Misplaced Pages

Latest revision as of 19:03, 26 May 2024

You can help expand this article with text translated from the corresponding article in Spanish. (January 2020) Click for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Misplaced Pages article at ]; see its history for attribution. You may also add the template {{Translated|es|José García Hidalgo}} to the talk page. For more guidance, see Misplaced Pages:Translation.

José García Hidalgo (1645 or 1646 – 1717 or 1719) was a Spanish painter, who wrote notes of his life, but omitted to state where and when he was born. Later research showed that he was born in Villena in 1646. He was named by the artists of the day El Castellano.

Biography

He studied in the city of Murcia under Mateo Gilarte and Nicolás de Villacis. After passing some years under those masters he went to Italy, and at Rome became a scholar of Giacinto Brandi, under whose tuition he made considerable progress. Pietro da Cortona, Salvator Rosa, and Carlo Maratti assisted him with their counsels; but the climate of Italy proving detrimental to his health, he returned to Spain, where he attached himself to Carreño, and, though far advanced in the art, worked as a young pupil.

In 1674 he went to Madrid, and was employed by Charles II in a series of twenty-four pictures on the life of St. Augustine, for the cloisters of San Felipe el Real, which occupied him, with other commissions from the king, till 1711. He was also much employed by Philip V, who made him his principal painter in 1703, and shortly after a chevalier of the order of St. Michael. In the latter part of his life he retired to the convent of San Felipe, and died there probably in 1719. He published Principios para estudiar la nobilissima arte de la Pintura (1691) and several other works on anatomy and painting for the benefit of students. His productions are at Madrid, Valencia, Sigüenza, San Jago, and Guadalaxara.

Works

His works included Marie Louise of Orleans (1679) which is now in the Prado, Saint Augustine (1663) and Two Fathers Painting the Virgin (c. 1670–1719, oil on linen: 185 x 146 cm.) which is also at the Prado.

Notes

1. B. B. A. "García Hidalgo, José" (in Spanish). Prado. Retrieved 12 December 2016.
2. "José Garcia Hidalgo". National Gallery of Victoria. Retrieved 12 December 2016.

References

• Barrio Moya, José Luis. El pintor José García Hidalgo, tasador de las pinturas de don Manuel Coloma, segundo marqués de Canales (1713). (in Spanish)

Attribution:

•  This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "GARCIA HIDALGO, Josef". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.

External links

• Digital Works of José García Hidalgo at the Biblioteca Digital Hispánica (Hispanic Digital Library) at the National Library of Spain (in Spanish)

This article about a Spanish painter is a stub. You can help Misplaced Pages by expanding it.

• v
• t
• e

• 1640s births
• 1710s deaths
• 17th-century Spanish painters
• Spanish male painters
• 18th-century Spanish painters
• 18th-century Spanish male artists
• People from Alto Vinalopó
• Court painters
• Spanish painter stubs