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== Consensus needed for film list style ==
== Awards season ==
Hi, just searched for films in ]. The list has been removed in favour of the country lists. Then I click ] and it has a bloated release list with excessive cast which makes it difficult to browse and find films, and even has some films which aren't American or from that year. I restored the American lists from around 1970 to 2000 back to the clean A-Z you see in ] a few months back but the on all. All I want is a simple A-Z list for easy browsing, consistently by year and country, it's why I created the lists in the first place! It is time consuming going back and finding the original text and restoring and even if I do that it seems like nobody is watching these lists and would help revert the ip if he did it again. There also seems to be a tendency on recent years for the big bloated release tables, I argue that even those should be converted to simple A-Z lists. Is there any agreement here that A-Z format is much easier for browsing and more desirable than by release date? Release date seems appropriate for the current or next year to see what is being released, but a simple A-Z is much easier for general browsing of past years. ♦ ] 12:24, 10 October 2024 (UTC)


:I'm not sure that I have a strong opinion on this. The tables are sortable, so if you want an A-Z list, it's one-click away (but see my note further on), even if it's not as concise. That said, the 'cleaner' format does have a separate column for Director, which I think is good, but also one for Genre, which I think is problematic (unless sourced). Both lists have breaks in them that prevent a one-click sort of all the films on the list, which might be frustrating for readers. In the end I think which format is 'better' could depend on what kinds of information one is looking for. Was there any discussion about the changes to the format? ] (]) 12:58, 10 October 2024 (UTC)
Looks like it's awards season. I don't usually get too involved in awards drama, but it looks like we're getting a lot of updates to a lot of pages, and these are going to need to be sourced. Also, it looks like a few new pages are being created, such as ]. I can't help but notice that neither ] nor ] exist at the time of my writing this message. So, get ready for a deluge of non-notable awards and awards pages, I guess. ] (]) 06:28, 7 December 2015 (UTC)
::No discussion at all that I'm aware of. I wouldn't be opposed to having a separate list of films by release date but I think these lists should be simple A-Z, concise lists for quick browsing. The release lists are separated by months though, so A-Z isn't useful. ♦ ] 13:54, 10 October 2024 (UTC)
:Random facts: According to whois.net the award site was created in 2011. I only see three news articles mentioning . They seem to occur circa Feb/March 2014 and are written in Italian. The article was created by who seems to edit primarily in film award articles, many of which lack any attempt to establish notability, like ], ], (this one may have some legs, since I notice that a related was created in 2006. I dunno.) ], and so on. ] (]) 19:14, 7 December 2015 (UTC)
:::Honestly, the alphabetical list (as demonstrated in ]) is much harder to read than the date-based list in ]. It's because of the whitespace in the Title column. The 1956 list is more cluttered, in that regard. Whichever way it's sorted, it'd be nice to retain good spacing. ] (]) 16:17, 10 October 2024 (UTC)
:: Digging deeper, there was some kind of , so it's at least conceivable that the BOFCA is notable. But I'm not too keen on awards-by-year and best actor/actress/film sub-articles for every regional critics society. If we had a guideline on that, I think it would help. ] (]) 21:58, 7 December 2015 (UTC)
::::I wouldn't focus too much on spacing or formatting wikipedia to fit that. In the era of of people now able to adjust text size and other content on the site easily with a click of a toggle, it's never going to look the same for everyone. ] (]) 09:30, 11 October 2024 (UTC)
::: It might be somewhat helpful to look into the people behind the award. If the site is run by people who have some expertise in the field, and if some major sites are acknowledging their awards (as it appears may be happening) then maybe they're worth considering. I do fear, however, that any start-up award can get publicity through the dissemination of clever press releases. Any controversial counter-opinion ultimately means more page hits for the reporting site, so maybe they like award start-ups? I dunno. ] (]) 07:21, 8 December 2015 (UTC)
::::Don't you think the cast inclusion is excessive though {{u|Useight}}? You must be using a wider screen PC/laptop as it looks really bloated and cluttered on an iPad! I concede that the date format doesn't look as bad when viewed on a widescreen PC as it does on a small device. On a widescreen PC you could have a director, genre and even notes column if you cut the cast to the top billed stars. The problem is that the date format is harder to edit though.♦ ] 11:20, 11 October 2024 (UTC)
:::{{ul|NinjaRobotPirate}}, not sure if you were around before, but there have been a number of debates here at WT:FILM about awards organization articles. The biggest challenge about these organizations is that not a lot is written about them directly. Periodicals do report the recognitions that come out of such organizations. Generally speaking, an organization should satisfy ] to have its own article. However, that guideline does say, ''"If the depth of coverage is not substantial, then multiple independent sources should be cited to establish notability."'' In the case of BOFCA, there is a lack of in-depth coverage, but numerous periodicals, including trade papers ''Variety'' and ''The Hollywood Reporter'', have reported that organization's recognitions. The problem is that the coverage is essentially just list of awards. We could either have a consensus to permit such award articles based on multiple shallow sources or not. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 15:36, 8 December 2015 (UTC)
:::::Yes, I agree that it's excessive. The cast should just be the actor/actress of the main character or two, if you ask me. But, yes, I always use my desktop computer. ] (]) 18:42, 13 October 2024 (UTC)
:::: For many of them, it's tough for me to say whether they're notable or not. There's usually some kind of minor coverage in their home town newspaper, and their glorified press releases often get highly replicated across reliable sources. If there isn't even that much, then, yeah, I'd say it's a clear delete. Obviously, a bunch of press releases isn't enough for orgdepth/gng, but I'm willing to stretch the rules a little when there's something to supplement it. ] (]) 01:11, 9 December 2015 (UTC)
:This was brought up somewhat similarly at ]. Generally, more for the side bar being that the sidebar causes some accessibility issues (i.e: not sure screen readers will pick up January being written up and down for example). I do feel like an excessive crew listing is going a bit overboard and it not condusive to sorting. Do we need to know who the crew to this extent, or at all? Most screenwriters aren't known by name. Directors are slightly more so. ] (]) 16:23, 10 October 2024 (UTC)
::Agreed Andrzej. ♦ ] 11:20, 11 October 2024 (UTC)
:::I think we could have two sets of lists for the US, by release date and by A-Z. I'm not opposed to by release date if we can have a full A-Z (as default). But I think the cast needs to be drastically cut for all lists.♦ ] 08:12, 19 October 2024 (UTC)
::::I assume when you are saying two sets, you are talking about two columns? This would be my proposal. I'd use the notes section to indicate if a film is the production of more than one country "I.e: US-Canadian co-production" or if there are two films with the same title with one year, we can disambiguate it as a disambiguation factor that most people would catch. (i.e: the lead star, the director, etc.). Brevity is the soul of wit, and we probably should keep these tidy and easy to add too over becoming a database of credits. ] (]) 20:04, 21 October 2024 (UTC)
{| class="wikitable sortable plainrowheaders" style="text-align: center;"
|+ {{Screen reader-only|A24 films released in the 2010s}}
! scope=col | Release date{{efn|The listed date refers to the film's public premiere, regardless if it opened in the United States.|name=a|group=a}}
! scope=col | Title
! scope=col | Studio
! scope=col class="unsortable" | Notes
! scope=col class="unsortable" | {{Tooltip|Ref.|Reference(s)}}
|-
| January 5
! scope="row" | {{Sort|Painter|'']''}}
| ]
|
| <ref>{{cite web|last=D'Alessandro|first=Anthony|title=Republic Pictures Picks Up ''The Painter'' For Paramount Global; Jon Voight Pic Plans Theatrical Release|url=https://deadline.com/2023/11/the-painter-jon-voight-theatrical-release-republic-pictures-paramount-1235646523/|website=]|date=November 30, 2023|access-date=December 1, 2023}}</ref>
|-
| January 12
! scope="row" | '']''
| ], ], ]
|
| <ref name="ParamountSept2023">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/smile-mean-girls-musical-set-2024-release-dates-1235597249/|title='Smile 2,' 'Mean Girls' Musical Set 2024 Release Dates|website=]|first=Aaron|last=Couch|date=September 22, 2023|access-date=September 22, 2023}}</ref>
|-
|} ] (]) 20:04, 21 October 2024 (UTC)


:The list should be initially sorted with a first column of release date. I support the above table example. However, I don't think a note column is needed. This is an overview so any additional information is in the article. If a specific note is needed, one can be added with {{tl|efn}}. ] (]) 16:30, 31 October 2024 (UTC)
There's a mess developing over at ] and I can't get to it right now, if anyone wants to clean it up. ] (]) 16:02, 8 December 2015 (UTC)
::Thank you for chiming in Gonnym. Happy to remove the "note" section for most lists like ], like, its not likely needed for the List of American films article. I'm more thinking about it for articles like ]. Very few continental Europe productions are from one singular country, and often produce within the context of a co-production, often with Italy, Spain, West Germany, etc. I feel this is a bit critical to understanding why something like a major Italian feature of the era like '']'' would be included on a list of French film productions. That said, maybe the studios or production companies involved would be enough in this case. Pinging {{ping|Dr._Blofeld}} as well to weigh in on this if he could so we have more of a communal discussion/agreement/disagreement within the project. ] (]) 13:47, 4 November 2024 (UTC)
: Yikes. Luckily, that seems to have cleared up. Going through the article history, it looks like someone was adding the standard "universal acclaim" puffery. I think I'm too tired right now, but I'll see if I can source those awards later. ] (]) 01:11, 9 December 2015 (UTC)
*For me, I think that an awards organization could be considered notable if there are multiple notable RS reporting on the results. IE, if at least 4-5 RS like Twitch Film and the NYT report the award results, that can be a sign of notability even if they're just reprinting a basic list. If it's an article-article, then so much the better. I've noticed that especially lately, many of the major film websites tend to skip reporting results of all but the more well known organizations because there's just so many of them nowadays and there seems to be more and more coming up all the time. The organizations might be serious and not award factories like some of the stuff out there (meaning that they only give out about 20-30 awards or less a year) but it's not exactly hard for places to launch nowadays. ]] 05:32, 16 December 2015 (UTC)


{{notelist-talk}}
I'd suggest editors watch ] for indiscriminate entries. There have been some non-notable minor awards cited to unreliable sources since before the list was split. On that note, I figure is a reliable source for this context, as one of its editors is ], who's written for various industry magazines. ] (]) 22:54, 16 December 2015 (UTC)
{{reflist-talk}}


The problem with organizing film lists date-first instead of title-first is that they're organized by the date of ''commercial'' release, not the date of the initial premiere, which leaves films that premiere at film festivals but haven't gone into commercial release yet unable to be listed ''at all''. For example, the Canadian lists are organized title first, which meant I could add any Canadian films that premiered at film festivals this year to ] right away, but for any country (US, France, etc.) whose lists are organized date-first, I had to leave stacks of films that premiered at Cannes or TIFF listed on the ''talk'' page for ''future'' editor attention if a future commercial-release date wasn't sourceable yet, even if the film had ''already'' premiered at a film festival.<br>But I shouldn't have had to do that: the moment a film's existence is known and sourceable ''at all'', it should be able to be added to the relevant country list or lists ''right away'', rather than having to wait weeks or months ''past'' its premiere at a film festival — especially since ''waiting'' to add a film to the list, instead of adding it right away, significantly increases the risk that the film will ''never'' get properly added to the list.<br>I additionally don't understand the argument above that "whitespace in the title column" makes the title-first list "harder" to read than the date-first version, as the date-first version ''still'' has "whitespace in the title column", and I fail to see that said whitespace hits ''differently'' if you put the release date before the title than it does if the release date is a later column. ] (]) 17:14, 3 November 2024 (UTC)
== Dealing with suspicious movie article ==


::I'm not too particular about the date first issue either way, but the manual of style for films states we should list films by their first release where they are publicly available, whether that's at a film festival, theatrical, streaming or home video release. Generally I would wait to have a date solidified as anything could happen, but beyond that, I'm seeing it only as a mild quibble for dates/titles to take the first slot and I doubt it would co fuse any readers. ] (]) 00:31, 5 November 2024 (UTC)
Hello! Looking for some guidance as I'm new to editing in general and haven't edited any articles about a film before, so it's hard for me to gauge what sources meet WP:Reliable. Seems like every website about movies that comes up in a google search allows user-generated content. I'm going to be vague about what articles I'm talking about b/c I don't want to make a wikipedia etiquette faux pas. The other day I came across a ''huge'' article dedicated to a movie that I'm 99% positive never actually existed. Since 2011, the same 4 usernames have been contributing exclusively to this article and several other equally suspicious articles that are all about movies, TV shows and books that were supposedly written by the same person. This one movie claims a​ HUGE cast made up of some big-name celebs and gospel singers (if you know gospel singers, I assume, based on the ''verifiable'' and ''reliable'' references in their own wikipedia articles), plus a few no-name cast members that are clearly the writer's friends and family. The same 4 sockpuppets have gone to each celebrity's article and added this movie to their filmography citing the movie's "official" homepage, IMDb and YouTube. When people have challenged these edits on their favorite celebrity's' article, 1 or 2 of these users will reply quickly with links to more sources, always websites with user-generated content. Almost every single one of the film credits has stuck. If it's not real, I feel bad for this one gospel singer that had a fan/family member that tried to remove this film credit from his article, but the the other person gave up after one these accounts shared a link to a YouTube video that's supposedly the first 10 minutes of the film. I don't want to falsely accuse someone of inventing a an elaborate online presence for books and movies that never existed, so can anyone point me to some online resources that are without a doubt ] for lists of movies by actor or by production company? Thanks in advance! ] (]) 21:42, 8 December 2015 (UTC) Edited to be more neutral. ] (]) 23:09, 8 December 2015 (UTC)
:If it's as bad as you say, there is no faux pas about bring it up. Please provide the list of articles and editors so we can have a looksie. Thanks! ···] · <small>] · ] · ]!</small> 21:57, 8 December 2015 (UTC)
::{{user|Nihonjoe}} Are you sure I'm not going to get in trouble?? The one movie is ]. If you think I'm crazy after checking it out, then this will stop here. :)


Agreed with Bearcat on the date coming first. I do think we should have A-Z as default but we could also have ] etc in the bloated format if there is dispute. I created the lists purely with the goal of having a comprehensive A-Z list by country.♦ ] 11:47, 5 November 2024 (UTC)
::There are a whole lot of websites out there that mention this movie, but none of them meet WP:RELIABLE, as far as I can tell. The majority allow user-generated content or mirror wikipedia and imdb. But there are also websites that mention it that are definitely unrelated to the writer, like fan pages, etc. And journalists for some local papers have mentioned in a list of other notable works by a certain celebrity. I have a hunch that they're basing their info on the filmography from wikipedia and imdb, but I can't be 100% certain. Take Charlton Heston for example... This movie shows up in his filmography on ''a lot'' of websites, but it's NOT in his filmography on , , or . Is it missing from those lists because the movie doesn't exist or could it have been an oversight ''or'' maybe those aren't exhaustive lists? He's the only one I've looked up so far, but it's too time consuming to do that for everyone. I wish there was ''one'' website where I could look it up and know definitively that the movie never existed and put it to rest. ] (]) 23:09, 8 December 2015 (UTC)


::: {{ping|Dr. Blofeld}}, {{ping|Bearcat}}, {{ping|Gonnym}}, i've made another draft here based on your comments. I don't really see the point of having a separate article (such as ]) for different sorting as we can easily have a "sort-table" function to let anyone sort the items the way they see fit. For consistency and to follow ]. Per ], {{gt| Release dates should therefore be restricted to the film's earliest release, whether it was at a film festival, a world premiere, or a public release}}
This is amazing. ] appears to have stumbled upon an astonishing network of articles devoted to the deification of one ], all created and maintained by a&nbsp;... surprising, let's say&nbsp;... number of editors with a shared interest in Mr Chaney, early television and film, and with occasional dabblings in neural science (a subject Mr Chaney also happens to have written about). Now, I've spent the last couple of hours down this rabbit hole, and it seems to me that most of Chaney's projects do actually exist in some form or another, including the film to which Permastrump refers: '']''. That actually is Charlton Heston, Mickey Rooney, Peter Graves ''et al'' in the Youtube clip, and they are in ''something'' called ''America: A Call to Greatness''. However, it's not entirely clear what that something is. It comes across like a short film that plays at the beginning of a museum tour than something that lasts a couple of hours (indeed, that clip ends with a credits roll after about ten minutes). There's no hard evidence that this is what it purports to be, and I would say there is not one reliable source that can verify its existence as a bona fide film. Everything goes back to or self-published content, and to obvious socks of someone with a desire to see Chaney lauded as a lost great of American cinema. Seriously, this goes everywhere; there are IMDB accounts dedicated solely to rating projects this guy's been involved in, accounts here there and everywhere dedicated to writing about the same. Even our article on Buzz Aldrin mentions the guy. I don't even know where to begin unravelling this stuff. Picking one of his other projects at random: '']'' (1992), which is a cheapo six part serial experiment, now inexplicably lauded in our article: "Warren Chaney won the Best Director and Best Screenplay CineCon ’92 Award and a Best Screenplay American Cinema Award&nbsp;... Deborah Winters was nominated for Best Actress and Luis Lemas as Best Supporting Actor." That seems unlikely, as CineCon is a classic film festival that doesn't even play films as recent as that (). Similarly, there's no evidence to suggest the film "received the Silver Award in the WorldFest-Houston International Film Festival" and "a Bronze Medal Award in the New York Film Festival", and I've looked. This is a pattern with every project and person ever associated with Chaney: some cheapo, marginal production blown up way beyond its significance with half truths and outright lies by a succession of determined editors over many, many years. What to do about it will likely be debated for a good long while. ]&nbsp;<sup>]&nbsp;•&nbsp;]</sup> 23:43, 8 December 2015 (UTC)
:I have also taken a brief look and find much of the article to be dubious if not simply an overblown hagiography of Mr. Warren Chaney. I agree that there are too many details which do not add up. For one small example, the article quotes a review by a Winston J. Aaronson of Screen Times Magazine -- a review which also appears on the . However, I find no existence for the magazine and the only hits on google for a Winston J. Aronson were to Open Library for unknown books by Warren Chaney. Aronson is likely an internet alias for Chaney or a close associate? I suggest the entire mess be taken to ] for a clear discussion of possible violations of ], ] and lack of ]. <span style="font-family: tahoma;"> — ]<sup>]</sup></span> 00:02, 9 December 2015 (UTC)
::Perhaps take the matter to ] as well? I believe they've addressed hoaxes in the past. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 00:13, 9 December 2015 (UTC)
*I have to admit that I'm glad other people fell down the rabbit hole too, because I’ve been here all by myself since Sunday. It’s like the Twilight Zone. But honestly, I’m relieved to have validation, because I was starting to doubt myself, especially b/c Heston and Rooney clearly say "America, a call to greatness" on the YouTube video. I couldn’t tell anymore if I was losing my mind or if it was all as nutty as it seems.


I'm proposing something like this then.
:{{u|Steve}}, I had the same exact thought process after watching the youtube video. I’ve come to the conclusion that he took that footage a 1994 documentary called … Assuming ''that'' one really exist, the imdb page lists both Charlton and Mickey in the credits as “self.” There might be more crossover in the cast, but I stopped looking after I saw those two. I feel like it would be a lot more obvious if our writer had dubbed over the audio, but maybe he just did a really great job with that one thing and that’s what inspired him to go all out with the film's internet debut. I think he spliced scenes from A Century of Cinema with obscure televised broadcasts of gospel singers/choirs (probably recorded back-to-back on same VHS) and then some random footage of his friends and family that he "directed." Btw, did you realize ] is his wife? Check out ''her'' wikipedia article. Sound familiar? I do think she's actually had minor parts in a few real movies.


{{sticky header}}
:I read this page about to nominate multiple related pages for deletion at the same time, so I was thinking that probably applies to this situation. {{u|CactusWriter}}, does that make the most sense for the next step or would I start with ] as {{u|Erik}} suggested? I want to learn how to do these things, so I’m not beating around the bush, secretly hoping someone else will do it for me (just so you know), so I appreciate everyone's advice about how to move forward (especially if there's a way to maximize the number of people who can enjoy this before it’s gone… at least from Misplaced Pages). ] (]) 01:30, 9 December 2015 (UTC)
{| class="wikitable sortable sticky-header"
|+ "align=bottom" |
|- style="background:#b0e0e6; text-align:center;"
! Opening
! Title
! Production company
! class="unsortable" | Ref.
|-
| {{Date table sorting|January 5}}
| {{sort|Bricklayer|'']''}} || ], ] ||
|-
| {{Date table sorting|January 4}}
| ''DarkGame'' || ] || style="text-align:center" |<ref>{{cite web |title=First look, world sales deal unveiled for Ed Westwick thriller 'Darkgame' (exclusive) |website=] |date=September 9, 2022 |access-date=December 26, 2023 |url=https://www.screendaily.com/news/first-look-world-sales-deal-unveiled-for-ed-westwick-thriller-darkgame-exclusive/5174288.article}}</ref>
|-
| {{Date table sorting|January 5}}
| ''Fugitive Dreams'' || ] || style="text-align:center" |<ref>{{cite web|title=Fugitive Dreams - The Numbers|url=https://www.the-numbers.com/movie/Fugitive-Dreams-(2024)|website=The Numbers|date=January 16, 2024|access-date=January 16, 2024}}</ref>
|-
| {{Date table sorting|January 5}}
| '']'' || ], ] || <ref>{{cite web|url= https://people.com/jacob-elordi-plays-killer-hitchhiker-picked-up-by-zachary-quinto-he-went-that-way-exclusive-8415640|title=Jacob Elordi Plays a Killer Hitchhiker Picked Up by Zachary Quinto in He Went That Way Trailer (Exclusive)|website=]|first=Tommy|last=McArdle|date=December 14, 2023|access-date=December 14, 2023}}</ref>
|-
| {{Date table sorting|January 2}}
| {{sort|Mummy Murders|''The Mummy Murders''}} || ] ||<ref>{{cite web |title=Serial Killer Horror 'The Mummy Murders' Releases January |website=Culture Elixir |date=December 26, 2023|access-date=December 26, 2023|url=https://cultureelixir.com/2023/12/13/serial-killer-horror-the-mummy-murders-releases-january/}}</ref>
|-
| {{Date table sorting|January 5}}
| | '']'' || ], ] , ] || <ref>{{cite web |last=D'Alessandro |first=Anthony |title=''Night Swim'' From Universal, Atomic Monster & Blumhouse To Take Earlier Dip In 2024 |url=https://deadline.com/2023/04/blumhouse-atomic-monster-night-swim-release-date-1235320199/ |website=] |date=April 7, 2023 |access-date=April 7, 2023}}</ref>
|-
| {{Date table sorting|January 5}}
| {{sort|Painter|'']''}} || ] ||<ref>{{cite web|last=D'Alessandro|first=Anthony|title=Republic Pictures Picks Up ''The Painter'' For Paramount Global; Jon Voight Pic Plans Theatrical Release|url=https://deadline.com/2023/11/the-painter-jon-voight-theatrical-release-republic-pictures-paramount-1235646523/|website=]|date=November 30, 2023|access-date=December 1, 2023}}</ref>
|-
| {{Date table sorting|January 3}}
| '']'' || ], ] , ] , ] || <ref>{{cite web|title=Neon To Release Jake Johnson's 'Self Reliance' In Theaters For One Night Only Before Hulu Run|website=]|first=Anthony|last=D'Alessandro|date=20 December 2023|access-date=21 December 2023|url=https://deadline.com/2023/12/jake-johnson-self-reliance-neon-amc-hulu-1235678690/}}</ref>
|-
| {{Date table sorting|January 5}}
| '']'' || Radiant Films International, Balcony 9 Productions || <ref>{{cite web|work=]|title=Ashley Greene Stalks Tom Felton in First 'Some Other Woman' Trailer |url=https://collider.com/some-other-woman-trailer-release-date-tom-felton-ashley-greene/|date=December 15, 2023|last=Devore|first=Britta|archive-url=https://archive.today/20240102015016/https://collider.com/some-other-woman-trailer-release-date-tom-felton-ashley-greene/|archive-date=January 2, 2024|url-status=live}}</ref>
|-
| {{Date table sorting|March 1}}
| '']''|| ], ] || <ref>{{cite web|title = 'Dune: Part Two' Release Date Moves Up Two Weeks to Kick Off March 2024|url = https://variety.com/2023/film/news/dune-2-release-date-moves-march-1-2024-1235795795/|first=Zack|last=Sharf|date=November 17, 2023|website=Variety.com|access-date = November 17, 2023}}</ref>
|-
| {{Date table sorting|March 1}}
| '']'' || ], ], ] ||<ref>{{cite web|title=Adam Sandler Is an Astronaut in Peril in 'Spaceman' First Look, Netflix Sets March 2024 Release Date |url=https://variety.com/2023/film/news/adam-sandler-spaceman-first-look-netflix-release-date-1235844378/|last=Thompson|first=Jaden|website=Variety|date=December 19, 2023|access-date=December 19, 2023}}</ref>
|-
|}


I still stand by the idea of some sort of "extra" info, for some articles lie ], just to clarify why there will be several predominantly Italian productions in there along with more predominantly French titles. On changing the list on the 2024 american films list, it has already been reverted by editors and as we are coming closer to some sort of consensus here, I'll pass on reverting those edits until we can come forward here. ] (]) 17:54, 8 November 2024 (UTC)
::Just so you know {{u|Permstrump}} there have been elaborate hoax articles in the past ] and ] are good examples. Both of these had corresponding pages at IMDb and they did not remove them there until the hoax was discovered here. Sadly IMDb does almost zero fact checking when items are submitted and that is why we have ]. I would like to suggest that you consider posting at either the ] or the ] before posting at AN/I. It isn't that you can't post there it is just that posts at AN/I are meant to be a "last resort that needs attention ASAP" and they sometimes get ignored if other venues haven't been tried first. I am not sure which of the two I've mentioned would be better. Maybe other editors will chime in with their thoughts. Thanks for bringing this to our attention. ]&#124;] 02:31, 9 December 2015 (UTC)
:My only concern is that ] is a section of the template documentation for {{tl|Infobox film}}, not a broad policy statement that binds anything else besides what date goes in the infobox. If the consensus is to stick with date-first lists over title-first lists, then we probably ''should'' establish a wider policy that extends FILMRELEASE beyond just what date goes in the infobox, but as of right now it only applies to the infobox.
:And I still prefer title-first format, at any rate; in addition to my previously noted concerns, date-first format also makes the lists significantly harder to edit ''at all'', since in addition to just adding a row for any new film you ''also'' have to find and adjust multiple rowspan numbers in order to not break the entire table. Even for me as an experienced editor who ''knows'' that, it's ''still'' enough of an added burden to make me ''deeply'' reluctant to even ''touch'' a date-first list ''at all'' — and amateur/inexperienced editors are highly likely to not even know about that and make edits that outright ''break'' the lists, thus creating extra work for other people to fix.
:Tables should always be organized on the ''simplest'' possible format that includes all of the important information, rather than formats that complicate the editing process and increase the likelihood of errors. In this case, date-first deeply complicates the process of editing a list, because it requires supplementary adjustment of one or more rowspan numbers in ''addition'' to simply adding a row to the list for a film that's being added to it, while title-first eliminates that problem.
:There are additionally some films which would remain unable to be added to a date-first list at all, because we can't properly source any exact release date. I created an article literally just yesterday about '']'', a Canadian short film with a notability-making award nomination and sufficient other coverage to clear GNG — and while I was able to establish ''where'' the film premiered, I was ''not'' able to find what exact ''day'' it screened at that festival (that information already isn't available even from the festival's own website anymore). Since ] is organized title-first rather than date-first, this isn't a problem — but if it had been organized date-first instead, I would not be able to add the film to that list at all due to the unconfirmability of a specific day. ] (]) 18:36, 8 November 2024 (UTC)
::{{ping|Bearcat}}, that will be an issue for several films and the release dates of older films, shorts, etc. are just not really known at the moment. While I think adding them is important, if you do not have a release date, it can still be added alphabetically with just an N/A tag or an Unknown tag. This prevents issues like this. ] (]) 19:33, 8 November 2024 (UTC)
:::List it alphabetically ''where'', if the lack of a confirmable release date means there's no date under which to list it? I'm not saying a release date column shouldn't be ''present'', and have no issue with one being a later column, but the date shouldn't be the list's ''principal'' organizing criterion if we don't always even know what date a film can even go under in the first place. Title should be the first column, and release dates can be a later column, but the ''first'' column should be information that's ''always'' available for ''every'' film rather than information that's sometimes unlocatable. ] (]) 19:38, 8 November 2024 (UTC)
::::I apologize if I wasn't clear, but generally I agree that the title should come first. The average person is going to know a film by its title, not so much by the date it came out. My suggestion was only to have it sortable so if readers want to see a film by its release date, they have the option. I've done an example of this . ] (]) 20:05, 8 November 2024 (UTC)


I don't like the date being first on those lists.♦ ] 17:57, 8 November 2024 (UTC)
:::{{u|MarnetteD}}, That's all really helpful, thanks! (Also interesting to read about the other hoaxes!) I will start with the ] because that one seems like it's been a little more lively recently than the living persons noticeboard. ] (]) 05:40, 9 December 2015 (UTC)
::::{{u|Permstrump}}, I also think it is good advice not to jump directly to the drama at the ANI board until it is clear what we have here. As ] notes, the existence of Chaney and some of his projects are not in question -- but rather how much of the text is hoaxy or fraudulent. If the amount is too extensive (which is appearing to be the case), than my own inclination would be to delete the articles and only allow recreation (if any) from scratch. However, as an administrator, I'd need to see that demonstrated first. A single AFD on ] would be the best start. I find AFDs with multiple nominations are often messy and fail to reach consensus. A focused deletion discussion can come to a consensus on the extent of the hoax material -- and then, given the evidence from the AFD, broader administrative decisions can be made on what to do about the SPA accounts (block, bans, warnings, etc.) and other articles. The RS noticeboard would also be helpful here. As you say, this is a real rabbit hole and it has been going on since 2011, so it will take a little time to investigate and correct. <span style="font-family: tahoma;"> — ]<sup>]</sup></span> 16:00, 9 December 2015 (UTC)


:I'm happy to have it sorted by film title first. I apologize, I think I misunderstood your previous comment about it. Beyond that, are there any other issues. @]?
:::::{{u|CactusWriter}}, thanks for the advice about not bundling AFDs. I think that makes a lot of sense here especially, since all of the pages are technically for distinct works across genres, even though they're all technically connected by the same writer/director/producer/actor, ]. FWIW I ended up posting on the BLP noticeboard instead of the RS noticeboard, because it looked like the RS noticeboard was to ask for help deciding if a reference was reliable. I think it's pretty clear that there aren't any reliable sources in this article, so I wasn't sure what question I would be asking them. P.S. I know I'm splitting hairs, but I just can't see how America: A Call to Greatness ever existed beyond a 10 minute YouTube video. I agree that the rest of the articles related to Chaney's film/TV "career" seem to have a grain of truth to them. I'm not positive about his books though. I'm just thinking aloud, not trying to debate it here. It's hard to hold it in. :) ] (]) 16:39, 9 December 2015 (UTC)
:I'm happy to propose this otherwise.
{{outdent|:::::}} I've gone ahead and created ]. <span style="font-family: tahoma;"> — ]<sup>]</sup></span> 18:45, 9 December 2015 (UTC)
:Thanks for creating this. Perhaps we should start a non-mainspace page dedicated to listing all the relevant articles and excising or deleting as needed? ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 19:28, 9 December 2015 (UTC)
::Awesome. I wasn't sure how long to wait before making an AfD since I'm the one who initiated the discussion here and didn't want it to be perceived as . I don't know if that was a legitimate concern, but now I don't have to hem and haw about it, so thanks, {{u|CactusWriter}}! {{u|Erik}}, I've never seen that done before. How does it work?


::Apologies for going back to re-edit this table. completely missed some clear points. I do think I agree with Blofeld that sorting by title is better. my points are the following.
::FWIW these are the active actions/discussions related ] that I'm aware of: 1) AfD for an article on his book ], 2) this discussion, 3) a hoax template at the top of ], 4) a blurb about my concerns on ] and a little bit of discussion about a specific BLP that I need to figure out how to merge with 5) the post on ] about how to handle the numerous celebrities that have America: A Call to Greatness or other Chaney "productions" erroneously attributed to them on their BLP. ] (]) 20:39, 9 December 2015 (UTC)
*: Not all films have known specific release dates, especially with older material. A title however, is something key and unmissable. It is much easier to sort by a title, add films to a list without having to re-arrange a table with more complicated code. This makes it easier for editors.
*: With newer films, dates change, either with production changing, with older films, newer material can be found. It is easier to sort out films this way.
For now this is preferred list.


I couldn't get the table to display correctly on the talk page, ]. ] (]) 18:43, 8 November 2024 (UTC)
Well this is a rabbit hole. Copying some of what I wrote at the above AfD as it seems more appropriate here: Just for fun I started looking up some other things in Chaney's "Superb Speakers" . The first thing I checked: Using Neuroplasticity to Achieve Cognitive Change, Warren H. Chaney, Ph.D., Journal of Applied Cognitive-Behavioral Science, Volume 5, 1st Quarter, 2009, pp. 132-145. Google doesn't know anything about the title or the journal. Second thing checked: The Right Stuff - What is It? Warren H. Chaney, Ph.D., Your New Mind, (On Line Journal), 1st Quarter, 2008. "Your New Mind" took some searching, but I found it! a .blogspot blog with '''two posts''', one of which is Chaney's -- basically an ad for Mind Dynamics’ Workshops. Before coming across this discussion I also started to check out some Chaney-related articles and discovered what others did -- a preponderance of sources which either don't seem to exist, are based on user-generated content, or which have a direct (albeit often hidden) connection to Chaney himself. &mdash; <tt>] <sup style="font-size:80%;">]</sup></tt> \\ 23:01, 9 December 2015 (UTC)
:It looks like {{u|Sinclairindex}}, primarily responsible for several of these articles including the one on Chaney himself, ... &mdash; <tt>] <sup style="font-size:80%;">]</sup></tt> \\ 23:08, 9 December 2015 (UTC)
::Aye, Sinclairindex is the main SPA to have edited these articles and uploaded images from all of Chaney's "films". It might be worth having someone on the OTRS team look at what the tickets consist of, where the for the files he or she uploaded came from. ]&nbsp;<sup>]&nbsp;•&nbsp;]</sup> 23:17, 9 December 2015 (UTC)
:Pinging {{u|Orangemike}}, who some issues with the Call to Greatness article a few years ago (which Sinclairindex ). &mdash; <tt>] <sup style="font-size:80%;">]</sup></tt> \\ 23:10, 9 December 2015 (UTC)
*Wow. This is pretty much one of Misplaced Pages's worst nightmares. I've nominated ] for AfD ] and I have a feeling that this will likely end with all of the articles getting deleted. I also hate to say this... but we should probably treat any and all sources with suspicion unless we can prove that the coverage was real and the end product actually got released. For example, I know that there are one or two news links that discuss the making of the America film, but there's also none that actually confirm that it aired. It wasn't exactly impossible for someone to walk up to a newspaper and make a false claim to be working on something, so that's always a possibility. ]] 23:09, 9 December 2015 (UTC)
*I am seeing some usable sources for Chaney, but I would actually argue that the article should just be TNT'd and started afresh without all of this promotional garbage in its edit history. If there is some socking or meating going on here, I think that leaving his article history intact would just encourage them to come back and try to revert the edit history. It'd certainly be easier to just take the usable sources and make a new article based on what's in those than to try to search for things that would back up the claims in the article AND try to remove all of the puffery. I don't think that there's any rescuing the Chaney article as it currently stands. We can only re-write it to actually fit guidelines. Also, ping me when you guys do the inevitable SPI so I can give my endorsement. I'm not sure if this is socking or meating, but I find it very difficult to believe that these SPAs are unrelated. ]] 23:22, 9 December 2015 (UTC)
*Uh oh... looking through the various talk pages which link back to ] and -- surprise -- find it happens to be other Chaney-related SPAs making ''random existence-confirming comments (e.g. "I used to watch this" or "I saw an article about this")'' on the talk pages (and working on similar articles).
:*{{u|LawStClaire}} commented at ]. The only two pages he/she edited were ] and ] about an image of ]. Coincidentally, there was a ].
:*{{u|Buzzsawyer}} commented at ], ], ], ], . Also coincidentally into neuroplasticity and memory. Also happened to upload a bunch of Chaney images.... &mdash; <tt>] <sup style="font-size:80%;">]</sup></tt> \\ 23:30, 9 December 2015 (UTC)
*I'm running into issues with the ] article. A search is bringing up zip to show that this show is notable. Hell, I can't even really guarantee that this even really exists. There's a mention but the book was published in 2014, years after the article was written. Given that this supposedly ran for 100+ episodes you'd think that there would be something out there that isn't primary or dodgy as hell. ]] 23:37, 9 December 2015 (UTC)
:*{{u|Tokyogirl79}}, the only sock on my list that you didn't mention is Neverland1 who, in an interesting twist, initially made a weak attempt to contest deletion on {{u|Dbrodbeck}}'s (also by Chaney), but after we went through each source one by one and shot down single one of them, waived his flag of surrender without much of a fight. It makes me wonder how the rest of this will play out. It will certainly be anticlimactic if we wake up tomorrow and find that all of these pages have been mysteriously deleted. ] (]) 00:53, 10 December 2015 (UTC)
*Someone created a about this. &mdash; <tt>] <sup style="font-size:80%;">]</sup></tt> \\ 23:39, 9 December 2015 (UTC)
:::Note: I have created an ] for the SPA accounts. If anyone runs across more, please add them or you can notify me to do so. <span style="font-family: tahoma;"> — ]<sup>]</sup></span> 23:46, 9 December 2015 (UTC)
*Magic Mansion is now up for AfD ]. I've lumped the episode list article in the AfD as well. ]] 00:05, 10 December 2015 (UTC)
*] is now up for AfD as well. Other articles that still need to be examined are as follows:
:#]
:#]
:#]
:#]
:#]
:#]
:#]
:This is of course not including the articles for Chaney and his wife Winters. In any case, the above were all created by Sinclairindex and assuming that any of these do actually exist and may pass notability guidelines, I'd recommend deleting them and starting them from scratch given that we've clear evidence that we very likely cannot trust anything from this editor. ]] 00:30, 10 December 2015 (UTC)
:*I'd do them myself, but I'm going close to 24 hours without sleep and am about to crash. Although if the SPI comes back positive then we could probably sweet talk an uninvolved admin into just TNT-ing the lot just because we can't trust any of these to be factual or notable. ]] 00:31, 10 December 2015 (UTC)
:*It also looks like ] is somewhat related to this, as it's the same film as The Lamp, just edited if the claims are true. I'll check on sources for this when I wake up, if no one else does it. ]] 00:34, 10 December 2015 (UTC)
::*Thanks for laying it all out like this and the AfD's you started! I'm about to start responding to your new AfDs and dealing with the inappropriate references to this film on the 28+ BLPs of its cast members, starting with ]. I can't decide if I should tag it as disputed or delete this movie completely from their filmographies. I was leaning towards tagging them, so the depth of this problem would be readily apparent to whatever objective 3rd party has to investigate. Does that make sense or does it sound like a waste of time when they need to be deleted anyway? ] (]) 01:47, 10 December 2015 (UTC)


] (]) 18:33, 8 November 2024 (UTC)
This sure seems like it might grow into an unwieldy affair, spread out over so many pages and with so much potential evidence. I've tried to gather all the relevant links/pages here: ]. I'd welcome anyone else to edit as they see fit and wouldn't be opposed to moving it out of userspace if someone has a better idea of where it could go. Seems useful to have a place to tie things together and a central point of talk (presumably, ] or wherever the page ends up). Do what you will -- it's useful for me, at least, to wrap my head around this nonsense. &mdash; <tt>] <sup style="font-size:80%;">]</sup></tt> \\ 03:23, 10 December 2015 (UTC)
:{{re|Rhododendrites}} That looks great! Earlier today {{u|Erik}} suggested moving the conversation to another page, but I didn't have a clue how to go about it. I vote to move the conversation to ], so this thread doesn't take up more space on the film project page. ] (]) 04:35, 10 December 2015 (UTC)


:I would support sortable columns for release date and studio if we can fit them in. I just think the current release lists look horribly bloated on smaller devices and are much harder to browse than a simple A-Z. If we can get release date added I think we should go back to A-Z. ♦ ] 09:06, 9 November 2024 (UTC)
To update everyone, three accounts have been indefinitely banned based on the sockpuppetry investigation. Not sure if there are any articles by these accounts that have not yet gone to AfD, but they could instead be speedied with {{tl|db-banned}}. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 12:18, 11 December 2015 (UTC)
::My list above might have got buried in my back and forth hustle. But I've created a list that I think described what you are stating with ] here. ] (]) 09:53, 13 November 2024 (UTC)
:::I'm fine with any table that fixes the date issue, which to me is the most important MoS breaking part of those pages (but I'm against removing the date as titles and dates are must haves). So take my support for any table that has at least those two columns and the date is fixed correcly. ] (]) 11:32, 14 November 2024 (UTC)
::::While I appreciate everyone's comments, I think the only way we move forward is by agreeing to a proposal instead of declaring what we do or do not require. If we could get a solid support or not support for the table I suggested (]), we can probably move towards something we are all more comfortable with. ] (]) 12:10, 18 November 2024 (UTC)
:::::That looks fine. Just add a row scope which is missing (and no double "||" on a new row; you only need those if you put columns data on the same row) ] (]) 15:29, 18 November 2024 (UTC)
::::::Noted! Thanks Gonnym. :) ] (]) 15:54, 18 November 2024 (UTC)
:::::::If there is no further suggestions/requests. I'll start applying the changes. {{ping|Dr. Blofeld}}, any further comments? ] (]) 11:30, 24 November 2024 (UTC)
::::::::You don't mean to remove director, actor and genre mentions? ♦ ] 15:24, 24 November 2024 (UTC)
:::::::::Yes, see, that's what I wanted to confirm. ], "Selection criteria (also known as inclusion criteria or membership criteria) should be unambiguous, objective, and supported by reliable sources." The genre and the director are not key information to determining whether something is an American production or not (or any country for that matter). We already have ] for example, so I don't think genre or director is key to understanding what makes something an American production. While I find it interesting, I'm just trying to make it a more simple list that captures the key details. Generally, I think this follows the rules above more than listing other details. ] (]) 14:40, 25 November 2024 (UTC)
::Genre and director to me are more important than release date. I think it should be Title. Director. Cast. Genre. Studio. Release date.♦ ] 14:44, 25 November 2024 (UTC)
:::How is it important to the topic in the list in question? Like, other than I kind of like it, I don't see how its essential knowledge. Honestly, the release date and the company involved are really the only two key criteria to make it fit the topic in question. and still follow ] by being objective. ] (]) 15:13, 25 November 2024 (UTC)
:::{{ping|Dr. Blofeld}} as I think we should try to move forward and as only you {{ping|Gonnym}} have weighed in. Per the list criteria rule I do not see why it is important to know the director, genre, or the cast. Most directors and actors have their own filmography sections and we do not generally include whether their films are American/French/Japanese etc. As for genre, we already have ] and other similar genre categories that have sortable lists to identify films by genre. As most genre films films from the past few years are various hybrids of genres (see the article Action film for more on this), trying to establish genres within the list will only add discrepancies between articles and lists that becomes unmanageable. For these reasons I think we should move forward with the list I've proposed and can make suggestions if further key information becomes clear. ] (]) 14:51, 29 November 2024 (UTC)
::::As an overview, knowing who the director and cast is is much more important than release date or studio. ♦ ] 14:58, 29 November 2024 (UTC)
:::::While I appreciate your prompt response, may I ask why this is key information? It does not seem related to the topic as the director or cast or genre does not bare any key information to the topic of the list. I don't wnat to argue but you have said its important twice, but have not made it clear why its essential to a topic. Your suggestion would go against ] "{{gt|Keep lists and tables as short as feasible for their purpose and scope: material within a list should relate to the article topic without going into unnecessary detail;}}" The director, cast, and genre have no relevance on a films year or nationality. ] (]) 16:47, 29 November 2024 (UTC)
{{reflist-talk}}


== FA review of Boogeyman 2 ==
:Hi {{u|Erik}}. There are a couple points of order in regards to your post. The editors are ]ed not banned. ] is a different thing altogether. I'm sure most editors know what you are getting at but some might not be aware of the distinction. Next, as to the speedy deletion tag, the guidelines at ] state "To qualify, the edit or article must have been made while the user was actually banned or blocked. A page created before the ban or block was imposed or after it was lifted will not qualify under this criterion." As far as I can tell this does not apply to any of the articles that we are dealing with. Don't get me wrong I wish that the {{tl|db-banned}} could be used. But, we will have to proceed with the AFD process for now. Once again my thanks to everyone for all of the work that they are performing in this situation. ]&#124;] 16:15, 11 December 2015 (UTC)
::That makes sense. Thanks for the clarification! Really impressed with the professional clean-up job done by numerous editors here and elsewhere. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 16:17, 11 December 2015 (UTC)


A user has nominated ] for a ]. Please join the discussion on whether this article meets the ]. Articles are typically reviewed for two weeks. If substantial concerns are not addressed during the review period, the article will be moved to the Featured Article Removal Candidates list for a further period, where editors may declare "Keep" or "Delist" in regards to the article's featured status. The instructions for the review process are ].<!--Template:FARMessage--> ] (]) 17:00, 27 November 2024 (UTC)
== Wikidata generated list of Academy Award-winning films ==


== Good article reassessment for ] ==
Hi movie fans! I created a tool that automatically generates the ] using the data from ]. That's a big advantage compared to the current article, which has to be maintained manually. The only problem is that Wikidata lacks Academy Award data. This means that the number of Academy Award-winning films generated by my tool is much lower than the actual number. The same is true for the number of awards and nominations of the listed movies. The reason is Wikidata doesn't have data about many awards and nominations. Now I'm asking you to help make Wikidata more accurate concerning Academy Awards and nominations.
] has been nominated for a good article reassessment. If you are interested in the discussion, please participate by adding your comments to the ]. If concerns are not addressed during the review period, the good article status may be removed from the article. ] (]) 20:33, 27 November 2024 (UTC)


== ] ==
See for the current list in German. I'm also planning to create an English version (if you're willing to help ;-p). The nice thing is we can all work together on this project because Wikidata is international. --] (]) 00:43, 11 December 2015 (UTC)
: already does this FYI. --] (]) 12:01, 11 December 2015 (UTC)


Why ]? {{U|Revirvlkodlaku}}, I find your rationale, that this "adds nothing of value to the reader, unless they are already familiar with '']'' and its characters", {{em|dumb}}. I think it induces curiosity in the reader to learn more about something they may not know of. As if ] isn't allowed to mention that his speaking style was inspired by ] (I wasn't aware of him before), or the numerous characters that inspired ]'s characterisation. <span style="white-space:nowrap;font-family: Papyrus">] ] </span> 08:59, 29 November 2024 (UTC)
== ] ==
:@], I think this discussion more appropriately belongs on the ], where I'll be happy to discuss it with you in a civil manner. I'll let you know that if you use words like "dumb" to disparage me or my edits, then we won't get far, and I may even report you for abusive language. ] (]) 09:03, 29 November 2024 (UTC)
::Sorry I didn't intend to launch a personal attack, it's only your rationale that looked odd to me. Once again I'll apologise if "odd" is a personal attack. I posted here only to seek consensus. <span style="white-space:nowrap;font-family: Papyrus">] ] </span> 10:43, 29 November 2024 (UTC)
:::I support the addition of this detail. It's common to report what past performance or character inspired a said work's actor of focus in their effort. Not to mention that it is a good example of cross-linking, which Misplaced Pages encourages. Readers may get interested in this statement and check out ''Kill Dil'' for themselves. Links exist especially to increase readers' understanding of various topics. Furthermore, ] says, ''"Real-world context may be about how the role was written, how the actor came to be cast, or what preparations were necessary for filming."'' So this detail fits that real-world context. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 12:38, 29 November 2024 (UTC)
::::Thank you {{u|Erik}}! In , the actor says, "My role is similar to the one Govinda played in {{sic|Kill Dhill}}". I wrote the same (no plagiarism) but {{u|Revirvlkodlaku}} removed it. I thought only the wording was unacceptable, so I readded with "inspired" instead of "similar" but he removed it again. May it be re-added with consensus? Is "inspired" not too different from "similar" in this case? <span style="white-space:nowrap;font-family: Papyrus">] ] </span> 12:56, 29 November 2024 (UTC)
:::::That sounds fair to me; thanks for the input, {{u|Erik}}. {{u|Kailash29792}}, I see nothing wrong with calling my edit "odd", as it's not necessarily derogatory. ] (]) 13:01, 29 November 2024 (UTC)


== Move discussion notice ==
{{ping|SNUGGUMS}} used Twinkle to remove wikilinks to the film ], , saying it was deleted, but the correct article name is ], so these links need to be restored and corrected. Would someone who uses a automated tool please do this? ] (]) 04:29, 12 December 2015 (UTC)
:I am plugging away on these. If anyone else does (automated or manually) please be aware that, in restoring the links, that some of them should go to the play '']'' and not the film. You just have to take a moment and make sure of the context of the article and the section that the link is in. ]&#124;] 05:31, 12 December 2015 (UTC)
::Okay I think I got them all. There was also a song from the play/musical with the same title to further complicate things. I am pretty sure I got them linked to the right page but I got a little bleary eyed toward the end so if any are incorrect my apologies. ]&#124;] 07:02, 12 December 2015 (UTC)
:::There really should be an automated tool to automatically fix the links, and I would've used that instead of I could. ] (] / ]) 14:32, 12 December 2015 (UTC)
::::Thanks, Marnette. ] (]) 14:57, 12 December 2015 (UTC)
:::::You are welcome {{u|Beyond My Ken|BMK}}. As I pondered the situation this morning I don't think this one could have been automated {{u|SNUGGUMS}}. The links were split pretty close to 50/50 between the film and the play (not counting the few that were about songs from either) and I don't know that bots could have been programmed to distinguish between the two. ]&#124;] 15:41, 12 December 2015 (UTC)
::::::In my brief perusal of them before I turned in I didn't see that, I thought that they were primarily about the film. Good to get that straightened out. ] (]) 16:43, 12 December 2015 (UTC)


A ] is underway concerning the titles of several films which may be of interest to this project. Interested parties can ]. ]'']'' 10:24, 30 November 2024 (UTC)
== Magic lanterns and film ==


== Male surname / Female given name ==
Should ]s be considered a sub-topic of film, and part of this project? It seems to be a significant precursor to modern film. ] (]) 16:17, 12 December 2015 (UTC)
Many WP film plot descriptions use a convention of male characters being referred to by their surname while female characters are referred to by their given name.
:Really? I would think it's more related to photographic slides and their modern descendants. ] (]) 16:42, 12 December 2015 (UTC)


1. Has there been previous discussion of this disparity, in which case was there a conclusion and should it be added to the ]?
== MfD nomination of ] ==


2. If not, can we discuss it now? ] (]) 11:09, 30 November 2024 (UTC)
There is currently an MfD nomination in progress for this page at ]. ] (]) 19:15, 12 December 2015 (UTC)
:I believe you're supposed to refer to them by their common name and be consistent so shouldn't be referring to men as their surname and women by their first name in the same plot summary. That said, at least socially, it seems weird to refer to a woman by her surname but seems to be common for a man. John McClane is often referred to as "McClane" but Holly is always "Holly" or "Ms Genarro" or "Mrs McClane" in Rickman's perfect delivery. ] (]) 12:30, 30 November 2024 (UTC)
:Generally the credited name is used. The credited name will match the social conventions for names in the fictional world of the story. The fallback Misplaced Pages convention is ] and applies to both sexes. ] (]) 16:32, 30 November 2024 (UTC)


== "North America" == == Discussion about Oscar bait ==


There is a discussion I started at ] regarding ], ], and the inclusion of the bait list in an encyclopedic article. Input, especially those with interest in film awards, is welcome. ] (]) 16:38, 3 December 2024 (UTC)
A number of articles about films split box-office figures between "North America" and "outside North America". The practice seems to stem from the fact that the film industry amalgamates US and Canadian ticket sales. Boxofficemojo for instance describes these as "domestic". However, calling the US and Canada together "North America" is an astonishing howler. Mexico, which is also in North America, has a population about three-and-a-half times that of Canada, so we're not talking about a minor difference in terms of ticket sales, here, but of completely skewed figures. I have corrected this on a few articles whenever I have spotted it but {{ping|Adamstom.97}} has reverted me on ] with the claim that "it is accepted across Misplaced Pages" so I thought I would ask here. To me this is a clear case of an error spreading memetically, and though it might be the case that Wikpedia editors understand that North America is short-hand in this context for US+CA, I don't think it is reasonable to expect a reader to know that. Has this been discussed before? Is there such a policy? ] (]) 10:28, 14 December 2015 (UTC)
:]. We do not use the term "Domestic", instead using proper "territory names". In the film industry, a film released in the United States and Canada (such as ]) is a "North American" film. Again, this is the industry defining this, not Misplaced Pages; we follow and use the terms from the industry. Other territory release info, such as in Mexico, would go in an "Outside North America" section, should there be enough info to warrant sections. - ] (]) 16:21, 14 December 2015 (UTC)
::No, we should not use "North American" like this in film articles. It is specialist language that we need to avoid on this general and global encyclopedia. "North America" in box office lexicon refers to the United States and Canada only and excludes a host of other North American countries. It is more appropriate and accurate to state "United States and Canada" instead. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 16:27, 14 December 2015 (UTC)
::Though one flexible approach would be to say "North America (U.S. and Canada)", but with the dispute being section headings, we should go with "United States and Canada". ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 16:36, 14 December 2015 (UTC)
:::I think it is ok to use "North America" in place of United States and Canada provided it is made clear in the initial usage, since having to write "United States and Canada" every time is laborious. Likewise with the UK market which actually includes the United Kingdom, Ireland and Malta(!). Keeping things clear is a necessity in a global enyclopedia, but keeping things concise is also a virtue which whould not be overlooked. I agree with Erik about section headings. ] (]) 17:41, 14 December 2015 (UTC)


== Company navboxes ==
*'''Off-topic''' There is a discussion about box-office table formats which could do with some further input (several options up for grabs). For those editors with an interest in this sort of thing comments would be welcome at ]. ] (]) 17:43, 14 December 2015 (UTC)


I have been cleaning up individuals' navboxes per ], and I came across ]. I think that the spirit of WP:FILMNAV applies to this too because films usually have more than one company involved. Any objection to my nominating this for deletion under that argument? ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 22:26, 3 December 2024 (UTC)
== The Queen of Ireland (film) move request ==


== Ben-Hur production sub-article ==
A ] discussion has been initiated for ] to be moved to ]. This page is of interest to this WikiProject and interested members may want to participate in the discussion at ]. --] (]) 12:29, 14 December 2015 (UTC)


There is a discussion about ] and its sub-article ] underway. The discussion can be seen here: {{sectionlink|Talk:Ben-Hur (1959 film)#Production standalone article}}. Editors are invited to comment. Thanks, ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 22:10, 4 December 2024 (UTC)
== Pedro Costa ==


== List of film articles which are stubs? ==
]'s article notes that he was born on 3 March 1959. Several of the foreign-language Wikipedias, as well as many internet websites, also give the dates 30 December 1958 and 3 January 1959. Thoughts? I have not been able to adjudicate independently which date is the correct one. Thanks. ] (]) 21:51, 14 December 2015 (UTC)


Hi all. I'm currently (slowly!) working through fixing the Talk page for articles which do in fact already have images. Can someone please point me to a similar category page which lists British film articles which are currently stub class? Thanks! ] (]) 13:11, 5 December 2024 (UTC)
:Numerous search results in Google Books shows his birth year to be 1959. Not finding anything immediately about the specific month and day. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 21:54, 14 December 2015 (UTC)
::Thanks. Please write back if you find more information. ] (]) 21:57, 14 December 2015 (UTC)
:::For what it's worth, a biographical article does not have to show the specific date of birth. We can use a template to use that birth year and estimate his age within 1 year or so. See ] as an example. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 22:15, 14 December 2015 (UTC)
::::3.3.1959 still seems to be the most popular and is also the one appearing on IMDb, so I will leave it at that. I was simply wondering maybe there is someone here who knows for sure... ] (]) 22:21, 14 December 2015 (UTC)
:::::Even if it is popular, it may still be incorrect if we cannot find a reliable source stating it. IMDb is not considered reliable for Misplaced Pages's purposes because content is user-submitted and likely not closely-reviewed. I would recommend putting just the birth year for now until someone can find a reliable source showing the full birthdate. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 22:24, 14 December 2015 (UTC)
::::::Some sources I can find for now: 30.12.1958 (, , , , , ); 3.3.1959 (, , , , , , , , , , , , , , ); 3.1.1959 (). ] (]) 22:46, 14 December 2015 (UTC)
:::::::Changed his date of birth on his article to 30.12.1958 for the time being given that the most reliable source I could find online for the time being, '']'', a daily which is one of the oldest in Portugal, states it as true. Please comment if you believe otherwise. ] (]) 12:57, 18 December 2015 (UTC)


:Hi! I hope this is what you need: ]. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 13:42, 5 December 2024 (UTC)
== Academy Award page move ==
::Perfect! Thanks very much @]! ] (]) 13:51, 5 December 2024 (UTC)


== Volunteers needed for content dispute on Russians at War film ==
Please see ]. Thanks. ''']''' <sup>]</sup> 07:47, 15 December 2015 (UTC)


Greetings people, can you please participate in improving ] film article. <!-- We've got an editor adding too much, in my opinion, praise to the article, and pushing it with edit war, but I've lost my desire to participate in it alone. The version I agree with: . Current version is the version of the opponent. --> There is a discussion at the talk page, yes. Welcome. Pinging the opponent @] . ] (]) 17:13, 6 December 2024 (UTC)
== Use of year categories in upcoming films ==


:I suggest revising your notification to avoid the appearance of ]. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 19:02, 6 December 2024 (UTC)
Please see ] for a discussion on using year categories for upcoming films. <small>]</small>] 16:38, 15 December 2015 (UTC)


== FAR for ] ==
:Note that TriiipleThreat is '''still''' banging on about this. FFS. ''']''' <sup>]</sup> 10:20, 17 December 2015 (UTC)


I have nominated ] for a ]. Please join the discussion on whether this article meets the ]. Articles are typically reviewed for two weeks. If substantial concerns are not addressed during the review period, the article will be moved to the Featured Article Removal Candidates list for a further period, where editors may declare "Keep" or "Delist" in regards to the article's featured status. The instructions for the review process are ]. 🍕]🍕 (]) 05:42, 7 December 2024 (UTC)
::Yes, I am but not for the same issue being raised here.--] (]) 10:26, 17 December 2015 (UTC)


== Requested move at ] ==
== ''Limitless'' page move ==
] There is a requested move discussion at ] that may be of interest to members of this WikiProject. ] (]) 16:09, 8 December 2024 (UTC)


== Linking to highest-grossing film of the year ==
Please see the discussion ]. Thanks. --] (]) 17:51, 15 December 2015 (UTC)


{{u|Geraldo Perez}} could you please explain why linking to the highest-grossing film of the year, as done would come under ], when they are widely used in FA-class articles such as '']''? ] (]) 07:03, 9 December 2024 (UTC)
== Cinderella (2015 Indian film) page move ==


:The meaning of the phrase is obvious and doesn't need a definition link. The reference itself is the source and lists the other films so a pipe to another wiki article with the same info adds no value. It is also an ] pipe that doesn't actually define the phrase. We shouldn't be doing this in any article. Links to other articles that are related should be in the See also section, not hidden behind a pipe. ] (]) 07:13, 9 December 2024 (UTC)
Please see the discussion ]. Thanks. ''']''' <sup>]</sup> 19:40, 15 December 2015 (UTC)
::Not true. ] is not an ] issue, not hidden behind a pipe, adds perfect value to the lead, and is currently mentioned in all top-grossing films of the year. So unless there is wider consensus to remove such a link from all these articles, one shouldn't edit-war on one single page like '']''. ] (]) 07:18, 9 December 2024 (UTC)
:::The reference has the same info and is a reliable source so there is no added value to linking to another article. One issue in the general case of doing this is the linked wiki article is being used in lieu of a source, and when a source is actually there, the link is unnecessary. ] (]) 07:35, 9 December 2024 (UTC)
::::That's a subjective choice and not a policy violation to edit-war over. ] (]) 07:38, 9 December 2024 (UTC)
:::::Unnecessary links that add no value are the crux of overlinking. That is a guideline though, not a policy. I see a pointless link that adds no value and I explained why. You disagree based on the assertion that it is common practice to have this link and you see value in having it. I'm not planing on editing that part of the article again, my main original issue was the lack of a reference for the statement itself. ] (]) 07:50, 9 December 2024 (UTC)


== Introducing Let's Connect ==
== Proposal to create an infobox for fictional conflicts ==


Hello everyone,
I am proposing that an infobox be created for fictional conflicts, as currently many articles on fictional conflicts, as well as a real-time virtual battle, use ]. To centralize discussion, please reply, if interested, at ].--] (] &#124; <small>]</small>) 05:34, 16 December 2015 (UTC)


I hope that you are in good spirits. My name is ] and I am a part of the ] - a team of movement contributors/organizers and liaisons for 7 regions : '''MENA | South Asia | East, South East Asia, Pacific | Sub-Saharan Africa | Central & Eastern Europe | Northern & Western | Latina America. '''
== RfC at WT:ANIME ==


=== Why are we outreaching to you? ===
There is an important ] at ] in regards to production companies and anime film articles. The RFC can be found at ]. ] (] - ]) 00:35, 17 December 2015 (UTC)
Wikimedia has 18 projects, and 17 that are solely run by the community, other than the Wikimedia Foundation. We want to hear from sister projects that some of us in the movement are not too familiar with and would like to know more about. We always want to hear from Misplaced Pages, but we also want to meet and hear from the community members in other sister projects too. We would like to hear your story and learn about the work you and your community do. You can review our past learning clinics ].


We want to invite community members who are:


* Part of an organized group, official or not
==Casting consensus==
* A formally recognized affiliate or not
I've lately been trying to help improve Misplaced Pages by trying to cut down on some of the clutter in the production section articles. I find that many such production sections consist mostly of "On (Insert Date here) X joined the cast. On (Insert Date Here) X Joined the cast, and so on and so on some times for paragraphs at a time, Lately, within the past few months or so I've been just deleting these section because the information provided is trivial at best, and the cluttered look, I believe hurts the project more than helps it. Lately I've been running into a few people who think that this is the wrong approach because they say the information of when cast members joined is valuable information that should be kept regardless of the clutter. I'm starting to think that. I may be in the wrong, because I just want to make these articles useful, I don't think I should have to fight about it. So I kinda wanted to get a project wide opinion on this.
* An individual who will bring their knowledge back to their community
* An individual who wants to train others in their community on the learnings they received from the learning clinics.


'''To participate as a sharer and become a member of the Let’s Connect community you can sign up through this .'''
I would present to you as an example of what I'm talking about ]. I would say that when compared to something like ]the production section leaves a lot to be desired and has a lot of indiscriminite details that don't belong there.


Once you have registered, if you are interested, you can get to know the team via google meets or zoom to brainstorm an idea for a potential learning clinic about this project or just say hello and meet the team. Please email us at Letsconnectteam@wikimedia.org. We look forward to hearing from you :)
I don't know I'm getting really sick of fighting these fights and was just hoping that we could all come to a consensus about how these sections should handle casting news. --] (]) 16:23, 17 December 2015 (UTC)
:My initial thought is that it could be reasonably argued that "John Doe joined the cast on MMDDYY" is trivial and probably can be safely removed once a film has been released, though it may be interesting/useful prior to that point. If there's meatier information relating to their casting, then it should probably be retained. ] (]) 16:34, 17 December 2015 (UTC)
::Specific dates are of little use, however more general time references can be useful for contextual purposes so the reader understands how the film came together. These can also be grouped together depending on the general time so we do not have a bunch of short sentences.--] (]) 16:42, 17 December 2015 (UTC)
:::Another issue is that is there are sources of actors who have appeared in the movie and are appearing in upcoming ones that should be kept in either in the production section or whatever section that they should be in if we're going to make these kinds of changes. ] (]) 16:47, 17 December 2015 (UTC)
:I agree that the ] clutter needs to be addressed. The details do not necessarily have to be removed entirely, but at least compressed. Here's an example of what I did at ]:
:*'''Before:''' On 5 June 2013, actor Nikolaj Coster-Waldau has signed up to star in the film as Horus, a God of the sky. On September 24, 2013, Gerard Butler also joined the film's cast to play the role of Set, a God of the desert, storms and foreigners in ancient Egyptian religion. On the same day Geoffrey Rush also closed a deal to join the epic fantasy Gods of Egypt for Summit, he'll play the role of Ra, a God of the Sun and also father of Set and Osiris. Later on 7 October, Summit added Brenton Thwaites as a lead actor in the fantasy film's cast, he will play Bek, a human thief. On December 12, 2013, a new actress Courtney Eaton joined the film as a lead actress, she will be playing the role of Zaya, a slave girl who is cursed by Set. On January 30, 2014, Chadwick Boseman has signed on to star in the film as Thoth, the god of wisdom. On February 19, 2014 Élodie Yung joined the cast of the film as the goddess Hathor. On March 20, all other cast was also revealed as filming began, which includes Bruce Spence, Bryan Brown, Emma Booth, Abbey Lee Kershaw, Rachael Blake, Robyn Nevin, Paula Arundell, Alexander England, Goran D. Kleut and Yaya Deng.
:*'''After:''' Actor Nikolaj Coster-Waldau was cast in June 2013. Gerard Butler, Geoffrey Rush, and Brenton Thwaites joined the cast toward the end of 2013. Chadwick Boseman and Elodie Yung joined the cast at the start of 2014.
:Here, I excluded the character names since they can be seen in the "Cast" section and excluded actors who did not receive billing (the last sentence). I identified the first person to join the cast, then I grouped those who joined later that year. I also mentioned another group that joined at the beginning of the year. I applied ] here as well to avoid multiple footnotes at the end of a sentence. Maybe we do not need the new passage at all, but I think it at least helps frame the "Production" section, like to show that the first actor did not join until a year after the film began development. The problem with the proseline clutter is that sentence after sentence is just tacked on. The content has to be revisited after some growth to determine a cleaner way to present it. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 16:55, 17 December 2015 (UTC)
::Well, based on Erik's suggestion, I think the first actors who joined any movie, top listing ones, anyone in the billing bulletin list at theatrical posters and any recurring actors who appeared in any film series should be included with reliable sources. ] (]) 17:05, 17 December 2015 (UTC)


Many thanks and warm regards,
:If it's a clear case of ] then that needs to be removed, but in the case of stubs and "start" class article you need to make sure you don't derail the development process. With ] what you basically have is a bare bones article, and the lighthouse stuff may be trivial as it stands but on the other hand it may have relevance if there were more context. I've done quite a bit of development work on stubs and "start" class articles and sometimes I have managed to integrate existing "trivia" into a more coherent article and on other occasions I have dropped it. Sometimes it is hard to tell at first what you are going to use and what you are not. ] (]) 17:15, 17 December 2015 (UTC)
::Wait a minute, I think what Deathawk was referring to is the ] of ]. And what we need to settle is how to resolve the issues of actors who joined in a film without causing any clashing issues of consensus. ] (]) 17:29, 17 December 2015 (UTC)
::: Yes. I apologize, I was tired when I composed my initial massage and somehow forgot to include the 2016 at the end of Pete's Dragon. --] (]) 22:24, 17 December 2015 (UTC)


Let’s Connect Working Group Member
== Invitation to join a Star Wars discussion ==


]
This is a neutral notice to have additional members of this project weigh in on a discussion at ] regarding including it being known as Star Wars Episode VII: The Force Awakens in the lead. (Note this is not a discussion regarding moving the article.) You can find the discussion ], and for those of you sensative to spoilers regarding the film, this section does not have any and you should be able to avoid any on the talk page if you click that link directly and stay at the top of the talk page. (There are a few minor ones at the very bottom currently). Thanks. - ] (]) 19:11, 18 December 2015 (UTC)
] (]) 11:19, 9 December 2024 (UTC)


== Requested move at ] ==
== Is Funny Games a horror film? ==
] There is a requested move discussion at ] that may be of interest to members of this WikiProject. ] 02:34, 10 December 2024 (UTC)


== Unrealized projects discussion ==
Please see ]. Thanks. ''']''' <sup>]</sup> 09:19, 20 December 2015 (UTC)
I launched a discussion at ] that I feel would benefit from having wider input. In regards to if currently still in development films count as "unrealized" or not. ] 06:38, 12 December 2024 (UTC)


:It’s very frustrating this has not seen any contribution to. ] 21:20, 18 December 2024 (UTC)
== AfD notice ==
{{collapse top|title=Offtopic instigating}}
::No, it's not. ] (]) 20:14, 19 December 2024 (UTC)
:::What purpose does this remark serve except for antagonism? ] 20:42, 19 December 2024 (UTC)
::::Absolutely nothing. ] (]) 21:22, 19 December 2024 (UTC)
{{collapse bottom}}


== Help with Review for "The Misguided" Draft ==
The article on the short film ] has been ]. As it has passed through two relisting cycles without any comment, members of the project may wish to take a look and opine on whether or not it meets Misplaced Pages's criteria for inclusion. - ] <sub><font color="maroon">]</font></sub> 12:01, 20 December 2015 (UTC)


Hello,
== Wikiclaus' cheer to all. ==


I'm seeking assistance with the review process for the draft article "]". I initially submitted the draft for review on December 3rd. On December 12th, I followed up on my request and added a Reception section with a Rotten Tomatoes score to further demonstrate the film's notability. I believe the draft is well-sourced, comprehensive, and meets Misplaced Pages's criteria for inclusion.
{| style="border:1px solid 3px; background-color: #FF0000;"

|rowspan="2" valign="top" | ]
Despite these efforts, I have not received any substantive response to my requests. I also sought input on the ], but the situation remains unresolved.
|rowspan="2" |

|style="font-size: x-large; padding: 0; vertical-align: middle; height: 1.1em;" |<font color="gold">'''''Wikiclaus'' greetings'''
Could someone please advise me on how to proceed with getting this draft reviewed and moved to mainspace? Is there anything else I can do to move the process along?
|-

|style="vertical-align:top; border-top:1px solid gray; color:#FFA060" |
Thank you for your help! ] (]) 16:52, 15 December 2024 (UTC)
:''']''' '']'' <font color="white"> is wishing everyone the happiest of ''Wikiclaus''<nowiki>'</nowiki> Wikipedian good cheer.

:
:What is the hurry here? (and here ?) ] (]) 20:55, 19 December 2024 (UTC)
:This message is intended to celebrate the holiday season, promote ], and to hopefully make your day just a little bit better, for ''Wikiclaus'' encourages us all to spread smiles, fellowship, and seasonal good cheer by wishing others a ] and a ], whether it be someone with whom you had disagreements in the past, a good friend, or just some random person.
:There's no guarantee that a draft will be reviewed or processed within a certain specific timeframe. You're not guaranteed a one-week or two-week response time at all — drafts get approved or rejected when an AFC reviewer gets around to them, and you're simply not entitled to demand that your draft receive more prompt attention than everybody else's drafts. ] (]) 15:49, 25 December 2024 (UTC)
:Share the good feelings and the happiest of holiday spirits from ''Wikiclaus'' ! ] {{smiley}} ] {{smiley}} ] {{smiley}} ]
::FYI, see the currently-blocked user's talk page. There has been a lot going on with their contributions. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 16:08, 25 December 2024 (UTC)
|}{{clear}}
:::The user was indef blocked following this ANI thread . The user was an obvious promotional ] and I'd suggest that readers not be drawn in to forwarding their agenda. ] (]) 16:25, 25 December 2024 (UTC)

== Good article reassessment for ] ==
] has been nominated for a good article reassessment. If you are interested in the discussion, please participate by adding your comments to the ]. If concerns are not addressed during the review period, the good article status may be removed from the article. ] (]) 17:46, 18 December 2024 (UTC)

== Submission to the Academy Awards ==

Hi, a quick question...


If a film is a submission to the Academy Awards (or any other awards) does this imply any significance, or is submitting a film just something that any minor film-maker can do with any minor film?
:Have a good one too, Michael. Thanks for all your excellent work over the past year. I think I'll spend the day watching '']'', '']'' and '']'' to get me in the festive mood. Ho ho ho. ''']''' <sup>]</sup> 14:54, 22 December 2015 (UTC)
Clarification on this point would be much appreciated.


Kind regards, ] (]) 13:26, 19 December 2024 (UTC)
== Zoolander No. 2 ==


:Which categorie(s)? ] (]) 13:44, 19 December 2024 (UTC)
Regarding ], an editor tried to move it to ]. However, this film's billing block appears to show that the official title is ''Zoolander No. 2''. Can we make this assumption? says the billing block is "the product of detailed legal agreements and intense contract negotiation", so it seems correct to call it ''Zoolander No. 2'' instead of ''Zoolander 2'', though the official website uses the latter. There is a discussion on the talk page ]. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 14:47, 22 December 2015 (UTC)
::Short documentary. ] (]) 13:51, 19 December 2024 (UTC)
::If it helps at all, it would seem that 104 films were submitted in the year in question, so I'm assuming that this is not particularly exclusive company. ] (]) 14:21, 19 December 2024 (UTC)
::For clarity, that is 104 films ''in that single category''. ] (]) 14:22, 19 December 2024 (UTC)
:::That is pretty exclusive if you consider how many short documentaries there are in the world. A submission itself may not be significant, but the meeting of ] may be, like winning an award at a festival. ] (]) 14:28, 19 December 2024 (UTC)
::::If I'm reading the link correctly, a film would only need to {{tq|complete a commercial showing of at least 7 days in either Los Angeles County, California or anywhere in New York City before being released to other non-theatrical venues such as DVD or TV}}. Winning an award does not appear to be necessary. So, being a submission doesn't seem to me to infer any particular significance.
::::The broader issue here is the rather promotional article about director ], authored 90% by the accounts of the subject and his publicist (whose activities can be seen here ).
::::In trying to establish how much of the article needs to be culled it would be useful to have some input on the significance of the awards listed in this part of the article . A good number of the awards have articles on Misplaced Pages, but note that in many cases that is because Tuschinski's publicist created the relevant articles. ] (]) 14:40, 19 December 2024 (UTC)
:::::I didn't say it was necessary. I just pointed out what made the submission possible, rather than the submission by itself, ''may be'' significant, depending on which criteria were fulfilled. ] (]) 14:46, 19 December 2024 (UTC)
:It would depend on the category. International Film, for example, is a category where each country has to have a committee ''select'' just ''one'' film from its entire cinematic output in that year to submit to the category — so that selection would indeed represent a ''distinction'' in and of itself even if the film doesn't ultimately land in the final five nominees. For most other categories, however, being submitted for Oscar consideration wouldn't be a notability claim in and of itself, although a film that gets submitted may very well have other reasonable notability claims — for example, some categories (I believe short documentary is one of these) essentially extend automatic consideration to films that win certain specific awards at certain specific qualifying film festivals, so the ''film festival'' award already constitutes a meaningful notability claim as it is.
:Ultimately, however, the clincher is how well the film can or can't be ]. If the film can be shown to pass ] on its coverage, then it wouldn't matter whether we considered submission to be a notability claim or not because the film had already passed GNG as it is — and if it ''can't'' be shown to pass GNG on its coverage, then simple submission to a preliminary awards consideration pool probably wouldn't be enough in and of itself to exempt it from GNG. Remember that awards are ''one'' alternative among ''several'' notability paths, not a necessary condition that every film always has to have — films that have no award claims at all can still pass other criteria anyway, so the presence or absence of awards isn't the be-all and end-all by itself. ] (]) 15:43, 25 December 2024 (UTC)


== ] == == Moviefone reliablitly ==
I made a topic about turning the Millennium TV miniseries into a film series article instead. You can find more about the situation ]. ] (]) 20:56, 23 December 2015 (UTC)


I searched RSN and the archives here but no real guidance, so I was wondering if Moviefone is reliable to use as an inline source? I'm leaning towards no given it looks like a database a la IMDb, but wanted to see if any other editors have come across this or its use on articles. Thanks. - ] (]) 20:02, 19 December 2024 (UTC)
==Aviation film task force==
Any interest in creating this task force? The following are examples of authoritative sources that can be exploited in writing articles on this genre.


:Looking at ], it may have had a reliable publisher in the past, but I'm not sure about now. It may also depend on what part of the website is being used. Are we talking about the "News" section, or the reviews it has, or something else? ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 20:14, 19 December 2024 (UTC)
* Carlson, Mark. ''Flying on Film: A Century of Aviation in the Movies, 1912–2012''. Duncan, Oklahoma: BearManor Media, 2012. ISBN 978-1-59393-219-0.
::It would be the "full cast and crew" tab/page for a film. The specific example I've come across it was trying to source new writer credits and an actor appearing for ] and its Moviefone page . - ] (]) 16:00, 20 December 2024 (UTC)
* Dolan, Edward F. Jr. ''Hollywood Goes to War''. London: Bison Books, 1985. ISBN 0-86124-229-7.
:::I see at the bottom of the Moviefone page, ''"This product uses the TMDb API but is not endorsed or certified by TMDb."'' Maybe these details came from there? It looks like TMDb is "a user-editable database". (Wow, I tried to link to TMDb, but it's apparently blacklisted... that may indicate something...) ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 16:22, 20 December 2024 (UTC)
* Farmer, James H. ''Broken Wings: Hollywood's Air Crashes.'' Missoula, Montana: Pictorial Histories Pub Co., 1984. ISBN 978-0-933126-46-6.
:::The poster seems to confirm the writing credits? See the left and right of the bottom line of the billing block. ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 16:36, 20 December 2024 (UTC)
* Farmer, James H. ''Celluloid Wings: The Impact of Movies on Aviation.'' Blue Ridge Summit, Pennsylvania: Tab Books Inc., 1984. ISBN 978-0-83062-374-7.
::::Yes, other active editors at that article are aware of the billing block (that's what's stemmed this issue at that page), but no third party reliable sources have reported on these adjustments, so we have been cautious proceeding adding the information in and not sourcing it in the body of the article. Another editor found the Moviefone page so that's how we ended up here checking its reliability. But per your first comment about its connections with TMDb, seems unreliable as a user database. - ] (]) 16:56, 20 December 2024 (UTC)
* Farmer, James H. "Filming the Right Stuff." ''Air Classics'', Part One: Vol. 19, No. 12, December 1983, Part Two: Vol. 20, No. 1, January 1984.
:::::I'm not sure why the billing block is in question? It's like referencing the official website for basic crediting information. We can use primary sources for straightforward, descriptive statements of facts, per ]. I'm not sure if it's possible for the billing block to become outdated or wrong (other than the cases of where others are unofficially deserving of certain credits). ]&nbsp;(]&nbsp;&#124;&nbsp;]) <sup>(])</sup> 17:06, 20 December 2024 (UTC)
* Harwick, Jack and Ed Schnepf. "A Buff's Guide to Aviation Movies". ''Air Progress Aviation'', Volume 7, No. 1, Spring 1983.
::::::The billing block isn't being questioned, just the act of how to source it in the article's when no third-party source exists covering this information. We seem to have determined Moviefone is not reliable per my original comment. If we want to have further discussion on sourcing approaches, we can continue this discussion at ]. - ] (]) 17:45, 20 December 2024 (UTC)
* Mackenzie, S.P. ''British War Films, 1939-1945: The Cinema and the Services''. London: Continuum, 2001. ISBN 978-1-85285-586-4.
* Murphy, Robert. ''British Cinema and the Second World War''. London: Continuum, 2000. ISBN 978-0-82645-139-2.
* Orriss, Bruce W. ''When Hollywood Ruled the Skies: The Aviation Film Classics of World War I.'' Los Angeles: Aero Associates, 2013. ISBN 978-0-692-02004-3.
* Orriss, Bruce. ''When Hollywood Ruled the Skies: The Aviation Film Classics of World War II''. Hawthorne, California: Aero Associates Inc., 1984. ISBN 0-9613088-0-X.


== Help needed for Hong Kong film ==
* Parish, James Robert. ''The Great Combat Pictures: Twentieth-Century Warfare on the Screen.'' Metuchen, New Jersey: The Scarecrow Press, 1990. ISBN 978-0810823150.
Hello, I was trying to of a HK film, fixing link and adding source to ]. This was rejected by ], see ]. Is any specialist able to help? Thanks in advance. --] (]) 00:25, 20 December 2024 (UTC)
* Pendo, Stephen. ''Aviation in the Cinema''. Lanham, Maryland: Scarecrow Press, 1985. ISBN 0-8-1081-746-2.
* Silke, James R. "Fists, Dames & Wings." ''Air Progress Aviation Review'', Volume 4, No. 4, October 1980.
* Wynne, H. Hugh. ''The Motion Picture Stunt Pilots and Hollywood's Classic Aviation Movies''. Missoula, Montana: Pictorial Histories Publishing Co., 1987. ISBN 0-933126-85-9. ] (])


== Jeff Sneider ==
== How do we judge how actor articles should be rated? ==


There is a discussion about whether Sneider should be considered a reliable source at ] which impacts multiple articles within the scope of this WikiProject. - ] (]) 09:42, 23 December 2024 (UTC)
Opinions are needed on the following matter: ]. A ] for it is . ] (]) 04:28, 24 December 2015 (UTC)

Latest revision as of 16:25, 25 December 2024

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Consensus needed for film list style

Hi, just searched for films in 1981 in film. The list has been removed in favour of the country lists. Then I click List of American films of 1981 and it has a bloated release list with excessive cast which makes it difficult to browse and find films, and even has some films which aren't American or from that year. I restored the American lists from around 1970 to 2000 back to the clean A-Z you see in List of American films of 1956 a few months back but the IP has reverted back to the bloated tables on all. All I want is a simple A-Z list for easy browsing, consistently by year and country, it's why I created the lists in the first place! It is time consuming going back and finding the original text and restoring and even if I do that it seems like nobody is watching these lists and would help revert the ip if he did it again. There also seems to be a tendency on recent years for the big bloated release tables, I argue that even those should be converted to simple A-Z lists. Is there any agreement here that A-Z format is much easier for browsing and more desirable than by release date? Release date seems appropriate for the current or next year to see what is being released, but a simple A-Z is much easier for general browsing of past years. ♦ Dr. Blofeld 12:24, 10 October 2024 (UTC)

I'm not sure that I have a strong opinion on this. The tables are sortable, so if you want an A-Z list, it's one-click away (but see my note further on), even if it's not as concise. That said, the 'cleaner' format does have a separate column for Director, which I think is good, but also one for Genre, which I think is problematic (unless sourced). Both lists have breaks in them that prevent a one-click sort of all the films on the list, which might be frustrating for readers. In the end I think which format is 'better' could depend on what kinds of information one is looking for. Was there any discussion about the changes to the format? DonIago (talk) 12:58, 10 October 2024 (UTC)
No discussion at all that I'm aware of. I wouldn't be opposed to having a separate list of films by release date but I think these lists should be simple A-Z, concise lists for quick browsing. The release lists are separated by months though, so A-Z isn't useful. ♦ Dr. Blofeld 13:54, 10 October 2024 (UTC)
Honestly, the alphabetical list (as demonstrated in List of American films of 1956) is much harder to read than the date-based list in List of American films of 1981. It's because of the whitespace in the Title column. The 1956 list is more cluttered, in that regard. Whichever way it's sorted, it'd be nice to retain good spacing. Useight (talk) 16:17, 10 October 2024 (UTC)
I wouldn't focus too much on spacing or formatting wikipedia to fit that. In the era of of people now able to adjust text size and other content on the site easily with a click of a toggle, it's never going to look the same for everyone. Andrzejbanas (talk) 09:30, 11 October 2024 (UTC)
Don't you think the cast inclusion is excessive though Useight? You must be using a wider screen PC/laptop as it looks really bloated and cluttered on an iPad! I concede that the date format doesn't look as bad when viewed on a widescreen PC as it does on a small device. On a widescreen PC you could have a director, genre and even notes column if you cut the cast to the top billed stars. The problem is that the date format is harder to edit though.♦ Dr. Blofeld 11:20, 11 October 2024 (UTC)
Yes, I agree that it's excessive. The cast should just be the actor/actress of the main character or two, if you ask me. But, yes, I always use my desktop computer. Useight (talk) 18:42, 13 October 2024 (UTC)
This was brought up somewhat similarly at Talk:List of American films of 2024. Generally, more for the side bar being that the sidebar causes some accessibility issues (i.e: not sure screen readers will pick up January being written up and down for example). I do feel like an excessive crew listing is going a bit overboard and it not condusive to sorting. Do we need to know who the crew to this extent, or at all? Most screenwriters aren't known by name. Directors are slightly more so. Andrzejbanas (talk) 16:23, 10 October 2024 (UTC)
Agreed Andrzej. ♦ Dr. Blofeld 11:20, 11 October 2024 (UTC)
I think we could have two sets of lists for the US, by release date and by A-Z. I'm not opposed to by release date if we can have a full A-Z (as default). But I think the cast needs to be drastically cut for all lists.♦ Dr. Blofeld 08:12, 19 October 2024 (UTC)
I assume when you are saying two sets, you are talking about two columns? This would be my proposal. I'd use the notes section to indicate if a film is the production of more than one country "I.e: US-Canadian co-production" or if there are two films with the same title with one year, we can disambiguate it as a disambiguation factor that most people would catch. (i.e: the lead star, the director, etc.). Brevity is the soul of wit, and we probably should keep these tidy and easy to add too over becoming a database of credits. Andrzejbanas (talk) 20:04, 21 October 2024 (UTC)
A24 films released in the 2010s
Release date Title Studio Notes Ref.
January 5 The Painter Republic Pictures
January 12 Mean Girls Paramount Pictures, Broadway Video, Little Stranger

Andrzejbanas (talk) 20:04, 21 October 2024 (UTC)

The list should be initially sorted with a first column of release date. I support the above table example. However, I don't think a note column is needed. This is an overview so any additional information is in the article. If a specific note is needed, one can be added with {{efn}}. Gonnym (talk) 16:30, 31 October 2024 (UTC)
Thank you for chiming in Gonnym. Happy to remove the "note" section for most lists like List of American films of 2024, like, its not likely needed for the List of American films article. I'm more thinking about it for articles like List of French films of 1963. Very few continental Europe productions are from one singular country, and often produce within the context of a co-production, often with Italy, Spain, West Germany, etc. I feel this is a bit critical to understanding why something like a major Italian feature of the era like would be included on a list of French film productions. That said, maybe the studios or production companies involved would be enough in this case. Pinging @Dr. Blofeld: as well to weigh in on this if he could so we have more of a communal discussion/agreement/disagreement within the project. Andrzejbanas (talk) 13:47, 4 November 2024 (UTC)

Notes

  1. The listed date refers to the film's public premiere, regardless if it opened in the United States.

References

  1. D'Alessandro, Anthony (November 30, 2023). "Republic Pictures Picks Up The Painter For Paramount Global; Jon Voight Pic Plans Theatrical Release". Deadline Hollywood. Retrieved December 1, 2023.
  2. Couch, Aaron (September 22, 2023). "'Smile 2,' 'Mean Girls' Musical Set 2024 Release Dates". The Hollywood Reporter. Retrieved September 22, 2023.

The problem with organizing film lists date-first instead of title-first is that they're organized by the date of commercial release, not the date of the initial premiere, which leaves films that premiere at film festivals but haven't gone into commercial release yet unable to be listed at all. For example, the Canadian lists are organized title first, which meant I could add any Canadian films that premiered at film festivals this year to List of Canadian films of 2024 right away, but for any country (US, France, etc.) whose lists are organized date-first, I had to leave stacks of films that premiered at Cannes or TIFF listed on the talk page for future editor attention if a future commercial-release date wasn't sourceable yet, even if the film had already premiered at a film festival.
But I shouldn't have had to do that: the moment a film's existence is known and sourceable at all, it should be able to be added to the relevant country list or lists right away, rather than having to wait weeks or months past its premiere at a film festival — especially since waiting to add a film to the list, instead of adding it right away, significantly increases the risk that the film will never get properly added to the list.
I additionally don't understand the argument above that "whitespace in the title column" makes the title-first list "harder" to read than the date-first version, as the date-first version still has "whitespace in the title column", and I fail to see that said whitespace hits differently if you put the release date before the title than it does if the release date is a later column. Bearcat (talk) 17:14, 3 November 2024 (UTC)

I'm not too particular about the date first issue either way, but the manual of style for films states we should list films by their first release where they are publicly available, whether that's at a film festival, theatrical, streaming or home video release. Generally I would wait to have a date solidified as anything could happen, but beyond that, I'm seeing it only as a mild quibble for dates/titles to take the first slot and I doubt it would co fuse any readers. Andrzejbanas (talk) 00:31, 5 November 2024 (UTC)

Agreed with Bearcat on the date coming first. I do think we should have A-Z as default but we could also have List of American films of 1981 (by release date) etc in the bloated format if there is dispute. I created the lists purely with the goal of having a comprehensive A-Z list by country.♦ Dr. Blofeld 11:47, 5 November 2024 (UTC)

@Dr. Blofeld:, @Bearcat:, @Gonnym:, i've made another draft here based on your comments. I don't really see the point of having a separate article (such as List of American films of 1981 (by release date)) for different sorting as we can easily have a "sort-table" function to let anyone sort the items the way they see fit. For consistency and to follow MOS:FILM. Per WP:FILMRELEASE, Release dates should therefore be restricted to the film's earliest release, whether it was at a film festival, a world premiere, or a public release

I'm proposing something like this then.

Opening Title Production company Ref.
January 5 The Bricklayer Vertical Entertainment, Millennium Media
January 4 DarkGame Gravitas Ventures
January 5 Fugitive Dreams Freestyle Releasing
January 5 He Went That Way Vertical Entertainment, Mister Smith Entertainment
January 2 The Mummy Murders Gravitas Ventures
January 5 Night Swim Universal Pictures, Blumhouse Productions , Atomic Monster
January 5 The Painter Republic Pictures
January 3 Self Reliance Neon, Hulu , MRC , Paramount Global Content Distribution
January 5 Some Other Woman Radiant Films International, Balcony 9 Productions
March 1 Dune: Part Two Warner Bros. Pictures, Legendary Pictures
March 1 Spaceman Netflix, Tango Entertainment, Free Association

I still stand by the idea of some sort of "extra" info, for some articles lie List of French films of 1963, just to clarify why there will be several predominantly Italian productions in there along with more predominantly French titles. On changing the list on the 2024 american films list, it has already been reverted by editors and as we are coming closer to some sort of consensus here, I'll pass on reverting those edits until we can come forward here. Andrzejbanas (talk) 17:54, 8 November 2024 (UTC)

My only concern is that WP:FILMRELEASE is a section of the template documentation for {{Infobox film}}, not a broad policy statement that binds anything else besides what date goes in the infobox. If the consensus is to stick with date-first lists over title-first lists, then we probably should establish a wider policy that extends FILMRELEASE beyond just what date goes in the infobox, but as of right now it only applies to the infobox.
And I still prefer title-first format, at any rate; in addition to my previously noted concerns, date-first format also makes the lists significantly harder to edit at all, since in addition to just adding a row for any new film you also have to find and adjust multiple rowspan numbers in order to not break the entire table. Even for me as an experienced editor who knows that, it's still enough of an added burden to make me deeply reluctant to even touch a date-first list at all — and amateur/inexperienced editors are highly likely to not even know about that and make edits that outright break the lists, thus creating extra work for other people to fix.
Tables should always be organized on the simplest possible format that includes all of the important information, rather than formats that complicate the editing process and increase the likelihood of errors. In this case, date-first deeply complicates the process of editing a list, because it requires supplementary adjustment of one or more rowspan numbers in addition to simply adding a row to the list for a film that's being added to it, while title-first eliminates that problem.
There are additionally some films which would remain unable to be added to a date-first list at all, because we can't properly source any exact release date. I created an article literally just yesterday about Wild Flowers, a Canadian short film with a notability-making award nomination and sufficient other coverage to clear GNG — and while I was able to establish where the film premiered, I was not able to find what exact day it screened at that festival (that information already isn't available even from the festival's own website anymore). Since List of Canadian films of 2024 is organized title-first rather than date-first, this isn't a problem — but if it had been organized date-first instead, I would not be able to add the film to that list at all due to the unconfirmability of a specific day. Bearcat (talk) 18:36, 8 November 2024 (UTC)
@Bearcat:, that will be an issue for several films and the release dates of older films, shorts, etc. are just not really known at the moment. While I think adding them is important, if you do not have a release date, it can still be added alphabetically with just an N/A tag or an Unknown tag. This prevents issues like this. Andrzejbanas (talk) 19:33, 8 November 2024 (UTC)
List it alphabetically where, if the lack of a confirmable release date means there's no date under which to list it? I'm not saying a release date column shouldn't be present, and have no issue with one being a later column, but the date shouldn't be the list's principal organizing criterion if we don't always even know what date a film can even go under in the first place. Title should be the first column, and release dates can be a later column, but the first column should be information that's always available for every film rather than information that's sometimes unlocatable. Bearcat (talk) 19:38, 8 November 2024 (UTC)
I apologize if I wasn't clear, but generally I agree that the title should come first. The average person is going to know a film by its title, not so much by the date it came out. My suggestion was only to have it sortable so if readers want to see a film by its release date, they have the option. I've done an example of this . Andrzejbanas (talk) 20:05, 8 November 2024 (UTC)

I don't like the date being first on those lists.♦ Dr. Blofeld 17:57, 8 November 2024 (UTC)

I'm happy to have it sorted by film title first. I apologize, I think I misunderstood your previous comment about it. Beyond that, are there any other issues. @Dr. Blofeld?
I'm happy to propose this otherwise.
Apologies for going back to re-edit this table. completely missed some clear points. I do think I agree with Blofeld that sorting by title is better. my points are the following.
  • Not all films have known specific release dates, especially with older material. A title however, is something key and unmissable. It is much easier to sort by a title, add films to a list without having to re-arrange a table with more complicated code. This makes it easier for editors.
    With newer films, dates change, either with production changing, with older films, newer material can be found. It is easier to sort out films this way.

For now this is preferred list.

I couldn't get the table to display correctly on the talk page, so I've moved it here. Andrzejbanas (talk) 18:43, 8 November 2024 (UTC)

Andrzejbanas (talk) 18:33, 8 November 2024 (UTC)

I would support sortable columns for release date and studio if we can fit them in. I just think the current release lists look horribly bloated on smaller devices and are much harder to browse than a simple A-Z. If we can get release date added I think we should go back to A-Z. ♦ Dr. Blofeld 09:06, 9 November 2024 (UTC)
My list above might have got buried in my back and forth hustle. But I've created a list that I think described what you are stating with this style here. Andrzejbanas (talk) 09:53, 13 November 2024 (UTC)
I'm fine with any table that fixes the date issue, which to me is the most important MoS breaking part of those pages (but I'm against removing the date as titles and dates are must haves). So take my support for any table that has at least those two columns and the date is fixed correcly. Gonnym (talk) 11:32, 14 November 2024 (UTC)
While I appreciate everyone's comments, I think the only way we move forward is by agreeing to a proposal instead of declaring what we do or do not require. If we could get a solid support or not support for the table I suggested (link here for conevenience), we can probably move towards something we are all more comfortable with. Andrzejbanas (talk) 12:10, 18 November 2024 (UTC)
That looks fine. Just add a row scope which is missing (and no double "||" on a new row; you only need those if you put columns data on the same row) Gonnym (talk) 15:29, 18 November 2024 (UTC)
Noted! Thanks Gonnym. :) Andrzejbanas (talk) 15:54, 18 November 2024 (UTC)
If there is no further suggestions/requests. I'll start applying the changes. @Dr. Blofeld:, any further comments? Andrzejbanas (talk) 11:30, 24 November 2024 (UTC)
You don't mean to remove director, actor and genre mentions? ♦ Dr. Blofeld 15:24, 24 November 2024 (UTC)
Yes, see, that's what I wanted to confirm. WP:LISTCRITERIA, "Selection criteria (also known as inclusion criteria or membership criteria) should be unambiguous, objective, and supported by reliable sources." The genre and the director are not key information to determining whether something is an American production or not (or any country for that matter). We already have List of horror films of 2024 for example, so I don't think genre or director is key to understanding what makes something an American production. While I find it interesting, I'm just trying to make it a more simple list that captures the key details. Generally, I think this follows the rules above more than listing other details. Andrzejbanas (talk) 14:40, 25 November 2024 (UTC)
Genre and director to me are more important than release date. I think it should be Title. Director. Cast. Genre. Studio. Release date.♦ Dr. Blofeld 14:44, 25 November 2024 (UTC)
How is it important to the topic in the list in question? Like, other than I kind of like it, I don't see how its essential knowledge. Honestly, the release date and the company involved are really the only two key criteria to make it fit the topic in question. and still follow WP:LISTCRITERIA by being objective. Andrzejbanas (talk) 15:13, 25 November 2024 (UTC)
@Dr. Blofeld: as I think we should try to move forward and as only you @Gonnym: have weighed in. Per the list criteria rule I do not see why it is important to know the director, genre, or the cast. Most directors and actors have their own filmography sections and we do not generally include whether their films are American/French/Japanese etc. As for genre, we already have List of horror films and other similar genre categories that have sortable lists to identify films by genre. As most genre films films from the past few years are various hybrids of genres (see the article Action film for more on this), trying to establish genres within the list will only add discrepancies between articles and lists that becomes unmanageable. For these reasons I think we should move forward with the list I've proposed and can make suggestions if further key information becomes clear. Andrzejbanas (talk) 14:51, 29 November 2024 (UTC)
As an overview, knowing who the director and cast is is much more important than release date or studio. ♦ Dr. Blofeld 14:58, 29 November 2024 (UTC)
While I appreciate your prompt response, may I ask why this is key information? It does not seem related to the topic as the director or cast or genre does not bare any key information to the topic of the list. I don't wnat to argue but you have said its important twice, but have not made it clear why its essential to a topic. Your suggestion would go against MOS:LONGSEQ "Keep lists and tables as short as feasible for their purpose and scope: material within a list should relate to the article topic without going into unnecessary detail;" The director, cast, and genre have no relevance on a films year or nationality. Andrzejbanas (talk) 16:47, 29 November 2024 (UTC)

References

  1. "First look, world sales deal unveiled for Ed Westwick thriller 'Darkgame' (exclusive)". Screen Daily. September 9, 2022. Retrieved December 26, 2023.
  2. "Fugitive Dreams - The Numbers". The Numbers. January 16, 2024. Retrieved January 16, 2024.
  3. McArdle, Tommy (December 14, 2023). "Jacob Elordi Plays a Killer Hitchhiker Picked Up by Zachary Quinto in He Went That Way Trailer (Exclusive)". People. Retrieved December 14, 2023.
  4. "Serial Killer Horror 'The Mummy Murders' Releases January". Culture Elixir. December 26, 2023. Retrieved December 26, 2023.
  5. D'Alessandro, Anthony (April 7, 2023). "Night Swim From Universal, Atomic Monster & Blumhouse To Take Earlier Dip In 2024". Deadline Hollywood. Retrieved April 7, 2023.
  6. D'Alessandro, Anthony (November 30, 2023). "Republic Pictures Picks Up The Painter For Paramount Global; Jon Voight Pic Plans Theatrical Release". Deadline Hollywood. Retrieved December 1, 2023.
  7. D'Alessandro, Anthony (20 December 2023). "Neon To Release Jake Johnson's 'Self Reliance' In Theaters For One Night Only Before Hulu Run". Deadline Hollywood. Retrieved 21 December 2023.
  8. Devore, Britta (December 15, 2023). "Ashley Greene Stalks Tom Felton in First 'Some Other Woman' Trailer ". Collider. Archived from the original on January 2, 2024.
  9. Sharf, Zack (November 17, 2023). "'Dune: Part Two' Release Date Moves Up Two Weeks to Kick Off March 2024". Variety.com. Retrieved November 17, 2023.
  10. Thompson, Jaden (December 19, 2023). "Adam Sandler Is an Astronaut in Peril in 'Spaceman' First Look, Netflix Sets March 2024 Release Date". Variety. Retrieved December 19, 2023.

FA review of Boogeyman 2

A user has nominated Boogeyman 2 for a featured article review here. Please join the discussion on whether this article meets the featured article criteria. Articles are typically reviewed for two weeks. If substantial concerns are not addressed during the review period, the article will be moved to the Featured Article Removal Candidates list for a further period, where editors may declare "Keep" or "Delist" in regards to the article's featured status. The instructions for the review process are here. SnowFire (talk) 17:00, 27 November 2024 (UTC)

Good article reassessment for Batman in film

Batman in film has been nominated for a good article reassessment. If you are interested in the discussion, please participate by adding your comments to the reassessment page. If concerns are not addressed during the review period, the good article status may be removed from the article. Z1720 (talk) 20:33, 27 November 2024 (UTC)

Naanum Rowdy Dhaan

Why this edit? Revirvlkodlaku, I find your rationale, that this "adds nothing of value to the reader, unless they are already familiar with Kill Dil and its characters", dumb. I think it induces curiosity in the reader to learn more about something they may not know of. As if Saul Goodman isn't allowed to mention that his speaking style was inspired by Robert Evans (I wasn't aware of him before), or the numerous characters that inspired Lalo Salamanca's characterisation. Kailash29792 (talk) 08:59, 29 November 2024 (UTC)

@Kailash29792, I think this discussion more appropriately belongs on the film's talk page, where I'll be happy to discuss it with you in a civil manner. I'll let you know that if you use words like "dumb" to disparage me or my edits, then we won't get far, and I may even report you for abusive language. Revirvlkodlaku (talk) 09:03, 29 November 2024 (UTC)
Sorry I didn't intend to launch a personal attack, it's only your rationale that looked odd to me. Once again I'll apologise if "odd" is a personal attack. I posted here only to seek consensus. Kailash29792 (talk) 10:43, 29 November 2024 (UTC)
I support the addition of this detail. It's common to report what past performance or character inspired a said work's actor of focus in their effort. Not to mention that it is a good example of cross-linking, which Misplaced Pages encourages. Readers may get interested in this statement and check out Kill Dil for themselves. Links exist especially to increase readers' understanding of various topics. Furthermore, MOS:FILMCAST says, "Real-world context may be about how the role was written, how the actor came to be cast, or what preparations were necessary for filming." So this detail fits that real-world context. Erik (talk | contrib) 12:38, 29 November 2024 (UTC)
Thank you Erik! In the source, the actor says, "My role is similar to the one Govinda played in Kill Dhill ". I wrote the same (no plagiarism) but Revirvlkodlaku removed it. I thought only the wording was unacceptable, so I readded with "inspired" instead of "similar" but he removed it again. May it be re-added with consensus? Is "inspired" not too different from "similar" in this case? Kailash29792 (talk) 12:56, 29 November 2024 (UTC)
That sounds fair to me; thanks for the input, Erik. Kailash29792, I see nothing wrong with calling my edit "odd", as it's not necessarily derogatory. Revirvlkodlaku (talk) 13:01, 29 November 2024 (UTC)

Move discussion notice

A move discussion is underway concerning the titles of several films which may be of interest to this project. Interested parties can join the discussion. SerialNumber54129 10:24, 30 November 2024 (UTC)

Male surname / Female given name

Many WP film plot descriptions use a convention of male characters being referred to by their surname while female characters are referred to by their given name.

1. Has there been previous discussion of this disparity, in which case was there a conclusion and should it be added to the MOS?

2. If not, can we discuss it now? Masato.harada (talk) 11:09, 30 November 2024 (UTC)

I believe you're supposed to refer to them by their common name and be consistent so shouldn't be referring to men as their surname and women by their first name in the same plot summary. That said, at least socially, it seems weird to refer to a woman by her surname but seems to be common for a man. John McClane is often referred to as "McClane" but Holly is always "Holly" or "Ms Genarro" or "Mrs McClane" in Rickman's perfect delivery. Darkwarriorblake (talk) 12:30, 30 November 2024 (UTC)
Generally the credited name is used. The credited name will match the social conventions for names in the fictional world of the story. The fallback Misplaced Pages convention is MOS:SURNAME and applies to both sexes. Geraldo Perez (talk) 16:32, 30 November 2024 (UTC)

Discussion about Oscar bait

There is a discussion I started at Talk:Oscar_bait#Oscar_bait_list regarding WP:SYNTH, WP:OR, and the inclusion of the bait list in an encyclopedic article. Input, especially those with interest in film awards, is welcome. Spectrallights (talk) 16:38, 3 December 2024 (UTC)

Company navboxes

I have been cleaning up individuals' navboxes per WP:FILMNAV, and I came across Template:Point Grey Pictures. I think that the spirit of WP:FILMNAV applies to this too because films usually have more than one company involved. Any objection to my nominating this for deletion under that argument? Erik (talk | contrib) 22:26, 3 December 2024 (UTC)

Ben-Hur production sub-article

There is a discussion about Ben-Hur (1959 film) and its sub-article Production of Ben-Hur (1959 film) underway. The discussion can be seen here: Talk:Ben-Hur (1959 film) § Production standalone article. Editors are invited to comment. Thanks, Erik (talk | contrib) 22:10, 4 December 2024 (UTC)

List of film articles which are stubs?

Hi all. I'm currently (slowly!) working through https://en.wikipedia.org/Category:British_cinema_articles_needing_an_image fixing the Talk page for articles which do in fact already have images. Can someone please point me to a similar category page which lists British film articles which are currently stub class? Thanks! Tobyhoward (talk) 13:11, 5 December 2024 (UTC)

Hi! I hope this is what you need: Category:Stub-Class British cinema articles. Erik (talk | contrib) 13:42, 5 December 2024 (UTC)
Perfect! Thanks very much @Erik! Tobyhoward (talk) 13:51, 5 December 2024 (UTC)

Volunteers needed for content dispute on Russians at War film

Greetings people, can you please participate in improving Russians at War film article. There is a discussion at the talk page, yes. Welcome. Pinging the opponent @UrbanVillager . ManyAreasExpert (talk) 17:13, 6 December 2024 (UTC)

I suggest revising your notification to avoid the appearance of WP:CANVASSING. Erik (talk | contrib) 19:02, 6 December 2024 (UTC)

FAR for Gertie the Dinosaur

I have nominated Gertie the Dinosaur for a featured article review here. Please join the discussion on whether this article meets the featured article criteria. Articles are typically reviewed for two weeks. If substantial concerns are not addressed during the review period, the article will be moved to the Featured Article Removal Candidates list for a further period, where editors may declare "Keep" or "Delist" in regards to the article's featured status. The instructions for the review process are here. 🍕BP!🍕 (🔔) 05:42, 7 December 2024 (UTC)

Requested move at Talk:Filipino animation#Requested move 7 December 2024

There is a requested move discussion at Talk:Filipino animation#Requested move 7 December 2024 that may be of interest to members of this WikiProject. Feeglgeef (talk) 16:09, 8 December 2024 (UTC)

Linking to highest-grossing film of the year

Geraldo Perez could you please explain why linking to the highest-grossing film of the year, as done here would come under WP:OVERLINKING, when they are widely used in FA-class articles such as Frozen 2? Krimuk2.0 (talk) 07:03, 9 December 2024 (UTC)

The meaning of the phrase is obvious and doesn't need a definition link. The reference itself is the source and lists the other films so a pipe to another wiki article with the same info adds no value. It is also an WP:EGG pipe that doesn't actually define the phrase. We shouldn't be doing this in any article. Links to other articles that are related should be in the See also section, not hidden behind a pipe. Geraldo Perez (talk) 07:13, 9 December 2024 (UTC)
Not true. Highest-grossing films of 2024 is not an WP:EGG issue, not hidden behind a pipe, adds perfect value to the lead, and is currently mentioned in all top-grossing films of the year. So unless there is wider consensus to remove such a link from all these articles, one shouldn't edit-war on one single page like Moana 2. Krimuk2.0 (talk) 07:18, 9 December 2024 (UTC)
The reference has the same info and is a reliable source so there is no added value to linking to another article. One issue in the general case of doing this is the linked wiki article is being used in lieu of a source, and when a source is actually there, the link is unnecessary. Geraldo Perez (talk) 07:35, 9 December 2024 (UTC)
That's a subjective choice and not a policy violation to edit-war over. Krimuk2.0 (talk) 07:38, 9 December 2024 (UTC)
Unnecessary links that add no value are the crux of overlinking. That is a guideline though, not a policy. I see a pointless link that adds no value and I explained why. You disagree based on the assertion that it is common practice to have this link and you see value in having it. I'm not planing on editing that part of the article again, my main original issue was the lack of a reference for the statement itself. Geraldo Perez (talk) 07:50, 9 December 2024 (UTC)

Introducing Let's Connect

Hello everyone,

I hope that you are in good spirits. My name is Serine Ben Brahim and I am a part of the Let’s Connect working group - a team of movement contributors/organizers and liaisons for 7 regions : MENA | South Asia | East, South East Asia, Pacific | Sub-Saharan Africa | Central & Eastern Europe | Northern & Western | Latina America.

Why are we outreaching to you?

Wikimedia has 18 projects, and 17 that are solely run by the community, other than the Wikimedia Foundation. We want to hear from sister projects that some of us in the movement are not too familiar with and would like to know more about. We always want to hear from Misplaced Pages, but we also want to meet and hear from the community members in other sister projects too. We would like to hear your story and learn about the work you and your community do. You can review our past learning clinics here.

We want to invite community members who are:

  • Part of an organized group, official or not
  • A formally recognized affiliate or not
  • An individual who will bring their knowledge back to their community
  • An individual who wants to train others in their community on the learnings they received from the learning clinics.

To participate as a sharer and become a member of the Let’s Connect community you can sign up through this registration form.

Once you have registered, if you are interested, you can get to know the team via google meets or zoom to brainstorm an idea for a potential learning clinic about this project or just say hello and meet the team. Please email us at Letsconnectteam@wikimedia.org. We look forward to hearing from you :)

Many thanks and warm regards,

Let’s Connect Working Group Member

Let's_Connect_logo Serine Ben Brahim (talk) 11:19, 9 December 2024 (UTC)

Requested move at Talk:The Desert Rats (film)#Requested move 3 December 2024

There is a requested move discussion at Talk:The Desert Rats (film)#Requested move 3 December 2024 that may be of interest to members of this WikiProject. Reading Beans, Duke of Rivia 02:34, 10 December 2024 (UTC)

Unrealized projects discussion

I launched a discussion at Talk:Luca Guadagnino's unrealized projects that I feel would benefit from having wider input. In regards to if currently still in development films count as "unrealized" or not. Rusted AutoParts 06:38, 12 December 2024 (UTC)

It’s very frustrating this has not seen any contribution to. Rusted AutoParts 21:20, 18 December 2024 (UTC)
Offtopic instigating
No, it's not. ZanderAlbatraz1145 (talk) 20:14, 19 December 2024 (UTC)
What purpose does this remark serve except for antagonism? Rusted AutoParts 20:42, 19 December 2024 (UTC)
Absolutely nothing. ZanderAlbatraz1145 (talk) 21:22, 19 December 2024 (UTC)

Help with Review for "The Misguided" Draft

Hello,

I'm seeking assistance with the review process for the draft article "Draft:The Misguided". I initially submitted the draft for review on December 3rd. On December 12th, I followed up on my request and added a Reception section with a Rotten Tomatoes score to further demonstrate the film's notability. I believe the draft is well-sourced, comprehensive, and meets Misplaced Pages's criteria for inclusion.

Despite these efforts, I have not received any substantive response to my requests. I also sought input on the Misplaced Pages:Village pump (miscellaneous), but the situation remains unresolved.

Could someone please advise me on how to proceed with getting this draft reviewed and moved to mainspace? Is there anything else I can do to move the process along?

Thank you for your help! Stan1900 (talk) 16:52, 15 December 2024 (UTC)

What is the hurry here? (and here ?) Axad12 (talk) 20:55, 19 December 2024 (UTC)
There's no guarantee that a draft will be reviewed or processed within a certain specific timeframe. You're not guaranteed a one-week or two-week response time at all — drafts get approved or rejected when an AFC reviewer gets around to them, and you're simply not entitled to demand that your draft receive more prompt attention than everybody else's drafts. Bearcat (talk) 15:49, 25 December 2024 (UTC)
FYI, see the currently-blocked user's talk page. There has been a lot going on with their contributions. Erik (talk | contrib) 16:08, 25 December 2024 (UTC)
The user was indef blocked following this ANI thread . The user was an obvious promotional WP:SPA and I'd suggest that readers not be drawn in to forwarding their agenda. Axad12 (talk) 16:25, 25 December 2024 (UTC)

Good article reassessment for Fantastic Four in film

Fantastic Four in film has been nominated for a good article reassessment. If you are interested in the discussion, please participate by adding your comments to the reassessment page. If concerns are not addressed during the review period, the good article status may be removed from the article. Z1720 (talk) 17:46, 18 December 2024 (UTC)

Submission to the Academy Awards

Hi, a quick question...

If a film is a submission to the Academy Awards (or any other awards) does this imply any significance, or is submitting a film just something that any minor film-maker can do with any minor film? Clarification on this point would be much appreciated.

Kind regards, Axad12 (talk) 13:26, 19 December 2024 (UTC)

Which categorie(s)? Nardog (talk) 13:44, 19 December 2024 (UTC)
Short documentary. Axad12 (talk) 13:51, 19 December 2024 (UTC)
If it helps at all, it would seem that 104 films were submitted in the year in question, so I'm assuming that this is not particularly exclusive company. Axad12 (talk) 14:21, 19 December 2024 (UTC)
For clarity, that is 104 films in that single category. Axad12 (talk) 14:22, 19 December 2024 (UTC)
That is pretty exclusive if you consider how many short documentaries there are in the world. A submission itself may not be significant, but the meeting of the criteria for it to be eligible may be, like winning an award at a festival. Nardog (talk) 14:28, 19 December 2024 (UTC)
If I'm reading the link correctly, a film would only need to complete a commercial showing of at least 7 days in either Los Angeles County, California or anywhere in New York City before being released to other non-theatrical venues such as DVD or TV. Winning an award does not appear to be necessary. So, being a submission doesn't seem to me to infer any particular significance.
The broader issue here is the rather promotional article about director Alexander Tuschinski, authored 90% by the accounts of the subject and his publicist (whose activities can be seen here ).
In trying to establish how much of the article needs to be culled it would be useful to have some input on the significance of the awards listed in this part of the article . A good number of the awards have articles on Misplaced Pages, but note that in many cases that is because Tuschinski's publicist created the relevant articles. Axad12 (talk) 14:40, 19 December 2024 (UTC)
I didn't say it was necessary. I just pointed out what made the submission possible, rather than the submission by itself, may be significant, depending on which criteria were fulfilled. Nardog (talk) 14:46, 19 December 2024 (UTC)
It would depend on the category. International Film, for example, is a category where each country has to have a committee select just one film from its entire cinematic output in that year to submit to the category — so that selection would indeed represent a distinction in and of itself even if the film doesn't ultimately land in the final five nominees. For most other categories, however, being submitted for Oscar consideration wouldn't be a notability claim in and of itself, although a film that gets submitted may very well have other reasonable notability claims — for example, some categories (I believe short documentary is one of these) essentially extend automatic consideration to films that win certain specific awards at certain specific qualifying film festivals, so the film festival award already constitutes a meaningful notability claim as it is.
Ultimately, however, the clincher is how well the film can or can't be reliably sourced. If the film can be shown to pass WP:GNG on its coverage, then it wouldn't matter whether we considered submission to be a notability claim or not because the film had already passed GNG as it is — and if it can't be shown to pass GNG on its coverage, then simple submission to a preliminary awards consideration pool probably wouldn't be enough in and of itself to exempt it from GNG. Remember that awards are one alternative among several notability paths, not a necessary condition that every film always has to have — films that have no award claims at all can still pass other criteria anyway, so the presence or absence of awards isn't the be-all and end-all by itself. Bearcat (talk) 15:43, 25 December 2024 (UTC)

Moviefone reliablitly

I searched RSN and the archives here but no real guidance, so I was wondering if Moviefone is reliable to use as an inline source? I'm leaning towards no given it looks like a database a la IMDb, but wanted to see if any other editors have come across this or its use on articles. Thanks. - Favre1fan93 (talk) 20:02, 19 December 2024 (UTC)

Looking at Moviefone, it may have had a reliable publisher in the past, but I'm not sure about now. It may also depend on what part of the website is being used. Are we talking about the "News" section, or the reviews it has, or something else? Erik (talk | contrib) 20:14, 19 December 2024 (UTC)
It would be the "full cast and crew" tab/page for a film. The specific example I've come across it was trying to source new writer credits and an actor appearing for Captain America: Brave New World and its Moviefone page here. - Favre1fan93 (talk) 16:00, 20 December 2024 (UTC)
I see at the bottom of the Moviefone page, "This product uses the TMDb API but is not endorsed or certified by TMDb." Maybe these details came from there? It looks like TMDb is "a user-editable database". (Wow, I tried to link to TMDb, but it's apparently blacklisted... that may indicate something...) Erik (talk | contrib) 16:22, 20 December 2024 (UTC)
The poster here seems to confirm the writing credits? See the left and right of the bottom line of the billing block. Erik (talk | contrib) 16:36, 20 December 2024 (UTC)
Yes, other active editors at that article are aware of the billing block (that's what's stemmed this issue at that page), but no third party reliable sources have reported on these adjustments, so we have been cautious proceeding adding the information in and not sourcing it in the body of the article. Another editor found the Moviefone page so that's how we ended up here checking its reliability. But per your first comment about its connections with TMDb, seems unreliable as a user database. - Favre1fan93 (talk) 16:56, 20 December 2024 (UTC)
I'm not sure why the billing block is in question? It's like referencing the official website for basic crediting information. We can use primary sources for straightforward, descriptive statements of facts, per WP:PRIMARY. I'm not sure if it's possible for the billing block to become outdated or wrong (other than the cases of where others are unofficially deserving of certain credits). Erik (talk | contrib) 17:06, 20 December 2024 (UTC)
The billing block isn't being questioned, just the act of how to source it in the article's when no third-party source exists covering this information. We seem to have determined Moviefone is not reliable per my original comment. If we want to have further discussion on sourcing approaches, we can continue this discussion at Talk:Captain America: Brave New World#Poster billing block. - Favre1fan93 (talk) 17:45, 20 December 2024 (UTC)

Help needed for Hong Kong film

Hello, I was trying to restore an article of a HK film, fixing link and adding source to HKMDB. This was rejected by User:JalenBarks, see talk page. Is any specialist able to help? Thanks in advance. --2A00:20:3004:F761:4CCF:894C:6F06:4CF6 (talk) 00:25, 20 December 2024 (UTC)

Jeff Sneider

There is a discussion about whether Sneider should be considered a reliable source at Misplaced Pages:Reliable sources/noticeboard#Jeff Sneider / The InSneider which impacts multiple articles within the scope of this WikiProject. - adamstom97 (talk) 09:42, 23 December 2024 (UTC)

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