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{{Short description|Original landscape formed by nature}}
{{broader|Natural environment}}
{{Use dmy dates|date=November 2021}}
{{Biodiversity}} {{Biodiversity}}
A '''natural landscape''' is the original ] that exists before it is acted upon by ].{{refn |group = note |"The area prior to the introduction of man 's activity is represented by one body of morphologic facts. The forms that man has introduced are another set. We may call the former, with reference to man, the original, natural landscape. In its entirety it no longer exists in many parts of the world, but its reconstruction and understanding are the first part of formal morphonology."<ref>Carl O. Sauer, "The Morphology of Landscape". ''University of California Publications in Geography'', vol. 2, No. 2, 12 October 1925, p. 37. https://archive.org/stream/universityofc02univ/universityofc02univ_djvu.txt</ref>}} The natural landscape and the ] are separate parts of the landscape.{{refn |group = note |"The cultural landscape is fashioned from a natural landscape by a culture group. Culture is the agent, the natural area is the medium, the cultural landscape the result."<ref>Carl O. Sauer, "The Morphology of Landscape", p. 46.</ref>}} However, in the 21st century, landscapes that are totally untouched by ] no longer exist,<ref>{{Cite web|last=Nuwer|first=Rachel|author-link=Rachel Nuwer |title=There's no such thing as truly 'pristine' nature anymore|url=https://www.bbc.com/future/article/20160208-theres-no-such-thing-as-truly-pristine-nature-anymore|access-date=2021-04-22|website=bbc.com|language=en}}</ref> so that reference is sometimes now made to degrees of naturalness within a landscape.<ref group = note>The ]'s planned forest naturalness index is an example of an attempt to define one type of natural landscape in Europe. The Agency lists forests in three categories: (1) ]s; (2) Semi-natural; and (3) Naturally dynamic. The latter are "forests whose structure, composition and function have been shaped by natural dynamics without substantial ] influence over a long period of time".</ref>
A '''natural landscape''' is a ] that is is mainly shaped by natural processes <ref>Küster, Hansjörg. "Cultural landscapes." Cultural landscapes and land use. Springer Netherlands, 2004. 1-11.</ref> with an absence of obvious signs of human

modification <ref>Funch, Roy R., and Raymond M. Harley. "Reconfiguring the boundaries of the Chapada Diamantina National Park (Brazil) using ecological criteria in the context of a human-dominated landscape." Landscape and Urban Planning 83.4 (2007): 355-362.</ref>. However a natural landscape a natural landscape is impossible to identify reliably since virtually all enviornemnts on Earth have been disturbed by humans.<ref>Lugo, A. E., and Department of Agriculture, Washington, DC (EUA). Soil Conservation Service. "Managing tropical forests in a time of climate change." Southern Regional Technical Work-Planning Conference of the National Cooperative Soil Survey. San Juan (Puerto Rico). 18-22 Jun (1990).. 1990.</ref>. Instead, wehther an area is a natural landscape is an individual opinion with each person making a subjective opinion based upon factors such as remoteness, perceptions of human activity and ability to read the landscape to classify a landscape as natural or otherwise. <ref>Woods, Michael. "Conflicting environmental visions of the rural: windfarm development in Mid Wales." Sociologia ruralis 43.3 (2003): 271-288.</ref> As a result, natural landscapes may encompass ], ], ] and other highly anthropogenic landscapes, in addition to areas of wilderness.<ref>Fisher, Christopher T., and Gary M. Feinman. "Introduction to “landscapes over time”." American Anthropologist 107.1 (2005): 62-69.</ref>
In '']'' (1962) ] describes a roadside verge as it used to look: "Along the roads, laurel, viburnum and alder, great ferns and wildflowers delighted the traveler’s eye through much of the year" and then how it looks now following the use of ]s: "The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire".<ref>Cambridge, Mass.: Riverside Press, 1962, p. 1.</ref> Even though the landscape before it is sprayed is biologically degraded, and may well contains alien species, the concept of what might constitute a natural landscape can still be deduced from the context.

The phrase "natural landscape" was first used in connection with ], and ], to contrast a formal style with a more natural one, closer to nature. ] (1769 – 1859) was to further conceptualize this into the idea of a natural landscape ''separate'' from the ]. Then in 1908 ] ] developed the terms original landscape (''Urlandschaft'') and its opposite cultural landscape (''Kulturlandschaft'') in an attempt to give the science of geography a subject matter that was different from the other sciences. An early use of the actual phrase "natural landscape" by a ] can be found in ]'s paper "The Morphology of Landscape" (1925).<ref>], "The Morphology of Landscape". ''University of California Publications in Geography'' 2 (2), pp. 19-53.</ref>

==Origins of the term==
The concept of a natural landscape was first developed in connection with ], though the actual term itself was first used in relation to ]. In both cases it was used to contrast a formal style with a more natural one, that is closer to nature. Chunglin Kwa suggests, "that a seventeenth-century or early-eighteenth-century pen could experience natural scenery 'just like on a painting,’ and so, with or without the use of the word itself, designate it as a landscape."<ref>Chunglin Kwa, "Alexander von Humboldt's invention of the natural landscape", ''The European Legacy'', Vol. 10, No. 2, pp. 149–162, 2005</ref> With regard to landscape gardening John Aikin, commented in 1794: "Whatever, therefore, there be of ''novelty'' in the singular scenery of an artificial garden, it is soon exhausted, whereas the infinite diversity of a natural landscape presents an inexhaustible flore of new forms".<ref>J. Aikin, M.D., ''Letters from a Father to His Son, on Various Topics, Relative to Literature and the Conduct of Life. Written in the Years 1792 and 1793'', (Philadelphia: Samuel Harrison Smith), p. 148.</ref> Writing in 1844 the prominent American landscape gardener ] comments: "straight canals, round or oblong pieces of water, and all the regular forms of the geometric mode ... would evidently be in violent opposition to the whole character and expression of natural landscape".<ref>''A Treatise on the Theory and Practice of Landscape Gardening Adapted to North America''.</ref>

In his extensive travels in South America, ] became the first to conceptualize a natural landscape separate from the cultural landscape, though he does not actually use these terms.<ref>{{Cite web |url=https://www.gutenberg.org/dirs/etext05/qnct310.txt |title=Archived copy |access-date=29 March 2015 |archive-date=25 December 2008 |archive-url=https://web.archive.org/web/20081225152927/http://www.gutenberg.org/dirs/etext05/qnct310.txt |url-status=dead }}</ref><ref></ref>{{refn |group = note|"The description of nature in its manifold richness of form, as a distinct branch of poetic literature, was wholly unknown to the Greeks. The landscape appears among them merely as the basil-ground of the picture of which human figures constitute the main subject. Passions, breaking forth into action, riveted their attention almost exclusively."<ref>Alexander von Humboldt '']'' (translation 1804), Volume 2, Part I, Paragraph 5, Chapter I. http://www.avhumboldt.net/humboldt/publications/paragraph/did/35/vid/38/cid/244/tid/7698/text/The-description-of-nature-in-its-manifold-richness-of-form-as-a-distinct-branch-of-poetic-literat</ref>}} Andrew Jackson Downing was aware of, and sympathetic to, Humboldt's ideas, which therefore influenced American landscape gardening.<ref>See ''Horticulturist'', vol.4, no.2, August 1849, which Downing edited.</ref>

Subsequently, the ] ], in 1908, argued that by defining ] as a ''Landschaftskunde'' (landscape science) would give geography a logical subject matter shared by no other discipline.<ref>James, P.E & Martin, G (1981) ''All Possible Worlds: A History of Geographical Ideas.'' John Wiley & Sons. New York, p.177.</ref><ref>Elkins, T.H (1989) ''Human and Regional Geography in the German-speaking lands in the first forty years of the Twentieth Century''. Entriken, J. Nicholas & Brunn, Stanley D (Eds) ''Reflections on Richard Hartshorne's The nature of geography''. Occasional publications of the Association of the American Geographers, Washington DC., p. 27.</ref> He defined two forms of landscape: the ''Urlandschaft'' (original landscape) or landscape that existed before major human induced changes and the ''Kulturlandschaft'' (cultural landscape) a landscape created by human culture. Schlüter argued that the major task of geography was to trace the changes in these two landscapes.

The term natural landscape is sometimes used as a synonym for ], but for geographers natural landscape is a scientific term which refers to the ], ], ] and other aspects of a landscape, not the cultural values that are implied by the word wilderness.<ref>"The Trouble with Wilderness; or, Getting Back to the Wrong Nature". William Cronon, ed., ''Uncommon Ground: Rethinking the Human Place in Nature''. (New York: W. W. Norton & Co., 1995), pp. 69–90.</ref>

===The natural and conservation===
Matters are complicated by the fact that the words nature and natural have more than one meaning. On the one hand there is the main dictionary meaning for nature: "The phenomena of the physical world collectively, including plants, animals, the landscape, and other features and products of the earth, as opposed to humans or human creations."<ref>"Nature", ''New Oxford American Dictionary''</ref> On the other hand, there is the growing awareness, especially since ], of humanities biological affinity with nature.<ref></ref>

The ] of the first definition has its roots is an "ancient concept", because early people viewed "nature, or the nonhuman world as a divine ''Other'', godlike in its separation from humans."<ref>Gregory H. Aplett and David N. Cole, "The Trouble with Naturalness: Rethinking Park and Wilderness Goals" in ''Beyond Naturalness: Rethinking Park and Wilderness Stewardshio in an Era of Rapid Change'' (Washington, DC.: Island Press, 2010), p. 14. They cite William Conron's 1995 essay "The Trouble with Wilderness: or, Getting Back to the Wrong Nature".</ref> In the ], Christianity's myth of ], that is the expulsion of humankind from the ], where all creation lived in harmony, into an imperfect world, has been the major influence.<ref>Joanne Vining, Melinda Merrick and Emily Price, "The Distinction between Humans and Nature". ''Human Ecology Review'', vol.15, no. 1, 2008, p. 1</ref> ], from the seventeenth century on, further reinforced this dualistic thinking about nature.<ref>Vining, Merrick and Price, p. 1.</ref>
With this ] goes value judgement as to ]. Modern science, however, is moving towards a ] view of nature.<ref>Maria Kaika, ''City of Flows: Modernity, Nature, and the City''. (New York: Routledge, 2005), p. 4.</ref>

====America====
What is meant by natural, within the American ], has been changing over the last century and a half.

In the mid-nineteenth century American began to realize that the land was becoming more and more domesticated and wildlife was disappearing. This led to the creation of ] and other conservation sites.<ref>Gregory H. Aplett and David N. Cole, "The Trouble with Naturalness: Rethinking Park and Wilderness Goals" in ''Beyond Naturalness: Rethinking Park and Wilderness Stewardshio in an Era of Rapid Change'' (Washington, DC.: Island Press, 2010), pp. 14-15.</ref> Initially it was believed that all that was needed to do was to separate what was seen as natural landscape and "avoid disturbances such as logging, grazing, fire and insect outbreaks."<ref name="Aplett and Cole, p. 15">Aplett and Cole, p. 15.</ref> This, and subsequent environmental policy, until recently, was influenced by ideas of the wilderness.<ref>William Cronon, pp. 72-77</ref> However, this policy was not consistently applied, and in ], to take one example, the existing ecology was altered, firstly by the exclusion of Native Americans and later with the virtual extermination of the wolf population.<ref name="dow">{{cite web |title=Defenders of Wildlife |work=A Yellowstone Chronology |url=http://www.defenders.org/wildlife/wolf/ynpchro.html |access-date=2007-03-19 |archive-url=https://web.archive.org/web/20070607214843/http://www.defenders.org/wildlife/wolf/ynpchro.html |archive-date=7 June 2007}}</ref{{cite book |last=Merchant |first=Carolyn |title=The Columbia Guide to American Environmental History |publisher=Columbia University Press |year=2002 |isbn=978-0-231-11232-1 |url=https://books.google.com/books?id=QQQximQsxSgC |page=148}}</ref>

A century later, in the mid-twentieth century, it began to be believed that the earlier policy of "protection from disturbance was inadequate to preserve park values", and that is that direct human intervention was necessary to restore the landscape of National Parks to its ‘'natural'’ condition.<ref name="Aplett and Cole, p. 15"/> In 1963 the ] argued that "A national park should represent a vignette of primitive America".<ref>Aplett and Cole, p. 16.</ref> This policy change eventually led to the restoration of ] in the 1990s.

However, recent research in various disciplines indicates that a pristine natural or "primitive" landscape is a myth, and it now realised that people have been changing the natural into a cultural landscape for a long while, and that there are few places untouched in some way from human influence.<ref>Aplett and Cole, p. 18</ref> The earlier conservation policies were now seen as cultural interventions. The idea of what is natural and what artificial or cultural, and how to maintain the natural elements in a landscape, has been further complicated by the discovery of ] and how it is changing natural landscapes.<ref>Aplett and Cole, p. 24</ref>

Also important is a reaction recently amongst scholars against dualistic thinking about nature and culture. Maria Kaika comments: "Nowadays, we are beginning to see nature and culture as intertwined once again – not ] separated anymore .What I used to perceive as a compartmentalized world, consisting of neatly and tightly sealed, autonomous 'space envelopes' (the home, the city, and nature) was, in fact, a messy socio-spatial continuum".<ref>''City of Flows: Modernity, Nature, and the City''. (New York: Routledge, 2005), p. 4.</ref> And William Cronon argues against the idea of wilderness because it "involves a dualistic vision in which the human is entirely outside the natural"<ref>Cronon, p. 78.</ref> and affirms that "wildness (as opposed to wilderness) can be found anywhere" even "in the cracks of a Manhattan sidewalk."<ref name="Cronon, p. 85">Cronon, p. 85.</ref> According to Cronon we have to "abandon the dualism that sees the tree in the garden as artificial and the tree in the wilderness as natural Both in some ultimate sense are wild."<ref name="Cronon, p. 85"/> Here he bends somewhat the regular dictionary meaning of wild, to emphasise that nothing natural, even in a garden, is fully under human control.

====Europe====
The landscape of Europe has considerably altered by people and even in an area, like the ] of ], with a low population density, only " the high summits of the ], consist entirely of natural elements.<ref>{{Cite web |url=http://www.snh.gov.uk/about-scotlands-nature/scotlands-landscapes/what-is-landscape/ |title=What is landscape? |website=] |access-date=25 October 2013 |archive-url=https://web.archive.org/web/20131029201902/http://www.snh.gov.uk/about-scotlands-nature/scotlands-landscapes/what-is-landscape/ |archive-date=29 October 2013 |url-status=dead }}</ref> These ''high summits'' are of course only part of the Cairngorms, and there are no longer wolves, bears, wild boar or lynx in Scotland's wilderness.<ref>Murray (1973)</ref><ref>{{cite web | url = http://news.bbc.co.uk/1/hi/scotland/north_east/6155172.stm | title = Extinct Island Pig Spotted Again | work = BBC News | date = 17 November 2006 | access-date =1 January 2007}}</ref><ref name="Fraser Darling and Boyd 1969 64">Fraser Darling and Boyd (1969) p. 64</ref> The ] in the form of the ] also covered much more of the Scottish landscape than today.<ref>Steven, H. M. & Carlisle, A. (1959). ''The Native Pinewoods of Scotland''. Oliver and Boyd, Edinburgh</ref>

The ], however, represent a more natural landscape. It was founded in 1914, and is one of the earliest national parks in Europe.
Visitors are not allowed to leave the motor road, or paths through the park, make fire or camp. The only building within the park is Chamanna Cluozza, ]. It is also forbidden to disturb the animals or the plants, or to take home anything found in the park. Dogs are not allowed. Due to these strict rules, the Swiss National Park is the only park in the Alps who has been categorized by the ] as a ], which is the highest protection level.<ref></ref>


==History of natural landscape== ==History of natural landscape==
No place on earth is unaffected by people and our culture. However, there is no place on earth that cannot return to natural landscape if abandoned by culture. People are part of ], but people exert forces on biodiversity, which destroy the natural landscape. Terms such as semi-natural are used to describe landscapes with both cultural and natural features. People have altered landscape to such an extent that few places on earth remain pristine. Being pristine, though, is not a prerequisite for natural landscape designation. Once abandoned by human influences, the landscape is again under the control of natural processes which accommodate interruptions, resulting in a new variant of the natural landscape.<ref></ref> No place on the Earth is unaffected by people and their culture. People are part of ], but human activity affects biodiversity, and this alters the natural landscape.<ref> {{webarchive|url=https://web.archive.org/web/20070607101209/http://www.amnh.org/museum/press/feature/biofact.html |date=7 June 2007 }} American Museum of Natural History</ref> Mankind have altered landscape to such an extent that few places on earth remain pristine, but once free of human influences, the landscape can return to a natural or near natural state.<ref></ref>


] on the border between ], US, and Canada: ] park system]]
==Examples of cultural forces==
Even the remote ] and ] wilderness, the bi-national ] park system comprising ], ], ] and ] parks, a ] ], is not free from human influence, because the ] lies within the traditional territories of the Champagne and Aishihik ] and ] who have a long history of living in this region. Through their respective Final Agreements with the Canadian Government, they have made into law their rights to harvest in this region.
Cultural forces are those that, intentionally or unintentionally, influence the landscape.<ref></ref> ] are places or artifacts currently maintained by people whether directly or indirectly. Examples of cultural disruptions are: fences, roads, sand pits, trails, species under human management, ] introduced by people, extraction or removal of species and objects, vegetation alteration, alterations of animal populations, ], buildings, agricultural areas, pollution, paved areas. Areas that may be confused with natural landscape include parks for people, agricultural areas, orchards, maintained ] (use of ] judgments), artificial lakes, managed forests, golf courses, nature center trails, back yards, and flower beds.


===Procession===
==Conflict between cultural forces and the natural landscape==
Through different intervals of time, the process of natural landscapes have been shaped by a series of ]s, mostly due to its factors, including ], ], ] and ].
For a place to return to the natural landscape, all ] attracting people must be removed. Natural landscape is the ] that existed prior to significant human impact. The time necessary for an area to return to the natural landscape depends upon the environment, and it may be termed the period of ]. Neglect, in this context, means the absence of any management whatsoever. Most people can easily recognize a neglected landscape. Human impact on the natural landscape may result in episodes of extinction of native species, episodes of stalled equilibrium, total species destruction and even the ] of soil and water.


==Examples of cultural forces==
The case for returning land to the natural landscape has been championed by those who recognize the harm resulting from people’s actions on this planet. Popular movies such as ] and ] focus on potential natural landscape controls or lack thereof. The return of the natural landscape has been opposed by those who wish to groom the natural landscape or simply to demonstrate that the natural landscape has some practical value.
Cultural forces intentionally or unintentionally, have an influence upon the landscape.{{refn|group=note|"It is true that certain human technological actions do have unintended consequences that spread everywhere; there are contagious effects that seep into the nooks and crannies of all nature."<ref>{{Cite journal |url=http://lamar.colostate.edu/%7Ehrolston/Technol-vs-Nature-Aberdeen.pdf |title=Technology versus nature: what is natural? |first=Holmes III |last=Rolston |journal=Journal of Philosophy and Technology |publisher=University of Aberdeen Center for Philosophy, Technology & Society |date=Spring 1998 |volume=2 |issue=2 |pages=3–14 |access-date=25 October 2013 |archive-url=https://web.archive.org/web/20131029204957/http://lamar.colostate.edu/%7Ehrolston/Technol-vs-Nature-Aberdeen.pdf |archive-date=29 October 2013 |url-status=dead }}</ref>}} ] are places or artifacts created and maintained by people. Examples of cultural intrusions into a landscape are: fences, roads, parking lots, sand pits, buildings, hiking trails, management of plants, including the introduction of ], extraction or removal of plants, management of animals, mining, hunting, ], farming and forestry, pollution. Areas that might be confused with a natural landscape include ]s, farms, orchards, artificial lakes and reservoirs, managed forests, golf courses, nature center trails, gardens.
] in the ] ], ]. Sheep and cattle also graze on this upland]]


==See also== ==See also==
{{portal|Environment}} {{portal|Environment}}
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==Notes==
{{reflist|group=note}}


==References== ==References==
{{reflist}} {{reflist}}

==External links==
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Latest revision as of 12:31, 20 October 2024

Original landscape formed by nature For broader coverage of this topic, see Natural environment.

Biodiversity
Key topics
Processes and outcomes
Biodiversity
Scientific topics
Fields and applications
Practices
Organizations
Initiatives
Awareness

A natural landscape is the original landscape that exists before it is acted upon by human culture. The natural landscape and the cultural landscape are separate parts of the landscape. However, in the 21st century, landscapes that are totally untouched by human activity no longer exist, so that reference is sometimes now made to degrees of naturalness within a landscape.

In Silent Spring (1962) Rachel Carson describes a roadside verge as it used to look: "Along the roads, laurel, viburnum and alder, great ferns and wildflowers delighted the traveler’s eye through much of the year" and then how it looks now following the use of herbicides: "The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire". Even though the landscape before it is sprayed is biologically degraded, and may well contains alien species, the concept of what might constitute a natural landscape can still be deduced from the context.

The phrase "natural landscape" was first used in connection with landscape painting, and landscape gardening, to contrast a formal style with a more natural one, closer to nature. Alexander von Humboldt (1769 – 1859) was to further conceptualize this into the idea of a natural landscape separate from the cultural landscape. Then in 1908 geographer Otto Schlüter developed the terms original landscape (Urlandschaft) and its opposite cultural landscape (Kulturlandschaft) in an attempt to give the science of geography a subject matter that was different from the other sciences. An early use of the actual phrase "natural landscape" by a geographer can be found in Carl O. Sauer's paper "The Morphology of Landscape" (1925).

Origins of the term

The concept of a natural landscape was first developed in connection with landscape painting, though the actual term itself was first used in relation to landscape gardening. In both cases it was used to contrast a formal style with a more natural one, that is closer to nature. Chunglin Kwa suggests, "that a seventeenth-century or early-eighteenth-century pen could experience natural scenery 'just like on a painting,’ and so, with or without the use of the word itself, designate it as a landscape." With regard to landscape gardening John Aikin, commented in 1794: "Whatever, therefore, there be of novelty in the singular scenery of an artificial garden, it is soon exhausted, whereas the infinite diversity of a natural landscape presents an inexhaustible flore of new forms". Writing in 1844 the prominent American landscape gardener Andrew Jackson Downing comments: "straight canals, round or oblong pieces of water, and all the regular forms of the geometric mode ... would evidently be in violent opposition to the whole character and expression of natural landscape".

In his extensive travels in South America, Alexander von Humboldt became the first to conceptualize a natural landscape separate from the cultural landscape, though he does not actually use these terms. Andrew Jackson Downing was aware of, and sympathetic to, Humboldt's ideas, which therefore influenced American landscape gardening.

Subsequently, the geographer Otto Schlüter, in 1908, argued that by defining geography as a Landschaftskunde (landscape science) would give geography a logical subject matter shared by no other discipline. He defined two forms of landscape: the Urlandschaft (original landscape) or landscape that existed before major human induced changes and the Kulturlandschaft (cultural landscape) a landscape created by human culture. Schlüter argued that the major task of geography was to trace the changes in these two landscapes.

The term natural landscape is sometimes used as a synonym for wilderness, but for geographers natural landscape is a scientific term which refers to the biological, geological, climatological and other aspects of a landscape, not the cultural values that are implied by the word wilderness.

The natural and conservation

Matters are complicated by the fact that the words nature and natural have more than one meaning. On the one hand there is the main dictionary meaning for nature: "The phenomena of the physical world collectively, including plants, animals, the landscape, and other features and products of the earth, as opposed to humans or human creations." On the other hand, there is the growing awareness, especially since Charles Darwin, of humanities biological affinity with nature.

The dualism of the first definition has its roots is an "ancient concept", because early people viewed "nature, or the nonhuman world as a divine Other, godlike in its separation from humans." In the West, Christianity's myth of the fall, that is the expulsion of humankind from the Garden of Eden, where all creation lived in harmony, into an imperfect world, has been the major influence. Cartesian dualism, from the seventeenth century on, further reinforced this dualistic thinking about nature. With this dualism goes value judgement as to the superiority of the natural over the artificial. Modern science, however, is moving towards a holistic view of nature.

America

What is meant by natural, within the American conservation movement, has been changing over the last century and a half.

In the mid-nineteenth century American began to realize that the land was becoming more and more domesticated and wildlife was disappearing. This led to the creation of American National Parks and other conservation sites. Initially it was believed that all that was needed to do was to separate what was seen as natural landscape and "avoid disturbances such as logging, grazing, fire and insect outbreaks." This, and subsequent environmental policy, until recently, was influenced by ideas of the wilderness. However, this policy was not consistently applied, and in Yellowstone Park, to take one example, the existing ecology was altered, firstly by the exclusion of Native Americans and later with the virtual extermination of the wolf population.

A century later, in the mid-twentieth century, it began to be believed that the earlier policy of "protection from disturbance was inadequate to preserve park values", and that is that direct human intervention was necessary to restore the landscape of National Parks to its ‘'natural'’ condition. In 1963 the Leopold Report argued that "A national park should represent a vignette of primitive America". This policy change eventually led to the restoration of wolves in Yellowstone Park in the 1990s.

However, recent research in various disciplines indicates that a pristine natural or "primitive" landscape is a myth, and it now realised that people have been changing the natural into a cultural landscape for a long while, and that there are few places untouched in some way from human influence. The earlier conservation policies were now seen as cultural interventions. The idea of what is natural and what artificial or cultural, and how to maintain the natural elements in a landscape, has been further complicated by the discovery of global warming and how it is changing natural landscapes.

Also important is a reaction recently amongst scholars against dualistic thinking about nature and culture. Maria Kaika comments: "Nowadays, we are beginning to see nature and culture as intertwined once again – not ontologically separated anymore .What I used to perceive as a compartmentalized world, consisting of neatly and tightly sealed, autonomous 'space envelopes' (the home, the city, and nature) was, in fact, a messy socio-spatial continuum". And William Cronon argues against the idea of wilderness because it "involves a dualistic vision in which the human is entirely outside the natural" and affirms that "wildness (as opposed to wilderness) can be found anywhere" even "in the cracks of a Manhattan sidewalk." According to Cronon we have to "abandon the dualism that sees the tree in the garden as artificial and the tree in the wilderness as natural Both in some ultimate sense are wild." Here he bends somewhat the regular dictionary meaning of wild, to emphasise that nothing natural, even in a garden, is fully under human control.

Europe

The landscape of Europe has considerably altered by people and even in an area, like the Cairngorm Mountains of Scotland, with a low population density, only " the high summits of the Cairngorm Mountains, consist entirely of natural elements. These high summits are of course only part of the Cairngorms, and there are no longer wolves, bears, wild boar or lynx in Scotland's wilderness. The Scots pine in the form of the Caledonian forest also covered much more of the Scottish landscape than today.

The Swiss National Park, however, represent a more natural landscape. It was founded in 1914, and is one of the earliest national parks in Europe. Visitors are not allowed to leave the motor road, or paths through the park, make fire or camp. The only building within the park is Chamanna Cluozza, mountain hut. It is also forbidden to disturb the animals or the plants, or to take home anything found in the park. Dogs are not allowed. Due to these strict rules, the Swiss National Park is the only park in the Alps who has been categorized by the IUCN as a strict nature reserve, which is the highest protection level.

History of natural landscape

No place on the Earth is unaffected by people and their culture. People are part of biodiversity, but human activity affects biodiversity, and this alters the natural landscape. Mankind have altered landscape to such an extent that few places on earth remain pristine, but once free of human influences, the landscape can return to a natural or near natural state.

Glacier on the border between Alaska, US, and Canada: Kluane-Wrangell-St. Elias-Glacier Bay-Tatshenshini-Alsek park system

Even the remote Yukon and Alaskan wilderness, the bi-national Kluane-Wrangell-St. Elias-Glacier Bay-Tatshenshini-Alsek park system comprising Kluane, Wrangell-St Elias, Glacier Bay and Tatshenshini-Alsek parks, a UNESCO World Heritage Site, is not free from human influence, because the Kluane National Park lies within the traditional territories of the Champagne and Aishihik First Nations and Kluane First Nation who have a long history of living in this region. Through their respective Final Agreements with the Canadian Government, they have made into law their rights to harvest in this region.

Procession

Through different intervals of time, the process of natural landscapes have been shaped by a series of landforms, mostly due to its factors, including tectonics, erosion, weathering and vegetation.

Examples of cultural forces

Cultural forces intentionally or unintentionally, have an influence upon the landscape. Cultural landscapes are places or artifacts created and maintained by people. Examples of cultural intrusions into a landscape are: fences, roads, parking lots, sand pits, buildings, hiking trails, management of plants, including the introduction of invasive species, extraction or removal of plants, management of animals, mining, hunting, natural landscaping, farming and forestry, pollution. Areas that might be confused with a natural landscape include public parks, farms, orchards, artificial lakes and reservoirs, managed forests, golf courses, nature center trails, gardens.

A Welsh mountain pony in the Brecon Beacons National park, Wales. Sheep and cattle also graze on this upland

See also

Notes

  1. "The area prior to the introduction of man 's activity is represented by one body of morphologic facts. The forms that man has introduced are another set. We may call the former, with reference to man, the original, natural landscape. In its entirety it no longer exists in many parts of the world, but its reconstruction and understanding are the first part of formal morphonology."
  2. "The cultural landscape is fashioned from a natural landscape by a culture group. Culture is the agent, the natural area is the medium, the cultural landscape the result."
  3. The European Environment Agency's planned forest naturalness index is an example of an attempt to define one type of natural landscape in Europe. The Agency lists forests in three categories: (1) Plantations; (2) Semi-natural; and (3) Naturally dynamic. The latter are "forests whose structure, composition and function have been shaped by natural dynamics without substantial anthropogenic influence over a long period of time".
  4. "The description of nature in its manifold richness of form, as a distinct branch of poetic literature, was wholly unknown to the Greeks. The landscape appears among them merely as the basil-ground of the picture of which human figures constitute the main subject. Passions, breaking forth into action, riveted their attention almost exclusively."
  5. "It is true that certain human technological actions do have unintended consequences that spread everywhere; there are contagious effects that seep into the nooks and crannies of all nature."

References

  1. Carl O. Sauer, "The Morphology of Landscape". University of California Publications in Geography, vol. 2, No. 2, 12 October 1925, p. 37. https://archive.org/stream/universityofc02univ/universityofc02univ_djvu.txt
  2. Carl O. Sauer, "The Morphology of Landscape", p. 46.
  3. Nuwer, Rachel. "There's no such thing as truly 'pristine' nature anymore". bbc.com. Retrieved 22 April 2021.
  4. Cambridge, Mass.: Riverside Press, 1962, p. 1.
  5. Carl O. Sauer, "The Morphology of Landscape". University of California Publications in Geography 2 (2), pp. 19-53.
  6. Chunglin Kwa, "Alexander von Humboldt's invention of the natural landscape", The European Legacy, Vol. 10, No. 2, pp. 149–162, 2005
  7. J. Aikin, M.D., Letters from a Father to His Son, on Various Topics, Relative to Literature and the Conduct of Life. Written in the Years 1792 and 1793, (Philadelphia: Samuel Harrison Smith), p. 148.
  8. A Treatise on the Theory and Practice of Landscape Gardening Adapted to North America.
  9. "Archived copy". Archived from the original on 25 December 2008. Retrieved 29 March 2015.{{cite web}}: CS1 maint: archived copy as title (link)
  10. Chunglin Kwa, Alexander von Humboldt's invention of the natural landscape, The European Legacy, Vol. 10, No. 2, pp. 149–162, 2005
  11. Alexander von Humboldt Cosmos: a sketch of a physical description of the universe (translation 1804), Volume 2, Part I, Paragraph 5, Chapter I. http://www.avhumboldt.net/humboldt/publications/paragraph/did/35/vid/38/cid/244/tid/7698/text/The-description-of-nature-in-its-manifold-richness-of-form-as-a-distinct-branch-of-poetic-literat
  12. See Horticulturist, vol.4, no.2, August 1849, which Downing edited.
  13. James, P.E & Martin, G (1981) All Possible Worlds: A History of Geographical Ideas. John Wiley & Sons. New York, p.177.
  14. Elkins, T.H (1989) Human and Regional Geography in the German-speaking lands in the first forty years of the Twentieth Century. Entriken, J. Nicholas & Brunn, Stanley D (Eds) Reflections on Richard Hartshorne's The nature of geography. Occasional publications of the Association of the American Geographers, Washington DC., p. 27.
  15. "The Trouble with Wilderness; or, Getting Back to the Wrong Nature". William Cronon, ed., Uncommon Ground: Rethinking the Human Place in Nature. (New York: W. W. Norton & Co., 1995), pp. 69–90.
  16. "Nature", New Oxford American Dictionary
  17. "Animals That Share Human DNA Sequences", Seattlepi.com
  18. Gregory H. Aplett and David N. Cole, "The Trouble with Naturalness: Rethinking Park and Wilderness Goals" in Beyond Naturalness: Rethinking Park and Wilderness Stewardshio in an Era of Rapid Change (Washington, DC.: Island Press, 2010), p. 14. They cite William Conron's 1995 essay "The Trouble with Wilderness: or, Getting Back to the Wrong Nature".
  19. Joanne Vining, Melinda Merrick and Emily Price, "The Distinction between Humans and Nature". Human Ecology Review, vol.15, no. 1, 2008, p. 1
  20. Vining, Merrick and Price, p. 1.
  21. Maria Kaika, City of Flows: Modernity, Nature, and the City. (New York: Routledge, 2005), p. 4.
  22. Gregory H. Aplett and David N. Cole, "The Trouble with Naturalness: Rethinking Park and Wilderness Goals" in Beyond Naturalness: Rethinking Park and Wilderness Stewardshio in an Era of Rapid Change (Washington, DC.: Island Press, 2010), pp. 14-15.
  23. ^ Aplett and Cole, p. 15.
  24. William Cronon, pp. 72-77
  25. "Defenders of Wildlife". A Yellowstone Chronology. Archived from the original on 7 June 2007. Retrieved 19 March 2007.</refMerchant, Carolyn (2002). The Columbia Guide to American Environmental History. Columbia University Press. p. 148. ISBN 978-0-231-11232-1.
  26. Aplett and Cole, p. 16.
  27. Aplett and Cole, p. 18
  28. Aplett and Cole, p. 24
  29. City of Flows: Modernity, Nature, and the City. (New York: Routledge, 2005), p. 4.
  30. Cronon, p. 78.
  31. ^ Cronon, p. 85.
  32. "What is landscape?". Scottish Natural Heritage. Archived from the original on 29 October 2013. Retrieved 25 October 2013.
  33. Murray (1973)
  34. "Extinct Island Pig Spotted Again". BBC News. 17 November 2006. Retrieved 1 January 2007.
  35. Fraser Darling and Boyd (1969) p. 64
  36. Steven, H. M. & Carlisle, A. (1959). The Native Pinewoods of Scotland. Oliver and Boyd, Edinburgh
  37. Parc Suisse Biosphere Reserve
  38. National Survey Reveals Biodiversity Crisis Archived 7 June 2007 at the Wayback Machine American Museum of Natural History
  39. YouTube, Professor James Lovelock, We can't save the planet, BBC NEWS, 2010/03/30
  40. Rolston, Holmes III (Spring 1998). "Technology versus nature: what is natural?" (PDF). Journal of Philosophy and Technology. 2 (2). University of Aberdeen Center for Philosophy, Technology & Society: 3–14. Archived from the original (PDF) on 29 October 2013. Retrieved 25 October 2013.

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