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{{Short description|English doom metal band}}
{{Use dmy dates|date=April 2011}}
{{Use dmy dates|date=September 2020}}
{{Use British English|date=April 2011}} {{Use British English|date=April 2011}}
{{Infobox musical artist <!-- See Misplaced Pages:WikiProject Musicians --> {{Infobox musical artist
| name = Cathedral | name = Cathedral
| image = Cathedral band.JPG | image = Cathedral band (cropped).JPG
| caption = Cathedral performing live at the ] festival in 2009 | caption = Cathedral performing at the ] festival in 2009
| image_size = 250 | landscape = yes
| background = group_or_band | alias =
| alias = | origin = ], England
| origin = ], ] | genre = {{flatlist|
* ]
| instrument =
* ]<ref name="Exclaim" />
| genre = ], ]
* ]<ref name="Exclaim">{{cite magazine|url=http://exclaim.ca/Reviews/Metal/cathedral-last_spire|title=Cathedral-The Last Spire|magazine=]|access-date=2014-01-05}}</ref>
| years_active = 1989–2013
}}
| label = ]/], Dream Catcher, ], ], ], ], Ultimatum, ], ]
| years_active = 1989–2013
| associated_acts = ], ], ], ], ], ], The Crunched, ]
| label = {{flatlist|
| website =
* ]/]
| current_members = ]<br>Garry Jennings<br>Brian Dixon<br>Scott Carlson
* Dream Catcher
| past_members = ]<br>Mark Griffiths<br>Ben Mochrie<br>Mike Smail<br>Mark Ramsey Wharton<br>Leo Smee
* ]
| notable_instruments =
* ]
* ]
* ]
* Ultimatum
* ]
* ]}}
| associated_acts = {{flatlist|
* ]
* ]
* ]
* ]
* ]
* ]
* ]
* ]
* The Crunched
* ]
* ]}}
* ]
| website =
| past_members = ]<br />] <br />Brian Dixon<br />] <br />]<br>Mark Griffiths<br>Ben Mochrie<br>Mike Smail<br>]<br>Leo Smee
}} }}


'''Cathedral''' were a ] band from ].<ref name= MusicMight>{{cite web|url= http://www.musicmight.com/artist/united+kingdom/west+midlands/coventry/cathedral|title= MusicMight: Artists: Cathedral|author= Sharpe-Young, Gary|publisher= |accessdate= 2008-12-10}}</ref> The group first gained notoriety for its slow and heavy brand of doom metal as heard on '']'', which is considered a classic of the genre.<ref>"True Doom," 2006, p. 52.</ref> However, the band's sound evolved quickly and began to adopt characteristics of ] and ]. After releasing nine full-length albums and touring extensively for over two decades, Cathedral split after the release of '']'' in 2013. '''Cathedral''' were a ] band from ], England.<ref name="MusicMight">{{cite web|url=http://www.musicmight.com/artist/united+kingdom/west+midlands/coventry/cathedral|title=MusicMight: Artists: Cathedral|publisher=MusicMight|author=Sharpe-Young, Gary|access-date=2008-12-10|url-status=dead|archive-url=https://web.archive.org/web/20100128022535/http://www.musicmight.com/artist/united+kingdom/west+midlands/coventry/cathedral|archive-date=28 January 2010}}</ref> The group gained attention upon release of its debut album, '']'' (1991), which is considered a classic of the genre.<ref>"True Doom," 2006, p. 52.</ref> However, the band's sound evolved quickly and began to adopt characteristics of 1970s metal, ] and ]. After releasing ten full-length albums and touring extensively for over two decades, Cathedral broke up after the release of '']'' in 2013.


==History== ==History==
===Early history (1989–1991)===
In 1989 Lee Dorrian left Napalm Death because he was getting sick of the ] scene and did not like the ] direction towards which Napalm Death was moving.<ref name="Quietus GG interview">{{cite web|last=Cook|first=Toby|title=We're Really Not That Positive: Cathedral Interviewed|url=http://thequietus.com/articles/04005-lee-dorrian-napalm-death-cathedral-interview-the-guessing-game|work=The Quietus|accessdate=1 April 2013}}</ref> Cathedral was formed after Lee Dorrian and Mark Griffiths met and discussed their love for doom bands like ], ], ], ], and ]. The band was founded in 1989 by ] (former singer of ] pioneers ]), Mark 'Griff' Griffiths (a ] roadie) and Garry 'Gaz' Jennings (formerly of ] band ]).<ref name="MusicMight"/> The only original band members in the current line-up are Lee Dorrian and Garry 'Gaz' Jennings, although Jennings did briefly leave the band in their early history, only to rejoin shortly afterwards.
In 1989, ] left ] because he was reportedly tiring of the ] scene and did not like the ] direction which Napalm Death was taking.<ref name="Quietus GG interview">{{cite web|last=Cook|first=Toby|title=We're Really Not That Positive: Cathedral Interviewed|url=http://thequietus.com/articles/04005-lee-dorrian-napalm-death-cathedral-interview-the-guessing-game|work=The Quietus|date=31 March 2010 |access-date=1 April 2013}}</ref> Cathedral was formed after Lee Dorrian and Mark Griffiths (a ] roadie) met and discussed their love for bands like ], ], ], ], and ]. The band was founded in 1989 by Dorrian, Griffiths and ] (formerly of ] band ]).<ref name="MusicMight"/> Dorrian was the only founding member to remain with Cathedral for its duration, although Jennings' departure ultimately proved to be temporary. Cathedral released ''The Forest of Equilibrium'' through ]. According to Dorrian, only ] or ] were doing something similar, sound-wise, at the time.<ref name="Quietus 2">{{cite web|last=Cook|first=Toby|title=Bring Out Your Dead: Cathedral's Lee Dorrian Interviewed|url=https://thequietus.com/articles/12861-cathedral-lee-dorrian-interview-2|work=The Quietus|date=18 July 2013 |access-date=16 March 2020}}</ref>


===The Columbia years (1992–1994)===
Cathedral released ''The Forest of Equilibrium'' through ] and then signed with ]. Cathedral's experience on Columbia was described by Dorrian as "surreal".<ref name=noisecreep /> As Dorrian explained,
After the release of the ''Soul Sacrifice'' ], Cathedral signed with ]. That enabled the successful two-month ''Campaign for Musical Destruction Tour'' in the United States.<ref name="Decibel tour">{{cite web|last=Pratt|first=Greg|title=That Tour Was Awesome: Campaign for Musical Destruction (1992)|url=https://www.decibelmagazine.com/2020/02/27/that-tour-was-awesome-campaign-for-musical-destruction-1992/|work=Decibel Magazine|date=27 February 2020|access-date=16 March 2020}}</ref>
Cathedral's experience on Columbia was described by Dorrian as "surreal".<ref name=noisecreep /> As Dorrian explained,


{{bq|1=We weren’t deliberately trying to be pop stars or anything like that, so playing that game just felt very surreal. We weren’t exactly comfortable with it. We were an underground band one minute and the next minute they were trying to present us as the next ]. Can you imagine recording ''Forest of Equilibrium'' and a major label wanted to sign you on the strength of that? It was fairly bizarre. I guess heavy music was reaching some kind of pinnacle back then. ] had reached its pinnacle back then – at least its creative pinnacle so maybe they saw us as being the next step after that.<ref name=noisecreep>{{cite web|last=Gitter|first=Mike|title=Cathedral’s Lee Dorrian on the Band Ending, How Their Former Label Tried to Make Them the Next Black Crowes|url=http://noisecreep.com/cathedral-lee-dorrian-breakup-interview/|work=Noisecreep|accessdate=19 November 2013|date=26 April 2013}}</ref>}} {{bq|1=We weren’t deliberately trying to be pop stars or anything like that, so playing that game just felt very surreal. We weren't exactly comfortable with it. We were an underground band one minute and the next minute they were trying to present us as the next ]. Can you imagine recording ''Forest of Equilibrium'' and a major label wanted to sign you on the strength of that? It was fairly bizarre. I guess heavy music was reaching some kind of pinnacle back then. ] had reached its pinnacle back then – at least its creative pinnacle so maybe they saw us as being the next step after that.<ref name=noisecreep>{{cite web|last=Gitter|first=Mike|title=Cathedral's Lee Dorrian on the Band Ending, How Their Former Label Tried to Make Them the Next Black Crowes|url=http://noisecreep.com/cathedral-lee-dorrian-breakup-interview/|work=Noisecreep|access-date=19 November 2013|date=26 April 2013}}</ref>}}


Cathedral's major label debut, ''The Ethereal Mirror'', was noted by Jason Birchmeier of ] for its experimentation, upbeat tempos, and groove-laden guitar riffs.<ref></ref> After releasing ''The Ethereal Mirror'' in 1993, Cathedral was dropped by Columbia the following year. The band continued its relationship with Earache Records until 2000. During this time, Cathedral released four full-length albums that continued to explore faster rhythms and 70s-hard rock-influenced guitar riffs, before switching gears for the relatively slow and plodding ''Endtyme''.<ref>http://www.allmusic.com/album/endtyme-mw0000625556</ref> Thereafter, Cathedral signed with Dream Catcher Records and released ''The VIIth Coming''. After this album, Cathedral signed to ] for their final three albums. These albums included the "inspired" and "quirky" but "uneven" ''The Garden of Unearthly Delights'',<ref>http://www.allmusic.com/album/the-garden-of-unearthly-delights-bonus-track-mw0000526355</ref> the double-disc ''The Guessing Game'', as well as the "true doom" of the band's finale, ''The Last Spire''.<ref>http://www.scratchthesurface-webzine.com/2013/04/cathedral-last-spire-review.html</ref> Cathedral's major label debut, ''The Ethereal Mirror'', was noted by Jason Birchmeier of ] for its experimentation, upbeat tempos, and groove-laden guitar riffs.<ref name="allmusic tem">{{cite web|last=Birchmeier|first=Jason|title=Cathedral The Ethereal Mirror|url=http://www.allmusic.com/album/the-ethereal-mirror-mw0000098146|work=]|access-date=6 January 2014}}</ref> After releasing ''The Ethereal Mirror'' in 1993, Cathedral was dropped by Columbia the following year.


===Back to Earache (1995–2001)===
While Cathedral had contemplated disbanding in the past, most recently after the release of ],<ref name="Quietus GG interview" /> on 6 February 2011, Cathedral announced that they will disband after the release of '']''<ref>http://thequietus.com/articles/06289-cathedral-lee-dorrian-interview</ref> in April 2013. Vocalist Lee Dorrian explained, "It's simply time for us to bow out. Twenty one years is a very long time and it's almost a miracle that we managed to come this far!"<ref name=disband>{{cite web|title=Cathedral Announces Plans To Disband|url=http://www.blabbermouth.net/news.aspx?mode=Article&newsitemID=153449|work=]|accessdate=11 May 2013|date=6 February 2011}}</ref> Cathedral played their last show in front of a small crowd in ] during the ] 2012 tour.<ref>http://alternativemusichub.com/2012/03/13/perth-soundwave-review/</ref>


The band resumed its relationship with Earache Records, which lasted until 2001. During this time, Cathedral released four full-length albums that continued to explore faster rhythms and 1970s-hard rock-influenced guitar riffs before returning to a relatively slow cadence for '']'' in 2001.<ref name="allmusic endtyme">{{cite web|last=Rivadavia|first=Eduardo|title=Cathedral Endtyme|url=http://www.allmusic.com/album/endtyme-mw0000625556|work=]|access-date=6 January 2014}}</ref>
==Style==

Cathedral's releases have been marked by occasionally sharp shifts in style. While ''Forest of Equilibrium'' was firmly entrenched in a slow, heavy doom sound, elements of 70s metal and groovier riffs began to enter into its sound beginning with the '']'' EP.<ref name="Allmusic Soul Sacrifice">{{cite web|last=Birchmeier|first=Jason|title=Cathedral - Soul Sacrifice EP|url=http://www.allmusic.com/album/soul-sacrifice-mw0000088838|publisher=]|accessdate=1 April 2013}}</ref> By the time that '']'' was released, the band had incorporated more diverse references to 1970s music, including the disco influences heard on "Midnight Mountain".<ref name="Allmusic Ethereal Mirror">{{cite web|last=Birchmeier|first=Jason|title=Cathedral - The Ethereal Mirror|url=http://www.allmusic.com/album/the-ethereal-mirror-mw0000098146|publisher=]|accessdate=1 April 2013}}</ref>
===Switching labels (2002–2010)===
]
Cathedral signed with ] and released '']''. After releasing a single album on Spitfire, Cathedral signed to ] for their final three albums. These albums included the "inspired" and "quirky" but "uneven" '']'',<ref name="allmusic tgoud">{{cite web|last=Rivadavia|first=Eduardo|title=Cathedral The Garden of Unearthly Delights|url=http://www.allmusic.com/album/the-garden-of-unearthly-delights-bonus-track-mw0000526355|work=]|access-date=6 January 2014}}</ref> the double-disc '']'', which was touted as the "most psychedelic, progressive material in the band's entire catalog"<ref name="allmusic tgg">{{cite web|last=Freeman|first=Phil|title=Cathedral The Guessing Game|url=http://www.allmusic.com/album/the-guessing-game-mw0001972450|work=]|access-date=6 January 2014}}</ref> and the "true doom" of the band's farewell album, '']''.<ref name="sts tls">{{cite web|last=Brown|first=Dean|title=Cathedral - The Last Spire|url=http://www.scratchthesurface-webzine.com/2013/04/cathedral-last-spire-review.html|work=Scratch the Surface|access-date=6 January 2014|url-status=dead|archive-url=https://archive.today/20130616093517/http://www.scratchthesurface-webzine.com/2013/04/cathedral-last-spire-review.html|archive-date=16 June 2013}}</ref>

===''The Last Spire'' and split (2011–present)===
While Cathedral had contemplated disbanding in the past, most recently after the release of ''The Garden of Unearthly Delights'' in 2006,<ref name="Quietus GG interview" /> on 6 February 2011, Cathedral announced that they would disband after the release of ''The Last Spire''<ref name="quietus end">{{cite web|last=Doran|first=John|title=Lee Dorrian Discusses The End of Cathedral|url=http://thequietus.com/articles/06289-cathedral-lee-dorrian-interview|work=]|access-date=6 January 2014|date=19 May 2011}}</ref> in April 2013. Dorrian explained that "It's simply time for us to bow out. Twenty one years is a very long time and it's almost a miracle that we managed to come this far!"<ref name=disband>{{cite web|title=Cathedral Announces Plans To Disband|url=http://www.blabbermouth.net/news.aspx?mode=Article&newsitemID=153449|work=]|access-date=11 May 2013|date=6 February 2011}}</ref> Cathedral played their last show in ] during the ] 2012 tour.<ref>{{Cite web|url=http://alternativemusichub.com/2012/03/13/perth-soundwave-review|title=Perth Soundwave Review - Alternative Music HubAlternative Music Hub|date=13 March 2012|website=alt music hub|archive-url=https://web.archive.org/web/20120319001605/http://alternativemusichub.com/2012/03/13/perth-soundwave-review|archive-date=19 March 2012 |access-date=2016-04-23}}</ref>

Shortly before the release of ''The Last Spire'', Dorrian told '']'' that there will never be a Cathedral reunion, and called that idea "absolutely stupid."<ref>{{cite web|last=Gitter|first=Mike|title=Lee Dorrian Discusses The End of Cathedral|url=http://noisecreep.com/cathedral-lee-dorrian-breakup-interview/|work=]|date=26 April 2013|access-date=10 May 2016}}</ref> Guitarist Gaz Jennings added that chances of a Cathedral reunion are "very, very slim", and that he "just can't see" it happening in the future. He also stated that Dorrian has "moved on" and does not want to be involved in a reunion.<ref>{{cite web|author=Rex_84|title=Cathedral Guitarist Gaz Jennings Discusses Demo|url=http://www.metalunderground.com/interviews/details.cfm?newsid=114951|work=metalunderground.com|date=3 July 2015|access-date=10 May 2016}}</ref> Three out of four of the final members of Cathedral reformed the band ] after Cathedral's break up.<ref>{{cite web |title=SEPTIC TANK Feat. REPULSION, Ex-CATHEDRAL Members: 'Rotting Civilisation' Album Details Revealed |url=http://www.blabbermouth.net/news/septic-tank-feat-repulsion-ex-cathedral-members-rotting-civilisation-album-details-revealed/ |website=] |date=21 February 2018 |access-date=21 July 2018}}</ref>

When asked in July 2020 by '']'' magazine about the possibility of a Cathedral reunion, Dorrian said: "To just reform and cash in on the lucrative offers we've been getting ever since we broke up would feel a bit like we're just doing it for the cash, which is never what it was about in the first place. Never say never, I guess, but it's very doubtful. We ended it for a reason."<ref>{{cite web|last=Pratt|first=Greg|title=A Funeral Request: Former Cathedral Members Talk 'New' Live Albums|url=https://www.decibelmagazine.com/2020/07/23/a-funeral-request-cathedral-talk-new-live-albums/|work=]|date=23 July 2020|access-date=27 October 2021}}</ref>

==Musical style==
Cathedral's releases have been marked by sharp shifts in style. While ''Forest of Equilibrium'' was firmly entrenched in a slow, heavy doom sound, elements of 1970s metal and groovier riffs entered its sound beginning with the ''Soul Sacrifice'' EP.<ref name="Allmusic Soul Sacrifice">{{cite web|last=Birchmeier|first=Jason|title=Cathedral - Soul Sacrifice EP|url=http://www.allmusic.com/album/soul-sacrifice-mw0000088838|website=]|access-date=1 April 2013}}</ref> By the time that '']'' was released, the band had incorporated references to 1970s music, such as the disco influences heard on "Midnight Mountain".<ref name="Allmusic Ethereal Mirror">{{cite web|last=Birchmeier|first=Jason|title=Cathedral - The Ethereal Mirror|url=http://www.allmusic.com/album/the-ethereal-mirror-mw0000098146|website=]|access-date=1 April 2013}}</ref>


As Dorrian explains, the band's original sound was a product of the immediate musical environment combined with the band members' influences: As Dorrian explains, the band's original sound was a product of the immediate musical environment combined with the band members' influences:
{{cquote|When we first started, the music of Cathedral was a lot more extreme than it is now, a lot more morose and depressing, because that's how we felt at the time. We'd all come out of the ] scene, or the ] scene or whatever, and I was just as much into the slower stuff as I was into the faster stuff. I just wanted to do something a bit different, so we took all our influences like ] and ] and ] and stuff and decided to take that kind of music one step further, bring it into the 90's, make it more extreme, more heavy and ] than any of those bands had done before. That was our first and foremost ambition, and I think we probably achieved that when we did our first album.<ref name= FKOTLD>{{cite web|url= http://www.livingdamned.net/fkotld/interviews/fk2/cathedral.shtml|title= CATHEDRAL|author= Kitchens, Fitted|date= 1999-05-15|publisher= |accessdate= 2008-12-10}}</ref>}}


{{bq|1=When we first started, the music of Cathedral was a lot more extreme than it is now, a lot more morose and depressing, because that's how we felt at the time. We'd all come out of the ] scene, or the ] scene or whatever, and I was just as much into the slower stuff as I was into the faster stuff. I just wanted to do something a bit different, so we took all our influences like ] and ] and ] and stuff and decided to take that kind of music one step further, bring it into the 90's, make it more extreme, more heavy and ] than any of those bands had done before. That was our first and foremost ambition, and I think we probably achieved that when we did our first album.<ref name=FKOTLD>{{cite web|url= http://www.livingdamned.net/fkotld/interviews/fk2/cathedral.shtml|title= CATHEDRAL|author= Kitchens, Fitted|date= 1999-05-15|publisher= livingdamned.net FKOTLD on-line|access-date= 2008-12-10}}{{dead link|date=December 2017 |bot=InternetArchiveBot |fix-attempted=yes }}</ref>}}
Beginning with the ''Soul Sacrifice'' EP, the band began to incorporate a diverse array of 70s influences into its sound.<ref name="Terrorizer Discography">{{cite web|last=Yardley|first=Miranda|title=Cathedral Discography – Lee Dorrian talks Terrorizer through|url=http://www.terrorizer.com/2013/03/21/cathedral-discography-lee-dorrian/|work=]|accessdate=1 April 2013}}</ref> With 2001's ''Endtyme'', Cathedral re-introduced the slower, doomy elements that had been largely absent from its previous four albums.


Beginning with the ''Soul Sacrifice'' EP, the band began to incorporate a diverse array of 1970s influences into its sound.<ref name="Terrorizer Discography">{{cite web|last=Yardley|first=Miranda|title=Cathedral Discography – Lee Dorrian talks Terrorizer through|url=http://www.terrorizer.com/2013/03/21/cathedral-discography-lee-dorrian/|work=]|access-date=1 April 2013}}</ref> With 2001's ''Endtyme'', Cathedral re-introduced the slower, doomy elements that had not been as prevalent on its previous four albums.
''The Guessing Game'' represented another development in the band's sound. For Dorrian, the album's direction was a result of the fact that:


''The Guessing Game'' represented another development in the band's sound, with Cathedral's progressive and psychedelic influences coming to the forefront. For Dorrian, the album's direction was a result of the fact that:
{{cquote|This time on the record it seemed like we've come to the point where we feel confident enough to bring these influences to the fore. Because we also feel that we've got nothing to lose as well, after all this time. We've got nothing to prove as much as we've got nothing to lose. I just think we went for it, we didn't really think too hard about what the consequences would be, but I don’t think we went stupidly too far into the realms of progressive rock myself, it's just the right balance between that and everything else that the band's about.<ref name="Popmatters GG">{{cite web|last=Begrand|first=Adrien|title=Cathedral: Keep 'em Guessing|url=http://www.popmatters.com/pm/column/123843-cathedral-keep-em-guessing/|work=]|accessdate=1 April 2013}}</ref>}}

{{bq|1=This time on the record it seemed like we've come to the point where we feel confident enough to bring these influences to the fore. Because we also feel that we've got nothing to lose as well, after all this time. We've got nothing to prove as much as we've got nothing to lose. I just think we went for it, we didn't really think too hard about what the consequences would be, but I don’t think we went stupidly too far into the realms of progressive rock myself, it's just the right balance between that and everything else that the band's about.<ref name="Popmatters GG">{{cite web|last=Begrand|first=Adrien|title=Cathedral: Keep 'em Guessing|url=http://www.popmatters.com/pm/column/123843-cathedral-keep-em-guessing/|work=]|access-date=1 April 2013}}</ref>}}


Remarking on Cathedral's penchant for evolving its sound, Dorrian said: Remarking on Cathedral's penchant for evolving its sound, Dorrian said:


{{cquote|I just think it’s important for a band like us, if we have all these influences and aspects of things we like, to be a bit more adventurous and make it interesting for ourselves as much as the audience. It might confuse a lot of people, I understand that, but that’s not a deliberate intention at all. We just want to make good music to the best of our abilities. We’re not the most musical band in the world, I admit that. We just want to push ourselves and stretch ourselves and contain an element of freedom of expression in our sound. I guess that’s why we look back on a lot of older bands, because they were so unrestricted, and things are too restricted and categorized these days. If you think about a band like Cathedral, how would you categorize us? I don’t know. I don’t know what box you could put us in, and that’s something I’m quite happy with. Try and put me in a box and I jump out of it.<ref name="Obelisk TGG">{{cite web|title=Cathedral Interview with Lee Dorrian: "Put Me in a Box and I Jump out of It"|url=http://theobelisk.net/obelisk/2010/04/14/cathedralinterview/|work=The Obelisk|accessdate=1 April 2013}}</ref> }} {{bq|1=I just think it’s important for a band like us, if we have all these influences and aspects of things we like, to be a bit more adventurous and make it interesting for ourselves as much as the audience. It might confuse a lot of people, I understand that, but that’s not a deliberate intention at all. We just want to make good music to the best of our abilities. We’re not the most musical band in the world, I admit that. We just want to push ourselves and stretch ourselves and contain an element of freedom of expression in our sound. I guess that’s why we look back on a lot of older bands, because they were so unrestricted, and things are too restricted and categorized these days. If you think about a band like Cathedral, how would you categorize us? I don’t know. I don’t know what box you could put us in, and that’s something I’m quite happy with. Try and put me in a box and I jump out of it.<ref name="Obelisk TGG">{{cite web|title=Cathedral Interview with Lee Dorrian: "Put Me in a Box and I Jump out of It"|url=http://theobelisk.net/obelisk/2010/04/14/cathedralinterview/|work=The Obelisk|date=14 April 2010|access-date=1 April 2013}}</ref>}}


==Personnel== ==Members==
* ] - Vocals <small>(1989–2013)</small>
* Garry "Gaz" Jennings - Guitars <small>(1989–2013)</small>, Bass <small>(1993–1994)</small>, Keyboards <small>(1994–1996)</small>
* ] - Guitar <small>(1989–1994)</small>
* Mark Griffiths - Bass <small>(1989–1993)</small>
* Ben Mochrie - Drums <small>(1989-1991)</small>
* Mike Smail - Drums <small>(1991-1992)</small>
* Mark Ramsey Wharton - Drums <small>(1992–1994)</small>, Keyboards <small>(1992)</small>
* Leo Smee - Bass <small>(1994–2011)</small>
* Brian Dixon - Drums <small>(1994–2013)</small>
* Scott Carlson - Bass <small>(2011–2013; touring - 1995)</small>


===Live musicians=== === Final line-up ===
* Victor Griffin - Guitar <small>(1994)</small> * ] vocals <small>(1989–2013)</small>
* ] – guitars <small>(1989–2013)</small>, bass <small>(1993–1994)</small>, keyboards <small>(1994–1996)</small>
* ] - Drums <small>(1994)</small>
* Dave Hornyak - Drums <small>(1995)</small> * Brian Dixon drums <small>(1994–2013)</small>
* Max Edwards - Bass <small>(2003–2004)</small> * ] bass <small>(2011–2013)</small>


===Former members===
==Discography==
* Andy Baker – drums <small>(1989)</small><ref name="Adam Lehan – Cathedral Early Years">{{cite web |last1=László |first1=Dávid |title=I joined just before the (first) demo was recorded |url=http://rattle.hu/index.php/2018/08/i-joined-just-before-the-first-demo-was-recorded/ |access-date=25 July 2019}}</ref>
* ] – guitars <small>(1989–1994)</small>
* Mark Griffiths – bass <small>(1989–1993)</small>, guitars <small>(1989)</small><ref name="Adam Lehan – Cathedral Early Years" />
* Ben Mochrie – drums <small>(1989–1991)</small>
* Mike Smail – drums <small>(1991–1992)</small>
* ] – drums, flute <small>(1992–1994)</small>, keyboards <small>(1992)</small>
* Leo Smee – bass, keyboards, flute <small>(1994–2011)</small>


===Demos=== ===Live musicians===
* Victor Griffin – guitars <small>(1994)</small>
*1990: ''In Memoriam''
* ] – drums <small>(1994)</small>
*1991: ''Demo No. 2: Forest of Equilibrium sessions''
* ] – drums <small>(1994–1995)</small>
* Dave Hornyak – drums <small>(1995)</small>
* Max Edwards – bass <small>(2003–2004)</small>


===Studio albums=== ===Timeline===
{{#tag:timeline|
*1991: '']''
ImageSize = width:800 height:auto barincrement:20
*1993: '']''
PlotArea = left:90 bottom:60 top:0 right:15
*1995: '']''
Alignbars = justify
*1996: '']''
DateFormat = mm/dd/yyyy
*1998: '']''
Period = from:01/01/1989 till:04/30/2013
*2001: '']''
TimeAxis = orientation:horizontal format:yyyy
*2002: '']''
Legend = orientation:horizontal position:bottom
*2005: '']''
ScaleMajor = increment:2 start:1989
*2010: '']''
ScaleMinor = increment:2 start:1990
*2013: '']''


Colors =
===EPs===
id:Vocals value:red legend:Vocals
*1992: ''Soul Sacrifice''
id:Guitar value:green legend:Guitars
*1993: ''Twylight Songs'' (7")
id:Bass value:blue legend:Bass
*1994: '']''
id:Drums value:orange legend:Drums
*1994: '']''
id:Keyboard value:purple legend:Keyboards
*1996: ''Hopkins (The Witchfinder General)''
id:Studio value:black legend:Studio_albums
*2011: '']'' (12")


LineData =
===Live Albums===
layer:back color:Studio
*2011: '']''
at:12/06/1991
at:02/01/1993
at:10/03/1995
at:11/12/1996
at:12/06/1998
at:01/15/2001
at:11/02/2002
at:09/26/2005
at:03/26/2010
at:04/29/2013


BarData =
===Singles===
bar:Lee text:"Lee Dorian"
*1993: "Grim Luxuria"
bar:Garry text:"Garry Jennings"
*1993: "Midnight Mountain"
bar:Adam text:"Adam Lehan"
*1993: "Ride"
bar:Mark1 text:"Mark Griffiths"
*1994: "Wheels of Confusion" / "St. Vitus Dance" / "After Forever" (]) (from '']'')
bar:Leo text:"Leo Smee"
*2001: "Gargoylian"
bar:Scott text:"Scott Carlson"
bar:Andy text:"Andy Baker"
bar:Ben text:"Ben Mochrie"
bar:Mike text:"Mike Smail"
bar:Mark2 text:"Mark Wharton
bar:Brian text:"Brian Dixon"


PlotData=
===Best Of/Compilations===
width:11 textcolor:black align:left anchor:from shift:(10,-4)
*1992: Masters of Brutality - Vol.II (Song: Frozen Rapture)
bar:Lee from:01/01/1989 till:end color:Vocals
*1992: ''Gods of Grind'' (] Sampler)
bar:Garry from:01/01/1989 till:end color:Guitar
*1994: '']'' (] Tribute)
bar:Garry from:01/10/1993 till:07/01/1994 color:Bass width:3
*1996: ''Dark Passages - Vol. II'' (Rise Above)(Song:Schizoid Puppeteer)
bar:Garry from:07/01/1994 till:12/01/1996 color:Keyboard width:3
*1997: ''Masters of Misery'' (]: The ] Tribute)
bar:Mark1 from:01/01/1989 till:01/10/1993 color:Bass
*1997: ''Burn One Up'' (]:Song: You know)
bar:Mark1 from:01/01/1989 till:06/01/1989 color:Guitar width:3
*1999: ''Statik Majik / Soul Sacrifice''
bar:Adam from:06/01/1989 till:07/01/1994 color:Guitar
*2000: ''In Memoriam''
bar:Leo from:07/01/1994 till:03/01/2011 color:Bass
*2004: '']''
bar:Scott from:03/01/2011 till:end color:Bass
*2013: ''Something In The Water- A Rise Above Compilation''
bar:Andy from:01/01/1989 till:06/01/1989 color:Drums
bar:Ben from:06/01/1989 till:02/01/1991 color:Drums
bar:Mike from:02/01/1991 till:03/01/1992 color:Drums
bar:Mark2 from:03/01/1992 till:07/01/1994 color:Drums
bar:Mark2 from:03/01/1992 till:10/01/1992 color:Keyboard width:3
bar:Brian from:07/01/1994 till:end color:Drums
}}


===Videos=== ==Discography==
*2001: ''Our God Has Landed''


{{Main|Cathedral discography}}
==Bibliography==
* '']'' (1991)
* Doom Top Tens: The Depths Of Doom (2006). ''Terrorizer, 144'', 52-53.
* '']'' (1993)
* '']'' (1995)
* '']'' (1996)
* '']'' (1998)
* '']'' (2001)
* '']'' (2002)
* '']'' (2005)
* '']'' (2010)
* '']'' (2013)


==References== ==References==
{{reflist|2}} {{reflist}}

==Bibliography==
* "Doom Top Tens: The Depths of Doom" (2006). ''Terrorizer'', 144, 52–53.


==External links== ==External links==
{{Commons category|Cathedral (band)}} {{Commons category}}
* on Last.fm
*
*


{{Cathedral}} {{Cathedral}}

{{Authority control}}


{{DEFAULTSORT:Cathedral}} {{DEFAULTSORT:Cathedral}}
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Latest revision as of 21:33, 25 December 2024

English doom metal band

Cathedral
Cathedral performing at the Wacken Open Air festival in 2009Cathedral performing at the Wacken Open Air festival in 2009
Background information
OriginCoventry, England
Genres
Years active1989–2013
Labels
Past membersLee Dorrian
Garry Jennings
Brian Dixon
Scott Carlson
Adam Lehan
Mark Griffiths
Ben Mochrie
Mike Smail
Mark Ramsey Wharton
Leo Smee
Websitecathedralcoven.com

Cathedral were a doom metal band from Coventry, England. The group gained attention upon release of its debut album, Forest of Equilibrium (1991), which is considered a classic of the genre. However, the band's sound evolved quickly and began to adopt characteristics of 1970s metal, hard rock and progressive rock. After releasing ten full-length albums and touring extensively for over two decades, Cathedral broke up after the release of The Last Spire in 2013.

History

Early history (1989–1991)

In 1989, Lee Dorrian left Napalm Death because he was reportedly tiring of the punk scene and did not like the death metal direction which Napalm Death was taking. Cathedral was formed after Lee Dorrian and Mark Griffiths (a Carcass roadie) met and discussed their love for bands like Black Sabbath, Candlemass, Pentagram, Trouble, and Witchfinder General. The band was founded in 1989 by Dorrian, Griffiths and Garry Jennings (formerly of thrash metal band Acid Reign). Dorrian was the only founding member to remain with Cathedral for its duration, although Jennings' departure ultimately proved to be temporary. Cathedral released The Forest of Equilibrium through Earache. According to Dorrian, only Winter or Autopsy were doing something similar, sound-wise, at the time.

The Columbia years (1992–1994)

After the release of the Soul Sacrifice EP, Cathedral signed with Columbia Records. That enabled the successful two-month Campaign for Musical Destruction Tour in the United States. Cathedral's experience on Columbia was described by Dorrian as "surreal". As Dorrian explained,

We weren’t deliberately trying to be pop stars or anything like that, so playing that game just felt very surreal. We weren't exactly comfortable with it. We were an underground band one minute and the next minute they were trying to present us as the next Black Crowes. Can you imagine recording Forest of Equilibrium and a major label wanted to sign you on the strength of that? It was fairly bizarre. I guess heavy music was reaching some kind of pinnacle back then. Death metal had reached its pinnacle back then – at least its creative pinnacle so maybe they saw us as being the next step after that.

Cathedral's major label debut, The Ethereal Mirror, was noted by Jason Birchmeier of Allmusic for its experimentation, upbeat tempos, and groove-laden guitar riffs. After releasing The Ethereal Mirror in 1993, Cathedral was dropped by Columbia the following year.

Back to Earache (1995–2001)

The band resumed its relationship with Earache Records, which lasted until 2001. During this time, Cathedral released four full-length albums that continued to explore faster rhythms and 1970s-hard rock-influenced guitar riffs before returning to a relatively slow cadence for Endtyme in 2001.

Switching labels (2002–2010)

Lead vocalist Lee Dorrian performing in 2010

Cathedral signed with Spitfire Records and released The VIIth Coming. After releasing a single album on Spitfire, Cathedral signed to Nuclear Blast for their final three albums. These albums included the "inspired" and "quirky" but "uneven" The Garden of Unearthly Delights, the double-disc The Guessing Game, which was touted as the "most psychedelic, progressive material in the band's entire catalog" and the "true doom" of the band's farewell album, The Last Spire.

The Last Spire and split (2011–present)

While Cathedral had contemplated disbanding in the past, most recently after the release of The Garden of Unearthly Delights in 2006, on 6 February 2011, Cathedral announced that they would disband after the release of The Last Spire in April 2013. Dorrian explained that "It's simply time for us to bow out. Twenty one years is a very long time and it's almost a miracle that we managed to come this far!" Cathedral played their last show in Perth, Western Australia during the Soundwave 2012 tour.

Shortly before the release of The Last Spire, Dorrian told Noisecreep that there will never be a Cathedral reunion, and called that idea "absolutely stupid." Guitarist Gaz Jennings added that chances of a Cathedral reunion are "very, very slim", and that he "just can't see" it happening in the future. He also stated that Dorrian has "moved on" and does not want to be involved in a reunion. Three out of four of the final members of Cathedral reformed the band Septic Tank after Cathedral's break up.

When asked in July 2020 by Decibel magazine about the possibility of a Cathedral reunion, Dorrian said: "To just reform and cash in on the lucrative offers we've been getting ever since we broke up would feel a bit like we're just doing it for the cash, which is never what it was about in the first place. Never say never, I guess, but it's very doubtful. We ended it for a reason."

Musical style

Cathedral's releases have been marked by sharp shifts in style. While Forest of Equilibrium was firmly entrenched in a slow, heavy doom sound, elements of 1970s metal and groovier riffs entered its sound beginning with the Soul Sacrifice EP. By the time that The Ethereal Mirror was released, the band had incorporated references to 1970s music, such as the disco influences heard on "Midnight Mountain".

As Dorrian explains, the band's original sound was a product of the immediate musical environment combined with the band members' influences:

When we first started, the music of Cathedral was a lot more extreme than it is now, a lot more morose and depressing, because that's how we felt at the time. We'd all come out of the death metal scene, or the grindcore scene or whatever, and I was just as much into the slower stuff as I was into the faster stuff. I just wanted to do something a bit different, so we took all our influences like Vitus and Pentagram and the Obsessed and stuff and decided to take that kind of music one step further, bring it into the 90's, make it more extreme, more heavy and downtuned than any of those bands had done before. That was our first and foremost ambition, and I think we probably achieved that when we did our first album.

Beginning with the Soul Sacrifice EP, the band began to incorporate a diverse array of 1970s influences into its sound. With 2001's Endtyme, Cathedral re-introduced the slower, doomy elements that had not been as prevalent on its previous four albums.

The Guessing Game represented another development in the band's sound, with Cathedral's progressive and psychedelic influences coming to the forefront. For Dorrian, the album's direction was a result of the fact that:

This time on the record it seemed like we've come to the point where we feel confident enough to bring these influences to the fore. Because we also feel that we've got nothing to lose as well, after all this time. We've got nothing to prove as much as we've got nothing to lose. I just think we went for it, we didn't really think too hard about what the consequences would be, but I don’t think we went stupidly too far into the realms of progressive rock myself, it's just the right balance between that and everything else that the band's about.

Remarking on Cathedral's penchant for evolving its sound, Dorrian said:

I just think it’s important for a band like us, if we have all these influences and aspects of things we like, to be a bit more adventurous and make it interesting for ourselves as much as the audience. It might confuse a lot of people, I understand that, but that’s not a deliberate intention at all. We just want to make good music to the best of our abilities. We’re not the most musical band in the world, I admit that. We just want to push ourselves and stretch ourselves and contain an element of freedom of expression in our sound. I guess that’s why we look back on a lot of older bands, because they were so unrestricted, and things are too restricted and categorized these days. If you think about a band like Cathedral, how would you categorize us? I don’t know. I don’t know what box you could put us in, and that’s something I’m quite happy with. Try and put me in a box and I jump out of it.

Members

Final line-up

  • Lee Dorrian – vocals (1989–2013)
  • Garry Jennings – guitars (1989–2013), bass (1993–1994), keyboards (1994–1996)
  • Brian Dixon – drums (1994–2013)
  • Scott Carlson – bass (2011–2013)

Former members

  • Andy Baker – drums (1989)
  • Adam Lehan – guitars (1989–1994)
  • Mark Griffiths – bass (1989–1993), guitars (1989)
  • Ben Mochrie – drums (1989–1991)
  • Mike Smail – drums (1991–1992)
  • Mark Ramsey Wharton – drums, flute (1992–1994), keyboards (1992)
  • Leo Smee – bass, keyboards, flute (1994–2011)

Live musicians

  • Victor Griffin – guitars (1994)
  • Joe Hasselvander – drums (1994)
  • Barry Stern – drums (1994–1995)
  • Dave Hornyak – drums (1995)
  • Max Edwards – bass (2003–2004)

Timeline

Discography

Main article: Cathedral discography

References

  1. ^ "Cathedral-The Last Spire". Exclaim!. Retrieved 5 January 2014.
  2. ^ Sharpe-Young, Gary. "MusicMight: Artists: Cathedral". MusicMight. Archived from the original on 28 January 2010. Retrieved 10 December 2008.
  3. "True Doom," 2006, p. 52.
  4. ^ Cook, Toby (31 March 2010). "We're Really Not That Positive: Cathedral Interviewed". The Quietus. Retrieved 1 April 2013.
  5. Cook, Toby (18 July 2013). "Bring Out Your Dead: Cathedral's Lee Dorrian Interviewed". The Quietus. Retrieved 16 March 2020.
  6. Pratt, Greg (27 February 2020). "That Tour Was Awesome: Campaign for Musical Destruction (1992)". Decibel Magazine. Retrieved 16 March 2020.
  7. ^ Gitter, Mike (26 April 2013). "Cathedral's Lee Dorrian on the Band Ending, How Their Former Label Tried to Make Them the Next Black Crowes". Noisecreep. Retrieved 19 November 2013.
  8. Birchmeier, Jason. "Cathedral The Ethereal Mirror". Allmusic. Retrieved 6 January 2014.
  9. Rivadavia, Eduardo. "Cathedral Endtyme". Allmusic. Retrieved 6 January 2014.
  10. Rivadavia, Eduardo. "Cathedral The Garden of Unearthly Delights". Allmusic. Retrieved 6 January 2014.
  11. Freeman, Phil. "Cathedral The Guessing Game". Allmusic. Retrieved 6 January 2014.
  12. Brown, Dean. "Cathedral - The Last Spire". Scratch the Surface. Archived from the original on 16 June 2013. Retrieved 6 January 2014.
  13. Doran, John (19 May 2011). "Lee Dorrian Discusses The End of Cathedral". The Quietus. Retrieved 6 January 2014.
  14. "Cathedral Announces Plans To Disband". Blabbermouth.net. 6 February 2011. Retrieved 11 May 2013.
  15. "Perth Soundwave Review - Alternative Music HubAlternative Music Hub". alt music hub. 13 March 2012. Archived from the original on 19 March 2012. Retrieved 23 April 2016.
  16. Gitter, Mike (26 April 2013). "Lee Dorrian Discusses The End of Cathedral". Noisecreep. Retrieved 10 May 2016.
  17. Rex_84 (3 July 2015). "Cathedral Guitarist Gaz Jennings Discusses Demo". metalunderground.com. Retrieved 10 May 2016.{{cite web}}: CS1 maint: numeric names: authors list (link)
  18. "SEPTIC TANK Feat. REPULSION, Ex-CATHEDRAL Members: 'Rotting Civilisation' Album Details Revealed". Blabbermouth. 21 February 2018. Retrieved 21 July 2018.
  19. Pratt, Greg (23 July 2020). "A Funeral Request: Former Cathedral Members Talk 'New' Live Albums". Decibel. Retrieved 27 October 2021.
  20. Birchmeier, Jason. "Cathedral - Soul Sacrifice EP". Allmusic. Retrieved 1 April 2013.
  21. Birchmeier, Jason. "Cathedral - The Ethereal Mirror". Allmusic. Retrieved 1 April 2013.
  22. Kitchens, Fitted (15 May 1999). "CATHEDRAL". livingdamned.net FKOTLD on-line. Retrieved 10 December 2008.
  23. Yardley, Miranda. "Cathedral Discography – Lee Dorrian talks Terrorizer through". Terrorizer. Retrieved 1 April 2013.
  24. Begrand, Adrien. "Cathedral: Keep 'em Guessing". Popmatters. Retrieved 1 April 2013.
  25. "Cathedral Interview with Lee Dorrian: "Put Me in a Box and I Jump out of It"". The Obelisk. 14 April 2010. Retrieved 1 April 2013.
  26. ^ László, Dávid. "I joined just before the (first) demo was recorded". Retrieved 25 July 2019.

Bibliography

  • "Doom Top Tens: The Depths of Doom" (2006). Terrorizer, 144, 52–53.

External links

Cathedral
Studio albums
EPs
Compilation albums
Categories: