Revision as of 03:34, 6 October 2013 view sourceEvice (talk | contribs)8,558 editsm →Software: Added link to free software to go with the open source link (since the two take different approaches to this)← Previous edit | Latest revision as of 21:06, 24 November 2024 view source Mrfoogles (talk | contribs)Extended confirmed users8,041 edits Remove "definition of free content project" image -- very obscure, probably only here because it is popular in Misplaced Pages circles, not a good icon for representing free content in generalTag: Visual edit | ||
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{{short description|Nonrestrictive creative work}} | |||
{{Selfref|For the use of free content on Misplaced Pages, see ].}} | |||
{{For|the use of free content on Misplaced Pages|Misplaced Pages:Free content|selfref=yes}} | |||
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{{Use dmy dates|date=December 2020}} | |||
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], that the image is open content]]'''Free content''', '''libre content''', '''libre information''', or '''free information''' is any kind of creative work, such as a ], a book, a ], or any other creative ] for which there are very minimal copyright and other legal limitations on usage, modification and distribution. These are works or expressions which can be freely studied, applied, copied and modified by anyone for any purpose<ref name=":1">{{cite web |author=Möller |first1=Erik |author-link1=Erik Möller |last2=Hill |first2=Benjamin Mako |author-link2=Benjamin Mako Hill |last3=Klein |first3=S. J. |last4=Rindahl |first4=Finn |display-authors=1 |date=2008 |title=Definition of Free Cultural Works |url=http://freedomdefined.org/Definition |url-status=live |archive-url=https://web.archive.org/web/20160818135549/http://freedomdefined.org/Definition |archive-date=18 August 2016 |access-date=2015-04-20 |publisher=freedomdefined.org |version=1.1}}</ref>{{Better source needed|reason=The current source is insufficiently reliable (]).|date=July 2024}} including, in some cases, commercial purposes. Free content encompasses all works in the ] and also those ]ed works whose ]s honor and uphold the definition of free cultural work. | |||
In most countries, the ] grants copyright holders control over their creations by default. Therefore, copyrighted content must be explicitly declared free by the authors, which is usually accomplished by referencing or including licensing statements from within the work. The right to reuse such a work is granted by the authors in a license known as a ], a free distribution license, or an open license, depending on the rights assigned. These freedoms given to users in the reuse of works (that is, the right to freely use, study, modify or distribute these works, possibly also for commercial purposes) are often associated with obligations (to cite the original author, to maintain the original license of the reused content) or restrictions (excluding commercial use, banning certain media) chosen by the author.{{Citation needed|date=July 2024}} There are a number of standardized licenses offering varied options that allow authors to choose the type of reuse of their work that they wish to authorize or forbid. | |||
'''Free content''', or '''free information''', is any kind of functional work, ], or other creative ] that meets the definition of a ].<ref>http://freecontentdefinition.org/Definition</ref> A free cultural work is one which has no significant ] on people's freedom: | |||
*to use the content and benefit from using it, | |||
*to study the content and apply what is learned, | |||
*to make and distribute copies of the content, | |||
*to change and improve the content and distribute these derivative works.<ref>{{cite web |url=http://freedomdefined.org/Definition |title=Definition of Free Cultural Works |accessdate=8 December 2011}}</ref><ref>{{cite web |url=http://www.gnu.org/philosophy/free-doc.html |title=Free Software and Free Manuals |accessdate=March 22, 2009 |last=Stallman |first=Richard |authorlink=Richard Stallman |date=November 13, 2008 |publisher=]}}</ref> | |||
== Definition == | |||
Although different definitions are used, free content is legally similar if not identical to ]. An analogy is the use of the rival terms ] which describe ideological differences rather than legal ones.<ref>{{cite web |url=http://www.gnu.org/philosophy/open-source-misses-the-point.html |title=Why Open Source misses the point of Free Software |last=Stallman |first=Richard |authorlink=Richard Stallman |publisher=]}}</ref> | |||
There are a number of different definitions of free content in regular use. Legally, however, free content is very similar to ''open content''. An analogy is a use of the rival terms free software and open-source, which describe ideological differences rather than legal ones.<ref>{{cite web |url=https://www.gnu.org/philosophy/open-source-misses-the-point.html |title=Why Open Source misses the point of Free Software |last=Stallman |first=Richard |author-link=Richard Stallman |publisher=] |access-date=5 August 2016 |archive-date=4 August 2011 |archive-url=https://web.archive.org/web/20110804231811/http://www.gnu.org/philosophy/open-source-misses-the-point.html |url-status=live }}</ref>{{Self-published inline|date=July 2024}} The term Open Source, by contrast, sought to encompass them all in one movement.<ref>{{cite web |url=http://twobits.net/pub/Kelty-TwoBits.pdf |title=The Cultural Significance of Free Software – Two Bits |first=Christopher M. |last=Kelty |publisher=] Press |location=Durham and London |year=2008 |page=99 |quote=Prior to 1998, Free Software referred either to the Free Software Foundation (and the watchful, micromanaging eye of Stallman) or to one of thousands of different commercial, avocational, or university-research projects, processes, licenses, and ideologies that had a variety of names: sourceware, freeware, shareware, open software, public domain software, and so on |access-date=5 August 2016 |archive-date=27 August 2008 |archive-url=https://web.archive.org/web/20080827175442/http://twobits.net/pub/Kelty-TwoBits.pdf |url-status=live }}</ref><ref name="raymondCall">{{cite web |url=http://www.catb.org/~esr/open-source.html |title=Goodbye, "free software"; hello, "open source" |publisher=Catb.org |access-date=2012-10-25 |archive-date=2 January 2020 |archive-url=https://web.archive.org/web/20200102094841/http://www.catb.org/~esr/open-source.html |url-status=live }}</ref> For instance, the ]'s '']'' describes "open" as synonymous with the definition of ''free'' in the "Definition of Free Cultural Works" (as also in the ] and ]).<ref> {{Webarchive|url=https://web.archive.org/web/20170127074917/http://opendefinition.org/od/2.1/en/ |date=27 January 2017 }} on opendefinition.org ''"This essential meaning matches that of "open" with respect to software as in the Open Source Definition and is synonymous with "free" or "libre" as in the Free Software Definition and Definition of Free Cultural Works."''</ref> For such free/open content both movements recommend the same three ]s, the CC BY, CC BY-SA, and CC0.<ref> {{Webarchive|url=https://web.archive.org/web/20160301222106/http://opendefinition.org/licenses/ |date=1 March 2016 }} on opendefinition.com</ref><ref> {{Webarchive|url=https://web.archive.org/web/20160304102501/https://blog.creativecommons.org/2013/12/27/creative-commons-4-0-by-and-by-sa-licenses-approved-conformant-with-the-open-definition/ |date=4 March 2016 }} by Timothy Vollmer on creativecommons.org (December 27th, 2013)</ref><ref> {{Webarchive|url=https://web.archive.org/web/20160624194336/https://blog.creativecommons.org/2014/10/07/open-definition-2-0-released/ |date=24 June 2016 }} by Timothy Vollmer on creativecommons.org (October 7th, 2014)</ref><ref name="WellcomeTrustReport" /> | |||
==Legal background== | |||
Free content encompasses all works in the ] and also those ]ed works whose ]s honor and uphold the freedoms mentioned above. Because copyright law in most countries by default grants copyright holders ] over their creations, copyright content must be explicitly declared free, usually by the referencing or inclusion of licensing statements from within the work. | |||
===Copyright=== | |||
{{Main article|Copyright}} | |||
] | |||
Copyright is a legal concept, which gives the author or creator of a work legal control over the ] and public performance of their work. In many jurisdictions, this is limited by a time period after which the works then enter the ]. Copyright laws are a balance between the rights of creators of intellectual and artistic works and the rights of others to build upon those works. During the time period of copyright the author's work may only be copied, modified, or publicly performed with the consent of the author, unless the use is a ]. Traditional copyright control limits the use of the work of the author to those who either pay royalties to the author for usage of the author's content or limit their use to fair use. Secondly, it limits the use of content whose author cannot be found.<ref>{{cite web |url=http://www.copyright.gov/orphan/ |title=The Importance of Orphan Works Legislation |access-date=13 June 2011 |archive-date=5 January 2010 |archive-url=https://web.archive.org/web/20100105223004/http://www.copyright.gov/orphan/ |url-status=live }}</ref> Finally, it creates a perceived barrier between authors by limiting derivative works, such as ]s and collaborative content.<ref>{{cite journal|title=Fair use and copyright protection: a price theory explanation |journal=International Review of Law and Economics|author=Ben Depoorter|author2= Francesco Parisi|doi=10.1016/S0144-8188(01)00071-0 |year=2002 |volume=21|issue=4|page=453|citeseerx = 10.1.1.196.423 | issn = 0144-8188 }}</ref> Although open content has been described as a counterbalance to ], open content licenses rely on a copyright holder's power to license their work, as ] which also utilizes copyright for such a purpose.<ref>{{cite web |last=Liang |first=Lawrence |date=2007 |title=Free/Open Source Software Open Content |url=http://www.apdip.net/publications/fosseprimers/foss-opencontent-nocover.pdf |url-status=live |archive-url=https://web.archive.org/web/20120322210600/http://www.apdip.net/publications/fosseprimers/foss-opencontent-nocover.pdf |archive-date=22 March 2012 |access-date=23 June 2012 |work=Asia-Pacific Development Information Programme: e-Primers on Free/Open Source Software |publisher=United Nations Development Programme – Asia-Pacific Development Information Programme}}</ref> | |||
=== Public domain === | |||
Though a work which is in the public domain because its copyright has expired is considered free, it can become non-free again if the copyright law changes.<ref>{{cite web |url=http://arstechnica.com/news.ars/post/20080716-eu-caves-to-aging-rockers-wants-45-year-copyright-extension.html |title=EU caves to aging rockers, wants 45-year copyright extension |publisher=] |last=Anderson |first=Nate |date=July 16, 2008 |accessdate=August 8, 2008}}</ref> | |||
{{Main article|Public domain}} | |||
] | |||
The public domain is a range of creative works whose ] has expired or was never established, as well as ideas and facts{{NoteTag|The copyright status of uncreative aggregates of basic data may differ by region—for the US see '']''; for ], see '']''.}} which are ineligible for copyright. A public domain work is a work whose author has either relinquished to the public or no longer can claim control over, the distribution and usage of the work. As such, any person may manipulate, distribute, or otherwise use the work, without legal ramifications. A work in the public domain or released under a ] may be referred to as "copycenter".<ref>{{cite web |url = http://www.catb.org/jargon/html/C/copycenter.html |title = Copycenter |last = Raymond |first = Eric S. |author-link = Eric S. Raymond |publisher = The ] |access-date = August 9, 2008 |archive-date = 16 September 2010 |archive-url = https://web.archive.org/web/20100916212018/http://catb.org/jargon/html/C/copycenter.html |url-status = live }}</ref> | |||
==Legal matters== | |||
{{Confusing section|What is the relation of each subsection to Free content?|date=May 2012}} | |||
===Traditional copyright=== | |||
{{Main|Copyright}} | |||
]]] | |||
Copyright is a legal concept, which grants the author or creator of a work legal rights to control the ] and public performance of his or her work. In many jurisdictions, this is limited by a time period after which the works then enter the ]. During the time period of copyright the author's work may only be copied, modified, or publicly performed with the consent of the author, unless the use is a ]. | |||
Traditional copyright control limits the use of the work of the author to those who either pay royalties to the author for usage of the authors content, or limit their use to fair use. Secondly it limits the use of content whose author cannot be found.<ref>{{cite web|url=http://www.copyright.gov/orphan/ |title=The Importance of Orphan Works Legislation}}</ref> Finally it creates a perceived barrier between authors by limiting derivative works, such as ]s and collaborative content<ref>{{cite journal|url=http://www.sciencedirect.com/science/article/pii/S0144818801000710|title=Fair use and copyright protection: a price theory explanation |journal=International Review of Law and Economics|author=Ben Depoorter|author2= Francesco Parisi|doi=10.1016/S0144-8188#01)00071-0|year=2002|volume=21|issue=4|pages=453}}</ref> | |||
===Public domain=== | |||
{{Main|Public domain}} | |||
] symbol]] | |||
The public domain is a range of creative works whose ] has expired, or was never established; as well as ideas and facts<ref group="nb">The copyright status of uncreative aggregates of basic data may differ by region, for the USA see '']'', for ], see '']''</ref> which are ineligible for copyright. A public domain work is a work whose author has either relinquished to the public, or no longer can claim control over, the distribution and usage of the work. As such any person may manipulate, distribute, or otherwise utilize the work, without legal ramifications. A work in the public domain or released under a permissive licence may be referred to as "]".<ref>{{cite web |url=http://www.catb.org/jargon/html/C/copycenter.html |title=Copycenter |last=Raymond |first=Eric S. |authorlink=Eric S. Raymond |publisher=The ] |accessdate=August 9, 2008 }}</ref> | |||
===Copyleft=== | ===Copyleft=== | ||
{{ |
{{main|Copyleft}} | ||
] symbol]] | ] | ||
Copyleft is a play on the word copyright and describes the practice of using copyright law to remove restrictions on distributing copies and modified versions of a work.<ref name="Dusollier">{{cite journal|title=Open source and copyleft. Authorship reconsidered?|author=Dusollier, S|series=Columbia journal of Law and the Arts|year=2003|volume=26|issue=296}}</ref> The aim of copyleft is to use the legal framework of copyright to enable non-author parties to be able to reuse and, in many licensing schemes, modify content that is created by an author. Unlike works in the public domain, the author still maintains copyright over the material, however the author has granted a non-exclusive license to any person to distribute, and often modify, the work. Copyleft licenses require that any ]s be distributed under the same terms, and that the original copyright notices be maintained. | |||
A symbol commonly associated with copyleft is a reversal of the ], facing the other way; the opening of the C points left rather than right. Unlike the copyright symbol, the copyleft symbol does not have a codified meaning.<ref>{{cite book |last=Hall |first=G. Brent |year=2008 |publisher=Springer |title=Open Source Approaches in Spatial Data Handling |page=29 |url=http://books.google.com/?id=JZNuu8XODQMC&pg=PA29&lpg=PA29&dq=copyleft+symbol+legal+meaning |isbn=3-540-74830-X |accessdate=March 22, 2009}}</ref> | |||
===Copyfree=== | |||
{{third-party|date=February 2013}} | |||
{{main|Copyfree}} | |||
] symbol]] | |||
Copyfree is a type of ]. The term is a play on the word copyleft as well as the word copyright, describing a practice that contrasts both of them of using copyright law to remove restrictions on distributed copies and modified versions of a work imposed by both copyleft licensing and copyright itself. Where copyleft licensing generally requires that all derivative works be distributed under the terms of the same license, copyfree licensing generally requires only that the original work and direct modifications of it continue to be distributed under the terms of the same license.<ref name="Copyfree License Inheritance">{{cite web|last=Camden|first=Sterling|title=Legal considerations when using free software in IT consulting projects|url=http://www.techrepublic.com/blog/project-management/legal-considerations-when-using-free-software-in-it-consulting-projects/1363|work=TechRepublic Article: Legal considerations when using free software in IT consulting projects|publisher=TechRepublic|accessdate=27 September 2011|quote=These licenses are called copyfree, because you are free to copy the material and use it as you see fit. The author retains copyright and expects to receive credit for the original work, but not much else. Unlike with copyleft licenses, derivative works are not required to be licensed under the same or compatible terms, though the original material retains its original license. }}</ref> The Copyfree Initiative maintains the Copyfree Standard Definition,<ref name="Copyfree Standard Definition">{{cite web|title=Copyfree Standard Definition|url=http://copyfree.org/standard/|publisher=Copyfree Initiative|accessdate=27 September 2011}}</ref> which establishes a specification to qualify a license for Copyfree Initiative certification of a copyfree license. | |||
Copyleft is a play on the word copyright and describes the practice of using copyright law to remove restrictions on distributing copies and modified versions of a work.<ref name="Dusollier">{{cite journal|title=Open source and copyleft. Authorship reconsidered?|author=Dusollier, S|journal=Columbia Journal of Law and the Arts|year=2003|volume=26|issue=296}}</ref> The aim of copyleft is to use the legal framework of copyright to enable non-author parties to be able to reuse and, in many licensing schemes, modify content that is created by an author. Unlike works in the public domain, the author still maintains copyright over the material, however, the author has granted a non-exclusive license to any person to distribute, and often modify, the work. Copyleft licenses require that any ]s be distributed under the same terms and that the original copyright notices be maintained. A symbol commonly associated with copyleft is a reversal of the ], facing the other way; the opening of the C points left rather than right. Unlike the copyright symbol, the copyleft symbol does not have a codified meaning.<ref>{{cite book |last=Hall |first=G. Brent |year=2008 |publisher=Springer |title=Open Source Approaches in Spatial Data Handling |page=29 |url=https://books.google.com/books?id=JZNuu8XODQMC&q=copyleft+symbol+legal+meaning&pg=PA29 |isbn=978-3-540-74830-4 |access-date=March 22, 2009 |bibcode=2008osas.book.....H |archive-date=21 March 2022 |archive-url=https://web.archive.org/web/20220321011206/https://books.google.com/books?id=JZNuu8XODQMC&q=copyleft+symbol+legal+meaning&pg=PA29 |url-status=live }}</ref> | |||
A symbol commonly associated with copyfree policy is a modification of the ], replacing the C with a capital F to produce the copyfree logo.<ref name="Copyfree Logo">{{cite web|title=Copyfree Logo|url=http://copyfree.org/advocacy/|work=Copyfree Advocacy|publisher=Copyfree Initiative|accessdate=27 September 2011}}</ref> | |||
==Usage== | ==Usage== | ||
Projects that provide free content exist in several areas of interest, such as software, academic literature, general literature, music, images, video, and ]. | Projects that provide free content exist in several areas of interest, such as software, academic literature, general literature, music, images, video, and ]. Technology has reduced the cost of publication and reduced the entry barrier sufficiently to allow for the production of widely disseminated materials by individuals or small groups. Projects to provide free literature and multimedia content have become increasingly prominent owing to the ease of dissemination of materials that are associated with the development of computer technology. Such dissemination may have been too costly prior to these technological developments. | ||
Technology has reduced the cost of publication and reduced the entry barrier sufficiently to allow for the production of widely disseminated materials by individuals or small groups. Projects to provide free literature and multimedia content have become increasingly prominent owing to the ease of dissemination of materials that is associated with the development of computer technology. Such dissemination may have been too costly prior to these technological developments. | |||
===Media=== | ===Media=== | ||
] | |||
In media, which includes textual, audio, and visual content, free licensing schemes such as some of the licenses made by ] have allowed for the dissemination of works under a clear set of legal permissions. Not all of the Creative Commons’ licenses are entirely free: their permissions may range from very liberal general redistribution and modification of the work to a more restrictive redistribution-only licensing. Since February 2008, Creative Commons licenses which are entirely free carry a badge indicating that they are "approved for free cultural works".<ref>{{cite web |url=http://creativecommons.org/weblog/entry/8051 |title=Approved for Free Cultural Works |accessdate=March 22, 2009| last=Linksvayer |first=Mike |authorlink=Mike Linksvayer |date= February 20, 2008| publisher=]}}</ref> ] exist which exclusively feature free material provide content such as photographs, ], music,<ref>{{cite web |url=http://irate.sourceforge.net/ |title=iRate Radio |accessdate=March 22, 2009 |publisher=]}}</ref> and literature,.<ref>{{cite web |url=http://www.gutenberg.org/Gutenberg:No_Cost_or_Freedom%3F |title=Gutenberg:No Cost or Freedom? |accessdate=March 22, 2009 |date=April 23, 2007 |publisher=]}}</ref> | |||
In media, which includes textual, audio, and visual content, free licensing schemes such as some of the licenses made by ] have allowed for the dissemination of works under a clear set of legal permissions. Not all Creative Commons licenses are entirely free; their permissions may range from very liberal general redistribution and modification of the work to a more restrictive redistribution-only licensing. Since February 2008, Creative Commons licenses which are entirely free carry a badge indicating that they are "approved for free cultural works".<ref>{{cite web |url=https://creativecommons.org/weblog/entry/8051 |title=Approved for Free Cultural Works |access-date=March 22, 2009 |last=Linksvayer |first=Mike |author-link=Mike Linksvayer |date=February 20, 2008 |publisher=] |archive-date=17 November 2015 |archive-url=https://web.archive.org/web/20151117080649/http://creativecommons.org/weblog/entry/8051 |url-status=live }}</ref> ] exist which exclusively feature free material and provide content such as photographs, ], music,<ref>{{cite web |url=http://irate.sourceforge.net/ |title=iRate Radio |access-date=March 22, 2009 |publisher=] |url-status=dead |archive-url=https://web.archive.org/web/20090228222010/http://irate.sourceforge.net/ |archive-date=February 28, 2009 }}</ref> and literature.<ref>{{cite web |url=http://www.gutenberg.org/Gutenberg:No_Cost_or_Freedom%3F |title=Gutenberg:No Cost or Freedom? |access-date=March 22, 2009 |date=April 23, 2007 |publisher=] |archive-date=24 March 2009 |archive-url=https://web.archive.org/web/20090324034635if_/http://www.gutenberg.org/Gutenberg:No_Cost_or_Freedom%3F |url-status=dead}}</ref> While extensive reuse of free content from one website in another website is legal, it is usually not sensible because of the ] problem. ] is amongst the most well-known databases of user-uploaded free content on the web. While the vast majority of content on Misplaced Pages is free content, some copyrighted material is hosted under ]. | |||
While extensive reuse of free content from one website in another website is legal, it is usually not sensible because of the ] problem. Websites that largely other websites tend to rank significantly lower in search engines than sites with original content, so every successful project tries to present something different.{{Citation needed|reason=Relevance to this article|date=April 2012}} | |||
===Software=== | ===Software=== | ||
{{main|Free software}} | {{main article|Free and open-source software}} | ||
] | |||
{{main|Open source}} | |||
], an organization dedicated to promoting open source software]] | |||
], the organization founding the principles of ].]] | |||
], often referred to as ], is a maturing technology with |
], which is often referred to as ] and ], is a maturing technology with companies using them to provide services and technology to both end-users and technical consumers. The ease of dissemination increases modularity, which allows for smaller groups to contribute to projects as well as simplifying collaboration. Some claim that open source development models offer similar peer-recognition and collaborative benefit incentive as in more classical fields such as scientific research, with the social structures that result leading to decreased production costs.<ref>{{cite web |url=http://www.valt.helsinki.fi/staff/herkia/kava/Seminnarit/MI_mustonen.pdf |title=Copyleft – the economics of Linux and other open-source software |access-date=March 22, 2009 |version=Discussion Paper No. 493 |last=Mustonen |first=Mikko |publisher=Department of Economics, ] |archive-url=https://web.archive.org/web/20090324205456/http://www.valt.helsinki.fi/staff/herkia/kava/Seminnarit/MI_mustonen.pdf |archive-date=March 24, 2009 |url-status=dead }}</ref> | ||
] logo]] | |||
Open source development models have been classified as having a similar peer-recognition and collaborative benefit incentives that are typified by more classical fields such as scientific research, with the social structures that result from this incentive model decreasing production cost.<ref>{{cite journal |url=http://www.valt.helsinki.fi/staff/herkia/kava/Seminnarit/MI_mustonen.pdf |title=Copyleft – the economics of Linux and other open source software |accessdate=March 22, 2009 |version=Discussion Paper No. 493 |last=Mustonen |first=Mikko |publisher=Department of Economics, ] |format=PDF}}</ref> | |||
Given sufficient interest in a |
Given sufficient interest in a software component, by using ] distribution methods, distribution costs may be reduced, easing the burden of infrastructure maintenance on developers. As distribution is simultaneously provided by consumers, these software distribution models are scalable; that is, the method is feasible regardless of the number of consumers. In some cases, free software vendors may use peer-to-peer technology as a method of dissemination.<ref>{{cite journal |url=http://hal.inria.fr/docs/00/28/33/44/PDF/RR-6519.pdf |title=The Practice of Free and Open Source Software Processes |access-date=March 22, 2009 |volume=6519 |issue=April 2008 |date=May 29, 2008 |version=inria-00274193, version 2 |author1=Pawlak, Michel |author2=Bryce, Ciarán |author3=Laurière, Stéphane |journal=Rapport de Recherche |issn=0249-6399 |archive-date=27 April 2011 |archive-url=https://web.archive.org/web/20110427051621/http://hal.inria.fr/docs/00/28/33/44/PDF/RR-6519.pdf |url-status=live }}</ref> Project hosting and code distribution is not a problem for most free projects as ] offer these services free of charge. | ||
In general, project hosting and code distribution is not a problem for the most of free projects as ] offer them these services for free. | |||
===Engineering and technology=== | ===Engineering and technology=== | ||
{{Main|Open-source hardware|Open-design movement}} | |||
Free content principles have been translated into fields such as engineering, where designs and engineering knowledge can be readily shared and duplicated, in order to reduce overheads associated with project development. ] principles can be applied in engineering and technological applications, with projects in ], small-scale manufacture,<ref>{{cite web |url=http://www.thestandard.com/news/2008/03/04/reprap-open-source-3d-printer-masses |title=RepRap: An open-source 3D printer for the masses |accessdate=March 22, 2009 |last=Hendry |first=Andrew |date=March 4, 2008 |work=] Australia |publisher=]}}</ref> the automotive industry,<ref>{{cite web |url=http://www.heise.de/tr/Das-offenste-aller-Autos--/artikel/68663/ |title=The most open of all cars |accessdate=March 22, 2009 |last=Honsig |first= Markus |date=January 25, 2006 |work=] |publisher=] |language=German}}</ref><ref>{{cite web|url=http://smh.drive.com.au/australian-drive-for-green-commuter-cars-20100613-y64q.html|title=Australian drive for green commuter cars|accessdate=100613}}</ref> and even agricultural areas.<ref>{{cite web |url=http://www.isb.vt.edu/news/2005/artspdf/dec0501.pdf |title=Open-source Agriculture |accessdate=March 22, 2009 |last=Stewart, Jr., C. Neal |date=December 2005 |work= ISB News Report |publisher=Information Systems for Biotechnology (ISB) |format=PDF}}</ref> | |||
]]] | |||
Free content principles have been translated into fields such as engineering, where designs and engineering knowledge can be readily shared and duplicated, in order to reduce overheads associated with project development. ] principles can be applied in engineering and technological applications, with projects in ], small-scale manufacture,<ref>{{cite web |url=http://www.thestandard.com/news/2008/03/04/reprap-open-source-3d-printer-masses |title=RepRap: An open-source 3D printer for the masses |access-date=March 22, 2009 |last=Hendry |first=Andrew |date=March 4, 2008 |work=] Australia |publisher=] |archive-url=https://web.archive.org/web/20080516174041/http://www.thestandard.com/news/2008/03/04/reprap-open-source-3d-printer-masses |archive-date=May 16, 2008 |url-status=dead }}</ref> the automotive industry,<ref>{{cite web |url=http://www.heise.de/tr/Das-offenste-aller-Autos--/artikel/68663/ |title=The most open of all cars |access-date=March 22, 2009 |last=Honsig |first=Markus |date=January 25, 2006 |work=] |publisher=] |language=de |archive-date=6 April 2009 |archive-url=https://web.archive.org/web/20090406094013/http://www.heise.de/tr/Das-offenste-aller-Autos--/artikel/68663 |url-status=dead }}</ref><ref>{{cite news|url=http://www.smh.com.au/drive/australian-drive-for-green-commuter-cars-20100613-y64q.html|title=Australian drive for green commuter cars|date=14 June 2010|work=The Sydney Morning Herald |location=Sydney |access-date=5 June 2015}}</ref> and even agricultural areas. Technologies such as distributed manufacturing can allow ] and ] techniques to be able to develop small-scale production of components for the development of new, or repair of existing, devices. Rapid fabrication technologies underpin these developments, which allow end-users of technology to be able to construct devices from pre-existing blueprints, using software and manufacturing hardware to convert information into physical objects. | |||
=== Academia === | |||
Technologies such as distributed manufacturing can allow ] and ] techniques to be able to develop small-scale production of components for the development of new, or repair of existing, devices. Rapid fabrication technologies underpin these developments, which allow end users of technology to be able to construct devices from pre-existing blueprints, using software and manufacturing hardware to convert information into physical objects. | |||
{{Main |Open access}} | |||
In academic work, the majority of works are not free, although the percentage of works that are open access is growing. ] refers to online ] outputs that are free of all restrictions to access and free of many restrictions on use (e.g. certain copyright and license restrictions).<ref name="earlham.edu">Suber, Peter. {{Webarchive|url=https://web.archive.org/web/20070519103647/http://www.earlham.edu/~peters/fos/overview.htm |date=19 May 2007 }}. Earlham.edu. Retrieved on 2011-12-03</ref> Authors may see open access publishing as a way of expanding the audience that is able to access their work to allow for greater impact, or support it for ideological reasons.<ref>{{cite web |title=Open access self-archiving: An author study |url=http://eprints.ecs.soton.ac.uk/10999/1/jisc2.pdf |author1=Alma Swan |author2=Sheridan Brown |date=May 2005 |publisher=Key Perspectives Limited |access-date=26 July 2010 |archive-date=8 February 2012 |archive-url=https://web.archive.org/web/20120208075752/http://eprints.ecs.soton.ac.uk/10999/1/jisc2.pdf |url-status=dead}}</ref><ref>{{cite journal |url=http://www.ariadne.ac.uk/issue37/andrew/ |title=Trends in Self-Posting of Research Material Online by Academic Staff |access-date=March 22, 2009 |last=Andrew |first=Theo |date=October 30, 2003 |journal=Ariadne |issue=37 |issn=1361-3200 |archive-date=20 November 2010 |archive-url=https://web.archive.org/web/20101120085435/http://www.ariadne.ac.uk/issue37/andrew/ |url-status=live }}</ref> Open access publishers such as ] and ] provide capacity for review and publishing of free works; such publications are currently more common in science than humanities. Various funding institutions and governing research bodies have ] that academics must produce their works to be open-access, in order to qualify for funding, such as the US ], ] (effective 2016) and the ] (effective 2020).<ref>{{cite web|url=http://grants.nih.gov/grants/guide/notice-files/not-od-05-022.html |title=Policy on Enhancing Public Access to Archived Publications Resulting from NIH-Funded Research |access-date=July 12, 2009 |archive-date=24 November 2010|archive-url=https://web.archive.org/web/20101124172916/http://grants.nih.gov/grants/guide/notice-files/NOT-OD-05-022.html |url-status=live}}</ref><ref>{{cite web|url=http://www.rcuk.ac.uk/documents/documents/rcukopenaccesspolicy-pdf/|title=Open access - RCUK Policy and revised guidance |access-date=13 July 2016|archive-date=21 March 2018 |archive-url=https://web.archive.org/web/20180321210136/http://www.rcuk.ac.uk/documents/documents/rcukopenaccesspolicy-pdf/ |url-status=dead}}</ref><ref>{{cite web|url=http://data.consilium.europa.eu/doc/document/ST-9526-2016-INIT/en/pdf |title=Outcome of Proceedings, 9526/16 RECH 208 TELECOM 100, The transition towards an Open Science System |access-date=13 July 2016 |archive-date=5 July 2016 |archive-url=https://web.archive.org/web/20160705030914/http://data.consilium.europa.eu/doc/document/ST-9526-2016-INIT/en/pdf |url-status=live}}</ref> | |||
===Academia=== | |||
{{main|Open access (publishing)}} | |||
] logo, originally designed by the ]]] | |||
In academic work, free works are still a niche phenomenon, owing to the difficulty and cost of maintaining a fully qualified peer review process. Authors may see ] as a method of expanding the audience that is able to access their work to allow for greater impact of the publication, or for ideological reasons.<ref>{{cite web|title=Open access self-archiving: An author study|url=http://eprints.ecs.soton.ac.uk/10999/1/jisc2.pdf|author = Alma Swan and Sheridan Brown | date = May 2005 | publisher = Key Perspectives Limited}}</ref><ref>{{cite journal |url= http://www.ariadne.ac.uk/issue37/andrew/ |title=Trends in Self-Posting of Research Material Online by Academic Staff |accessdate=March 22, 2009 |last=Andrew |first=Theo |date=October 30, 2003 |journal=Ariadne |issue= 37 | publisher=] |issn=1361-3200}}</ref><ref>{{cite web |url=http://www.jisc.ac.uk/uploaded_documents/JISCOAreport1.pdf |title=JISC/OSI Journal Authors Survey Report |accessdate=March 22, 2009 |author=Key Perspectives |publisher=] (JISC) |format=PDF}}</ref> Groups such as the ] and ] provide capacity for review and publishing of free works; though such publications tend to be limited to fields such as life sciences. Some universities, such as the ] (MIT), have adopted open access publishing by default.<ref>{{cite web|title=MIT faculty open access to their scholarly articles|date=20 March 2009|url=http://web.mit.edu/newsoffice/2009/open-access-0320.html|publisher=MIT news}}</ref> In traditional journals, alternatives such as delayed free publications or charging researchers for open access publishing are occasionally used.<ref>{{cite web|url=http://mic.sgmjournals.org/misc/self_archiving.dtl|title=Policy of the Society for General Microbiology towards author self-archiving on PubMed Central and institutional and other repositories|accessdate=April 10, 2009}}</ref><ref>{{cite web|url=http://www3.interscience.wiley.com/authorresources/onlineopen.html|title=OnlineOpen|accessdate=April 10, 2009}}</ref> Some funding agencies, such as the ], require academic work to be published in the public domain as a grant requirement.<ref>{{cite web |url=http://www.nhmrc.gov.au/grants/partnerships/_files/funding_policy.pdf |title=NHMRC Partnership Projects – Funding Policy |accessdate=March 22, 2009 |last=Haslam |first=Maryanne |publisher=] (NHMRC) |format=PDF}} {{Dead link|date=October 2010|bot=H3llBot}}</ref><ref>{{cite web|url=http://grants.nih.gov/grants/guide/notice-files/not-od-05-022.html|title= Policy on Enhancing Public Access to Archived Publications Resulting from NIH-Funded Research | accessdate=July 12, 2009}}</ref> ] publication has been seen as a method of reducing costs associated with information retrieval in research, as universities typically pay to subscribe for access to content that is published through traditional means<ref>{{cite journal |title=Libraries face higher costs for academic journals |accessdate=March 22, 2009 |last=Mayor |first=Susan |date=April 19, 2003 |journal=]: British Medical Journal |publisher=] |volume=326 |issue=7394 |page=840 |pmc=1125769}}</ref><ref>{{cite web|url=http://www.ams.org/membership/journal-survey.html|title=AMS Journal price survey|accessdate=May 23, 2009}}</ref><ref name="WellcomeTrustReport">{{cite web|title=Costs and business models in scientific research publishing: A report commissioned by the Wellcome Trust|url=http://www.wellcome.ac.uk/stellent/groups/corporatesite/@policy_communications/documents/web_document/wtd003184.pdf|accessdate=May 23, 2009}}</ref> whilst improving journal quality by discouraging the submission of research articles of reduced quality.<ref name="WellcomeTrustReport"/> | |||
] | |||
Subscriptions for non-free content journals may be expensive to universities themselves, particularly noteworthy when coupled to the fact that the content in the scientific articles are generated and peer-reviewed by the university staff themselves at no cost to the publisher. This has led to disputes between publishers and some universities over subscription costs, such as the one which occurred between the ] and the ].<ref>{{cite web|title=Response from the University of California to the Public statement from Nature Publishing Group regarding subscription renewals at the California Digital lannews|url=http://www.timesonline.co.uk/tol/news/world/article1013152.ece|title=Boycott 'greedy' journal publishers, say scientists | location=London | work=The Times | first=Nigel | last=Hawkes | date=November 10, 2003}}</ref> | |||
At an institutional level, some universities, such as the ], have adopted open access publishing by default by introducing their own mandates.<ref>{{cite web |title=MIT faculty open access to their scholarly articles |date=20 March 2009 |url=http://web.mit.edu/newsoffice/2009/open-access-0320.html |publisher=MIT |access-date=22 November 2010 |archive-date=30 January 2014 |archive-url=https://web.archive.org/web/20140130034227/http://web.mit.edu/newsoffice/2009/open-access-0320.html|url-status=live}}</ref> Some mandates may permit delayed publication and may charge researchers for open access publishing.<ref>{{cite web |url=http://mic.sgmjournals.org/misc/self_archiving.dtl |title=Policy of the Society for General Microbiology towards author self-archiving on PubMed Central and institutional and other repositories |access-date=April 10, 2009 |archive-date=26 May 2011 |archive-url=https://web.archive.org/web/20110526165338/http://mic.sgmjournals.org/misc/self_archiving.dtl |url-status=live}}</ref><ref>{{cite web |url=http://www3.interscience.wiley.com/authorresources/onlineopen.html |archive-url=https://web.archive.org/web/20110427021045/http://www3.interscience.wiley.com/authorresources/onlineopen.html |url-status=dead |archive-date=April 27, 2011 |title=OnlineOpen |access-date=April 10, 2009}}</ref> For teaching purposes, some universities, including {{Abbr|MIT|Massachusetts Institute of Technology}}, provide freely available course content, such as lecture notes, video resources and tutorials. This content is distributed via Internet to the general public. Publication of such resources may be either by a formal institution-wide program,<ref>{{cite web|url=http://ocw.mit.edu/OcwWeb/web/about/about/index.htm|title=About OpenCourseWare|access-date=April 10, 2009 |archive-date=22 April 2009 |archive-url=https://web.archive.org/web/20090422191254/http://ocw.mit.edu/OcwWeb/web/about/about/index.htm |url-status=dead}}</ref> or informally, by individual academics or departments. | |||
] publication has been seen as a method of reducing costs associated with information retrieval in research, as universities typically pay to subscribe for access to content that is published through traditional means.<ref name="WellcomeTrustReport">{{cite web |title=Costs and business models in scientific research publishing: A report commissioned by the Wellcome Trust |url=http://www.wellcome.ac.uk/stellent/groups/corporatesite/@policy_communications/documents/web_document/wtd003184.pdf |access-date=May 23, 2009 |archive-url=https://web.archive.org/web/20090219145134/http://www.wellcome.ac.uk/stellent/groups/corporatesite/@policy_communications/documents/web_document/wtd003184.pdf |archive-date=February 19, 2009|url-status=dead}}</ref><ref>{{cite web |url=https://www.ams.org/membership/journal-survey.html|title=AMS Journal price survey |access-date=May 23, 2009 |archive-date=28 March 2010 |archive-url=https://web.archive.org/web/20100328142756/http://www.ams.org/membership/journal-survey.html|url-status=dead}}</ref> Subscriptions for non-free content journals may be expensive for universities to purchase, though the articles are written and peer-reviewed by academics themselves at no cost to the publisher. This has led to disputes between publishers and some universities over subscription costs, such as the one that occurred between the ].<ref>{{cite web |title=Response from the University of California to the Public statement from Nature Publishing Group regarding subscription renewals at the California Digital Library |date=June 10, 2010 |url=http://osc.universityofcalifornia.edu/news/UC_Response_to_Nature_Publishing_Group.pdf |archive-url=https://web.archive.org/web/20100626082706/http://osc.universityofcalifornia.edu/news/UC_Response_to_Nature_Publishing_Group.pdf |archive-date=June 26, 2010 |url-status=dead |access-date=September 13, 2015}}</ref><ref>{{cite news |url=http://www.timesonline.co.uk/tol/news/world/article1013152.ece |title=Boycott 'greedy' journal publishers, say scientists |location=London |work=The Times |first=Nigel |last=Hawkes |date=November 10, 2003 |archive-url=https://web.archive.org/web/20110429061407/http://www.timesonline.co.uk/tol/news/world/article1013152.ece |archive-date=April 29, 2011 |url-status=dead |access-date=September 13, 2015}}</ref> | |||
For teaching purposes, some universities, including ], provide freely available course content, such as lecture notes, video resources and tutorials. This content is distributed via internet resources to the general public. Publication of such resources may be either by a formal institution-wide program,<ref>{{cite web |url=http://ocw.mit.edu/OcwWeb/web/about/about/index.htm|title=About OpenCourseWare|accessdate=April 10, 2009}}</ref> or alternately via informal content provided by individual academics or departments. | |||
=== |
=== Education === | ||
] Open Educational Resources logo]]{{Main|Open educational resources|Open textbook}} | |||
<!-- editors note: This section requires significant improvement with less "e-government focus" and a greater historical context. --> | |||
Free and open content has been used to develop alternative routes towards higher education. Open content is a free way of obtaining higher education that is "focused on collective knowledge and the sharing and reuse of learning and scholarly content."<ref name="Horizon Report">{{cite web |last=NMC |year=2012 |title=One Year or Less: Open Content |url=http://wp.nmc.org/horizon2010/chapters/open-content/ |url-status=dead |archive-url=https://web.archive.org/web/20120316120303/http://wp.nmc.org/horizon2010/chapters/open-content/ |archive-date=16 March 2012 |access-date=18 April 2012 |work=2010 Horizon Report |df=dmy-all}}</ref> There are multiple projects and organizations that promote learning through open content, including ] and ]. Some universities, like ], ], and ] are making their courses freely available on the internet.<ref>{{cite web |last=Admin |year=2012 |title=Open.edu: Top 50 University Open Courseware Collections |url=http://onlineuniversityrankings2010.com/2010/open-edu-top-50-university-open-courseware-collections/ |url-status=dead |archive-url=https://web.archive.org/web/20171008175404/http://onlineuniversityrankings2010.com/2010/open-edu-top-50-university-open-courseware-collections/ |archive-date=8 October 2017 |access-date=18 April 2012 |work=DIY Learning}}</ref> | |||
{{Off-topic|reason=This needs some reference showing that open source governance is free content. Or that it is content at all... Added in 367794355|date=May 2012}} | |||
{{main|Open source governance}} | |||
Under {{usc|17|105}}, ]. This has enabled tremendous innovation, and even tremendous private profit such as ], which is based on free ] (there are others, but only recently, such as the fully functional Russian ]), and ] map data. (few other countries provide their citizens with free access to survey data they must already finance for tax reasons.) | |||
There are also a number of organizations promoting the creation of openly licensed textbooks such as the ] Open Textbook Library, ], ], the Saylor Academy, Open Textbook Challenge, and ].{{Citation needed|date=July 2024}} | |||
Widespread adoption of the Internet has made it feasible to distribute hitherto inaccessible government documentation directly to citizens from any location for minimal cost. This allows information on lawmaking, local and state government to be analysed by a government's constituents. Although previously information has been in the form of media releases for ]s purposes, documentation that may be of use to citizens and businesses has, in some jurisdictions, been mandated to be released by default.<ref>{{cite web| url=http://vancouver.ca/ctyclerk/cclerk/20090519/documents/motionb2.pdf|title=Motion on Notice: Open Data, Open Standards and Open Source}}/</ref> This is in contrast to laws such as the ], or their local equivalent, which may make documentation available only on request, rather than mandate explicit publication. According to the Journal of Public Administration, such a stance has been cited as an aid to the reduction in complexity associated with government processes, as well as aiding a reduction in corruption.<ref>{{cite journal|doi=10.1081/PAD-200029114|journal=International Journal of Public Administration|volume=27|date=10 January 2005|last1=Cho|pages=719–735|first1=Yong Hyo|last2=Choi | title=E-Government to Combat Corruption: The Case of Seoul Metropolitan Government|first2=Byung-Dae| author8=Yong Hyo Cho; Byung-Dae Choi}}</ref> | |||
=== Legislation === | |||
==Misplaced Pages and free content== | |||
{{Unsourced section|date=July 2024}} | |||
Any country has its own law and legal system, sustained by its legislation, which consists of documents. In a ], laws are published as open content, in principle free content; but in general, there are no explicit licenses attributed for the text of each law, so the license must be assumed as an '']''. Only a few countries have explicit licenses in their law-documents, as the UK's ] (a {{Abbr|CC BY|Creative Commons' license requiring attribution}} compatible license). In the other countries, the ''implied license'' comes from its proper rules (general laws and rules about copyright in government works). The automatic protection provided by the ] does not apply to the texts of laws: Article 2.4 excludes the official texts from the automatic protection. It is also possible to "inherit" the license from context. The set of country's law-documents is made available through national repositories. Examples of law-document open repositories: ], ], and ]. In general, a law-document is offered in more than one (open) official version, but the main one is that published by a ]. So, law-documents can eventually inherit license expressed by the repository or by the gazette that contains it. | |||
== History == | |||
Misplaced Pages is the largest repository of user uploaded free content on the web. | |||
{{Update|part=section|date=July 2024|reason=The Open Content Project was replaced by Creative Commons over 10 years ago}} | |||
=== Origins and Open Content Project === | |||
Although the strict definition requires free content to have no copyright restriction anywhere, Misplaced Pages content policies necessarily take a commonsense approach to avoid the burden of considering an item's copyright status in all of the 190-plus states on the planet. | |||
The ] of applying free software licenses to content was introduced by Michael Stutz, who in 1997 wrote the paper "Applying Copyleft to Non-Software Information" for the ].<ref>{{cite web |last1=Stutz |first1=Michael |title=Applying Copyleft To Non-Software Information |url=https://www.gnu.org/philosophy/nonsoftware-copyleft.en.html |website=www.gnu.org |publisher=Free Software Foundation |access-date=20 March 2024 |date=1997}}</ref> The term "open content" was coined by ] in 1998 and evangelized via the ], describing works licensed under the ] (a non-free share-alike license, see 'Free content' below) and other works licensed under similar terms.<ref name="OpenContent19990128">{{cite web |last=Wiley |first=David |year=1998 |title=Open Content |url=http://www.opencontent.org/home.shtml |archive-url=https://web.archive.org/web/19990128224600/http://www.opencontent.org/home.shtml |archive-date=28 January 1999 |access-date=17 April 2012 |work=OpenContent.org}}</ref> | |||
The website of the ] once defined open content as 'freely available for modification, use and redistribution under a license similar to those used by the open-source / free software community'.<ref name="OpenContent19990128" /> However, such a definition would exclude the Open Content License because that license forbids charging for content; a right required by free and open-source software licenses.{{citation needed|reason=The FOSS licences require a right to charge a fee for creating or delivering a copy, not a right to charge for the content itself|date=March 2015}} | |||
While the vast majority of content on Misplaced Pages is free content, some copyright material is hosted under Fair-use criteria and in a few cases content is allowed where the copyright laws of the country of origin are seriously out of step with the majority of countries. | |||
=== 5Rs definition === | |||
] | |||
It has since come to describe a broader class of content without conventional copyright restrictions. The ] of content can be assessed under the '5Rs Framework' based on the extent to which it can be retained, reused, revised, remixed and redistributed by members of the public without violating copyright law.<ref name="OpenContentDefinition">{{cite web| last = Wiley| first = David| title = Open Content| work = OpenContent.org| access-date = 18 November 2011| url = http://opencontent.org/definition/| archive-url = https://web.archive.org/web/20120623015056/http://opencontent.org/definition/| archive-date = 23 June 2012| url-status = live}}</ref> Unlike free content and content under ]s, there is no clear threshold that a work must reach to qualify as 'open content'. | |||
The 5Rs are put forward on the Open Content Project website as a framework for assessing the extent to which content is open: | |||
<blockquote> | |||
# Retain – the right to make, own, and control copies of the content (e.g., download, duplicate, store, and manage) | |||
# Reuse – the right to use the content in a wide range of ways (e.g., in a class, in a study group, on a website, in a video) | |||
# Revise – the right to adapt, adjust, modify, or alter the content itself (e.g., translate the content into another language) | |||
# Remix – the right to combine the original or revised content with other open content to create something new (e.g., incorporate the content into a mashup) | |||
# Redistribute – the right to share copies of the original content, your revisions, or your remixes with others (e.g., give a copy of the content to a friend)<ref name="OpenContentDefinition" /></blockquote> | |||
This broader definition distinguishes open content from open-source software, since the latter must be available for commercial use by the public. However, it is similar to several definitions for open educational resources, which include resources under noncommercial and verbatim licenses.<ref name="oer-review">{{Cite conference |last=Atkins |first=Daniel E. |author2=John Seely Brown |author3=Allen L. Hammond |date=February 2007 |title=A Review of the Open Educational Resources (OER) Movement: Achievements, Challenges, and New Opportunities |url=http://www.hewlett.org/uploads/files/Hewlett_OER_report.pdf |location=Menlo Park, CA |publisher=The William and Flora Hewlett Foundation |page=4 |archive-url=https://web.archive.org/web/20120309133727/http://www.hewlett.org/uploads/files/Hewlett_OER_report.pdf |archive-date=9 March 2012 |access-date=3 December 2010 |url-status=dead}}</ref><ref>{{cite conference |last=Geser |first=Guntram |date=January 2007 |title=Open Educational Practices and Resources. OLCOS Roadmap 2012 |url=http://www.olcos.org/english/roadmap/download/index.htm |publisher=], EduMedia Group |page=20 |archive-url=https://web.archive.org/web/20100604074719/http://www.olcos.org/english/roadmap/download/index.htm |archive-date=4 June 2010 |access-date=6 November 2010 |place=Salzburg, Austria |url-status=live}}</ref> | |||
=== Successor projects === | |||
In 2003, David Wiley announced that the Open Content Project had been succeeded by Creative Commons and their licenses; Wiley joined as "Director of Educational Licenses".<ref> on opencontent.org (30 June 2003, archived)</ref><ref>{{cite web |title=Creative Commons Welcomes David Wiley as Educational Use License Project Lead |url=https://creativecommons.org/press-releases/entry/3733 |website=creativecommons.org |archive-url=https://web.archive.org/web/20030806102812/http://creativecommons.org/press-releases/entry/3733 |archive-date=6 August 2003 |date=23 June 2003 |url-status=dead}}</ref> | |||
In 2005, the Open Icecat project was launched, in which product information for e-commerce applications was created and published under the Open Content License. It was embraced by the tech sector, which was already quite ] minded. | |||
In 2006, a Creative Commons' successor project, the ''Definition of Free Cultural Works'', was introduced for free content.<ref>{{cite web |url=http://freedomdefined.org/index.php?title=Definition&action=history |title=Revision history of "Definition" – Definition of Free Cultural Works |publisher=Freedomdefined.org |access-date=14 November 2012 |archive-url=https://web.archive.org/web/20121102181729/http://freedomdefined.org/index.php?title=Definition&action=history |archive-date=2 November 2012 |url-status=live }}</ref> It was put forth by ], ], ], ], Angela Beesley, and others.<ref name="history">{{cite web |url=http://freedomdefined.org/History |title=History – Definition of Free Cultural Works |publisher=Freedomdefined.org |access-date=14 November 2012 |archive-url=https://web.archive.org/web/20121030190858/http://freedomdefined.org/History |archive-date=30 October 2012 |url-status=live }}</ref> The ''Definition of Free Cultural Works'' is used by the ].<ref>{{cite web |url=https://wikimediafoundation.org/Resolution:Licensing_policy |title=Resolution:Licensing policy |publisher=Wikimedia Foundation |access-date=14 November 2012 |archive-url=https://web.archive.org/web/20121113195859/https://wikimediafoundation.org/Resolution:Licensing_policy |archive-date=13 November 2012 |url-status=live }}</ref> In 2009, the Attribution and Attribution-ShareAlike Creative Commons licenses were marked as "Approved for Free Cultural Works".<ref>{{cite web |url=https://creativecommons.org/weblog/entry/8051 |title=Approved for Free Cultural Works |publisher=Creative Commons |date=24 July 2009 |access-date=14 November 2012 |archive-url=https://web.archive.org/web/20120625015200/http://creativecommons.org/weblog/entry/8051 |archive-date=25 June 2012 |url-status=live }}</ref> | |||
==== Open Knowledge Foundation ==== | |||
] | |||
Another successor project is the ], founded by ] in ], in 2004<ref>{{cite web|url = http://blog.okfn.org/2004/05/24/open-knowledge-foundation-launched/|title = Open Knowledge Foundation launched|work = Open Knowledge Foundation Weblog|date = 24 May 2004|access-date = 25 October 2015|archive-url = https://web.archive.org/web/20111001095231/http://blog.okfn.org/2004/05/24/open-knowledge-foundation-launched/|archive-date = 1 October 2011|url-status = live}}</ref> as a global non-profit network to promote and share open content and data.<ref>{{cite web|url = http://www.timdavies.org.uk/2014/04/12/data-information-knowledge-and-power-exploring-open-knowledges-new-core-purpose/|title = Data, information, knowledge and power – exploring Open Knowledge's new core purpose|first = Tim|last = Davies|date = 12 April 2014|work = Tim's Blog|access-date = 25 October 2015|archive-url = https://web.archive.org/web/20170629081942/http://www.timdavies.org.uk/2014/04/12/data-information-knowledge-and-power-exploring-open-knowledges-new-core-purpose/|archive-date = 29 June 2017|url-status = live}}</ref> | |||
In 2007 the {{Abbr|OKF|Open Knowledge Foundation}} gave an ''Open Knowledge Definition'' for "content such as music, films, books; data be it scientific, historical, geographic or otherwise; government and other administrative information".<ref> on opendefinition.org (archived 2007)</ref> In October 2014 with version 2.0 ''Open Works'' and ''Open Licenses'' were defined and "open" is described as synonymous to the definitions of open/free in the Open Source Definition, the Free Software Definition, and the Definition of Free Cultural Works.<ref> {{Webarchive|url=https://web.archive.org/web/20170127074917/http://opendefinition.org/od/2.1/en/ |date=27 January 2017 }} on opendefinition.org</ref> | |||
A distinct difference is the focus given to the public domain, ], and readable ]s. OKF recommends six conformant licenses: three of OKN's (Open Data Commons Public Domain Dedication and Licence, Open Data Commons Attribution License, Open Data Commons ]) and the {{Abbr|CC BY|Creative Commons attribution license}}, {{Abbr|CC BY-SA|Creative Commons attribution share-alike license}}, and {{Abbr|CC0|Creative Commons public domain dedication}} Creative Commons licenses.<ref> {{Webarchive|url=https://web.archive.org/web/20160301222106/http://opendefinition.org/licenses/ |date=1 March 2016 }} on opendefintion.com</ref><ref> {{Webarchive|url=https://web.archive.org/web/20160304102501/https://blog.creativecommons.org/2013/12/27/creative-commons-4-0-by-and-by-sa-licenses-approved-conformant-with-the-open-definition/ |date=4 March 2016 }} by Timothy Vollmer on creativecommons.org (27 December 2013)</ref><ref> {{Webarchive|url=https://web.archive.org/web/20160304095927/https://blog.creativecommons.org/2014/10/07/open-definition-2-0-released/ |date=4 March 2016 }} by Timothy Vollmer on creativecommons.rog (7 October 2014)</ref> | |||
==See also== | ==See also== | ||
{{Portal|Free and open-source software | |||
*] | |||
}} | |||
*] | |||
*] | * ] | ||
*] | * ] | ||
*] | * ] | ||
*] | * ] | ||
*] | * ] | ||
* ] | |||
*] | |||
*] | * ] | ||
* ] | |||
*] | |||
* ] ''''. 2007, {{ISBN|92-64-03174-X}}. | |||
*] | |||
*] | |||
== Explanatory notes == | |||
==Notes== | |||
{{NoteFoot}} | |||
{{Reflist|group="nb"}} | |||
==References== | ==References== | ||
{{Reflist |
{{Reflist}} | ||
== |
==Further reading== | ||
* {{cite book| |
* {{cite book|author1=D. Atkins |author2=J. S. Brown |author3=A. L. Hammond |title= A Review of the Open Educational Resources (OER) Movement: Achievements, Challenges, and New Opportunities. |publisher=Report to The William and Flora Hewlett Foundation |date =February 2007|url=http://cohesion.rice.edu/Conferences/Hewlett/emplibrary/A%20Review%20of%20the%20Open%20Educational%20Resources%20(OER)%20Movement_BlogLink.pdf }} | ||
* |
* Organisation for Economic Co-operation and Development (OECD): '''' ({{Webarchive|url=https://web.archive.org/web/20170707125154/http://oberon.sourceoecd.org/vl=1280635/cl=16/nw=1/rpsv/ij/oecdthemes/99980029/v2007n3/s1/p1l |date=7 July 2017 }}) | ||
==External links== | ==External links== | ||
* {{Commonscatinline}} | |||
* – A definition of "free content" or "free cultural works" similar to the free software definition | |||
*"" (PDF) (Peter B. Meyer; August 4, 2003) – article on several U.S.-oriented historical examples of free content in technology | |||
* – project under the aegis of the ] which provides a definition of "open" suitable for content and data | |||
* on ] | |||
{{Intellectual property activism}} | {{Intellectual property activism}} | ||
{{Open navbox}} | |||
{{DEFAULTSORT:Free Content}} | {{DEFAULTSORT:Free Content}} | ||
] | |||
] | ] | ||
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Latest revision as of 21:06, 24 November 2024
Nonrestrictive creative work For the use of free content on Misplaced Pages, see Misplaced Pages:Free content.
Free content, libre content, libre information, or free information is any kind of creative work, such as a work of art, a book, a software program, or any other creative content for which there are very minimal copyright and other legal limitations on usage, modification and distribution. These are works or expressions which can be freely studied, applied, copied and modified by anyone for any purpose including, in some cases, commercial purposes. Free content encompasses all works in the public domain and also those copyrighted works whose licenses honor and uphold the definition of free cultural work.
In most countries, the Berne Convention grants copyright holders control over their creations by default. Therefore, copyrighted content must be explicitly declared free by the authors, which is usually accomplished by referencing or including licensing statements from within the work. The right to reuse such a work is granted by the authors in a license known as a free license, a free distribution license, or an open license, depending on the rights assigned. These freedoms given to users in the reuse of works (that is, the right to freely use, study, modify or distribute these works, possibly also for commercial purposes) are often associated with obligations (to cite the original author, to maintain the original license of the reused content) or restrictions (excluding commercial use, banning certain media) chosen by the author. There are a number of standardized licenses offering varied options that allow authors to choose the type of reuse of their work that they wish to authorize or forbid.
Definition
There are a number of different definitions of free content in regular use. Legally, however, free content is very similar to open content. An analogy is a use of the rival terms free software and open-source, which describe ideological differences rather than legal ones. The term Open Source, by contrast, sought to encompass them all in one movement. For instance, the Open Knowledge Foundation's Open Definition describes "open" as synonymous with the definition of free in the "Definition of Free Cultural Works" (as also in the Open Source Definition and Free Software Definition). For such free/open content both movements recommend the same three Creative Commons licenses, the CC BY, CC BY-SA, and CC0.
Legal background
Copyright
Main article: CopyrightCopyright is a legal concept, which gives the author or creator of a work legal control over the duplication and public performance of their work. In many jurisdictions, this is limited by a time period after which the works then enter the public domain. Copyright laws are a balance between the rights of creators of intellectual and artistic works and the rights of others to build upon those works. During the time period of copyright the author's work may only be copied, modified, or publicly performed with the consent of the author, unless the use is a fair use. Traditional copyright control limits the use of the work of the author to those who either pay royalties to the author for usage of the author's content or limit their use to fair use. Secondly, it limits the use of content whose author cannot be found. Finally, it creates a perceived barrier between authors by limiting derivative works, such as mashups and collaborative content. Although open content has been described as a counterbalance to copyright, open content licenses rely on a copyright holder's power to license their work, as copyleft which also utilizes copyright for such a purpose.
Public domain
Main article: Public domainThe public domain is a range of creative works whose copyright has expired or was never established, as well as ideas and facts which are ineligible for copyright. A public domain work is a work whose author has either relinquished to the public or no longer can claim control over, the distribution and usage of the work. As such, any person may manipulate, distribute, or otherwise use the work, without legal ramifications. A work in the public domain or released under a permissive license may be referred to as "copycenter".
Copyleft
Main article: CopyleftCopyleft is a play on the word copyright and describes the practice of using copyright law to remove restrictions on distributing copies and modified versions of a work. The aim of copyleft is to use the legal framework of copyright to enable non-author parties to be able to reuse and, in many licensing schemes, modify content that is created by an author. Unlike works in the public domain, the author still maintains copyright over the material, however, the author has granted a non-exclusive license to any person to distribute, and often modify, the work. Copyleft licenses require that any derivative works be distributed under the same terms and that the original copyright notices be maintained. A symbol commonly associated with copyleft is a reversal of the copyright symbol, facing the other way; the opening of the C points left rather than right. Unlike the copyright symbol, the copyleft symbol does not have a codified meaning.
Usage
Projects that provide free content exist in several areas of interest, such as software, academic literature, general literature, music, images, video, and engineering. Technology has reduced the cost of publication and reduced the entry barrier sufficiently to allow for the production of widely disseminated materials by individuals or small groups. Projects to provide free literature and multimedia content have become increasingly prominent owing to the ease of dissemination of materials that are associated with the development of computer technology. Such dissemination may have been too costly prior to these technological developments.
Media
In media, which includes textual, audio, and visual content, free licensing schemes such as some of the licenses made by Creative Commons have allowed for the dissemination of works under a clear set of legal permissions. Not all Creative Commons licenses are entirely free; their permissions may range from very liberal general redistribution and modification of the work to a more restrictive redistribution-only licensing. Since February 2008, Creative Commons licenses which are entirely free carry a badge indicating that they are "approved for free cultural works". Repositories exist which exclusively feature free material and provide content such as photographs, clip art, music, and literature. While extensive reuse of free content from one website in another website is legal, it is usually not sensible because of the duplicate content problem. Misplaced Pages is amongst the most well-known databases of user-uploaded free content on the web. While the vast majority of content on Misplaced Pages is free content, some copyrighted material is hosted under fair-use criteria.
Software
Main article: Free and open-source softwareFree and open-source software, which is often referred to as open source software and free software, is a maturing technology with companies using them to provide services and technology to both end-users and technical consumers. The ease of dissemination increases modularity, which allows for smaller groups to contribute to projects as well as simplifying collaboration. Some claim that open source development models offer similar peer-recognition and collaborative benefit incentive as in more classical fields such as scientific research, with the social structures that result leading to decreased production costs.
Given sufficient interest in a software component, by using peer-to-peer distribution methods, distribution costs may be reduced, easing the burden of infrastructure maintenance on developers. As distribution is simultaneously provided by consumers, these software distribution models are scalable; that is, the method is feasible regardless of the number of consumers. In some cases, free software vendors may use peer-to-peer technology as a method of dissemination. Project hosting and code distribution is not a problem for most free projects as a number of providers offer these services free of charge.
Engineering and technology
Main articles: Open-source hardware and Open-design movementFree content principles have been translated into fields such as engineering, where designs and engineering knowledge can be readily shared and duplicated, in order to reduce overheads associated with project development. Open design principles can be applied in engineering and technological applications, with projects in mobile telephony, small-scale manufacture, the automotive industry, and even agricultural areas. Technologies such as distributed manufacturing can allow computer-aided manufacturing and computer-aided design techniques to be able to develop small-scale production of components for the development of new, or repair of existing, devices. Rapid fabrication technologies underpin these developments, which allow end-users of technology to be able to construct devices from pre-existing blueprints, using software and manufacturing hardware to convert information into physical objects.
Academia
Main article: Open accessIn academic work, the majority of works are not free, although the percentage of works that are open access is growing. Open access refers to online research outputs that are free of all restrictions to access and free of many restrictions on use (e.g. certain copyright and license restrictions). Authors may see open access publishing as a way of expanding the audience that is able to access their work to allow for greater impact, or support it for ideological reasons. Open access publishers such as PLOS and BioMed Central provide capacity for review and publishing of free works; such publications are currently more common in science than humanities. Various funding institutions and governing research bodies have mandated that academics must produce their works to be open-access, in order to qualify for funding, such as the US National Institutes of Health, Research Councils UK (effective 2016) and the European Union (effective 2020).
At an institutional level, some universities, such as the Massachusetts Institute of Technology, have adopted open access publishing by default by introducing their own mandates. Some mandates may permit delayed publication and may charge researchers for open access publishing. For teaching purposes, some universities, including MIT, provide freely available course content, such as lecture notes, video resources and tutorials. This content is distributed via Internet to the general public. Publication of such resources may be either by a formal institution-wide program, or informally, by individual academics or departments.
Open content publication has been seen as a method of reducing costs associated with information retrieval in research, as universities typically pay to subscribe for access to content that is published through traditional means. Subscriptions for non-free content journals may be expensive for universities to purchase, though the articles are written and peer-reviewed by academics themselves at no cost to the publisher. This has led to disputes between publishers and some universities over subscription costs, such as the one that occurred between the University of California and the Nature Publishing Group.
Education
Main articles: Open educational resources and Open textbookFree and open content has been used to develop alternative routes towards higher education. Open content is a free way of obtaining higher education that is "focused on collective knowledge and the sharing and reuse of learning and scholarly content." There are multiple projects and organizations that promote learning through open content, including OpenCourseWare and Khan Academy. Some universities, like MIT, Yale, and Tufts are making their courses freely available on the internet.
There are also a number of organizations promoting the creation of openly licensed textbooks such as the University of Minnesota's Open Textbook Library, Connexions, OpenStax College, the Saylor Academy, Open Textbook Challenge, and Wikibooks.
Legislation
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2024) (Learn how and when to remove this message) |
Any country has its own law and legal system, sustained by its legislation, which consists of documents. In a democratic country, laws are published as open content, in principle free content; but in general, there are no explicit licenses attributed for the text of each law, so the license must be assumed as an implied license. Only a few countries have explicit licenses in their law-documents, as the UK's Open Government Licence (a CC BY compatible license). In the other countries, the implied license comes from its proper rules (general laws and rules about copyright in government works). The automatic protection provided by the Berne Convention does not apply to the texts of laws: Article 2.4 excludes the official texts from the automatic protection. It is also possible to "inherit" the license from context. The set of country's law-documents is made available through national repositories. Examples of law-document open repositories: LexML Brazil, Legislation.gov.uk, and N-Lex. In general, a law-document is offered in more than one (open) official version, but the main one is that published by a government gazette. So, law-documents can eventually inherit license expressed by the repository or by the gazette that contains it.
History
This section needs to be updated. The reason given is: The Open Content Project was replaced by Creative Commons over 10 years ago. Please help update this article to reflect recent events or newly available information. (July 2024) |
Origins and Open Content Project
The concept of applying free software licenses to content was introduced by Michael Stutz, who in 1997 wrote the paper "Applying Copyleft to Non-Software Information" for the GNU Project. The term "open content" was coined by David A. Wiley in 1998 and evangelized via the Open Content Project, describing works licensed under the Open Content License (a non-free share-alike license, see 'Free content' below) and other works licensed under similar terms.
The website of the Open Content Project once defined open content as 'freely available for modification, use and redistribution under a license similar to those used by the open-source / free software community'. However, such a definition would exclude the Open Content License because that license forbids charging for content; a right required by free and open-source software licenses.
5Rs definition
It has since come to describe a broader class of content without conventional copyright restrictions. The openness of content can be assessed under the '5Rs Framework' based on the extent to which it can be retained, reused, revised, remixed and redistributed by members of the public without violating copyright law. Unlike free content and content under open-source licenses, there is no clear threshold that a work must reach to qualify as 'open content'.
The 5Rs are put forward on the Open Content Project website as a framework for assessing the extent to which content is open:
- Retain – the right to make, own, and control copies of the content (e.g., download, duplicate, store, and manage)
- Reuse – the right to use the content in a wide range of ways (e.g., in a class, in a study group, on a website, in a video)
- Revise – the right to adapt, adjust, modify, or alter the content itself (e.g., translate the content into another language)
- Remix – the right to combine the original or revised content with other open content to create something new (e.g., incorporate the content into a mashup)
- Redistribute – the right to share copies of the original content, your revisions, or your remixes with others (e.g., give a copy of the content to a friend)
This broader definition distinguishes open content from open-source software, since the latter must be available for commercial use by the public. However, it is similar to several definitions for open educational resources, which include resources under noncommercial and verbatim licenses.
Successor projects
In 2003, David Wiley announced that the Open Content Project had been succeeded by Creative Commons and their licenses; Wiley joined as "Director of Educational Licenses".
In 2005, the Open Icecat project was launched, in which product information for e-commerce applications was created and published under the Open Content License. It was embraced by the tech sector, which was already quite open source minded.
In 2006, a Creative Commons' successor project, the Definition of Free Cultural Works, was introduced for free content. It was put forth by Erik Möller, Richard Stallman, Lawrence Lessig, Benjamin Mako Hill, Angela Beesley, and others. The Definition of Free Cultural Works is used by the Wikimedia Foundation. In 2009, the Attribution and Attribution-ShareAlike Creative Commons licenses were marked as "Approved for Free Cultural Works".
Open Knowledge Foundation
Another successor project is the Open Knowledge Foundation, founded by Rufus Pollock in Cambridge, in 2004 as a global non-profit network to promote and share open content and data.
In 2007 the OKF gave an Open Knowledge Definition for "content such as music, films, books; data be it scientific, historical, geographic or otherwise; government and other administrative information". In October 2014 with version 2.0 Open Works and Open Licenses were defined and "open" is described as synonymous to the definitions of open/free in the Open Source Definition, the Free Software Definition, and the Definition of Free Cultural Works.
A distinct difference is the focus given to the public domain, open access, and readable open formats. OKF recommends six conformant licenses: three of OKN's (Open Data Commons Public Domain Dedication and Licence, Open Data Commons Attribution License, Open Data Commons Open Database License) and the CC BY, CC BY-SA, and CC0 Creative Commons licenses.
See also
- Digital rights
- Open source
- Free education
- Free software movement
- Freedom of information
- Information wants to be free
- Open publishing
- Open-source hardware
- Project Gutenberg . 2007, ISBN 92-64-03174-X.
Explanatory notes
- The copyright status of uncreative aggregates of basic data may differ by region—for the US see Feist Publications v. Rural Telephone Service; for Australia, see Telstra v Desktop Marketing Systems.
References
- Möller, Erik; et al. (2008). "Definition of Free Cultural Works". 1.1. freedomdefined.org. Archived from the original on 18 August 2016. Retrieved 20 April 2015.
- Stallman, Richard. "Why Open Source misses the point of Free Software". Free Software Foundation. Archived from the original on 4 August 2011. Retrieved 5 August 2016.
- Kelty, Christopher M. (2008). "The Cultural Significance of Free Software – Two Bits" (PDF). Durham and London: Duke University Press. p. 99. Archived (PDF) from the original on 27 August 2008. Retrieved 5 August 2016.
Prior to 1998, Free Software referred either to the Free Software Foundation (and the watchful, micromanaging eye of Stallman) or to one of thousands of different commercial, avocational, or university-research projects, processes, licenses, and ideologies that had a variety of names: sourceware, freeware, shareware, open software, public domain software, and so on
- "Goodbye, "free software"; hello, "open source"". Catb.org. Archived from the original on 2 January 2020. Retrieved 25 October 2012.
- Open Definition 2.1 Archived 27 January 2017 at the Wayback Machine on opendefinition.org "This essential meaning matches that of "open" with respect to software as in the Open Source Definition and is synonymous with "free" or "libre" as in the Free Software Definition and Definition of Free Cultural Works."
- licenses Archived 1 March 2016 at the Wayback Machine on opendefinition.com
- Creative Commons 4.0 BY and BY-SA licenses approved conformant with the Open Definition Archived 4 March 2016 at the Wayback Machine by Timothy Vollmer on creativecommons.org (December 27th, 2013)
- Open Definition 2.0 released Archived 24 June 2016 at the Wayback Machine by Timothy Vollmer on creativecommons.org (October 7th, 2014)
- ^ "Costs and business models in scientific research publishing: A report commissioned by the Wellcome Trust" (PDF). Archived from the original (PDF) on 19 February 2009. Retrieved 23 May 2009.
- "The Importance of Orphan Works Legislation". Archived from the original on 5 January 2010. Retrieved 13 June 2011.
- Ben Depoorter; Francesco Parisi (2002). "Fair use and copyright protection: a price theory explanation". International Review of Law and Economics. 21 (4): 453. CiteSeerX 10.1.1.196.423. doi:10.1016/S0144-8188(01)00071-0. ISSN 0144-8188.
- Liang, Lawrence (2007). "Free/Open Source Software Open Content" (PDF). Asia-Pacific Development Information Programme: e-Primers on Free/Open Source Software. United Nations Development Programme – Asia-Pacific Development Information Programme. Archived (PDF) from the original on 22 March 2012. Retrieved 23 June 2012.
- Raymond, Eric S. "Copycenter". The Jargon File. Archived from the original on 16 September 2010. Retrieved 9 August 2008.
- Dusollier, S (2003). "Open source and copyleft. Authorship reconsidered?". Columbia Journal of Law and the Arts. 26 (296).
- Hall, G. Brent (2008). Open Source Approaches in Spatial Data Handling. Springer. p. 29. Bibcode:2008osas.book.....H. ISBN 978-3-540-74830-4. Archived from the original on 21 March 2022. Retrieved 22 March 2009.
- Linksvayer, Mike (20 February 2008). "Approved for Free Cultural Works". Creative Commons. Archived from the original on 17 November 2015. Retrieved 22 March 2009.
- "iRate Radio". SourceForge.net. Archived from the original on 28 February 2009. Retrieved 22 March 2009.
- "Gutenberg:No Cost or Freedom?". Project Gutenberg. 23 April 2007. Archived from the original on 24 March 2009. Retrieved 22 March 2009.
- Mustonen, Mikko. "Copyleft – the economics of Linux and other open-source software" (PDF). Discussion Paper No. 493. Department of Economics, University of Helsinki. Archived from the original (PDF) on 24 March 2009. Retrieved 22 March 2009.
- Pawlak, Michel; Bryce, Ciarán; Laurière, Stéphane (29 May 2008). "The Practice of Free and Open Source Software Processes" (PDF). Rapport de Recherche. inria-00274193, version 2. 6519 (April 2008). ISSN 0249-6399. Archived (PDF) from the original on 27 April 2011. Retrieved 22 March 2009.
- Hendry, Andrew (4 March 2008). "RepRap: An open-source 3D printer for the masses". Computerworld Australia. The Industry Standard. Archived from the original on 16 May 2008. Retrieved 22 March 2009.
- Honsig, Markus (25 January 2006). "The most open of all cars". Technology Review (in German). Heinz Heise. Archived from the original on 6 April 2009. Retrieved 22 March 2009.
- "Australian drive for green commuter cars". The Sydney Morning Herald. Sydney. 14 June 2010. Retrieved 5 June 2015.
- Suber, Peter. "Open Access Overview" Archived 19 May 2007 at the Wayback Machine. Earlham.edu. Retrieved on 2011-12-03
- Alma Swan; Sheridan Brown (May 2005). "Open access self-archiving: An author study" (PDF). Key Perspectives Limited. Archived from the original (PDF) on 8 February 2012. Retrieved 26 July 2010.
- Andrew, Theo (30 October 2003). "Trends in Self-Posting of Research Material Online by Academic Staff". Ariadne (37). ISSN 1361-3200. Archived from the original on 20 November 2010. Retrieved 22 March 2009.
- "Policy on Enhancing Public Access to Archived Publications Resulting from NIH-Funded Research". Archived from the original on 24 November 2010. Retrieved 12 July 2009.
- "Open access - RCUK Policy and revised guidance". Archived from the original on 21 March 2018. Retrieved 13 July 2016.
- "Outcome of Proceedings, 9526/16 RECH 208 TELECOM 100, The transition towards an Open Science System". Archived from the original on 5 July 2016. Retrieved 13 July 2016.
- "MIT faculty open access to their scholarly articles". MIT. 20 March 2009. Archived from the original on 30 January 2014. Retrieved 22 November 2010.
- "Policy of the Society for General Microbiology towards author self-archiving on PubMed Central and institutional and other repositories". Archived from the original on 26 May 2011. Retrieved 10 April 2009.
- "OnlineOpen". Archived from the original on 27 April 2011. Retrieved 10 April 2009.
- "About OpenCourseWare". Archived from the original on 22 April 2009. Retrieved 10 April 2009.
- "AMS Journal price survey". Archived from the original on 28 March 2010. Retrieved 23 May 2009.
- "Response from the University of California to the Public statement from Nature Publishing Group regarding subscription renewals at the California Digital Library" (PDF). 10 June 2010. Archived from the original (PDF) on 26 June 2010. Retrieved 13 September 2015.
- Hawkes, Nigel (10 November 2003). "Boycott 'greedy' journal publishers, say scientists". The Times. London. Archived from the original on 29 April 2011. Retrieved 13 September 2015.
- NMC (2012). "One Year or Less: Open Content". 2010 Horizon Report. Archived from the original on 16 March 2012. Retrieved 18 April 2012.
- Admin (2012). "Open.edu: Top 50 University Open Courseware Collections". DIY Learning. Archived from the original on 8 October 2017. Retrieved 18 April 2012.
- Stutz, Michael (1997). "Applying Copyleft To Non-Software Information". www.gnu.org. Free Software Foundation. Retrieved 20 March 2024.
- ^ Wiley, David (1998). "Open Content". OpenContent.org. Archived from the original on 28 January 1999. Retrieved 17 April 2012.
- ^ Wiley, David. "Open Content". OpenContent.org. Archived from the original on 23 June 2012. Retrieved 18 November 2011.
- Atkins, Daniel E.; John Seely Brown; Allen L. Hammond (February 2007). A Review of the Open Educational Resources (OER) Movement: Achievements, Challenges, and New Opportunities (PDF). Menlo Park, CA: The William and Flora Hewlett Foundation. p. 4. Archived from the original (PDF) on 9 March 2012. Retrieved 3 December 2010.
- Geser, Guntram (January 2007). Open Educational Practices and Resources. OLCOS Roadmap 2012. Salzburg, Austria: Salzburg Research, EduMedia Group. p. 20. Archived from the original on 4 June 2010. Retrieved 6 November 2010.
- OpenContent is officially closed. And that's just fine. on opencontent.org (30 June 2003, archived)
- "Creative Commons Welcomes David Wiley as Educational Use License Project Lead". creativecommons.org. 23 June 2003. Archived from the original on 6 August 2003.
- "Revision history of "Definition" – Definition of Free Cultural Works". Freedomdefined.org. Archived from the original on 2 November 2012. Retrieved 14 November 2012.
- "History – Definition of Free Cultural Works". Freedomdefined.org. Archived from the original on 30 October 2012. Retrieved 14 November 2012.
- "Resolution:Licensing policy". Wikimedia Foundation. Archived from the original on 13 November 2012. Retrieved 14 November 2012.
- "Approved for Free Cultural Works". Creative Commons. 24 July 2009. Archived from the original on 25 June 2012. Retrieved 14 November 2012.
- "Open Knowledge Foundation launched". Open Knowledge Foundation Weblog. 24 May 2004. Archived from the original on 1 October 2011. Retrieved 25 October 2015.
- Davies, Tim (12 April 2014). "Data, information, knowledge and power – exploring Open Knowledge's new core purpose". Tim's Blog. Archived from the original on 29 June 2017. Retrieved 25 October 2015.
- version 1.0 on opendefinition.org (archived 2007)
- Open Definition 2.1 Archived 27 January 2017 at the Wayback Machine on opendefinition.org
- licenses Archived 1 March 2016 at the Wayback Machine on opendefintion.com
- Creative Commons 4.0 BY and BY-SA licenses approved conformant with the Open Definition Archived 4 March 2016 at the Wayback Machine by Timothy Vollmer on creativecommons.org (27 December 2013)
- Open Definition 2.0 released Archived 4 March 2016 at the Wayback Machine by Timothy Vollmer on creativecommons.rog (7 October 2014)
Further reading
- D. Atkins; J. S. Brown; A. L. Hammond (February 2007). A Review of the Open Educational Resources (OER) Movement: Achievements, Challenges, and New Opportunities (PDF). Report to The William and Flora Hewlett Foundation.
- Organisation for Economic Co-operation and Development (OECD): Giving Know (Archived 7 July 2017 at the Wayback Machine)
External links
- Media related to Open content at Wikimedia Commons
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