Misplaced Pages

Talk:The Weight of Chains: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editContent deleted Content addedVisualWikitext
Revision as of 20:50, 10 September 2014 editPincrete (talk | contribs)Extended confirmed users, Pending changes reviewers51,196 editsm Recent review: pps← Previous edit Latest revision as of 18:27, 14 September 2024 edit undoCewbot (talk | contribs)Bots7,308,438 editsm Maintain {{WPBS}}: 2 WikiProject templates. Keep majority rating "C" in {{WPBS}}.Tag: Talk banner shell conversion 
(354 intermediate revisions by 24 users not shown)
Line 1: Line 1:
{{Talk header|search=yes }} {{Talk header|search=yes}}
{{WikiProject banner shell|class=c|listas=Weight Of Chains, The|1=
{{WikiProject Film|Canadian=yes|Documentary=yes}}
{{WikiProject Yugoslavia|importance=low}}
}}
{{User:MiszaBot/config {{User:MiszaBot/config
|archiveheader = {{aan}} |archiveheader = {{aan}}
|maxarchivesize = 100K |maxarchivesize = 100K
|counter = 2 |counter = 4
|minthreadsleft = 4 |minthreadsleft = 4
|minthreadstoarchive = 2 |minthreadstoarchive = 2
Line 9: Line 13:
|archive = Talk:The Weight of Chains/Archive %(counter)d |archive = Talk:The Weight of Chains/Archive %(counter)d
}} }}
{{Contentious topics/talk notice|topic=b}}
{{Auto archiving notice|bot=MiszaBot I |age=3 |units=months }}
{{WikiProjectBannerShell|1=
{{WikiProject Film|class=Start|Canadian=yes|listas=Weight Of Chains, The}}
{{WikiProject Yugoslavia|class=start|importance=low}}
}}

== Weight of Chains 2 ? ==
I couldn't find any mention of a release date for WofC 2 on the Malagurski web-site as claimed by the article .... Also the (named) sponsors are once again principally Serbian Diaspora organisations. What is the official position about a film that hasn't even been released yet? … '''ps''' The section isn't even grammatical.] (]) 14:13, 30 May 2014 (UTC)

'''Further to above''', Even if the release date is confirmed, I suggest single sentence additions to the existing refs to WoC2 covering: 1). Release date ''(and location if known)'' 2). that the film was funded in the same way as WoC. The present section ''(apart from being ungrammatical)'' reads like a press release.] (]) 12:20, 1 June 2014 (UTC)

], could you explain to me how removing a 'cyclic link' ''(a link which sends the reader back to the same point on the same page that they are already on)'', constitutes 'vandalism'? ] (]) 19:13, 4 June 2014 (UTC)

'''Release date''' There is no mention on the BM site of a release date for WoC2 ... merely a 'watch this space' notice ... I propose therefore to merge the two refs to the sequel. Any objections anyone?] (]) 15:39, 5 June 2014 (UTC)

'''Merge proposal'''
I propose a merge of the two refs to W of C 2 thus:-
'' A trailer was made for a sequel, "The Weight of Chains 2", but - as of June 2014, - a release date has not been announced. The sequel is being funded in a similar manner to the original. ''(+ refs to funding & release info) … anyone disagree ? ] (]) 17:49, 7 June 2014 (UTC)
* '''Agreed'''. It's time to cut back the Malagurski-spam. ] (]) 22:46, 23 June 2014 (UTC)

It has simply been a question of me not having time … the merge and some other tidying will happen ASAP.] (]) 17:42, 24 June 2014 (UTC) … … ps now done.] (]) 15:38, 22 August 2014 (UTC)

== Inappropriate & dead links ==

Not sure about proper procedure here, but two of the refs attached to the ''''Raindance'''' screening are to Serbian sites. I don't quite see how they verify that the film was shown in London. One of them is anyhow dead and the other seems to be a general article about BM. The film WAS clearly shown at London Raindance and the UK link is still live. Should other refs be removed ?] (]) 15:02, 30 May 2014 (UTC)
::: '''Update August''' I have removed the self-sourced interview reference also another reference ''('Kusturica' selection)'' which does not mention WoC anywhere, I have also removed a few words about the Min of Cult being due to speak on the same day as the cancellation, as the relevance is not established either in the article or the source. … … ps I confirm that the RTS link is dead ''(though accessible by Wayback)'' two interesting points about this ref 1) ''fairly minor'' is that it appears to be saying that WoC WILL BE shown at Raindance … … 2) ''more interesting'', is that it refers to WoC as part of a special season of films '''from the Balkans''', that would be that well known part of the Balkans called Canada! ''(Someone with better knowledge of Serbian than I would have to verify that I am correct)''.] (]) 18:41, 16 August 2014 (UTC) nb this para was added by me several months after the posting above, this para is 'out of time sequence', however it connects directly to the above.] (]) 10:30, 19 August 2014 (UTC)

A seperate dispute ''(a revert war?)''about dead links on 'screenings' seems to be going on between UrbanVillager and Bobrayner. Not only do I confirm that most/all of the links are dead, I also confirm that they have been dead since at least Autumn 2012, when many of these links were the subject of discussion on talk. UrbanVillager knew many/most of them to be dead at that time because he introduced me to 'Wayback', which enabled me to access some of them, therefore my sympathies are presently wholly with Bobrayner on this matter, these links '''are''' dead.

Whether it is customary to mark links as dead, is a matter about which I know nothing, except a tendency to think that it is helpful to the reader to do so.

There are also other 'un-productive' links in this article, such as the 'Ann Arbor' link which takes one only to the AA site, on which there are no records of WofC at all, ''(this again has been the case for at least two years)'' ... it all seems very unhelpful to the reader.] (]) 11:35, 5 June 2014 (UTC) '''Update''' Links 13 & 20 also lead 'nowhere useful' ...I checked all of those marked as dead by BobR and confirm them again to be dead ... Some are accessible using 'Wayback' or similar.] (]) 15:34, 5 June 2014 (UTC)
:We've had problems with fake sources on these pages. This is just a continuation of the problem. ] (]) 22:59, 23 June 2014 (UTC)

Two refs are word-for-word duplicates (ie one is simply a mirror) both appear to end 'the author announced today' ie self-sourced … (but my Serbian is not good enough to guarantee that).] (]) 17:48, 24 June 2014 (UTC)

== Multi-stage edit ==

I have just performed a multi-stage edit.

'''Stage 1''' I reverted to Bobrayner's last edit in which (most of) the dead links were marked, some of these are accessible using 'Wayback', but that doesn't make them live. If i have time I may replace present links with their Internet Archive address. Secondly I removed the named sponsors ''(GRC was mentioned twice)'' , this was the subject of extensive discussion in the past, concensus was that a 'general' statement about the method of funding was in order, since it was noteworthy ''(diaspora organistions + individuals)'' and specific mention of GRC, since its founder is both an interviewee in the film and a cited source for info about the film - but, there was no good reason to mention organisations or individuals by name. Thirdly, I merged the two refs to WofC2 and tidied the phrasing.

'''Stage 2''' I clarified the phrasing of the Pavlica criticism, I realise that this has been very controversial in the past, I modified the Pavlica comment ONLY to the extent that I said that the 'technical' criticism ''(using fiction film … a fairly minor breach of documentary ettiquette)'', was ONE of his criticisms. I may do further tidying when I have time. Two changes which I can't work out HOW to make, but which annoy me greatly result from using a film template, these are 'screenplay' is usually only used for a fictional film ''(script or narration or writer for a documentary, normally)'', similarly, you can't STAR in a documentary!] (]) 16:33, 26 June 2014 (UTC)
:Nice work. Well done. ] (]) 20:07, 26 June 2014 (UTC)

'''Stage 3''' I have updated some dead references to their internet archive address ... I also merged the 6 lines of the 'Beldocs ec/ho' screenings as this is ''(as I understand it)'' a 'touring festival' with screenings in numerous towns. The previous layout displayed more space to these screenings than does the source! I also did this in order to save amending 6 references ''(the same ref.in fact)''.] (]) 19:25, 29 June 2014 (UTC)

:::nb … … There are still dead links and links which need to be 'Waybacked'.] (]) 15:40, 22 August 2014 (UTC)

== In what sense Canadian? ==
], it was not me, but Bobrayner who removed the 'Canadian' description, though I wholly agree with it, I DID add the reference to the location of his film company ''(and copied it from one of the other BM pages)''. Re: your comment "What matters is that it's a Canadian film.". Firstly you aren't consistent, when another editor described the film as 'Serbian' you said 'films don't have ethnicity' ... apparently they do have nationality! What matters is to state as accurately/fairly and as succinctly as possible what its claim to being Canadian IS. Normally there is no problem with a film, if its creative input is French, if the funding is French, if the film company is established in France and the filming is done in France, and the core audience is French, then it is a French film. None of these apply to WoC, its claim to being Canadian is solely the registered office of the production company. Therefore I believe that to be both accurate and fair to the film. On several sites the film is described as being 'Serbian', I would not agree to putting that in the article either, just as I do not agree with describing it as 'Canadian' … I think sticking to factual information is better.

Just for analogy, 'China News Agency' probably have registered offices in London, I don't think that makes them a 'British News Agency'. Do You?12:28, 30 June 2014 (UTC)] (])

:For the love of God, watch The Weight of Chains on YouTube, at 1:59:03 where it says "This is a Canadian film", it was produced by a company registered in Vancouver, Canada (the ethnicity of those who give donations to the production company is irrelevant), and yes, films don't have an ethnicity, but they do have a country of origin - in this case, it's Canada, so it's a Canadian documentary film. Your analogy has no relevance in this case (it's not a media outlet, it's a production company), because what matters is where the production company is based, pure and simple. If it was a co-production between a company in the U.S. and a company in France, it would be an American-French film, even if the financing came from China and Tuvalu. --] (]) 12:19, 13 July 2014 (UTC)

The film's distributors describe the film as Serbian, as do some of the film festivals, some other festivals categorise it as being a Serbian film but from Canada, therefore its nationality is not as clear-cut as you suggest. So, what is wrong with stating what the Canadian connection is CLEARLY - which is ''(as you've just said)'' - that BM's Prod Co. is registered there?

BTW I haven't mentioned the ethnicity of private contributors anywhere and haven't added anything of that sort in any of my edits, ever. BTW 2 ''(read above)'', it was NOT me that removed 'Canadian', but it was me that pasted in the film company location ''(copied from another BM page!)''.] (]) 15:01, 13 July 2014 (UTC)

''"For the love of God, watch The Weight of Chains on YouTube, at 1:59:03 where it says "This is a Canadian film""''. UrbanVillager, the film was posted on YouTube by BM himself, now we all understand what your understanding of a reliable source is! The nationality of the film is not clear-cut and is shown differently on various sources, ''(including BM's own distributors)'' . Therefore I propose to remove the 'Canadian' reference.] (]) 18:15, 7 August 2014 (UTC)

:Are you going to dispute that the film is called "The Weight of Chains" (the name that the author, Malagurski, gave it) if some other people call it differently? 'It's his film, but hey, who cares, let's see how other people call it!' Watch the credits, it states that it's a Canadian film, end of discussion. --] (]) 18:33, 8 August 2014 (UTC)

::Re: ''no consensus on removal''. Actually ], 3 editors recently have wanted to remove 'Canadian', I myself asked you here 3 weeks ago what the argument for retaining it was, you chose not to reply. Now we have ''"Watch the credits, it states that it's a Canadian film, end of discussion"'', which gives a pretty clear indication of what your definition of concensus is and your definition of a RS.

::Re: ''Are you going to dispute that the film is called "The Weight of Chains ?'', Well Yes, I would, if the distributor called it something else, and most of the screenings called it something else, then I WOULD expect that to be accurately reflected here, along with the filmaker's own title. I am perfectly happy for any form of words that accurately reflects what the film's relationship is to Canada (or to Serbia), or for no mention at all of nationality. You alone insist on a particular description, which sources (including the distributor and festivals) do not support.

:: Re: ''Your analogy has no relevance … it's not a media outlet, it's a production company''. … … Errrrmmmm? Yes, and a cow isn't a potato, it's a cow! … … The obviousness of the difference between a media outlet and a production company is lost on me I'm afraid.] (]) 22:27, 8 August 2014 (UTC)
:::The film states that it's Canadian. It can call itself whatever it wants, just like you call yourself Pincrete. Your opinion on the matter is irrelevant, it's like if you said "I think the sky is green". The film is Canadian, nobody but the author, who is Canadian, can decide on that, and he obviously wrote "This is a Canadian film" in the end credits because it was made in Canada and it's Canadian. Stop vandalizing the article with your POV. --] (]) 13:30, 13 August 2014 (UTC)
::::The ] is tiresome. Yes, UrbanVillager, we know you have a revert button. No, that doesn't mean you can put whatever you want in the article when several editors disagree. ] (]) 18:43, 13 August 2014 (UTC)

::] There is a clear concensus for removal of 'Canadian'. Personally, I am not adamant about its removal nor on how the film's provenance should be described, only that it should be as accurate, fair and complete as possible. You alone refuse to enter into dialogue, then sail in and revert, 'BM says' and 'I say', so it must be true, being the nearest thing to argument you offer.

::You have reverted about 5 other changes at the same time ''(for each of which I gave a reason)'', please enlighten us about these. Is Perkins claim to being an economist that HE says so, that BM says so, or that YOU say so? Because you've forgotten to tell the people over on the Perkins page ''(he has a degree in business studies I believe)''. I removed things like 'internationally known' because it is meaningless fluff and some parts I changed were just grammatically wrong ''(the adjective of culture is either cultural or cultured, depending on the meaning)'', or 'clunkily' phrased.

::I am now going to do something which, I believe, I have never done before which is immediately revert you. (''nb this was written at the same time as BR's preceding comment)''] (]) 19:03, 13 August 2014 (UTC)

::] Re: your most recent revert, I can only echo "The ] is now very very tiresome."] (]) 15:03, 14 August 2014 (UTC)

::], this silly repeated reverting is tiresome, it wastes time and resources, despite multiple provocations in the past ''(re-inserting dead links, re-inserting cyclic links, re-inserting bad grammar, re-inserting unsourced claims, accusing me of OR because I mentioned things on this talkpage which are in the text, then repeartedly saying 'look at the film it says … ', therefore it must be true)'', despite all these I have tried to reach compromise rather than simply revert, but I'm afraid patience is exhausted.] (]) 17:51, 14 August 2014 (UTC)

::] I and Bobrayner ''(both of whom have a longish connection with this page)'' have clearly indicated that we agree with the removal, other 'anon' editors have agreed, can you please explain to a simpleton like me, ''(who as you have said several times 'can't read' and 'doesn't speak English')'', could you please explain how that does not constitute a consensus, and how/why you on your own ARE a consensus. I repeat my offer to discuss ANY compromise that accurately reflects the connection of the film to Canada (''or anywhere on the planet)''.] (]) 20:17, 15 August 2014 (UTC)
* The ownership is tiresome. Yes, UrbanVillager, we know you have a revert button. No, that doesn't mean you can put whatever you want in the article when several editors disagree. ] (]) 21:01, 15 August 2014 (UTC)
::Added references. Regards, --] (]) 21:23, 15 August 2014 (UTC)

:::] The references do no support anything except the filmmaker's claim, ''(the first is the film makers own site, while the RTS is a word-for-word copy of the first para of the filmaker's site)''.] (]) 22:38, 15 August 2014 (UTC)

::: OK ], and ], I propose a fairly 'clunky' compromise, something like ''"the filmaker and (neutral way of phrasing some others), describe the film as Canadian (UV's refs), whilst the distributor characterises it as Serbian. It has appeared in the Serbian films category at several film festivals (refs to distributor and appropriate festivals)"''. The sentence would probably need moving, within the intro. Reaction?] (]) 23:19, 15 August 2014 (UTC) … … ps I have just removed IMDb ref ''"IMDb content is user-submitted and often subject to incorrect speculation and rumor. The use of the IMDb on Misplaced Pages for referencing is considered unacceptable and strongly discouraged."''
::::There is no compromise on facts. The film is Canadian, it says so in the film credits. Either you can't read or have a POV agenda. --] (]) 12:30, 17 August 2014 (UTC)

:::::] Re:''"Either you can't read or …"'', your charm and respect for others, precedes you as ever! ''(I've now lost count of the number of times you have questioned my literacy level or my understanding of English, it was very boring the first time, after the nth time it simply advertises the poverty of your 'arguments')''.

:::::Re: ''"There is no compromise on facts"'', actually, there is no compromise on what RS say are the facts, and - at least an equal number of sources identify the film as 'Serbian' or have shown the film in the category 'Serbian films'. As I've said earlier, we could have NO mention of nationality, but if we do mention it, we represent accurately what sources ''(inc. BM)'', have to say.] (]) 13:38, 17 August 2014 (UTC)
::::::Pincrete, this is an article about ''The Weight of Chains''. The film was created by Boris Malagurski, its title (''The Weight of Chains'') was given by Boris Malagurski, its classifications (Canadian, documentary, feature, film, etc.) were given by Boris Malagurski (he created it that way), and these are not categories that can be disputed by anyone. The Washington Post can't appear and say "You know, I think this film is called ''The Flowers of Dismay''", and the New York Times can't say "Well, this actually could be a South African film", the credits are very clear on all the details regarding this film. Nobody can come up and say "Hey! I don't think Boris Malagurski even worked on this film! Who cares that his name is in the credits, I think that is just Malagurski's point of view!". No, see, this is where a human brain comes in and says "It's Malagurski's film, the credits are there to give details about the film". We're really going in circles here and I'd like to ask you one more time to stop trolling and find some constructive way to contribute to Misplaced Pages. Stop pushing your anti-Malagurski, anti-Serbian and anti-Yugoslav POV, pushing your POV is against Misplaced Pages policies. Regards, --] (]) 15:56, 18 August 2014 (UTC)

:::::::] Re: ''"I'd like to ask you one more time to stop trolling and find some constructive way to contribute to Misplaced Pages."'' Firstly point me to one occasion in which I have been discourteous to you, or anybody on these pages, and I will apologise ''(occasional use of irony I plead guilty to)''. Secondly look at my record of edits and look at your own, look at my 'revert' record ''(almost never, across many pages)'' and look at the frequency with which I record my 'edit reasons' on talk ''(almost always, on this and most of the pages with which I have been involved)'', when you have done that, then lecture me about constructive ways to contribute.

:::::::As I have repeatedly said, an equal number of RS describe the film as 'Serbian' or have shown the film in 'Serbian films' category, and there is no good reason for excluding that information, ''(or leaving out nationality altogether, or finding some other form of words to describe the film's origins).''

:::::::BTW, I owe you a partial apology, I previously argued that 'Official selection' was a meaningless term unless the festival '''itself''' used that term. It turns out that Raindance showed WoC as part of a 'films from the Balkans' season ''(I forget their exact name for the season)'', the season was an EEC funded event of films exclusively from the Balkans, and they did use the description 'official selection' for the films in that season. All of this is well sourced to both Raindance and an interview with BM himself … … I thought you would want to know this as a keen fan of BM's work.] (]) 18:08, 18 August 2014 (UTC)

::::::::Pincrete, check the film page on Raindance, it says , meaning that it was selected in the documentary section, not the "Balkan Cinema" section. Since you seem to not understand how film festivals work, there can be several films covering a certain area of the world and thus are grouped together within the festival program to help the audience pick their area of interest, but when it comes to the selection, Raindance is, again, pretty clear that it's the "Official Selection Documentary" and not "Official Selection Balkan Cinema" as you'd like to portray it. For the last time, please stop pushing your POV, and I'd like to remind you that there is no original research on Misplaced Pages. --] (]) 19:36, 19 August 2014 (UTC)

::::::::: ], documentary is WHAT it is, "Balkan Cinema Strand" is the SECTION of the Festival it was shown in ''(there were also UK and other sections … see the link ''. There is even a documentary section on their website, WoC isn't listed there ''(I'm not suggesting - of course - that it isn't a documentary, merely that it wasn't shown in THAT section of the Raindance festival)''. Can you please explain why citing 'Raindance' as proof of where/when the film was shown is RS, but saying ''(from the same source)'', the section/season that it was part of is OR? Don't the other festivals show categories (when applicable eg 'End of World showcase'), so what's different about naming this section ?] (]) 22:53, 19 August 2014 (UTC)
::::::::: ] '''partial apology''', in other instances ''(eg MIFF)'', the section of the festival is listed '''within''' the citation, I have accordingly modified my reference consistent with MIFF, and left out the textual reference in the festival section. … … … ps I note that you are happy to use 'your' Raindance link as 'proof', that the film was in the documentary section ''(it wasn't)'', but less willing to acknowledge that the same link describes the film as from Serbia! The 'nationality' of the film is NOT a matter that I consider to have been resolved. ] (]) 01:09, 20 August 2014 (UTC)

::::::::: ], Re your recent posts: ''"No, see, this is where a human brain comes in"'' … … and more recently: ''"Since you seem to not understand how film festivals work,"'', in addition to other recent accustations, which I have already answered. Posts of this nature would be intolerable if you were RIGHT on any factual point you made, but on every single factual point you are clearly WRONG. … … 1) It is not OR to check existing sources to ensure that we have represented them accurately, fully and fairly. … … 2)WoC was clearly shown in the "Balkan Cinema Strand" at Raindance ''(if you still doubt me on this point a) go to Raindance and check, apart from the link I provided above all the 'Balkan' films bear the EEC funding logo (and are the only films to do so) and - apart from one other 'strand' - "Balkan' films are almost the only films to use the term 'official selection' (a description you previously wished to retain) … … b. BM refers to the Balkan film season in the interview cited as one of the refs (now a dead link but can be found on Wayback, in Serbian)''.

::::::::: So, I repeat, on both of these issues you are clearly wrong and your persistent rudeness, reliance on ] and ] will be the subject of a formal complaint by me if they continue.

::::::::: Regarding whether the film 'strand' should be included, I am neutral. On the one hand it's additional information for the reader about what was a very large festival, on the other hand, consistent with other festivals, it's only mentioned in the citation, and I have already made the gesture of modifying the citation, in line with other screenings.

::::::::: Moving on to more substantive matters, you have still given no coherent reason why sources which describe the film as 'Canadian' are to be treated as inviolable, whereas sources which describe the film as 'Serbian' ''(including the film's distributors and Raindance, from which you want to 'cherrypick' the bits you like)'', are to be disregarded, nor any reason why the 'nationality' needs be there at all, which was the preference of all of the recent ''(and many of the past)'' editors of this page apart from yourself. ] (]) 15:00, 21 August 2014 (UTC)

:{{outdent|:::::::::::::::::}}
], you have had three days to answer why certain sources are inviolable, whilst others are disregardable on the matter of the 'nationality' of this film ''(actually you've had since June 30th, see above)''. You have come up with no arguments at all since June 30th, apart from 'BM says' and 'I say'. I intend therefore to modify the text as per the suggestion above, ''"the filmaker and (neutral way of phrasing some others), describe the film as Canadian (UV's refs), whilst the distributor characterises it as Serbian. It has appeared in the 'Serbian' or 'Balkan' films category at several film festivals (refs to distributor and appropriate festivals)"''. The removal of 'Canadian' has been the wish of the majority of recent, and long-term editors of this page.

Since you INSIST on BMs claim being included, this, as far as I can see is the only way of resolving this ''(and getting on with more important things like the 'synopsis')''.
:For the love of God, the production company which produced the film is based in Canada, it says "This is a Canadian film" in the film credits and it really is irrelevant how you or anyone else sees the film - it is a Canadian film. From the credits we can see that it wasn't even a co-production between a Canadian company and, for example, a Serbian company, but if you have evidence that some production company in Serbia signed a contract with Malagurski Cinema in Vancouver, Canada, then there is a reason to mention that it was a Canadian-Serbian co-production. Just because some festivals put the film in their "Balkan" category because the film deals with the topic of the Balkans doesn't mean that it's a Balkan film, or a Serbian film, or anything other than a Canadian film. So, give it a rest, or take this to arbitration, I have completely lost my patience with you, to be honest, since you are simply rejecting the overwhelming evidence and common sense that this is a Canadian film. --] (]) 18:21, 24 August 2014 (UTC)

:: If what you say here isn't OR ''(and inviting me to engage in OR)'', I don't know what is! … … "The overwhelming evidence" is that the distributor and a number of key festivals give its country of origin ''(not its subject)'' as Serbia.] (]) 22:04, 24 August 2014 (UTC)

::]it is clear that consensus cannot be reached on this matter, however it is equally clear that you have no interest in arriving at consensus, having made no suggestions for compromise, having been abusive and bad-tempered throughout, having not apologised for your 'mistakes', ''(not only recently but in the longer term)''. Having apparently shown no interest in developing this article other than as a publicity sheet for the film and as a mouthpiece for the film maker. Consequently, in the absence of consensus, I intend to remove 'Canadian' from the description, which is the wish of the majority of current editors.

::This is no longer simply a disagreement about content, but more about whether ill manners, vandalistic reverting and obduracy are acceptable ways of you retaining your 'right' to ownership of this article.] (]) 16:23, 25 August 2014 (UTC)

:::Again, you writing tons of text won't change the fact that the film is identified as Canadian in its own credits. Everything else is quite irrelevant. --] (]) 13:59, 27 August 2014 (UTC)

''nb the following was written at the same time as UV's immediately above, due to an edit conflict it is posted after and is NOT a response.''
'''Second compromise proposal:''' These all seem to be true:- 1) The ''nationality' of a film is NOT objectively verifiable ''(a film doesn't have citizenship, nor a passport) … … 2) the nationality of a film is not necessarily the same as the nationality of the film maker ''(I don't think anyone would consider ] a British film]]'' … … 3) An equal number of RSs describe this film as from Serbia ''(presumably BM had the opportunity to dispute with Raindance and Journeyman about their descriptions at the time)''. Therefore, we don't need to 'nationalise' the film at all, but rather to describe the film maker. The only source we have for that is BM's own self-identification as 'Serbian-Canadian' ''(source on, I believe, 'his page)''. Therefore the text would read 'documentary film by Serbian-Canadian film maker Boris M.'. … … Is this acceptable to anyone/everyone?.

I think enough time has been wasted on this, but I intend to stick with it as it clearly indicates UrbanVillager's ] of this article, and that the ownership is being used to ensure that Misplaced Pages mirrors whatever is claimed by the film maker, ''(as it still does in respect of the synopsis, nearly four years after this article was created)''.

], your vandalistic reverting over many months, your reliance on abuse of fellow editors, ''(both on this page and in your edit summaries, and for which you have never once apologised, even when shown to be clearly wrong)'' and the fact that your clear intent is not to improve this article in any meaningful sense, simply to use it as an 'outpost' of the BM publicity machine, all of these are unacceptable.] (]) 14:19, 27 August 2014 (UTC)

], Re this edit reason: , yes of course, any film maker can call a film ''the funniest comedy in the world'' - or anything - if he wants to … … but we are not simply a mouthpiece for any film maker nor an extension of his/her publicity machine. Several prominent RSs ''(for whatever reason)'', say this film is Serbian ''(the director should have taken this up with Raindance and his distributors at the time … not here)''.] (]) 21:18, 28 August 2014 (UTC)

:], I've been trying to figure out why Journeyman Pictures described the film as Serbian and perhaps it has something to do with the relation between the Raindance festival and Journeyman Pictures both being based in London and maybe JP decided to list the film as "Serbian" since Raindance placed in the category dealing with Balkan topics. However, since neither you nor I dispute that the production company which produced the film is based in Vancouver, Canada, and neither you nor I can find another production company based in Serbia that also worked on the film (it simply isn't listed or mentioned anywhere in the film or on the Internet), it really can't be disputed that the film is Canadian and nothing else. However, one thing that might be a possibility, considering that Malagurski works for Happy TV in Serbia, is that he has some kind of company in Serbia that does the distribution of his Canadian-produced films. I would like to emphasize that this is my personal assumption, but that could account for why JP listed the film as "Serbian", which actually sounds more plausible than the London-connection between JP and Raindance. So, in order to stop our revert war, I would suggest the following compromise: Leave the word "Canadian" before "documentary film", since the film credits are clear on that and we both agree the production company is based in Canada which is proof in itself that the film is Canadian, but we can add somewhere in the article that there are sources which describe the film as "Serbian". Would that work for you? --] (]) 11:39, 2 September 2014 (UTC)

::] I notice you are still 'clutching at straws' about whether 'Balkan Cinema Strand' were films whose SUBJECTS were Balkan, when the clear evidence is that this strand were films whose ORIGINS were Balkan, ''(I don't even think it would be true that the subject of WoC was Serbia, isn't it about FYR?)''.

:: Re your proposal:- initial reaction, it doesn't make a lot of sense to say 'Canadian', and then say something different later ''(if both are included then logically they should be placed together)'', however rather than outright reject, suggest a wording please, ''(but I am wondering how your suggestion is any different from my proposal 1 above)''. Why Journeyman, Raindance and others chose to describe the film as they did would be pure conjecture by either of us, THEY DID, and in the absence of any CLEAR indication that it was an error, the sources have at least as much validity as BM himself.] (]) 12:15, 2 September 2014 (UTC)

:::The core element in which we disagree seems to be "'the sources have at least as much validity as BM himself''" - No, the film credits are a part of the film itself, unlike some festival or distribution company, so the credits are the most reliable source on where the film was produced, i.e. Canada. So, we can mention the fact that some sources for reasons unknown consider the film Serbian, but since they do not provide any specific evidence that the film is Serbian (they don't mention a Serbian production company, do they?), the film is Canadian. Do you understand what I mean? --] (]) 00:19, 3 September 2014 (UTC)

::::Yes you are right, this is the core element, however 'nationality' of a created work is not objective, ''(it doesn't have citizenship and can only be described according to how it is perceived by RSs)''. You are saying that the film-maker's claim takes precedence over how it has been described by its distributor and other RSs. I cannot see why this would be so. If the two claims are phrased in a neutral fashion, the READER is able to decide which has more validity, though why we simply don't leave either out, I don't know. … … … ps you were invited to suggest a proposed phrasing for your compromise. ] (]) 09:29, 3 September 2014 (UTC)

:::::You said you can't see why the film credits are more reliable sources of information about the film than festivals or distributors. Um, where do you think the festivals and distributors get their information from if not from the film credits and the film author? Do you think they make them up as they go? "Oh, maybe Clint Eastwood stars in this movie, let's put that in there!" No, they get it from the film credits. And they obviously make mistakes, so to amplify mistakes by writing them as facts on Misplaced Pages is absurd. The film credits, '''of course''', take precedence over any other source regarding the film, and in this case, the film could not be more clear on whether it's a Canadian film or not. Usually it's enough to look at where the production company of the film is from, and in this case it's Canada. However, in these film credits, you actually have the text "This is a Canadian film". Since I see you're not willing to budge on the issue, we'll have to leave it as it was before you started removing sourced content. If and when you provide reliable sources which present '''evidence''' that the film was produced by a production company based in Serbia, we'll talk about this issue again. Right now, there is no reason to use sources which apparently had nothing to do with the film's production on specifics regarding the film's production. Regards, --] (]) 13:36, 3 September 2014 (UTC)

::::::Re: ''Um, where do you think the festivals and distributors get their information from if not from the film credits and the film author?'', Precisely, so it's reasonable for us to assume, that the info came from BM, and that BM had the opportunity to rectify any mistakes, if he didn't perhaps he should take it up with THEM, not you attempt to remedy it here. I have never suggested that there was any co-production, so why should I want to 'prove' there was ''(except, of course, free use of - mainly - RTS archive film, which would cause many to see it as a co-production)''.

::::::Two other compromises have been suggested, which you reject without reason, except repeating the same thing over and over, which boils down to 'BM says', so Misplaced Pages has to repeat it. (''Why are you so certain it was a mistake? How can you be certain it was a mistake? Were you there?'' … … I can think of several other explanations, but all of them would be guesses).

::::::Since there obviously never was any sincere attempt to reach compromise, the wording STAYS with the wishes of the majority of long term editors, which is NO MENTION of nationality.] (]) 14:23, 3 September 2014 (UTC)

'''The subject of this discussion continues below here''': . If anyone wishes to move that section to THIS section, I have no objection, so long as sequence and content are maintained.] (]) 10:29, 8 September 2014 (UTC)

== Changes to 'Interviewees' and external refs ==

I have just made some minor changes to the interviewees list, these include:-
)1. Adding refs to the ''(pre-existing)'' claim that one interviewee was a defence witness for several Serbian war criminals. … … 2). Modifying the link on that sentence to direct to 'The Hague trials on former Yug.' rather than to ], ''(my logic being that a reader is more likely to want to know about trials/crimes rather than who Serbs are, possibly there is a more appropriate or specific link)'' … … 3) I amended 'Skabo's name by adding his full name, my logic being that he appears in the documentary as a 'private citizen', not as a rapper. … … 4). I added some names to the list ''(which is still incomplete)'', adding refs to any potentially contentious claims. … … I was unable to find independent refs for 'Blasko Gabric' or his description as "Founder and 'President' of 'Fourth Yugoslavia'", but as his story is relatively well known and harmless, I relied on the info from the WoC website. … … Update added best Blasko Gabric refs I could find, neither is perfect as one is from 2012 and one mainly about nostalgia in FormYug.

Since the page is now littered with links to the WoC website used as refs, ''(some admittedly added by me)'', I also removed two WoC links from 'external links' section.] (]) 15:20, 22 August 2014 (UTC)

:], you have just removed the refs which I added to a statement which has been on the page for a very long time ''(previously unreferenced)'' … You have just removed that Mackenzie is 'best known for his controversial views' ''(which I think YOU wrote originally, but which has been there for a long time)'' and which is on the WoC website … … you have asked for a citation that one interviewee was an adviser to SM & RK ''(which is on the WoC website)'' … … I WILL if you wish add refs to each of these statements, though, I believe them to be covered by the general ref 'interviewees'. … … You have removed ''(referenced)'' background info relevant to WHO the person is/was in FYR, because 'they don't talk about ……' ''(Does Skabo talk about rap, does Mackenzie discuss his medals, does ANYBODY talk about basketball ?)''. … … ps I am replying to you here as this is the relevant section. I don't consider your reply above adds anything to what you have already said. … … … pps the texts concerning Mackenzie's 'controversial views' and 'defence witness etc"' to which you SUDDENLY take such great exception, have both been here ''(previously unreferenced)'' since at least Dec 2012 ''(I got bored with looking for the exact date)'' see: - . … … MINOR CORRECTION, the Mackenzie 'controversial views', was NOT added by UrbanVillager, but HAS been there unreferenced since August 22 2012 :-.
:UrbanVillager, by all means remove the reference to Mackenzie's views if you want, but don't blame me for it being there 4 months before I had even read this article, especially as - when it suits you - you give as an 'edit reason' ''"can't you read? It was here before you started editing"'' as here:- .] (]) 22:10, 24 August 2014 (UTC)

::This isn't an article about the people interviewed in the film. So, interviewees can be listed with a '''short''' description that accurately describes their most important function. James Bissett, the former Canadian diplomat, served as ambassador extraordinary and plenipotentiary to Yugoslavia, Albania, and Bulgaria. The fact that that he was a witness at Milosevic's trial is very irrelevant in this context and you trying to push that into the article is pure POV pushing, as your attempt is to devaluate the credibility of the interviewee, as you're trying to do with MacKenzie. Everyone can be "controversial" if you don't agree with them, but it's not about you, it's about the people interviewed in the film. So, please stop with your POV pushing, it's against Misplaced Pages regulations. --] (]) 14:08, 27 August 2014 (UTC)

::: Re:- Mackenzie's views, did you read the above and look at the links above? This text has been there for OVER two years, why are you blaming me for it now? ''(or for that matter blaming Bosniaks )'' … … 'Defence witness' has been on the page for nearly two years, you only object to it now that refs are added … … 'Political adviser to SM and RK' is how he is described on the WoC website ''(the only other RS I could find for him was VERY unflattering, though written by himself)''. Being a defence witness may show admirable courage to stand up for what they believe to be justice, but regardless, why is somebody's Yugoslavian war-time and post war-time record irrelevant, but somebody else's medals and basketball career are relevant? ] (]) 20:53, 27 August 2014 (UTC)

== Synopsis ==

I am starting a new section in order to focus on what I see as being the shortcomings of the present synopsis. The present synopsis is very largely a 'cut and paste' job from the press pack and website of the film maker. The synopsis does not attempt, ''(with the one exception of one issue)'', to present the claims or arguments of the film, nor to give any context by linking to historical events covered in the film ''(the obvious example is the lack of any mention in the synopsis of the film's 'take' on Srebrenica)''.


{{copyvio plot}}
The 'one exception', is the synopsis presently covers fairly thoroughly the 'economic' arguments of the film, ''(though this could probably be précis-ed without any loss of content)''. The difficulty ''(as I see it)'', is that the film makes SO MANY contentious claims ''(though often not actual claims, rather inferences)'', that distinguishing exactly what those claims are, which are important, and how to represent them fairly and neutrally is difficult.
== Critical response additions ==
I've made one addition to 'Critical response' section (Miller - Socialist Standard), this review had the agreement of UrbanVillager and Somedifferentstuff, though not agreement on actual text. I intend to add Brightest Young Things, which previously had the agreement of UrbanVillager (though not which text). It's possible that I have included too much, but found it difficult to decide both what 'typified' the review and what were the distinctive points made by each reviewer. ] (]) 19:14, 15 November 2014 (UTC)


Should there be any new-comers to this page, there is a lot of discussion about the synopsis in the archives at the top of this page ''(though I would be the first to admit, those discussions ended going round in circles, but there may be 'wheat among the chaff')''.] (]) 22:18, 26 August 2014 (UTC) BTW, reviews were not arranged by ethnicity, they were positive first negative second and it is perfectly normal to summarise, eg:- 'positive in UK, negative in USA'. I think such a summary relevant and justified. ] (]) 16:49, 25 November 2014 (UTC)


:In previous discussions, you've shown that you don't know what are film credits, that you don't know how festivals work, and now you're showing that you don't understand the definition of a synopsis. The point is not to debate on the arguments presented in the film, but to merely describe what the film talks about. That's it. So, none of "''the film says this, BUT this is SO not true''" here. Thank you, --] (]) 14:02, 27 August 2014 (UTC) :Dividing sources into "Serbian" and "non-Serbian" ''is'' arranging sources according to ethnicity. In this case, it's also repetition. Saying that a source is Serbian and then noting "Serbian historian..." is repetition. I think it's best to note what the reviewers said, not classify them according to their "Serbian" or "non-Serbian" nature. It's irrelevant which country they come from, as well as which ethnicity they have. Kilibarda, for example, is a Serbian/Montenegrin last name, and it's not up to the article to discuss reviewers' ethnicities or countries of origin, but rather to note what they wrote. --] (]) 18:08, 25 November 2014 (UTC)


::They were not arranged according to ethnicity, they were arranged + first - second, at Ricky's suggestion. If a - review comes from Serbia, it also will go with the other negs, and the converse. 'Serbian' to describe Markovic was copy-pasted from you. It is perfectly NORMAL to describe which countries gave good reviews, which bad and was not phrased prejudicially. The alternative is to put 'proper reviews' first and articles and comments later. ] (]) 20:35, 25 November 2014 (UTC)
::], re your remark:- ''In previous discussions, you've shown that you don't know what are film credits, that you don't know how festivals work'' … … 1). please draw my attention to where … … 2) One minute you claim to be an ordinary Joe who happens to follow BM's work, now ''(and quite often recently)'' you are suddenly an authority on film and festivals … … 3) I am happy to divulge to you my PROFESSIONAL involvement with the admin. of film festivals if you wish, but Misplaced Pages is collegiate and that would be irrelevant … … 4). Would it be possible for you to make your point, just once in a while, WITHOUT attempting to denigrate the person you are addressing?


:::You wrote "''It is perfectly NORMAL to describe which countries gave good reviews...''". Countries don't give reviews. I think your attempt to tie in reviewers with their countries and present them as how people in a certain country see a film is POV. Once again, reviews are reviews, let's let them speak for themselves. --] (]) 10:26, 1 December 2014 (UTC)
:: Re- ''The point is not to debate on the arguments presented in the film, but to merely describe what the film talks about'', … … I wholeheartedly AGREE that the point of a synopsis of a documentary is not to 'debate' or 'comment on', or 'verify' or 'disprove' the film's arguments, ''(what in my previous posting suggests to you that I don't know that or even that I would wish it to be otherwise?)''. However the point of a synopsis IS to IDENTIFY what those arguments are and to try to represent them in a neutral fashion, and specifically the guidelines state that where a documentary covers historical events, links should be provided to pages where those historical events are covered more fully. I do wish you would read more carefully what has been posted before reacting. ] (]) 14:50, 27 August 2014 (UTC)


::::If this film were Bambi and if it received significantly different reviews IN ''(not from)'' certain countries than it did in others, that would be noteworthy. Even more so since the film proposes very controversial versions of recent historical events.
== Repeated removal of entire criticism section. ==


::::You aren't even consistent UrbanVillager, the reviews MUST NOT have nationality, but the film MUST.] (]) 19:54, 1 December 2014 (UTC)
],there was extensive discussion on talk last year about criticism, here: , I took very little part in that discussion but 'watched it with interest'. The background to that discussion was an edit war, followed by an admin dispute, here: , as I read the discussion, the consensus was that the three criticism sources COULD BE USED, subject to clear attribution and not disproportionate to the total content of the article. You appeared to ''(grudgingly, perhaps)'' accept that decision.


:::::What you're saying would make sense if there were a bunch of reviews from one country that had a certain slant. This could justify that the film is perceived a certain way in a country in general. But taking two reviews from Serbia, one from Canada, one from the United States, one from the United Kingdom and saying that the film has "''significantly different reviews IN certain countries''" is simply stereotyping. However, I do agree when you say that "''the reviews MUST NOT have nationality, but the film MUST.''". Glad you finally realize these are two completely different things. Cheers, --] (]) 12:34, 2 December 2014 (UTC)
Apart from changing one of your ''(incorrect)'' words to a correct one I took no part. Had I done so, I would have added to what others said that Kilibarda is a professional academic, with extensive experience of researching and writing about 'Balkan' matters and economics and some reviews of books and films ''(do any of the sources you regard as sacrosanct have ANY experience of commenting on economics or history ?)''.


::::::UrbanVillager, possibly you should check out the meanings of ] and ]. ] (]) 17:23, 2 December 2014 (UTC)
To complicate matters, two of the four participants in that discussion have since been permanently banned ''(Staro Gusle and Phoenix and Winslow, SG for being a 'puppet')''. Now, suddenly nearly 12 months after consensus was reached, UrbanVillager, you are removing the section in its entirety, citing 'no consensus' and 'vandalism'.
:::::::Pincrete, as Bobrayner and yourself are forcing an edit war, I'd like to note that I will take no part in it. As can be seen from the above discussion, there is no consensus for classifying reviews by ethnicity or country of origin, let alone "Serbian" and "other". So, please remove this and let's try to get along. Regards, --] (]) 20:30, 26 December 2014 (UTC)
:::::::P.S. In your edit description for the revert, you noted "Undid revision as 1) they are not classified by country or etnicity 2) no consensus for removal of comments". 1) Saying that a source is Serbian '''''is''''' classifying it by country and ethnicity (it can be "Serbian" as "from Serbia" or "Serbian" as "of ethnic Serbs"), while 2) there needs to be consensus for the addition of this ]. Once again, if you can find me a source that explains why it is important to note the ethnicity or country of origin of certain reviewers, we can discuss the matter further. If not, please remove this as there is no consensus for the addition of what you're adding. --] (]) 20:39, 26 December 2014 (UTC)
::::::::If anyone objects to the good first/negative second set-up, then reviews would need to be organised according to their authority. I don't think that a 'passing remark' by a media tutor at a film showing ''(written up by a student, with no context at all)'' would carry much authority, nor a passing comment in a magazine, these are not RS film reviews at all. At present there is an attempt to present the arguments in favour of the film ''(which are almost wholly from WITHIN the country called 'Serbia')'' , FIRST. I believe this arrangement is wholly/generously fair. Are those who criticise this arrangement saying that the film has been widely praised OUTSIDE that country. Perhaps they need to find some reviews that corroborate that PoV, rather than attempting to rewrite the evidence or criticise its presentation. ] (]) 01:24, 27 December 2014 (UTC)
I reported Pincrete for . He added the national remarcs, they were opposed, and he is the one (with the help of bobrainer) who is edit-warring to keep his edit in place. That goes against WP:BRD and the discussion here was not over neither he got consensus for the edit (far from that), so his edir-warring is purely disruptive. ] (]) 05:15, 27 December 2014 (UTC)
:Without having read the above, it seems to me that, to say that Serbians are the only ones who liked it, is synthesis -- and possibly ] if not properly cited. ] (]) 05:38, 27 December 2014 (UTC)
:Pincrete, if it is normal to summarize in that way, could you provide examples? ] (]) 05:39, 27 December 2014 (UTC)


::], I will answer more fully when I have time/should you wish, but briefly ALL 'proper film reviews' of this film are VERY negative and are ALL from UK/N.American sources. If present wording is 'synth' or OR, then let it be changed, but what is being objected to exactly? Noting the nationality is both necessary ''(most people won't know who/what Pecat is)'', and appropriate ''(since this film deals with FYR and Serbian/US/UK/EEC political matters)''. BTW the article did NOT say 'only Serbs liked the film', and I was careful to find positive remarks made by ALL reviewers, in addition to their negative responses. The positive responses are NOT full film reviews, one is a brief paragraph in a magazine, the other is a passing comment by a college tutor, written up by a student. They were included out of a sense of fairness to another editor. ] (]) 14:01, 27 December 2014 (UTC) … … ps Schindler's list devotes an entire section to Jewish response to the film , and this is clearly 'ethnicity' rather than nationality. Almost all WP film articles have an intro of the ''the film mainly received positive/negative/mixed reviews'' kind, this intro is almost always referenced ONLY by the content of the reviews which follow and in that sense is an editor's summary of response, and therefore technically 'synth'. ] (]) 17:04, 27 December 2014 (UTC)
The one change which I made today was to clearly attribute ''(as per consensus)'', using quote marks and to add a phrase since it is meaningless to talk about ''well established role'' without saying what Kilibarda considered that role to be ''(plenty of people might think 'Slobo's' 'well established role' was as heroic statesman)''. It seems however that any change in any section leads you to tantrums and the revert button. You seem less concerned that the entire 'synopsis' is a copy/paste from the WoC website.


You seem determined to prove your ], vandalism, unwillingless to work with or respect other editors, unwillingless to acknowledge RS information that doesn't suit you in addition to the personal abuse, racist remarks etc. that we all already knew about.] (]) 20:49, 3 September 2014 (UTC) ::], the wording to which you object has been in place for 99% of the time since approx. October. If it is inappropriate, let us change it, but please don't misrepresent my actions HERE or at the edit-warring board. ] (]) 14:11, 27 December 2014 (UTC)


:::I am sorry, I wasn't on Misplaced Pages since yesterday so only now I managed to respond.
:Blogs are not reliable sources, no matter what your "consensus" (you and Bob Rayner) is. Read ]. Regards, --] (]) 23:54, 3 September 2014 (UTC)
:::My opinion seems to be that the classification of critics to Serbian/non Serbian is OR and too early, and it seems to me it is more made in order to discredit Malagurski than being a real objective analysis of the critics - "''Only Serbs gave positive review, the rest of the world didn't''". I am not sure we have enough critics in order to make such a wide claim. It is definitely ''safe'' not to add such synthesis. ] (]) 22:21, 27 December 2014 (UTC)


::::It is not a wide claim, nor indeed any kind of claim, ''(and my wording was not as crude as you have represented it)'' the three film reviews ''(from UK, USA and a 'Canadian' academic)'' are fairly devastatingly negative. The two Serbian responses are relatively positive, but are not reviews ''(one is written up by a student, perhaps that response should NOT be included at all, but was included at the wish of another editor)''.
::], do you actually READ postings before replying? … … Neither I nor Bob Rayner took ANY significant part in that 'criticism discussion' last year ''(You, Producer, Staro Gusle and Phoenix and Winslow were the only significant participants … P&W apparently being 'parachuted in' as a referee, SG being banned shortly therafter)'', the decision of that discussion was clear THE SOURCES ARE GOOD so long as attributed, 'pruned' of unencyc language ''(applies to Pavlica only, I think)'' and not disproportionate ''(is one paragraph disproportionate?)''.


::::The only question is how to represent these facts without prejudice or synth. You are surely not saying that we should not state the nationalities of the magazine/University that the responses came from ''(since Pecat magazine would be unknown to most readers)''? I believe that there are also negative Serbian responses/comments, but have not had the time to track them down/verify their RS status, there are also other 'Balkan' responses, which are largely negative.
::I note that you do not apologise for a series of ''(false)'' accusations both above and in your edit reasons, which you only compound by adding another false accusation again myself and BR today.


::::If we were to follow the custom of other film pages and start with a ''The film mainly received positive/negative/mixed reviews'', sentence, it would have to say the reviews were VERY negative. … … ''ps no apology needed, we all have other things to do in late Dec., and we may be on different time zones.'' ] (]) 01:44, 28 December 2014 (UTC)
::Thankyou, I HAVE read RELIABLE many times … have you read the bit about the expertise/professional experience of the writer being a factor in judging reliability? I think you should it's here:], I especially draw your attention to: ''Blogs in this context refers to personal and group blogs.… … '''Self-published material may sometimes be acceptable when its author is an established expert whose work in the relevant field has been published by reliable third-party publications'''. … … So WHAT about Kilibarda do you doubt? His professional experience as an academic and researcher? ''(lecturer at a Canadian University)'' That his relevant specialities include the Balkans, economics and politics, or that he has published ''(about the Balkans)'' in reliable journals? ''(Did you know that Kilibarda is even very sympathetic to the 'economic' arguments of the film, aren't they supposed to be the film's main thrust?)''


=== Ethnicity/Nationality/location clarification===
::I eagerly await your answer, because I'm afraid it looks awfully like a desperate attempt on your part to ensure that no meaningful criticism is ever allowed to sully this article, even when you have previously agreed to it.
Let us be clear, neither the ethnicity nor nationality of ANY individual reviewer has EVER been mentioned by me in the 'reviews' section. Sufficient information to establish the who/what/where of the magazine/website/University HAS been included with every review/response ''(except currently Pecat magazine, which is not identified at all)''. I have on several occasions removed references to individual nationality, where that was not RS or was unnecessary. Also the reviews are not organised according to ethnicity/nationality, they are + first - second. Therefore I find some of the language/accusations flying around over the last few days perplexing ''(I don't think that anyone would consider it an 'ethnic slur' if an article noted that a film with a UK connection was better received in the UK than elsewhere and the reviews THEMSELVES would be sufficient source for the assertion, could someone explain why this film is different?)''.


Also the article NEVER said "''Only Serbs gave positive review, the rest of the world didn't''" or "''Serbians are the only ones who liked it''", which is how the article is mis-quoted above by ] and ].
::I draw your attention to several questions I have asked on the BM main page.] (]) 14:05, 4 September 2014 (UTC)


However broad consensus seems to be that the previous 'lead in' was 'synth'. Therefore could we agree on some other lead-in and how to organise/describe reviews/responses accurately and imformatively. ], there may be other responses/comments, however there are now unlikely to be further film reviews, since the film was released more than 4 years ago. Therefore I suspect that what is currently here has to be worked with. I am mentioning ], and ] as they have expressed opinions over the last few days. ] (]) 17:01, 28 December 2014 (UTC)
:::OK, I think you may be right about Kilibarda. We can re-add his criticism. But e-novine and Pavlica are completely unreliable and irrelevant. --] (]) 14:12, 4 September 2014 (UTC)


], apologies if the above is defensive. In case it is not clear, I ACCEPT your argument that the 'sample size' is too small to draw conclusions. I still reject other arguments and accusations, however they are no longer relevant. ] (]) 14:44, 29 December 2014 (UTC)
::::'''Excuse me !''' There '''WAS''' consensus last year, you have just … 1) unilaterally decided that the other two sources are unreliable … 2) completely re-phrased Kilibarda according to your own wishes … 3) wrongly ''(and needlessly)'' characterised Kilibarda ''(an LP for the purposes of BLP)'' as a 'teaching assistant' at York's, he WAS, from 2004. He now IS Course Director at McMaster University and previously was CD at York's :- , the same site details extensive research work in the Balkans … … could you really not think of a more dismissive description ?
=== Critical response proposal===
Since the article will be unlocked shortly, I propose the following alterations to the 'critical response' section, ''(italicised text is my comment)''.


''1). Intro sentence on section, add:'' … 'The film has not been widely reviewed, however positive responses include:'
::::I suggest a truce on two fronts … 1) 'Canadian' can stay temporarily, but any sources which are simply mirrors will be removed ''(only RTS I think)'' … … 2) Criticism is restored in its entirety ''(including MY brief addition to Kilibarda (after 'well established role' … to … 'in the 1980s')''.


''2). Add divider sentence before 'Kilibarda' review:'' … 'However more negative responses have included:'
::::I wish to make it '''VERY''' clear that this is simply to stop my time and Misplaced Pages resources being wasted on what - as far as I am concerned - is vandalism on your part in support of your self-presumed ownership of this page, an ownership which cherry-picks which rules apply, and the sole purpose of which is to make this article little more than an outpost of BM's publicity machine. I reserve the right to take admin action regarding your behaviour. ] (]) 15:50, 4 September 2014 (UTC)


''3). The text and order of reviews should remain unaltered (ie positive first/more negative second, and with no 'general summary' except the preceding comments) EXCEPT, The Pecat review needs to be identified to establish the who/what/where, therefore it should be altered thus:'' … 'Vladislav Panov of Pečat magazine wrote that' … ''becomes'' … 'Vladislav Panov of Serbia's Pečat magazine wrote that'. ''If anyone has a better brief description of what/where 'Pečat' is, I would be happy to use that instead. Pečat doesn't have a WP article to link to.''
== "The Weight of Chains" is a Canadian film ==


], ] and ], I am mentioning you as you have expressed opinions over the last week. Without some kind of linking 'editorial' text, I feel we have an apparently randomly organised set of, (relatively marginal), responses. Maintaining +first/-second avoids problematic arguments about the relative 'authority' of the reviews used, and I hope the proposed 'linking text', explains our organisation of those responses without being contentious. ] (]) 14:41, 2 January 2015 (UTC)
:::::'''NOTE''' At this point in the discussion, a screenshot of the film credits was inserted by UrbanVillager. The screenshot included the statement 'This is a Canadian Film' and the year '2011'. It is this screenshot which is being referred to in the paragraphs below. The screenshot was removed on 9th September here:- . This note was inserted by Pincrete for the purposes of clarification. ] (]) 20:29, 9 September 2014 (UTC)


I believe this ends the discussion on the matter. ], please stop reverting or we can add this to the article as well. --] (]) 23:52, 3 September 2014 (UTC) :In my view your proposal ] seems quite fine. You found a perfect neutral formula I think. ] (]) 04:19, 4 January 2015 (UTC)
:Regarding Pečat, I found this short description at which is sort of website which collects all publications in Serbia. It says the following about Pečat:
:Original in Serbian:
:"''Magazin Pečat je politički nedeljnik koji izlazi petkom. Posle četiri godine izlaženja postao je najčitaniji list ove vrste u Srbiji, i stekao epitet jedinog slobodnog štampanog medija koji bez cenzure analizira teme iz društveno-političke i kulturne stvarnosti naše zemlje."''
:My translation:
:"''Pečat is a weekly political magazine published every Friday. After four years t became the most readed magazine of this type in Serbia, and it made name as the only free published media which, without censorship, analizes social and political issues and the cultural reality of our country (Serbia)".''
:Its a bit free translation of mine almost verbatim. ] (]) 04:27, 4 January 2015 (UTC)


::], many thanks, to keep the description brief, I intend to insert: 'Vladislav Panov of Pečat, a weekly political magazine in Serbia, wrote that' etc. ] (]) 13:40, 4 January 2015 (UTC)
:] … firstly I would point out an error on the article page ''(and probably other pages)'', where the film is described as 'a 2010 documentary', thankyou for drawing my attention to that mistake, will you remedy it or shall I?


:::I have re-instated the linking sentences between broadly+ and broadly- reviews. I draw attention to the discussion above. The alternative to some 'linking structure' seems to be either to get into the problematic area of which reviews should go first, second etc., or an alternating + - structure. With no linking text at all, what we appear to have is a randomly arranged ''(relatively marginal)'', set of responses.] (]) 23:19, 28 January 2015 (UTC)
:Secondly, well I don't know what to say really, because it is very difficult to reply without being patronising. I have on several occasions on this page and related pages tried to point out the difference between a paper saying 'the author announced today' ''(or similar)'' … and Misplaced Pages rendering the author's claim AS FACT. The relevant guideline seems to be that self-sourced information is not reliable, other than on uncontentious auto-biographical matters, or needs to be attributed to the speaker, not the paper.
::::]re: your recent reverts, I draw your attention to the discussion above. If any rewrite of the 'linking text' is called for, or some other basis for organising reviews proposed, can we discuss it here? However, simply removing it isn't very constructive. ] (]) 12:55, 29 January 2015 (UTC)
:::::Pincrete, why do you want to classify reviews in any way? What is your motive for doing so? Do you have a source to claim that a review is completely negative or completely positive? Or more negative than positive? How would you measure that? What is your goal here? --] (]) 20:19, 29 January 2015 (UTC)


::::::My motive is that it provides some structure/coherence to the organisation ''(as explained above)''. Since the wording says MORE - ''(not wholly negative)'', I won't respond to that question. The other advantage to a linking text, is that it avoids any problematic discussions about relative positions of proper reviews/comments or the relative authority of the sources. This arrangement did have ]'s endorsement. ] (]) 21:34, 29 January 2015 (UTC)
:Is it not obvious to you that no matter how big you print the claim, no matter how often you repeat the exact location in the film of the claim, it is the film maker's claim NO MORE. Is the difference between ''" UrbanVillager says he is the nicest person on the planet"'' and ''"UrbanVillager IS the nicest person on the planet"'', not obvious to you? Or is it just that it is a distinction to which you are indifferent, when it comes to BM?
::::::Other possibilities include listing alphabetically by name or by publication date. Whichever way is preferred, some linking text is needed to give coherence to the structure. ] (]) 20:43, 31 January 2015 (UTC)
:::::::Update, I have ordered reviews by publication date, putting a brief explanatory sentence at the start of the section. Is this acceptable as a temp fix? At the same time I removed the sequel section and put a linking sentence in the lede. I don't regard publication date as a very logical basis for ordering reviews, but acceptable as a 'temp fix', if we are unable to agree some more logical basis and some linking text, I suggest we post a RfC to resolve the matter. ] (]) 09:27, 2 February 2015 (UTC)


=== Pečat translation===
:By all means add the picture to the article if you wish. Neither you nor BM seem to realise that you more you scream this claim, the more doubt it actually casts in people's minds. The picture doesn't "end the discussion", it merely advertises your highly selective definition of a RS. … … ps do you object to me moving this up to 'In what sense Canadian ?' since it actually seems to be a continuation of that discussion'? … … … pps you might want to remove the picture as it is copyrighted to BM, and I think LEGALLY you should have asked him before using it. ] (]) 14:59, 4 September 2014 (UTC)
::There is another question relating to the Pečat review, at present we have: 'Boris bravely detected the main domestic culprits in collecting the cream for foreigners as well'. … original here: . Relevant text: 'Boris je hrabro detektovao i glavne domaće (G 17 Plus) izvršioce u sakupljanju tog kajmaka za strance, zbog čega je verovatno njegov film u prvo vreme bio „nezgodan za prikazivanje“ srpskoj publici.'


::There are two translation questions … Q1. should the preposition be 'FOR foreigners' ''(ie 'on behalf of foreigners')'' or 'OF foreigners' ''(ie 'from them')''? Q2 we have 'collecting the cream', is this correct or would it be more correct to use 'skimming off the cream' ''(an expression that suggests something dishonest about the process)''. I have been offered both versions and am not competent to make the assessment, as prepositions and expressions are both notoriously difficult to translate and dependent on usage. I will leave 'as is', until/unless there is some clarification. ] (]) 13:40, 4 January 2015 (UTC)
::There's a difference between "The author says that his film is great" and "The author calls his film ''The Weight of Chains'' and produced it in Canada". The first is a statement that can be disputed by various factors as he's discussing a general topic of interest. The second is a statement about his details regarding his work for which he, or rather the production company, is solely responsible, i.e. naming the film, deciding whether to co-produce the film with another production company or not (essentially, a film is Canadian if the production company is based in Canada), signing people in the credits, etc. Now, what the author's arrangements with other parties after the film has been produced are, really makes little difference regarding the facts concerning the film, as an external party can't declare the film to be Australian or called "The Blast of Paranoia" and taken seriously, even if the source is The New York Times. As a matter of fact, perhaps we could consider removing the "Journeyman Pictures" text and link altogether. An author can't say "I claim that the film is called The Weight of Chains and I claim that it's Canadian", it simply ''is'', because it's a creation of his, or rather his production company. The opposite would be equal to you naming your child Bob, but when introducing him to friends you say "This is my son, I claim his name is Bob, others may claim his official name is different", (assuming the child agrees his name is Bob) which is absurd, of course. So, the topics covered '''can''' and '''should''' be disputed, but for general facts regarding the film's production, the film credits do give the final word. And yes, you may change the year to 2011, I missed that one as well. Goes to show both you and I could look into the credits better before making absolute claims about the film's production. The printscreen is used to illustrate what we're talking about, so from what I understood, it should be fair use. If you agree that "Canadian" stays, I'll remove the photo. Maybe then we can move on to different issues, we've spent way too much time discussing something so obvious and trivial. --] (]) 19:19, 4 September 2014 (UTC)


:::What the sentence wants to emphasize is that Boris found that the ] were making the dirty work domestically for the foreigners. I am still trying to find the best expression. ] (]) 04:35, 5 January 2015 (UTC)
:::This really is 100 percent nonsense ''(there are hundreds of books, films, people known by names NOT given to them by their 'makers' … and your grasp of the laws of ownership of created works is pretty rudimentary … while the idea that ANYONE - Misplaced Pages editors, festival administrators, press officers, critics - 'watch the film credits' to get info about the film is beyond belief!)''


:::I have already made the conditions of this truce clear above, I have nothing to add. Remove the picture - or not - as you wish, I just thought you might prefer the dignity of removing it yourself, rather than having it removed for copyright violation. ] (]) 23:21, 4 September 2014 (UTC) ::::I noticed the omission of G17+ from the translation, but didn't realise there was a WP article. We should probably re-insert the mention of G17+ as there is such a link. 'Domestic culprits' implies dishonourable/didhonest behaviour, but therafter I'm not sure how 'accusatory' the tone should be. ] (]) 01:10, 8 January 2015 (UTC)
::::It's amazing how you do understand that the production company that made the film is Canadian, but you don't understand how that makes the film Canadian. I am speechless. --] (]) 12:10, 5 September 2014 (UTC)


:::::He is directly accusing G17+ of working in the interest of the foreigners, so I guess the tone can be quite direct. Please feel free ] to use the most adequate expression you think would be proper, you can certainly do it better than me because English is not my native language. The sentence in Serbian is not easy to translate verbatin, but we can always simplify it and go straight to the point which in this case would be that Boris Malagurski detected that ] were the main domestic allies(or culpits) of the ''foreigners'' and because of that reason his movie was initially undesirable to be released in Serbia (as at that time G17 Plus was in the ruling coalition). ] (]) 02:07, 8 January 2015 (UTC)
:::::The 'nationality' is how RSs perceive it … as I said before, the legally registered London office of 'China news', doesn't suddenly become a 'British news source', by printing 'I am British' on its notepaper. Show me a Misplaced Pages guideline or a 'real world' law that explicitly contradicts that when you have recovered your powers of speech. Meanwhile, I have better things to do. ]. ] (]) 15:34, 5 September 2014 (UTC)


::::::I have slightly tweaked the translation, adding G17+, used 'skimming the cream' ''(which suggests something 'dodgy')'', and changing 'for' to 'on behalf of' ''(which is more explicit)'', I'm sure it could be made better, but I'm reluctant to go too far. I didn't add the stuff about difficulty of being shown in Serbia as, whilst it might belong somewhere, it didn't seem to belong as part of a 'critical response'.
== ] is ] in desperate attempt to fabricate consensus ==


== External links modified ==
While it's perfectly acceptable to notify other editors of ongoing discussions, provided that it is done with the intent to improve the quality of the discussion by broadening participation, I've noticed that ] is canvassing (see ]) in order to fabricate a consensus that serves his anti-Malagurski and anti-Yugoslav bias. This is neutral land, not "Malagurski-land" as Pincrete described it in his comment to ] and declaring me the 'owner' of this article is another personal attack (see ]) in a long line of attempts to discredit anyone who doesn't show up to bash Malagurski and his work. Since I came to Misplaced Pages I've been accused of being Malagurski, being Malagurski's friend and being on Malagurski's payroll, and now, just because I'm interested in the quality of the article, I'm accused of being the 'owner' of this article. Nobody 'owns' anything on Misplaced Pages, everything here belongs to all of us. And I resent the fact I'm accused of being in any way disruptive, considering that I helped contribute towards this article in making it one of the best-sourced on Misplaced Pages, while according to Misplaced Pages policy, '''canvassing''', which Pincrete keeps doing with the "intention of influencing the outcome of a discussion in a particular way", "compromises the normal consensus decision-making process", and therefore is "disruptive behavior". Some users are obviously here with an agenda, as they criticize Malagurski's work on an online encyclopedia that is aimed at not giving judgement on a topic, but rather providing neutral information. After being warned for edit warring, Pincrete proceeded to contact Bobrayner again , subtly asking for him to show up to agree with him (Pincrete regards Bobrayner as an influential editor, he has attracted my attention to his "edit record" in the past ), so that Pincrete could say that the "majority of users" support his view. Unfortunately for Pincrete, this is not how consensus is built. The word "Canadian" is well-sourced (I found over 7 reliable sources, some of which were deleted) and consensus on Wikiepedia is not created by counting votes (see ]). I don't think Pincrete's goals are at all in line with the Misplaced Pages spirit, and he has the nerve to complain about my behavior, even plotting with Bobrayner to report me ("As I understand it, 2 editors need to have raised behaviour on talk for a complaint to go forward, you have implicitly criticised and in your 'pithy' edit reasons implied behaviour issues, but not explicitly commented in recent times. I have recently, repeatedly and clearly complained of behaviour." --Pincrete ) after clearly trying to use Misplaced Pages to further their POV agenda. On the other hand, I'm perfectly willing to work and have worked with other editors who have an unbiased approach to this topic. Simply put, if someone appears with any kind of emotional stance towards Malagurski or his work, it's very hard to cooperate. Their goals are usually to glorify or vilify. I was presented as not accepting criticism of Malagurski in this article when all I wanted was to have properly sourced criticism, and have recently agreed to add Kilibarda's criticism of Malagurski's film. So far, I've seen editors such as Pincrete and Bobrayner claiming that blogs are reliable sources of information, hoping that nobody will notice since "Boris Malagurski" isn't really a popular topic on the Internet. For standing up for Misplaced Pages policy, I've been personally attacked, accused of many things and now some editors are canvassing votes in hopes of pushing through their agenda. I think it's about time some administrators become involved. Those who are familiar with Malagurski's work can have an opinion of his work. But Misplaced Pages doesn't care for that, this isn't a blog or an Internet forum. --] (]) 21:13, 5 September 2014 (UTC)


Hello fellow Wikipedians,
:Oh dear, poor, noble, misunderstood UrbanVillager. I can only repeat Psychonaut's advice, if you think you have a case, ''seek a third opinion or take the matter to the dispute resolution noticeboard'' :- here … ''(at least bobrayner HAS edited here recently … and at least I told everyone - including you - that I intended to notify BR, as he is involved … I don't think contacting an editor whose most recent edit was 3 days before, asking him to confirm his opinion and updating him, would carry much weight as 'canvassing')'' … Proofs:Sept 1st here:- 15th August here:- 13th August here:- June 26th here:- … finally, 10th August here;-.


I have just modified {{plural:1|one external link|1 external links}} on ]. Please take a moment to review . If you have any questions, or need the bot to ignore the links, or the page altogether, please visit ] for additional information. I made the following changes:
:I have nothing further to add to what has been said, if you want to discuss the articles ''(or answer any of the pending questions on other BM pages)'', that's fine, otherwise … … give it a rest. ] (]) 22:11, 5 September 2014 (UTC)
*Corrected formatting/usage for http://www.pravda.rs/2012/06/23/protest-ispred-zgrade-rts-video


When you have finished reviewing my changes, please set the ''checked'' parameter below to '''true''' or '''failed''' to let others know (documentation at {{tlx|Sourcecheck}}).
== Recent review ==


{{sourcecheck|checked=false}}
There is a recent review of this film, printed in the UK's ], the review is at :- , it was published January this year. ] (]) 22:57, 9 September 2014 (UTC)


Cheers.—]<small><sub style="margin-left:-14.9ex;color:green;font-family:Comic Sans MS">]:Online</sub></small> 18:48, 1 April 2016 (UTC)
:There, now that is a reliable source for criticism of the film. Which part should we add? Aside from that, I suggest we only leave Kilibarda's criticism, since E-novine is neither reliable, nor is Pavlica relevant. Also, should there be a section presenting positive reviews of the film? --] (]) 23:02, 9 September 2014 (UTC)


== External links modified ==
::I am drawing everyone's attention to the review, I don't have an opinion yet as I only read it myself 15 minutes ago. The source is hardly 'mainstream', but then how many of the current sources ARE?


Hello fellow Wikipedians,
::As you know, until such time as consensus is reached or admin review achieved, there are to be NO substantial alterations to the 'criticism' section. I happen to think Kilibarda is the best written, however, the others were the result of a consensus last year and, in case it is not obvious, I don't agree with you removing all of either of the other two. IMO there is no need for a seperate section for positive reviews, any that meet the same criteria as the negative ones are already eligible for inclusion. ] (]) 23:26, 9 September 2014 (UTC)


I have just modified {{plural:1|one external link|1 external links}} on ]. Please take a moment to review . If you have any questions, or need the bot to ignore the links, or the page altogether, please visit ] for additional information. I made the following changes:
:::As you know, ], and I'm proposing a change that would mean adding more information about Kilibarda's review, like in , removing e-novine's "review" (irrelevant blog, irrelevant blogger who even got kicked out of e-novine, the editor of e-novine called Pavlica an "idiot" ), and adding the more credible Socialist Standard review. Also, if we find two or three positive reviews of the film, we could change the heading of the "criticism" section into the "reviews" or "reactions" section, as it seems unfair to have a "criticism" section by itself, as if the rest is all praising the film, which it is not. To have neutral general information of the film + criticism without any positive reviews is quite one-sided, don't you think? --] (]) 02:39, 10 September 2014 (UTC)
*Added archive http://web.archive.org/web/20140826115514/http://www.sense-agency.com/sense.48.html?case_id=84&type=gallery to http://www.sense-agency.com/sense.48.html?case_id=84&type=gallery


When you have finished reviewing my changes, please set the ''checked'' parameter below to '''true''' or '''failed''' to let others know (documentation at {{tlx|Sourcecheck}}).
::::'Criticism' isn't inherently the wrong word - in context - Criticism = 'what ''(film)'' critics have written' ''(praise or disapproval)''. However, I myself suggested 'Critical response' ''(the section heading used on other film pages)'', I suggested it here , scroll down to 'Critique/Criticism'. I still have no objection to that change.


{{sourcecheck|checked=false}}
::::The fact that the editor and Pavlica had a falling out is irrelevant to reliability - unless e-novine specifically disowned THIS review.


Cheers.—] <span style="color:green;font-family:Rockwell">(])</span> 14:20, 21 July 2016 (UTC)
::::I need to re-assess both the Pavlica review, and the archived 'Criticism' discussion, ''(same as previous link,)'' however memory tells me that both e-novine and Pavlica himself 'passed muster' as RSs, I don't see any good reason to change that assessment of either. My general position is that we should not put acres of quotes from any single reviewer, but rather find quotes that adequately summarise the reviewers position, or make a particular observation that other reviewers do not. Readers can read the whole review if they want. The rules are the same for good or bad reviews.


== Bad faith removals ==
::::Which parts of Kilibarda or the 'new review', do you wish to add? My first impression of the new review, is that the writer has a very similar response to Kilibarda, namely he sympathises with the economic arguments, but finds the rewriting of history objectionable, it's possible that some 'merging' of their views would work without altering either of their meanings. ] (]) 09:55, 10 September 2014 (UTC)


Urbanvillager, , on material which you then removed and . The only recent change has been to re-order the final criticism since it is the oldest. The order is chronological, and the reason it is chronological is because you previously edit-warred when reviews were ordered + first - second and also when reviews were ordered 'Balkan' followed by 'outsiders'.
:::::I agree with changing it to Critique.
:::::As for e-novine, you can't be serious that you expect the blog to come up with a list of articles disowned by them together with Pavlica. The editor called Pavlica an idiot and kicked him out. This shows how much weight Pavlica's articles have on e-novine and this source by itself really doesn't meet any of Misplaced Pages guidelines for reliable sourcing. It's simply a blog post. So, it should be removed. Pushing for the e-novine link will only further my suspicions that you don't want to have serious criticism of the film, like I do, but are just pushing for any type of anti-Malagurski rants you can find.
:::::As for Kilibarda, I wrote which parts I would add and sent you a link. Did you read it? I think you'll find it fits in with what you just wrote. And lets see what we could add from the Socialist Standard. Kilibarda and Miller from the SS (''not Heinrich Miller from the Gestapo'') seem to be the only ones offering relevant criticism of the film. I'll also see if I can find some more positive reviews, book author Gregory Elich provides a good review , we could start from there. --] (]) 14:06, 10 September 2014 (UTC)


Your reasons for rejecting reviews are ridiculous. Why is one writer publishing in an established publication, 'biased', but a student publishing in an online blog is 'neutral'. The arguments are absurd and do nothing except reveal your own lack of neutrality.
::::::'Critique' is wholly the WRONG word, it means something different from criticism ''(in UK English certainly)''.


The removals on compromises which you yourself previously proposed are extremely bad faith. ] (]) 11:01, 24 August 2017 (UTC)
::::::I am totally serious about what I said about Pavlica and the irrelevance of his 'in house disagreements'. If by the 'link' you mean your rewrite of the whole criticism section, I think I've already made clear that I DON'T accept it for a number of reasons, which I can repeat if you want. I haven't read the Elich yet, so will say nothing about it. ] (]) 18:25, 10 September 2014 (UTC)
:::::::So, you won't read Elich either? :/ Seems a bit counterproductive. By 'link' I meant expanding on the Kilibarda review, while removing the Pavlica rant. If you're sure you don't agree on removing Pavlica, I'll take the matter to a higher instance, since it's pretty clear it fails ] - neither is the blog relevant, nor is the author relevant. Simply put, a blogger wrote something for a blog and later the blog's head guy threw him out and called him an 'idiot'. Where's the relevance in that? --] (]) 19:23, 10 September 2014 (UTC)


:I suggest an order of positive, negative, positive, negative, positive, negative, etc. reviews. I think that's the most fair. It can start with either positive or negative. --] (]) 17:18, 24 August 2017 (UTC)
:::::::"I '''haven't''' read the Elich '''yet'''", is I think what my post says.


:::::::The entire issue of 'Pavlica' being 'a blog' was discussed at length, the conclusion was that the source was 'kosher' if used in moderation. I don't intend to re-open that whole discussion unless there is some substantial NEW argument. You are perfectly entitled to invite adjudication if you want. The Pavlica used is a single ''(technical)'' criticism of the film, I find it strange to call that 'a rant'. ] (]) 19:55, 10 September 2014 (UTC) ::This is precisely what was rejected 2 or 3 years ago, any childish notion that + or - should alternate equally. 'Fairness' is decided by the character of the reviews given and listed in some neutral coherent fashion that reflects the range of reviews and their weight. This is called Misplaced Pages, not 'We have to be equally-nice-ipedia'. Funnily, , arguing that that page is for his views only, not criticism of those views. ] (]) 17:37, 24 August 2017 (UTC)


:::I seriously question Petkovic's qualifications for discussing Malagurski and his work, when he places Malagurski in a group that Malagurski didn't belong to. Just because Petkovic is a film critic doesn't give him the right to provide false information and get away with it. This is why I believe his review should be removed altogether. It's not about criticism, there are other critical reviews of Malagurski's film that are in the article, rightfully so, but rather a matter of Petkovic's credibility to comment on something he clearly didn't even research. --] (]) 20:05, 24 August 2017 (UTC)
::::::::Um, the new argument is that e-novine called its own contributor "an idiot". Can you provide some evidence of Pavlica's technical expertise when it comes to reviewing a film? --] (]) 20:00, 10 September 2014 (UTC)


::::Member of which group? This isn't a valid criteria anyway, I'm sure every film critic makes minor factual errors from time to time, that doesn't invalidate their opinion. ] (]) 22:25, 24 August 2017 (UTC)
:::::::::"I '''have''' read the Elich '''now'''" … it isn't a review, it is an interview with BM. Perhaps it supports other parts of the article, but it doesn't even pretend to be a review. Re:- your previous post, Pavlica's credibility as a quotable source was established, unless he was fired for writing THIS review, the rest is 'office gossip' or material for the Pavlica page. … … ps isn't the paper reporting the 'Pavlica idiot' story the one that BM writes for? Small world isn't it? ... pps Elich, your 'review' is of course one of the interviewees in the film, I thought so from the first mention but just wanted to check.] (]) 20:50, 10 September 2014 (UTC)

Latest revision as of 18:27, 14 September 2024

This is the talk page for discussing improvements to the The Weight of Chains article.
This is not a forum for general discussion of the article's subject.
Article policies
Find sources: Google (books · news · scholar · free images · WP refs· FENS · JSTOR · TWL
Archives: 1, 2, 3, 4Auto-archiving period: 3 months 
This article is rated C-class on Misplaced Pages's content assessment scale.
It is of interest to the following WikiProjects:
WikiProject iconFilm: Canadian / Documentary
WikiProject iconThis article is within the scope of WikiProject Film. If you would like to participate, please visit the project page, where you can join the discussion and see lists of open tasks and regional and topical task forces. To use this banner, please refer to the documentation. To improve this article, please refer to the guidelines.FilmWikipedia:WikiProject FilmTemplate:WikiProject Filmfilm
Taskforce icon
This article is supported by the Canadian cinema task force.
Taskforce icon
This article is supported by the Documentary films task force.
WikiProject iconYugoslavia Low‑importance
WikiProject iconThe Weight of Chains is within the scope of WikiProject Yugoslavia, a collaborative effort to improve the Misplaced Pages coverage of articles related to Yugoslavia and its nations. If you would like to participate, please visit the project page, where you can join the project and see a list of open tasks.YugoslaviaWikipedia:WikiProject YugoslaviaTemplate:WikiProject YugoslaviaYugoslavia
LowThis article has been rated as Low-importance on the project's importance scale.

The contentious topics procedure applies to this page. This page is related to the Balkans or Eastern Europe, which has been designated as a contentious topic.

Editors who repeatedly or seriously fail to adhere to the purpose of Misplaced Pages, any expected standards of behaviour, or any normal editorial process may be blocked or restricted by an administrator. Editors are advised to familiarise themselves with the contentious topics procedures before editing this page.

Plot descriptions cannot be copied from other sources, including official sources, unless these can be verified to be public domain or licensed compatibly with Misplaced Pages. They must be written in original language to comply with Misplaced Pages's copyright policy. In addition, they should only briefly summarize the plot; detailed plot descriptions may constitute a derivative work. See Misplaced Pages's Copyright FAQ.

Critical response additions

I've made one addition to 'Critical response' section (Miller - Socialist Standard), this review had the agreement of UrbanVillager and Somedifferentstuff, though not agreement on actual text. I intend to add Brightest Young Things, which previously had the agreement of UrbanVillager (though not which text). It's possible that I have included too much, but found it difficult to decide both what 'typified' the review and what were the distinctive points made by each reviewer. Pincrete (talk) 19:14, 15 November 2014 (UTC)

BTW, reviews were not arranged by ethnicity, they were positive first negative second and it is perfectly normal to summarise, eg:- 'positive in UK, negative in USA'. I think such a summary relevant and justified. Pincrete (talk) 16:49, 25 November 2014 (UTC)

Dividing sources into "Serbian" and "non-Serbian" is arranging sources according to ethnicity. In this case, it's also repetition. Saying that a source is Serbian and then noting "Serbian historian..." is repetition. I think it's best to note what the reviewers said, not classify them according to their "Serbian" or "non-Serbian" nature. It's irrelevant which country they come from, as well as which ethnicity they have. Kilibarda, for example, is a Serbian/Montenegrin last name, and it's not up to the article to discuss reviewers' ethnicities or countries of origin, but rather to note what they wrote. --UrbanVillager (talk) 18:08, 25 November 2014 (UTC)
They were not arranged according to ethnicity, they were arranged + first - second, at Ricky's suggestion. If a - review comes from Serbia, it also will go with the other negs, and the converse. 'Serbian' to describe Markovic was copy-pasted from you. It is perfectly NORMAL to describe which countries gave good reviews, which bad and was not phrased prejudicially. The alternative is to put 'proper reviews' first and articles and comments later. Pincrete (talk) 20:35, 25 November 2014 (UTC)
You wrote "It is perfectly NORMAL to describe which countries gave good reviews...". Countries don't give reviews. I think your attempt to tie in reviewers with their countries and present them as how people in a certain country see a film is POV. Once again, reviews are reviews, let's let them speak for themselves. --UrbanVillager (talk) 10:26, 1 December 2014 (UTC)
If this film were Bambi and if it received significantly different reviews IN (not from) certain countries than it did in others, that would be noteworthy. Even more so since the film proposes very controversial versions of recent historical events.
You aren't even consistent UrbanVillager, the reviews MUST NOT have nationality, but the film MUST.Pincrete (talk) 19:54, 1 December 2014 (UTC)
What you're saying would make sense if there were a bunch of reviews from one country that had a certain slant. This could justify that the film is perceived a certain way in a country in general. But taking two reviews from Serbia, one from Canada, one from the United States, one from the United Kingdom and saying that the film has "significantly different reviews IN certain countries" is simply stereotyping. However, I do agree when you say that "the reviews MUST NOT have nationality, but the film MUST.". Glad you finally realize these are two completely different things. Cheers, --UrbanVillager (talk) 12:34, 2 December 2014 (UTC)
UrbanVillager, possibly you should check out the meanings of stereotype and irony. Pincrete (talk) 17:23, 2 December 2014 (UTC)
Pincrete, as Bobrayner and yourself are forcing an edit war, I'd like to note that I will take no part in it. As can be seen from the above discussion, there is no consensus for classifying reviews by ethnicity or country of origin, let alone "Serbian" and "other". So, please remove this and let's try to get along. Regards, --UrbanVillager (talk) 20:30, 26 December 2014 (UTC)
P.S. In your edit description for the revert, you noted "Undid revision as 1) they are not classified by country or etnicity 2) no consensus for removal of comments". 1) Saying that a source is Serbian is classifying it by country and ethnicity (it can be "Serbian" as "from Serbia" or "Serbian" as "of ethnic Serbs"), while 2) there needs to be consensus for the addition of this original research. Once again, if you can find me a source that explains why it is important to note the ethnicity or country of origin of certain reviewers, we can discuss the matter further. If not, please remove this as there is no consensus for the addition of what you're adding. --UrbanVillager (talk) 20:39, 26 December 2014 (UTC)
If anyone objects to the good first/negative second set-up, then reviews would need to be organised according to their authority. I don't think that a 'passing remark' by a media tutor at a film showing (written up by a student, with no context at all) would carry much authority, nor a passing comment in a magazine, these are not RS film reviews at all. At present there is an attempt to present the arguments in favour of the film (which are almost wholly from WITHIN the country called 'Serbia') , FIRST. I believe this arrangement is wholly/generously fair. Are those who criticise this arrangement saying that the film has been widely praised OUTSIDE that country. Perhaps they need to find some reviews that corroborate that PoV, rather than attempting to rewrite the evidence or criticise its presentation. Pincrete (talk) 01:24, 27 December 2014 (UTC)

I reported Pincrete for edit-warring. He added the national remarcs, they were opposed, and he is the one (with the help of bobrainer) who is edit-warring to keep his edit in place. That goes against WP:BRD and the discussion here was not over neither he got consensus for the edit (far from that), so his edir-warring is purely disruptive. FkpCascais (talk) 05:15, 27 December 2014 (UTC)

Without having read the above, it seems to me that, to say that Serbians are the only ones who liked it, is synthesis -- and possibly original research if not properly cited. Jsharpminor (talk) 05:38, 27 December 2014 (UTC)
Pincrete, if it is normal to summarize in that way, could you provide examples? Jsharpminor (talk) 05:39, 27 December 2014 (UTC)
Jsharpminor, I will answer more fully when I have time/should you wish, but briefly ALL 'proper film reviews' of this film are VERY negative and are ALL from UK/N.American sources. If present wording is 'synth' or OR, then let it be changed, but what is being objected to exactly? Noting the nationality is both necessary (most people won't know who/what Pecat is), and appropriate (since this film deals with FYR and Serbian/US/UK/EEC political matters). BTW the article did NOT say 'only Serbs liked the film', and I was careful to find positive remarks made by ALL reviewers, in addition to their negative responses. The positive responses are NOT full film reviews, one is a brief paragraph in a magazine, the other is a passing comment by a college tutor, written up by a student. They were included out of a sense of fairness to another editor. Pincrete (talk) 14:01, 27 December 2014 (UTC) … … ps Schindler's list devotes an entire section to Jewish response to the film , and this is clearly 'ethnicity' rather than nationality. Almost all WP film articles have an intro of the the film mainly received positive/negative/mixed reviews kind, this intro is almost always referenced ONLY by the content of the reviews which follow and in that sense is an editor's summary of response, and therefore technically 'synth'. Pincrete (talk) 17:04, 27 December 2014 (UTC)
FkpCascais, the wording to which you object has been in place for 99% of the time since approx. October. If it is inappropriate, let us change it, but please don't misrepresent my actions HERE or at the edit-warring board. Pincrete (talk) 14:11, 27 December 2014 (UTC)
I am sorry, I wasn't on Misplaced Pages since yesterday so only now I managed to respond.
My opinion seems to be that the classification of critics to Serbian/non Serbian is OR and too early, and it seems to me it is more made in order to discredit Malagurski than being a real objective analysis of the critics - "Only Serbs gave positive review, the rest of the world didn't". I am not sure we have enough critics in order to make such a wide claim. It is definitely safe not to add such synthesis. FkpCascais (talk) 22:21, 27 December 2014 (UTC)
It is not a wide claim, nor indeed any kind of claim, (and my wording was not as crude as you have represented it) the three film reviews (from UK, USA and a 'Canadian' academic) are fairly devastatingly negative. The two Serbian responses are relatively positive, but are not reviews (one is written up by a student, perhaps that response should NOT be included at all, but was included at the wish of another editor).
The only question is how to represent these facts without prejudice or synth. You are surely not saying that we should not state the nationalities of the magazine/University that the responses came from (since Pecat magazine would be unknown to most readers)? I believe that there are also negative Serbian responses/comments, but have not had the time to track them down/verify their RS status, there are also other 'Balkan' responses, which are largely negative.
If we were to follow the custom of other film pages and start with a The film mainly received positive/negative/mixed reviews, sentence, it would have to say the reviews were VERY negative. … … ps no apology needed, we all have other things to do in late Dec., and we may be on different time zones. Pincrete (talk) 01:44, 28 December 2014 (UTC)

Ethnicity/Nationality/location clarification

Let us be clear, neither the ethnicity nor nationality of ANY individual reviewer has EVER been mentioned by me in the 'reviews' section. Sufficient information to establish the who/what/where of the magazine/website/University HAS been included with every review/response (except currently Pecat magazine, which is not identified at all). I have on several occasions removed references to individual nationality, where that was not RS or was unnecessary. Also the reviews are not organised according to ethnicity/nationality, they are + first - second. Therefore I find some of the language/accusations flying around over the last few days perplexing (I don't think that anyone would consider it an 'ethnic slur' if an article noted that a film with a UK connection was better received in the UK than elsewhere and the reviews THEMSELVES would be sufficient source for the assertion, could someone explain why this film is different?).

Also the article NEVER said "Only Serbs gave positive review, the rest of the world didn't" or "Serbians are the only ones who liked it", which is how the article is mis-quoted above by User:FkpCascais and Jsharpminor.

However broad consensus seems to be that the previous 'lead in' was 'synth'. Therefore could we agree on some other lead-in and how to organise/describe reviews/responses accurately and imformatively. User:FkpCascais, there may be other responses/comments, however there are now unlikely to be further film reviews, since the film was released more than 4 years ago. Therefore I suspect that what is currently here has to be worked with. I am mentioning Jsharpminor, and Bbb23 as they have expressed opinions over the last few days. Pincrete (talk) 17:01, 28 December 2014 (UTC)

User:FkpCascais, apologies if the above is defensive. In case it is not clear, I ACCEPT your argument that the 'sample size' is too small to draw conclusions. I still reject other arguments and accusations, however they are no longer relevant. Pincrete (talk) 14:44, 29 December 2014 (UTC)

Critical response proposal

Since the article will be unlocked shortly, I propose the following alterations to the 'critical response' section, (italicised text is my comment).

1). Intro sentence on section, add: … 'The film has not been widely reviewed, however positive responses include:'

2). Add divider sentence before 'Kilibarda' review: … 'However more negative responses have included:'

3). The text and order of reviews should remain unaltered (ie positive first/more negative second, and with no 'general summary' except the preceding comments) EXCEPT, The Pecat review needs to be identified to establish the who/what/where, therefore it should be altered thus: … 'Vladislav Panov of Pečat magazine wrote that' … becomes … 'Vladislav Panov of Serbia's Pečat magazine wrote that'. If anyone has a better brief description of what/where 'Pečat' is, I would be happy to use that instead. Pečat doesn't have a WP article to link to.

Jsharpminor, Bbb23 and User:FkpCascais, I am mentioning you as you have expressed opinions over the last week. Without some kind of linking 'editorial' text, I feel we have an apparently randomly organised set of, (relatively marginal), responses. Maintaining +first/-second avoids problematic arguments about the relative 'authority' of the reviews used, and I hope the proposed 'linking text', explains our organisation of those responses without being contentious. Pincrete (talk) 14:41, 2 January 2015 (UTC)

In my view your proposal Pincrete seems quite fine. You found a perfect neutral formula I think. FkpCascais (talk) 04:19, 4 January 2015 (UTC)
Regarding Pečat, I found this short description at novinarnica.net which is sort of website which collects all publications in Serbia. It says the following about Pečat:
Original in Serbian:
"Magazin Pečat je politički nedeljnik koji izlazi petkom. Posle četiri godine izlaženja postao je najčitaniji list ove vrste u Srbiji, i stekao epitet jedinog slobodnog štampanog medija koji bez cenzure analizira teme iz društveno-političke i kulturne stvarnosti naše zemlje."
My translation:
"Pečat is a weekly political magazine published every Friday. After four years t became the most readed magazine of this type in Serbia, and it made name as the only free published media which, without censorship, analizes social and political issues and the cultural reality of our country (Serbia)".
Its a bit free translation of mine almost verbatim. FkpCascais (talk) 04:27, 4 January 2015 (UTC)
FkpCascais, many thanks, to keep the description brief, I intend to insert: 'Vladislav Panov of Pečat, a weekly political magazine in Serbia, wrote that' etc. Pincrete (talk) 13:40, 4 January 2015 (UTC)
I have re-instated the linking sentences between broadly+ and broadly- reviews. I draw attention to the discussion above. The alternative to some 'linking structure' seems to be either to get into the problematic area of which reviews should go first, second etc., or an alternating + - structure. With no linking text at all, what we appear to have is a randomly arranged (relatively marginal), set of responses.Pincrete (talk) 23:19, 28 January 2015 (UTC)
UrbanVillagerre: your recent reverts, I draw your attention to the discussion above. If any rewrite of the 'linking text' is called for, or some other basis for organising reviews proposed, can we discuss it here? However, simply removing it isn't very constructive. Pincrete (talk) 12:55, 29 January 2015 (UTC)
Pincrete, why do you want to classify reviews in any way? What is your motive for doing so? Do you have a source to claim that a review is completely negative or completely positive? Or more negative than positive? How would you measure that? What is your goal here? --UrbanVillager (talk) 20:19, 29 January 2015 (UTC)
My motive is that it provides some structure/coherence to the organisation (as explained above). Since the wording says MORE - (not wholly negative), I won't respond to that question. The other advantage to a linking text, is that it avoids any problematic discussions about relative positions of proper reviews/comments or the relative authority of the sources. This arrangement did have User:FkpCascais's endorsement. Pincrete (talk) 21:34, 29 January 2015 (UTC)
Other possibilities include listing alphabetically by name or by publication date. Whichever way is preferred, some linking text is needed to give coherence to the structure. Pincrete (talk) 20:43, 31 January 2015 (UTC)
Update, I have ordered reviews by publication date, putting a brief explanatory sentence at the start of the section. Is this acceptable as a temp fix? At the same time I removed the sequel section and put a linking sentence in the lede. I don't regard publication date as a very logical basis for ordering reviews, but acceptable as a 'temp fix', if we are unable to agree some more logical basis and some linking text, I suggest we post a RfC to resolve the matter. Pincrete (talk) 09:27, 2 February 2015 (UTC)

Pečat translation

There is another question relating to the Pečat review, at present we have: 'Boris bravely detected the main domestic culprits in collecting the cream for foreigners as well'. … original here: . Relevant text: 'Boris je hrabro detektovao i glavne domaće (G 17 Plus) izvršioce u sakupljanju tog kajmaka za strance, zbog čega je verovatno njegov film u prvo vreme bio „nezgodan za prikazivanje“ srpskoj publici.'
There are two translation questions … Q1. should the preposition be 'FOR foreigners' (ie 'on behalf of foreigners') or 'OF foreigners' (ie 'from them')? Q2 we have 'collecting the cream', is this correct or would it be more correct to use 'skimming off the cream' (an expression that suggests something dishonest about the process). I have been offered both versions and am not competent to make the assessment, as prepositions and expressions are both notoriously difficult to translate and dependent on usage. I will leave 'as is', until/unless there is some clarification. Pincrete (talk) 13:40, 4 January 2015 (UTC)
What the sentence wants to emphasize is that Boris found that the G17 Plus were making the dirty work domestically for the foreigners. I am still trying to find the best expression. FkpCascais (talk) 04:35, 5 January 2015 (UTC)
I noticed the omission of G17+ from the translation, but didn't realise there was a WP article. We should probably re-insert the mention of G17+ as there is such a link. 'Domestic culprits' implies dishonourable/didhonest behaviour, but therafter I'm not sure how 'accusatory' the tone should be. Pincrete (talk) 01:10, 8 January 2015 (UTC)
He is directly accusing G17+ of working in the interest of the foreigners, so I guess the tone can be quite direct. Please feel free Pincrete to use the most adequate expression you think would be proper, you can certainly do it better than me because English is not my native language. The sentence in Serbian is not easy to translate verbatin, but we can always simplify it and go straight to the point which in this case would be that Boris Malagurski detected that G17 Plus were the main domestic allies(or culpits) of the foreigners and because of that reason his movie was initially undesirable to be released in Serbia (as at that time G17 Plus was in the ruling coalition). FkpCascais (talk) 02:07, 8 January 2015 (UTC)
I have slightly tweaked the translation, adding G17+, used 'skimming the cream' (which suggests something 'dodgy'), and changing 'for' to 'on behalf of' (which is more explicit), I'm sure it could be made better, but I'm reluctant to go too far. I didn't add the stuff about difficulty of being shown in Serbia as, whilst it might belong somewhere, it didn't seem to belong as part of a 'critical response'.

External links modified

Hello fellow Wikipedians,

I have just modified one external link on The Weight of Chains. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at {{Sourcecheck}}).

This message was posted before February 2018. After February 2018, "External links modified" talk page sections are no longer generated or monitored by InternetArchiveBot. No special action is required regarding these talk page notices, other than regular verification using the archive tool instructions below. Editors have permission to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the RfC before doing mass systematic removals. This message is updated dynamically through the template {{source check}} (last update: 5 June 2024).

  • If you have discovered URLs which were erroneously considered dead by the bot, you can report them with this tool.
  • If you found an error with any archives or the URLs themselves, you can fix them with this tool.

Cheers.—Talk to my owner:Online 18:48, 1 April 2016 (UTC)

External links modified

Hello fellow Wikipedians,

I have just modified one external link on The Weight of Chains. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:

When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at {{Sourcecheck}}).

This message was posted before February 2018. After February 2018, "External links modified" talk page sections are no longer generated or monitored by InternetArchiveBot. No special action is required regarding these talk page notices, other than regular verification using the archive tool instructions below. Editors have permission to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the RfC before doing mass systematic removals. This message is updated dynamically through the template {{source check}} (last update: 5 June 2024).

  • If you have discovered URLs which were erroneously considered dead by the bot, you can report them with this tool.
  • If you found an error with any archives or the URLs themselves, you can fix them with this tool.

Cheers.—InternetArchiveBot (Report bug) 14:20, 21 July 2016 (UTC)

Bad faith removals

Urbanvillager, here you propose a compromise, on material which you then removed yesterday and today. The only recent change has been to re-order the final criticism since it is the oldest. The order is chronological, and the reason it is chronological is because you previously edit-warred when reviews were ordered + first - second and also when reviews were ordered 'Balkan' followed by 'outsiders'.

Your reasons for rejecting reviews are ridiculous. Why is one writer publishing in an established publication, 'biased', but a student publishing in an online blog is 'neutral'. The arguments are absurd and do nothing except reveal your own lack of neutrality.

The removals on compromises which you yourself previously proposed are extremely bad faith. Pincrete (talk) 11:01, 24 August 2017 (UTC)

I suggest an order of positive, negative, positive, negative, positive, negative, etc. reviews. I think that's the most fair. It can start with either positive or negative. --UrbanVillager (talk) 17:18, 24 August 2017 (UTC)
This is precisely what was rejected 2 or 3 years ago, any childish notion that + or - should alternate equally. 'Fairness' is decided by the character of the reviews given and listed in some neutral coherent fashion that reflects the range of reviews and their weight. This is called Misplaced Pages, not 'We have to be equally-nice-ipedia'. Funnily, you reject all criticism on the BM page, arguing that that page is for his views only, not criticism of those views. Pincrete (talk) 17:37, 24 August 2017 (UTC)
I seriously question Petkovic's qualifications for discussing Malagurski and his work, when he places Malagurski in a group that Malagurski didn't belong to. Just because Petkovic is a film critic doesn't give him the right to provide false information and get away with it. This is why I believe his review should be removed altogether. It's not about criticism, there are other critical reviews of Malagurski's film that are in the article, rightfully so, but rather a matter of Petkovic's credibility to comment on something he clearly didn't even research. --UrbanVillager (talk) 20:05, 24 August 2017 (UTC)
Member of which group? This isn't a valid criteria anyway, I'm sure every film critic makes minor factual errors from time to time, that doesn't invalidate their opinion. Pincrete (talk) 22:25, 24 August 2017 (UTC)
Categories: