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{{short description|American blues musician (1912 or 1917–2001)}} | |||
{{unsourced}} | |||
{{other people|John Hooker}} | |||
{{Use American English|date=May 2024}} | |||
{{Use mdy dates|date=December 2011}} | |||
{{Infobox musical artist | |||
| name = John Lee Hooker | |||
| image = John Lee Hooker two.jpg | |||
| caption = Hooker at ], Toronto, 1978 | |||
| birth_date = {{birth date|1912|08|22|mf=y}}<!-- Do not change his year of birth unless agreed by discussion on the article talk page -->{{sfn|Eagle|LeBlanc|2013|p=190}}<ref name="Census">{{cite web|url=http://www.johnleehooker.com/biography.htm|title=John Lee Hooker biography|website=Johnleehooker.com|access-date=February 19, 2011|archive-date=May 28, 2011|archive-url=https://web.archive.org/web/20110528001720/http://www.johnleehooker.com/biography.htm|url-status=dead}}</ref><ref>In the 1920 federal census, series T625, Roll 895, p. 235, in the city of Tutwiler, Tallahatchie County, Mississippi, Supervisor's District 2, Enumeration District 87, Sheet #29 A, line 25, enumerated February 3, 1920, John Hooker is one of nine children living with William and Minnie Hooker. John is listed as seven years of age at his last birthday. If this is accurate – and if his birthday is August 22, as he claimed – he was born August 22, 1912.</ref> or 1917{{sfn|Dahl|1996|p=115}}<ref name=jlh/> | |||
| birth_place = ] or near ], U.S. | |||
| death_date = June 21, 2001 (aged either 83 or 88) | |||
| death_place = ], U.S. | |||
| instrument = {{Flatlist| | |||
*Guitar | |||
*vocals | |||
}} | |||
| genre = ] | |||
| occupation = {{Flatlist| | |||
*Singer | |||
*songwriter | |||
*musician | |||
}} | |||
| years_active = 1930s–2001 | |||
| label = {{Flatlist| | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
}} | |||
| website = {{URL|johnleehooker.com}} | |||
}} | |||
'''John Lee Hooker''' (August 22, 1912{{sfn|Eagle|LeBlanc|2013|p=190}}<!-- Do not change his year of birth unless agreed by discussion on the article talk page --> or 1917{{sfn|Dahl|1996|p=115}}<ref name=jlh>{{cite web|url=https://johnleehooker.com/about/|title=John Lee Hooker Biography|publisher=johnleehooker.com}}</ref> – June 21, 2001) was an American ] singer, songwriter, and guitarist. The son of a ], he rose to prominence performing an electric guitar-style adaptation of ] that he developed in ]. Hooker often incorporated other elements, including ] and early North Mississippi ]. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived ]. Hooker was ranked 35 in '']''{{'}}s 2015 list of 100 greatest guitarists, <ref>{{Cite magazine|url=https://www.rollingstone.com/music/music-lists/100-greatest-guitarists-153675/john-lee-hooker-4-152301/|title=Rolling Stones 100 greatest guitarists|magazine=Rolling Stone|date=December 18, 2015 }}</ref> and has been cited as one of the greatest male blues vocalists of all time.<ref>{{cite web|url=https://www.classical-music.com/features/artists/best-blues-singers|title=Best blues singers|publisher=Classical-music.com|accessdate=2 May 2024}}</ref> | |||
] | |||
Some of his best known songs include "]" (1948), "]" (1949), "]" (1956), "]" (1962), and "]" (1966). Several of his later albums, including '']'' (1989), '']'' (1991), '']'' (1995), and '']'' (1997), were album chart successes in the U.S. and UK. ''The Healer'' (for the song "I'm in the Mood") and ''Chill Out'' (for the album) both earned him Grammy wins,<ref>{{cite web|url=https://www.grammy.com/grammys/awards/32nd-annual-grammy-awards|title=32nd Annual GRAMMY Awards|date=January 15, 2013|website=Grammy.com}}</ref><ref>{{cite web|url=https://www.grammy.com/grammys/awards/38th-annual-grammy-awards|title=38th Annual GRAMMY Awards|date=January 15, 2013|website=Grammy.com}}</ref> as well as ''Don't Look Back'', which went on to earn him a double-Grammy win for Best Traditional Blues Recording and Best Pop Collaboration with Vocals (with Van Morrison).<ref>{{cite web|url=https://www.grammy.com/grammys/awards/40th-annual-grammy-awards|title=40th Annual GRAMMY Awards|date=January 15, 2013|website=Grammy.com}}</ref> | |||
'''John Lee Hooker''' (], ] – ], ]) was an influential ] ] ] ], ]ist, and ] born in ]. From a musical family, he is a cousin of ]. He performed in a half-spoken style that became his trademark. Rhythmically, his music was free, a property common with early acoustic ] musicians. His best known songs include "]" and "]". | |||
== |
==Early life== | ||
Hooker's date of birth is a subject of debate; the years 1912, 1915, 1917, 1920, and 1923 have all been suggested. Most official sources list 1917, though at times Hooker stated he was born in 1920. Information found in the 1920 and 1930 censuses indicates that he was actually born in 1912.{{sfn|Eagle|LeBlanc|2013|p=190}} In 2017, a series of events were held to celebrate the supposed centenary of his birth.<ref>Brian McCollum, , ''Detroit Free Press'', May 1, 2017.</ref> In the 1920 federal census, John Hooker is seven years old and one of nine children living with William and Minnie Hooker in ]. | |||
John Lee Hooker was born on ], ] in ], ] the youngest of the eleven children of William Hooker (]–]), a sharecropper and a Baptist preacher, and Minnie Ramsey (]-?). He and his numerous siblings were only permitted to listen to religious songs, and so young John's earliest musical exposure was to the spirituals sung in church. In ] John's parents separated and the next year his mother married William Moore, a blues singer who provided his first introduction to the guitar (and whom he would later credit for his distinctive playing style). The next year John's father died and at age 15 he ran away from home; he would never see his mother and step-father again. Attracted by factory work, Hooker moved from Mississippi to ] in ], where he would reside until ]. He felt right at home near the blues venues and saloons on Hastings Street, the heart of black entertainment on Detroit's east side. Hooker's recording career began in ] with the hit single, "]," cut in a studio near ]. | |||
It is believed that he was born in Tutwiler, in ], although some sources say his birthplace was near ], in ].{{sfn|Palmer|1981|pp=242–243}} He was the youngest of the 11 children of William Hooker (born 1871, died after 1923),{{sfn|Murray|2002|p=24|ps=: "In 1928, Will Hooker Sr. and Jr. made a profit of twenty-eight dollars" from farming, making his death in 1923 impossible.}} a ] and Baptist preacher, and Minnie Ramsey (born c. 1880, date of death unknown). In the 1920 federal census,<ref>U.S. Census, Series T625, Roll 895, p. 235, in the city of Tutwiler, Tallahatchie County, Mississippi, Supervisor's District 2, Enumeration District 87, Sheet 29 A, Lines 18–19, enumerated February 3, 1920.</ref> William and Minnie were recorded as being 48 and 39 years old, respectively, which implies that Minnie was born about 1880, not 1875. She was said to have been a "decade or so younger" than her husband,{{sfn|Murray|2002|p=23}} which gives additional credibility to this census record as evidence of Hooker's origins. | |||
Despite being ], he was a prolific ]. In addition to adapting the occasionally traditional blues lyric (such as "if I was chief of police, I would run her right out of town"), he freely invented many of his songs from scratch. Recording studios in the ] rarely paid black musicians more than a pittance, so Hooker would spend the night wandering from studio to studio, coming up with new songs or variations on his songs for each studio. Due to his recording contract, he would record these songs under obvious ]s such as "John Lee Booker," "Johnny Hooker," or "John Cooker." | |||
The Hooker children were ]. They were permitted to listen only to religious songs; the ] sung in church were their earliest exposure to music. In 1921, their parents separated. The next year, their mother married William Moore, a blues singer, who provided John Lee with an introduction to the guitar (and whom he would later credit for his distinctive playing style).{{sfn|Oliver|1968|p=76}} | |||
His early solo songs were recorded under ]. John Lee Hooker rarely played on a standard beat, changing ] to fit the needs of the song. This made it nearly impossible to add backing tracks. As a result, Besman would record Hooker, in addition to playing guitar and singing, stomping along with the music on a wooden palette. | |||
Moore was his first significant blues influence. He was a local blues guitarist who, in ], learned to play a droning, one-chord blues that was strikingly different from the ] of the time.{{sfn|Palmer|1981|pp=242–243}} | |||
He appeared and sang in the ] movie '']''. Due to Hooker's improvisatory style, his performance was filmed and sound-recorded live, in contrast to the usual "playback" technique used in most film musicals. | |||
Another influence was ], who dated Hooker's sister Alice, helped teach Hooker to play, and gave him his first guitar. For the rest of his life, Hooker regarded Hollins as a formative influence on his style of playing and his career as a musician. Among the songs that Hollins reputedly taught Hooker were versions of "]" and "]".{{sfn|Murray|2002|p=}}{{Page needed|date=December 2022}} | |||
In ] he joined with a number of musicians, including ] and ] to record '']'', which won a ] — one of many awards. Hooker recorded several songs with ], including "Never Get Out of These Blues Alive", "The Healing Game" and "I Cover the Waterfront". He also appeared on stage with Van Morrison several times, some of which was released on the live album "A Night in San Francisco". | |||
At the age of 14, Hooker ran away from home, reportedly never seeing his mother or stepfather again.{{sfn|Murray|2002|p=43}} In the mid-1930s, he lived in ], where he performed on ], at ] and occasionally at house parties.{{sfn|Palmer|1981|pp=242–243}} | |||
He fell ill just before a tour of ] in ] and died soon afterwards at the age of 83. | |||
He worked in factories in various cities during ], eventually getting a job with the ] in ] in 1943. He frequented the blues clubs and bars on ], the heart of the black entertainment district, on Detroit's east side. In a city noted for its pianists, guitar players were scarce. Hooker's popularity grew quickly as he performed in Detroit clubs, and, seeking an instrument louder than his acoustic guitar, he bought his first electric guitar.<ref>{{Cite book|first=Terry|last=Wogan|year=1984|title=Shoes Off the Record|publisher=]|location=New York City|pages=|isbn=0-306-80321-6|url=https://archive.org/details/bluesoffrecordth00oliv/page/116}}</ref> | |||
Hooker recorded over 100 albums and lived the last years of his life in the ], where he licensed a nightclub to use the name Boom Boom Room, after one of his hits. | |||
==Earlier career== | |||
Among his many awards, John Lee Hooker has a star on the ] and in ] he was inducted into the ]. Two of his songs, "Boogie Chillen" and "Boom Boom" were named to the list of ]. "Boogie Chillen" was included as one of the ]. He was also inducted in ] into the ]. | |||
Hooker was working as a janitor in a Detroit steel mill when his recording career began in 1948,{{sfn|Palmer|1981|p=242}} when ], based in Los Angeles, released a demo he had recorded for ] in Detroit.{{sfn|Palmer|1981|p=243}} The single, "]{{-"}}, became a hit and the best-selling ] of 1949.{{sfn|Palmer|1981|p=242}} Though illiterate,<ref>{{Cite web|title=Hooker, John Lee {{!}} Detroit Historical Society|url=https://detroithistorical.org/learn/encyclopedia-of-detroit/hooker-john-lee|access-date=2020-10-30|website=detroithistorical.org}}</ref> Hooker was a prolific lyricist. In addition to adapting ], he composed original songs. In the 1950s, like many black musicians, Hooker earned little from record sales, and so he often recorded variations of his songs for different studios for an up-front fee. To evade his recording contract, he used various pseudonyms, including John Lee Booker (for ] and ] in 1951–1952), Johnny Lee (for ] in 1953–1954), John Lee, John Lee Cooker,<ref>Liner notes. ''Alternative Boogie: Early Studio Recordings, 1948–1952''.</ref> Texas Slim, Delta John, Birmingham Sam and his Magic Guitar, Johnny Williams, and the Boogie Man.{{sfn|Leadbitter|Slaven|1987|pp=579–95}} | |||
His early solo songs were recorded by Bernie Besman.{{sfn|Palmer|1981|p=244}} Hooker rarely played with a standard beat, opting instead to adjust the tempo to fit the needs of the song. This often made it difficult to use backing musicians, who were not accustomed to Hooker's musical vagaries. As a result, Besman recorded Hooker playing guitar, singing, and stomping on a wooden pallet in time with the music.{{sfn|Murray|2002|p=121}} | |||
==Music== | |||
For much of this period, he recorded and toured with ]. In Hooker's later sessions for ] in Chicago, studio musicians accompanied him on most of his recordings, including ], who could handle his musical idiosyncrasies. "]" (1962){{sfn|Palmer|1981|p=245}} and "]," two popular songs by Hooker, were originally released by Vee-Jay. | |||
John Lee Hooker's guitar playing is closely aligned with piano ]. He would play the walking bass pattern with his thumb, stopping to emphasize the end of a line with a series of ], done by rapid ]s and ]s. The songs that most epitomize his early sound are "Boogie Chillen," about being 17 and wanting to go out to dance at the Boogie clubs, "Baby Please Don't Go," a more typical blues song, summed up by its title, and "Tupelo," a stunningly sad song about the flooding of ]. | |||
==Later career== | |||
He maintained a solo career, popular with ] and ] fans of the early ] and crossed over to white audiences, giving an early opportunity to the young ]. As he got older, he added more and more people to his band, changing his live show from simply Hooker with his guitar to a large band, with Hooker singing. | |||
], Long Beach, California, August 31, 1997]] | |||
Beginning in 1962, Hooker gained greater exposure when he toured Europe in the annual ].{{sfn|Dahl|1996|p=116}} His "Dimples" became a successful single on the ] in 1964, eight years after its first US release.<ref name="OCC">{{cite web |url=https://www.officialcharts.com/artist/11155/john-lee-hooker/ |title=John Lee Hooker: Singles |publisher=] |access-date=December 3, 2022}}</ref> Hooker began to perform and record with ] musicians. One of his earliest collaborations was with British ] band ].<ref>{{cite web |url=http://www.allmusic.com/artist/groundhogs-mn0000074115/biography |title=Groundhogs: Artist Biography |last=Unterberger |first=Richie |author-link=Richie Unterberger |publisher=] |access-date=September 12, 2017}}</ref> In 1970, he recorded the joint album '']'', with the American blues and ] group ],<ref>{{cite AV media notes |title=] |others=] |year=1994 |type=CD compilation booklet |first=Greg |last=Russo |publisher=EMI/Liberty |id=7243 8 29165 2 9 |page=14}}</ref> whose repertoire included adaptations of Hooker songs.{{sfn|Palmer|1981|p=244}} It became the first of Hooker's albums to reach the ''Billboard'' charts, peaking at number 78 on the ]. Other collaboration albums soon followed, including '']'' (1971) and '']'' (1972), which included ], ], ], and others. | |||
His vocal phrasing was less closely tied to specific bars than most blues singers'. This casual, rambling style had been gradually diminishing with the onset of ] bands from ] but, even when not playing solo, Hooker retained it in his sound. | |||
Hooker appeared in the 1980 film '']'' as a street musician playing "Boom Boom." In 1989, he recorded the album '']'' with ], ], and others. The 1990s saw additional collaboration albums: '']'' (1991), '']'' (1995), and '']'' (1997) with Morrison, Santana, ], and additional guest musicians. His re-recording of "Boom Boom" (the title track for his 1992 album) with guitarist ] became Hooker's highest charting single (number 16) in the UK.<ref name="OCC" /> '']'', a 2004 ], includes performances filmed between 1960 and 1994 and interviews with several of the musicians.<ref name="Viglione">{{cite web |url=http://www.allmusic.com/album/come-and-see-about-me-dvd-mw0001338751 |title=John Lee Hooker: Come and See About Me – Review |last=Viglione |first=Joe |publisher=] |access-date=September 13, 2017}}</ref> | |||
Though Hooker lived in Detroit during most his career, he is not associated with the Chicago-style blues prevelant in large northern cities, as much as he is with the southern rural blues styles, known as ], ], ], or "front porch blues". This is because he kept the down home feeling in his music even when he moved to the city. | |||
Hooker owned five houses in his later life, including ones in the California cities of ], ], and ].<ref>{{Cite web|url=https://www.sfgate.com/bayarea/article/Fire-Damages-Blues-Artist-s-Los-Altos-Home-John-2999636.php|title=Fire Damages Blues Artist's Los Altos Home / John Lee Hooker escapes unharmed with his eight guitars|last=Finz|first=Stacy|date=1998-07-28|website=SFGate|access-date=2019-02-10}}</ref> On June 21, 2001, Hooker died in his sleep at home in Los Altos.<ref name=":0">{{Cite news|url=https://www.nytimes.com/2001/06/22/nyregion/john-lee-hooker-bluesman-is-dead-at-83.html|title=John Lee Hooker, Bluesman, Is Dead at 83|last=Pareles|first=Jon|date=June 22, 2001|newspaper=]|access-date=February 9, 2019|issn=0362-4331}}</ref> | |||
==Quotes== | |||
*"It don't take me no three days to record no album." (during the recording of the double album ''Hooker 'N Heat'' with ].) | |||
==Awards and recognition== | |||
*"I don't play a lot of fancy guitar. I don't want to play it. The kind of guitar I want to play is mean, mean licks." (when describing his own music in an article from The Daily News, Atlanta, Ga. 1992) | |||
Among his many awards, Hooker was inducted into the ] in 1980,<ref>{{cite web|url=http://www.blues.org/awards-search/?cat=hof|author=Blues Foundation|title=1980 Hall of Fame Inductees: John Lee Hooker|publisher=]|year=1980|access-date=July 13, 2016|url-status=dead|archive-url=https://web.archive.org/web/20151218032236/http://www.blues.org/awards-search/?cat=hof|archive-date=December 18, 2015|df=mdy-all}}</ref> and the ] in 1991. He was a recipient of a 1983 ] awarded by the ], which is the United States government's highest honor in the folk and traditional arts.<ref>{{cite web |url=https://www.arts.gov/honors/heritage/year/1983|title=NEA National Heritage Fellowships 1983 |author=<!--Not stated--> |website=www.arts.gov |publisher=National Endowment for the Arts |access-date=November 24, 2020 |archive-url=https://web.archive.org/web/20200920053257/https://www.arts.gov/honors/heritage/year/1983 |archive-date=September 20, 2020 |url-status=dead}}</ref> He was awarded the ] in 2000<ref>{{cite web|url=https://www.grammy.org/recording-academy/awards/lifetime-awards|title=Lifetime Achievement Award|website=Grammy.org|year=2000|access-date=March 7, 2017|archive-date=July 2, 2015|archive-url=https://web.archive.org/web/20150702064838/http://www.grammy.org/recording-academy/awards/lifetime-awards|url-status=dead}}</ref> and has a star on the ]. He is also inducted into the ].<ref>{{Cite web|url=http://www.msmusic.org/mississippi-rhythm-and-blues-musicians.html|title=Inductees: Rhythm and Blues (R & B)|website=Mississippi Musicians Hall of Fame|access-date=November 5, 2019|archive-date=July 27, 2020|archive-url=https://web.archive.org/web/20200727012901/http://www.msmusic.org/mississippi-rhythm-and-blues-musicians.html|url-status=dead}}</ref> | |||
Two of his songs, "Boogie Chillen" and "Boom Boom," are included in the ]'s list of the 500 Songs That Shaped Rock and Roll.<ref>{{cite web|url=http://www.rockhall.com/exhibithighlights/500-songs-gj|title=500 Songs That Shaped Rock and Roll|publisher=]. Rockhall.com|year=1995|archive-url=https://web.archive.org/web/20070513034007/http://www.rockhall.com/exhibithighlights/500-songs-gj|archive-date=May 13, 2007|access-date=March 7, 2017|url-status=dead}}</ref> "Boogie Chillen" is also included in the ]'s list of the "]".<ref>{{cite web|url=http://www.cnn.com/2001/SHOWBIZ/Music/03/07/list.top.365.songs|title=Songs of the Century|website=CNN.com|date=March 7, 2001|access-date=May 3, 2016}}</ref> | |||
==Discography== | |||
{{expand list}} | |||
=== |
===Grammy Awards=== | ||
* ], 1990, for ''I'm in the Mood'', with ] | |||
*1959 - ''Folk Blues '' | |||
* ], 1995, for ''Chill Out'' | |||
*1959 - ''House Of The Blues '' | |||
* ], 1998, for '']'' | |||
*1959 - ''The Country Blues of John Lee Hooker '' | |||
* ], 1998, "]", with ] | |||
*1960 - ''Blues Man '' | |||
* ], 2000 | |||
*1960 - ''I'm John Lee Hooker'' | |||
* ], 2021–22 | |||
*1960 - ''] '' | |||
*1960 - ''Travelin' '' | |||
*1961 - ''John Lee Hooker Sing The Blues '' | |||
*1961 - ''Plays And Sings The Blues '' | |||
*1961 - ''The Folk Lore of John Lee Hooker '' | |||
*1962 - ''Burnin' '' | |||
*1962 - ''Drifting the Blues'' | |||
*1962 - ''The Blues '' | |||
*1962 - ''Tupelo Blues '' | |||
*1963 - ''Don't Turn Me from Your Door: John Lee Hooker Sings His Blues'' | |||
*1964 - ''Burning Hell'' | |||
*1964 - ''Great Blues Sounds'' | |||
*1964 - ''I Want to Shout the Blues '' | |||
*1964 - ''The Big Soul of John Lee Hooker '' | |||
*1964 - ''The Great John Lee Hooker (Japan only)'' | |||
*1965 - ''Hooker & The Hogs'' | |||
*1966 - '']'' | |||
*1966 - ''The Real Folk Blues'' | |||
*1967 - ''Live at Cafè Au Go-Go'' | |||
*1968 - ''Hooked on Blues'' | |||
*1969 - ''Get Back Home'' | |||
*1969 - ''If You Miss'Im I Got'Im'' | |||
*1969 - ''Simply The Truth'' | |||
*1969 - ''That's Where It's At!'' | |||
*1969 - ''Get Back Home (First Issue)'' | |||
*1970 - ''If You Miss 'Im...I Got 'Im'' | |||
*1970 - ''John Lee Hooker on the Waterfront'' | |||
*1970 - ''Moanin' and Stompin' Blues'' | |||
*1971 - ''Endless Boogie'' | |||
*1971 - ''Goin' Down Highway 51'' | |||
*1971 - ''Half A Stranger'' | |||
*1971 - '']/Infinite boogie'' | |||
*1971 - ''I Feel Good'' | |||
*1971 - ''Never Get Out Of These Blues Alive'' | |||
*1972 - ''Detroit Special'' | |||
*1972 - ''Live At Soledad Prison'' | |||
*1973 - ''Born In Mississippi, Raised Up In Tennessee'' | |||
*1974 - ''Free Beer And Chicken'' | |||
*1974 - ''Mad Man Blues'' | |||
*1976 - ''Alone'' | |||
*1976 - ''In Person'' | |||
*1977 - ''Black Snake'' | |||
*1977 - ''Dusty Road'' | |||
*1978 - ''The Cream'' | |||
*1979 - ''Sad And Lonesome'' | |||
*1980 - ''Everybody Rockin' '' | |||
*1980 - ''Sittin' Here Thinkin' '' | |||
*1981 - ''Hooker 'n' Heat (Recorded Live at the Fox Venice Theatre)'' | |||
*1987 - ''Jealous'' | |||
*1988 - ''Trouble Blues'' | |||
*1989 - ''Highway Of Blues'' | |||
*1989 - ''John Lee Hooker's 40th Anniversary Album'' | |||
*1989 - ''The Detroit Lion'' | |||
*1989 - '']'' | |||
*1990 _ ''The Hot Spot (Featuring Miles Davis) | |||
*1990 - ''Don't You Remember Me'' | |||
*1991 - ''More Real Folk Blues: The Missing Album'' | |||
*1991 - ''Mr. Lucky'' | |||
*1992 - ''Boom Boom'' | |||
*1992 - ''This Is Hip'' | |||
*1992 - ''Urban Blues'' | |||
*1993 - ''Nothing But The Blues'' | |||
*1994 - ''King of the Boogie'' | |||
*1994 - ''Original Folk Blues...Plus'' | |||
*1994 - ''Dimples (Classic Blues)'' | |||
*1995 - ''Alternative Boogie: Early Studio Recordings, 1948-1952'' | |||
*1995 - ''Chill Out'' | |||
*1995 - ''Whiskey & Wimmen'' | |||
*1995 - ''Blues for Big Town'' | |||
*1996 - ''Moanin' the Blues (Eclipse)'' | |||
*1996 - ''Alone: The First Concert'' | |||
*1997 - ''Don't Look Back'' | |||
*1997 - ''Alone: The Second Concert'' | |||
*1998 - ''Black Man Blues'' | |||
*2000 - ''On Campus'' | |||
*2001 - ''Concert at Newport'' | |||
*2001 - ''The Cream (Re-issue)'' | |||
*2001 - ''The Real Blues: Live in Houston 1979'' | |||
*2002 - ''Live At Newport'' | |||
*2003 - ''Face to Face'' | |||
*2003 - ''Burning Hell (Our World)'' | |||
*2003 - ''Rock With Me'' | |||
*2004 - ''Jack O' Diamonds: The 1949 Recordings'' | |||
== |
==Discography== | ||
{{Main|John Lee Hooker discography}} | |||
*1974 - Mad Man Blues (Chess 1951-1966) | |||
*'']'' (1959) | |||
*1987 - Don't Look Back | |||
*'']'' (1971) | |||
*1989 - The Hook: 20 Years of Hits | |||
*'']'' (1971) | |||
*1991 - Hobo Blues | |||
*'']'' (1972) | |||
*1991 - The Chess Masters | |||
*'']'' (1989) | |||
*1991 - The Complete Chess Folk Blues Sessions (''The Real Folk Blues''/''More Real Folk Blues'') | |||
*'']'' (1991) | |||
*1991 - ] | |||
*''Boom Boom'' (1992) | |||
*1992 - Best Of: 1965-1974 | |||
*'']'' (1995) | |||
*1992 - The Ultimate Collection (Universal) | |||
*'']'' (1997) | |||
*1992 - The Vee-Jay Years, 1955 - 1964 | |||
*''The Best of Friends'' (1998) | |||
*1993 - Boom Boom (UK only) | |||
*1993 - Boogie Man | |||
*1993 - The Legendary Modern Recordings 1948-1954 | |||
*1994 - Blues Collection (Boogie Man) | |||
*1994 - John Lee Hooker (LaserLight) | |||
*1994 - The Early Years | |||
*1994 - Wandering Blues | |||
*1995 - Red Blooded Blues | |||
*1995 - The Very Best Of | |||
*1996 - Blues Legend | |||
*1996 - Live at Cafe au Go-Go (and Soledad Prison) | |||
*1997 - His Best Chess Sides | |||
*1997 - Live In Concert | |||
*1997 - The Essential Collection | |||
*1998 - The Best of Friends | |||
*1998 - The Complete 50's Chess Recordings | |||
*1999 - Best of John Lee Hooker: 20th Century Masters | |||
*1999 - This Is Hip | |||
*2000 - The Definitive Collection | |||
*2001 - Born With The Blues | |||
*2001 - Gold Collection | |||
*2001 - Legendary Blues Recordings: John Lee Hooker | |||
*2002 - Blues Before Sunrise | |||
*2002 - The Complete - Vol. 1 | |||
*2002 - The Complete - Vol. 2 | |||
*2002 - The Complete - Vol. 3 | |||
*2002 - The Complete - Vol. 4 | |||
*2002 - The Classic Early Years 1948-51 (UK, London's JSP Records,4CD's) | |||
*2002 - The Real Folk Blues/More Real Folk Blues | |||
*2002 - Timeless Collection | |||
*2003 - Blues Kingpins | |||
*2003 - Final Recordings, Vol. 1: Face to Face | |||
*2003 - The Collection 1948-52 | |||
*2004 - Don't Look Back: Complete Blues | |||
*2004 - The Complete - Vol. 5 | |||
*2005 - The Complete - Vol. 6 | |||
*2005 - The Early Years - Vol. 1 | |||
== |
==Film== | ||
* '']'' on ] (]) outside ]'s restaurant (1980) | |||
*] | |||
* ''John Lee Hooker & ]'' (1995) | |||
* ''John Lee Hooker: That's My Story'' (2001) | |||
* ''John Lee Hooker Rare Performances 1960–1984'' (2002) | |||
* '']'' (2004) | |||
* ''John Lee Hooker: Bits and Pieces About …'' (2006) | |||
==References== | ==References== | ||
{{Reflist}} | |||
*''Boogie Man: Adventures of John Lee Hooker in the American 20th Century'', by ], ISBN 0-14-016890-7. | |||
==Bibliography== | |||
*{{Cite encyclopedia | |||
| last = Dahl | |||
| first = Bill | |||
| title = All Music Guide to the Blues: The Experts' Guide to the Best Blues Recordings | |||
| year = 1996 | |||
| section = John Lee Hooker | |||
| editor-last = Erlewine | |||
| editor-first = Michael | |||
| editor-link = Michael Erlewine | |||
| editor-last2 = Bogdanov | |||
| editor-first2 = Vladimir | |||
| editor-link2 = Vladimir Bogdanov (editor) | |||
| editor-last3 = Woodstra | |||
| editor-first3 = Chris | |||
| editor-last4 = Koda | |||
| editor-first4 = Cub | |||
| editor-link4 = Cub Koda | |||
| encyclopedia = ] | |||
| location = San Francisco | |||
| publisher = ] | |||
| isbn = 0-87930-424-3}} | |||
*{{Cite book | |||
| last1 = Eagle | |||
| first1 = Bob L. | |||
| last2 = LeBlanc | |||
| first2 = Eric S. | |||
| year = 2013 | |||
| title = Blues: A Regional Experience | |||
| location = Santa Barbara, California | |||
| publisher = ] | |||
| isbn = 978-0313344244}} | |||
*{{Cite book | |||
| last1 = Leadbitter | |||
| first1 = Mike | |||
| author-link1 = Mike Leadbitter | |||
| last2 = Slaven | |||
| first2 = Neil | |||
| title = Blues Records, 1943–1970: A Selective Discography | |||
| year = 1987 | |||
| publisher = Record Information Services | |||
| isbn = 978-0-907872-07-8}} | |||
*{{Cite book | |||
| last = Murray | |||
| first = Charles Shaar | |||
| author-link = Charles Shaar Murray | |||
| title = Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century | |||
| location = New York City | |||
| publisher = ] | |||
| year = 2002 | |||
| isbn = 978-0-312-27006-3}} | |||
*{{Cite book | |||
| last = Oliver | |||
| first = Paul | |||
| authorlink = Paul Oliver | |||
| title = Screening the Blues: Aspects of the Blues Tradition | |||
| year = 1968 | |||
| location = New York City | |||
| publisher = ] | |||
| isbn = 978-0306803444}} | |||
*{{Cite book | |||
| last = Palmer | |||
| first = Robert | |||
| author-link = Robert Palmer (American writer) | |||
| year = 1981 | |||
| title = Deep Blues | |||
| location = New York City | |||
| publisher = ] | |||
| isbn = 0-14006-223-8}} | |||
*{{Cite book | |||
| last = Whitburn | |||
| first = Joel | |||
| author-link = Joel Whitburn | |||
| year = 1988 | |||
| title = Top R&B Singles 1942–1988 | |||
| location = Menomonee Falls, Wisconsin | |||
| publisher = ] | |||
| isbn = 0-89820-068-7}} | |||
==External links== | ==External links== | ||
{{commons category|John Lee Hooker}} | |||
* | |||
* |
*{{Official website|1=http://www.johnleehooker.com}} | ||
*{{IMDb name|393630}} | |||
* | |||
* | |||
* | |||
* | |||
{{John Lee Hooker}} | |||
{{1991 Rock and Roll Hall of Fame}} | |||
{{Authority control}} | |||
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Latest revision as of 23:39, 6 December 2024
American blues musician (1912 or 1917–2001) For other people named John Hooker, see John Hooker (disambiguation).
John Lee Hooker | |
---|---|
Hooker at Massey Hall, Toronto, 1978 | |
Background information | |
Born | (1912-08-22)August 22, 1912 or 1917 Tutwiler, Mississippi or near Clarksdale, Mississippi, U.S. |
Died | June 21, 2001 (aged either 83 or 88) Los Altos, California, U.S. |
Genres | Blues |
Occupations |
|
Instruments |
|
Years active | 1930s–2001 |
Labels | |
Website | johnleehooker |
John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues that he developed in Detroit. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in Rolling Stone's 2015 list of 100 greatest guitarists, and has been cited as one of the greatest male blues vocalists of all time.
Some of his best known songs include "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), "Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966). Several of his later albums, including The Healer (1989), Mr. Lucky (1991), Chill Out (1995), and Don't Look Back (1997), were album chart successes in the U.S. and UK. The Healer (for the song "I'm in the Mood") and Chill Out (for the album) both earned him Grammy wins, as well as Don't Look Back, which went on to earn him a double-Grammy win for Best Traditional Blues Recording and Best Pop Collaboration with Vocals (with Van Morrison).
Early life
Hooker's date of birth is a subject of debate; the years 1912, 1915, 1917, 1920, and 1923 have all been suggested. Most official sources list 1917, though at times Hooker stated he was born in 1920. Information found in the 1920 and 1930 censuses indicates that he was actually born in 1912. In 2017, a series of events were held to celebrate the supposed centenary of his birth. In the 1920 federal census, John Hooker is seven years old and one of nine children living with William and Minnie Hooker in Tutwiler, Mississippi.
It is believed that he was born in Tutwiler, in Tallahatchie County, although some sources say his birthplace was near Clarksdale, in Coahoma County. He was the youngest of the 11 children of William Hooker (born 1871, died after 1923), a sharecropper and Baptist preacher, and Minnie Ramsey (born c. 1880, date of death unknown). In the 1920 federal census, William and Minnie were recorded as being 48 and 39 years old, respectively, which implies that Minnie was born about 1880, not 1875. She was said to have been a "decade or so younger" than her husband, which gives additional credibility to this census record as evidence of Hooker's origins.
The Hooker children were homeschooled. They were permitted to listen only to religious songs; the spirituals sung in church were their earliest exposure to music. In 1921, their parents separated. The next year, their mother married William Moore, a blues singer, who provided John Lee with an introduction to the guitar (and whom he would later credit for his distinctive playing style).
Moore was his first significant blues influence. He was a local blues guitarist who, in Shreveport, Louisiana, learned to play a droning, one-chord blues that was strikingly different from the Delta blues of the time.
Another influence was Tony Hollins, who dated Hooker's sister Alice, helped teach Hooker to play, and gave him his first guitar. For the rest of his life, Hooker regarded Hollins as a formative influence on his style of playing and his career as a musician. Among the songs that Hollins reputedly taught Hooker were versions of "Crawlin' King Snake" and "Catfish Blues".
At the age of 14, Hooker ran away from home, reportedly never seeing his mother or stepfather again. In the mid-1930s, he lived in Memphis, Tennessee, where he performed on Beale Street, at the New Daisy Theatre and occasionally at house parties.
He worked in factories in various cities during World War II, eventually getting a job with the Ford Motor Company in Detroit in 1943. He frequented the blues clubs and bars on Hastings Street, the heart of the black entertainment district, on Detroit's east side. In a city noted for its pianists, guitar players were scarce. Hooker's popularity grew quickly as he performed in Detroit clubs, and, seeking an instrument louder than his acoustic guitar, he bought his first electric guitar.
Earlier career
Hooker was working as a janitor in a Detroit steel mill when his recording career began in 1948, when Modern Records, based in Los Angeles, released a demo he had recorded for Bernie Besman in Detroit. The single, "Boogie Chillen'", became a hit and the best-selling race record of 1949. Though illiterate, Hooker was a prolific lyricist. In addition to adapting traditional blues lyrics, he composed original songs. In the 1950s, like many black musicians, Hooker earned little from record sales, and so he often recorded variations of his songs for different studios for an up-front fee. To evade his recording contract, he used various pseudonyms, including John Lee Booker (for Chess Records and Chance Records in 1951–1952), Johnny Lee (for De Luxe Records in 1953–1954), John Lee, John Lee Cooker, Texas Slim, Delta John, Birmingham Sam and his Magic Guitar, Johnny Williams, and the Boogie Man.
His early solo songs were recorded by Bernie Besman. Hooker rarely played with a standard beat, opting instead to adjust the tempo to fit the needs of the song. This often made it difficult to use backing musicians, who were not accustomed to Hooker's musical vagaries. As a result, Besman recorded Hooker playing guitar, singing, and stomping on a wooden pallet in time with the music.
For much of this period, he recorded and toured with Eddie Kirkland. In Hooker's later sessions for Vee-Jay Records in Chicago, studio musicians accompanied him on most of his recordings, including Eddie Taylor, who could handle his musical idiosyncrasies. "Boom Boom" (1962) and "Dimples," two popular songs by Hooker, were originally released by Vee-Jay.
Later career
Beginning in 1962, Hooker gained greater exposure when he toured Europe in the annual American Folk Blues Festival. His "Dimples" became a successful single on the UK Singles Charts in 1964, eight years after its first US release. Hooker began to perform and record with rock musicians. One of his earliest collaborations was with British blues rock band the Groundhogs. In 1970, he recorded the joint album Hooker 'n Heat, with the American blues and boogie rock group Canned Heat, whose repertoire included adaptations of Hooker songs. It became the first of Hooker's albums to reach the Billboard charts, peaking at number 78 on the Billboard 200. Other collaboration albums soon followed, including Endless Boogie (1971) and Never Get Out of These Blues Alive (1972), which included Steve Miller, Elvin Bishop, Van Morrison, and others.
Hooker appeared in the 1980 film The Blues Brothers as a street musician playing "Boom Boom." In 1989, he recorded the album The Healer with Carlos Santana, Bonnie Raitt, and others. The 1990s saw additional collaboration albums: Mr. Lucky (1991), Chill Out (1995), and Don't Look Back (1997) with Morrison, Santana, Los Lobos, and additional guest musicians. His re-recording of "Boom Boom" (the title track for his 1992 album) with guitarist Jimmie Vaughan became Hooker's highest charting single (number 16) in the UK. Come See About Me, a 2004 DVD, includes performances filmed between 1960 and 1994 and interviews with several of the musicians.
Hooker owned five houses in his later life, including ones in the California cities of Los Altos, Redwood City, and Long Beach. On June 21, 2001, Hooker died in his sleep at home in Los Altos.
Awards and recognition
Among his many awards, Hooker was inducted into the Blues Hall of Fame in 1980, and the Rock and Roll Hall of Fame in 1991. He was a recipient of a 1983 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts. He was awarded the Grammy Lifetime Achievement Award in 2000 and has a star on the Hollywood Walk of Fame. He is also inducted into the Mississippi Musicians Hall of Fame.
Two of his songs, "Boogie Chillen" and "Boom Boom," are included in the Rock and Roll Hall of Fame's list of the 500 Songs That Shaped Rock and Roll. "Boogie Chillen" is also included in the Recording Industry Association of America's list of the "Songs of the Century".
Grammy Awards
- Best Traditional Blues Recording, 1990, for I'm in the Mood, with Bonnie Raitt
- Best Traditional Blues Album, 1995, for Chill Out
- Best Traditional Blues Recording, 1998, for Don't Look Back
- Best Pop Collaboration with Vocals, 1998, "Don't Look Back", with Van Morrison
- Grammy Lifetime Achievement Award, 2000
- National Rhythm & Blues Hall of Fame, 2021–22
Discography
Main article: John Lee Hooker discography- House of the Blues (1959)
- Hooker 'n Heat (1971)
- Endless Boogie (1971)
- Never Get Out of These Blues Alive (1972)
- The Healer (1989)
- Mr. Lucky (1991)
- Boom Boom (1992)
- Chill Out (1995)
- Don't Look Back (1997)
- The Best of Friends (1998)
Film
- The Blues Brothers on Maxwell Street (Chicago) outside Aretha Franklin's restaurant (1980)
- John Lee Hooker & Furry Lewis (1995)
- John Lee Hooker: That's My Story (2001)
- John Lee Hooker Rare Performances 1960–1984 (2002)
- Come See About Me (2004)
- John Lee Hooker: Bits and Pieces About … (2006)
References
- ^ Eagle & LeBlanc 2013, p. 190.
- "John Lee Hooker biography". Johnleehooker.com. Archived from the original on May 28, 2011. Retrieved February 19, 2011.
- In the 1920 federal census, series T625, Roll 895, p. 235, in the city of Tutwiler, Tallahatchie County, Mississippi, Supervisor's District 2, Enumeration District 87, Sheet #29 A, line 25, enumerated February 3, 1920, John Hooker is one of nine children living with William and Minnie Hooker. John is listed as seven years of age at his last birthday. If this is accurate – and if his birthday is August 22, as he claimed – he was born August 22, 1912.
- ^ Dahl 1996, p. 115.
- ^ "John Lee Hooker Biography". johnleehooker.com.
- "Rolling Stones 100 greatest guitarists". Rolling Stone. December 18, 2015.
- "Best blues singers". Classical-music.com. Retrieved May 2, 2024.
- "32nd Annual GRAMMY Awards". Grammy.com. January 15, 2013.
- "38th Annual GRAMMY Awards". Grammy.com. January 15, 2013.
- "40th Annual GRAMMY Awards". Grammy.com. January 15, 2013.
- Brian McCollum, "John Lee Hooker to get year-long 100th birthday tribute", Detroit Free Press, May 1, 2017.
- ^ Palmer 1981, pp. 242–243.
- Murray 2002, p. 24: "In 1928, Will Hooker Sr. and Jr. made a profit of twenty-eight dollars" from farming, making his death in 1923 impossible.
- U.S. Census, Series T625, Roll 895, p. 235, in the city of Tutwiler, Tallahatchie County, Mississippi, Supervisor's District 2, Enumeration District 87, Sheet 29 A, Lines 18–19, enumerated February 3, 1920.
- Murray 2002, p. 23.
- Oliver 1968, p. 76.
- Murray 2002.
- Murray 2002, p. 43.
- Wogan, Terry (1984). Shoes Off the Record. New York City: Da Capo Press. pp. 116–18. ISBN 0-306-80321-6.
- ^ Palmer 1981, p. 242.
- Palmer 1981, p. 243.
- "Hooker, John Lee | Detroit Historical Society". detroithistorical.org. Retrieved October 30, 2020.
- Liner notes. Alternative Boogie: Early Studio Recordings, 1948–1952.
- Leadbitter & Slaven 1987, pp. 579–95.
- ^ Palmer 1981, p. 244.
- Murray 2002, p. 121.
- Palmer 1981, p. 245.
- Dahl 1996, p. 116.
- ^ "John Lee Hooker: Singles". Official Charts. Retrieved December 3, 2022.
- Unterberger, Richie. "Groundhogs: Artist Biography". AllMusic. Retrieved September 12, 2017.
- Russo, Greg (1994). Uncanned! The Best of Canned Heat (CD compilation booklet). Canned Heat. EMI/Liberty. p. 14. 7243 8 29165 2 9.
- Viglione, Joe. "John Lee Hooker: Come and See About Me [DVD] – Review". AllMusic. Retrieved September 13, 2017.
- Finz, Stacy (July 28, 1998). "Fire Damages Blues Artist's Los Altos Home / John Lee Hooker escapes unharmed with his eight guitars". SFGate. Retrieved February 10, 2019.
- Pareles, Jon (June 22, 2001). "John Lee Hooker, Bluesman, Is Dead at 83". The New York Times. ISSN 0362-4331. Retrieved February 9, 2019.
- Blues Foundation (1980). "1980 Hall of Fame Inductees: John Lee Hooker". Blues Foundation. Archived from the original on December 18, 2015. Retrieved July 13, 2016.
- "NEA National Heritage Fellowships 1983". www.arts.gov. National Endowment for the Arts. Archived from the original on September 20, 2020. Retrieved November 24, 2020.
- "Lifetime Achievement Award". Grammy.org. 2000. Archived from the original on July 2, 2015. Retrieved March 7, 2017.
- "Inductees: Rhythm and Blues (R & B)". Mississippi Musicians Hall of Fame. Archived from the original on July 27, 2020. Retrieved November 5, 2019.
- "500 Songs That Shaped Rock and Roll". Rock and Roll Hall of Fame. Rockhall.com. 1995. Archived from the original on May 13, 2007. Retrieved March 7, 2017.
- "Songs of the Century". CNN.com. March 7, 2001. Retrieved May 3, 2016.
Bibliography
- Dahl, Bill (1996). "John Lee Hooker". In Erlewine, Michael; Bogdanov, Vladimir; Woodstra, Chris; Koda, Cub (eds.). All Music Guide to the Blues: The Experts' Guide to the Best Blues Recordings. All Music Guide to the Blues. San Francisco: Miller Freeman Books. ISBN 0-87930-424-3.
- Eagle, Bob L.; LeBlanc, Eric S. (2013). Blues: A Regional Experience. Santa Barbara, California: Praeger. ISBN 978-0313344244.
- Leadbitter, Mike; Slaven, Neil (1987). Blues Records, 1943–1970: A Selective Discography. Record Information Services. ISBN 978-0-907872-07-8.
- Murray, Charles Shaar (2002). Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century. New York City: Macmillan. ISBN 978-0-312-27006-3.
- Oliver, Paul (1968). Screening the Blues: Aspects of the Blues Tradition. New York City: Da Capo Press. ISBN 978-0306803444.
- Palmer, Robert (1981). Deep Blues. New York City: Penguin Books. ISBN 0-14006-223-8.
- Whitburn, Joel (1988). Top R&B Singles 1942–1988. Menomonee Falls, Wisconsin: Record Research. ISBN 0-89820-068-7.
External links
- Official website
- John Lee Hooker at IMDb
- 1960 interview with Paul Oliver
- Discography complete with title, musicians, original issue, recording date and more
Rock and Roll Hall of Fame – Class of 1991 | |
---|---|
Performers | |
Early influences | |
Non-performers (Ahmet Ertegun Award) | |
Lifetime achievement |
- 1910s births
- 2001 deaths
- 20th-century American guitarists
- Age controversies
- African-American guitarists
- African-American male singer-songwriters
- American male singer-songwriters
- American blues guitarists
- American male guitarists
- American blues singer-songwriters
- Blues musicians from Mississippi
- Blues musicians from Tennessee
- Blues revival musicians
- Charly Records artists
- Chess Records artists
- Country blues musicians
- Detroit blues musicians
- Electric blues musicians
- Flair Records artists
- Grammy Lifetime Achievement Award winners
- Kent Records artists
- Modern Records artists
- National Heritage Fellowship winners
- Brylen Records artists
- Specialty Records artists
- Vee-Jay Records artists
- Singer-songwriters from Tennessee
- Singer-songwriters from Mississippi
- Guitarists from Mississippi
- Guitarists from Tennessee
- People from Tutwiler, Mississippi
- People from Los Altos, California
- Black & Blue Records artists
- 20th-century African-American male singers
- 20th-century American male singers
- 20th-century American singers
- Singer-songwriters from California