal/ |title=NPG commissioner resigns to protest removal |publisher=Modern Art Notes |date=December 9, 2010 |accessdate=2012-06-27}}</ref> The artist ] sought to withdraw his art from the exhibit, with support from the lending institution, the ],<ref>{{cite news| url=http://artsbeat.blogs.nytimes.com/2010/12/17/national-museum-of-canada-backs-artists-smithsonian-protest/?partner=rss&amp;emc=rss | work=The New York Times | first=Kate | last=Taylor | title=Canadian Museum Backs Smithsonian Protest | date=2010-12-17}}</ref> unsuccessfully as of December 20.<ref>Taylor, Kate, , ''The New York Times'' Arts Beat blog, December 20, 2010, 2:20 pm. Retrieved 2101-12-21.</ref>
The curators appeared at a forum at the ].<ref>{{cite news| url=http://www.nytimes.com/2010/12/16/arts/design/16censors.html?_r=1 | work=The New York Times | first=Kate | last=Taylor | title=Exhibit's Curators Criticize Controversial Art's Removal | date=2010-12-15}}</ref><ref>{{cite web|last=Miranda |first=Carolina A. |url=http://culture.wnyc.org/blogs/gallerina/2010/dec/16/hideseek-curators-nypl/ |title=In the Wake of the Smithsonian Controversy: Hide/Seek Curators Speak at the New York Public Library |publisher=WNYC Culture |date=December 16, 2010 |accessdate=2012-06-27}}</ref><ref>{{cite news| url=http://www.huffingtonpost.com/lee-rosenbaum/dont-ask-dont-tell-a-usef_b_799414.html | work=Huffington Post | first=Lee | last=Rosenbaum | title="Don't Ask, Don't Tell": A Useful Policy for the "Hide/Seek" Show at National Portrait Gallery | date=2010-12-21}}</ref> A protest was held from the ] to the ].<ref>{{cite web|last=Wallin |first=Yasha |url=http://www.artinamericamagazine.com/news-opinion/news/2010-12-21/smithsonian-hide-seek-metropolitan-protest/ |title=Hide/Seek Protest in New York |publisher=Art in America |date=December 21, 2010 |accessdate=2012-06-27}}</ref><ref>{{cite web|url=http://bandofthebes.typepad.com/bandofthebes/2010/12/hundreds-in-nyc-protest-hideseek-censorship-.html |title=Hundreds in NYC Protest Hide/Seek Censorship |publisher=Band of Thebes |date=December 20, 2010 |accessdate=2012-06-27}}</ref><ref>{{cite news| url=http://www.washingtonpost.com/wp-dyn/content/article/2010/12/15/AR2010121508326.html | work=The Washington Post | first=Philip | last=Kennicott | title=Video outcry flares anew | date=2010-12-16}}</ref>
On December 15, a panel discussion was held at the ].<ref>{{cite web|url=http://culturemap.com/newsdetail/12-15-10-camh-wojnarowicz/ |title=Large crowd of Houston art lovers protest Smithsonian censorship of A Fire in My Belly |publisher=CultureMap Houston |date=December 15, 2010 |accessdate=2012-06-27}}</ref>
On December 20, a panel discussion was held at the ].<ref>{{cite web|url=http://theaterjblogs.wordpress.com/2010/12/16/hidespeak-an-evening-with-david-c-ward-historian-national-portrait-gallery-curator-hideseek/ |title=HIDE/SPEAK – An evening with David C. Ward Historian, National Portrait Gallery; Curator, Hide/Seek |publisher=The Theater J Blog |date=December 16, 2010 |accessdate=2012-06-27}}</ref><ref>{{cite web|url=http://freeindc.blogspot.com/2010/12/upcoming-tonight-special-talk-hidespeak.html |title=PAST: Special Talk "hide/SPEAK" with David C. Ward, Curator of "Hide/Seek" exhibit at the NPG |publisher=Free in DC |date=November 20, 2010 |accessdate=2012-06-27}}</ref><ref>{{cite web|url=http://thejdc.convio.net/site/Calendar?id=126184&view=Detail |title=Hide/Seek: National Portrait Gallery Tour with NPG Curator David C. Ward |publisher=Washington DC Jewish Community Center |accessdate=2012-06-27}}</ref>
On January 20, 2011, the Center of Study of Political Graphics held a protest at the ].<ref>{{cite web|url=http://www.politicalgraphics.org/calendar.html |title=Center for the Study of Political Graphics |publisher=Politicalgraphics.org |date=2011-09-08 |accessdate=2012-06-27}}</ref>
Secretary Clough issued a statement standing by the decision, spoke at a ] meeting,<ref>{{cite news| url=http://latimesblogs.latimes.com/culturemonster/2011/01/critics-notebook-smithsonians-clough-needs-to-admit-error-.html | work=Los Angeles Times | title=Critic's Notebook: Smithsonian chief digging a deeper hole | date=2011-01-18}}</ref><ref>{{cite news| url=http://latimesblogs.latimes.com/culturemonster/2011/01/protesters-carrying-two-custom-made-artworks-plan-to-greet-wayne-clough-the-embattled-secretary-of-the-smithsonian-instituti.html | work=Los Angeles Times | title=Protest over art censorship will greet Smithsonian chief before L.A. talk Thursday | date=2011-01-19}}</ref> and appeared at a public forum in April 26–27, 2011.<ref>{{cite news| url=http://www.washingtonpost.com/wp-dyn/content/article/2011/01/18/AR2011011805097.html | work=The Washington Post | first=Jacqueline | last=Trescott | title=Smithsonian Secretary Clough stands by decision to pull 'Fire in My Belly' video | date=2011-01-19}}</ref><ref>{{cite web|last=Judkis |first=Maura |url=http://www.tbd.com/blogs/tbd-arts/2011/01/portrait-gallery-censorship-smithsonian-secretary-speaks-7473.html |title=Portrait Gallery Censorship: Smithsonian secretary speaks |publisher=@TBD Arts |date=January 20, 2011 |accessdate=2012-06-27}}</ref><ref>{{cite web|url=http://www.artsjournal.com/culturegrrl/2011/04/clough_gets_testy_at_hideseek.html |title=Clough Gets Testy at "Hide/Seek" Conference (Call Martin Sullivan!) - CultureGrrl |publisher=Artsjournal.com |date=April 27, 2011 |accessdate=2012-06-27}}</ref><ref>{{cite web|url=http://newsdesk.si.edu/releases/public-forum-flashpoints-and-fault-lines-museum-curation-and-controversy-april-26-27 |title=Public Forum “Flashpoints and Fault Lines: Museum Curation and Controversy” April 26-27 |publisher=Smithsonian Newsdesk |date=April 28, 2011 |accessdate=2012-06-27}}</ref> Several curators within the Smithsonian criticized the decision, as did critics, with ''Newsweek'' arts critic Blake Gopnik going so far as to call the complaints "gay bashing" and not a legitimate public controversy.<ref>{{dead link|date=June 2012}}</ref>


The video work was shown intact when Hide/Seek moved to the ].<ref>{{Cite news |first=Curtis |last=Cartier |url=http://blogs.seattleweekly.com/dailyweekly/2011/03/david_wojnarowicz_film_is_too.php |title=David Wojnarowicz Film Is Too Hot for Smithsonian and Republicans, But Not for Tacoma Art Museum |work=Seattle Weekly |date=March 17, 2011 |access-date=January 19, 2013 |url-status=dead |archive-url=https://web.archive.org/web/20110321005417/http://blogs.seattleweekly.com/dailyweekly/2011/03/david_wojnarowicz_film_is_too.php |archive-date=March 21, 2011 |df=mdy-all }}</ref>
==Collective Exhibitons==

* 2010: Les Rencontres d'Arles festival, France.
====Response from the art world and the public====
In response, the curator David C. Ward defended the artwork, saying, "It is not anti-religion or sacrilegious. It is a powerful use of imagery".<ref name="washingtonpost1" /> The ] announced that it would not fund future Smithsonian projects, while several institutions, including the ] and the ], scheduled showings of the removed work.<ref>{{cite news |title=Outcry Over Smithsonian Censorship Grows |work=The Bay Citizen |date=December 14, 2010 |first=Reyhan |last=Harmanci |url=http://www.baycitizen.org/visual-art/story/outcry-over-smithsonian-censorship-grows/ |access-date=December 14, 2010 |archive-url=https://web.archive.org/web/20101216092914/http://www.baycitizen.org/visual-art/story/outcry-over-smithsonian-censorship-grows/ |archive-date=December 16, 2010 |url-status=dead |df=mdy-all }}</ref>

The decision led to multiple protests.<ref>{{cite news |url=http://artsbeat.blogs.nytimes.com/2010/12/02/pulled-from-national-portrait-gallery-video-emerges-elsewhere-in-washington/ |date=December 2, 2010 |title=Pulled from National Portrait Gallery, Video Emerges Elsewhere in Washington |author=Dave Itzkoff |work=The New York Times }}</ref><ref>{{cite news |url=http://voices.washingtonpost.com/goingoutgurus/2010/12/hideseek_go_see_it_for_yourself.html |archive-url=https://web.archive.org/web/20110811040507/http://voices.washingtonpost.com/goingoutgurus/2010/12/hideseek_go_see_it_for_yourself.html |url-status=dead |archive-date=August 11, 2011 |title=Going Out Gurus – 'Hide/Seek': Go see it for yourself |newspaper=The Washington Post |date=December 1, 2010 |access-date=December 7, 2010 }}</ref><ref>{{cite web |last=Capps |first=Kriston |url=http://www.washingtoncitypaper.com/blogs/artsdesk/visual-arts/2010/12/01/transformer-steps-up/ |title=Transformer Will Show Video Art That National Portrait Gallery Took Down |work=Washington City Paper |date=December 1, 2010 |access-date=December 7, 2010}}</ref><ref>{{cite web |url=http://news1.capitalbay.com/news/washington-dc/157567.html |title=National Portrait Gallery censorship controversy: Artist projects film on portrait gallery, recreating '89 protest |work=Capital Bay|access-date=December 3, 2010 |url-status=dead |archive-url=https://web.archive.org/web/20110708114835/http://news1.capitalbay.com/news/washington-dc/157567.html |archive-date=July 8, 2011 |df=mdy-all }}</ref><ref>{{cite web |url=http://www.wusa9.com/news/local/story.aspx?storyid=123522&catid=158 |title=Silent March Held To Protest Controversial Film's Removal From National Portrait Gallery |publisher=WUSA9.com |access-date=December 3, 2010 |archive-url=https://web.archive.org/web/20101203195236/http://wusa9.com/news/local/story.aspx?storyid=123522&catid=158 |archive-date=December 3, 2010 |url-status=dead }}</ref><ref>{{cite web| url=http://www.theawl.com/2010/12/what-else-is-in-the-national-portrait-gallerys-offensive-gay-show |title=What Else Is in the National Portrait Gallery's "Offensive" Gay Show? |author=Jessica Roake |date=December 2, 2010 |access-date=December 2, 2010| publisher=The Awl }}</ref>

On December 9, National Portrait Gallery Commissioner James T. Bartlett resigned in protest.<ref>{{cite web |last=Green |first=Tyler |url=http://blogs.artinfo.com/modernartnotes/2010/12/npg-commissioner-resigns-in-protest-of-video-removal/ |title=NPG commissioner resigns to protest removal |publisher=Modern Art Notes |date=December 9, 2010 |access-date=June 27, 2012 |archive-url=https://web.archive.org/web/20120313033951/http://blogs.artinfo.com/modernartnotes/2010/12/npg-commissioner-resigns-in-protest-of-video-removal/ |archive-date=March 13, 2012 |url-status=dead }}</ref> Clough issued a statement standing by the decision.<ref>{{cite news| url=http://latimesblogs.latimes.com/culturemonster/2011/01/critics-notebook-smithsonians-clough-needs-to-admit-error-.html | work=Los Angeles Times | title=Critic's Notebook: Smithsonian chief digging a deeper hole | date=January 18, 2011}}</ref> Several Smithsonian curators criticized the decision, as did critics, with '']'' arts critic ] going so far as to call the complaints "gay bashing" and not a legitimate public controversy.<ref>{{cite web |last1=Zongker |first1=Brett |title=Experts debate Smithsonian's response to critics |url=http://www.washingtontimes.com/news/2011/apr/27/experts-debate-smithsonians-response-to-critics/ |agency=Associated Press |work=] |access-date=24 April 2016 |date=27 April 2011 }}</ref>

===Notable posthumous exhibitions===
In 2011, P.P.O.W. Gallery showed ''Spirituality'', an exhibition of Wojnarowicz's drawings, photographs, videos, collages, and personal notebooks; in a review in '']'', Kara L. Rooney called the show "meticulously researched and commendably curated from a wide array of sources, ... a mini-retrospective, providing context and clues for Wojnarowicz's often elusive, sometimes dangerous, and always brutally honest work."<ref name=":0">{{cite journal|last=Rooney|first=Kara L.|date=April 2011|title=David Wojnarowicz: Spirituality|url=http://brooklynrail.org/2011/04/artseen/david-wojnarowicz-spirituality|journal=]}}</ref>

In 2018, the ] hosted a major retrospective, ''David Wojnarowicz: History Keeps Me Awake at Night'', which was co-curated by the Whitney's David Kiehl and art historian David Breslin.<ref name=":2">{{cite web|url=http://whitney.org/Exhibitions/DavidWojnarowicz|title=David Wojnarowicz: History Keeps Me Awake at Night|publisher=Whitney Museum of American Art|access-date=24 April 2016}}</ref> It received international praise.<ref name="Robbing The Diseased Society: David Wojnarowicz In New York">Thom James (August 19, 2018) http://thequietus.com/articles/25153-david-wojnarowicz-history-keeps-me-awake-at-night-retrospective-whitney-review'.</ref>

==Influence==
In 1992, the band ] used Wojnarowicz's tumbling buffalo photograph "Untitled (Buffaloes)" for the cover art of its single "]". The band further adapted this imagery during its ]. The single and subsequent album became multi-platinum over the next few years, and the band donated a large portion of its earnings to AIDS charities.<ref name=":1">{{Cite web|url=http://www.pophistorydig.com/topics/tag/u2-and-buffalo-photograph/|title=U2 and buffalo photograph {{!}} The Pop History Dig|website=www.pophistorydig.com|language=en-US|access-date=2017-11-01}}</ref> An oversized gelatin print of "Untitled (Buffaloes)" sold at auction in October 2014 for $125,000, more than four times the estimated price.<ref>{{Cite news|url=https://antiquesroadshowinsider.wordpress.com/2014/11/13/137/|title=THE BUFFALO JUMP|date=2014-11-13|work=ANTIQUES FOR THE AGES|access-date=2017-11-01|language=en-US}}</ref>

In 1988, Wojnarowicz wore a leather jacket with the ] and the text: "If I die of aids - forget burial - just drop my body on the steps of the ]".<ref name="guard-2016" /> In his 1991 memoir ''Close to the Knives'', Wojnarowicz imagined "what it would be like if, each time a lover, friend or stranger died of this disease, their friends, lovers or neighbors would take the dead body and drive with it in a car a hundred miles an hour to Washington, D.C., and blast through the gates of the White House and come to a screeching halt before the entrance and dump their lifeless form on the front steps." On October 11, 1992, activist David Robinson received wide media attention when he dumped the ashes of his partner, Warren Krause, on the grounds of the White House as a protest against ]'s inaction in fighting AIDS. Robinson reported that his action was inspired by this text in ''Close to the Knives''. In 1996, Wojnarowicz's own ashes were scattered on the White House lawn.<ref>{{cite news| url=https://www.vice.com/en_us/article/why-the-ashes-of-aids-victims-on-the-white-house-lawn-matter | work=VICE News| title=Critic's Notebook: Why the Ashes of AIDS Victims on the White House Lawn Matter | date=August 29, 2016}}</ref><ref>{{cite news| work=Interview with David Robinson | title=, a film by Jim Hubbard | date=August 29, 2016}}</ref>

His name appears in the lyrics of the ] song "]."<ref>{{Cite web|url=https://slate.com/culture/2019/10/hot-topic-lyrics-le-tigre-who-is.html|title=57 Champions of Queer Feminism, All Name-Dropped in One Impossibly Catchy Song|first=Tammy|last=Oler|date=October 31, 2019|website=Slate Magazine}}</ref><ref></ref> ''Weight of the Earth'', the transcription of Wojnarowicz's audio journals, inspired ]'s album '']'', and gives its name to the song "Weight of the Earth, on Paper".<ref>{{cite web|url=https://pitchfork.com/features/rising/mega-bog-life-and-another-interview|title=Step Into the Inscrutable World of Mega Bog|date=August 2, 2021|accessdate=August 10, 2021|work=]|first=Quinn|last=Moreland}}</ref>

On September 13, 2021, at the ] in New York City the Canadian actor ] wore an outfit by designer ] for ] which prominently featured an adapted version of Wojnarowicz's artwork ''F--- You F----- F-----'' depicting
two men kissing while shaped as maps, with the support of the visual artist's estate.<ref>{{Cite web|url=https://news.yahoo.com/dan-levy-explains-powerful-meaning-134803497.html|title=Dan Levy explains powerful meaning behind his unique Met Gala look|date=September 14, 2021 }}</ref>

==Collective exhibitions==
A list of Wojnarowicz's group exhibitions the year prior to his death.<ref>{{Cite web|url=https://cs.nyu.edu/ArtistArchives/KnowledgeBase/index.php/Exhibition_History|title=David Wojnarowicz Exhibition History|date=July 2018|website=New York University Artist Archives - David Wojnarowicz Knowledge Base|access-date=20 November 2019|archive-date=March 26, 2019|archive-url=https://web.archive.org/web/20190326134210/https://cs.nyu.edu/ArtistArchives/KnowledgeBase/index.php/Exhibition_History|url-status=dead}}</ref>

'''1991'''

* The Figure in the Landscape, Baumgartner Galleries, February, Washington, DC
* From Desire...A Queer Diary, curated by Nan Goldin, Richard F. Brush Art Gallery Canton, NY
* Whitney Biennial, The Whitney Museum of American Art, New York, NY
* The Art of Advocacy, The Aldrich Museum of Contemporary Art, Ridgefield, CT
* Hands Off!, The New School for Social Research, New York, NY
* Tableaux Du SIDA, Foundation Deutsch, Belmont-Sur-Lausanne, France
* The Third Rail, curated by Karin Bravin, John Post Lee Gallery, New York, NY
* Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection, San Jose Museum of Art, San Jose, CA
* American Narrative Painting and Sculpture: The 1980s, Nassau County Museum of Art, Roslyn, NY
* Cruciformed: Images of the Cross since 1980, curated by David Rubin, Cleveland Center for Contemporary Art, Cleveland, OH
* Social Sculpture, curated by Steven Harvey and Elyse Cheney, Vrej Baghoomian Gallery, New York, NY
* The Interrupted Life, New Museum, New York, NY
* Outrageous Desire: The Politics and Aesthetics of Representation in Recent Works by Lesbian and Gay Artists, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ
* Art of the 1980s: Selections from the Collection of Eli Broad Foundation, Duke University Museum of Art, Durham, NC
* Domenikos Theotokopoulos-A Dialogue, Philippe Briet Gallery, New York, NY
* Fuel, curated by Jay Younger, The Institute of Modern Art, Brisbane, Australia; The Australia Centre for Photography, Sydney, Australia; The Australian Centre for Contemporary Art, Melbourne, Australia


==Books== ==Books==
* ''Sounds In The Distance.'' (1982). Aloes Books. * ''Sounds in the Distance.'' (1982). Aloes Books.
* ''Tongues Of Flame.'' (Exhibition Catalog). (1990). Illinois State University. * ''Tongues of Flame.'' (Exhibition Catalog). (1990). Illinois State University.
* ''Close to the Knives: A Memoir of Disintegration.'' (1991). Vintage Books. * ''Close to the Knives: A Memoir of Disintegration.'' (1991). Vintage Books.
* ''Memories That Smell Like Gasoline.'' (1992). Artspace Books. * ''Memories That Smell Like Gasoline.'' (1992). Artspace Books.
* ''Seven Miles a Second.'' (Collaborative graphic novel with James Romberger and Marguerite Van Cook, completed posthumously). (1996). Vertigo/DC Comics. * ''Seven Miles a Second.'' (Collaborative graphic novel with James Romberger and Marguerite Van Cook, completed posthumously). (1996). Vertigo/DC Comics.
* ''The Waterfront Journals.'' (1997). Grove/Atlantic. * ''The Waterfront Journals.'' (1997). Grove/Atlantic.
* ''Rimbaud In New York 1978 - 1979.'' (Edited by Andrew Roth). (2004). Roth Horowitz, LLC/PPP Editions. * ''Rimbaud In New York 1978–1979.'' (Edited by Andrew Roth). (2004). Roth Horowitz, LLC/PPP Editions.
* ''In the Shadow of the American Dream: The Diaries of David Wojnarowicz.'' (Amy Scholder, editor). (2000). Grove/Atlantic. * ''In the Shadow of the American Dream: The Diaries of David Wojnarowicz.'' (Amy Scholder, editor). (2000). Grove/Atlantic.
* ''Willie World.'' (Illustrator; written by Maggie J. Dubris). (1998). C U Z Editions. * ''Willie World.'' (Illustrator; written by Maggie J. Dubris). (1998). C U Z Editions.
* ''Weight of the Earth: The Tape Journals of David Wojnarowicz.'' (Lisa Darms and David O'Neill, editors). (2018). MIT Press.


==Films== ==Films==
===Directed by Wojnarowicz===
* ''Postcards From America'' - a non-linear biography of David Wojnarowicz (Steve McLean, director)
* ''Heroin'' – filmed in New York City in 1981, no soundtrack
* ''Fire in my Belly'' – filmed in Mexico and New York in 1986 and 1987, no soundtrack
* ''Beautiful People'' – filmed in New York City in 1987, no soundtrack

===About Wojnarowicz===
* '']'' (1994) – a non-linear biography of Wojnarowicz (Steve McLean, director)
*'']'' (2021) – biographical documentary

==Music and Multimedia==
* ''3 Teens Kill 4'' EP No Motive 1982
* David Wojnarowicz & ]: ''ITSOFOMO (In the Shadow of Forward Motion)'' LP New Tone Records 1992 <ref>{{cite web |title=David Wojnarowicz & Ben Neill - ITSOFOMO (In The Shadow Of Forward Motion) : Releases : Discogs |url=https://www.discogs.com/master/1430397-David-Wojnarowicz-Ben-Neill-ITSOFOMO-In-The-Shadow-Of-Forward-Motion |website=Discogs |date=September 20, 1992 |access-date=8 April 2023}}</ref>
* '']'' CD-ROM ] 1999 <ref>{{cite web |title=David Wojnarowicz – Optic Nerve (1999, CD) : Discogs |url=https://www.discogs.com/release/8155296-David-Wojnarowicz-Optic-Nerve |website=Discogs |date=September 20, 1999 |access-date=8 April 2023}}</ref>
* ''Cross Country'' 3 x LP 2018


==Critical studies and adaptations== ==Critical studies and adaptations==
* Blinderman, Barry ed. ''David Wojnarowicz : Tongues of Flame'', 1990, {{ISBN|978-0-945558-15-6}}
* ''Close to the Knives''. (1993) ]. ].<ref> {{webarchive|url=https://web.archive.org/web/20070205220016/http://www.aputheatre.com/images/posters/closetkpost.jpg |date=February 5, 2007 }}</ref>
* ''David Wojnarowicz: Brush Fires in the Social Landscape''. (1995). Aperture. * ''David Wojnarowicz: Brush Fires in the Social Landscape''. (1995). Aperture.
* Wojnarowicz, David, et al., ed. Amy Scholder. ''Fever: The Art of David Wojnarowicz''. (1999). New Museum Books. * Wojnarowicz, David, et al., ed. Amy Scholder. ''Fever: The Art of David Wojnarowicz''. (1999). New Museum Books.
*''David Wojnarowicz : A Definitive History of Five or Six Years on the Lower East Side'', interviews by Sylvère Lotringer, edited by Giancarlo Ambrosino (2006). *''David Wojnarowicz : A Definitive History of Five or Six Years on the Lower East Side'', interviews by Sylvère Lotringer, edited by Giancarlo Ambrosino (2006).
*Carr, Cynthia ''Fire in the Belly The Life and Times of David Wojnarowicz'' (2012) St Martin's Press. {{ISBN|978-1-596-91533-6}}
*''David Wojnarowicz : Tongues of Flame'', edited by Barry Blinderman, 1990, ISBN 094558155
* ''Fire in the Belly The Life and Times of David Wojnarowicz'' Cynthia CARR (2012) St Martin's Press. ISBN 978-1-596-91533-6 *Laing, Olivia ''The Lonely City: Adventures in the Art of Being Alone'' (2016) Canongate {{ISBN|978-1-250-11803-5}}


==Archival Collections== ==Archival collections==
The David Wojnarowicz Papers are located in the ] at ]. The Fales Library also houses the papers of John Hall, a high school friend of Wojnarowicz. The papers include a small collection of letters from Wojnarowicz to Hall. The David Wojnarowicz Papers are at the ] at ]. The Fales Library also houses the papers of John Hall, a high school friend of Wojnarowicz. The papers include a small collection of letters from Wojnarowicz to Hall.


The David Wojnarowicz Foundation (]) maintains an online research archive.
==See also==


==See also==
* ], head of Andy Warhol Foundation, protested removal of Wojnarowicz piece * ], head of Andy Warhol Foundation, protested removal of Wojnarowicz piece


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* ubu.com
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| NAME =Wojnarowicz, David
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = American artist
| DATE OF BIRTH =September 14, 1954
| PLACE OF BIRTH =], ]
| DATE OF DEATH =July 22, 1992
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Latest revision as of 23:41, 9 November 2024

American artist and AIDS activist (1954–1992)

David Wojnarowicz
David Wojnarowicz, from the book Fire in the Belly: The Life and Times of David Wojnarowicz
Born(1954-09-14)September 14, 1954
Red Bank, New Jersey, U.S.
DiedJuly 22, 1992(1992-07-22) (aged 37)
New York City, U.S.
Cause of deathAIDS
NationalityAmerican

David Michael Wojnarowicz (/ˌvɔɪnəˈroʊvɪtʃ/ VOY-nə-ROH-vitch; September 14, 1954 – July 22, 1992) was an American painter, photographer, writer, filmmaker, performance artist, songwriter/recording artist, and AIDS activist prominent in the East Village art scene. He incorporated personal narratives influenced by his struggle with AIDS as well as his political activism in his art until his death from the disease in 1992.

Biography

Wojnarowicz was born in Red Bank, New Jersey, where he and his two siblings and sometimes their mother were physically abused by their father, Ed Wojnarowicz. Ed, a Polish-American merchant marine from Detroit, had met and married Dolores McGuinness in Sydney, Australia, in 1948 when he was 26 and she was 16. After his parents' bitter divorce, Wojnarowicz and his siblings were kidnapped by their father and raised in Michigan and Long Island. After finding their young, Australian-born mother in a New York City phone book, they moved in with her. During his teenage years in Manhattan, Wojnarowicz worked as a street hustler around Times Square. He graduated from the High School of Music & Art in Manhattan. By 1971, at age 17, Wojnarowicz was living on the streets full time, sleeping in halfway houses and squats.

After a period outside New York, Wojnarowicz returned in the late 1970s and emerged as one of the most prominent and prolific members of an avant-garde wing that used mixed media as well as graffiti and street art. His first recognition came from stencils of houses afire that appeared on the exposed sides of East Village buildings.

Wojnarowicz completed a 1977–1979 photographic series on Arthur Rimbaud, did stencil work and collaborated with the band 3 Teens Kill 4, which released the independent EP No Motive in 1982. He made autonomous super-8 films such as Heroin and Beautiful People with bandmate Jesse Hultberg, and collaborated with filmmakers Richard Kern and Tommy Turner of the Cinema of Transgression. He exhibited his work in well-known East Village galleries and New York City landmarks, notably Civilian Warfare Gallery, Ground Zero Gallery NY, Public Illumination Picture Gallery, Gracie Mansion Gallery, and Hal Bromm Gallery.

Wojnarowicz was also connected to other prolific artists of the time, appearing in or collaborating on works with Nan Goldin, Peter Hujar, Luis Frangella, Karen Finley, Kiki Smith, Richard Kern, James Romberger, Marguerite Van Cook, Ben Neill, Marion Scemama, and Phil Zwickler.

In early 1981, Wojnarowicz met the photographer Peter Hujar, and after a brief period as lovers, came to see Hujar as his great friend and mentor. Weeks after Hujar died of AIDS on November 26, 1987, Wojnarowicz moved into his loft at 189 2nd Avenue. He was soon diagnosed with AIDS himself and, after successfully fighting the landlord to keep the lease, lived the last five years of his life in Hujar's loft. Inheriting Hujar’s dark room—and supplies like rare Portriga Rapid paper—was a boon to Wojnarowicz's artistic process. It was in this loft that he printed elements of his ‘Sex Series’ and an edition of “Untitled (Buffalos)”.

Hujar's death moved Wojnarowicz to create much more explicit activism and political content, notably about the social and legal injustices related to the government response to the AIDS epidemic. He collaborated with video artist Tom Rubnitz on the short film Listen to This (1992), a critique of the Reagan and Bush administrations' homophobic responses and failure to address the crisis. The film was shown at MoMA's 2017-18 exhibit Club 57: Film, Performance, and Art in the East Village, 1978–1983.

In 1985, Wojnarowicz was included in the Whitney Biennial's so-called Graffiti Show. In the 1990s, he sued and obtained an injunction against Donald Wildmon and the American Family Association on the grounds that Wojnarowicz's work had been copied and distorted in violation of the New York Artists' Authorship Rights Act.

Wojnarowicz's works include Untitled (One Day This Kid...), Untitled (Buffalo), Water, Birth of Language II, Untitled (Shark), Untitled (Peter Hujar), Tuna, Peter Hujar Dreaming/Yukio Mishima: St. Sebastian, Delta Towels, True Myth (Domino Sugar), Something From Sleep II, Untitled (Face in Dirt), and I Feel a Vague Nausea.

Wojnarowicz also wrote two memoirs in his lifetime including Close to the Knives: A Memoir of Disintegration, discussing topics such as his troubled childhood, becoming a renowned artist in New York City, and his AIDS diagnosis and Memories that Smell like Gasoline. Knives opens with an essay about his homeless years: a boy in glasses selling his skinny body to the pedophiles and creeps who hung around Times Square. The heart of Knives is the title essay, which deals with the sickness and death of Hujar, Wojnarowicz's lover, best friend and mentor, "my brother, my father, my emotional link to the world". In the final essay, "The Suicide of a Guy Who Once Built an Elaborate Shrine Over a Mouse Hole", Wojnarowicz investigates the suicide of a friend, mixing his own reflections with interviews with members of their shared circle. In 1989, Wojnarowicz appeared in Rosa von Praunheim's widely acclaimed film Silence = Death about gay artists in New York City fighting for the rights of AIDS sufferers.

Wojnarowicz died at home in Manhattan on July 22, 1992, at the age of 37, from what his boyfriend Tom Rauffenbart confirmed was AIDS.

After his death, photographer and artist Zoe Leonard, a friend of Wojnarowicz, exhibited a work inspired by him, Strange Fruit (for David).

Legacy

A Fire in My Belly controversy

In November 2010, after consultation with National Portrait Gallery director Martin Sullivan and co-curator David C. Ward but not co-curator Jonathan David Katz, Smithsonian Institution Secretary G. Wayne Clough removed an edited version of footage used in Wojnarowicz's short silent film A Fire in My Belly from the exhibit "Hide/Seek: Difference and Desire in American Portraiture" at the National Portrait Gallery in response to complaints from the Catholic League, U.S. House Minority Leader John Boehner, Representative Eric Cantor and the possibility of reduced federal funding for the Smithsonian. The video contains a scene with a crucifix covered in ants. William Donohue of the Catholic League claimed the work was "hate speech" against Catholics. Gay historian Jonathan Ned Katz wrote:

In 1989 Senator Jesse Helms demonized Robert Mapplethorpe's sexuality, and by extension, his art, and with little effort pulled a cowering art world to its knees. His weapon was threatening to disrupt the already pitiful federal support for the arts, and once again, that same weapon is being brandished, and once again we cower.

Response from Clough and Smithsonian

Clough later said that although he stood by his decision, it "might have been made too quickly", and called the decision "painful." He said that because of the controversy surrounding the footage and the possibility that it might "spiral out of control", the Smithsonian might have been forced to shut down the entire "Hide/Seek" exhibition, and that was "something he didn't want to happen."

The video work was shown intact when Hide/Seek moved to the Tacoma Art Museum.

Response from the art world and the public

In response, the curator David C. Ward defended the artwork, saying, "It is not anti-religion or sacrilegious. It is a powerful use of imagery". The Andy Warhol Foundation announced that it would not fund future Smithsonian projects, while several institutions, including the San Francisco Museum of Modern Art and the Tate Modern, scheduled showings of the removed work.

The decision led to multiple protests.

On December 9, National Portrait Gallery Commissioner James T. Bartlett resigned in protest. Clough issued a statement standing by the decision. Several Smithsonian curators criticized the decision, as did critics, with Newsweek arts critic Blake Gopnik going so far as to call the complaints "gay bashing" and not a legitimate public controversy.

Notable posthumous exhibitions

In 2011, P.P.O.W. Gallery showed Spirituality, an exhibition of Wojnarowicz's drawings, photographs, videos, collages, and personal notebooks; in a review in The Brooklyn Rail, Kara L. Rooney called the show "meticulously researched and commendably curated from a wide array of sources, ... a mini-retrospective, providing context and clues for Wojnarowicz's often elusive, sometimes dangerous, and always brutally honest work."

In 2018, the Whitney Museum of American Art hosted a major retrospective, David Wojnarowicz: History Keeps Me Awake at Night, which was co-curated by the Whitney's David Kiehl and art historian David Breslin. It received international praise.

Influence

In 1992, the band U2 used Wojnarowicz's tumbling buffalo photograph "Untitled (Buffaloes)" for the cover art of its single "One". The band further adapted this imagery during its Zoo TV Tour. The single and subsequent album became multi-platinum over the next few years, and the band donated a large portion of its earnings to AIDS charities. An oversized gelatin print of "Untitled (Buffaloes)" sold at auction in October 2014 for $125,000, more than four times the estimated price.

In 1988, Wojnarowicz wore a leather jacket with the pink triangle and the text: "If I die of aids - forget burial - just drop my body on the steps of the F.D.A.". In his 1991 memoir Close to the Knives, Wojnarowicz imagined "what it would be like if, each time a lover, friend or stranger died of this disease, their friends, lovers or neighbors would take the dead body and drive with it in a car a hundred miles an hour to Washington, D.C., and blast through the gates of the White House and come to a screeching halt before the entrance and dump their lifeless form on the front steps." On October 11, 1992, activist David Robinson received wide media attention when he dumped the ashes of his partner, Warren Krause, on the grounds of the White House as a protest against President George H. W. Bush's inaction in fighting AIDS. Robinson reported that his action was inspired by this text in Close to the Knives. In 1996, Wojnarowicz's own ashes were scattered on the White House lawn.

His name appears in the lyrics of the Le Tigre song "Hot Topic." Weight of the Earth, the transcription of Wojnarowicz's audio journals, inspired Mega Bog's album Life, and Another, and gives its name to the song "Weight of the Earth, on Paper".

On September 13, 2021, at the Met Gala in New York City the Canadian actor Dan Levy wore an outfit by designer Jonathan Anderson for Loewe which prominently featured an adapted version of Wojnarowicz's artwork F--- You F----- F----- depicting two men kissing while shaped as maps, with the support of the visual artist's estate.

Collective exhibitions

A list of Wojnarowicz's group exhibitions the year prior to his death.

1991

  • The Figure in the Landscape, Baumgartner Galleries, February, Washington, DC
  • From Desire...A Queer Diary, curated by Nan Goldin, Richard F. Brush Art Gallery Canton, NY
  • Whitney Biennial, The Whitney Museum of American Art, New York, NY
  • The Art of Advocacy, The Aldrich Museum of Contemporary Art, Ridgefield, CT
  • Hands Off!, The New School for Social Research, New York, NY
  • Tableaux Du SIDA, Foundation Deutsch, Belmont-Sur-Lausanne, France
  • The Third Rail, curated by Karin Bravin, John Post Lee Gallery, New York, NY
  • Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection, San Jose Museum of Art, San Jose, CA
  • American Narrative Painting and Sculpture: The 1980s, Nassau County Museum of Art, Roslyn, NY
  • Cruciformed: Images of the Cross since 1980, curated by David Rubin, Cleveland Center for Contemporary Art, Cleveland, OH
  • Social Sculpture, curated by Steven Harvey and Elyse Cheney, Vrej Baghoomian Gallery, New York, NY
  • The Interrupted Life, New Museum, New York, NY
  • Outrageous Desire: The Politics and Aesthetics of Representation in Recent Works by Lesbian and Gay Artists, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ
  • Art of the 1980s: Selections from the Collection of Eli Broad Foundation, Duke University Museum of Art, Durham, NC
  • Domenikos Theotokopoulos-A Dialogue, Philippe Briet Gallery, New York, NY
  • Fuel, curated by Jay Younger, The Institute of Modern Art, Brisbane, Australia; The Australia Centre for Photography, Sydney, Australia; The Australian Centre for Contemporary Art, Melbourne, Australia

Books

  • Sounds in the Distance. (1982). Aloes Books.
  • Tongues of Flame. (Exhibition Catalog). (1990). Illinois State University.
  • Close to the Knives: A Memoir of Disintegration. (1991). Vintage Books.
  • Memories That Smell Like Gasoline. (1992). Artspace Books.
  • Seven Miles a Second. (Collaborative graphic novel with James Romberger and Marguerite Van Cook, completed posthumously). (1996). Vertigo/DC Comics.
  • The Waterfront Journals. (1997). Grove/Atlantic.
  • Rimbaud In New York 1978–1979. (Edited by Andrew Roth). (2004). Roth Horowitz, LLC/PPP Editions.
  • In the Shadow of the American Dream: The Diaries of David Wojnarowicz. (Amy Scholder, editor). (2000). Grove/Atlantic.
  • Willie World. (Illustrator; written by Maggie J. Dubris). (1998). C U Z Editions.
  • Weight of the Earth: The Tape Journals of David Wojnarowicz. (Lisa Darms and David O'Neill, editors). (2018). MIT Press.

Films

Directed by Wojnarowicz

  • Heroin – filmed in New York City in 1981, no soundtrack
  • Fire in my Belly – filmed in Mexico and New York in 1986 and 1987, no soundtrack
  • Beautiful People – filmed in New York City in 1987, no soundtrack

About Wojnarowicz

Music and Multimedia

Critical studies and adaptations

  • Blinderman, Barry ed. David Wojnarowicz : Tongues of Flame, 1990, ISBN 978-0-945558-15-6
  • Close to the Knives. (1993) AIDS Positive Underground Theatre. John Roman Baker.
  • David Wojnarowicz: Brush Fires in the Social Landscape. (1995). Aperture.
  • Wojnarowicz, David, et al., ed. Amy Scholder. Fever: The Art of David Wojnarowicz. (1999). New Museum Books.
  • David Wojnarowicz : A Definitive History of Five or Six Years on the Lower East Side, interviews by Sylvère Lotringer, edited by Giancarlo Ambrosino (2006).
  • Carr, Cynthia Fire in the Belly The Life and Times of David Wojnarowicz (2012) St Martin's Press. ISBN 978-1-596-91533-6
  • Laing, Olivia The Lonely City: Adventures in the Art of Being Alone (2016) Canongate ISBN 978-1-250-11803-5

Archival collections

The David Wojnarowicz Papers are at the Fales Library at New York University. The Fales Library also houses the papers of John Hall, a high school friend of Wojnarowicz. The papers include a small collection of letters from Wojnarowicz to Hall.

The David Wojnarowicz Foundation (www.wojfound.org) maintains an online research archive.

See also

  • Joel Wachs, head of Andy Warhol Foundation, protested removal of Wojnarowicz piece

References

  1. ^ Kimmelman, Michael (July 24, 1992). "David Wojnarowicz, 37, Artist in Many Media". The New York Times. Retrieved August 23, 2010.
  2. Hirsch, Faye (April 2005). "David Wojnarowicz at P.P.O.W. and Roth Horowitz". Art in America. 94 (4): 143.
  3. "LGBT and Photography - The Inexhaustible Fight for Equality | Widewalls". www.widewalls.ch. Retrieved February 11, 2023.
  4. "Howl Sky". Sydney Review of Books. Retrieved December 5, 2020.
  5. ^ Cotter, Holland (December 10, 2010). "As Ants Crawl Over Crucifix, Dead Artist Is Assailed Again". The New York Times. Archived from the original on October 1, 2017. Retrieved February 7, 2018.
  6. "David Wojnarowicz".
  7. Marion Scemama
  8. "Club 57: Film, Performance, and Art in the East Village, 1978–1983, Oct 31, 2017–Apr 8, 2018". Museum of Modern Art. Retrieved January 28, 2023.
  9. Paucar, Samantha (December 4, 2017). "Club 57 – Tom Rubnitz". Arts in New York City – Hunter College. Retrieved January 28, 2023.
  10. See Wojnarowicz v. American Family Association, 745 F.Supp 130 (1990).
  11. Sumners, Lucy (2008), AIDS Art: Activism on Canvas, University of Rhode Island
  12. ^ Laing, Olivia (May 12, 2016). "David Wojnarowicz: still fighting prejudice 24 years after his death". The Guardian. Retrieved March 28, 2021.
  13. "Finding the Right Darkness". Frieze. No. 113. March 2, 2008. ISSN 0962-0672. Retrieved February 11, 2023.
  14. ^ Jacqueline Trescott (December 6, 2010). "After Smithsonian exhibit's removal, banned ant video still creeps into gallery". The Washington Post. Retrieved December 11, 2013.
  15. ^ Trescott, Jacqueline (January 19, 2011). "Clough defends removal of video". The Washington Post. Retrieved June 27, 2012.
  16. "Smithsonian Q&A Regarding the "Hide/Seek" Exhibition" (PDF). December 7, 2010. pp. 1–2. Archived from the original (PDF) on June 14, 2011. Retrieved December 14, 2010.
  17. Cooter, Holland (December 10, 2010). "As Ants Crawl Over Crucifix, Dead Artist Is Assailed Again". The New York Times. Retrieved December 14, 2010.
  18. "Museum removes portrait of crucifix covered in ants". The Daily Telegraph. December 2, 2010.
  19. Gopnik, Blake (December 1, 2010). "Museums shouldn't bow to censorship of any kind". The Washington Post. Retrieved December 3, 2010.
  20. "Smithsonian to Remove Ant-Covered Jesus on Cross Video From Exhibit". Fox News. April 7, 2010. Archived from the original on December 3, 2010. Retrieved December 7, 2010.
  21. "Fire in their belly". The Economist. December 13, 2010.
  22. ^ Taylor, Kate (January 18, 2011). "Smithsonian Chief Defends Withdrawal of Video". The New York Times. Retrieved June 27, 2012.
  23. Cartier, Curtis (March 17, 2011). "David Wojnarowicz Film Is Too Hot for Smithsonian and Republicans, But Not for Tacoma Art Museum". Seattle Weekly. Archived from the original on March 21, 2011. Retrieved January 19, 2013.
  24. Harmanci, Reyhan (December 14, 2010). "Outcry Over Smithsonian Censorship Grows". The Bay Citizen. Archived from the original on December 16, 2010. Retrieved December 14, 2010.
  25. Dave Itzkoff (December 2, 2010). "Pulled from National Portrait Gallery, Video Emerges Elsewhere in Washington". The New York Times.
  26. "Going Out Gurus – 'Hide/Seek': Go see it for yourself". The Washington Post. December 1, 2010. Archived from the original on August 11, 2011. Retrieved December 7, 2010.
  27. Capps, Kriston (December 1, 2010). "Transformer Will Show Video Art That National Portrait Gallery Took Down". Washington City Paper. Retrieved December 7, 2010.
  28. "National Portrait Gallery censorship controversy: Artist projects film on portrait gallery, recreating '89 protest". Capital Bay. Archived from the original on July 8, 2011. Retrieved December 3, 2010.
  29. "Silent March Held To Protest Controversial Film's Removal From National Portrait Gallery". WUSA9.com. Archived from the original on December 3, 2010. Retrieved December 3, 2010.
  30. Jessica Roake (December 2, 2010). "What Else Is in the National Portrait Gallery's "Offensive" Gay Show?". The Awl. Retrieved December 2, 2010.
  31. Green, Tyler (December 9, 2010). "NPG commissioner resigns to protest removal". Modern Art Notes. Archived from the original on March 13, 2012. Retrieved June 27, 2012.
  32. "Critic's Notebook: Smithsonian chief digging a deeper hole". Los Angeles Times. January 18, 2011.
  33. Zongker, Brett (April 27, 2011). "Experts debate Smithsonian's response to critics". The Washington Times. Associated Press. Retrieved April 24, 2016.
  34. Rooney, Kara L. (April 2011). "David Wojnarowicz: Spirituality". The Brooklyn Rail.
  35. "David Wojnarowicz: History Keeps Me Awake at Night". Whitney Museum of American Art. Retrieved April 24, 2016.
  36. Thom James (August 19, 2018) http://thequietus.com/articles/25153-david-wojnarowicz-history-keeps-me-awake-at-night-retrospective-whitney-review'.
  37. "U2 and buffalo photograph | The Pop History Dig". www.pophistorydig.com. Retrieved November 1, 2017.
  38. "THE BUFFALO JUMP". ANTIQUES FOR THE AGES. November 13, 2014. Retrieved November 1, 2017.
  39. "Critic's Notebook: Why the Ashes of AIDS Victims on the White House Lawn Matter". VICE News. August 29, 2016.
  40. ", a film by Jim Hubbard". Interview with David Robinson. August 29, 2016.
  41. Oler, Tammy (October 31, 2019). "57 Champions of Queer Feminism, All Name-Dropped in One Impossibly Catchy Song". Slate Magazine.
  42. Hot Topic on LeTigreWorld's official YouTube channel (2:33-2:35)
  43. Moreland, Quinn (August 2, 2021). "Step Into the Inscrutable World of Mega Bog". Pitchfork. Retrieved August 10, 2021.
  44. "Dan Levy explains powerful meaning behind his unique Met Gala look". September 14, 2021.
  45. "David Wojnarowicz Exhibition History". New York University Artist Archives - David Wojnarowicz Knowledge Base. July 2018. Archived from the original on March 26, 2019. Retrieved November 20, 2019.
  46. "David Wojnarowicz & Ben Neill - ITSOFOMO (In The Shadow Of Forward Motion) : Releases : Discogs". Discogs. September 20, 1992. Retrieved April 8, 2023.
  47. "David Wojnarowicz – Optic Nerve (1999, CD) : Discogs". Discogs. September 20, 1999. Retrieved April 8, 2023.
  48. Aputheatre poster: Close to the Knives Archived February 5, 2007, at the Wayback Machine

External links

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