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| ==The Cave of Swimmers and It's Discovery Portrayed== | |||
| {{WikiProject Film|British-task-force=yes|American-task-force=yes|War-task-force=yes}} | |||
| Katherineby Almasy with the Clifton's present before World War II. Is there a nuance by which I missed establishing that despite his earlier publication, which would seem to in monographs of that type to include images of what is being described, that would explain the conundrum? ] (]) | |||
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| == References to use == | |||
| Who is "Katherineby Almasy"? If this is irrelevant text should it be removed?] (]) 20:04, 26 January 2014 (UTC) | |||
| ==Changes== | |||
| ORIGINAL: In the final days of ], Hana, a ] nurse in an abandoned ] ] looks after a critically burned man who speaks English but is reluctant to disclose any personal information. | |||
| REPLACEMENT: ] waning finds the ] Hana nursing, in a bombed ] ], a critically burned English-speaking man avoiding disclosure of personal information. | |||
| EXPLANATION: | |||
| Waning means coming to an end and adequately sets the war time frame in five words instead of the eight. | |||
| "Abandoned" does not adequately convey the monastery's condition. It was abandoned, yes, but the uncertain safety of it, which may very well be a reason for it being people less, better conveyed by being described as bombed | |||
| ORIGINAL: David Caravaggio, a ] intelligence operative and former thief, arrives at the monastery with completely wrapped hands and an acute interest in the nurse's morphine and the English patient's past. | |||
| REPLACEMENT: The ] intelligence operative and ex-thief David Caravaggio crashes the monastery; hands bandaged completely and an acute interest in the patient's morphine and past. | |||
| EXPLANATION: | |||
| Placing the adjectives before the noun eliminates punctuation and needless words. | |||
| C. is never mandated when remaining in German occupied Tubruk avenging trespasses, only monitor activities; so retribution is his own idea. He was never ordered to the monastery and would not be at the monastery except for his own purposes so to just "arrive" is not as impactful as the word "crashes", although welcomed by Hana. Anyway, we learn he had an ulterior purpose probably reinforced by morphine availability. | |||
| "Wrapped" is not as descriptive as "bandaged", the latter indicating some medical need rather than some unknown personal preference. In fact it sets the scene for when we learn about the amputations. | |||
| The activity at the monastery orbits the patient. The morphine is there for the patient so any sense of "ownership" should be afforded the patient since the morphine would not be there except for his use and merely administered by H. Eliminating the miss-identified association of the morphine decease the article size by avoiding words. In all likelihood, H. and C. would not be there except for the patient. Yes,"The onset of the war brings excavation at the cave to a halt, and Madox and the Count go their separate ways. Geoffrey Clifton meanwhile has discovered the affair, and seeks a sudden and dramatic revenge. He crashes his plane, with Katherine aboard, into the Count's desert camp. The wreck kills Geoffrey instantly, seriously injures Katherine, and narrowly misses the Count. He manages to take Katherine into the maps with Katherine in the cave otherwise the British would have become in possession of them when he attempt to get help for Katherine. The flight to pick up Almasy by the Clifton's certainly had to happen before the declaration of war //Almasy never said he wanted a lethal dose, instead he tipped the box of morphine vials so that many rolled toward Hana giving her an indication that he wanted leave from his condition.// | |||
| There are several difficulties following the sequence of the film because it is not chronological. Somehow, the marriage anniversary of the Clifton's has to be reconciled with the May 1939 revocation of all foreign survey expeditions in Egypt, Almasy never being asked for return of the maps before declaration of war following the invasion of Poland by Germany (September 1939), the attempt on the life of Almasy by Geoffrey as an act of revenge, the Siege of Tobruk (1941), the tragic disfiguring fiery flight to return Katherine to England for interment, transport of Almasy to Italy when that country was safe for the Allied Forces could have their troops convalesce without threat from the occupying German forces on the Italian mainland as early as the September 1943 secret armistice signed at Fairfield Camp in Sicily but only slightly as there were only some Allied troops on the mainland at that time but not in control, the retreat of German forces from southern Italy so as to leave Almasy at the monastery with some semblance of safety. Even during the time that Hana was at the monastery, the town newly freed the town square statue was bobby trapped so removal of all German threat was well into the monastery stay. | |||
| But one of the significant scenes in the movie is toward the end when Caravaggio coming to terms with his vendetta to kill those that had a part in his suffering in Toburk reverts from a real time German surrender of World War II with a reminiscence of Almasy's disfiguring flight with Katherine. So if the attempt on Almasy's life was as early as September 1939 it would not have been until 1943 that he could have been transported to Italy and ensconced in the monastery as the German's retreated southern Italy. So a new approach has to be used leaving bare much of the detail that is attempted to cover the current "married but the introduction of Almasy brings a conflict in their attachmentby the Germans with Katherine already dead aboard. That despite the repeated deaths of those with home he come into contact he survives only to come in contact with a conflict that is perceived by Caravaggio absent knowledge of the affair and Katherine's deathbed declarations and wishes and mind bent on revenge. That Caravaggio resolves his intention of retribution from torture at Toburk by leaving Almasy be. And of course the conflict perceived by Hana of when becoming attached to someone invariably leads to their death during the war, although some keepsake remains to remind her, but that it is resolved when a wartime love with Kip breaks the cycle. ] (]) 11:06, 11 December 2013 (UTC) | |||
| I find these proposals ungrammatical and frequently inaccurate. | |||
| 1. Use of "waning" is not normal English usage and ruins the lucid grammar of the sentence. | |||
| 2. "Bombed" may or may not mean "abandoned" although I have some sympathy for this idea. | |||
| 3. "Crashes". Strange usage that means nothing. | |||
| 4. The cave paragraph proposal suffers from poor syntax. The original is clear and readable. | |||
| 5. The paragraph on Caravaggio is not good English. | |||
| 6. Paragraph on Geoffrey's revenge is needlessly dilatory. Just say what happens. | |||
| 7. Same paragraph lacks knowledge of English usage, grammar, and syntax. | |||
| 8. "The Bedouin" may be an improvement. | |||
| I will include the changes that work a little. Thanks for the effort. --] (]) 02:25, 21 January 2014 (UTC) | |||
| "Inaccurate"? In what manner. If someone decides that they do not agree with something it is somewhat gratuitous to then not state under what conditions it is that there is disagreement otherwise such a statement just sets up a ping pong string or worse yet makes everyone else go about the start of a string that you have not fully disclosed. Just as in any well written work, the who what where when and why works for me. could we avoid these types of carousel statements--going up and down and all around and getting no where. To bad the "change" was not completed in full so that we could have had a better understanding what seems to have been a detailed explanation by which it could be either supported or debunked justifiably. I am not a supporter of personification of argument. That only encourages people to be vain and vindictive. As far as Misplaced Pages is concerned, this is a community effort and I am a bit concerned by the statement,"I will include the changes that work a little." when it really should be expressed as "I can suggest changes and we can go from there." That way, no one person is left with the responsibility that has been reserved for the Misplaced Pages community--even years from now.] (]) 20:18, 26 January 2014 (UTC) | |||
| ==References to use== | |||
| <!-- ] 19:39, 30 October 2020 (UTC) --> | <!-- ] 19:39, 30 October 2020 (UTC) --> | ||
| :''Please add to the list references that can be used for the film article.'' | |||
| *{{cite book | last=Diamond | first=Diana | year=2001 | chapter=Narrating Desire and Desiring Narration: A Psychoanalytic Reading of ''The English Patient'' | editor-last=Gabbard | editor-first=Glen O | title=Psychoanalysis and Film | series=International Journal of Psychoanalysis Key Paper Series | publisher=Karnac Books | pages= | isbn=1855752751 }} | |||
| ::With respect, psychoanalysis of a work of fiction is as useful as psychoanalysis of physics. It's fiction, not a biography or autobiography. Hence, one can only reverse-psychoanalyze the author at the time of writing. One may wish to analyze the audience, but that fails on grounds of diversity, as some will view the film just to watch a film, others are "dragged" to the film by a significant other, still others to see "what it's all about" and still others are attached psychologically to the film. Hence, lacking a control group, common motivation, etc, one lacks full insight to gain any analysis.] (]) 04:28, 31 July 2012 (UTC) | |||
| == Awards == | |||
| Misplaced Pages is not designed to provide a comprehensive discourse of all facets of a topic. Keeping this in mind, I think that including the long list of all its minor awards makes the page too cluttered. The list of awards is longer than the entire substance of the article. The Academy Awards (and perhaps the Golden Globes) seem like they would better suit the expectation of Misplaced Pages readers to provide key information. Afterall, they can just follow the link to IMDB for the other awards. Does this sound reasonable? <small><span class="autosigned">—Preceding ] comment added by ] (] • ]) 10:25, April 24, 2006</span></small><!-- Template:Unsigned --> | |||
| Misplaced Pages and "a comprehensive discourse of all facets of a topic" is a very subjective phrase because, as I illustrate it with my US Civil War and (Printed) Encyclopedia article story. Years ago when I was getting on in school it came time to have in the house a handy reference for information but not able to afford a copy of what would be found in a municipal or school library we looked at second hand copies and came upon one printed before WWI that had an article on the US Civil War of about 30 pp. But an encyclopedia pre-WWI was probably not the most basic up to date for 1970. A 1960s copy of the same encyclopedia had a considerably smaller US Civil War article with large WWI and WWII and Korean Conflict articles. Then a 1970s copy had an increased sized Civil War article concentrating on those parts of the war that had greater significance than others nationally with additional articles on WWI WWII and Korean Conflict reduced and a large article on the Vietnam War, etc. as time progressed. As new information became understood or available there was either greater or less size to the article. It is one thing to have sources of long lasting value but it is a totally different thing about information of a long lasting value in a changing world. I say put in the awards and acclamations and let time deal with it.] (]) 21:04, 17 January 2014 (UTC) | |||
| Just a note to people that when honors concern The Golden Globe Award that do not use their site as a reference source for nominations because they dump all nominations after about 10 years and so only list winners. That is not good if you want to recheck a source. Does any one know of a publication that lists nominees and winners for them from the beginning?] (]) 03:11, 29 January 2014 (UTC) | |||
| ==Where are the references== | |||
| Please cite the references for such a detailed analysis. Otherwise it might risk being a POV | |||
| --] 08:59, 4 December 2006 (UTC) | |||
| :It's definitely original research, if not directly POV. I'm going to go at this with a razor. --] 06:40, 11 February 2007 (UTC) | |||
| I hacked out all the interpretative speculations and tried to keep the 'Themes' section factual. The themes of nationality and ownership are very much there in the dialogue, so I tried to simply quote the relevant lines without veering off into speculations about them. ] 17:39, 15 February 2007 (UTC) | |||
| ==Questionable Trivia== | |||
| That bit about Judge Rheinhold seems incredibly suspect, though amusing. Can anyone confirm or deny? I couldn't find other references on the internet. ] 19:23, 8 January 2007 (UTC) | |||
| :Nuked it (see edit summary). ] 17:37, 15 February 2007 (UTC) | |||
| ==French-Canadian== | |||
| The article describes Hana as being French-Canadian. She is not French-Canadian, but Italian-Canadian. She was from the Danforth neighbourhood, in Toronto, Ontario, Canada. What is up with that? <span style="font-size: smaller;" class="autosigned">—Preceding ] comment added by ] (]) 02:58, 11 March 2009 (UTC)</span><!-- Template:UnsignedIP --> <!--Autosigned by SineBot--> | |||
| In the book that's true, in the movie she's from Montreal <span style="font-size: smaller;" class="autosigned">— Preceding ] comment added by ] (]) 15:42, 3 September 2011 (UTC)</span><!-- Template:Unsigned IP --> <!--Autosigned by SineBot--> | |||
| What adjacent neighborhood did Moose come since he identifies with general origin with Hana? | |||
| One of the problems with works that generate from other formats, editions, remakes is that people can easily become confused and the clarification made 3 September 2011 reminds us that not only is the detail important but so is the way it is expressed. Is it necessary to identify the question previously stated about any significance to what could be the adjacent neighborhoods of Hana and Caravaggio that might have a bearing in this article?] (]) 20:27, 26 January 2014 (UTC) | |||
| ==Not Cairo== | |||
| "... then begins his scorching three day walk back to Cairo and help." - no, because he is then arrested and put on a train going "north to Benghazi" - this had to before the ] in 1941 (the Germans later ] in mid 1942, when Moos is tortured).] (]) 07:54, 17 March 2011 (UTC) | |||
| The events of the film don't mesh easily with reality. The desert war didn't begin until the Italians invaded Egypt in autumn 1940, a year after the war began (Italy joined in the war in June 1940, as France was collapsing, so nobody in Egypt in autumn 1939 would have thought war likely to appear on their doorstep soon). Commonwealth forces flung the Italians back and overran Benghazi in autumn 1940, only to lose it to Rommel in spring 1941. They controlled Benghazi briefly again in early 1942 after the first (failed) siege of Tobruk, then did not control Benghazi again until the end of 1942, when Montgomery threw the Axis out of Libya altogether after Second Alamein. I'm not even sure there was a railway into Benghazi - the Italians had been contemplating building a Tripoli-Benghazi railway when the war distracted them. There were railways in Egypt as far west as Mersa Matruh, but supplies in Libya had to be carried painstakingly by coast road and desert track. Benghazi wasn't a major port, and the Mediterranean was not easy to sail through for either side. And why on earth would a man wounded in North Africa be being sent all the way up Italy?] (]) 14:27, 10 December 2011 (UTC) | |||
| Also the film shows German paratroops landing on Tobruk when they capture it in June 1942. I very much doubt this is true. Last major German paratroop drop was Crete in spring 1941, although some paratroop units, including Ramcke's paratroop brigade, were being husbanded for the invasion of Malta in 1942 (which never happened). Ramcke's men were used as ground troops in North Africa from July 1942.] (]) 14:43, 10 December 2011 (UTC) | |||
| :It's just about feasible that the crash happened soon after ], including areas south of Benghazi in February 1941; but it only allows 1 month for the Count to establish his camp near the cave before Rommel's first offensive. Or after ] at the end of 1941, when again Rommel counterattacked within a month. But in both cases would the British really have allowed a Hungarian (i.e. ] since 1940) citizen to wander about so close behind their front? He'd have been interned. Even so it's a great film.] (]) 15:08, 13 September 2012 (UTC) | |||
| He went to for help. ] (]) 10:14, 11 December 2013 (UTC) | |||
| The problem with the film is that there are scenes of remembrances or recall without any act to set the time frame. This very well may have happened with the editing style in which it was done--a silent rough cut was made before working on the sound in order to establish a better flow between transitions. The only time frame we have for the period during which he gets burned is that the Germans control territory between the camp and the British controlled area. Someone with more information about where were the Germans and when would give a better understanding of that off-screen time frame. We do know that the Cliftons were flying under the guise of picking up the Count but it is a two seat plane so where, on the return to Cairo, is the Count going to sit? And as for the time frame as to when he is on the transport train to Tobruk someone familiar with detention activities of the British at the time would better be able to give us a time frame with that. His time away from Katherine was a minimum of 3 days since that is how long it took to get to the small town. And presumably, he would attempt to return within a reasonable time for her to be alive. I would think that the burn flight had to be no later than 9/39 when war is declared otherwise why would the plane be used for civilian purposes rather than solely military with war declared? But that would also mean that he was incapacitated by the burns for about 6 years.] (]) 01:02, 26 January 2014 (UTC) | |||
| ==Ignorant, arrogant Anglo-Saxons== | |||
| * German ''Fallschirmjäger'' are shown to be dropped into Tobruk. --> The first ''Fallschirmjäger'' arrived in Libya AFTER the fall of Tobruk, and they were never used in an airborne landing. | |||
| * A ''Panzerjäger'' Marder III Ausf. M is seen in Tobruk. --> Production of this vehicle did not start before the summer of 1943. | |||
| * German troops round up and intimidate civilians in Tobruk. --> Tobruk was a city in the Italian colony of Libya, so all civilians were Italian nationals. Technically, the fall of Tobruk to the Axis was not a conquest, but a liberation. Any suspicious Arabs would have been dealt with by the Italian police force. | |||
| * SS officers torture prisoners in Tobruk. --> There were no SS members in Libya, apart from a few short visits, as German police forces were only used in occupied, but never in Allied countries. | |||
| * The character played by Jürgen Prochnow is called "Major Müller". --> In the SS, there were no majors, only ''Sturmbannführer''. | |||
| * In any case, Prochnow is wearing the collar patches of a ''Standartenführer'', and he is wearing them upside down. <span style="font-size: smaller;" class="autosigned">— Preceding ] comment added by ] (]) 19:02, 30 June 2012 (UTC)</span><!-- Template:Unsigned IP --> <!--Autosigned by SineBot--> | |||
| ::Thank you for that illuminating and insulting review. Factual corrections are of merit, the claim of "Ignorant anglo-saxons" falls false, as I'm of Sicilian heritage. I'm quite certain most of the editors of this article are also not anglo-saxon. Indeed, you confuse this article with the work of fiction's flaws. Perhaps you should address this with the production team, rather than here. If I were to analyze your comments, I'd suspect you are a neo-nazi sympathizer. However, your corrections ARE valued, for historic information. Your derision is simply discarded, along with your complaint about the REPORT on a work of fiction that was NOT written by the editors who reported on that work of fiction here.] (]) 04:35, 31 July 2012 (UTC) | |||
| OUCH! No wonder why an earmarked article for revision continues to revert to the originally cumbersome text. What is the point of Misplaced Pages except as people become aware of information but to revise it so as to have a more comprehensive understanding and context of the actual work with real time. This is sad. As for being insulting, it clearly establishes that the nuance of a people in literary works would more accurately depict either what may have been adapted from the original book or introduced by the script writers. An insult? Sometimes when someone is so insular as to not realize it that type of statement can be an unexpected slap in the face just as Cher's character laid a couple on the brother of her intended in order to bring him back to her reality. ] (]) 11:07, 11 December 2013 (UTC) | |||
| :::Thank God the Germans have always been better at the details of uniforms than winning wars, eh?] (]) 15:20, 13 September 2012 (UTC) | |||
| If you think that the German's are fastidious with military uniforms get to know some of the more active people involved in the Renaissance faire activities here in the US that can down to the fabric content, weave and color indicate inconsistencies of what people wear to portray the milieu of the area just so that the period would be more authentically represented. ] (]) 11:08, 11 December 2013 (UTC) | |||
| == Possession of the Maps While in detention -- Unexplained == | |||
| There does not seem to be a logical explanation in the film as why the British that took him prisoner did not when searching him for concealed weapons or contraband would not have found the maps and confiscated them and instead when Almasy escapes the train detention to Benghazi has the maps on him to trade to the Germans in order to fly back with Madox's plane secreted in the oasis to Katherine at Swimmers.] (]) <span style="font-size: smaller;" class="autosigned">—Preceding ] comment added 12:23, 12 December 2013 (UTC)</span><!--Template:Undated--> <!--Autosigned by SineBot--> | |||
| == Expedition Financing == | |||
| Where is it that the expedition is financed by the Clifton's when in fact the plane they bring although portrayed as theirs is in fact British government property? Is this a transfer from the book? <span style="font-size: smaller;" class="autosigned">— Preceding ] comment added by ] (]) 05:22, 23 January 2014 (UTC)</span><!-- Template:Unsigned IP --> <!--Autosigned by SineBot--> | |||
| This is an interesting question because of the many times that I have seen the film I cannot remember such a statement or connotation being made? Leading up the meeting of Madox and Almashy and the Cliftons there seems never to be made such as statement or inferred but hopefully someone more familiar with these scenes of the film can comment. Is that fact in the book and never made part of the film? This particular issue reminds me of those "exercises" where someone decides to establish the source of something and comes away with that the person to whom something has been attributed was the creation of someone else in reference to that person rather than an organic creation of that person. I would not want Misplaced Pages seen to be a source that years later is found to be fallacious. That is the reason why so much emphasis is placed on providing references of a long lasting value. Can someone who has a copy of the film look at it up to the point of the arrival of the Cliftons to see if there is fact in those scenes as to the financial role of the Cliftons in the expedition? Katherine does give away when they are waiting for the return with the help of Madox that the plane is government property, not that of the Cliftons especially as Geoffrey is off mapping Africa.] (]) 21:08, 26 January 2014 (UTC) | |||
| == Little Knowledge? == | |||
| Now, I am not a historian on WWII history but in just what frame of mind can it be expected that any British ex-patriot would not be aware or knowledgeable about the brewing war especially in of all places Egypt where the British had a primary reason for concern since they had control of the Suez Canal? Now, I can understand if the present wording is by an American but to Britain's of the time and particularly to the powers that be such as the Foreign Office, if the crises over Germany's unification activities of ethnic German's was not of such a significant concern Macmillan never would have personally met with Hitler. Mind you, the then current British ambassador had long ties with Britain's movers and shakers, served in Japan just after the war with Russia, in China in 1916 following the fall of the Emperor and it's political turmoil, Russia in 1920 when political structure within the country had yet to be settled with some sense of continuity and then back to China when political unification had yet to be established. Even someone with an academic approach to life may not have been a politico but certainly aware and possibly not very interested. But little knowledge? That is a stretch. These people are in the British Embassy in Cairo. What, they are living in a vacuum? And to some that would be incredulous. Unconcerned would be more apropos than little knowledge. <span style="font-size: smaller;" class="autosigned">— Preceding ] comment added by ] (]) 09:22, 23 January 2014 (UTC)</span><!-- Template:Unsigned IP --> <!--Autosigned by SineBot--> | |||
| Next time I see the film i will have to pay attention to the nuanced associations between those in the expedition gang and the public officials to get a better understanding about just how isolated they were or just did not have any interest in the political tensions in Europe. I talked with a woman that worked with the US Embassy in Mexico and she said that the staff would get advisories everyday about which personnel from other embassies they had to avoid all in order to uphold whatever level of relationship there was at the time. That one particular employee when the US had friendly relations they would occassionally socialize but then when it changed each was never invited to the other's embassy for events and that when they were going through a department store and realize the other was in the short distance they just nodded to each other and moved into different directions. So if these were employees two people were employees in the 50's 60's just how was the Cairo diplomatic world in pre-WWII?] (]) 03:44, 29 January 2014 (UTC) | |||
| == Unrealised cultural judgments and statements in Articles == | |||
| I have a serious concern about the following statement included in the plot of the article: "the Count finds an ancient Saharan cave" since it displays a cultural judgment on what role did the Count play in the "discovery" of this site. Changing of the word "finds" to "identifies" provides a more neutral connotation since even in the movie the way by which the Count is able to locate the cave is by the description provided to him by a native. Anthropologist recognize that in Western society the lack of tangible evidence such as written or published and photographic information has encouraged people to believe that something does not exist until made known to the world by such information. This fallacy is the very reason why evidence such as story telling has been accepted in the field of anthropology and interpretation of archaeological finds. The best example of this is the "discovery of the Americas when in fact those that who were from there already knew it existed and the only change was that to at least the Western world it was identified with one of the various contacts made by people from other places such as Europe including Columbus and previous to he such as the Vikings. Even Columbus used cultural prejudice in naming of the natives as "Indians" believing that he was in a place that in fact he was not. I am not saying that we should rename the Indians but that if Misplaced Pages, in order to be acceptable as a source of universal fact, it should see that this type of expression is either eliminated or explained and avoid an unintended "insulting" of people. If the Count was given a descript of not only the swimmers and by what geological features he could see it then in fact he provided means by which it could more systematically, within having knowledge of the world, be located. The right word shows intellectual integrity.] (]) 15:43, 25 January 2014 (UTC) | |||
| :You are right that we should avoid this fallacy, whatever you want to call it, but it seems to me your solution is not an improvement on the current text. 'Finds' doesn't mean 'discovered'. Almazy actually finds the cave, so no fallacy is involved. And 'identifies' is worse, since it seems to say that it was previously not identified, as if only a Westerner could say what it was or something. In fact, he doesn't discover it and he doesn't identify it, he finds it. Thanks very much for your attention to this important issue! --] (]) 20:09, 25 January 2014 (UTC) | |||
| Finds? I am sorry if what seems my approach to this particular issue seems so sensitive but when your undergraduate degree is in anthropology and you are taught by someone that was at the time of their education not the conventional candidate for a PhD you can get a more reflective mind set when it comes to the "natives" of an area and the outsiders. | |||
| Now, we should know that the Count in REAL LIFE published in his 1934 non-English language book on the area a chapter on the Cave. In that book and in no other publication or manuscript form does it seem to appear that the natives told him about the site so I cannot champion the idea that he was able to map it based on a suggestion from a native. But that is real life, not the film. In the film, the Count specifically says that he was told that the Cave was in an area in which the shape of the surrounding land (I assume they really meant ridge instead of a hill or mountain) had the shape of a woman's back. That when he sees the Cave he mentions that the shadow of the ridge from the setting sun in fact did have the shape of a woman's back. This was a clue for him to find the Cave; But that is not find as in discovery, that is find as in visit. From his visit then can come publicity that makes the area known to more people and it's mapping using western techniques can make finding it more predictable instead of the natives identifying it's location as where the surrounding land looks like the back of a woman. Both systems of location use geographic information: one uses geological formation and the other uses geological measurements based on longitude and latitude. Obviously, the latter is more precise and possibly of a more enduring form but it does not have enough credibility to suggest that in the film if the Count was told about the existence of a Cave with Swimmers makes any visit that he may make there never a discovery because others know about it although they may not have manuscripts or books by which to show western definitive fact. If we apply a western definition of fact on things that others know about but just do not have in tangible form except what is in their memory or songs or stories then we are just imposing our cultural bias on another which does not detail a description of their experience similar to a western culture. That is why, when I say that any word that connotes discovery is presumptive and possibly offensive to those that knew before the outsiders appeared. The joke is on those that think they are more familiar with another culture; that is the fallacy] (]) 07:25, 26 January 2014 (UTC)] (]) 07:25, 26 January 2014 (UTC) | |||
| :As I said, I agree with you but you have the solution backward. To find something is not to discover it. Just as when you want to go to a particular restaurant, someone gives you directions, then you go there -- you found it with the directions. That's ordinary English usage. When you found the restaurant, you didn't identify it, because it was already identified. The Count doesn't identify the cave, he finds it. Thanks for your attention to this issue, but lose the attitude. There are a lot of smart editors here. --] (]) 10:01, 26 January 2014 (UTC) | |||
| Sorry to bring up such a tragic example, but that very situation brings up the issue that the frame of mind has so much to do with the interpretation of words used. One of the problems parents encountered with the downing of the twin towers in NYC was that the repeated collapsing's being aired were viewed by children as reoccurring incidents and not rebroadcasts. So to someone that has the frame of mind that they not knowing of someplace then coming upon it or coming upon it have thus "discovered" it does support the view that the connotation of the word is just as significant as the action to be represented. A thesaurus tells us so; synonyms and antonyms tells us so. So I am not particularly satisfied that the "sole" word "finds" is sufficient to convey the idea, absent any inclusion that Almashy was told about the Cave by the indigenous people, merely by the use of the word "finds"? And that others absent Almashy's story can fully discern for themselves just what is the unference of the use of "finds". That would be a fundamental reason to select the appropriate neutral word. "Finds" is not so neutral. | |||
| Before I end my thoughts, in the world of negotiation and understanding it seems that in veritably it is best to chastise yourself rather than others so in order for Misplaced Pages to achieve its intentions please when one feels compelled to say something along the lines of "but lose the attitude" that it just might be best to write it down on a piece of paper and eat it than to say or write it. If it should be referred to as biting one's lips or inside cheek or whatever, really is not a concern. Just because one may not be face to face does not make aggression any more useful or appropriate and if it is repeated too often can reflect upon the person.] (]) 21:31, 26 January 2014 (UTC) | |||
| :I'm open to improvements, but 'identifies' is worse than 'finds', which is about as neutral as you're going to find. "Where is the restaurant?" "On Main Street." "Okay, now I found it." Since we're not using the word 'discovered', it seems like we're not saying that he discovered it. Since he found the cave, it seems accurate to say he found it. Since he didn't identify it, it seems false to say he identified it. So by all means offer an alternative if there is one that's true and accurate to what happens in the movie. Thanks very much. --] (]) 00:43, 27 January 2014 (UTC) | |||
| Okay. Let it be "maps and explores" as that neutrally expresses and describes just what was Almasy's role with knowledge about the Cave before he saw it personally and his ability to make it known to the world outside of its native area. End of issue.] (]) 01:49, 27 January 2014 (UTC) | |||
| :Absolutely not. Mapping is a Western cultural imposition on places they are ignorant of. Exploring is a euphemism for genocide since Columbus, as I'm sure you're aware. All we can accurately say is that Almasy sees the cave. I'm sure you understand how repugnant it is for you to pretend that only a Westerner can map or explore an ancient site. --] (]) 02:08, 27 January 2014 (UTC) | |||
| Where is it that LimeyCinema1960 says that mapping with longitude and latitude is NOT a western cultural tool? As if Ring Cinema's statement about WordWrightUSA was not enough discombobulating. Since many other cultures have taken on the use of longitude and latitude for mapping locations the activity itself is not detrimental to those people. Sorry to say that your sincerity about bringing up Columbus and genocide losses it's appeal when your actions and words could be viewed as disruptive. Exploring is not a euphemism for genocide since Christopher Columbus because not all anthropologists, archaeologist, ethnologists and all the other appropriate cultural and animal scientists have developed the same reactions with natives. Some have developed and maintained very clear and strong relations that have helped build knowledge with these people for many years. If you wish to use the word repugnant then be it for the description of your own actions that bring disrepute. I would never use "sure" in place of "certain" because one has a colloquialism that best not be used in writing. And I would never, if your statement were true, use "pretend" to convey the idea of imply which is a form of pretending but not like fairy tales and such. What a disappointment and embarrassment on your part. What is your next move? Plead confusion, ignorance or transfiguration? ] (]) 07:01, 27 January 2014 (UTC) | |||
| It seems such a waste of everyone else's efforts to have gone through all this discussion and then when as it appears by your own conclusion that a word be used, for YOU to come to the new conclusion that "ABSOLUTELY NOT". Are we to wait for YOUR decision or our consensus? Remind us, just where is it that your name is designated the maker of all decisions rather than a community consensus of those that have been involved with this page? | |||
| I never said that "FIND" had to be used. You said the word, and that it was wrong (which I never disagreed), you implied it through continued reiteration infinitum but again, I never said it. Mapping and exploring has never been a solely reserved prerogative western cultural trait otherwise there would be countless studies made of ancient maps and ancient compilations made over time memorial since it would all be in some European language, but it is not. Instead, there are countless non-European language maps and compilations of information. Do you disagree with that in some manner? I would not want to portray words on your behalf as has been done for me. | |||
| Now by the time of Almasy the use of longitude and latitude was in wide use all over the world. Maybe not by every single person but certainly by those that sought to more definitively distinguish one location over another. Amelia Earhart seemed to have found longitude and latitude helpful although we do not know of her absolute location following disappearance. For some reason I do not get from you the idea of respecting consensus. Forgive me for saying it but for me it is a true and accurate statement. Does that sound familiar? I seriously do not accept that non-Europeans would consider it an affront to their culture to use longitude and latitude as a means of measuring and mapping in order to better predict location. | |||
| I am bewildered by the use of "OF" at the end of the statement: "Mapping is a Western cultural imposition on places they are ignorant of." That is a rather confusing statement. I will let you work on that. And "Exploring is a euphemism for genocide since Columbus." I hate to bring it up in this particular discussion but I believe I have read something of that sort in an autobiography of Malcolm X? I am certain that you do not agree with his manner of thought and action? | |||
| There does not seem much more point to continue with this line of thought as it seems that as soon as something reaches a consensus some other confusion is lobed into the session. So I will just wait for an obvious reply and make the best of what confusion it attempts to accomplish.] (]) 07:59, 27 January 2014 (UTC) | |||
| "See and explores" is a good choice to identify just what role Almasy had in the Cave issue. It was the natives that told him about it although they did use their relevant descriptive term of the back of a woman rather than "10 degrees North by Noirthwest".] (]) 03:15, 29 January 2014 (UTC) | |||
| == the dashing Hungarian == | |||
| Some kind of issue in the lede's story summary where there needs to be a connection made for the reader between the burn victim and the dashing Hungarian. They are the same person, but if you haven't seen the movie you wouldn't know without being told. --] (]) 00:57, 26 January 2014 (UTC) | |||
| Let me attempt to understand the question posed about not knowing if one has not seen the movie? | |||
| "The film's invocation of fate, romance, and tragedy unfolds through the story of a '''burn victim''' in the closing days of World War II Italy '''whose''' sacrifices to save the woman '''he''' loves spell the end '''to the dashing Hungarian archaeologist'''. | |||
| As far as I can tell the burned person is the one that has sacrificed which brings his end as a '''dashing''' Hungarian archaeologist. | |||
| What more is there necessary to indicate that the Hungarian archaeologist '''was''' dashing and now is '''burned'''? | |||
| The phrase "he had been" makes reference to the past tense of his '''dashingness''' but so does ''brings to an end''? Sounds both repetitive and redundant. | |||
| If someone is confused as to who is the archaeologist by the end of the sentence may show there is a problem in the sentence before you get to the end. | |||
| Actually, as concerns a plot, that sentence alone can stand appropriately and represent the movie in whole without giving away the story line. | |||
| Maybe, the sentence should be: | |||
| "The film's invocation of fate, romance, and tragedy unfolds through the story of a burned man in the closing days of World War II Italy who, as a dashing Hungarian archaeologist, sacrificed to save his love and instead spells their end." | |||
| ] (]) 02:44, 26 January 2014 (UTC) | |||
| :So you recognize that it is necessary to tell the reader that the Hungarian and burn victim are the same person. I agree. To screw up your draft the way you are screwing up the current draft, it would read: "The film's invocation of fate, romance, and tragedy unfolds through the story of a burned man in the closing days of World War II Italy and a dashing Hungarian archaeologist who sacrificed to save his love and instead spells their end." You see how the reader can't tell that the Hungarian and the burn victim are the same person? That's what you're doing to the current draft. Thanks. --] (]) 09:51, 26 January 2014 (UTC) | |||
| I would not be so hasty to speak on someone's behalf especially if a statement is found to not accurately reflect one's views or intentions. Misplaced Pages has nothing to gain by personalizing issues. That just creates animosity rather than consensus. I would avoid it as an attempt to champion a view. I would like to hear from Limey since is the phrase "dashing Hungarian archaeologist" needed? Since, in what manner or place can a man in whites or blacks or a woman in frock never be but dashing or elegant? Maybe, avoiding the use of "you" or "your" would help better reflect upon the issue rather than from whom it derives? Look at the language of Limey: "Let me attempt to understand THE question posed about .......?" Never was it expressed as: "Let me attempt to understand YOUR question posed about .......?" Language is a very important tool; let us use it for the best purposes of Misplaced Pages.] (]) 20:52, 26 January 2014 (UTC) | |||
| "So you recognize that it is necessary to tell the reader....." Let me see if with my limited grey matter and expression I can make a point. We are all sitting at table waiting to eat ice cream. We have two types: chocolate and vanilla. So if it is said, "Have the vanilla!" Does that imply there is something wrong with the Chocolate? Sorry. No, since it is just another choice. So, I do not think that it could be said that as has been presumptively offered on my behalf that we agree? It would be cruel to let that be under a cloud of speculation. Also, I would never combine in a statement "current draft" as draft implies it is up for discussion when in fact the implication of the statement from which it is taken is being unnecessarily questioned, thus final. Such as, A little jumbo scrimp. Is what if wanted is a little bit of jumbo scrimp? Or a little sized jumbo scrimp?] (]) 00:34, 27 January 2014 (UTC) | |||
| :I'm accurate in my comments and simply factual so it's not clear what you're talking about. The reader needs to be told that the burn victim and the Hungarian are the same person. I thought you understood that now. It's obvious, but your earlier mistakes seemed to indicate that you didn't get it. Thanks. --] (]) 01:00, 27 January 2014 (UTC) | |||
| One can have a perception and express it, and for some implement it but that does not make it viable. Is not that what Hitler and his gang found about degenerates and conquering the world? Some may say that is delusion. Sorry. <small><span class="autosigned">— Preceding ] comment added by ] (] • ]) 01:12, 27 January 2014 (UTC)</span></small><!-- Template:Unsigned --> <!--Autosigned by SineBot--> | |||
| Mary Queen of Scots seem to be both accurate and factual in her actions about the over throw of her captain but did that make them any more appropriate to the continued effectiveness of Elizabeth?] (]) 01:55, 27 January 2014 (UTC) | |||
| :You should know that I showed your edit to a few friends of mine who are professional writers. They laughed at your mistake. I guess when it comes to Misplaced Pages, you are the problem. Good luck with that. --] (]) 02:03, 27 January 2014 (UTC) | |||
| Any nullification sourcing from you provides much more indication of what value it holds and not all "professional writers" get the same rewards.] (]) 03:18, 27 January 2014 (UTC) | |||
| :What on earth do you think you're saying? Limey made an obvious mistake and he hasn't figured out how to correct himself. That's his problem. Why don't you try to help the poor fellow? He really needs it. --] (]) 03:22, 27 January 2014 (UTC) | |||
| I am not here to actively make enemies and disrupt others. All I can say is that I reiterate my statement and that to yours, "Take on a world with no problems, you take on problems and stand alone." That is what and as for help, may I suggest look in the mirror? (No, not the lyric.) The obvious can be so in plain sight. There are far greater issues in the world that deserve far lesser attention that seems not to be your gig. It can be interesting to note that with reality shows, those "People's Court" and Chat shows that have people either talk about their private problems and situations in public in hindsight probably had best been left to privacy. Now the world knows that they have acted either idiotically or really do despite their denials treated others as such. This page is part of the Wikipidea community effort. Not the "Ring Cinema" publicity campaign. <small><span class="autosigned">— Preceding ] comment added by ] (] • ]) 03:47, 27 January 2014 (UTC)</span></small><!-- Template:Unsigned --> <!--Autosigned by SineBot--> | |||
| :I notice you're not interested in the substance here. Your personal attacks are out of order. --] (]) 04:56, 27 January 2014 (UTC) | |||
| Personally, I am shocked that this sort of statement would ever be appropriate for a Misplaced Pages article Talk page and if ever there was an appropriate moment for it to be statement would be for the private grievance process that any organization of value would recognize and have previously established if a need have developed. Anyone that would feel comfortable dealing in this particular way I would hope would realize their misjudgment. This type od action poisons minds and unsettles people that are in a setting that is of a making not of their own. Now as for what you said: "I notice you're not interested in the substance here. Your personal attacks are out of order." Why on earth would anyone say such a conceited and probably self-serving statement especially when that seems to be in reply to someone cautioning you about what you say of others who replied to your reasoning of an issue and were not swayed. Not only that but that YOU felt compelled not to rest your argument for an issue on your own efforts but to bring in others to whom YOU showed their work and seemed more than happy to return an unfavorable review. | |||
| If I were charged with building support for an issue and wanted that effort thought on the reasons I presented then I certainly would not say that your work is no good because others have told me. What makes you think that what others not in the process of that deliberation trump the work of others? Was this brought on because someone was so forthcoming in an attempt to check your ulterior motives with the statement: "Any nullification sourcing from you provides much more indication of what value it holds." Especially when that same person says, "I am not here to actively make enemies and disrupt others. All I can say is that I reiterate my statement and that to yours, "Take on a world with no problems, you take on problems and stand alone." | |||
| You are a trouble maker! And probably a sour sport. If any one is not interested in the efforts of Misplaced Pages is would appear just by your effort in this one section by itself. You can cry wolf only so many times before irritation precedes you. You just may have shown your true colors. Am I to encounter this type of motive in every article in Misplaced Pages or are your type in the single numbers and far and few between? Can anyone else speak to this. How should it be reported to the Amins at Wiki for at least review and potential resolution. | |||
| For some reason my name will not appear at the end] (]) 06:17, 27 January 2014 (UTC) | |||
| Oh, dear! showing my work to others? Well, I do hope that to whomever this discussion was shown realised that essentially, although it seems from what emerged on your side, that they were far more complete than really the draft format. | |||
| "Limey made an obvious mistake and he hasn't figured out how to correct himself. That's his problem. Why don't you try to help the poor fellow? He really needs it. --Ring Cinema" Well dear, just what is the mistake made? Well, beyond miss taking my writing as male rather than female otherwise my parents most likely would not have named me Muriel. | |||
| It must have come as very disconcerting that WordWrightUSA said that "I am not here to actively make enemies and disrupt others. All I can say is that I reiterate my statement and that to yours, "Take on a world with no problems, you take on problems and stand alone." That is what and as for help, may I suggest look in the mirror? (No, not the lyric.) The obvious can be so in plain sight." This really is tragic to not only be disruptive but to be found out by your own acts. That is sad. I do not want to embarrass you any more.] (]) 08:13, 27 January 2014 (UTC) | |||
| :I guess not all English speakers master the past perfect continuous. Sorry you got it wrong but that's how it is sometimes. --] (]) 14:17, 27 January 2014 (UTC) | |||
| I refuse to participate in this useless effort to continue that pettiness exhibited by that statement. That is both accurate and factual. | |||
| ] (]) 15:51, 27 January 2014 (UTC) | |||
| As best exhibited by that honorary American: "This is the sort of bloody nonsense up with which I will not put."] (]) 16:00, 27 January 2014 (UTC) | |||
| :It's funny that you can't see your mistake since you got it right in your alternate draft. Take another look at my edit there and you might figure it out. --] (]) 16:04, 27 January 2014 (UTC) | |||
| Can you not stop? I could not believe what I have read since basically cease posting to this article once I encountered my experience before all these others seemed to chime in on the "talk" page. I am not surprised. Going on and on and on as if some misplaced perception about integrity is based on having the last word. That is pathological and best be left elsewhere. I hope someone with more of the "know" of Misplaced Pages has reported this. "Personal attacks"? This has got to be the most incredulously insincere and cry wolf statement.] (]) 16:24, 27 January 2014 (UTC) | |||
| :Not a comment on the substance of the matter. --] (]) 16:42, 27 January 2014 (UTC) | |||
| Oh, my.] (]) 17:00, 27 January 2014 (UTC) | |||
| "MY EDIT" I believe that the record shows that the point being attempted here by so many others is that improvements have been made to the article by others which then have been reverted by you so to say "my edit" just goes to show some unwarranted aspiration of article possessiveness that if something does not fit your perception or scenario then out it goes. A review of the changes of the article will point this out. That it seems that not until you lodged a complaint about article stalemate that others have been able to contribute to the article in the established nature and spirit of Misplaced Pages without resulting reverts made by you. So, I assume that whatever edit YOU have made is acceptable to YOU and will remain unless YOU object and You find it objectionable and thus characteristically revert it? In fact, it has been only since the notice of stalemate that I have seen changes occur to the article that makes it all the better when in fact those same changes prior to the notice of stalemate endured until being reverted to the text that previously existed. So if the current happenstance of not reverting changes so quickly is an attempt to show that you are open to discussion and changes is feeble. The electronic record of this article will show this. That is accurate and factual.] (]) 17:42, 27 January 2014 (UTC) | |||
| *'''Comment''' I think it needs to be explicit that the burn victim and the "Hungarian archaeologist" are one and the same. If editors are dissatisified with Ring's version then maybe they should attempt integrating the information in another way, because if you haven't seen the film the current version is potentially confusing. ] (]) 09:40, 28 January 2014 (UTC) | |||
| '''SUGGESTION''' Then maybe the following would suite everyone: "The film's invocation of fate, romance, and tragedy unfolds through the story of a, once dashing, now burned Hungarian archaeologist in the closing days of World War II Italy whose sacrifices to save the woman he loves spells their end. | |||
| I have never liked using the word "victim" for describing any one other than as the result of a crime, unless of reasonable, purposeful intent, because the word has an infliction tone for the "result" than the result of that which follows just what happens. Generally in a state of war one defends themselves and the inpersonal use by the German anti-aircraft artillary intends to eliminate the percieved threat but it really is not intended to inflict death by flame. Otherwise they would be using flamethrowers which if shot into the air really would not be very effective. Flamethrowing toward caves or other geologial hiding formations or thickets or hedgerows would be use of flame to thwart the enemy but not necessarily with the intent to inflict pain and discomfort but elimination--death. | |||
| Almashy sacrifices his life in order to get back to the Cave. He sacrifices his integrity giving the British maps to the Germans. When he finds her dead, he sacrifices his life in order to fulfill her wish to be interned in the garden of her English coastal garden which would take him over German-occupied teritory. In that effort she ends by her body vaporizing in the crash and he with his eventual death after being horribly burned in the crash. | |||
| Better yet, I would suggest: "The film's invocation of fate, romance, and tragedy unfolds through the story of a once dashing now burned Hungarian archaeologist in the closing days of World War II Italy whose sacrifices spell their end to save the woman he loves." ] (]) 22:53, 28 January 2014 (UTC) | |||
| Sounds good but then I tried numerous times to contribute to the plot as well as other sections and repeatedly was reverted from what appeared to be only one person. Does each article have a designated lead editor? In fact I was told that all my suggestions were useless with a string of composition terms. All the best!] (]) 00:49, 29 January 2014 (UTC) | |||
| Just took another look at the article and would suggest: ''''The English Patient 1996) is a World War II theme romantic drama film adaptation by the Academy Awards lauded Anthony Minghella (director/writer), based on the novel of the same name by Sri Lankan-born/Canadian writer Michael Ondaatje. Ondaatje worked closely with the filmmakers.'''' | |||
| ''''The film's invocation of fate, romance, and tragedy unfolds through the story of a once dashing now burned Hungarian archaeologist in the closing days of war in Italy whose sacrifices to save the woman he loves spell their end.'''' | |||
| By placing WWII up at the beginning makes virtually unnecessary any more continued mention of WWII as that is the time setting leading up and including the war. Excellent suggestion WordWright! I am certain that will work. <small><span class="autosigned">— Preceding ] comment added by ] (] • ]) 01:25, 29 January 2014 (UTC)</span></small><!-- Template:Unsigned --> <!--Autosigned by SineBot--> | |||
| On second thought the following just might be better so that people are aware of immediately of the taking place of the film in both northern Africa and Italy: | |||
| '''''The English Patient (1996) is a North African/Italian Campaign of World War II themed romantic drama film adaptation by the Academy Awards lauded Anthony Minghella (director/writer), based on the novel of the same name by Sri Lankan-born/Canadian writer Michael Ondaatje. Ondaatje worked closely with the filmmakers.''''' | |||
| The film's invocation of fate, romance, and tragedy, before and during the war in northern Africa, unfolds through the story of a once dashing now burned Hungarian archaeologist, in the closing days of war in Italy, whose sacrifices to save the woman he loves spell their end.'''''] (]) 02:31, 29 January 2014 (UTC) | |||
| : ''Please add to the list references that can be used for the film article.'' | |||
| The suggestions by Wright and A! appear to be very inclusive about what needs to be said. It seems to integrate into a more flowing statement what needed to be said. | |||
| * {{cite book | last=Diamond | first=Diana | year=2001 | chapter=Narrating Desire and Desiring Narration: A Psychoanalytic Reading of ''The English Patient'' | editor-last=Gabbard | editor-first=Glen O | title=Psychoanalysis and Film | series=International Journal of Psychoanalysis Key Paper Series | publisher=Karnac Books | pages= | isbn=1855752751 }} | |||
| :: With respect, psychoanalysis of a work of fiction is as useful as psychoanalysis of physics. It's fiction, not a biography or autobiography. Hence, one can only reverse-psychoanalyze the author at the time of writing. One may wish to analyze the audience, but that fails on grounds of diversity, as some will view the film just to watch a film, others are "dragged" to the film by a significant other, still others to see "what it's all about" and still others are attached psychologically to the film. Hence, lacking a control group, common motivation, etc, one lacks full insight to gain any analysis.] (]) 04:28, 31 July 2012 (UTC) | |||
| Personally, not knowing all the little details one might when you grow up in a particular environment learn, there is a lot that is need to become familiar in order to get a better understand as to how to place what happens in the film with real life since there are some scenes that all you know is that they followed in the film but you do not know during when so you just have to accept on nuance. I am not saying that one should take the film as "history" but it is a learning tool in order to figure out if something was true or possible or far-fetched. At least now i can go into a reference source and start with particular segment names of WWII instead of reading from one end to the other of a WWII book that says, it began with Poland and ended with the surrender.03:26, 29 January 2014 (UTC) | |||
| The links make the article so much better than what was there before. | |||
| == Broadcasting of TEP == | |||
| What is suppose to be the Wiki policy about links to sources that come up error message because they do not exist. Are the error messaged source notes to be retained with a note that further search has found them or other suitable ones elsewhere with the new "view date".?] (]) 03:49, 29 January 2014 (UTC) | |||
Latest revision as of 03:14, 10 February 2024
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References to use
- Please add to the list references that can be used for the film article.
- Diamond, Diana (2001). "Narrating Desire and Desiring Narration: A Psychoanalytic Reading of The English Patient". In Gabbard, Glen O (ed.). Psychoanalysis and Film. International Journal of Psychoanalysis Key Paper Series. Karnac Books. ISBN 1855752751.
- With respect, psychoanalysis of a work of fiction is as useful as psychoanalysis of physics. It's fiction, not a biography or autobiography. Hence, one can only reverse-psychoanalyze the author at the time of writing. One may wish to analyze the audience, but that fails on grounds of diversity, as some will view the film just to watch a film, others are "dragged" to the film by a significant other, still others to see "what it's all about" and still others are attached psychologically to the film. Hence, lacking a control group, common motivation, etc, one lacks full insight to gain any analysis.Wzrd1 (talk) 04:28, 31 July 2012 (UTC)
The links make the article so much better than what was there before.
What is suppose to be the Wiki policy about links to sources that come up error message because they do not exist. Are the error messaged source notes to be retained with a note that further search has found them or other suitable ones elsewhere with the new "view date".?SharpQuillPen (talk) 03:49, 29 January 2014 (UTC)
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