Misplaced Pages

Latest revision as of 03:06, 1 January 2025

Before posting, check the archives and list of perennial sources for prior discussions. Context is important: supply the source, the article it is used in, and the claim it supports.

Sections older than 5 days archived by lowercase sigmabot III.

Additional notes:

• WP:RSN
• WP:RS/N
• WP:V/N

• RFCs for deprecation, blacklisting, or other classification should not be opened unless the source is widely used and has been repeatedly discussed. Consensus is assessed based on the weight of policy-based arguments.
• While the consensus of several editors can generally be relied upon, answers are not policy.
• This page is not a forum for general discussions unrelated to the reliability of sources.

Indie Vision Music

Indie Vision Music has been used as a reliable source for Christian music articles since at least 2013 (that's the furthest back I can trace its usage, and it's a revision by me when several editors including myself were overhauling WP:CM/S. We were double-checking each other's work, and discussed many of the sources, but we didn't feel the need to exhaustively discuss every source.)EDIT: see this talk discussion --3family6 (Talk to me | See what I have done) 10:18, 15 November 2024 (UTC) At the time, Indie Vision Music had a Misplaced Pages article, which then was later deleted - something I supported, but in that discussion I mentioned that I deemed it reliable, just not notable. For a lot of Christian music, it is an invaluable source as often, especially in the indie and metal genres. There's scant coverage in more generalist publications outside of the CCM/Christian rock/Christian metal niche, so it's often one of 3 or 4 sources in which one can find accessible coverage. Graywalls asked me to bring this here because they are unsure of the reliability of the site. It certainly has a reputation for reliability, as it is referenced/utilized by reliable sources such as Cross Rhythms (this - 2015, this - 2018, and this - 2018 as examples; this from 2016 is about the record label operated by the media outlet, but it explicitly calls the site "well regarded"), The Phantom Tollbooth - 2005, Manteca Bulletin (here, 2010), Arrow Lords of Metal - 2022, referencing a 2013 interview article and HM (here in 2013, here in 2013, here in 2022). I've excluded reprints of press releases for these examples. Cross Rhythms and HM are among the most reputable and well-known sources for Christian music, the latter being the prime journalism outlet regarding Christian hard rock and metal music.

The site founder, Brandon Jones, and another writer, Lloyd Harp, both also write for HM as well (Jones since 2017 and Harp since at least 2009 2007) and thus have credentials outside IVM. There are multiple writers for the site besides those two individuals, which I believe satisfies the having a writing and editorial staff. The concern from Graywalls is, I believe (please correct me if I'm wrong) the professionalism of the team and if the site owner practices actual editorial oversight over his writers (to quote them, "If you and I were both auto enthusiasts who track race together and we buddy up with you being the writer and me being the editor, that's not sufficient to make our web zine as a WP:RS with editorial oversight "). Though there are multiple staff writers, especially over the past two decades, Brandon lists himself for contact and doesn't list the writers. So I can understand part of the concern. I will note that there is one writer who is also a member of several bands (they might also be a Misplaced Pages editor and thus at this juncture I won't name them so they're not outed - it was actually that COI that prompted Graywalls to bring up the issue of if IVM is reliable), and thus of course would be unreliable for coverage of those bands, same as Doug Van Pelt, the founder of HM, is unreliable for coverage of Lust Control (because he's a member of it), except for as statements from the band themselves. Given the above reputation, I don't personally see warrant for this suspicion. IVM functions the same as other online metal sources deemed RS, such as No Clean Singing (which is predominantly a team of three) and MetalSucks. The blog format is how most of these sites function now, including HM. Indeed, Brandon Jones mentions in his site bio that the site wasn't always a blog format and they adopted that structure for the site because that was what became practical in the mid-2000s. The site also operated/s a record label, but that I'm considering separate issue as that doesn't establish reliability. I'd also stress that any artist published via the Indie Vision Label would thus present a COI with IVM news/review coverage of that artist and should not be used other than for statements about the artist themselves.

The TL;DR - Indie Vision Music has been used on Misplaced Pages for over a decade, has multiple writers under a site owner, has been used by other, more mainstream sources as a source, even called by one of them "well regarded", and both the owner and another writer write for a magazine that is a prime source for the subject niche. However, another writer has a COI with some artists, the website operated/s a music label which could have some COI issues with specific artists, and an editor has questioned, due to the one COI issue and the blog structure of the site, whether actual editorial oversight is practiced.--3family6 (Talk to me | See what I have done) 22:17, 14 November 2024 (UTC)

The real question comes to is the editorial process compared to that of the Time Magazine, or is it more along that of two well known and popular, but generally unusable Forbes Contributors and Huffington Post contributors sources?

Many of the writers in IVM articles are band members, rather than professionally trained journalists.

Things to be addressed here are:

What sort of things can it be relied on for factual accuracy?

Is it of any use at all for establishing notability and if so, for what?

3family6 said it's reliable because it's in the Christian Metal list, but they did acknowledge they are more or less the lone curator of that list, so that list should perhaps be seen similarly as a blog or a personal website. Graywalls (talk) 05:15, 15 November 2024 (UTC)

to clarify, currently I'm essentially the sole contributor, that was not the case 10 years ago when the list was created. And I last found the discussion, see below

• Ah- I found the talk page discussion where this source along with a lot of others were added. multiple editors were involved and approved that listing--3family6 (Talk to me | See what I have done) 10:18, 15 November 2024 (UTC)

This is what the site's staff page looked like when it was added to WP:CM/S. I'm pinging editors who were either involved in the discussion of adding the sources (which included IVM) or who have otherwise been - or are now active 11 years later - in WikiProject Christian music (and who are still active - sadly, a couple accounts got banned for socking unrelated to this issue): TenPoundHammer, Toa Nidhiki05, Royalbroil, TARDIS, The Cross Bearer. I'm also going to reach out to Brandon Jones about the editorial policy (without mentioning this discussion), and see what he says.--3family6 (Talk to me | See what I have done) 12:45, 15 November 2024 (UTC)

@3family6:, The RS/N specializes in evaluating sources. I don't know why you've pinged five users you hand picked. It's kind of WP:CANVASSish in a recruiting kind of way especially when you hold one particular position on the matter on hand. Graywalls (talk) 16:10, 15 November 2024 (UTC)

I already explained why I pinged these editors. Most of them were involved with curating the sources list, which included IVM. I don't know what their opinions on this issue are. It's not Canvassing.--3family6 (Talk to me | See what I have done) 16:18, 15 November 2024 (UTC)

@3family6:, Going off a bit on a tangent, but it seems to me sockpuppetry seems rather prevalent among music focused editors. Sometimes, it's necessary to go back and discount inputs from sock form consensus. Graywalls (talk) 17:50, 16 November 2024 (UTC)

This is in a large part precisely WHY I tagged editors who were involved in that discussion.--3family6 (Talk to me | See what I have done) 18:20, 16 November 2024 (UTC)

Pinging Invisiboy42293, Booyahhayoob, and TrulyShruti as they are also currently active and are part of the Christian music WikiProject. I also will post a notice of this discussion there so other active editors I have missed might still be notified.--3family6 (Talk to me | See what I have done) 16:46, 15 November 2024 (UTC)

Selecting people enthusiastic, probably part of a somewhat cohesive group who share common views may foster more groupthink. Graywalls (talk) 16:55, 15 November 2024 (UTC)

People in the subject area are informed. Per WP:CANVASS "it is perfectly acceptable to notify other editors of ongoing discussions, provided that it be done with the intent to improve the quality of the discussion by broadening participation to more fully achieve consensus." It's ridiculous to say that people who are interested in the topic and edit it should be precluded from important discussions about what constitutes reliable sources regarding that subject. Especially given the import that the outcome has, one way or the other.--3family6 (Talk to me | See what I have done) 17:33, 15 November 2024 (UTC)

I believe it's like notifying hand picked known railfanning people from WikiProject Trains and asking whether certain railfanning websites are reliable and expert sources. You chose an area of your enthusiasm and you handpicked a set of people from (relatively niche) Wikiproject group, as opposed to general music. I'm not surprised the responses so far have been from people you have hand notified, and of predictable input. Graywalls (talk) 06:03, 16 November 2024 (UTC)

I also posted in WikiProject Albums, I'll ping some editors from there in a day or two if they haven't responded. The niche is why I notified editors from that project, as they're familiar with the sources. I'll post a notice to the general music WikiProject as well.--3family6 (Talk to me | See what I have done) 15:38, 16 November 2024 (UTC)

and I posted to Projects Journalism, and Magazines. Graywalls (talk) 17:24, 16 November 2024 (UTC)

Thanks! Yeah, I was trying to think of relevant projects, especially since this hasn't gotten any eyes apart from the users I tagged.--3family6 (Talk to me | See what I have done) 17:34, 16 November 2024 (UTC)

I also notified WikiProject Albums.--3family6 (Talk to me | See what I have done) 17:53, 15 November 2024 (UTC)

• Important clarification: The band member mentioned by me and Graywalls above no longer writes for the site (not naming them because they might be a Misplaced Pages editor and I don't want to out them).--3family6 (Talk to me | See what I have done) 13:17, 15 November 2024 (UTC)

I think the caveats 3family6 provided here are broadly acceptable. Obviously a subject isn't reliable when discussing itself or connected topics, but HM and IVM broadly are excellent source - HM in particular, which is without a doubt an absolutely indispensable resource for Christian rock and metal. So I think, with those specific caveats, it's an acceptable resource. Toa Nidhiki05 18:59, 15 November 2024 (UTC)

Responding to 3family6's ping: Truthfully I haven't been active on Christian music Misplaced Pages in quite some time (personal reasons plus my interests drifted elsewhere). That said, I am familiar with Indie Vision Music, both as an editor and just casually, and in my experience they're pretty solidly journalistic when it comes to Christian music. I don't know of any reason not to use them as a source in this field. Invisiboy42293 (talk) 01:51, 16 November 2024 (UTC)

• Pinging these editors from a related discussion to see what they think: Saqib, Axad12. The COI editing from User:Metalworker14 included this source (IVM), as well as HM. The latter has no association with the issue, whereas one former IVM author, who hasn't written for the site since 2017, since 2018 has a COI with some bands and their work was used by the paid editing for Metalworker14. Does this taint the entire source, or would the source be unreliable even if this specific issue hadn't occurred?--3family6 (Talk to me | See what I have done) 15:51, 16 November 2024 (UTC)
• This looks like any other dime-a-dozen unreliable music site, self-published by amateurs with no apparent training or background in music criticism, no editorial policies, and only known by other niche or local outlets. I see no reason why we'd give their viewpoints any weight, either for reviews or for consideration of notability. I'll also note that I wasn't canvassed here. Woodroar (talk) 16:42, 16 November 2024 (UTC)

Lloyd Harp has a decade of experience or so at HM it seems to have come on to IVM more recently. Regarding the other authors I don't know of previous work. Brandon Jones founded IVM and only more recently has joined HM.--3family6 (Talk to me | See what I have done) 17:49, 16 November 2024 (UTC)

@3family6:, you've mentioned sharing of writers as an indicator of reliability, but I am not sure if that's true. Writers don't write whatever they want and they are expected to write certain things to the publication's standards.

Although it says to evaluate case-by-case, we're generally discouraged from using contributor articles on Forbes. Such freelance writer sharing isn't uncommon but doesn't turn the source into reliable category. One example article https://www.forbes.com/sites/bryanrolli/2019/10/17/metallica-scores-biggest-global-rock-event-cinema-release-with-sm/ their profile says I am a music and entertainment reporter who specializes in pop, hip-hop and heavy metal. I cover numerous festivals, interview local and national touring musicians, and examine how artists' personal brands and social media antics affect their art and their earnings. My work has appeared in Billboard, Paste, Consequence of Sound, Noisey and the Daily Dot but just because that person wrote it doesn't mean it can be treated as an equivalent of a Billboard or Daily Dot article.

Another source, such as HubPages and their now defunct sister projects like Delishably and ReelRundown did have editorial oversight and editorial policy but with specific purposes and they're rated based on AI evaluation, moderator reviews and "search traffic" over a long term. Those are MONETIZED articles and the purpose is to drive traffic so that hosting service can maximize ad revenue. The simple presence of editorial oversight doesn't make it reliable. So, what remains to be determined is the editorial process of IVM. Is it more like Forbes contributors, Hub Pages and like or comparable to Billboard, Consequence of Sound or National Geograpics? Graywalls (talk) 03:01, 17 November 2024 (UTC)

Please read the context, Graywalls. I was responding to this statement self-published by amateurs with no apparent training or background in music criticism,. For one of the writers, this is not true, as he has an extensive background with a reputable magazine. You already brought up your point about Forbes contributors, you don't need to do so again.--3family6 (Talk to me | See what I have done) 11:31, 17 November 2024 (UTC)

I was providing an actual piece written by someone with respectable experience so there's a specific example. It's not just a simply rephrased version of the same thing I said which appears to be what you may have been implying. Graywalls (talk) 11:38, 17 November 2024 (UTC)

That is a fair point, I appreciate that these are much more fleshed out example. But that's not the point of this particular part of the discussion. What was in discussion here is the professionalism of the writing staff, particularly prior experience. And it's a mixed bag. To your point, yes, just because they're a professional writer doesn't mean that they aren't essentially self-published in some cases. Still, the professionalism of the writers is a useful tool for determining reliability.--3family6 (Talk to me | See what I have done) 16:20, 17 November 2024 (UTC)

• My feeling is that the recent discussion at COIN (here ), which ultimately resulted in Metalworker14 being blocked as a primarily promo account, indicates the problems that can be encountered in small scenes (whether they be music scenes or other relatively small groups of enthusiasts).

  When a user who has a range of potential COIs starts to edit Misplaced Pages under a pseudonym, evidently the undisclosed nature of what they are doing will create issues. However, whether that necessarily casts a cloud over their work off-wiki is a different question.

  My feeling is that material created within small scenes is primarily for the benefit of fans - who are probably aware of the possibility of some form of COI existing (whether that be direct financial COI or individuals reviewing the work of their friends, etc.). Fans are, I'd suggest, untroubled by such issues and are grateful for the fact that dedicated coverage exists at all, created by individuals who are also enthusiasts. Whether the material is of a nature that an encyclopaedia ought to be depending on, however, I am inclined to doubt.

  Really we are probably in the realms of fanzines, i.e. where editors are likely grateful that material has been submitted at all and significant editorial oversight is potentially lacking. Axad12 (talk) 16:54, 16 November 2024 (UTC)

• I was asked to comment here rather than at the notice at RS/N, and this extensive discussion has suggested my priors on this issue are still the case: this is a standard mid-level independent source on a specialized musical topic, and 3family6's comments indicate that its writers have the level of musical expertise and training that any other music rag would have. They are not investigative journalists, but rather critics evaluating based on a background in an understanding of musical style and history - which is what you get from most staff who write for e.g. Pitchfork, Allmusic, Popmatters, or Dusted. I don't think the use of the source by one troublesome editor casts doubt on the source generally, and I'm inclined to buy the argument that the writers IVM carries that also write for HM has some weight (since HM is reliable). We'd want to exercise COI caution for any artist directly associated with Indie Vision's label or a musical release from a staff member, but that's not a cause for general concern about the source. Chubbles (talk) 16:10, 17 November 2024 (UTC)

• I'm still waiting to hear back from the website/Brandon Jones about the policy, but, I was able to determine that they do issue corrections and edits: , , , . So that's a good sign of editorial oversight and ensuring accuracy.--3family6 (Talk to me | See what I have done) 12:37, 18 November 2024 (UTC)

• I meant to post this here, not the WP Music, but posted there by mistake. Looking at https://www.indievisionmusic.com/author/brandon-j/ it sure seems like a self published source. My personal take on it is that it can't be used to support notability. These small time bands are not competing against each other but rather supporting each other. The blogosphere of these band blogs is an echo chamber of like minded bands boosting and praising each other publicly to collectively raise themselves. It's like friends and family writing references for each other. If they offer correction notices, it's better than not doing that, but people do that even on Misplaced Pages pages with strike out. It's not a one man show, but still a blog. Editorial process that only consists of fixing grammar/spelling and suppressing contents of liability concerns prior to publishing isn't really much of editorial oversight. Graywalls (talk) 19:23, 19 November 2024 (UTC)

First, let me address the part about "like-minded bands": Indie Vision Music isn't a band, it's a website, and for awhile was also a record label. So far, it's been shown that one author was in some bands. Authors are allowed to also be musicians, there's nothing wrong with that. And that writer has not written for the site since 2017. "boosting and praising each other publicly to collectively raise themselves." - that's not correct, as the site will give out negative reviews (this one, for example). "Editorial process that only consists of fixing grammar/spelling and suppressing contents of liability concerns prior to publishing isn't really much of editorial oversight." What are you referring to here? Hypotheticals aren't useful. Please substantiate them. The correction examples I found and listed above are more than that. Does the review process involve more than that? Maybe yes, maybe no. You are speculating here that they don't actually fact-check. This could be a group blog, which, yes, is an example of a self-published source. Or, this could be a site with an editorial process. We know it has a reputation and is used by others. The question is about the editorial process, since that isn't public knowledge.

Now, as to Brandon Jones and self-published sources, Brandon Jones is the publisher but also writes for the site. Other writers for the site, it's not an issue - they're the writers, he's the publisher, so they aren't self-published. But, are articles by Brandon Jones self-published? I think I asked about cases where a publication owner and publisher writes material for that publication years ago, I think in reference to Doug Van Pelt of HM or John DiBiase of Jesus Freak Hideout. I couldn't find that discussion, and so I brought this to the WP:V talk page. As I asked there, Like, for example, if Ian Danzig writes an article for Exclaim! (which he owns and publishes), or HM's founder and publisher Doug Van Pelt or Jesus Freak Hideout's owner and publisher John DiBiase write articles for their respective websites, or A. G. Sulzberger writes a story for The New York Times, are those articles self-published sources only or are they considered reliable, independent published sources? And basically, it depends. There's actually two current, very active discussions on basically this and more broadly related questions about orgs where the publishing process is internal to the organization (as opposed to an external entity, for example, Blabbermouth.net being hosted by Roadrunner Records). And there doesn't seem to be a consensus. I think a lot of it depends on the editorial process. On that point, with Indie Vision Music, I think there's two distinct eras to that site on this issue. From 2006 to 2020, the site had a managing editor, Josh Murphy. That adds a layer of editorial process, both for the site and for Brandon Jones. But, conversely, how much is that editorial control independent when it comes to Brandon's writings, as Brandon will be the one publishing them? That still seems to be a pretty close relation. I don't know if there's an answer here. I think that having a managing editor does indicate an actual editorial process from 2006 to 2020 at least. I still haven't heard back yet what the policy is at present. I don't know if I will get a response (which I don't think proves things one way or the other, it just leaves that question unanswered). I'm wondering if perhaps Brandon's writings from 2017 onward (that year being the year he was hired by HM) are self-published material from a reliable expert in the field, whereas the other writers are not self-published.--3family6 (Talk to me | See what I have done) 21:43, 20 November 2024 (UTC)

From what I've seen, RSN discussions tend to find that anything written by the site runner would be considered self-published. For example, see the WP:RSP entry for Quackwatch. The editor, Stephen Barrett, is an expert on quackery but because he basically runs the site, we often can't use his pieces per WP:BLPSPS. That's not a problem with other authors at the site, because their work would proceed through the normal editorial process (i.e., Barrett). Woodroar (talk) 13:53, 21 November 2024 (UTC)

Okay, that's what I was thinking. Thank you.--3family6 (Talk to me | See what I have done) 14:06, 21 November 2024 (UTC)

Evaluating the presence/absence of editors is easy enough, but evaluating their effectiveness and reliability is the tricky one. They could just be a website with contributors and editors from various bands each given various titles. As another editor mentioned, we have to differentiate professional editors vs a group of volunteer band members with no formal training in journalism running a glorified blog. Graywalls (talk) 02:37, 24 November 2024 (UTC)

On that metric, then, Indie Vision Music is reliable. Volunteer professional staff is expressly allowed. The site publisher has been operating the site since 2000, and since 2017 is a professional writer for HM. A current writer has written for HM since 2009. The only band member I'm aware of is one, now former writer. And band members are allowed to also write music journalism, there's no wiki-guideline prohobiting this. So, how do we evaluate the effectiveness of the source? This is where WP:USEBYOTHERS comes into play - we can check if it has a good reputation. And, as I demonstrated above, the copy of IVM is referenced or republished by other established reliable sources, and a reliable source calls IVM "well-regarded".--3family6 (Talk to me | See what I have done) 12:20, 24 November 2024 (UTC)

@3family6:, As has contents from NYPOST or the DAILYMAIL, both of which are red in ]. So, I wouldn't rely much on USEBYOTHERS. Graywalls (talk) 14:57, 25 November 2024 (UTC)

If you disagree with WP:V, then hold an RfC at Village pump. This isn't the venue.--3family6 (Talk to me | See what I have done) 15:01, 25 November 2024 (UTC)

You brought up one point, and I addressed that point. Graywalls (talk) 15:08, 25 November 2024 (UTC)

I brought up that point because WP: USEBYOTHERS is one of the two primary means of determining of a source is reliable (the other being an editorial oversight process). If you disagree with USEBYOTHERS, then by all means bring that up at an RfC.--3family6 (Talk to me | See what I have done) 15:53, 25 November 2024 (UTC)

I'm disagreeing in your interpretation and application. Graywalls (talk) 16:11, 25 November 2024 (UTC)

How accepted and high-quality reliable sources use a given source provides evidence, positive or negative, for its reliability and reputation. The more widespread and consistent this use is, the stronger the evidence. For example, widespread citation without comment for facts is evidence of a source's reputation and reliability for similar facts, whereas widespread doubts about reliability weigh against it. If outside citation is the main indicator of reliability, particular care should be taken to adhere to other guidelines and policies, and to not unduly represent contentious or minority claims. The goal is to reflect established views of a topic as far as we can determine them. How is my usage contrary to that? I haven't relied solely on USEBYOTHERS. I've argued that this in tandem with editorial oversight is how reliability is determined.--3family6 (Talk to me | See what I have done) 16:19, 25 November 2024 (UTC)

Chubbles, what do you think in light of the question that Graywalls raises here and that I've tried to address. Do you think the site is still reliable, in light of this?--3family6 (Talk to me | See what I have done) 21:46, 20 November 2024 (UTC)

Of course I do, but I'm not the one you need to convince - he is. Chubbles (talk) 06:44, 21 November 2024 (UTC)

I was wondering what your reasoning is here and why this is more than just a group blog.--3family6 (Talk to me | See what I have done) 10:18, 21 November 2024 (UTC)

I think that Graywalls is setting an unnecessarily high bar and making unnecessary presumptions about the nature and motives of music criticism and journalism (here specifically, but also generally). Most music publications would fail under his definition of an independent source - which is precisely his point; I believe he is convinced that the vast majority of popular music coverage on the site isn't worthy of the site, and this is one step in that effort. I'm confident that, say, Pitchfork, Popmatters, Stereogum, or Brooklyn Vegan would also fail his criteria; they are also "group blogs" in exactly the same way he means. If the standard of a reliable source for popular music is the journalistic equivalent of The New York Times, we will have precious little music to write about on Misplaced Pages. Chubbles (talk) 05:54, 22 November 2024 (UTC)

Thank you for that explanation--3family6 (Talk to me | See what I have done) 13:13, 22 November 2024 (UTC)

Here but also generally, Chubbles and I rarely see eye-to-eye on things though but most of our disagreements are over the notability of record labels. I firmly believe they're companies and are not expressly exempt under music related SNG, therefore should be held to NCORP, but they believe record labels articles should be permitted to remain with unnecessarily low bar. Yes absolutely, journalistic equivalent of NYT is expected for record labels, like any other articles subject to NCORP. Graywalls (talk) 02:44, 24 November 2024 (UTC)

This is not about record labels. You are correct that NCORP applies, but that's not relevant here.--3family6 (Talk to me | See what I have done) 12:20, 24 November 2024 (UTC)

3family6, you keep bringing up HM and USEBYOTHERS as if it's a slam dunk case, but I don't think it is. When niche sources share authors with and are cited by similar niche sources, that's not evidence that they're reliable—it simply means that they've created a walled garden. You compared HM to No Clean Singing and MetalSucks above, but No Clean Singing has more than 3x the number of Facebook followers, and MetalSucks has 25x as many. Before this discussion, I'd never heard of Indie Vision Music or HM, and I've been listening to metal for more than 3 decades. (Not to personalize this discussion too much, but after checking your User page, longer than you've been alive!) I'd even consider No Clean Singing to be pretty insignificant as far as sources go. It's also a niche source, but not as niche as "metal but ALSO Christian". Woodroar (talk) 16:35, 25 November 2024 (UTC)

Those might be something that might belong to the same web ring in the pre-Facebook days. Graywalls (talk) 16:43, 25 November 2024 (UTC)

USEBYOTHERS isn't necessarily a slam dunk. My objection to Graywalls was because I had the impression of them blanket dismissing that usage rather than engaging in the examples given. Yes, DailyMail is used by others, but it also has a mixed reputation and demonstrated consistent issues with bias and inaccuracies. Such a poor reputation hasn't been demonstrated in the case of IVM - that an editor doing undisclosed paid editing also used a source that was deemed accepted prior to them joining Misplaced Pages doesn't disqualify a source.

Now, as to the sources used, HM was just one of several references - there's also the less niche CCM Magazine and Cross Rhythms, as well as the Manteca Bulletin, and a reference in Lords of Metal (might still be niche, but isn't the Christian metal niche). I find it a bit interesting that the heavy metal reviews/coverage is the majority of the examples I could find, as IVM is more of an indie music site than specifically metal.

Regarding HM, it probably was a lot more significant before I was born and when I was a very small child, when Stryper was still big and a mainstream act. The publication does regularly interview mainstream artists such as Alice Cooper and Trans Siberian Orchestra. Still, yes, Christian metal is niche, apart from the big 2000s metalcore wave, and Christian extreme metal is so niche and online-based (apart from in some Nordic countries) that a recent book noted the fact of its obscurity to scholars. That HM is for a more niche market doesn't make it less reliable, and a 2018 discussion at WikiProject albums agreed that it is reliable as well. My point with NCS (which discussion on this noticeboard concluded was unreliable - I have changed my mind and agreed with that assessment, based on the evidence) and MetalSucks or numerous other RS is that they are structured the same way. I haven't really seen an argument that demonstrates how IVM is unreliable other than it being a more niche source than those. I wouldn't be as liberal as Chubbles, perhaps, in assessing sources, but I don't see why unreliability is being presumed outside of the issue with how the source was used in COI ways on some select articles.--3family6 (Talk to me | See what I have done) 18:36, 25 November 2024 (UTC)

This is a hypothetical example of where USEBYOTHERS justification would be inappropriate. The vlog referenced is: https://www.youtube.com/watch?v=5eFIaubn24E That video was a tip that to the story in a WP:RS source Bon Appetit https://www.bonappetit.com/story/best-vodka-taste-test. If we go along with 3family6's idea of application, we'd consider Meagan After Dark YouTube an acceptable source, because some of their content was used by Bob Appetit. I'd say citing IVM directly would be along the line of citing that MAD vlog directly. Graywalls (talk) 01:48, 1 December 2024 (UTC)

Context is important. As the heading on this page says. This discussion should be in the context of particular claims / types of claims that it is supporting and whether it is suitable to support those claim/uses. North8000 (talk) 15:33, 25 November 2024 (UTC)

Yeah, I've realized that this would have helped. The uses of this source are primarily for music journalism - news reporting about bands, music reviews, and retrospectives/music history.--3family6 (Talk to me | See what I have done) 15:53, 25 November 2024 (UTC)

That's a start. But we should take a look at the structure of this conversation. Graywalls is seemingly arguing for blanket exclusion of this source. My thought is that is unlikely, and in any case, per the heading of this page, this would not be the place for it. The heading of this page says to include the specific article and text which it is supporting. Maybe a good start would be to give a specific example. North8000 (talk) 16:10, 25 November 2024 (UTC)

I'll give some examples. Thank you.--3family6 (Talk to me | See what I have done) 16:19, 25 November 2024 (UTC)